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  • IWF  (258)
  • MPI Ethno. Forsch.  (154)
  • 1970-1974  (412)
  • Kulturwissenschaften  (259)
  • History  (153)
Datasource
Material
Language
Years
Year
  • 1
    Language: French
    Keywords: Ethiopia ; Description and travel ; Ethiopia ; History ; 19th century ; Abbadie, Arnaud d' ; 1815-1894
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  • 2
    Language: English , German , French
    Additional Information: Rezensiert in Zaehner, R. C. Classical Approaches to the Study of Religion. By Jacques Waardenburg Pp. xiv+742. (Religion and Reason, 3.) The Hague/Paris: Morton, 1973. Gld. 50 1975
    Series Statement: Religion and reason ...
    Keywords: Religion Study and teaching ; History ; 19th century ; Religion Study and teaching ; History ; 20th century ; Bibliografie ; Religionswissenschaft
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  • 3
  • 4
    ISBN: 9780691097978
    Language: English
    Series Statement: Bollingen series 43
    RVK:
    Keywords: History ; Philosophy ; Early works to 1800 ; Civilization ; Early works to 1800 ; Islam ; Kultur ; Geschichtsphilosophie ; Geschichtstheorie ; Geschichtssoziologie ; Kultursoziologie
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  • 5
    Book
    Book
    Cambridge [u.a.] : Univ. Press
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    Language: English
    Uniform Title: History of Iran
    Keywords: Iran ; History ; Iran ; Geschichte
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  • 6
    Language: German
    RVK:
    RVK:
    RVK:
    Keywords: Agriculture Economic aspects ; History ; Agriculture History ; Deutschland ; Landwirtschaft ; Geschichte
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  • 7
    Language: French
    Series Statement: Collection Le sens commun
    Keywords: Indogermanisch ; Linguistik ; Kulturwissenschaften
    Note: Enthält Bibliogr
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  • 8
    Book
    Book
    Washington, DC : Library of Congress, Cataloging Distribution Service
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    Language: English
    DDC: 025.4'9947
    RVK:
    Keywords: Classification, Library of Congress ; Classification ; Books ; History ; Classification ; Books ; Europe ; Library of Congress classification
    Note: Format teilw. 26, teilw. 28 cm , Beteiligte Körperschaft später: Office for Subject Cataloging Policy, Collections Services. Cataloging Policy and Support Office, Collections Service. - Library of Congress Cataloging Policy and Support Office Library Services , Online-Ausg. u.d.T.: Classification web
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  • 9
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press [u.a.]
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    Language: English
    Pages: 22 cm
    Series Statement: Studies of the East Asian Institute
    Keywords: China ; Politics and government ; 1949-1976 ; China ; History ; 1949-1976 ; China ; History ; Cultural Revolution, 1966-1976 ; Kulturrevolution ; Entstehung
    Note: Published in association with the Royal Institute of International Affairs , Bd. 1 ohne Angabe d. Serientitels
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  • 10
    Language: English
    Keywords: Political history ; Social ; History
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  • 11
    Language: English
    Edition: 3rd ed. reprinted
    Series Statement: Cass library of African studies. General studies 45
    DDC: 341.2/6
    Keywords: Africa ; History ; Sources ; Africa ; Colonization ; Treaties
    Note: Originally published, London, H.M.S.O., 1909
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  • 12
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Press
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    Language: English
    RVK:
    Keywords: Science History ; China ; Technology History ; China ; China Civilization ; History ; Science and civilization ; Intellectual life ; China ; Naturwissenschaften ; Kultur ; Geschichte
    Note: Gekürzte Ausg. u.d.T.: Ronan, Colin: The shorter science and civilization in China
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  • 13
    Language: German
    Series Statement: Studien zur Kulturkunde ...
    Series Statement: Veröffentlichungen des Frobenius-Instituts an der Johann Wolfgang Goethe-Universität zu Frankfurt/Main
    Keywords: Ethnology ; History ; Griechenland ; Ethnologie ; Römisches Reich ; Ethnologie ; Antike ; Ethnologie
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  • 14
    ISBN: 3503000151
    Language: German
    Uniform Title: Handwörterbuch zur deutschen Rechtsgeschichte 1971-1998
    DDC: 349.43/03/31
    RVK:
    Keywords: Law ; Germany (West) ; History ; Dictionaries ; German ; Law ; History ; Dictionaries ; German ; Wörterbuch ; Deutschland ; Recht ; Geschichte
    Note: Erscheinungsbeginn der Lieferungen: 1964
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  • 15
    AV-Medium
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    IWF (Göttingen)
    In:  (Jan. 1974)
    Language: Undetermined , Undetermined
    Pages: Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: house / household effects ; Europe ; division of labor ; material culture ; Prügelkrapfen ; Kulturwissenschaften ; Lower Austria ; Wirtschaft (Ethnologie) ; Arbeitsbeziehungen ; division of labour ; kitchen furnishings ; nutrition ; labor relations ; Kuchenbacken ; Arbeit ; food preparation ; Hausrat ; household utensil ; economy ; household articles ; Arbeitsteilung ; work ; Haus / Hausrat, Hausgerät ; Mehl ; Ernährung ; Encyclopaedia Cinematographica ; Austria ; Nahrungsmittelzubereitung ; baking ; Europa ; Kücheneinrichtung ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Nahrungszubereitung ; pyramid cake (Prügelkrapfen) ; Backen ; Niederösterreich ; pastry baking ; flour ; ethnology/cultural anthropology ; Österreich ; cake baking
    Abstract: Eine alte Frau bäckt ein traditionelles Festgebäck (Baumkuchen) aus Zucker, Zitronenschale, Mehl. Den dünnflüssigen Teig gießt sie schichtenweise auf eine hölzerne Rolle, die auf einem Gestell vor dem Feuer gedreht wird. Das Gebäck entsteht aus vier Schichten und wird mit weißem und rosa Zuckerguß verziert.
    Abstract: With the aid of her husband an old woman makes a Prügelkrapfen, a traditional festival pastry. From sugar, lemon peel, eggs and flour she makes a thinly liquid dough and pours it in layers upon the Prügel (cudgel), a wooden roll covered with paper, mounted in a frame and turned round on its axis in front of the fire by operating a handle. The Prügelkrapfen consists of four layers and is made in three hours. Finally it is decorated with white and pink sugar-icing and removed from the cudgel.
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  • 16
    Language: Undetermined , Undetermined
    Pages: Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1974)
    Keywords: music (ethnology) ; Europe ; Ziehharmonika ; Musikinstrumente ; partner dance ; band ; accordion ; soziale Beziehungen ; musical instruments ; Tanzstile ; Blasinstrumente ; music groups ; Tanz (Ethnologie) ; Musikinstrumente / Chordophone ; contrabass ; Geige ; Gesellschaft ; singing ; Encyclopaedia Cinematographica ; Europa ; musical instruments / chordophone ; cultural studies ; Ethnologie/Kulturanthropologie ; Musikgruppen ; Ländler ; Lambacher Landler ; ethnology/cultural anthropology ; clubs and societies ; Oberösterreich ; Tanz ; arts (ethnology) ; violin ; soziale Gruppe ; polka ; Musik (Ethnologie) ; Kulturwissenschaften ; musical instruments / aerophone ; Saiteninstrumente ; Polka ; dance ; Künste (Ethnologie) ; folkloric group ; Singen ; social groups ; Paartanz ; wind instruments ; Austria ; Vereinswesen ; Musiker ; dance (ethnology) ; society ; social relationships ; musicians ; Kontrabaß ; Lambacher Landler ; styles of dance ; Folkloregruppe ; Musikkapelle ; ländler ; Upper Austria ; Gesang ; string instruments ; Musikinstrumente / Aerophone ; Österreich
    Abstract: Im Schloß Scharnstein im Almtal führen Mitglieder der Rud aus Lambach, junge und alte Einheimische, den Landler und die anschließende Bairisch-Polka auf. Es werden vierzeilige Jodler und Lieder gesungen. Die Begleitmusik besorgt ein Lambacher Spieler auf der diatonischen Ziehharmonika, dem sich drei Spieler aus Wels mit zwei Geigen und einem Kontrabaß hinzugesellt haben.
    Abstract: The film presents an Upper Austrian Landler from Lambach im Traunviertel as it is performed in unbroken tradition this very day (1970) by a group of interested natives, young as well as old ones. According to regional custom the Landler is followed by a Boarischer, that is a Bavarian Polka. The music played in accompaniment is performed by a native musician on the diatonic accordion; he has been joined by three more musicians from the neighbouring Wels, playing two violins and a double bass.
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  • 17
    AV-Medium
    AV-Medium
    IWF (Göttingen)
    In:  (Jan. 1974)
    Language: Undetermined , Undetermined
    Pages: 101MB, 00:11:49:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: Reuse ; Baden-Württemberg ; Europe ; Umweltwissenschaft/Ökologie ; Germany ; Baden ; Wassertransport ; fixed net ; Wirtschaft (Ethnologie) ; Arbeitsbeziehungen ; trap fishery ; labor relations ; Gesellschaft ; Boote ; fishing (ethnology) ; work ; transport ; group work ; water transport ; Encyclopaedia Cinematographica ; Wildbeuter ; watercrafts ; transportation ; Europa ; Deutschland ; cultural studies ; Wasserverkehr ; Ethnologie/Kulturanthropologie ; fish trap ; ethnology/cultural anthropology ; Netzfischerei ; Baden ; fishnet ; Kulturwissenschaften ; Transport ; Agrar- und Forstwissenschaft ; Plankenboot ; net fishing ; Arbeit ; Stellnetz ; Gemeinschaftsarbeit ; economy ; Fallenfischerei ; Wasserfahrzeuge ; Fisch / Fischfang ; water traffic ; game hunters ; fish / fishing ; Fischereiwesen ; society ; Fischen ; weir ; fishery ; teamwork ; plank boat ; Baden-Württemberg ; boats
    Abstract: Gefischt wird in einem Altwasser mit einer Gerätekombination aus Zugnetz und Garnreuse. Die Absperrung erfolgt mit einem sacklosen Zugnetz, das bis auf den Grund reicht und mit Hilfe von Pfählen quer durch das Gewässer gespannt wird. Der eigentliche Fischfang erfolgt durch eine großdimensionierte Garnreuse, die an einer Öffnung seitlich im Netz angebracht ist. Diese Fangmethode zählt zu den Abschließungsfischereien.
    Abstract: The film presents the preparation and carrying-out of fishing in an old branch of the Rhine near Weisweil with a combination of fishing-gears consisting of a drag-net and a weel. This method of catching fish belongs to the techniques of fishing by means of a barrage. Today it is no longer in use in the filmed region. The barrage is done by putting up across the river a drag-net without a bag reaching down to the bottom and attached to stakes. The actual catching is done by a weel of great dimensions placed behind an opening in the centre of the net.
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  • 18
    Language: Undetermined , Undetermined
    Pages: 89MB, 00:10:27:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: planking technique ; lodging ; handicraft ; Marokko ; Lehmverarbeitung ; Kulturwissenschaften ; Wirtschaft (Ethnologie) ; Ait-Haddidou ; Afrika ; buildings ; house / housewall ; habitation ; economy ; clay processing ; Gesellschaft ; Encyclopaedia Cinematographica ; construction work ; Berbers ; society ; Ayt Hdiddu ; cultural studies ; Bauwesen ; Ethnologie/Kulturanthropologie ; Ait Haddidou ; Wohnen ; Bauen ; Berber ; Africa ; Handwerk ; Unterkünfte ; Haus / Hauswand ; Gebäude ; building trade ; ethnology/cultural anthropology ; Schalungstechnik ; Morocco
    Abstract: Stirn- und Seitenbretter einer kistenartigen Form werden auf Querhölzer gestellt, ausgelotet und mit Schnüren zusammengehalten. In diese Form wird Lehm gefüllt, festgestampft und geglättet. Dann schiebt man die Einzelteile der Form von dem soeben fertiggestellten Mauerteil weiter, und der Vorgang beginnt von neuem.
    Abstract: An earth worker shovels clay into baskets. Two bearers bring these over a ladder to a box type form. A fourth worker empties the baskets, throws them down again and stamps the clay fast with his feet and a heavy long handled wooden stamper. After filling, the surface of the clay is smoothed by using a piece of wood. Then the single parts of the box are pushed further. Stern and side boards are placed on cross beams, sounded and held together with cords. Afterwards the filling begins anew.
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  • 19
    AV-Medium
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    IWF (Göttingen)
    In:  (Jan. 1974)
    Language: Undetermined , Undetermined
    Pages: 251MB, 00:29:14:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: house / household effects ; handicraft ; division of labor ; material culture ; Formen der Tonwaren ; art ; Wirtschaft (Ethnologie) ; Arbeitsbeziehungen ; kitchen furnishings ; labor relations ; decoration ; transportation devices ; sago / sago eating-bowl ; pitfiring ; Gesellschaft ; clay extraction ; work ; Kunst ; ornamentation ; Encyclopaedia Cinematographica ; Papua New Guinea ; transportation ; Kwaiwut ; Malen ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Töpfern / Spiralwulsttechnik ; Handwerk ; Tongewinnung ; Sepik-Gebiet ; bowl ; painting (ethnology) ; Farbstoff, Farbe ; ethnology/cultural anthropology ; Schale ; Netze ; arts (ethnology) ; nets ; shaping of clay ; Kulturwissenschaften ; Papua-Neuguinea ; Kwaiwut ; division of labour ; Transport ; Sago / Sagoeßschale ; Transportgeräte ; Arbeit ; Künste (Ethnologie) ; Hausrat ; colour ; Ritztechnik ; household utensil ; economy ; household articles ; Arbeitsteilung ; Haus / Hausrat, Hausgerät ; Tragen ; Tonaufbereitung ; society ; clay preparation ; Kücheneinrichtung ; Sepik Region ; Brennhaufen ; Australien/Ozeanien ; Ornamentieren ; incising technique ; Dekoration ; Malen, Malerei ; dye ; Tragnetz ; Australia/Oceania ; painting ; carrying ; open fire ; pottery ; Töpferei
    Abstract: Nachdem sie Ton geholt und aufbereitet hat, töpfert eine Frau in Spiralwulsttechnik eine Sagobreischale. Nach zwei Tagen glättet ihr Ehemann die Gefäßoberfläche und ritzt Muster ein. Nach dem Brennen im Brennhaufen bemalt er die Schale mit roter, gelber und weißer Farbe.
    Abstract: The film shows how a clay dish is being made starting with the digging of the raw material and following up the process to the firing and painting. A woman builds up the pot using a coiling technique, without any tools other than her hands. To decorate it her husband uses a cutting and scratching technique which differs from genuine chip-carving. The pot is fired in an open fire (bonfire). Subsequently the husband paints the pattern of the conical dish with earth pigments.
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  • 20
    Language: Undetermined , Undetermined
    Pages: 47MB, 00:05:31:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: Gemüse ; house / household effects ; material culture ; Nahrungsverzehr ; eating ; Wirtschaft (Ethnologie) ; kitchen furnishings ; cooking ; nutrition ; Kochen ; food preparation ; sago / sago food ; Speisen/Gerichte ; Mehl ; Encyclopaedia Cinematographica ; Papua New Guinea ; Kwaiwut ; cultural studies ; beetle larvae ; salt / salt production ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Nahrungszubereitung ; cooking pot ; Sepik-Gebiet ; Sago / Sagopalme ; ethnology/cultural anthropology ; food and meals ; food ; leaf dish ; Kulturwissenschaften ; Papua-Neuguinea ; Blattspeise ; Käferlarven ; Sago / Sagospeisen ; Kwaiwut ; Essen ; Hausrat ; household utensil ; economy ; household articles ; Haus / Hausrat, Hausgerät ; Ernährung ; Nahrungsmittelzubereitung ; Salz / Salzgewinnung ; sago / sago palm ; Kücheneinrichtung ; Kochtopf ; Sepik Region ; Australien/Ozeanien ; Australia/Oceania ; vegetable ; flour
    Abstract: Ingebrauchnahme eines neuen Kochtopfes, Herrichten des Salzes aus Sagopalmenasche, Kochen des Sagobreis, Zubereiten von Gemüse und Käferlarven, Anrichten der Speisen in konischen Sagobreischalen.
    Abstract: The film shows the first use of a new cooking pot, the preparation of local salt, the heating of water, the preparation of sago-gruel and of ingredients (vegetables and larvae of beetles), as well as the dishing up of the food in conical clay sago-bowls.
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  • 21
    Language: Undetermined , Undetermined
    Pages: 96MB, 00:11:11:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: cloth ornamentation ; handicraft ; Marokko ; Kulturwissenschaften ; plangi ; Wirtschaft (Ethnologie) ; Ait-Haddidou ; Afrika ; Stoffmusterung, Stoffverzierung ; economy ; Plangi ; Encyclopaedia Cinematographica ; washing ; Berbers ; Ayt Hdiddu ; cultural studies ; Ethnologie/Kulturanthropologie ; Ait Haddidou ; Waschen ; Textilproduktion ; Berber ; Africa ; Handwerk ; dyeing ; Färben ; ethnology/cultural anthropology ; textile production ; Morocco
    Abstract: Eine ältere Frau färbt ein weißes Wolltuch in Anilinfarbe gelb. Die Reservierungsmuster erhielt sie durch Einbinden von Dattelkernen in den Stoff, den sie anschließend dunkelrot färbt. Nach Waschen und Trocknen werden die Einbindungen gelöst. Im roten Tuch sind rechteckige, gelbe Muster mit unscharfen Rändern entstanden.
    Abstract: An older woman boils aniline dye in water and dyes a white woolen cloth yellow in it. After drying, date stones are bound symmetrically into the material with thin threads. Red dye is then added to the yellow water and the yellow cloth, with its innumerable knots is dyed dark red in this solution. After drying it is washed with soap and cold water. After drying once more, the knots are loosened; the bindings have formed a yellow rectangular pattern with poorly defined edges in the red cloth.
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  • 22
    Language: Undetermined , Undetermined
    Pages: 50MB, 00:05:52:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: arts (ethnology) ; handicraft ; Formen der Tonwaren ; Marokko ; shaping of clay ; art ; Kulturwissenschaften ; Töpferscheibe ; Wirtschaft (Ethnologie) ; Ait-Haddidou ; Afrika ; potter's wheel ; decoration ; Künste (Ethnologie) ; Ritztechnik ; economy ; Kunst ; ornamentation ; Encyclopaedia Cinematographica ; Berbers ; Ayt Hdiddu ; cultural studies ; Ethnologie/Kulturanthropologie ; Ornamentieren ; incising technique ; Ait Haddidou ; Dekoration ; Berber ; Africa ; Handwerk ; Töpfern / Parallelwulsttechnik ; pottery ; ethnology/cultural anthropology ; Töpfern / Treibtechnik ; Töpferei ; Morocco
    Abstract: Der Töpfer treibt einen Lehmklumpen über eine angestaubte Kalotte. Nach kurzem Abtrocknen wird der Gefäßteil auf einer Töpferscheibe weiterbearbeitet. Tonwülste werden darübergelegt und miteinander verschmiert. Ehe zwei Henkel aus Tonwülsten aufgesetzt werden, glättet und verziert der Töpfer die von neuem angefeuchtete Oberfläche des Gefäßes mit einem Bambusstäbchen.
    Abstract: The potter drives a lump of clay over a dusty calotte. After a short drying period the part of the receptacle is worked further on the potter's wheel. Clay lumps are placed over this and they are smeared together. Before two handles formed from lumps of clay are set, the potter smooths and decorates the redampened surface of the receptacle with a bamboo stick.
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  • 23
    Language: Undetermined , Undetermined
    Pages: 57MB, 00:06:40:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: Nahrungsverzehr ; Marokko ; Trinken, zeremonielles ; Kulturwissenschaften ; Getränke ; eating ; Wirtschaft (Ethnologie) ; Ait-Haddidou ; Afrika ; nutrition ; Tee ; food preparation ; Religion ; economy ; religiöse Praktiken ; ritual ; Ernährung ; Encyclopaedia Cinematographica ; Berbers ; Nahrungsmittelzubereitung ; religious practices ; Ritual ; religion ; Ayt Hdiddu ; cultural studies ; Ethnologie/Kulturanthropologie ; Nahrungszubereitung ; stimulant ; tea ; Ait Haddidou ; drinking, ceremonial ; Genußmittel ; Berber ; Africa ; beverages ; ethnology/cultural anthropology ; Morocco
    Abstract: Vier Berber sitzen auf einem Teppich im Hofe des Gastgebers und trinken mit frischer Minze gewürzten, grünen chinesischen Tee. Nach Landessitte werden die Vorgänge des Teeaufgießens, des Süßens, der Entnahme von Proben und des genüßlichen Trinkens zweimal wiederholt; ihr Ablauf hat fast zeremoniellen Charakter.
    Abstract: Four Berbers drink together green Chinese tea, which is flavoured with fresh mint. In accordance with the custom of the country the procedure of infusing, sweetening, the sampling and pleasurable drinking is repeated twice; their progress has an almost ceremonial character.
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  • 24
    AV-Medium
    AV-Medium
    IWF (Göttingen)
    In:  (Jan. 1974)
    Language: Undetermined , Undetermined
    Pages: 43MB, 00:05:05:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: ashes ; bread baking ; material culture ; Marokko ; Kulturwissenschaften ; Wirtschaft (Ethnologie) ; Wärmeversorgung ; settlement ; Ait-Haddidou ; Afrika ; kitchen furnishings ; nutrition ; Fladenbrot ; food preparation ; Hausrat ; economy ; household articles ; Gesellschaft ; Backen / in Asche ; Mehl ; Ernährung ; Siedlung ; Encyclopaedia Cinematographica ; Berbers ; Nahrungsmittelzubereitung ; baking ; society ; Ayt Hdiddu ; Kücheneinrichtung ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Nahrungszubereitung ; Ait Haddidou ; Brotbacken ; Berber ; Africa ; Backen ; fire / open fireplace ; Asche ; heating ; flatbread ; Feuer / Feuerstelle, offene ; flour ; ethnology/cultural anthropology ; baking / in ashes ; Morocco
    Abstract: Aus Mehl, Salz und Wasser bereitet eine junge Frau Teig für zwei Brote. Die ovalen Fladen werden in einer flachen Tonschüssel über offenem Feuer vorgebacken und zum Bräunen in heiße Asche gelegt.
    Abstract: A young woman prepares in a wooden bowl the dough for two loaves from flour, salt and water. With the addition of more flour one half of the dough is formed into an oval flat cake and baked in a flat clay bowl over the open fire. After being turned several times the bread becomes brown in the hot ash; it is then kept warm until consumption under the wooden bowl. The woman carries out the same process with the second half of the dough which has been kept under clothes until then. At the beginning and end of baking the woman washes her hands; all of the containers are cleaned thoroughly with water.
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  • 25
    Language: Undetermined , Undetermined
    Pages: 107MB, 00:12:29:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: handicraft ; division of labor ; Marokko ; Schachtofen ; Kulturwissenschaften ; Wirtschaft (Ethnologie) ; Ait-Haddidou ; earthenware ; Afrika ; Arbeitsbeziehungen ; division of labour ; pottery kiln ; labor relations ; Arbeit ; economy ; Arbeitsteilung ; work ; Encyclopaedia Cinematographica ; Berbers ; baking / pottery ; shaft furnace ; Ayt Hdiddu ; cultural studies ; Ethnologie/Kulturanthropologie ; Ait Haddidou ; Berber ; Africa ; Handwerk ; Brennen von Töpferware ; Töpferware ; kiln ; pottery ; ethnology/cultural anthropology ; Brennofen ; Töpferei ; Morocco
    Abstract: Der Töpfer füllt den Schachtofen mit Brenngut und deckt dieses mit Tonscherben ab. Seine Frau entzündet im Brennraum ein Holzfeuer. Wenn die größte Hitze erreicht ist, wird Kleinholz oben auf die Abdeckschicht gelegt und abgebrannt. Das Ausräumen erfolgt am nächsten Morgen.
    Abstract: The potter fills the pit furnace with goods to be fired and covers these with clay fragments. He then chops wood stumps to logs and his wife lights the fire. By feeding and sorting of the burning logs with the fire hook he determines himself the temperature. Finally he burns also oakum and kindling on the covering layer. After both fires are burned down he tests the temperature on the outside of the furnance for the last time. Removal of the fired clay goods takes place next day.
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  • 26
    Language: Undetermined , Undetermined
    Pages: 112MB, 00:11:31:19 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: Landwirtschaft ; house / household effects ; Umweltwissenschaft/Ökologie ; division of labor ; America ; material culture ; pressing bag ; Preßschlauch ; harvest ; environmental sciences/ecology ; Wirtschaft (Ethnologie) ; Steckling ; flate cake baking ; Arbeitsbeziehungen ; Manihot utilissima ; kitchen furnishings ; crop growing methods ; nutrition ; labor relations ; Pflanzenwelt ; food preparation ; Venezuela ; work ; Maquiritare ; Mehl ; plantation ; South America ; Ernte ; Encyclopaedia Cinematographica ; Ackerbau / Maniok ; flora ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Nahrungszubereitung ; Knollenfrüchte ; Backen / Backplatte ; Südamerika ; Fladenbacken ; agriculture / manioc ; Backen ; botany ; ethnology/cultural anthropology ; Knollen ; Venezuela ; Manihot utilissima ; Kulturwissenschaften ; Botanik ; Reibebrett ; food production, crop science ; division of labour ; Agrar- und Forstwissenschaft ; rootcrops ; Makiritare ; baking / bake plate ; Arbeit ; Hausrat ; Pflanzenbau, Ernte ; Pflanzung ; household utensil ; economy ; household articles ; Ökologie (Botanik) ; Arbeitsteilung ; Haus / Hausrat, Hausgerät ; biology ; Ernährung ; Nahrungsmittelzubereitung ; Amerika ; Biologie ; baking ; manioc ; Kücheneinrichtung ; Makiritare ; cutting ; tubers (ethnology) ; Wurzeln, Knollen ; Agrikultur/Landwirtschaft ; Anbaumethoden ; agriculture (ethnology) ; Nahrungsmittel, Nutzpflanzenkunde ; flour ; ecology (botany) ; Maniok
    Abstract: Pflanzen von Maniokstecklingen (Manihot utilissima), Ernte, Transport und Reiben der Knollen, Auspressen des blausäurehaltigen Saftes durch Preßschläuche, Trocknen und Zerreiben der Maniokmasse, Backen von Fladen aus frischem Mehl auf einer Eisenplatte über offenem Feuer, Trocknen in der Sonne.
    Abstract: Women set young manioc plants, harvest the full-grown tubers, and carry them to the village. There they rasp the tubers, put the mass into pressing bags and, by pulling the bags, free it from its sap containing hydrocyanic acid. From the resulting flour they then make on an iron plate over an unshielded fire big flat cakes and leave them in the sun to dry.
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  • 27
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    IWF (Göttingen)
    In:  (Jan. 1974)
    Language: Undetermined , Undetermined
    Pages: 340MB, 00:27:34:04 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: Umweltwissenschaft/Ökologie ; division of labor ; Pflanzliche Produkte ; environmental sciences/ecology ; Wirtschaft (Ethnologie) ; Arbeitsbeziehungen ; nutrition ; labor relations ; food preparation ; gathering (ethnology) ; work ; Sammeln ; sago / sago production ; Encyclopaedia Cinematographica ; Wildbeuter ; Papua New Guinea ; cultural studies ; Ethnologie/Kulturanthropologie ; Nahrungszubereitung ; palm ; Sammelwirtschaft ; Metroxylon rumphii ; Sepik-Gebiet ; Sago / Sagopalme ; botany ; Aibom ; sago palm ; Sagopalme ; ethnology/cultural anthropology ; Palme ; Sago / Sagogewinnung ; food ; Metroxylon rumphii ; Kulturwissenschaften ; Papua-Neuguinea ; Nahrungsmittel ; Botanik ; food production, crop science ; division of labour ; Agrar- und Forstwissenschaft ; Arbeit ; economy ; Ökologie (Botanik) ; Arbeitsteilung ; biology ; game hunters ; Ernährung ; Nahrungsmittelzubereitung ; Biologie ; sago / sago palm ; Sepik Region ; Australien/Ozeanien ; Aibom ; Australia/Oceania ; Nahrungsmittel, Nutzpflanzenkunde ; gathering ; ecology (botany)
    Abstract: Fällen der Sagopalme (Metroxylon rumphii), Zerlegen und Transport des Stammes, Aufbrechen der Rinde, Zerkleinern des Marks mit einem Sagohammer, Aufbauen einer Waschanlage, Herausschwemmen der Stärke aus dem Sagomark, Auffangen des stärkehaltigen Wassers, Absetzen der Stärke, Umfüllen der Stärke in einen Korb, Lagerung der Stärke im Vorratsgefäß. Die Arbeiten werden von einem Mann und einer Frau in Arbeitsteilung verrichtet.
    Abstract: In the highwater time a sagopalm is cut, the trunk is divided in parts and floated to the village. There starch is produced from one of the parts: a section of palm bark is split open by a man, Kapindi, using a steel adze, and then he pounds the fibrous pith using a sago pounder made from hard wood. The washing of the starch from the fibres is done by a woman, Kambanpi, after having erected the washing apparatus with the trough of a sago leaf base and the strainer from the leaf base of coconut palms. The flower sheath of a palm is used for collecting the water containing starch. After the settling the starch is filled into a basket in order to allow that the rest of the water can drip off. The following day, the starch is stored in a big earthen storage pot.
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  • 28
    Language: Undetermined , Undetermined
    Pages: 47MB, 00:03:48:23 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: Landwirtschaft ; Umweltwissenschaft/Ökologie ; handicraft ; America ; harvest ; Wirtschaft (Ethnologie) ; Faden ; crop growing methods ; spindle ; Ackerbau ; Baumwolle ; Entkernen von Baumwolle ; Venezuela ; Maquiritare ; South America ; Ernte ; Encyclopaedia Cinematographica ; cultural studies ; Ethnologie/Kulturanthropologie ; Südamerika ; Egreniermaschine ; Handwerk ; pflanzliche Rohmaterialien ; spinning ; ethnology/cultural anthropology ; thread ; Fasergewinnung ; Venezuela ; Cotton Gin ; cotton ; Kulturwissenschaften ; separating the cotton fibers from the seedpods ; fiber extraction ; Agrar- und Forstwissenschaft ; Makiritare ; Entkernungsmaschine ; Pflanzenbau, Ernte ; economy ; Amerika ; vegetable raw materials ; Faseraufbereitung ; Makiritare ; Textilproduktion ; fiber preparation ; Agrikultur/Landwirtschaft ; Anbaumethoden ; agriculture ; cotton engine ; agriculture (ethnology) ; Spinnen ; cotton gin ; Spindel ; textile production
    Abstract: Pflücken und Trocknen der Baumwolle, Entkernen und Spinnen nach der Bakairi-Methode.
    Abstract: Two women harvest cotton grown near their village, gin it and spin, by the so-called Bakairi method, left-twisted yarn, which is chiefly used for hammocks, made by men.
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  • 29
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    IWF (Göttingen)
    In:  (Jan. 1974)
    Language: Undetermined , Undetermined
    Pages: 71MB, 00:05:47:01 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: games ; Zeichnen ; sand drawing ; Freizeitaktivitäten ; America ; Venezuela ; Kulturwissenschaften ; Spiel ; Spiele ; Makiritare ; child care ; leisure activities ; Kinderpflege ; Gesellschaft ; Venezuela ; Maquiritare ; South America ; Kinderspiel ; Encyclopaedia Cinematographica ; game ; Amerika ; society ; cultural studies ; Ethnologie/Kulturanthropologie ; Makiritare ; Südamerika ; drawing ; children's game ; ethnology/cultural anthropology ; Sandzeichnung
    Abstract: Kinder aus Amadahuna zeichnen mit Holz stilisierte Figuren in den Sand; andere balgen sich. Zwei größere Jungen, die etwa 10 m voneinander entfernt stehen, werfen sich stumpfe Pfeile zu, denen sie ausweichen oder die sie auffangen. Ein Kind ißt eine Tupirofrucht. Ein Kleinkind wird in einem Aluminiumkochtopf gebadet.
    Abstract: Little children draw on the sand; other children romp; two boys throw a blunt arrow upon each other. A child eats a tupiro fruit; a baby is bathed.
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  • 30
    Language: Undetermined , Undetermined
    Pages: 76MB, 00:06:12:06 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: Banane ; material culture ; Nahrungsverzehr ; banana ; eating ; frying-pan ; Wirtschaft (Ethnologie) ; Wärmeversorgung ; kitchen furnishings ; nutrition ; cooking ; sago / sago-palm ; Kochen ; Kuchenbacken ; food preparation ; Gesellschaft ; coconut ; sago / sago food ; Speisen/Gerichte ; Mehl ; Feuer / Feuerschale ; Encyclopaedia Cinematographica ; Papua New Guinea ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Nahrungszubereitung ; Sepik-Gebiet ; Backen ; Sago / Sagopalme ; Aibom ; ethnology/cultural anthropology ; pastry-baking ; cake baking ; food and meals ; food ; Kulturwissenschaften ; Papua-Neuguinea ; settlement ; Sago / Sagospeisen ; Essen ; Hausrat ; economy ; household articles ; Ernährung ; Siedlung ; Sago / Sagobrocken ; Nahrungsmittelzubereitung ; baking ; society ; Kücheneinrichtung ; Sepik Region ; Australien/Ozeanien ; fire / fire bowl ; Aibom ; Australia/Oceania ; baking / baking-dish ; heating ; Kokospalme ; Backen / Backschale ; coco palm ; flour
    Abstract: Eine Frau schüttet auf eine vorgeheizte Backschale feuchtes Sagostärkemehl und bäckt daraus ovale Fladen, die kurz in Wasser getaucht werden. Anschließend legt sie frische Sagobrocken ins Feuer, bäckt sie unter mehrmaligem Wenden mit einer Bambuszange und ißt sie noch warm.
    Abstract: A woman, Kambanpi is refining bananas directly on the fire. On top of a moistened banana leaf she is putting sago, scraps of coconut and pieces of the refined bananas. The cake is wrapped in the leaf and baked in the heated frying-pan. The burnt banana leaf is then scraped off, and the cake is eaten.
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  • 31
    Language: Undetermined , Undetermined
    Pages: 975MB, 00:19:30:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: handicraft ; arrow ; America ; resin ; Pfeilgift ; arrow poison ; Kulturwissenschaften ; Wirtschaft (Ethnologie) ; Gifte ; Colombia ; poisoned arrow ; quiver ; economy ; Holzarbeiten ; Giftpfeil ; South America ; Encyclopaedia Cinematographica ; Klebstoff, Kleben ; adhesive, adhesion ; Amerika ; Harz ; woodworking ; Kolumbien ; cultural studies ; Ethnologie/Kulturanthropologie ; Holzbearbeitung ; Südamerika ; Embéra ; poisons ; Handwerk ; Blasrohr ; Embera ; Köcher ; blowgun ; Pfeil ; ethnology/cultural anthropology ; Emberá-Wounaan
    Abstract: Ein junger Mann schlägt zwei ca. 3 m lange Palmholzteile zurecht, kürzt und bearbeitet sie, meißelt eine Mittelrille heraus, poliert sie, klebt sie mit Harz zusammen und umwickelt sie. Er schnitzt Pfeile, einen Reinigungsstock, höhlt zwei Baumfrüchte für die Baumwoll-Pfeilmanschetten aus und vergiftet Pfeilspitzen auf einem Froschrücken (Pyllobates bicolor).
    Abstract: A young man makes a blowgun. His first task is to select a suitable tree in the forest. He brings home, however, only certain selected thinned-down sections as carrying an entire trunk would be too difficult. When he has selected a suitable length of sections for the two halves of the blowgun, he brings them home and begins to work. First the blowgun is made: two long palm wood sections are thinned down to the desired length with the aid of a machete. Then a central groove is drilled and both halves glued together with resin and then wrapped up with bast. The various accessories to the blowgun are then manufactured. The bamboo quiver is made from a piece of very thick bamboo, and then, with the use of a chisel, a lid is fitted on top of it. The darts are prepared from a palm, by splitting away thin slivers of the tree. A ramrod is also made for cleaning the blowgun, and this also comes from a palm tree. Finally the cotton container is made from a fruit nut which is hollowed out especially for this purpose. The poison for the darts is extracted from bright yellow, fairly large frogs of the species Phyllobates bicolor, which he has already captured. By rubbing the tip of the darts against the back of the frog, whose skin secretion is extraordinary venomous, the darts are then rendered poisonous.
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  • 32
    Language: Undetermined , Undetermined
    Pages: 1302MB, 00:24:56:19 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1974)
    Keywords: musical instruments / membranophone ; Japaner ; music (ethnology) ; arts (ethnology) ; Schauspiel ; Musikinstrumente ; Musik (Ethnologie) ; Kulturwissenschaften ; musical instruments / aerophone ; Asia ; musical instruments ; Theater-Produktion ; Gagaku ; orchestra ; Blasinstrumente ; music groups ; Japan ; Tanzspiel ; Schlaginstrumente ; Asien ; Künste (Ethnologie) ; Orchester ; Theater (Ethnologie) ; dance drama ; Musikinstrumente / Membranophone ; drama ; wind instruments ; Encyclopaedia Cinematographica ; Musiker ; cultural studies ; musicians ; Japanese ; Ethnologie/Kulturanthropologie ; percussion instruments ; gagaku ; theatre (ethnology) ; theatrical productions ; Musikgruppen ; theatrical play ; Musikinstrumente / Aerophone ; Japan ; ethnology/cultural anthropology
    Abstract: Nach dem Vorstellen der verschiedenen Gagaku-Masken folgt der Auftritt eines Tänzers in der Genjoraku-Maske. Er stellt seine große Freude über eine Schlange dar, die er in seiner Nähe entdeckt.
    Abstract: At the beginning, some of the different gagaku masks are displayed. Then, a Genjoraku mask is put on by a dancer. The music and dance performance of Genjoraku follows. The solo dancer shows great joy upon discovery that a snake is near-by. The costume, mask as well as the dance itself show the Chinese and Japanese people considered the culture and the people of Central Asia.
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  • 33
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    IWF (Göttingen)
    In:  (Jan. 1974)
    Language: Undetermined , Undetermined
    Pages: 464MB, 00:08:55:11 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: handicraft ; clothing ; Flechten ; America ; material culture ; headdress ; Wirtschaft (Ethnologie) ; Ecuador ; plaiting ; jewellery / production ; sewing ; drilling ; Nähen ; Tierhaltung ; tierische Nebenprodukte ; Häkeln, Stricken, Flechten ; South America ; accessories ; Encyclopaedia Cinematographica ; Ara macao ; Jívaro ; Accessoires ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; scarlet macaw ; Shuar ; Südamerika ; Handwerk ; pflanzliche Rohmaterialien ; Feder, Federverarbeitung ; ethnology/cultural anthropology ; twisting ; animal husbandry ; jewelry ; Drillen ; lianas ; Shuara ; Schmuck ; Ara ; Kulturwissenschaften ; Federkopfschmuck ; Kleidung ; Ecuador ; feather crown ; economy ; Ara macao ; red ara ; crocheting, knitting, plaiting ; Schmuck / Herstellen ; feather, feather processing ; Federschmuck ; Kopfschmuck ; Lianen ; Amerika ; Hellroter Ara ; vegetable raw materials ; Faseraufbereitung ; Textilproduktion ; fiber preparation ; feather headdress ; animal by-products ; textile production
    Abstract: Ein Mann aus Cusuimi stellt eine Federkrone aus Haut und Flügeln des Hellroten Ara her: Er flicht die zylinderförmige Kronenbasis aus gespaltenen Lianenstreifen, drillt auf dem Oberschenkel dünne Fäden aus den Fasern einer Bromeliaceen-Art, näht damit Haut und Flügel auf die Basis und schneidet das Gefieder zurecht.
    Abstract: A young and intelligent Shuara makes a festive feather crown from the skin and wings of the red macaw parrot he had killed. He begins to work by preparing strands of split liana which will be used to plait the base of the crown. He next prepars the thin thread of the strands of chambira by twisting them over his thigh. With this thread he sews on the skin and the wings of the birds to the plaited base, then deftly cutting the somewhat formless bird skin into the desired shape.
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  • 34
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    AV-Medium
    IWF (Göttingen)
    In:  (Jan. 1974)
    Language: Undetermined , Undetermined
    Pages: 307MB, 00:06:15:23 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: Landwirtschaft ; Crimeans ; Umweltwissenschaft/Ökologie ; material culture ; Ackerbau / Ackerbaugeräte ; Kulturwissenschaften ; hook plough ; Turkey ; Wirtschaft (Ethnologie) ; agriculture / agricultural implement ; Asia ; landwirtschaftliche Geräte ; Agrar- und Forstwissenschaft ; Tatars ; crop growing methods ; tools ; Pflügen, Pflug ; karasaban ; Asien ; agricultural equipment ; Krimtataren ; agriculture / Turkey ; Werkzeug ; economy ; Karasaban ; plowing ; Crimean Tatars ; Bodenbearbeitung, Be- und Entwässerung ; landwirtschaftliche Ausrüstung ; Ackerbau / Türkei ; Roden, Pflügen, Hacken ; Encyclopaedia Cinematographica ; cultural studies ; materielle Kultur ; Türkei ; Ethnologie/Kulturanthropologie ; Hakenpflug ; agricultural devices ; ploughing, plough ; Agrikultur/Landwirtschaft ; Anbaumethoden ; agriculture (ethnology) ; Tataren ; ethnology/cultural anthropology ; plough
    Abstract: Pflügen eines Feldes mit einem von Ochsen gezogenen hölzernen Hakenpflug (Karasaban) in dem Muhacirdorf Kalecikayaköyü.
    Abstract: Especially on the often stony, steep and strongly divided fields of the Anatolian dry-farming regions, the traditional wooden plough with small iron share (karasaban) is still being used along with more modern equipment. The present film depicts a pair of oxen being put under a yoke and the plough transported to a field. There it is employed in a way characteristic of its form of construction to till parts of a fallow stubblefield. After use it is dismounted, cleaned and transported back to the farm.
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  • 35
    AV-Medium
    AV-Medium
    IWF (Göttingen)
    In:  (Jan. 1974)
    Language: Undetermined , Undetermined
    Pages: Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: house / household effects ; Europe ; division of labor ; material culture ; Prügelkrapfen ; Kulturwissenschaften ; Lower Austria ; Wirtschaft (Ethnologie) ; Arbeitsbeziehungen ; division of labour ; kitchen furnishings ; nutrition ; labor relations ; Kuchenbacken ; Arbeit ; food preparation ; Hausrat ; household utensil ; economy ; household articles ; Arbeitsteilung ; work ; Haus / Hausrat, Hausgerät ; Mehl ; Ernährung ; Encyclopaedia Cinematographica ; Austria ; Nahrungsmittelzubereitung ; baking ; Europa ; Kücheneinrichtung ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Nahrungszubereitung ; pyramid cake (Prügelkrapfen) ; Backen ; Niederösterreich ; pastry baking ; flour ; ethnology/cultural anthropology ; Österreich ; cake baking
    Abstract: Eine alte Frau bäckt ein traditionelles Festgebäck (Baumkuchen) aus Zucker, Zitronenschale, Mehl. Den dünnflüssigen Teig gießt sie schichtenweise auf eine hölzerne Rolle, die auf einem Gestell vor dem Feuer gedreht wird. Das Gebäck entsteht aus vier Schichten und wird mit weißem und rosa Zuckerguß verziert.
    Abstract: With the aid of her husband an old woman makes a Prügelkrapfen, a traditional festival pastry. From sugar, lemon peel, eggs and flour she makes a thinly liquid dough and pours it in layers upon the Prügel (cudgel), a wooden roll covered with paper, mounted in a frame and turned round on its axis in front of the fire by operating a handle. The Prügelkrapfen consists of four layers and is made in three hours. Finally it is decorated with white and pink sugar-icing and removed from the cudgel.
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  • 36
    Language: Undetermined , Undetermined
    Pages: Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1974)
    Keywords: music (ethnology) ; Europe ; Ziehharmonika ; Musikinstrumente ; partner dance ; band ; accordion ; soziale Beziehungen ; musical instruments ; Tanzstile ; Blasinstrumente ; music groups ; Tanz (Ethnologie) ; Musikinstrumente / Chordophone ; contrabass ; Geige ; Gesellschaft ; singing ; Encyclopaedia Cinematographica ; Europa ; musical instruments / chordophone ; cultural studies ; Ethnologie/Kulturanthropologie ; Musikgruppen ; Ländler ; Lambacher Landler ; ethnology/cultural anthropology ; clubs and societies ; Oberösterreich ; Tanz ; arts (ethnology) ; violin ; soziale Gruppe ; polka ; Musik (Ethnologie) ; Kulturwissenschaften ; musical instruments / aerophone ; Saiteninstrumente ; Polka ; dance ; Künste (Ethnologie) ; folkloric group ; Singen ; social groups ; Paartanz ; wind instruments ; Austria ; Vereinswesen ; Musiker ; dance (ethnology) ; society ; social relationships ; musicians ; Kontrabaß ; Lambacher Landler ; styles of dance ; Folkloregruppe ; Musikkapelle ; ländler ; Upper Austria ; Gesang ; string instruments ; Musikinstrumente / Aerophone ; Österreich
    Abstract: Im Schloß Scharnstein im Almtal führen Mitglieder der Rud aus Lambach, junge und alte Einheimische, den Landler und die anschließende Bairisch-Polka auf. Es werden vierzeilige Jodler und Lieder gesungen. Die Begleitmusik besorgt ein Lambacher Spieler auf der diatonischen Ziehharmonika, dem sich drei Spieler aus Wels mit zwei Geigen und einem Kontrabaß hinzugesellt haben.
    Abstract: The film presents an Upper Austrian Landler from Lambach im Traunviertel as it is performed in unbroken tradition this very day (1970) by a group of interested natives, young as well as old ones. According to regional custom the Landler is followed by a Boarischer, that is a Bavarian Polka. The music played in accompaniment is performed by a native musician on the diatonic accordion; he has been joined by three more musicians from the neighbouring Wels, playing two violins and a double bass.
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  • 37
    Language: Undetermined , Undetermined
    Pages: 0MB, 00:01:52:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1974)
    Keywords: recital ; music (ethnology) ; arts (ethnology) ; Sarangi ; Musikinstrumente ; Musik (Ethnologie) ; Kulturwissenschaften ; dance / solo dance ; Asia ; musical instruments ; Gaine ; Tanzstile ; Saiteninstrumente ; music groups ; Tanz (Ethnologie) ; Musikinstrumente / Chordophone ; Asien ; solo dance ; Künste (Ethnologie) ; Erzähllied ; Geige ; singing ; Nepal ; Singen ; Fiedel ; Solotanz ; Encyclopaedia Cinematographica ; Musiker ; dance (ethnology) ; Gaine ; musical instruments / chordophone ; cultural studies ; musicians ; fiddle ; Ethnologie/Kulturanthropologie ; telling song ; sarangi ; styles of dance ; Gesang ; Musikgruppen ; string instruments ; Nepal ; ethnology/cultural anthropology ; Tanz / Solotanz
    Abstract: Spielleute tragen in Katmandu ein Lied vor, in dem die Taten eines berühmten Sherpa besungen werden. Vier spielen auf Geigen, drei klatschen in die Hände. Ein 10jähriger Junge improvisiert einen Tanz dazu.
    Abstract: Gaine musicians sing of the deeds of a famous Sherpa porter. Four of them accompany the song by the violin sarangi, three others clap their hands. A ten-year-old Gaine boy performs a dance by improvising traditional movements.
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  • 38
    AV-Medium
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    IWF (Göttingen)
    In:  (Jan. 1974)
    Language: Undetermined , Undetermined
    Pages: 344MB, 00:35:18:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1974)
    Keywords: music (ethnology) ; Europe ; clothing ; rhymes, sayings, verses ; whitsun customs ; spezielle Kleidung ; Musikinstrumente ; greeting ; flag ; mutul ; musical instruments ; Tanzstile ; occasional dances ; Kerzen, Kerzenherstellung ; Musikinstrumente / Chordophone ; Friedhof ; Feste ; Wettkampf ; death cult, death custom ; dance / men's dance ; leisure activities ; Opfergaben ; spezielle Tänze ; Gesellschaft ; singing ; grave ; drama ; custom / course of the year ; Encyclopaedia Cinematographica ; Grab / Grabopfer ; Romania ; religion ; musical instruments / chordophone ; lament ; Tanz / Männertanz ; theatrical productions ; Stocktanz ; Musikgruppen ; theatrical play ; Pfingstbräuche ; custom / circle of life ; cultic dance ; men's society ; cult dance ; Männertanz ; Tanz ; arts (ethnology) ; Schauspiel ; cemetery ; Trauer ; Kulturwissenschaften ; Tötung - Wiederbelebung ; Totenkult, Totenbrauchtum ; sacrificial offering ; Saiteninstrumente ; Siedlungsformen ; special dances ; sacrifices ; dance clothing ; dance ; Theater (Ethnologie) ; Gruppentanz ; Siedlung ; rituelle Tänze ; burning incense ; Musiker ; Verkleidung, Verhüllung ; musicians ; Räucherung ; Kalushars ; styles of dance ; course of life ; Umgang ; ethnology of dance ; Gesang ; lute ; dances with objects ; shaving / custom ; material culture ; Tanzwettstreit ; disguising ; Grab ; Laute ; Tänze nach Geschlecht ; band ; oblation ; Gräber ; Lebenslauf ; seasonal festivities ; music groups ; Tanz (Ethnologie) ; Totenspiel ; Religion ; Geige ; Kaluscharen ; mens' dances ; Tanzethnologie ; costumes ; anlaßbezogene Tänze ; Bräuche ; Europa ; religious practices ; Mutul ; cultural studies ; materielle Kultur ; fiddle ; circling ; Ethnologie/Kulturanthropologie ; Männerbund ; Umkreisen ; settlement types ; graves ; burial ; Tod ; ethnology/cultural anthropology ; death ; ritual dances ; killing - reawakening ; Kulttanz ; Freizeitaktivitäten ; Rumänien ; Brauchtum / Lebenskreis ; wailing women ; mimodrama ; Musik (Ethnologie) ; Brauchtum / Jahreslauf ; jahreszeitliche Festivitäten ; Totenkult/Ahnenkult ; settlement ; Sport ; men's dance ; Theater-Produktion ; Rasieren im Brauchtum ; spring customs ; Feuer / Feuerbrauchtum ; Kleidung ; stick dance ; Tanz mit Gegenstand ; competition ; group dance ; grief ; fire / fire custom ; solo dance ; Künste (Ethnologie) ; Beerdigung ; Tanzkleidung ; Verkleidungen ; Opfer ; Reime, Sprüche, Verse ; candle, candle making ; religiöse Praktiken ; Singen ; dance competition ; Solotanz ; dance (ethnology) ; society ; Mimodrama ; customs ; special clothing ; Fahne / "Begraben" ; Musikkapelle ; cult of the dead/ancestor worship ; theatre (ethnology) ; Frühjahrsbräuche ; sports ; Klagefrauen ; string instruments ; Begrüßung ; Fahne / Aufrichten ; Klagelied ; dances according to gender ; feasts
    Abstract: In dem Film wird gezeigt, wie eine Männergruppe, vom Dorf herkommend, auf einen Hügel steigt. Die Gruppe, die schweigend anmarschiert, bringt eine etwa 14 m lange Stange, "Fahne" genannt, mit. Die Kaluscharengruppe wird von einer maskierten Gestalt, dem mutul, und drei Musikanten begleitet. Am Hügel angekommen, folgt der Schwur auf die Fahne. Anschließend wird getanzt. Ins Dorf zurückgekommen, kehren sie beim ersten Haus ein und führen ihre Tänze auf dem Hof auf. Der eine Tänzer wird vom mutul "getötet", der anschließend von der Gruppe gezwungen wird, den "Getöteten" wieder zum Leben zu erwecken. Das Spiel, das anscheinend in einem früheren Transitritus wurzelt, endet mit einem gemeinsamen Tanz. Zwei Kaluscharengruppen begegnen sich und führen unter Einhaltung gewisser Zeremonien (Begrüßung, formelhafte Verhandlung usw.) in einem Wettstreit verschiedene Tänze auf. Im letzten Teil des Films wird gezeigt, wie die Kaluscharengruppe, vom Dorf kommend, auf einen Hügel steigt, um die brauchtümlichen Handlungen der Pfingsttage abzuschließen. Von der "Fahne" werden das Tuch und die Kräuter heruntergenommen, unter den Kaluscharen verteilt, die Fahnenstange hochgestellt und auf ein Zeichen des mutuls losgelassen. In dem Augenblick springen die Männer auseinander und laufen in verschiedenen Richtungen weg. Sobald die Stange auf den Boden aufschlägt, kehren sie um und begrüßen sich gegenseitig, als hätten sie sich lange nichte mehr gesehen. Mit anschließendem Tanz endet der Film.
    Abstract: The film shows a group of men coming from the village up a hill. The group, marching silently, is carrying an approximately 14 m long pole, called the "flag". The kalushar group is accompanied by a masked figure, the mutul and three musicians. Having arrived at the hill the oath on the flag follows. Then there is dancing. When they return to the village they enter the first house and perform their dances in the yard. One of the dancers is "killed" by the mutul, who is then forced by the group to reawake the dead man to life. The game, which seems to be rooted in an earlier transit rite, ends with a dance for all. Two kalushar groups meet and perform several dances in a competition while observing certain ceremonies (greeting, formal parley etc.). The last part of the film shows the kalushar group coming from the village and climbing up a hill to conclude the traditional Whitsun rites. The cloth and the herbs are taken down from the "flag", distributed among the kalushars, the flag pole is hoisted up, and at a sign from the mutul it is let go. At that moment the men spring apart and run away in various directions. As soon as the pole hits the ground they turn round and greet each other as though they had not seen each other for a long time. The film ends with the subsequent dancing.
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  • 39
    Language: Undetermined , Undetermined
    Pages: 159MB, 00:16:19:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1974)
    Keywords: Zauberarzt ; Heilmittel ; Wirtschaft (Ethnologie) ; medicine ; Tanz (Ethnologie) ; occasional dances ; dance / South Africa ; Veränderungen des Körpers ; treatment, magical ; ethnomedicine ; Gesellschaft ; work ; alterations of the body ; Zulu ; anlaßbezogene Tänze ; Inhalieren ; Encyclopaedia Cinematographica ; estates and professions ; Körper ; ethnology of medicine ; cultural studies ; Tanz / Heilungstanz ; Ethnologie/Kulturanthropologie ; Ritzen der Haut ; divination ; Krankenbehandlung, magische ; magische Krankenbehandlung ; Divinationstanz ; diviner ; incising of the skin ; Ethnomedizin ; curative treatment ; medizinische Therapie ; Heilbehandlung ; South Africa ; herbalist ; ethnology/cultural anthropology ; ritual dances ; remedy ; individual ; arts (ethnology) ; Tanz / Südafrika ; Zulu ; Kulturwissenschaften ; labor organisation ; Afrika ; Medizin ; Heiltanz ; Arbeit ; Künste (Ethnologie) ; economy ; magische Therapie ; Individuum ; Medizinethnologie ; rituelle Tänze ; scarifying the skin ; dance (ethnology) ; society ; healing dance ; Herbalistin ; magical treatment ; Africa ; Divination, Diviner ; dance / healing dance ; body ; divination dance ; witch doctor ; magical therapy ; inhaling ; Arbeitsorganisation ; medical therapy ; Stände und Berufe ; Südafrika
    Abstract: Eine junge Frau wird von einer Herbalistin durch Inhalieren, Einnehmen eines Emetikums und Einritzen der Haut behandelt. Helferinnen assistieren bei der Behandlung. Abschließend wird ein mehrteiliger Divinationstanz aufgeführt.
    Abstract: A young woman is treated by a female herbalist by inhalation, by an emetic and by incisions in the skin. Women helpers assist during the treatment. Finally a divination dance is performed, consisting of several parts.
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  • 40
    AV-Medium
    AV-Medium
    IWF (Göttingen)
    In:  (Jan. 1974)
    Language: Undetermined , Undetermined
    Pages: 51MB, 00:06:00:14 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: musical instruments / membranophone ; music (ethnology) ; Musikinstrumente ; America ; Körperdekoration ; musical instruments ; Blasinstrumente ; Tanz (Ethnologie) ; occasional dances ; Flöte ; festive dance ; Feste ; Schlaginstrumente ; body painting ; Gesellschaft ; Venezuela ; drum ; Maquiritare ; anlaßbezogene Tänze ; South America ; Encyclopaedia Cinematographica ; Körper ; urucu ; cultural studies ; Ethnologie/Kulturanthropologie ; Trommel ; Südamerika ; percussion instruments ; Festtanz ; Farbstoff, Farbe ; ethnology/cultural anthropology ; Urucú ; individual ; Tanz ; arts (ethnology) ; Venezuela ; Musik (Ethnologie) ; body decoration ; Jagdtanz ; Kulturwissenschaften ; musical instruments / aerophone ; Körperbemalung ; bamboo clarinet ; Makiritare ; clarinet ; dance ; Klarinette ; Künste (Ethnologie) ; flute ; colour ; Bambusklarinette ; Musikinstrumente / Membranophone ; Individuum ; wind instruments ; Amerika ; dance (ethnology) ; society ; Makiritare ; dye ; festival dance ; body ; Musikinstrumente / Aerophone ; hunt dance ; feasts
    Abstract: Tänzer und Tänzerinnen aus Amadahuna bemalen sich mit roter Farbe und schmücken sich. 13 Tänzer schreiten untergehakt in Reihen hintereinander rhythmisch im Kreis um den Dorfplatz. Ihre Instrumente sind Trommel, Bambusklarinetten, Rasselstab und eine endgeblasene, gedackte Spaltflöte.
    Abstract: Before the dance festival the participants paint with red vegetable dye patterns on each other's face and body. Preceded by two players on bamboo clarinets, the dancers move ranged in a line one behind the other round the central place of the village. They probably represent a herd of grunting wild boars trotting along; this dance, originally a ritual hunting-dance, is nowadays performed on diverse occasions.
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  • 41
    Language: Undetermined , Undetermined
    Pages: 70MB, 00:05:42:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: house / household effects ; division of labor ; material culture ; Nahrungsverzehr ; eating ; Wirtschaft (Ethnologie) ; Wärmeversorgung ; Arbeitsbeziehungen ; kitchen furnishings ; cooking ; nutrition ; Kochen ; labor relations ; food preparation ; Gesellschaft ; work ; sago / sago food ; Speisen/Gerichte ; Mehl ; Feuer / Feuerschale ; Encyclopaedia Cinematographica ; Papua New Guinea ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Nahrungszubereitung ; Sepik-Gebiet ; Sago / Sagopalme ; Aibom ; ethnology/cultural anthropology ; food and meals ; food ; Kulturwissenschaften ; Papua-Neuguinea ; settlement ; Sago / Sagospeisen ; Essen ; division of labour ; Arbeit ; Hausrat ; household utensil ; economy ; household articles ; sago porridge ; Arbeitsteilung ; Haus / Hausrat, Hausgerät ; Ernährung ; Siedlung ; Brei ; Nahrungsmittelzubereitung ; society ; sago / sago palm ; Kücheneinrichtung ; Sepik Region ; Australien/Ozeanien ; fire / fire bowl ; Aibom ; Australia/Oceania ; heating ; Kokospalme ; coco palm ; flour
    Abstract: Ein junger Mann raspelt das Samenfleisch einer Kokosnuß und schüttet es zu der Kokosmilch in einen Topf. Eine Frau bringt diese Flüssigkeit zum Kochen, rührt Sagostärke ein und läßt die Speise zu einer steifen Masse werden, die mit dem Löffel gegessen wird.
    Abstract: A young man is scraping the meat of a coconut, and a woman, Kambanpi, is heating the scraps together with the water of the coconut; she is mixing sago starch with some of th hot fluid and then pouring this mixture into the rest of the fluid. It is stirred vigorously until the pudding is getting stiff. The pudding is eaten with a spoon made from coconutshell.
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  • 42
    Language: Undetermined , Undetermined
    Pages: 64MB, 00:05:13:14 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: house / household effects ; material culture ; Nahrungsverzehr ; eating ; Wirtschaft (Ethnologie) ; Wärmeversorgung ; kitchen furnishings ; cooking ; nutrition ; Kochen ; food preparation ; Gesellschaft ; sago / sago food ; Speisen/Gerichte ; Mehl ; Feuer / Feuerschale ; Encyclopaedia Cinematographica ; Papua New Guinea ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Nahrungszubereitung ; palm ; Metroxylon rumphii ; Sepik-Gebiet ; Sago / Sagopalme ; Aibom ; sago palm ; Sagopalme ; ethnology/cultural anthropology ; Palme ; food and meals ; food ; Metroxylon rumphii ; Kulturwissenschaften ; Papua-Neuguinea ; settlement ; Sago / Sagospeisen ; Essen ; Klöße ; Hausrat ; household utensil ; economy ; household articles ; Haus / Hausrat, Hausgerät ; Ernährung ; Siedlung ; Nahrungsmittelzubereitung ; society ; sago / sago palm ; Kücheneinrichtung ; Sepik Region ; Australien/Ozeanien ; fire / fire bowl ; Aibom ; Australia/Oceania ; dumplings ; heating ; Kokospalme ; coco palm ; flour
    Abstract: Aus dem geschabten Samenfleisch einer Kokosnuß, vermischt mit Sagostärke, formt eine Frau Klöße, die sie in kochendem Wasser gart. Nach dem Abkühlen werden die Klöße gegessen.
    Abstract: With the shell a woman, Kambanpi, is cutting the meat of a coconut and is mixing it with sago starch. She is forming dumplings out of the mixture and is cooking these in boiling water. After cooling off the dumplings are eaten.
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  • 43
    AV-Medium
    AV-Medium
    IWF (Göttingen)
    In:  (Jan. 1974)
    Language: Undetermined , Undetermined
    Pages: 792MB, 00:14:23:16 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: Europe ; Encyclopaedia Cinematographica ; Austria ; Europa ; cultural studies ; Kulturwissenschaften ; Ethnologie/Kulturanthropologie ; Lower Austria ; Wachs, Wachsgewinnung ; Kerzen, Kerzenherstellung ; candles / candle making ; Niederösterreich ; wax / wax extraction ; ethnology/cultural anthropology ; Österreich
    Abstract: Ein Wachszieher stellt Kirchenkerzen im Gießverfahren her. Er hängt Dochte an das Wachsrad und gießt sie mit erhitztem, flüssigem Wachs an. Nach dem Vorguß werden die Angußkerzen vom Wachsrad abgenommen, auf einem Tisch mit Hilfe des Rollbretts begradigt und mit dem Schneidbrett gestutzt und geformt. Es folgt der endgültige Ausguß der Kerzen wiederum am Wachsrad.
    Abstract: A Lower Austrian wax-chandler makes church candles by the pouring method: He suspends wicks on the wax-wheel and pours heated, liquid wax over them. After the preliminary pouring the so-called tapers are removed from the wheel, straightened on the table by means of the rolling-board and cut and shaped with the carving-board. The candles are then finished by the pouring method on the wax-wheel.
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  • 44
    Language: Undetermined , Undetermined
    Pages: 106MB, 00:08:36:06 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: Nahrungsverzehr ; Sago / Sagofladen ; eating ; Wirtschaft (Ethnologie) ; Wärmeversorgung ; nutrition ; cooking ; sago / sago-palm ; Kochen ; food preparation ; Gesellschaft ; Speisen/Gerichte ; Mehl ; Feuer / Feuerschale ; Encyclopaedia Cinematographica ; Papua New Guinea ; cultural studies ; Ethnologie/Kulturanthropologie ; Nahrungszubereitung ; Fladenbacken ; Sepik-Gebiet ; Backen ; Sago / Sagopalme ; Aibom ; ethnology/cultural anthropology ; flat cake baking ; sago / sago flat cakes ; pastry-baking ; food and meals ; food ; Kulturwissenschaften ; Papua-Neuguinea ; settlement ; Essen ; economy ; sago / sago pieces ; Ernährung ; Siedlung ; Sago / Sagobrocken ; Nahrungsmittelzubereitung ; baking ; society ; Sepik Region ; Australien/Ozeanien ; fire / fire bowl ; Aibom ; Australia/Oceania ; baking / baking-dish ; heating ; Backen / Backschale ; flour
    Abstract: Auf ein Bananenblatt gibt eine Frau schichtweise mit Kokosraspeln vermischte Sagostärke und gegarte Bananen, wickelt es zu einem flachen Paket zusammen und bäckt es auf beiden Seiten in der Backschale.
    Abstract: A woman, Kambanpi, is putting a frying-pan on top of a fire which is made in a big earthen stove; two earthen dishes serve as rest for the pan. After heating the pan for a longer while Kambanpi is pouring moist sago starch onto it giving the cake an oval shape by using a part of a coconut shell. The pancake is fried on both sides, shortly dipped into water and then eaten together with the meat of a coconut or with smoked fish. Six pancakes are put aside as food for one day in a small sago basket. Kambanpi is then putting a lumb of sago directly into the fire; it is turned several times with a bamboo pincer. After getting cool the burnt outside of the lump is taken off, and Kambanpi is eating the sago.
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  • 45
    Language: Undetermined , Undetermined
    Pages: 341MB, 00:06:32:19 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: clothing ; handicraft ; America ; material culture ; Schären einer Kette ; Kulturwissenschaften ; band ; Wirtschaft (Ethnologie) ; Faden ; Colombia ; Kleidung ; Sibundoy ; weaving ; Wolle ; Weben ; economy ; South America ; accessories ; Encyclopaedia Cinematographica ; Amerika ; Accessoires ; Kolumbien ; cultural studies ; vegetable raw materials ; Faseraufbereitung ; Litzenstabweberei ; heddle ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Sibundoy ; Textilproduktion ; Südamerika ; fiber preparation ; Handwerk ; pflanzliche Rohmaterialien ; Kettenstoffbildung ; Webkette ; wool ; ethnology/cultural anthropology ; textile production ; thread ; warp ; Gürtelband
    Abstract: Eine Weberin schärt die zweifarbige wollene Webkette mit einem Schärbrett. Dann richtet sie ihr horizontales Griffwebgerät mit drei Kreuzstäben und zwei Litzenreihen ein. Die Webkette hält sie zwischen einem Baumstamm und ihrem Gürtel gespannt. Sie webt mit dunklem wollenem Schußfaden ein ca. 5 cm breites und mehrere Meter langes, zweifarbig gemustertes Gürtelband.
    Abstract: In Sibundoy village a female weaver makes on a warping-board the two-coloured woolen warp for weaving a band. She then arranges her horizontal heddle loom with three laze-rods and two rows of heddle loops. She keeps the warp stretched between a trunk and her belt. She weaves with a dark woolen weft a two-coloured patterned waist-band about five centimetres broad and several metres long. Bands of this kind are worn by the women round the waist to support the skirt.
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  • 46
    AV-Medium
    AV-Medium
    IWF (Göttingen)
    In:  (Jan. 1974)
    Language: Undetermined , Undetermined
    Pages: 81MB, 00:06:34:23 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: Peru ; house / household effects ; Knollen ; America ; material culture ; Witoto ; Preßschlauch ; Kulturwissenschaften ; Wirtschaft (Ethnologie) ; kitchen furnishings ; rootcrops ; nutrition ; baking flatbread ; manioc Press ; Pflanzenwelt ; Peru ; food preparation ; Hausrat ; household utensil ; economy ; household articles ; Haus / Hausrat, Hausgerät ; Mehl ; Ernährung ; South America ; Encyclopaedia Cinematographica ; Nahrungsmittelzubereitung ; Amerika ; baking ; flora ; manioc ; Kücheneinrichtung ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Nahrungszubereitung ; Knollenfrüchte ; Backen / Backplatte ; Südamerika ; tubers (ethnology) ; Fladenbacken ; Backen ; flour ; ethnology/cultural anthropology ; Maniok
    Abstract: Eine Frau aus Estirón füllt Maniokmasse in den Preßschlauch, den sie spiralig verdreht und am Dachsparren aufhängt. In die untere Schlaufe zieht sie einen Stock, dreht ihn mehrfach um den Hausbalken, wobei der blausäurehaltige Manioksaft herausgepreßt wird. Die entgiftete Masse schüttet sie in sie in ein Holzgefäß, zerstampft und siebt sie und bäckt daraus Fladen.
    Abstract: A young woman is preparing manioc to eat. The pounded manioc is brought over into the tipiti lying stretched out in its entire length on the ground. The interior of the tipiti is filled with manioc pulp. The next task is to twist the tipiti with the manioc over and over like a puttee. The instrument is thus shortened and a woman can bring it under the roof of the house to suspend it from one end from the rafter. Into the lower loop she inserts a long stick which serves as a handle. She twists this handle 180 degrees round the house pole along with the tipiti is suspended, and then she goes back to repeat this action several times, sometimes not twisting it to such an acute angle. Under this pressure the venomous manioc juice is squeezed out into a vessel beneath. When the juice has all been removed the content of the tipiti is thrown into a large wooden vessel; it is then ground with a large semi-circular manioc pounder of exceptionally heavy wood, and then strained over a basket strainer in order to remove coarse bits and give it uniform consistency. Once strained the manioc flour is laid out in roundish, flat cakes over huge pottery plates set on tripods of clay over the fireplace. The cakes are baked for a short while until they are ready to eat.
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  • 47
    AV-Medium
    AV-Medium
    Hessischer Rundfunk (Frankfurt a. M.)
    In:  (Jan. 1974)
    Language: Undetermined , Undetermined
    Pages: 2543MB, 00:42:46:23 (unknown)
    Angaben zur Quelle: (Jan. 1974)
    Keywords: Spinnapparat ; German expatriates ; Europe ; handicraft ; Malhorn ; earthenware ; barrel-maker ; pedal weaving ; Kerzen, Kerzenherstellung ; Ziegenhaarspinnerei ; Feste ; market ; leisure activities ; Weben ; Gesellschaft ; religiöse Organisation ; Kunst ; Zugbank ; Romania ; woodworking ; religion ; Malen ; church festivals ; Faß, Faßbinder ; Handwerk ; Ringelspiel ; spinning ; Siebenbürger Sachsen ; games ; arts (ethnology) ; gipsy ; shaping of clay ; Kulturwissenschaften ; Zughobel ; Töpfer ; church customs and festivals ; Markt ; potter's wheel ; potter ; church organisations ; Ziegenhaarweber ; religious organisations ; Holzbiegen mit Hilfe von Feuer ; Malen, Malerei ; Weinfaß ; Schnitzen ; painting ; Wallfahrt ; Töpfern / Treibtechnik ; Töpferei ; soziale Organisation ; Zigeuner / Rumänien ; Formen der Tonwaren ; art ; minorities ; kirchliche Organisation ; wine barrel ; candle ; Wirtschaft (Ethnologie) ; Faden ; Spiele ; Banater Schwaben ; pilgrimage ; cooper ; Weber ; Religion ; Transylvanian Saxons ; Irdenware ; Bräuche ; carving ; kirchliche Feste ; Europa ; cultural studies ; Ethnologie/Kulturanthropologie ; plane ; tinker ; weaver ; painting (ethnology) ; ethnology/cultural anthropology ; thread ; fair ; Freizeitaktivitäten ; Rumänien ; Minderheiten ; Töpferscheibe ; Auslandsdeutschtum ; Jahrmarkt ; rope, ropery ; Künste (Ethnologie) ; Kesselflicker ; Böttcher, Böttcherei ; weaving ; economy ; Trittweberei ; kirchliche Bräuche und Feste ; Banat Swabians ; Holzarbeiten ; Hobel ; Seil, Seilerei ; social organisation ; Taubenmarkt ; society ; Textilproduktion ; customs ; Minderheit ; pottery ; textile production ; feasts
    Abstract: Märkte und Wallfahrten unterbrechen die Monotonie des ländlichen Arbeitsalltags. Anhand verschiedener handwerklicher Erzeugnisse, die auf den Märkten zum Verkauf angeboten werden, erläutert der Film die kulturellen Traditionen, wirtschaftlichen Verhältnisse und interethnischen Beziehungen der verschiedenen Bevölkerungsgruppen in Rumänien. Die Herstellung einzelner Gebrauchsgegenstände wird zudem dokumentiert.
    Abstract: Fairs and pilgrimages break the monotony of the rural everyday work. By means of various handicraft products which are offered for sale on these markets the film explains the cultural traditions, economic circumstances and interethnic relations of the different population groups in Romania. The film also shows how some of these handicraft products are made.
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  • 48
    Language: Undetermined , Undetermined
    Pages: 399MB, 00:41:01:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1974)
    Keywords: musical instruments / membranophone ; music (ethnology) ; arts (ethnology) ; Schauspiel ; Musikinstrumente ; Musik (Ethnologie) ; Kulturwissenschaften ; musical instruments / aerophone ; Asia ; musical instruments ; Theater-Produktion ; Gagaku ; orchestra ; Blasinstrumente ; music groups ; Japan ; Tanzspiel ; Schlaginstrumente ; Asien ; Künste (Ethnologie) ; Orchester ; Theater (Ethnologie) ; dance drama ; Musikinstrumente / Membranophone ; drama ; wind instruments ; Encyclopaedia Cinematographica ; Musiker ; Japaner ; cultural studies ; musicians ; Japanese ; Ethnologie/Kulturanthropologie ; percussion instruments ; gagaku ; theatre (ethnology) ; theatrical productions ; Musikgruppen ; theatrical play ; Musikinstrumente / Aerophone ; Japan ; ethnology/cultural anthropology
    Abstract: Vollständige Aufführung (Jo, Ha, Kyu) mit vier Tänzern, die chinesische Helme, Schwerter und Speere tragen. Sie stellen Krieger nach der Schlacht auf dem Wege in das Zeitalter des Friedens dar.
    Abstract: In the present-day gagaku, or Imperial Court dance-music, repertoire, only Taiheiraku has retained the complete three-part programme: jo, ha and kyu. The film shows complete Taiheiraku in which four dancers, armed with Chinese style helmets, swords and spears, represent warriors after the battle, ushering in the age of peace.
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  • 49
    Language: Undetermined , Undetermined
    Pages: 244MB, 00:25:04:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1974)
    Keywords: musical instruments / membranophone ; music (ethnology) ; arts (ethnology) ; Schauspiel ; Musikinstrumente ; Musik (Ethnologie) ; Kulturwissenschaften ; musical instruments / aerophone ; Asia ; musical instruments ; Theater-Produktion ; Gagaku ; orchestra ; Blasinstrumente ; music groups ; Japan ; Tanzspiel ; Schlaginstrumente ; Asien ; Künste (Ethnologie) ; Orchester ; Theater (Ethnologie) ; dance drama ; Musikinstrumente / Membranophone ; drama ; wind instruments ; Encyclopaedia Cinematographica ; Musiker ; Japaner ; cultural studies ; musicians ; Japanese ; Ethnologie/Kulturanthropologie ; percussion instruments ; gagaku ; theatre (ethnology) ; theatrical productions ; Musikgruppen ; theatrical play ; Musikinstrumente / Aerophone ; Japan ; ethnology/cultural anthropology
    Abstract: Das Ankleiden eines Tänzers in das Kasane-shozoku-Kostüm wird in allen Einzelheiten gezeigt. Dann beginnt die Aufführung, die dem Herrscher und der Dynastie ein langes Leben gewährleisten soll.
    Abstract: Kasane-shozoku, or a type of costumes worn by the dancers and musicians in gagaku, dance-music, is shown in detail. The music and dance performance of Manzairaku follows. The piece is said to have been composed in China of the T'ang dynasty and used to be performed to ensure a long-lasting life for the emperor and hence a long-lasting dynasty.
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  • 50
    Language: Undetermined , Undetermined
    Pages: 268MB, 00:27:30:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1974)
    Keywords: musical instruments / membranophone ; music (ethnology) ; arts (ethnology) ; Schauspiel ; Musikinstrumente ; Musik (Ethnologie) ; Kulturwissenschaften ; musical instruments / aerophone ; Asia ; musical instruments ; Theater-Produktion ; Gagaku ; orchestra ; Blasinstrumente ; music groups ; Japan ; Tanzspiel ; Schlaginstrumente ; Asien ; Künste (Ethnologie) ; Orchester ; Theater (Ethnologie) ; dance drama ; Musikinstrumente / Membranophone ; drama ; wind instruments ; Encyclopaedia Cinematographica ; Musiker ; Japaner ; cultural studies ; musicians ; Japanese ; Ethnologie/Kulturanthropologie ; percussion instruments ; gagaku ; theatre (ethnology) ; theatrical productions ; Musikgruppen ; theatrical play ; Musikinstrumente / Aerophone ; Japan ; ethnology/cultural anthropology
    Abstract: Die Instrumente der "Rechten Seite" (Koma-gaku) werden vorgeführt. Dann zeigen vier Tänzer den langsamen Ringa, der zum Hiramai-Typ gehört.
    Abstract: The first part of the film gives a demonstration of the instruments used in Koma-gaku, or music from Korea, which is also known as "right side" music. In order to compare it with the "left side" music, which is from China, the presentation of a typical "right side" dance-music Ringa follows.
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  • 51
    Language: Undetermined , Undetermined
    Pages: 205MB, 00:21:01:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1974)
    Keywords: musical instruments / membranophone ; music (ethnology) ; arts (ethnology) ; Musikinstrumente ; Musik (Ethnologie) ; Kulturwissenschaften ; musical instruments / aerophone ; Asia ; musical instruments ; Gagaku ; orchestra ; Saiteninstrumente ; Blasinstrumente ; music groups ; Japan ; Musikinstrumente / Chordophone ; Schlaginstrumente ; Asien ; Künste (Ethnologie) ; Orchester ; Musikinstrumente / Membranophone ; wind instruments ; Encyclopaedia Cinematographica ; Musiker ; Japaner ; musical instruments / chordophone ; cultural studies ; musicians ; Japanese ; Ethnologie/Kulturanthropologie ; percussion instruments ; gagaku ; Musikgruppen ; string instruments ; Musikinstrumente / Aerophone ; Japan ; ethnology/cultural anthropology
    Abstract: Aufführung im Nokorigaku-Stil, bei dem die Blas- und Schlaginstrumente nacheinander aufhören und die Saiteninstrumente allein das Stück beenden.
    Abstract: The musical instruments used in To-gaku, or music from China, are shown at the beginning of the film. Then, the Etenraku is performed in the nokorigaku style, in which the winds and percussion gradually drop out of the ensemble, enabling the strings to be featured in a solo role.
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  • 52
    Language: Undetermined , Undetermined
    Pages: 55MB, 00:06:27:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: Buttersack ; Nutztiere ; dairy farming ; Landwirtschaft ; Umweltwissenschaft/Ökologie ; Marokko ; Tierwelt ; churning ; Kulturwissenschaften ; Wirtschaft (Ethnologie) ; Ait-Haddidou ; sheephide ; Haustiere ; Afrika ; Agrar- und Forstwissenschaft ; Buttern ; nutrition ; Schafshaut ; milk / cow's milk ; Kuhmilch ; food preparation ; economy ; Tierhaltung ; tierische Nebenprodukte ; Milchwirtschaft ; Viehwirtschaft, Haustiere ; productive livestock ; Ernährung ; Encyclopaedia Cinematographica ; Berbers ; Nahrungsmittelzubereitung ; domestic animals ; Ayt Hdiddu ; cultural studies ; Ethnologie/Kulturanthropologie ; Nahrungszubereitung ; Ait Haddidou ; Berber ; Africa ; butter sack ; animal by-products ; cow's milk ; fauna ; ethnology/cultural anthropology ; animal husbandry ; Gewinnung tierischer Produkte ; Morocco
    Abstract: Eine Frau gießt mit Hilfe eines Trichters sauren Rahm in den als Buttersack dienenden Schafsbalg, hängt ihn in ein dreibeiniges, zerlegbares Holzgestell und schüttelt ihn hin und her. Nach dem Entsäuern durch Wassernachfüllen trennen schlingernde Bewegungen des Sackes Butter und Buttermilch. Die Butter wird in einer Tonamphore aufbewahrt.
    Abstract: The buttering of sour cream takes place in a tube shaped sack, which hangs in a three legged collapsible wooden frame, and is shaken by a woman backwards and forwards. After desouring by addition of water the butter and buttermilk seperate during a rolling movement of the sack.
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  • 53
    Language: Undetermined , Undetermined
    Pages: 66MB, 00:07:46:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: handicraft ; sawing ; Marokko ; Bretterherstellung ; sawyer ; Kulturwissenschaften ; Wirtschaft (Ethnologie) ; Ait-Haddidou ; Afrika ; boards production ; two-man crosscut saw ; Sägen ; economy ; Maß, Messen ; measure, measuring ; Holzarbeiten ; Encyclopaedia Cinematographica ; Berbers ; woodworking ; Zugsäge ; Ayt Hdiddu ; cultural studies ; Ethnologie/Kulturanthropologie ; Ait Haddidou ; Holzbearbeitung ; Berber ; Africa ; Handwerk ; Schneiden von Brettern ; saw / two-man crosscut saw ; Sägearbeiter ; cutting of boards ; ethnology/cultural anthropology ; Morocco
    Abstract: Drei Männer markieren mit einem Maßband auf einem rechteckigen Holzbalken fünf gleiche Teile. Dann klemmen sie das Werkstück in einem Holzgestell schräg aufrecht stehend ein. Zu zweit sägen sie entlang der Linien bis auf Gestellhöhe nach unten. Zeitweise benutzen sie ein Brett als Leiter oder arbeiten im Stehen, Hocken oder Sitzen. Nach dem Umdrehen wird der untere Teil des Balkens aufgesägt.
    Abstract: Three men mark on a rectangular beam, five equal parts with cords. They then wedge the piece being worked into a wooden frame in a slanting upright position. In turn they saw in pairs along the lines down to the frame. Depending on the height of the cut they use a plank as a ladder or work standing, sqatting or sitting. After turning the lower part of the beam is sawed. Before seperation of the planks the beam is removed from the frame.
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  • 54
    Language: Undetermined , Undetermined
    Pages: 60MB, 00:07:03:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: commercial-use buildings ; grinding ; material culture ; Marokko ; Wirtschaft (Ethnologie) ; grains and cereals ; Ait-Haddidou ; kitchen furnishings ; nutrition ; Mahlen ; Pflanzenwelt ; food preparation ; cereal crops ; Gesellschaft ; Mühle ; Mehl ; Encyclopaedia Cinematographica ; flora ; grains ; Körnerfrüchte ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Nahrungszubereitung ; Handmühle ; Gebäude ; ethnology/cultural anthropology ; rye ; Kulturwissenschaften ; Afrika ; mills ; buildings ; Hausrat ; Mühlen ; economy ; household articles ; hand mill ; mill ; Ernährung ; Roggen ; Berbers ; Nahrungsmittelzubereitung ; society ; Ayt Hdiddu ; Kücheneinrichtung ; Getreide (Ethnologie) ; Ait Haddidou ; Berber ; Africa ; Wirtschaftsgebäude ; flour ; Morocco
    Abstract: Auf die Innenseite eines Schaffells wird eine Handmühle gelegt. Der obere Mahlstein wird an einem schrägstehenden Stiel um die Holzachse des unteren Steins gedreht. Durch das Achsloch wird Roggen geschüttet, der als Mehl zwischen den Reibflächen hervortritt und auf das Fell fällt. Nach dem Mahlen wird das Mehl gesiebt.
    Abstract: On the inside of a sheep skin a cord, laid in a spiral and on that the conical lower part of a hand mill are set. The upper milling stone is laid on its milling surface. This is turned on a slanting handle around the wooden axle of the lower stone. Grain is poured into the axle opening which then appears as flour between the grinding surfaces and falls onto the skin. After milling the flour is sieved.
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  • 55
    AV-Medium
    AV-Medium
    IWF (Göttingen)
    In:  (Jan. 1974)
    Language: Undetermined , Undetermined
    Pages: 113MB, 00:11:36:03 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: handicraft ; arrow ; America ; Venezuela ; Pfeilgift ; arrow poison ; Kulturwissenschaften ; Wirtschaft (Ethnologie) ; Gifte ; Makiritare ; curare ; economy ; Venezuela ; Maquiritare ; Holzarbeiten ; South America ; Encyclopaedia Cinematographica ; Amerika ; woodworking ; cultural studies ; Ethnologie/Kulturanthropologie ; Makiritare ; Holzbearbeitung ; Südamerika ; poisons ; Handwerk ; Blasrohr ; blowgun ; Pfeil ; ethnology/cultural anthropology
    Abstract: In Amadahuna stellt ein junger Mann aus zwei ineinandergeschobenen Röhren ein etwa 3 m langes Blasrohr her. Als Außenrohr dient ein ausgehöhltes und -geraspeltes Stämmchen einer Palme (Socrates exorrhiza), als Innenrohr ein Stengel eines knotenfreien Schilfs (Arundinaria schomburgkii). Ein Mundstück wird geschnitzt und angepicht, Pfeilspitzen mit Curare präpariert und am Pfeilende mit einer Kapokflaummanschette versehen. Kurze Jagdszene mit Blasrohr.
    Abstract: The film presents the making of a blowgun typical of the Indians of Guiana of two tubes fitted into each other, blowgun of which the Makiritare have a certain monopoly. The film then shows the poisoning of the blowgun darts with curare got in barter with the Piaroa Indians, and finally the blowgun being used.
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  • 56
    Language: Undetermined , Undetermined
    Pages: 93MB, 00:09:33:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: forestry, silviculture ; Banane ; Landwirtschaft ; Grabstock ; Umweltwissenschaft/Ökologie ; division of labor ; tubers ; America ; material culture ; Grabstockbau ; Pfefferschote ; harvest ; banana ; Wirtschaft (Ethnologie) ; Ackerbau / Venezuela ; Steckling ; Arbeitsbeziehungen ; crop growing methods ; tools ; labor relations ; Pflanzenwelt ; Ackerbau ; Venezuela ; work ; digging stick cultivation ; Maquiritare ; landwirtschaftliche Ausrüstung ; South America ; Ernte ; Encyclopaedia Cinematographica ; tillage ; plants, plantation ; flora ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Knollenfrüchte ; agricultural devices ; Südamerika ; forestry (ethnology) ; digging stick ; ethnology/cultural anthropology ; Brandrodungsfeldbau ; Roden ; Knollen ; Venezuela ; Ackerbau / Ackerbaugeräte ; Kulturwissenschaften ; agriculture / agricultural implement ; capsicum ; stubbing ; landwirtschaftliche Geräte ; division of labour ; Agrar- und Forstwissenschaft ; rootcrops ; Makiritare ; Arbeit ; agricultural equipment ; Werkzeug ; Pflanzenbau, Ernte ; Gemeinschaftsarbeit ; economy ; Arbeitsteilung ; pepper ; Pflanzen, Pflanzung ; agriculture / Venezuela ; Waldwirtschaft ; Feldbestellung ; Brandrodung ; Amerika ; manioc ; Ananas ; Makiritare ; cutting ; tubers (ethnology) ; Forstwirtschaft, Waldwirtschaft ; slash and burn ; Agrikultur/Landwirtschaft ; Anbaumethoden ; teamwork ; agriculture (ethnology) ; ananas ; slash-and-burn agriculture ; Maniok
    Abstract: Männer aus Amadahuna bereiten durch Brandrodung neue Anbaufläche, Frauen jäten, brechen Maniokstecklinge ab, bringen sie - von einem Trommler begleitet - in die neue Pflanzung, deren Boden Männer mit dem Grabstock auflockern. Frauen pflanzen Ananas- und Maniokschößlinge, bespucken den Boden, ernten Ananas und Bananen und pflücken Pfefferschoten.
    Abstract: After clearance by means of fire by the men, the new arable ground is tilled with the digging stick. The women set pieces of manioc twigs in the turned up soil; ananas and banana shoots are planted and their fruits, grown ripe, harvested by the women and carried home in baskets. The film also shows the weeding dine by the women, and the ritual aspect of cultivation is indicated by the appearance of a drummer.
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  • 57
    AV-Medium
    AV-Medium
    IWF (Göttingen)
    In:  (Jan. 1974)
    Language: Undetermined , Undetermined
    Pages: 400MB, 00:07:23:23 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: Kenga ; Kulturwissenschaften ; Wirtschaft (Ethnologie) ; labor organisation ; Afrika ; Arbeit ; economy ; work ; Steinorakel ; estates and professions ; Chad ; Gara ; cultural studies ; Ethnologie/Kulturanthropologie ; stone oracle ; divination ; Africa ; fortune-telling ; Wahrsagerei ; oracle ; diviner ; Divination, Diviner ; Tschad ; Arbeitsorganisation ; ethnology/cultural anthropology ; gara ; Kenga ; Stände und Berufe
    Abstract: Ausschnitte aus einem Gara-Orakel, in denen die Orakeltechnik ausführlich dokumentiert wird.
    Abstract: The film presents excerpts from a gara oracle, giving full details of the oracular technique.
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  • 58
    AV-Medium
    AV-Medium
    IWF (Göttingen)
    In:  (Jan. 1974)
    Language: Undetermined , Undetermined
    Pages: 80MB, 00:06:29:13 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: music (ethnology) ; arts (ethnology) ; Sarangi ; Leder ; handicraft ; Musikinstrumente ; Musik (Ethnologie) ; leather ; Kulturwissenschaften ; Wirtschaft (Ethnologie) ; Asia ; Musikinstrumentenbau ; musical instruments ; Gaine ; Saiteninstrumente ; Musikinstrumente / Chordophone ; Asien ; Künste (Ethnologie) ; Geige ; economy ; musical instruments / building ; Nepal ; Holzarbeiten ; fadenlose Stoffe ; Fiedel ; Encyclopaedia Cinematographica ; fur ; Musiker ; carving ; woodworking ; Gaine ; musical instruments / chordophone ; cultural studies ; musicians ; fiddle ; Ethnologie/Kulturanthropologie ; fur processing ; Holzbearbeitung ; threadless materials ; Fell, Fellbearbeitung ; sarangi ; Handwerk ; Schnitzen ; string instruments ; Nepal ; ethnology/cultural anthropology
    Abstract: Ein Mann baut in Katmandu eine viersaitige Geige: Herstellen von Wirbelkasten, Hals und Korpus aus einem Stück Holz, Aufkleben von Fell auf den Unterbügel, Brennen von Saitenlöchern mit glühendem Eisen, Aufziehen der ersten Saite, Ausprobieren.
    Abstract: The violin is roughly cut and carved out of a piece of timber, so that body, neck and peg-box are made in one piece. A skin is sticked in a wet condition on the lower rib and left to dry. The holes for inserting the pegs tightening the four strings into the peg-box as well as the hole for attaching the string to the bow are applied with a hot iron. The first string is put on the violin and tried with the bow.
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  • 59
    AV-Medium
    AV-Medium
    IWF (Göttingen)
    In:  (Jan. 1974)
    Language: Undetermined , Undetermined
    Pages: 53MB, 00:04:18:03 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: music (ethnology) ; arts (ethnology) ; Musikinstrumente ; America ; Venezuela ; Musik (Ethnologie) ; Kulturwissenschaften ; musical instruments / aerophone ; Wirtschaft (Ethnologie) ; Musikinstrumentenbau ; musical instruments ; Blasinstrumente ; bamboo clarinet ; Makiritare ; clarinet ; Pflanzenwelt ; Klarinette ; Künste (Ethnologie) ; Bambus ; economy ; Bambusklarinette ; Venezuela ; musical instruments / building ; Maquiritare ; South America ; wind instruments ; Encyclopaedia Cinematographica ; Amerika ; flora ; Rohre und Gräser ; cultural studies ; Ethnologie/Kulturanthropologie ; Makiritare ; bamboo ; Südamerika ; reeds and grasses ; Musikinstrumente / Aerophone ; ethnology/cultural anthropology
    Abstract: Zwei Brüder aus Amadahuna schneiden ein Paar grüne Bambusrohre (etwa 1-1,5 m lang, mit 8-10 cm Durchmesser) mit einer Handbreite Längendifferenz zurecht, durchstoßen die unteren Knoten, durchbohren die oberen und setzen in diese als Mundstücke dünne Schilfrohre mit eingeschnittener Zunge ein. Sie blasen auf den fertigen Klarinetten ohne Grifflöcher.
    Abstract: Two Makiritare men cut two bamboo tubes, the one a handbredth longer than the other, push through the lower nodes, pierce the upper ones and fit into the aperture as a mouthpiece slips of cane with a reed cut out. Finally they play on the finished clarinets.
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  • 60
    AV-Medium
    AV-Medium
    IWF (Göttingen)
    In:  (Jan. 1974)
    Language: Undetermined , Undetermined
    Pages: 1326MB, 00:26:27:20 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: groats ; commercial-use buildings ; house / household effects ; grinding ; rubbing stone ; wheat groats ; material culture ; Nahrungsverzehr ; bulgur ; Turkey ; eating ; Wirtschaft (Ethnologie) ; grains and cereals ; winnowing ; kitchen furnishings ; cooking ; crop growing methods ; nutrition ; Kochen ; Mahlen ; Türken ; Pflanzenwelt ; food preparation ; agriculture / Turkey ; cereal crops ; Gesellschaft ; Bulgur ; Mühle ; Speisen/Gerichte ; Encyclopaedia Cinematographica ; flora ; Körnerfrüchte ; cultural studies ; Weizen ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Nahrungszubereitung ; Grütze ; Handmühle ; Gebäude ; Weizengrütze ; ethnology/cultural anthropology ; wheat ; food and meals ; Worfeln ; Turks ; Kulturwissenschaften ; Asia ; mills ; grindstone ; buildings ; Turkish ; Asien ; Hausrat ; Mahlstein ; Mühlen ; household utensil ; economy ; household articles ; Haus / Hausrat, Hausgerät ; Ackerbau / Türkei ; handmill ; mill ; Ernährung ; Nahrungsmittelzubereitung ; society ; Kücheneinrichtung ; Getreide (Ethnologie) ; Türkei ; Bauwesen ; Wirtschaftsgebäude ; Agrikultur/Landwirtschaft ; Anbaumethoden ; agriculture (ethnology) ; building trade ; Reibstein
    Abstract: Eine Familie im Dorf Alacahöyük stellt gemahlene Grütze her: Sieben und Reinigen der Körner auf dem Dreschplatz, Waschen am Dorfbrunnen, Kochen im Hof in einem Kupferkessel, Trocknen, Befreien von den Kornhülsen in der Bulgurmühle am Dorfplatz, Trocknen, Worfeln, Reinigen, Mahlen in der Handmühle.
    Abstract: Cooked wheat groats (bulgur) and bread are the staple food of the population of the Anatolian cereal-producing areas. The complex and time-consuming preparation of groats is shown in this film: winnowed wheat is thoroughly sieved and cleaned on the threashing floor and washed in the village fountain. After it has been dried in the sun, it is freed from its husks on a special "mill" with a vertical grind-stone. Back at the farm the wheat is cooked in large copper kettles and again dried in the sun. After a thorough winnowing it is sorted on a wooden table and ground or rather cracked on a handmill before being cooked a final time.
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  • 61
    Language: Undetermined , Undetermined
    Pages: 158MB, 00:16:14:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1974)
    Keywords: musical instruments / membranophone ; music (ethnology) ; arts (ethnology) ; Musikinstrumente ; Musik (Ethnologie) ; Gagaku ; Kulturwissenschaften ; musical instruments / aerophone ; Asia ; musical instruments ; Gagaku ; orchestra ; Saiteninstrumente ; Blasinstrumente ; music groups ; Japan ; Musikinstrumente / Chordophone ; Schlaginstrumente ; Asien ; Künste (Ethnologie) ; Orchester ; Musikinstrumente / Membranophone ; wind instruments ; Encyclopaedia Cinematographica ; Musiker ; Japaner ; musical instruments / chordophone ; cultural studies ; musicians ; Japanese ; Ethnologie/Kulturanthropologie ; percussion instruments ; Musikgruppen ; string instruments ; Musikinstrumente / Aerophone ; Japan ; ethnology/cultural anthropology
    Abstract: Aufführungen im Stil der "Musik der Linken Seite" im 6/4-Takt und als Tanzbegleitung im Stil der "Musik der Rechten Seite" im 5/4-Takt.
    Abstract: In this film, two variations of a musical piece called Bairo are presented: the first performed in the "left side" instrumental composition style in 6/4 meter and the second in the "right side" dance accompaniment style in 5/4 meter.
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  • 62
    Language: Undetermined , Undetermined
    Pages: 73MB, 00:08:37:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: clothing ; material culture ; Marokko ; Kulturwissenschaften ; Ait-Haddidou ; Afrika ; Arab cloak ; Wollburnus ; Kleidung ; everyday clothing ; Burnus ; Encyclopaedia Cinematographica ; washing ; Berbers ; woolen burnous ; burnous ; Ayt Hdiddu ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Ait Haddidou ; Waschen ; Berber ; Africa ; laundry ; Alltagskleidung ; ethnology/cultural anthropology ; Morocco
    Abstract: Während über einem Holzfeuer Seifenlauge zum Kochen kommt, weicht ein Mann seinen Burnus im Flußwasser kurz ein. Auf einem Stein am Ufer wird das zusammengefaltete Übergewand anschließend durch Treten gewaschen und abwechselnd mit Lauge und Wasser überschüttet. Im Fluß wird das Kleidungsstück ausgeschwemmt und an der Ufermauer tropfnaß zum Trocknen aufgehängt.
    Abstract: While soap suds are coming to the boil over a wood fire, a man soaks his burnous for a short time in the river. On a stone on the bank the folded article is then washed by alternate treading and pouring of the suds or water. The clothing is then rinsed and hung to dry dripping wet on the river bank wall.
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  • 63
    Language: Undetermined , Undetermined
    Pages: 67MB, 00:07:47:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: bread baking ; food ; Nahrungsverzehr ; Marokko ; Kulturwissenschaften ; eating ; Wirtschaft (Ethnologie) ; Ait-Haddidou ; Afrika ; Essen ; nutrition ; food preparation ; economy ; Mehl ; Ernährung ; Encyclopaedia Cinematographica ; Berbers ; Nahrungsmittelzubereitung ; baking ; Ayt Hdiddu ; cultural studies ; Ethnologie/Kulturanthropologie ; Nahrungszubereitung ; Ait Haddidou ; Brotbacken ; Berber ; Africa ; Backen ; flour ; ethnology/cultural anthropology ; Morocco
    Abstract: Ein Mann bereitet aus Mehl, Salz und Wasser Teig für drei Brote. Sein Gehilfe erhitzt drei Steine, um die der Teig gelegt und zu Kugeln geformt wird. Die teils am Feuer, teils auf dem erhitzten Erdboden von innen und von außen gebackenen Brote sind gar, wenn man die eingebackenen Steine klappern hört. Das aufgebrochene Brot wird in Öl getaucht und verzehrt.
    Abstract: After igniting a wood fire the baker prepares the dough for three loaves in a tin bowl from flour, salt, and water. His apprentice maintains the fire and heats three stones around which the dough is placed and formed into balls. The loaves bake partially on the fire, partially on the heated earth and from inside and out. They are finished as soon as one hears the stones rattling when shook. After removal of soiled parts and burned spots the bread is broken open and eaten dipped in oil. At the beginning and end of baking the baker cleans his hands and the bowl with water.
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  • 64
    AV-Medium
    AV-Medium
    IWF (Göttingen)
    In:  (Jan. 1974)
    Language: Undetermined , Undetermined
    Pages: 40MB, 00:04:07:11 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: house / household effects ; handicraft ; Flechten ; America ; Venezuela ; material culture ; Kulturwissenschaften ; Korbflechten, Korb ; Wirtschaft (Ethnologie) ; basketry ; plaiting ; kitchen furnishings ; Makiritare ; Pflanzenwelt ; Hausrat ; Bambus ; household utensil ; economy ; household articles ; Venezuela ; crocheting, knitting, plaiting ; Haus / Hausrat, Hausgerät ; Häkeln, Stricken, Flechten ; Maquiritare ; Matten und Körbe ; South America ; Encyclopaedia Cinematographica ; Amerika ; flora ; Rohre und Gräser ; Kücheneinrichtung ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Makiritare ; bamboo ; Textilproduktion ; Südamerika ; mats and baskets ; Handwerk ; basket-weaving ; reeds and grasses ; bowl ; ethnology/cultural anthropology ; textile production ; Schale
    Abstract: Im offenen Arbeitshaus in Amadahuna schabt ein Mann feine Bambusflechtstreifen, flicht helle und dunkle Streifen sehr dicht in dreibindiger Körpertechnik zu einer Korbschale in konzentrischen Quadraten von der Mitte aus fortschreitend zum Rand, den ein Lianenring abschließt. Die Muster zeigen geometrisch-stilisierte Figuren des mythischen Affen.
    Abstract: Among the Makiritare basketry is largerly made by the men, who especially make the beautifully patterned plates for serving up manioc flat cakes. These plates are the most important artificial products of this tribe. The film presents the making of such a Waha (guapa) by the three-strand twilling technique. The patterns represent animals in geometrical stylization and have a symbolic and mythologic meaning.
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  • 65
    Language: Undetermined , Undetermined
    Pages: 97MB, 00:07:56:06 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1974)
    Keywords: musical instruments / membranophone ; music (ethnology) ; handicraft ; Musikinstrumente ; Nevari ; Wirtschaft (Ethnologie) ; musical instruments ; Stimmen einer Trommel ; Kastenwesen ; Schlaginstrumente ; drum ; fadenlose Stoffe ; Encyclopaedia Cinematographica ; fur ; cultural studies ; Ethnologie/Kulturanthropologie ; Trommel ; Fell, Fellbearbeitung ; Bespannen einer Trommel ; Kullu-Kaste ; Handwerk ; percussion instruments ; tuning a drum ; kullu caste ; attaching the skin to a drum ; madal ; Nepal ; ethnology/cultural anthropology ; covering a drum ; politics (ethnology) ; arts (ethnology) ; Leder ; Musik (Ethnologie) ; Politik (Ethnologie) ; leather ; Kulturwissenschaften ; Asia ; Asien ; Künste (Ethnologie) ; Herrschaftsformen ; economy ; Newar ; Musikinstrumente / Membranophone ; Nepal ; Madal ; fur processing ; threadless materials ; caste system ; governance types ; caste ; Newar ; Newa
    Abstract: Zwei Brüder aus Patan bearbeiten ein Ziegenfell, schneiden es zurecht und ziehen es auf den faßförmigen Korpus, der aus einem Stück Holz geschnitzt worden ist. Nach dem Auftragen der Stimmpaste werden die Felle durch Nachziehen der Spannriemen gestimmt. Anschließend wird das Instrument ausprobiert.
    Abstract: Skins and bracing cords of the small, barrel-shaped drum madal are cut out of a cleaned and dried goatskin and put on the body carved in one piece. Both skins are smeared with the black tuning-paste. The skins are tuned by bracing up the bracing cords. Finally the drum is beaten by the drum-maker, a member of the Kullu caste.
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  • 66
    Language: Undetermined , Undetermined
    Pages: 65MB, 00:05:20:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1974)
    Keywords: music (ethnology) ; arts (ethnology) ; Sarangi ; Musikinstrumente ; Musik (Ethnologie) ; Kulturwissenschaften ; dance / solo dance ; Asia ; musical instruments ; Gaine ; Tanzstile ; Saiteninstrumente ; music groups ; Tanz (Ethnologie) ; Musikinstrumente / Chordophone ; Tanzlied ; Asien ; solo dance ; Künste (Ethnologie) ; Geige ; singing ; Nepal ; Singen ; Fiedel ; Solotanz ; Encyclopaedia Cinematographica ; Musiker ; dance (ethnology) ; Gaine ; musical instruments / chordophone ; cultural studies ; musicians ; fiddle ; Ethnologie/Kulturanthropologie ; sarangi ; styles of dance ; dance song ; Gesang ; Musikgruppen ; string instruments ; Nepal ; ethnology/cultural anthropology ; Tanz / Solotanz
    Abstract: Drei Spielleute tragen in Katmandu ein Erzähllied vor und singen abwechselnd dazu. Ein 13jähriger Junge improvisiert einen Tanz.
    Abstract: Three members of the Gaine caste perform a narrative song accompanied by the violin sarangi. The melody is also played, with occasional slight variations, on one of the three violins, the two other musicians accompany it with pizzicato and col legno. A fourth Gaine improvises a solo dance composed of traditional stereotyped movements.
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  • 67
    AV-Medium
    AV-Medium
    IWF (Göttingen)
    In:  (Jan. 1974)
    Language: Undetermined , Undetermined
    Pages: 131MB, 00:10:41:03 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: house / household effects ; handicraft ; America ; Venezuela ; material culture ; Formen der Tonwaren ; shaping of clay ; Kulturwissenschaften ; Wirtschaft (Ethnologie) ; kitchen furnishings ; Makiritare ; Hausrat ; pitfiring ; colour ; household utensil ; economy ; household articles ; Venezuela ; Haus / Hausrat, Hausgerät ; Maquiritare ; South America ; Encyclopaedia Cinematographica ; Amerika ; Tonaufbereitung ; urucu ; clay preparation ; Kücheneinrichtung ; cultural studies ; materielle Kultur ; Brennhaufen ; Ethnologie/Kulturanthropologie ; Makiritare ; Südamerika ; Töpfern / Spiralwulsttechnik ; Handwerk ; dye ; cooking vessel ; open fire ; Farbstoff, Farbe ; pottery ; ethnology/cultural anthropology ; Kochgefäß ; Töpferei ; Urucú
    Abstract: Der Häuptling von Amadahuna zerkleinert vor seinem Haus mit Hilfe von Machete, Mörser und Korbschalensieb Ton zu Staub, feuchtet ihn an und knetet ihn. In Kombination von Spiralwulsttechnik und direktem Formen bildet er einen Topf, glättet ihn mit einem runden Stein, färbt ihn mit Urucú rot und brennt ihn im Brennhaufen.
    Abstract: Among the Makiritare potter's work is done by men. The required clay is got in barter with neighbouring Indian groups. The applied method is a combination of coiling and direct modeling - the potter's wheel is unknown. The simple cooking vessel is baked in a short time in an unshielded fire.
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  • 68
    Language: Undetermined , Undetermined
    Pages: 60MB, 00:04:56:16 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: food ; Würmersammeln ; Umweltwissenschaft/Ökologie ; division of labor ; America ; Venezuela ; Würmer ; Nahrungsverzehr ; Tierische Produkte ; Kulturwissenschaften ; eating ; Nahrungsmittel ; Wirtschaft (Ethnologie) ; worms ; Arbeitsbeziehungen ; Essen ; division of labour ; Agrar- und Forstwissenschaft ; cooking ; nutrition ; Makiritare ; Kochen ; labor relations ; Arbeit ; food preparation ; economy ; Venezuela ; Arbeitsteilung ; gathering (ethnology) ; work ; Maquiritare ; Sammeln ; game hunters ; Ernährung ; South America ; Encyclopaedia Cinematographica ; Wildbeuter ; Nahrungsmittelzubereitung ; Amerika ; cultural studies ; Ethnologie/Kulturanthropologie ; Nahrungszubereitung ; Makiritare ; Südamerika ; Sammelwirtschaft ; worms / gathering ; ethnology/cultural anthropology ; gathering
    Abstract: Frauen wühlen im Uferschlamm nach eßbaren Würmern, sammeln sie in einer Kalebasse und bereiten sie im Dorf zum Verzehr zu. In gekochtem Zustand werden sie mit Maniokfladen verspeist.
    Abstract: Women turn up the bank mud for edible worms, collect them in a calabash and prepare them in the village for eating. After being cooked, the worms are eaten with manioc flat cakes.
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  • 69
    Book
    Book
    Frankfurt am Main : Fischer-Taschenbuch-Verl.
    Language: German
    Pages: 398 S , Ill
    Edition: Orig.-Ausg
    Series Statement: Fischer-Weltgeschichte 1
    Series Statement: Bd. 2, Die altorientalischen Reiche
    Series Statement: Fischer-Bücherei
    Series Statement: Fischer-Weltgeschichte Die altorientalischen Reiche ; 1
    Keywords: Middle East ; History ; To 622
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  • 70
    ISBN: 9786076283561 , 6076283564 , 9789681207328 , 9681207327
    Language: Spanish
    Pages: 1 Online-Ressource (272 Seiten) , Illustrations, Karten
    Edition: Primera edición.
    Series Statement: Ensayos / Centro de Estudios Orientales ; 3
    DDC: 305.5/63
    Keywords: Peasants History ; Peasants History ; Peasants History ; Peasants ; Rural conditions ; HISTORY / Africa / West ; Asia Rural conditions ; Africa, West Rural conditions ; Mexico Rural conditions ; History
    Note: Errata slip inserted , Includes bibliographical references (pages 267-272)
    URL: Volltext  (kostenfrei)
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  • 71
    Online Resource
    Online Resource
    Bern : Peter Lang International Academic Publishers
    Language: German
    Pages: 1 Online-Ressource (150 p.)
    Keywords: History
    Abstract: 〈P〉Die Südosteuropa-Studien werden von der in München ansässigen Südosteuropa-Gesellschaft, der wichtigsten Wissenschaftsorganisation der Südosteuropa-Forschung im deutschsprachigen Raum, herausgegeben. Sie dienen der vertieften und interdisziplinären wissenschaftlichen Darstellung wichtiger Themen aus der Südosteuropa-Forschung. Auch Fragen zur aktuellen politischen und sozio-ökonomischen Entwicklung in der Region Südosteuropa werden aufgegriffen. Herausgeber der Einzelbände sind renommierte Repräsentanten der deutschen und internationalen Südosteuropa-Forschung.〈/P〉
    Note: German
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  • 72
    Language: English , German , French
    Pages: VIII, 332 S.
    Series Statement: Religion and reason 4
    Series Statement: Religion and reason
    Angaben zur Quelle: Bd. 2
    Keywords: Religion Study and teaching ; History ; 19th century ; Religion Study and teaching ; History ; 20th century
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  • 73
    Language: German
    Pages: 1 Online-Ressource (198 p.)
    Keywords: History
    Abstract: Diese Arbeit will das Deutschlandbild der nicht marxistischen russischen Sozialisten um die letzte Jahrhundertwende darstellen, der sogenannten Legalen Narodniki
    Note: German
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  • 74
    ISBN: 9789401021173
    Language: English
    Pages: Online-Ressource (360p) , digital
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Series Statement: Synthese Historical Library, Texts and Studies in the History of Logic and Philosophy 8
    Series Statement: Synthese Historical Library 8
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: History
    Abstract: §0. Translation and Reference Conventions -- §1. Introduction -- §2. St. Anselm as a Logician -- §3. Logical Frame of Reference -- §4. Basic Presuppositions -- §5. Summary of De Grammatico -- §6. De Grammatico: Text and Translation -- §7. Commentary.
    Abstract: The intent of the present work is chiefly the presentation of a running commentary, preponderantly historical in complexion, on the detail of the text of St. Anselm's dialogue De Grammatico. At the same time the making intelligible of that text has demanded the concurrent proffering of logical elucidations. The framework adopted for the latter is the Ontology of S. Lesniewski. The unsuitability of other current systems of logic for the analysis of medieval doctrines has been suggested in HLM I. Hereunder the line of analyses proposed in HDG (an introduc­ tory study of De Grammatico) will for the most part be maintained, with only a few modifications. Changes which further study might demand would in any case involve not so much an abrogation of the HDG ver­ sions, but rather certain complications of detail on the lines indicated in HLM, HEE, and Hoi. Readers who happen to be out of sympathy either with modem logic as a whole, or with the Lesniewskian systems in particular, may be assured that the historical thread of the commentary remains for the most part unaffected by issues connected with such logics. Much of the historical material contained in the commentary consists of quotations from the logical works of Boethius. Some of that material may at first sight appear prosaic and tedious.
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  • 75
    ISBN: 9789401020220
    Language: English
    Pages: Online-Ressource (240p) , digital
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Additional Information: Rezensiert in Elders, L. [Rezension von: Collins, Ardis B., The secular is sacred. Platonism and Thomism in Marsilio Ficino's Platonic Theology] 1974
    Series Statement: International Archives of the History of Ideas 69
    Series Statement: International Archives of the History of Ideas Archives internationales d'histoire des idées 69
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: History
    Abstract: One: The Search for God -- Two: The Approach to God through Unity and Power -- Three: The Approach to God through Being -- Four: The Metaphysical Structure of Creatures, Mortal and Immortal -- Five: The Special Presence of God to Man -- Six: Philosophy Seeks What Religion Worships -- Appendix: Texts for Comparison.
    Abstract: This book presents a philosophical position examined philosophically. Although it does not go beyond the confines ofFicino's perspective and is governed by standards of historical accuracy, it makes explicit in its explanation ofFicino's text the enduring philosophical questions which are at issue there. True, the book examines in some detail Ficino's relation to his Platonic and Scholastic sources, and this is an issue of primary interest to those who study the history of culture or the his­ torical development of philosophy. However, in Ficino's thought, this issue is also a philosophical issue. Ficino chooses Platonism as his guide because this philosophy retains an explicit and essential orientation to religion. When he takes Platonism as the primary instance of philoso­ phy, he is taking a stand on the nature of philosophy itself. Philosophy necessarily points toward the divinity and hence is necessarily related to the veneration and worship of its object. Christian theology joins Platonic philosophy in this movement toward God, developing more completely the implications of its fundamental insights. And the 1 "splendor of Christian theology" is Thomas Aquinas. Therefore, to examine the relationship between Platonism and Thomism in Ficino's thought is to examine Ficino's position on the unity of philosophy and theology. Scholars writing about Ficino have pointed to three major influences on his thought. The influence of Plato and the neo-Platonists, of course, is readily recognized.
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  • 76
    ISBN: 9789401176422
    Language: English
    Pages: Online-Ressource (171p) , digital
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Series Statement: Studies in Social Life 18
    Series Statement: Studies of Social Life 18
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: History
    Abstract: I The Altered Framework (1945–1947) -- The Potsdam Expulsions -- Schleswig-Holstein -- 1945: The Year of Collapse -- 1946: First Postwar Elections -- 1947: First Expellee Legislation -- Conclusion -- II New Realities (1948–1950) -- 1948: Expellee Organizations and Elections -- The Expellee Committee (1948–1950) -- 1950: New Expellee and Indigenous Parties -- Conclusion -- III The High Tide of Local Expellee Politics(1951–1954) -- 1951: Confrontation -- 1952: Clues That Point Toward Trends -- The Expellee Committee -- 1953: A Respite -- 1954: Landtag Politics and Patenschaften -- Conclusion -- IV The Disintegration of the BHE (1955–1959) -- 1955–1956: Redefining the Political Environment -- The Expellee Committee (1955–1959) -- Expellee Organizations -- 1957-1958: Emasculation of the BHE -- 1959: Economic Recovery Attained -- Conclusion -- V The Political Effects of Assimilation (1959–1962) -- 1959: Election Ironies -- The Expellee Committee -- 1960: The Decade for Appraisal -- 1961: 1957 Revisited -- 1962: The Political Acknowledgement of Assimilation 106 Conclusion -- VI Epilogue (1963–1970) -- The Demise of the GDP -- The Expellee Committee (1963–1965) -- The Local Elections of 1966 -- The Expellee Committee (1966–1970) -- Continuing Evolution (1967–1970) -- Conclusion -- VII Conclusion -- The Main Periods of the Assimilation Process -- The Return of Stability -- Political Assimilation -- An Appraisal of Assimilation in Schleswig-Holstein.
    Abstract: The expulsions of German nationals from former Reich territories east of the Oder-Neisse Rivers and of German minority communities from various Eastern European nations following the collapse of the Nazi regime in 1945 constitute one of the least appreciated consequences of the Second World War. Numbering some ten million people, this group formed nearly a fifth of the total population of the new West German state which emerged in 1949 and presented a grave threat to its early stability. The state (Land) which received the greatest number of these largely destitute expellees in proportion to its indigenous population was Schleswig­ Holstein: in the years between 1945 and 1948 its population doubled. This predominately agrarian area underwent severe strains in accommodating these newcomers, and its handling of the expellee problem provided a bench mark for the evaluation of the assimilation process throughout the Federal Republic. While the tracing of the assimilation of the expellees into the West German polity and society has been voluminously documented l at the national level, much less research into the process has been conducted at the state and local levels. The principal reason for this seems to lie in the belief that the process has been success­ fully completed at these lower levels and may be considered a 1 The classic treatment of the first decade and a half of the assimilation process from the national level is Eugen Lemberg and Friedrich Edding, eds.
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  • 77
    ISBN: 9789401020091
    Language: English
    Pages: Online-Ressource (268p) , digital
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Additional Information: Rezensiert in Golden, Richard M. [Rezension von: Perry, Elisabeth Israels, From Theology to History: French Religious Controversy and the Revocation of the Edict of Nantes] 1977
    Series Statement: Archives Internationales D’Histoire des Idees / International Archives of the History of Ideas 67
    Series Statement: International Archives of the History of Ideas Archives internationales d'histoire des idées 67
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: History
    Abstract: One: French Religious Controversy and the Argument from History, 1671 to 1691 -- One: The Context of the Debate -- Two: The Sources of Argument -- Three: The Use of History: Ideal and Reality -- Two: The Historical Argument -- Four: The Reformation Defined -- Five: The Reformers in Word and Deed -- Six: A House Divided, 1560–1598 -- Seven: Justification by History -- Appendices -- List of References -- Appendix One: Vitae of the Controversialists -- Appendix Two: The Historical Controversy in the Eighteenth Century -- List of Abbreviations.
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  • 78
    Online Resource
    Online Resource
    Dordrecht : Springer
    ISBN: 9789401022262
    Language: English
    Pages: Online-Ressource (332p) , digital
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Series Statement: Synthese Historical Library, Texts and Studies in the History of Logic and Philosophy 12
    Series Statement: Synthese Historical Library 12
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Philosophy (General) ; History ; Philosophy, Medieval. ; Logic.
    Abstract: I/Historical Introduction -- 1. The Publication of Medieval Works -- 2. Scholasticism in Italy and Germany -- 3. Scholasticism in France and Spain -- 4. Humanism -- 5. Rudolph Agricola and His Influence -- 6. Petrus Ramus and His Influence -- 7. Seventeenth Century Logic: Eclecticism -- 8. Humanism and Late Scholasticism in Spain -- 9. Other Schools of Logic -- 10. A Note on Terminology -- II/Meaning and Reference -- I. The Nature of Logic -- II. Problems of Language -- II. Supposition Theory -- III. Semantic Paradoxes -- III/Formal Logic. Part One: Unanalyzed Propositions -- I. The Theory of Consequence -- II. Propositional Connectives -- III. An Analysis of the Rules Found in Some Individual Authors -- IV/ Formal Logic. Part Two: The Logic of Analyzed Propositions -- I. The Relationships Between Propositions -- II. Supposition Theory and Quantification -- III. Categorical Syllogisms -- Appendix/Latin Texts -- 1. Primary Sources -- 2. Secondary Sources on the History of Logic 1400–1650 -- Index of names.
    Abstract: Keckermann remarked of the sixteenth century, "never from the begin­ ning of the world was there a period so keen on logic, or in which more books on logic were produced and studies oflogic flourished more abun­ dantly than the period-in which we live. " 1 But despite the great profusion of books to which he refers, and despite the dominant position occupied by logic in the educational system of the fifteenth, sixteenth and seven­ teenth centuries, very little work has been done on the logic of the post­ medieval period. The only complete study is that of Risse, whose account, while historically exhaustive, pays little attention to the actual logical 2 doctrines discussed. Otherwise, one can tum to Vasoli for a study of humanism, to Munoz Delgado for scholastic logic in Spain, and to Gilbert and Randall for scientific method, but this still leaves vast areas untouched. In this book I cannot hope to remedy all the deficiencies of previous studies, for to survey the literature alone would take a life-time. As a result I have limited myself in various ways. In the first place, I con­ centrate only on those matters which are of particular interest to me, namely theories of meaning and reference, and formal logic.
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  • 79
    Online Resource
    Online Resource
    Dordrecht : Springer
    ISBN: 9789401167963
    Language: English
    Pages: Online-Ressource (81p) , digital
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Series Statement: Publications of the Research Group for European Migration Problems 19
    Series Statement: Research Group for European Migration Problems 19
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: History
    Abstract: I: Introduction -- Pioneer Settlement in Brazil -- The Focus of the Investigation -- Population Increases in Paraná -- Migration into West Paraná -- of the Long-lot -- The Founding of Toledo -- The Position of Toledo -- II: Settlers and Their Farms -- Choice of Settlers -- Individual Isolated Farm Type: Italian Examples -- Individual Isolated Farm Type: A German Example -- Individual Isolated Farm Type: Japanese Examples -- Group Settlement Farm Type: A German Immigrant Example -- Conclusion -- III: Settlement Form and Structure in Toledo -- Unplanned Settlement -- Planned Settlement -- Comparison of Square and Long-lot Settlement Forms -- The Case of Toledo -- Conclusion -- IV: Settlement Size in Toledo: I -- Data Gathering -- Sampling -- The Classification -- Trends of Ownership Patterns -- Stages of Settlement -- Conclusion -- V: Settlement Size in Toledo: II -- Alternatives -- Objectives -- Problems Related to Small Farm Size -- Problems Related to Large Farm Size -- Steps to Establish the Medium-sized Farm -- Conclusion -- VI: Settlement Function: Economic Life in Toledo -- Agricultural Equipment -- Agricultural Economy: Commercial Hogs -- Agricultural Processing Industries -- Field Systems: South Brazil -- Field Systems: Toledo -- Agricultural Assistance -- Cooperatives -- Conclusion -- VII: CONCLUSIONS -- Position of the Colonization Project -- Selection of Settlers -- Land Titling -- Settlement Morphology -- Settlement Size -- Settlement Function: Vertical Integration and Regional Settlement Development.
    Abstract: In the period since the end of world War II numerous develop­ ing countries have employed colonization, or planned pioneer settlement, as one method of building a more reliable and bal­ anced economy. It is felt that the traditional, single-sided sys­ tems of farm ownership and production with their latifundium and minifundium holdings will gradually and peacefully become less prominent as better settlement systems are introduced and extended. Marked increases in population pressure, large tracts of unused or underused land, and modern improvements in set­ tlement planning are among other compelling reasons for star­ ting colonization programs. Of all the areas in the world, the continent of South America probably has the widest variety of planned pioneer settlements as well as the most sizeable programs. Brazil, the largest country on the continent, is actively engaged in populating the vast, emp­ ty spaces of its interior, and provides excellent opportunities for the scholarly investigation of new frontier settlement types. In addition to the academic discussion of the origin and develop­ ment of these expressions of man's expansion into marginal ar­ eas, the critical examination of relatively new attempts at land settlement is a useful thing because what is to be learned from such studies may be directly applicable to other pioneer zones and, moreover, may be of vital significance to overall economic improvement on the continent. In this monograph, my student, K. Muller, analyzes the South Brazilian frontier colony of Toledo, Parana, founded in 1946.
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  • 80
    ISBN: 9789401020916
    Language: English
    Pages: Online-Ressource (296p) , digital
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Series Statement: Vienna Circle Collection 5
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Philosophy (General) ; Science Philosophy ; History ; Science—Philosophy. ; Physics—Philosophy.
    Abstract: I/From Populäre Schriften: (Writings addressed to the Public) -- Dedication (1905) -- Foreword (1905) -- 1. On the Methods of Theoretical Physics (1892) -- 3. The Second Law of Thermodynamics (1886) -- 5. On the Significance of Theories (1890) -- 9. On Energetics (1896) -- 10. On the Indispensability of Atomism in Natural Science (1897) -- 11. More on Atomism (1897) -- 12. On the Question of the Objective Existence of Processes in Inanimate Nature (1897) -- 14. On the Development of the Methods of Theoretical Physics in Recent Times (1899) -- 16. On the Fundamental Principles and Equations of Mechanics, I, II (1899) -- 17. On the Principles of Mechanics, I, II (1900, 1902) -- 18. An Inaugural Lecture on Natural Philosophy (1903) -- 19. On Statistical Mechanics (1904) -- 20. Reply to a Lecture on Happiness given by Prof. Ostwald (1904) -- 22. On a Thesis of Schopenhauer’s (1905) -- II/From Nature51 (1895) -- On Certain Questions of the Theory of Gases -- III/From Encyclopaedia Britannica10,11 -- Model (1902) -- IV/From Vorlesungen Über Die Principe Der Mechanik (Lectures on the Principles of Mechanics) -- One (1897) -- Two (1904) -- Index Of Names.
    Abstract: l. The work of Ludwig Boltzmann (1844-1906) consists of two kinds of writings: in the first part of his active life he devoted himself entirely to problems of physics, while in the second part he tried to find a philosoph­ 1 ical background for his activities in and around the natural sciences. Most scientists are much more aware of his creative work in physics than of his digressions on the meaning and structure of science. I think in the present case the reason is not so much that most scientists are usually almost entirely occupied with their trade, because Boltzmann's philosophical work is also concerned with the (natural) sciences. I rather believe that the quality and consistency of Boltzmann's purely scientific work is of a more appealing nature than his less structured considerations on human activity in science and in life in general. 2. I think that it may be appropriate for the readers of this anthology to say a few words on the main findings of Boltzmann in physics, since in the end their 'philosophical' inlpact has been larger than the effect of his later writings. Moreover some knowledge of his scientific achievements can be helpful for the understanding and appreciation of the essays printed in this book, which almost all stem from Boltzmann's philosophical period. Boltzmann was one of the main protagonists - at least in continental Europe - of atomistics for explaining the phenomena of physics.
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  • 81
    Online Resource
    Online Resource
    Dordrecht : Springer
    ISBN: 9789401721936
    Language: English
    Pages: Online-Ressource (XXI, 326 p) , digital
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Series Statement: Synthese Library, Monographs on Epistemology, Logic, Methodology, and Philosophy of Science, Sociology of Science and of Knowledge, and on the Mathematical Methods of Social and Behavioral Sciences 12
    Series Statement: Synthese Library, Studies in Epistemology, Logic, Methodology, and Philosophy of Science 12
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Linguistics ; Psycholinguistics ; History
    Abstract: I. Mathematical Reasoning Cannot be Analysed by Traditional Syllogistics -- II. The Psychological Interpretation of Mathematical Reasoning -- III. The Logicist Tradition -- IV. Strict Demonstration and Heuristic Procedures -- V. Intuitive Structures and Formalised Mathematics -- VI. “Thinking Machines” and Mathematical Thought -- VII. Lessons of the:History of the Relations Between Logic and Psychology -- VIII. General Psychological Problems of Logico-Mathematical Thought -- IX. General Psychological Problems of Logico-Mathematical Thought (Continued) -- X. The Psychological Problems of “Pure” Thought -- XI. Some Convergences Between Formal and Genetic Analyses -- XII. Epistemological Problems with Logical and Psychological Relevance -- General Conclusions -- Name Index.
    Abstract: One of the controversial philosophical issues of recent years has been the question of the nature of logical and mathematical entities. Platonist or linguistic modes of explanation have become fashionable, whilst abstrac­ tionist and constructionist theories have ceased to be so. Beth and Piaget approach this problem in their book from two somewhat different points of view. Beth's approach is largely historico-critical, although he discusses the nature of heuristic thinking in mathematics, whilst that of Piaget is psycho-genetic. The major purpose of this introduction is to summarise some of the main points of their respective arguments. In the first part of this book Beth makes a detailed study of the history of philosophical thinking about mathematics, and draws our attention to the important role played by the Aristotelian methodology of the demon­ strative sciences. This, he tells us, is characterised by three postulates: (a) deductivity, (b) self-evidence, and (c) reality. The last postulate asserts that the primitive notions of a demonstrative science must have reference to a domain of real entities in order to have significance. On the Aristote­ lian view discursive reasoning plays a major role in mathematics, whilst pure intuition plays a somewhat subordinate one.
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  • 82
    Online Resource
    Online Resource
    Dordrecht : Springer
    ISBN: 9789401019941
    Language: English
    Pages: Online-Ressource (220p) , digital
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Series Statement: International Archives of the History of Ideas / Archives Internationales D’Histoire Des Idees 65
    Series Statement: International Archives of the History of Ideas Archives internationales d'histoire des idées 65
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Science Philosophy ; Philosophy, modern ; History ; Science—Philosophy.
    Abstract: I. Berkeley’s Theory of Signification -- Theory of Meaning -- Theory of Signs -- II. The Theory of Vision -- The Critique of Geometrical Optics -- The “Vulgar Error” -- The Concept of Sensible Minima -- III. The Philosophy of Physics -- The Concept of Material Substance -- The Concept of Force -- Absolute Space and Motion -- IV. The Philosophy of Mathematics -- The Philosophy of Arithmetic -- The Philosophy of Geometry -- The Critique of Analysis -- V. Conclusion.
    Abstract: Philonous: You see, Hylas, the water of yonder fountain, how it is forced upwards, in a round column, to a certain height, at which it breaks and falls back into the basin from whence it rose, its ascent as well as descent proceeding from the same uniform law or principle of gravitation. Just so, the same principles which at first view, lead to skepticism, pursued to a certain point, bring men back to common 1 sense. Although major works on Berkeley have considered his Philosophy of 1 George Berkeley, Three Dialogues Between Hylas and Philonous, ed. Colin Murray Turbayne, (third and final edition; London 1734); (New York: The Bobbs Merrill Company, Inc., Library of Liberal Arts, 1965), p. 211. Berkeley, in general, conveniently numbered sections in his works, and in the text of the essay, we will refer if possible to the title and section number. References to the Three Dialogues Between Hylas and Philonous will be also made in the text and refer to the dialogue number and page in the Turbayne edition cited above.
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  • 83
    ISBN: 9789401020725
    Language: English
    Pages: Online-Ressource (284p) , digital
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Series Statement: Archives Internationales D’histoire Des Idées / International Archives of the History of Ideas 73
    Series Statement: International Archives of the History of Ideas Archives internationales d'histoire des idées 73
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: History
    Abstract: The Instrument -- Seignelay and the Colbertian Legacy -- Pontchartrain’s First Years 1691–1693 -- The Crisis of the Main Fleet and the Shift to the Guerre de Course 1694–1697 -- Conclusion -- Appendices.
    Abstract: The French navy that fought in the Nine Years War was essentially Colbert's creation. Earlier in the century Richelieu had given France the beginnings of a navy: ships, ports, a corps of officers and an administra­ tive structure. But most of his work was undone by neglect in the years after his death, and the task of making France a maritime power had to begin again under Louis XIV. Colbert's efforts to build a navy were distinguished by the same stubborn energy that he brought to all his other tasks. Behind his desire for naval might lay his vision of France as the first commercial power in Europe, for he saw clearly that mercantile preponderance could never be achieved without the backing of a strong fleet of warships. Trade would follow the flag, as he believed it had for his envied models and perpetual rivals, the Dutch. Soon after Louis XIV's assumption of power, Colbert set about the enOImOUS labour of resurrecting the navy founded by Richelieu; he soon found that the task was really one of creation, virtually ex nihilo. Ships or built, sailors recruited, captains enticed home from were purchased service under foreign flags, bases planned and constructed, an adminis­ trative system established.
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  • 84
    ISBN: 0127859195 , 0127859209
    Language: English
    Pages: XIV, 410 S. , Ill. , 24 cm
    Series Statement: The modern world-system / Immanuel Wallerstein 1
    Series Statement: Studies in social discontinuity
    Series Statement: Wallerstein, Immanuel Maurice 1930-2019 The modern world-system.
    DDC: 330.9/4/022
    RVK:
    Keywords: Economic history 1600-1750 ; Mercantile system History ; Economic history 16th century ; Capitalism ; Agriculture Economic aspects 16th century ; History ; Europe Economic conditions 17th century ; Europe Economic conditions 16th century ; Weltwirtschaft ; Geschichte 1500-1600
    Note: Literaturverz. S. 359 - 386 und Index , Bibliography: p. [358]-386 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 85
    Online Resource
    Online Resource
    [Syracuse] : Syracuse University Press
    ISBN: 9780815601173 , 1684450039 , 0815601174 , 0815600984 , 1684450039 , 9780815601173 , 9780815600985 , 9781684450039
    Language: English
    Pages: 1 Online-Ressource (xxiii, 262 pages)
    Edition: [1st ed.]
    Edition: [S.l.] HathiTrust Digital Library 2010 Electronic reproduction
    Series Statement: A York State book
    Parallel Title: Erscheint auch als
    Parallel Title: Print version Conklin, Henry, 1832-1915 Through "Poverty's Vale"
    DDC: 917.47/03/40924
    Keywords: Conklin, Henry Juvenile literature Childhood and youth ; Conklin, Henry ; Frontier and pioneer life Juvenile literature ; Frontier and pioneer life ; Frontier and pioneer life ; New York (State) ; United States ; History ; Juvenile works ; Personal narratives ; American Civil War (1861-1865) ; Manners and customs ; United States Personal narratives History Civil War, 1861-1865 ; Juvenile literature ; New York (State) Juvenile literature Social life and customs ; United States ; New York (State)
    Abstract: An autobiographical account of a frontier family's struggles in a backwoods environment a century ago
    Note: Includes bibliographical references , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 86
    ISBN: 9780824883928 , 0824883926
    Language: English
    Pages: 1 Online-Ressource (xviii, 129 pages)
    Edition: [S.l.] HathiTrust Digital Library 2010 Electronic reproduction
    Parallel Title: Erscheint auch als Judd, Bernice Voyages to Hawaii before 1860
    Keywords: Hawaii ; History ; Bibliography ; Sources ; Hawaii Sources History To 1893 ; Hawaii Bibliography
    Note: Includes bibliographical references (pages 97-128) , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 87
    Online Resource
    Online Resource
    's-Gravenhage : M. Nijhoff
    ISBN: 9004287027 , 9789004287020 , 9024717167 , 9789024717163
    Language: English
    Pages: 1 Online-Ressource (xv, 324 pages, 2 unnumbered leaves of plates) , illustrations
    Edition: [Place of publication not identified] HathiTrust Digital Library 2011 Electronic reproduction
    Series Statement: Verhandelingen - Koninklijk Instituut voor Taal-, Land- en Volkenkunde 71
    Uniform Title: Familiesysteem der Volkscreolen van Paramaribo
    Parallel Title: Erscheint auch als Buschkens, Willem F.L Family system of the Paramaribo Creoles
    DDC: 301.42/0988/3
    Keywords: Families History ; Population ; Suriname ; Social conditions ; Familierelaties ; History ; Families ; Creolen ; Suriname Social conditions ; Suriname Population ; Electronic book
    Note: Includes bibliographical references (pages 307-316) and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 88
    ISBN: 9789004286993 , 9004286993 , 9024716365 , 9789024716364
    Language: Dutch
    Pages: 1 Online-Ressource (xiii, 318 pages)
    Edition: [Place of publication not identified] HathiTrust Digital Library 2010 Electronic reproduction
    Series Statement: Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde 69
    Parallel Title: Erscheint auch als Graaf, Hermanus Johannes de, 1899-1984 Eerste Moslimse vorstendommen op Java
    Keywords: Muslims ; Muslims ; Indonesia ; Java ; History ; Sultanaten ; Islam ; Java (Indonesia) History ; Electronic book
    Note: Includes bibliographical references , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 89
    Online Resource
    Online Resource
    Tucson : University of Arizona Press
    ISBN: 9780816537785 , 081653778X
    Language: English
    Pages: 1 Online-Ressource (xv, 207 pages) , illustrations
    Edition: [S.l.] HathiTrust Digital Library 2010 Electronic reproduction
    Parallel Title: Erscheint auch als Hoffman, Abraham Unwanted Mexican Americans in the Great Depression
    Keywords: Mexicans History ; Emigration and immigration ; Mexicans ; HISTORY / General ; Mexico ; United States ; History ; Mexico Emigration and immigration ; United States Emigration and immigration
    Abstract: 1. The border Is That Way -- 2. Mexican Movements Into the United States -- 3. Closing America's Back Door -- 4. Focus on Los Angeles -- 5. Reactions and Actions -- 6. Repatriation From Los Angeles -- 7. Repatriation Across the Country -- 8. The Dilemma in Mexico -- 9. Tapering Off.
    Note: Includes bibliographical references (pages 189-200) and index , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 90
    Language: Russian
    Keywords: Karakalpakstan (Uzbekistan) ; History
    Note: In kyrill. Schr
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  • 91
    Online Resource
    Online Resource
    Dordrecht : Springer Netherlands
    ISBN: 9789401020671
    Language: English
    Pages: Online-Ressource (196p) , online resource
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: History
    Abstract: I. Values and Career Choice, 1860–1878 -- II. Politics as a Profession, 1878–1889 -- III. Ministerial Politics, 1890–1895 -- IV. Illusions, 1895–1899 -- V. Opposition, Partial Reconciliation, 1900–1914 -- VI. Final Service (i): War Finance, 1914-1916 -- VII. Final Service (ii): Premier, 1917 -- VIII. Troubled Victory, 1918–1923 -- Jugement.
    Abstract: In 1878 Alexandre Ribot assumed his place at the left-center of the French Chamber of Deputies. From here he began a lifelong effort to establish a moderate republic based upon his conception of liberal political values. The time seemed propitious to instill lofty purpose into French political life, for his entry into the Chamber coincided with the consolidation of the republican regime following the crisis of 16 May. But the first wave of republican anti-clericalism revealed the fragility of Ribot's hopes. During the next forty years, successive dramatic phases in republican history - Boulangism, the Dreyfus Affair, separa­ tion of church and state, the emergence of socialism, and ultimately, the demands of wartime leadership - would test Ribot's system of political values. Adaptive and resilient, he refined his definition of liberalism in response to political change and the charge that his plea for liberty and toleration had become instead sanctuary for a privileged class in French society.
    Description / Table of Contents: I. Values and Career Choice, 1860-1878II. Politics as a Profession, 1878-1889 -- III. Ministerial Politics, 1890-1895 -- IV. Illusions, 1895-1899 -- V. Opposition, Partial Reconciliation, 1900-1914 -- VI. Final Service (i): War Finance, 1914-1916 -- VII. Final Service (ii): Premier, 1917 -- VIII. Troubled Victory, 1918-1923 -- Jugement.
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  • 92
    ISBN: 0198216904
    Language: English
    Pages: IX, 257 S. , Kt. , 8°
    Series Statement: Oxford studies in African affairs
    DDC: 331/.09689/4
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Industrial relations ; Zambia ; History ; Zambia ; Race relations ; History
    Note: Literaturverz. S. [241] - 250
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  • 93
    Online Resource
    Online Resource
    Dordrecht : Springer Netherlands
    ISBN: 9789401729529
    Language: English
    Pages: Online-Ressource (XV, 349 p) , online resource
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Humanities ; History
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  • 94
    Online Resource
    Online Resource
    Dordrecht : Springer Netherlands
    ISBN: 9789401020428
    Language: English
    Pages: Online-Ressource (324p) , online resource
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Philosophy (General) ; Genetic epistemology ; History ; Knowledge, Theory of.
    Abstract: 1. Introduction -- A. Purpose and Plan -- B. The Unity of Temple’s Christian Philosophy -- C. The Major Influences on Temple’s Life and Thought -- I The Construction of a Christian Philosophy -- 2. The Philosophic Enterprise -- 3. The Knowledge Venture -- 4. The Understanding of Reality -- 5. The Relevance of Christian Philosophy -- II A Christian Philosophy of Personality: Human and Divine -- 6. Process and Personality -- 7. Human Personality -- 8. Divine Personality -- 9. Justification for Theism -- 10. From Theism to a Metaphysics of the Incarnation -- III A Christian Philosophy of Personal and Social Morality -- 11. Personal Ethics -- 12. The Need of Ethics for Religion -- 13. Christian Social Thought -- IV A Christian Philosophy of History -- 14. The Historical Process -- 15. History and Eternity -- V Evaluation and Reconstruction of Temple’s Christian Philosophy -- 16. Philosophy and the Christian Faith -- 17. Human Personality -- 18. The Category of the Personal and the Problem of God -- 19. The Person in Relation to Society -- 20. God and the Meaning of History.
    Abstract: A. PURPOSE AND PLAN William Temple was trained as a philosopher and lectured on phi­ losophy at Oxford (1904), but his concern for labor, education, journalism, and the Church of England led him away from philosophy as a profession. Enthroned in 1942 as Archbishop of Canterbury, Temple persisted in applying his Christian position to the solution of the problems of the day. He will be remembered for his contributions in many areas of life and thought: his work in the ecumenical movement, and his writings in theology and social ethics attest to the variety and depth of his concern, but of special significance is his contribution toward the construction of a distinctly Christian philosophy relevant to the twentieth century. Although Temple did not work out a systematic formulation of his Christian philosophy, the bases for a Christian philosophy are never­ theless evident in his position. It is the purpose of the present work to enter sympathetically and critically into the major facets of Temple's position and to weave together, as far as is legitimate, the separate strands of his thought into a meaningful, even if not a completely unified, Christian philosophy. The intent is not simply to present Temple's conclusions on a variety of philosophical and theological issues; rather, Temple's position is developed systematically, and the arguments for the conclusions at which he arrived are carefully ex­ pounded.
    Description / Table of Contents: 1. IntroductionA. Purpose and Plan -- B. The Unity of Temple’s Christian Philosophy -- C. The Major Influences on Temple’s Life and Thought -- I The Construction of a Christian Philosophy -- 2. The Philosophic Enterprise -- 3. The Knowledge Venture -- 4. The Understanding of Reality -- 5. The Relevance of Christian Philosophy -- II A Christian Philosophy of Personality: Human and Divine -- 6. Process and Personality -- 7. Human Personality -- 8. Divine Personality -- 9. Justification for Theism -- 10. From Theism to a Metaphysics of the Incarnation -- III A Christian Philosophy of Personal and Social Morality -- 11. Personal Ethics -- 12. The Need of Ethics for Religion -- 13. Christian Social Thought -- IV A Christian Philosophy of History -- 14. The Historical Process -- 15. History and Eternity -- V Evaluation and Reconstruction of Temple’s Christian Philosophy -- 16. Philosophy and the Christian Faith -- 17. Human Personality -- 18. The Category of the Personal and the Problem of God -- 19. The Person in Relation to Society -- 20. God and the Meaning of History.
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  • 95
    ISBN: 9789401020633
    Language: English
    Pages: Online-Ressource (241p) , online resource
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: History
    Abstract: I. The Role of Propaganda Before and After the Election of 1848 -- II. Napoleon III’s Methods of Creating Public Opinion, 1849–1858 -- III. Brochures on England and Roumania, 1858 -- IV. Brochures on Italian Nationalism, 1859 -- V. Brochures on the Roman Question, 1859–1870 -- VI. Brochures on Germany and Her Neighbors, 1860–1870 -- VII. Brochures and the Apology for Defeat, 1868–1870 -- VIII. Conclusion.
    Abstract: Public opinion had roots in the nineteenth century with the develop­ ment of industrialization. What is this public? It is the mass of individuals who comprise a society or a nation; this mass in turn is divided into many groups, which have their own interests, prejudices, and beliefs. A govern­ ment, whether democratic or not, is well aware of the power of public opinion and is anxious to measure and shape it. All three branches of government may direct and educate public thinking, using the instru­ ments of propaganda. Propaganda is any idea and action designed to influence the views and actions of others. Today's means of propaganda are books, newspapers, radio, movies, television, public schools, and lastly the rostrum. Molders of opinion believe that words, sounds, and pictures accomplish little unless they are carefully organized and inte­ grated into a well-conceived plan. Once this is accomplished, the ideas 1 conveyed by the words will become part of the people themselves. Special techniques, such as the employment of fear and the play on prejudices, have been used quite succesfully by modern states to impose their own dogmas and policies. Because the social scientist has been aware of the study of public opinion, he may have concluded that it was a modern innovation; but governments have always been concerned with public opinion, though not always understanding it, and have attempted to influence it.
    Description / Table of Contents: I. The Role of Propaganda Before and After the Election of 1848II. Napoleon III’s Methods of Creating Public Opinion, 1849-1858 -- III. Brochures on England and Roumania, 1858 -- IV. Brochures on Italian Nationalism, 1859 -- V. Brochures on the Roman Question, 1859-1870 -- VI. Brochures on Germany and Her Neighbors, 1860-1870 -- VII. Brochures and the Apology for Defeat, 1868-1870 -- VIII. Conclusion.
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  • 96
    ISBN: 9789401020794
    Language: English
    Pages: Online-Ressource (232p) , online resource
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: History
    Abstract: I. Introduction: The Comparative Study of Minor Parties -- Minor Parties and Comparative Analysis -- Minor Parties Defined -- The Study of Minor Parties in the Federal -- Republic of Germany -- II. The Role of Minor Parties in the United States -- Forces Deterring Minor Parties in the United States -- The Classification of American Minor Parties -- Characteristics of American Minor-Party Activity -- Minor-Party Functions in the American Party System -- Minor Parties as Integral Elements of the American Party System -- III. The Evolution of the German Party System -- Party Development in Imperial Germany: 1848–1918 -- Party Development in the Weimar Republic: 1918–1933 -- Party Development in the Nazi Era: 1933–1945 -- Party Development in the Immediate Post-War Period: 1945–1949 -- The 1949 Bundestag Election -- The 1953 Bundestag Election -- The 1957 Bundestag Election -- The 1961 Bundestag Election -- The 1965 Bundestag Election -- The 1969 Bundestag Election -- The 1972 Bundestag Election -- Landtag Elections: 1949–1972 -- Conclusion -- IV. The Minor Parties of the Federal Republic of Germany Part I: The Non-Extremist Parties -- The South Schleswig Voters’ League (SSW) -- The Bavarian Party (BP) -- The Rhenish-Westphalian People’s Party (RWVP) -- The Center Party (DZP) -- The German Party (DP) -- The “Pro-European” Parties (EVD; EFP; EP) -- The All-German People’s Party (GVP) -- The Union of German Middle Class Parties (UDM) -- The Christian People’s Party (CVP) -- The Economic Reconstruction Party (WAV) -- The Refugee Party (BHE; GB/BHE; GDP; GPD) -- V. The Minor Parties of the Federal Republic of Germany Part II: The Extremist Parties -- Extremist Parties of the Left (KPD; BdD; DFU; DKP; ADF) -- Extremist Parties of the Right (DReP/DKP; SRP; DRP; DG; AUD; VU; UAP; FSU; NPD) -- VI. Conclusion: Toward a Comparative Theory of Minor Parties -- Forces Deterring Minor-Party Success -- Characteristics of Minor-Party Activity -- Minor-Party Functions -- Future Research Needs -- Conclusion.
    Abstract: Minor parties in the United States have been studied both individually and collectively. On the basis of these studies, social scientists have set forth certain generalizations concerning the types of American minor parties, their characteristics, their functions, and the obstacles they face in the American party system. However, in their comparative analysis of political parties, political scientists have generally limited themselves to comments about the major parties. This study examines in detail all the minor parties which have participated in the national elections of the Federal Republic of Germany since its inception in 1949 in light of the descriptive and explanatory generalizations which have been formulated about minor parties in the United States. The purpose of such an analysis is threefold. First, it provides materials on the West German minor parties which will be readily accessible for cross-national research. Second, through comparisons with the West German experience, the generalizations pro­ duced to explain American minor parties are made more suitable for comparative analysis. Third, and most important, it seeks to demonstrate that some minor parties play an important role in a party system and that, therefore, minor parties should not be ignored in the comparative analysis of political parties. I am deeply indebted to Professors William B. Gwyn and James D. Cochrane for their help on this project. This work could not have been completed without Professor Gwyn's guidance and prodding.
    Description / Table of Contents: I. Introduction: The Comparative Study of Minor PartiesMinor Parties and Comparative Analysis -- Minor Parties Defined -- The Study of Minor Parties in the Federal -- Republic of Germany -- II. The Role of Minor Parties in the United States -- Forces Deterring Minor Parties in the United States -- The Classification of American Minor Parties -- Characteristics of American Minor-Party Activity -- Minor-Party Functions in the American Party System -- Minor Parties as Integral Elements of the American Party System -- III. The Evolution of the German Party System -- Party Development in Imperial Germany: 1848-1918 -- Party Development in the Weimar Republic: 1918-1933 -- Party Development in the Nazi Era: 1933-1945 -- Party Development in the Immediate Post-War Period: 1945-1949 -- The 1949 Bundestag Election -- The 1953 Bundestag Election -- The 1957 Bundestag Election -- The 1961 Bundestag Election -- The 1965 Bundestag Election -- The 1969 Bundestag Election -- The 1972 Bundestag Election -- Landtag Elections: 1949-1972 -- Conclusion -- IV. The Minor Parties of the Federal Republic of Germany Part I: The Non-Extremist Parties -- The South Schleswig Voters’ League (SSW) -- The Bavarian Party (BP) -- The Rhenish-Westphalian People’s Party (RWVP) -- The Center Party (DZP) -- The German Party (DP) -- The “Pro-European” Parties (EVD; EFP; EP) -- The All-German People’s Party (GVP) -- The Union of German Middle Class Parties (UDM) -- The Christian People’s Party (CVP) -- The Economic Reconstruction Party (WAV) -- The Refugee Party (BHE; GB/BHE; GDP; GPD) -- V. The Minor Parties of the Federal Republic of Germany Part II: The Extremist Parties -- Extremist Parties of the Left (KPD; BdD; DFU; DKP; ADF) -- Extremist Parties of the Right (DReP/DKP; SRP; DRP; DG; AUD; VU; UAP; FSU; NPD) -- VI. Conclusion: Toward a Comparative Theory of Minor Parties -- Forces Deterring Minor-Party Success -- Characteristics of Minor-Party Activity -- Minor-Party Functions -- Future Research Needs -- Conclusion.
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  • 97
    Online Resource
    Online Resource
    Dordrecht : Springer Netherlands
    ISBN: 9789401016124
    Language: English
    Pages: Online-Ressource (299p) , online resource
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: History
    Abstract: 1 Sir John Moore’s Enough of his Early Life to Explain his Subsequent Misfortunes -- 2 The Revolt of the Spanish and the Expedition to Sweden -- 3 The Defeat of the French, and the Question of Future Operations -- 4 The Army Prepares to March into Spain -- 5 The French and Spanish Armies -- 6 The Effects of Tudela -- 7 A Change of Plans -- 8 From Sahagún to Valencia de Don Juan and Benavente -- 9 From Benavente to Bembibre -- 10 Bembibre to Cacabelos and Villafranca -- 11 From Cacabelos and Villafranca to Lugo -- 12 From Lugo to Betanzos -- 13 La Coruña -- 14 Post Mortem -- Maps.
    Abstract: This book is an attempt to present the chief events in the last campaign of Sir John Moore. Enough of Sir John Moore's life, and of life in England, France, and Spain to explain those events has been included. In several instances, perhaps important instances, accounts of events as given here differ from what may be found elsewhere. In such cases the documents upon which the present narrative is based have been indicated. The list of those to whom I am indebted is a long one. The staff of the Public Record Office have been unfailingly helpful, pleasant, and ef­ ficient on the many occasions when I have used the Record Office. The Librarian and staff of the National Library of Scotland were most help­ ful when the writer consulted the papers of Sir George Murray and the manuscripts of Thomas Graham, Lord Lynedoch, in that Library. An especially enjoyable occasion was the time spent in the Scottish United Services Museum working with the Sir David Baird papers. I am much indebted to The Honourable the Marquess of Anglesey for permission to consult the Paget papers in the Library at Plas-Newydd. The Libra­ rian and the Keeper of Manuscripts of the John Rylands Library have been most kind and generous in making available the papers of Sir Henry Clinton. As always, Mr.
    Description / Table of Contents: 1 Sir John Moore’s Enough of his Early Life to Explain his Subsequent Misfortunes2 The Revolt of the Spanish and the Expedition to Sweden -- 3 The Defeat of the French, and the Question of Future Operations -- 4 The Army Prepares to March into Spain -- 5 The French and Spanish Armies -- 6 The Effects of Tudela -- 7 A Change of Plans -- 8 From Sahagún to Valencia de Don Juan and Benavente -- 9 From Benavente to Bembibre -- 10 Bembibre to Cacabelos and Villafranca -- 11 From Cacabelos and Villafranca to Lugo -- 12 From Lugo to Betanzos -- 13 La Coruña -- 14 Post Mortem -- Maps.
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  • 98
    Online Resource
    Online Resource
    Dordrecht : Springer Netherlands
    ISBN: 9789401019880
    Language: English
    Pages: Online-Ressource (263p) , online resource
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: History ; Cultural property.
    Abstract: I Sentimentalism: The Conceptual Background -- 1. A Russian Sentimentalist: I.I. Dmitriev -- 2. The Philosophical Background -- 3. The Sensualist Approach in Russian Aesthetics -- 4. Freemasonic Concepts -- II Sentimentalism: Literary Influences from the West and the Russian Response -- 1. Three Trends -- 2. Translated Literature between 1750 and 1780 -- 3. Changing Genre Concepts -- 4. Sentimental Aestheticism: Patterns and Motifs -- III The Transition to Preromantic Writing -- 1. From Sentimental Clichés to Preromantic Concepts -- 2. Major Influences on Preromantic Writing in Russia Jean Jacques Rousseau, William Shakespeare, Johann Gottfried Herder, Friedrich Schiller, Johann Wolfgang Goethe -- 3. German Aesthetic Theories in Russia -- 4. Folklore and Mythology -- IV Preromantic Themes and Motifs -- 1. Basic Concepts of Preromantic Literature: Nature, Poetry, and the Genius -- 2. Major Genres of Preromantic Literature The Novel and Drama -- 3. Early Russian Interpretations of the Romantic: The Term “romanicheskii” -- V Russian Preromantic Writing -- 1. N. M. Karamzin’s Preromantic Period -- 2. The Friendly Literary Society -- 3. The Free Society of Lovers of Literature, Science and the Arts -- 4. Three Preromantic Authors V. T. Narezhnyi, N. I. Gnedich, D. V. Davydov -- Conclusion -- Index of Names -- Index of Terms -- Index of Russian Periodicals.
    Abstract: Russian literature between 1750 and the romantic age presents a confus­ ing picture. Various literary movements arose and existed side by side, while new trends made themselves felt. At no other time in the history of Russian literature was there a similar influx of widely disparate literary and intellectual influences from the West. The complex evolution of literature is reflected in the area of literary classification. Period terms have been used in great variety, yet without general agreement as to the extent, or even the nature of the trends described. The essays of this study are devoted to two major literary trends of the 18th and early 19th century, -sentimentalism and preromanticism. They aim to elucidate their evolu­ tion as well as at defining and describing the conceptual framework on which they rest. Since the 18th century did not draw a sharp line between translated and original literature, both have been included here. Literary, philosophical, and general cultural influences from the West were of consi­ derable importance for Russian literature. The concepts, motifs and themes which reached Russian writers in translations moulded their own original works. The 18th century witnessed the formation of an adequate literary language which culminated in Kararnzin's style. The distinction of two stages in the development of sentimentalism as suggested here and the differentiation between both of them and a third literary trend, preroman­ ticism, is an attempt to reflect adequately the rapid change in stylistic and poetic norms.
    Description / Table of Contents: I Sentimentalism: The Conceptual Background1. A Russian Sentimentalist: I.I. Dmitriev -- 2. The Philosophical Background -- 3. The Sensualist Approach in Russian Aesthetics -- 4. Freemasonic Concepts -- II Sentimentalism: Literary Influences from the West and the Russian Response -- 1. Three Trends -- 2. Translated Literature between 1750 and 1780 -- 3. Changing Genre Concepts -- 4. Sentimental Aestheticism: Patterns and Motifs -- III The Transition to Preromantic Writing -- 1. From Sentimental Clichés to Preromantic Concepts -- 2. Major Influences on Preromantic Writing in Russia Jean Jacques Rousseau, William Shakespeare, Johann Gottfried Herder, Friedrich Schiller, Johann Wolfgang Goethe -- 3. German Aesthetic Theories in Russia -- 4. Folklore and Mythology -- IV Preromantic Themes and Motifs -- 1. Basic Concepts of Preromantic Literature: Nature, Poetry, and the Genius -- 2. Major Genres of Preromantic Literature The Novel and Drama -- 3. Early Russian Interpretations of the Romantic: The Term “romanicheskii” -- V Russian Preromantic Writing -- 1. N. M. Karamzin’s Preromantic Period -- 2. The Friendly Literary Society -- 3. The Free Society of Lovers of Literature, Science and the Arts -- 4. Three Preromantic Authors V. T. Narezhnyi, N. I. Gnedich, D. V. Davydov -- Conclusion -- Index of Names -- Index of Terms -- Index of Russian Periodicals.
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  • 99
    Online Resource
    Online Resource
    Dordrecht : Springer Netherlands
    ISBN: 9789401020619
    Language: English
    Pages: Online-Ressource (242p) , online resource
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: History
    Abstract: I. The Great Channing -- I. Edward Channing: A Biographical Sketch -- II. The Great Channing -- II. The Great Work -- III. The Planting of a Nation in the New World -- IV. A Century of Colonial History -- V. The American Revolution -- VI. Federalists and Republicans -- VII. The Period of Transition -- VIII. The War for Southern Independence, and the End of the Great Work -- III. Other Works -- IX. Textbooks -- X. Miscellaneous Writings -- IV. An Evaluation -- XI. Edward Channing, Historian.
    Abstract: Twenty years after Edward Channing's death in 1931, historians differed rather widely in their evaluation of his work. A British author, surveying American historiography since 1890, was quite critical of Channing's major contribution, the six-volume History of the United States, contending that it "won only a contemporary reputation which is not wearing well. "l Referring specifically to the second volume of the History, this writer stated his feeling that it "added little of substance to what was to be found in earlier works," and that it "was so partisan as sometimes to be quite misleading. "2 Quite a different view was expressed by an American historian writing in the same year. He felt that Channing seemed "assured of a niche in the his­ torians' Hall of Fame as one of the giants of American historiography. "3 Many of Channing's findings were new, this writer emphasized, and had been useful to other historians. He concluded that Channing's History "wears well twenty years after his death," and, indeed, "remains one of the major accomplishments in the field of American historical writing. '" Some support is given to the latter interpretation by a poll of historians, once again dated 1952, to determine preferred works in American history published between 1920 and 1935. Channing's History finished eighth, fol­ lowing only the works of Parrington, Turner, Webb, Beard, Andrews, 5 Becker, and Phillips.
    Description / Table of Contents: I. The Great ChanningI. Edward Channing: A Biographical Sketch -- II. The Great Channing -- II. The Great Work -- III. The Planting of a Nation in the New World -- IV. A Century of Colonial History -- V. The American Revolution -- VI. Federalists and Republicans -- VII. The Period of Transition -- VIII. The War for Southern Independence, and the End of the Great Work -- III. Other Works -- IX. Textbooks -- X. Miscellaneous Writings -- IV. An Evaluation -- XI. Edward Channing, Historian.
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  • 100
    ISBN: 9789401021630
    Language: English
    Pages: Online-Ressource (VII, 386 p) , online resource
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Series Statement: Analecta Husserliana, The Yearbook of Phenomenological Research 3
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Philosophy (General) ; Science Philosophy ; Phenomenology ; History ; Science—Philosophy.
    Abstract: Inaugural Lecture -- Imaginado Creatrix: The Creative versus the Constitutive Function of Man, and the Possible Worlds -- I / The A Prior -- Welcoming Remarks -- Life-world and A Priori in Husserl’s Later Thought -- The Transcendental A Priori in Husserl and Kant -- The Affective A Priori -- Special Contribution to the Debate: The Life-World and the A Priori — Opposites or Complementaries? -- Special Contribution to the Debate: The A Priori of Taste -- Consciousness and Action in Ingarden’s Thought -- The A Priori in Ingarden’s Theory of Meaning -- Discussion -- II / Activity and Passivity of Consciousness -- The Activity of Consciousness: Husserl and Bergson -- Problems of Continuity in the Perceptual Process -- The A Priori Moment of the Subject-Object Dialectic in Transcendental Phenomenology: The Relation-ship between A Priori and Ideality -- Special Contribution to the Debate: Passivity and Activity of Consciousness in Husserl -- III / Phenomenology and Nature -- Sense-Experience: A Stereoscopic View -- Freedom, Self-Reflection and Inter-subjectivity or Psychoanalysis and the Limits of the Phenomenological Method -- Discussion -- Constitution and Intentionality in Psychosis -- Scientific Information Function and Ingarden’s Theory of Forms in the Constitution of the Real World -- Discussion -- Complementary Essays -- Le platonisme de Husserl -- Art, Imagination, and the A Priori.
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