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  • KOBV  (1,986)
  • Hochschulschrift  (1,234)
  • USA  (805)
  • Musicology  (1,702)
  • Art History  (292)
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  • 1
    ISBN: 9781478025160 , 9781478020271
    Language: English
    Pages: 554 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Alvarez, Daniela Future/present
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    Parallel Title: Erscheint auch als FUTURE/PRESENT
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    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Description / Table of Contents: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references
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  • 2
    ISBN: 9783832556389
    Language: German
    Pages: x, 332 Seiten
    Series Statement: Musikkulturen im Fokus Band 4
    Series Statement: Musikkulturen im Fokus
    Dissertation note: Dissertation Humboldt-Universität zu Berlin 2021
    DDC: 792.09596
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    Keywords: Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 3
    ISBN: 9783968219295
    Language: German
    Pages: 1 Online-Ressource (281 Seiten)
    Edition: 1. Auflage
    Series Statement: Die Gesellschaft der Musik Band 1
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Leipzig 2022
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    Keywords: Aufführung ; Social Media ; Frauenbild ; Schlager ; Deutschland ; Musikwissenschaft ; Popmusik ; Geschlecht ; Musikvideo ; Image ; Pop ; Schlager ; Bühnenshow ; Beatrice Egli ; Vanessa Mai ; Andrea Berg ; Helene Fischer ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Schlager ; Aufführung ; Social Media ; Frauenbild
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    ISBN: 9783832556280
    Language: English
    Pages: xiv, 204 Seiten , Illustrationen
    Series Statement: Musikkulturen im Fokus Band 3
    Series Statement: Musikkulturen im Fokus
    Uniform Title: Preserving traditional music in South Asia
    Dissertation note: Dissertation Freie Universität Berlin 2022
    DDC: 780.8991495
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    Keywords: Gebrauchsmusik ; Volksmusikpflege ; Musikethnologie ; Nepal ; Ethnomusicology ; Nepal ; Traditional Music ; Cultural Preservation ; South Asia ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Nepal ; Volksmusikpflege ; Gebrauchsmusik ; Musikethnologie
    Note: Titel der Dissertation: Preserving traditional music in South Asia
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  • 5
    Online Resource
    Online Resource
    Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften
    ISBN: 9783631896785 , 9783631896792
    Language: German
    Pages: 1 Online-Ressource (587 Seiten) , Illustrationen, Notenbeispiele
    Edition: 1st, New ed.
    Series Statement: Jazz under State Socialism vol. 9
    Parallel Title: Erscheint auch als Breternitz, Martin, 1987 - Jazzklubs und Jazzmusiker in Thüringen 1959-1989
    Dissertation note: Dissertation Hochschule für Musik Franz Liszt Weimar 2022
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    Keywords: Hochschulschrift ; Hochschulschrift ; Thüringen ; Jazz ; Musikleben ; Sozialismus ; Kulturpolitik ; Geschichte 1959-1989 ; Thüringen ; Jazz ; Geschichte 1959-1989
    Abstract: Jazz in der DDR war vielfältig, subversiv und oft nonkonform. Besonders in Jazzklubs, die überall im Land verstärkt ab den 1970er Jahren ins Leben gerufen worden, manifestierten sich beständige Reibungspunkte zwischen Staat und jungen Jazzbegeisterten, die eigensinnig ihre Musik hören, aufführen und veranstalten wollten. Jazz galt für seine Anhängerinnen und Anhänger dabei als eine Art Lebensentwurf neben statt gegen den SED-Staat.Anhand einer breiten Regionalstudie der Jazzszenen im damaligen Thüringer Raum untersucht das Buch mittels Zugängen aus Biografieforschung, Kulturtransfer und Alltagsgeschichte soziale Kontexte, musikalische Aneignungsformen sowie kulturbehördliche Kontrollstrukturen und das vielfältige Vorgehen der Staatssicherheit gegen Jazzmusik und Akteure zur Zeit der DDR.
    Description / Table of Contents: Danksagung – Einleitung - Kapitel I: Jazzklubs im Raum Thüringen – Individuell im Kollektiv - Kapitel II: „Die Stasi swingt nicht" – Die Staatssicherheit und die Jazzszenen im Thüringer Raum - Kapitel III: Aneignungsformen und Praktiken von Jazz im Thüringer Raum – Reale Vielfalt im „real existierenden Sozialismus" - Zusammenfassung und Schlussbetrachtungen
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  • 6
    ISBN: 9783111245157 , 3111245152
    Language: German
    Pages: VI, 666 Seiten , Illustrationen , 23 cm x 15.5 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Potsdam 2022
    DDC: 781.640943
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    Keywords: Ideal ; Einstürzende Neubauten ; Kraftwerk ; Deutsch Amerikanische Freundschaft ; Geschichte 1978-2023 ; Geschichte 1978-1983 ; Kälte ; Rockmusik ; Rezeption ; Neue deutsche Welle ; Kälte ; Popmusik ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Popmusik ; Kälte ; Rezeption ; Geschichte 1978-1983 ; Kraftwerk ; Deutsch Amerikanische Freundschaft ; Ideal ; Einstürzende Neubauten ; Rockmusik ; Kälte ; Deutschland ; Popmusik ; Kälte ; Neue deutsche Welle ; Rezeption ; Geschichte 1978-2023
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Unbekannt  (lizenzpflichtig)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Unbekannt  (lizenzpflichtig)
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  • 7
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    ISBN: 9783839469415
    Language: German
    Pages: 1 Online-Ressource (658 p.)
    Edition: 1st ed.
    Series Statement: Studien zur Popularmusik
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    Keywords: Geschichte 1977-1995 ; Heavy Metal ; Jugendkultur ; Sozialer Wandel ; Subkultur ; Wandel ; Heavy Metal; Extreme Metal; Musik; Wandel; Sozialgeschichte; Strukturwandel; 1980er Jahre; Zeitgeschichte; Kulturgeschichte; Popkultur; Popmusik; Musikwissenschaft; Music; Change; Social History; Structural Change; 1980s; Contemporary History; Cultural History; Popular Culture; Pop Music; Musicology; ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: Heavy Metal ist eine soziale Kraft, die uns viel über den zeitgeschichtlichen Wandel verraten kann. Ursprünglich ein Phänomen der Arbeiterklasse, eroberte die Musikkultur seit den 1970er Jahren neue soziale Milieus, Regionen, Medien und Märkte. Heavy Metal wurde dabei nicht nur zum Lebensinhalt vieler Fans, sondern auch zur Erwerbsarbeit, zum musikalischen und kommerziellen Experimentierfeld sowie zum sozialen Abgrenzungsinstrument. Erstmals nimmt Marco Swiniartzki diese Entwicklungen auf Grundlage eines breiten Quellenfundaments unter die Lupe. Zahlreiche Interviews mit Musiker*innen geben einen Einblick in die 1980er Jahre und zeigen: Die Sozialgeschichte des Heavy Metal und der gesamtgesellschaftliche Wandel dieser Zeit gehen Hand in Hand.
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  • 8
    ISBN: 9783837669411 , 3837669416
    Language: German
    Pages: 657 Seiten , Illustrationen , 24 cm x 15.5 cm, 1109 g
    Edition: [1. Auflage]
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    Dissertation note: Habilitationsschrift Friedrich-Schiller-Universität Jena 2023
    DDC: 781.66
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    Keywords: Geschichte 1977-1995 ; Heavy Metal ; Jugendkultur ; Sozialer Wandel ; Subkultur ; Wandel ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 9
    ISBN: 9780300272963
    Language: English
    Pages: 263 Seiten
    DDC: 702.81/20973
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    Keywords: African American collage Exhibitions 21st century ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; USA ; Collage ; Person of Color ; Geschichte 1960- ; USA ; Schwarze ; Collage ; Geschichte 1980-2023
    Abstract: "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
    Description / Table of Contents: Hurston's Law, or a Philosophy of Display / Richard J. Powell, PhD -- Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists / Patricia Hills -- Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories / Rebecca VanDiver, PhD -- Pon tu mano con la mía: Rhizomatic Pathways and Collage / María Elena Ortiz -- Meditations on the Multivalence of Black Womanhood / Valerie Cassel Oliver -- Minor Figures, Continuous Tension / Tiffany E. Barber, PhD -- also also also and and and: Digital Stitches and the Collage as Glitch / Anita N. Bateman, PhD.
    Note: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references
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  • 10
    Image
    Image
    Memphis, Tennessee : Dixon Gallery and Gardens | New Haven : Yale University Press
    ISBN: 9780300273465
    Language: English
    Pages: 143 Seiten , Illustrationen , 29 cm
    RVK:
    Keywords: Porter, James A Exhibitions ; Simpson, Merton D Exhibitions ; African American art Exhibitions 20th century ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980
    Abstract: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Description / Table of Contents: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone.
    Note: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index
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  • 11
    ISBN: 9783830993520
    Language: German
    Pages: 1 Online-Ressource (230 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Rohlf, Johanna-Marie Jazz and the City
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    Keywords: Jazz ; Musik ; Zwanziger Jahre ; Goldene Zwanziger ; Zwanzigstes Jahrhundert ; Stadt ; Raum ; Großstadt ; Modernität ; Urbanität ; Berlin ; Globalisierung ; Identität ; Image ; Fremde ; Paul Whiteman ; Sam Wooding ; Musikalische Volkskulturen/Populäre Musikkulturen ; Hochschulschrift ; Hochschulschrift ; Berlin ; Jazz ; Musikleben ; Geschichte 1924-1929 ; Berlin ; Jazz ; Geschichte 1924-1929
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  • 12
    ISBN: 9780262048668
    Language: English
    Pages: xvii, 243 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als Anthology of Blackness
    Parallel Title: Erscheint auch als An anthology of Blackness
    DDC: 744.089/96073
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    Keywords: Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Abstract: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
    Description / Table of Contents: An Introduction to Black Design Industry + Organizations / Terresa Moses and Omari Souza -- Design's Ledger of White Supremacy: Constructing a Critical Race Pedagogy to Shape Design Futures / Pierce Otlhogile-Gordon -- Amplifying Accessibility & Abolishing Ableism: Designing to Embolden Black Disability Visual Culture / Jennifer White-Johnson.
    Note: Bibliographie (Seite 234 - 243)
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  • 13
    ISBN: 9783830947561 , 3830947569
    Language: English
    Pages: 233 Seiten
    Series Statement: Populäre Kultur und Musik Band 40
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
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    Keywords: Unterhaltungsmusik ; USA ; Hip-Hop ; Tupac Shakur ; German Schlager ; Schlager-Pop ; Middlebrow Musical Theater ; American Opera ; Broadway-Musical ; Creedence Clearwater Revival ; Bill Morrison ; Spike Lee ; U2 ; Rolling Stones ; Steve Earle ; trans identity ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Unterhaltungsmusik
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  • 14
    ISBN: 1912520958 , 9781912520954
    Language: English
    Pages: 141 Seiten
    DDC: 700.8996073
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    Keywords: 1900-1999 ; African American art Exhibitions ; Artists, Black Exhibitions ; ART / General ; African American art ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; USA ; Künstler ; Person of Color ; Geschichte 1960- ; Schwarze ; Kunst
    Abstract: "For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, recycled and cast-off objects that articulate America's painful past -- the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era, and institutionalised racism. Their works date from the early 20th century to today and respond to issues ranging from economic inequality, oppression and social marginalisation, to sexuality, the influence of place and ancestral memory. Among the sculptures, paintings, reliefs and drawings included here are works by Thornton Dial, Lonnie Holley, Ronald Lockett, Hawkins Bolden, Bessie Harvey, Charles Williams, Mary T. Smith, Purvis Young, Mose Tolliver, Nellie Mae Rowe, Mary Lee Bendolph, Marlene Bennett Jones, Martha Jane Pettway, Loretta Pettway, and Henry and Georgia Speller. Also featured are the celebrated quiltmakers of Gee's Bend, Alabama, and the neighbouring communities of Rehoboth and Alberta."--Page four of cover
    Note: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index
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  • 15
    ISBN: 9783830943525 , 3830943520
    Language: German
    Pages: 230 Seiten , 23.5 cm x 16.5 cm
    Series Statement: Populäre Kultur und Musik Band 38
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Kassel 2019
    DDC: 781.65094315509042
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    Keywords: Geschichte 1924-1929 ; Musikleben ; Jazz ; Geschichte ; Berlin ; Jazz ; Musik ; Zwanziger Jahre ; Goldene Zwanziger ; Zwanzigstes Jahrhundert ; Stadt ; Raum ; Großstadt ; Modernität ; Urbanität ; Berlin ; Globalisierung ; Identität ; Image ; Fremde ; Paul Whiteman ; Sam Wooding ; Musikalische Volkskulturen/Populäre Musikkulturen ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Berlin ; Jazz ; Geschichte ; Berlin ; Jazz ; Musikleben ; Geschichte 1924-1929
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 16
    ISBN: 9783968219288
    Language: German
    Pages: 281 Seiten , Illustrationen, Diagramme, Notenbeispiele , 22.4 cm x 15 cm
    Edition: 1. Auflage
    Series Statement: Rombach Wissenschaft. Die Gesellschaft der Musik Band 1
    Series Statement: Rombach Wissenschaft. Die Gesellschaft der Musik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Leipzig 2022
    DDC: 782.42164
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    Keywords: Aufführung ; Social Media ; Frauenbild ; Schlager ; Deutschland ; Popmusik ; Musikwissenschaft ; Schlager ; Geschlecht ; Image ; Musikvideo ; Pop ; Bühnenshow ; Beatrice Egli ; Vanessa Mai ; Andrea Berg ; Helene Fischer ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Schlager ; Aufführung ; Social Media ; Frauenbild ; Deutschland ; Schlager ; Social Media ; Frauenbild
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 17
    Book
    Book
    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Language: English
    Pages: xii, 233 Seiten , Illustrationen , 24 cm
    DDC: 700.89/96073
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    Keywords: Geschichte 1985-2015 ; Kunst ; Schwarze ; USA ; African American art / 20th century ; African American art / 21st century ; Art and society / United States / History / 20th century ; Art and society / United States / History / 21st century ; Art noir américain / 20e siècle ; Art noir américain / 21e siècle ; Artistes noirs américains / 20e siècle ; Artistes noirs américains / 21e siècle ; African American art ; African American artists ; 1900-2099 ; USA ; Kunst ; Schwarze ; Geschichte 1985-2015
    Abstract: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1985 to 2015. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
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  • 18
    ISBN: 9783828879379
    Language: English
    Pages: 1 Online-Ressource (XXVI, 323 Seiten) , Illustrationen, Karte, Notenbeispiele
    Edition: 1st edition
    Series Statement: Wissenschaftliche Beiträge aus dem Tectum Verlag. Reihe Musikwissenschaft Band 19
    Series Statement: Wissenschaftliche Beiträge aus dem Tectum Verlag. Reihe Musikwissenschaft
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Pontifical Institute of Sacred Music Rom 2011
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    Keywords: Kirchenmusik ; Anbetung ; Christentum ; Musik ; Nigeria ; Hochschulschrift ; Nigeria ; Musik ; Christentum ; Anbetung ; Nigeria ; Kirchenmusik
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 19
    Book
    Book
    Charlottesville ; London : University of Virginia Press
    ISBN: 9780813949826 , 9780813949819
    Language: English
    Pages: x, 276 Seiten , Illustrationen
    Series Statement: New world studies
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Princeton University 2023
    DDC: 781.649
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    Keywords: Hip-Hop ; Rapmusiker ; Politischer Protest ; Haiti ; Brasilien ; Kuba ; Rap (Music) / Cuba / History and criticism ; Rap (Music) / Brazil / History and criticism ; Rap (Music) / Haiti / History and criticism ; Rap (Music) / Political aspects / Cuba ; Rap (Music) / Political aspects / Brazil ; Rap (Music) / Political aspects / Haiti ; Rap (Music) ; Rap (Music) / Political aspects ; Brazil ; Cuba ; Haiti ; Criticism, interpretation, etc ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Kuba ; Brasilien ; Haiti ; Rapmusiker ; Hip-Hop ; Politischer Protest
    Abstract: "Drawing on ethnographic fieldwork and an archive of hundreds of songs by more than sixty hip hop artists, this book examines how rap's political messages are adapted and reinterpreted to reflect the unique situations in Cuba, Brazil, and Haiti"
    Note: Titel auf dem Umschlag: "Break & flow"
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  • 20
    ISBN: 9783828848221
    Language: English
    Pages: XXVI, 323 Seiten , Illustrationen, Karte, Notenbeispiele , 21 cm x 14.8 cm
    Edition: 1st edition
    Series Statement: Wissenschaftliche Beiträge aus dem Tectum Verlag Band 19
    Series Statement: Reihe Musikwissenschaft
    Series Statement: Wissenschaftliche Beiträge aus dem Tectum Verlag
    Parallel Title: Erscheint auch als
    DDC: 781.71009669
    RVK:
    Keywords: Kirchenmusik ; Anbetung ; Christentum ; Musik ; Nigeria ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Nigeria ; Musik ; Christentum ; Anbetung ; Nigeria ; Kirchenmusik
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 21
    ISBN: 9783967077179 , 3967077179
    Language: German
    Pages: 448 Seiten , Notenbeispiele , 23 cm x 15 cm
    Series Statement: neue musik wissenschaft - Schriften der Hochschule für Musik Dresden
    Parallel Title: Erscheint auch als
    DDC: 782.421660922
    RVK:
    RVK:
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    Keywords: Kraftwerk ; Geschichte 1970-2022 ; Computermusik ; Elektronische Musik ; Komposition ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Einführung ; Hochschulschrift ; Hochschulschrift ; Kraftwerk ; Elektronische Musik ; Computermusik ; Komposition ; Geschichte 1970-2022
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 22
    ISBN: 9781479806904 , 9781479806881
    Language: English
    Pages: 225 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Digitalisierung ; Archivierung ; Musik ; Globalisierung ; Schwarze ; USA ; African Americans / Music / History and criticism ; Popular music / United States / History and criticism ; Sound recording industry / United States ; African Americans / Archival resources ; African Americans / Music ; Popular music ; Sound recording industry ; United States ; USA ; Schwarze ; Musik ; Globalisierung ; Archivierung ; Digitalisierung
    Abstract: "Black Ephemera explores the crisis and the challenge of the Black Musical archive in a moment when Black American culture has become a global import, yet the cultural DNA of that culture is becoming obscured in the transformation from analog to digital"--
    Description / Table of Contents: Introduction : The crisis and the challenge of the archive -- Love in the Stax : Death, loss and resurrection in Post-King Memphis -- "I got the blues of a fallen teardrop" : Erasure, trauma and a sonic archive of Black women -- "Promise that you will [tweet] about me" : Black death in the digital era -- 'I'll be a bridge" : Black interiority, Black invention and the American Songbook -- Decamping Wakanda : The archive as maroon -- Coda : Writing and living with Black ephemera
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  • 23
    Book
    Book
    New Haven, CT : Yale University Press
    ISBN: 9780300255317
    Language: English
    Pages: 273 Seiten , Illustrationen, Porträts
    Parallel Title: Erscheint auch als
    DDC: 782.42164
    RVK:
    Keywords: Dylan, Bob ; Folksong ; USA ; Dylan, Bob / 1941- / Songs and music ; Folk music / United States / History and criticism ; MUSIC / Genres & Styles / Folk & Traditional ; Biografie ; Biografie ; Biografie ; Dylan, Bob 1941- ; USA ; Folksong
    Abstract: Across seven decades, Bob Dylan has been the first singer of American song. As a writer and performer, he has rewritten the national songbook in a way that comes from his own vision and yet can feel as if it belongs to anyone who might listen.0 In Folk Music, Greil Marcus tells Dylan's story through seven of his most transformative songs. Marcus's point of departure is Dylan's ability to "see myself in others." Like Dylan's songs, this book is a work of implicit patriotism and creative skepticism. It illuminates Dylan's continuing presence and relevance through his empathy-his imaginative identification with other people. This is not only a deeply felt telling of the life and times of Bob Dylan, but a rich history of American folk songs and the new life they were given as Dylan sat down to write his own
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  • 24
    Book
    Book
    Göttingen : V&R unipress
    ISBN: 9783847113706 , 3847113704
    Language: German
    Pages: 388 Seiten , Illustrationen , 24 cm
    Series Statement: Westwärts Band 5
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Seidel, Anna, 1987- Retroaktive Avantgarde
    Dissertation note: Dissertation Universität Münster 2021
    DDC: 306.48424
    RVK:
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    Keywords: Popmusik ; Song ; Text ; Manifest ; Avantgarde ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    URL: Cover
    URL: Cover
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  • 25
    ISBN: 9780520281844 , 9780520281837
    Language: English
    Pages: xvii, 287 Seiten
    Series Statement: Phono
    DDC: 780.8996073
    RVK:
    Keywords: Schwarze ; Afroamerikanische Musik ; Ethnische Identität ; USA
    Note: Includes bibliographical references and index
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  • 26
    ISBN: 9783828847460
    Language: German
    Pages: XIII, 371 Seiten , Illustrationen, Notenbeispiele , 24 cm x 17 cm
    Series Statement: Wissenschaftliche Beiträge aus dem Tectum Verlag. Reihe Musikwissenschaft Band 18
    Series Statement: Wissenschaftliche Beiträge aus dem Tectum Verlag. Reihe Musikwissenschaft
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Lee, Young-Jo ; Geschichte 1896-2013 ; Kirchenlied ; Musik ; Interkulturalität ; Komposition ; Korea ; Religion ; Komposition ; Young Jo Lee ; Changga ; Korea ; Koreastudien ; Transcultural Studies ; Musikwissenschaft ; Musikkultur ; 19. Jahrhundert ; 20. Jahrhundert ; Musikgeschichte ; Christentum ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Korea ; Musik ; Interkulturalität ; Interkulturalität ; Kirchenlied ; Geschichte 1896-2013 ; Lee, Young-Jo 1943- ; Komposition
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  • 27
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367677794 , 9780367677824
    Language: English
    Pages: viii, 186 Seiten , Illustration
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Diaspora ; Jazz ; Kultursoziologie ; Ungarn ; Jazz / Hungary / History and criticism ; Jazz ; Hungary ; Criticism, interpretation, etc ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Ungarn ; Jazz ; Diaspora ; Kultursoziologie
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  • 28
    ISBN: 9781793655639
    Language: English
    Pages: ix, 179 Seiten
    Series Statement: For the record : Lexington studies in rock and popular music
    DDC: 781.660973
    RVK:
    RVK:
    Keywords: Rock 'n' Roll ; Protest ; USA
    Note: References Seite 159-166
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  • 29
    Book
    Book
    Middletown, Connecticut : Wesleyan University Press
    ISBN: 9780819580795 , 9780819580801
    Language: English
    Pages: xiii, 279 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Music/culture
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation
    RVK:
    Keywords: Geschichte 2007-2019 ; Musikleben ; Ethnologie ; Südvietnam ; Music / Vietnam, Southern / History and criticism ; Tài tử / Vietnam, Southern / History and criticism ; Music / Social aspects / Vietnam, Southern ; Music / Performance / Vietnam, Southern ; Musicians / Vietnam, Southern ; Creation (Literary, artistic, etc.) ; Ethnomusicology ; Improvisation (Music) ; Musique / Viêt-nam (Sud) / Histoire et critique ; Ethnomusicologie ; Improvisation (Musique) ; Musique / Aspect social / Viêt-nam (Sud) ; Musique / Exécution / Viêt-nam (Sud) ; Musiciens / Viêt-nam (Sud) ; ethnomusicology ; Creation (Literary, artistic, etc.) ; Ethnomusicology ; Improvisation (Music) ; Music ; Music / Performance ; Music / Social aspects ; Musicians ; Tài tử ; Southern Vietnam ; Criticism, interpretation, etc ; Ethnographies ; Ethnographies ; Études ethnographiques ; Hochschulschrift ; Forschungsbericht ; Hochschulschrift ; Forschungsbericht ; Hochschulschrift ; Forschungsbericht ; Südvietnam ; Musikleben ; Ethnologie ; Geschichte 2007-2019
    Abstract: "Ethnographic study of creativity in traditional southern Vietnamese music in the early twenty-first century"--
    Description / Table of Contents: Framing contested creativities -- Creativity in ethnomusicology -- The seed of creativity in southern Vietnam -- Portrait of Đờn ca tài tử -- Playing with metaphor -- Developing creativity -- Tradition, still remains -- Creativity in new directions
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  • 30
    ISBN: 9783631867723 , 3631867727
    Language: English
    Pages: 447 Seiten , Illustrationen , 21 cm x 14.8 cm, 646 g
    Series Statement: American Culture Vol. 16
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Lomax, Alan ; Geschichte 1935-1968 ; Folk music ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 31
    Book
    Book
    New York, NY : W. W. Norton & Company
    ISBN: 9780393651386
    Language: English
    Pages: xvi, 325 Seiten , Illustrationen, Karten, Notenbeispiel
    Edition: First edition
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Geschichte ; Nationalhymne ; USA ; Star-spangled banner (Song) ; Patriotic music / United States / History and criticism ; Musique patriotique / États-Unis / Histoire et critique ; MUSIC / History & Criticism ; Star-spangled banner (Song) ; Patriotic music ; United States ; Criticism, interpretation, etc ; USA ; Nationalhymne ; Geschichte
    Abstract: "The fascinating story of America's national anthem and an examination of its powerful meaning today. Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore's Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don't know is the story of how this everyday "broadside ballad," one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation's one and only anthem and today's magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song's use in sports, at times of war, and for political protest, he argues that the anthem's meaning reflects-and is reflected by-the nation's quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key's song is the story of America itself. Each chapter in the book explores a different facet of the anthem's story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key's complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Roseanne Barr at a baseball game to the iconic Whitney Houston version from the 1991 Super Bowl. At every turn, the book goes beyond the events to explore the song's resonance and meaning. From its first lines Key's lyric poses questions: "O say can you see?" "Does that banner yet wave?" Likewise, Clague's O Say Can You Hear? raises important questions about the anthem; what it meant in 1814, what it means to us today, and why it matters."
    Description / Table of Contents: Prologue -- American Dreams : Francis Scott Key and the Writing of The Star-Spangled Banner -- Origins of a Melody : The Music of The Star- Spangled Banner -- Banner Ballads : The Many Lyrics of The Star- Spangled Banner -- The Banner at War : A Song Sanctified -- Play Ball! : The Banner in Sports -- Singing Citizenship : A Tradition of Dissent -- Nation in Translation : Language and the Politics of Belonging -- The Anthem and Black Lives : An American History -- Performing Patriotism : Musical Style as Social Symbol -- Postlude. Composing Nation
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  • 32
    ISBN: 9780190906498
    Language: English
    Pages: 718 Seiten , Notenbeispiele
    Edition: second edition
    DDC: 782.421640922
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1920-1940 ; Chansons anglaises - États-Unis - Histoire et critique ; Culture populaire - États-Unis - Histoire - 20e siècle ; Dichters ; Musique populaire - États-Unis - Histoire et critique ; Paralittérature - États-Unis - Histoire et critique ; Paroliers - États-Unis ; Poésie américaine - 20e siècle - Histoire et critique ; Poésie lyrique - Histoire et critique ; Geschichte ; American poetry History and criticism 20th century ; Lyric poetry History and criticism ; Lyricists ; Popular culture History 20th century ; Popular literature History and criticism ; Popular music History and criticism ; Songs, English History and criticism ; Schlager ; United States - Popular culture - History - 20th century ; USA ; USA ; Schlager ; USA ; Geschichte 1920-1940
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  • 33
    ISBN: 9781839981364 , 9781839981333
    Language: English
    Pages: x, 96 Seiten
    Edition: Anna S. Roger, Mathieu Deflem
    Uniform Title: Women in hypermasculine environments (an analysis of gender dynamics in the Heavy Metal subculture, 2015)
    Parallel Title: Erscheint auch als
    Dissertation note: Masterarbeit 2015
    RVK:
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    Keywords: Heavy Metal ; Weiblichkeit ; Geschlechterrolle ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Heavy Metal ; Geschlechterrolle ; Weiblichkeit
    Note: Basiert auf Anna S. Rogers' Masterarbeit "Women in Hypermasculine Environments: An Analysis of Gender Dynamics in the Heavy Metal Subculture" (2015).
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  • 34
    ISBN: 9780472055685 , 9780472075683
    Language: English
    Pages: xi, 151 Seiten , 23 cm
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschlechtsidentität ; Hip-Hop ; Rapmusiker ; LGBT ; Geschlechterforschung ; USA ; Rap (Music) / History and criticism ; Hip-hop / History and criticism ; Gay musicians / United States ; Lesbian musicians / United States ; Transgender musicians / United States ; African American gays ; African American lesbians ; African American bisexuals ; African American transgender people ; Gender-nonconforming people / United States ; Queer musicology ; Gender identity in music ; Queer theory ; USA ; Rapmusiker ; Rapmusiker ; Hip-Hop ; LGBT ; Geschlechtsidentität ; Geschlechterforschung
    Abstract: "Notions of hip hop authenticity, as expressed both within hip hop communities and in the larger American culture, rely on the construction of the rapper as a Black, masculine, heterosexual, cisgender man who enacts a narrative of struggle and success. In Queer Voices in Hip Hop, Lauron Kehrer turns our attention to openly queer and trans rappers and positions them within a longer Black queer musical lineage. Combining musical, textual, and visual analysis with reception history, this book reclaims queer involvement in hip hop by tracing the genre's beginnings within Black and Latinx queer music-making practices and spaces, demonstrating that queer and trans rappers draw on Ballroom and other cultural expressions particular to queer and trans communities of color in their work in order to articulate their subject positions. By centering the performances of openly queer and trans artists of color, Queer Voices in Hip Hop reclaims their work as essential to the development and persistence of hip hop in the United States as it tells the story of the of hip hop's queer roots"
    Description / Table of Contents: Introduction. "I don't have any secrets I need kept anymore": Out in hip-hop -- Hip-hop's queer roots: Disco, house, and early hip-hop -- Queer articulations in ballroom rap -- "The bro code"" Black queer women and female masculinity in rap -- "Nice for what": New Orleans bounce and disembodied queer voices in the mainstream -- Outro. "Call me by your name": Demarginalizing queer hip-hop
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  • 35
    Book
    Book
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781316519974 , 9781009011532
    Language: English
    Pages: xi, 324 Seiten , Diagramme
    Parallel Title: Erscheint auch als Fight the power
    DDC: 306.4/84249
    RVK:
    Keywords: Rap (Music) Political aspects ; African Americans Political activity ; African Americans Social conditions ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Rap ; Musiksoziologie
    Abstract: From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby.
    Abstract: "Paul Butler considers NWA's 1988 song, "Fuck tha Police," as an invitation to think about putting the police on trial for crimes against African Americans. It examines the resonance of "Fuck tha Police" over time, up to and including the George Floyd inspired protests. It will also use the song to analyze how civilians should feel about cops in a democracy. Are they a positive good, as many white people might suggest, a necessary evil, as some people of color might suggest, or an unnecessary evil, as suggested by the "defund the police" movement? Butler also will explore the meaning of the trial metaphor in the song - what would it mean for African Americans to put the police on trial? What would be the crime and the appropriate punishment?"--
    Note: Includes bibliographical references and index
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  • 36
    ISBN: 9783967077179 , 3967077179
    Language: German
    Pages: 420 Seiten , Illustrationen, Notenbeispiele , 23 cm x 15 cm
    Edition: 1. Auflage
    Series Statement: neue musik wissenschaft
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Kraftwerk ; Geschichte 1970-2022 ; Computermusik ; Elektronische Musik ; Komposition ; KRAFTWERK ; Elektronische Musik ; Mensch-Maschine ; Kling-Klang-Studio ; Hochschulschrift ; Kraftwerk ; Elektronische Musik ; Computermusik ; Komposition ; Geschichte 1970-2022 ; Kraftwerk
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  • 37
    Online Resource
    Online Resource
    New York : Routledge, Taylor & Francis Group
    ISBN: 9781000627084
    Language: English
    Pages: 1 Online-Ressource (xiv, 152 Seiten) , Illustrationen
    Series Statement: Routledge research in art and race
    Parallel Title: Erscheint auch als Hamilton, Elizabeth Carmel Charting the Afrofuturist imaginary in African American art
    DDC: 700.89/96073
    RVK:
    RVK:
    Keywords: Electronic books ; USA ; Kunst ; Künstlerin ; Afrofuturismus
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  • 38
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781009019804
    Language: English
    Pages: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84249
    RVK:
    Keywords: Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Abstract: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Note: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 39
    Book
    Book
    Bielefeld : transcript
    ISBN: 9783837657586
    Language: English
    Pages: 225 Seiten , Illustrationen
    Series Statement: Popular Music
    DDC: 781.6480141
    RVK:
    Keywords: Elektronische Musik ; Tanzmusik ; Online-Community ; Diskursanalyse ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 40
    Image
    Image
    Evanston, IL : Mary and Leigh Block Museum of Art | Princeton ; Oxford : Princeton University Press
    ISBN: 9780691209272
    Language: English
    Pages: 133 Seiten , 23 x 28 cm
    DDC: 709.73
    RVK:
    Keywords: Gewalt ; Diskriminierung ; Schwarze ; Rassismus ; Unterdrückung ; USA ; Art, American ; Black people in art ; Black people / Violence against ; Violence in art ; Art américain ; Noirs dans l'art ; Noirs / Violence envers ; Violence dans l'art ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; USA ; Schwarze ; Rassismus ; Diskriminierung ; Unterdrückung ; Gewalt
    Note: Impressum: This publication accompanies the exhibition "A Site of Struggle: American Art against Anti-Black Violence", organized by the Mary and Leigh Block Museum of Art, Northwestern University, on view at the Block January 26-July 10, 2022, and the Montgomery Museum of Fine Arts, August 13-November 6, 2022
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  • 41
    Image
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    Baltimore, MD : Baltimore Museum of Art | Jackson, MS : Mississippi Museum of Art | New Haven and London : Baltimore Museum of Art and Mississippi Museum of Art, in association with Yale University Press
    ISBN: 9780300265736 , 0300265735
    Language: English
    Pages: 151 Seiten , 28 cm
    DDC: 305.896073075
    RVK:
    RVK:
    Keywords: Great Migration, ca. 1914-ca. 1970 Pictorial works ; Exhibitions ; African American art Exhibitions 21st century ; Art ; Exhibition catalogs ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; USA ; Kunst ; Fotografie ; Schwarze ; USA ; Schwarze ; Migration ; Geschichte 1915-1970 ; Rezeption ; Kunst ; Geschichte 2021-2022
    Abstract: The Great Migration (1915-70) saw more than six million African Americans leave the South for destinations across the United States. This incredible dispersal of people across the country transformed nearly every aspect of Black life and culture. Offering a new perspective on this historical phenomenon, this incisive volume presents immersive photography of newly commissioned works of art by Akea, Mark Bradford, Zoë Charlton, Larry W. Cook, Torkwase Dyson, Theaster Gates Jr., Allison Janae Hamilton, Leslie Hewitt, Steffani Jemison, Robert Pruitt, Jamea Richmond-Edwards, and Carrie Mae Weems. The artists investigate their connections to the Deep South through familial stories of perseverance, self-determination, and self-reliance and consider how this history informs their working practices. Essays by Kiese Laymon, Jessica Lynne, Sharifa Rhodes-Pitts, and Willie Jamaal Wright explore how the Great Migration continues to reverberate today in the public and private spheres and examine migration as both a historical and a political consequence, as well as a possibility for reclaiming agency
    Note: Seite [172]: Published in conjunction with the exhibition "A Movement in Every Direction: Legacies of the Great Migration", presented at the Mississippi Museum of Art, April 9-September 11, 2022; the Baltimore Museum of Art, October 30, 2022-January 29, 2023; the Brooklyn Museum, March 3-June 25, 2023; and the California African American Museum, August 5, 2023-March 3, 2024 , Includes bibliographical references
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  • 42
    ISBN: 9780231189187 , 9780231189194
    Language: English
    Pages: xiii, 275 Seiten , Illustrationen
    Series Statement: Leonard Hastings Schoff memorial lectures
    Parallel Title: Erscheint auch als O'Meally, Robert G., 1948- Antagonistic cooperation
    DDC: 781.650973
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    Keywords: Jazz History and criticism ; African American art ; American literature African American authors ; History and criticism ; African Americans Social life and customs ; Music and literature ; Art and music ; Collage ; Lectures ; USA ; Schwarze ; Musik ; Jazz ; Kunst ; Literatur ; Geschichte 1900-2000 ; Modern Jazz ; Collage ; Fiktion ; USA ; Kunst ; Schwarze
    Abstract: This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished.
    Abstract: "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"--
    Note: Includes index
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  • 43
    ISBN: 9781526156471 , 9781526169044
    Language: English
    Pages: xxi, 323 Seiten , Illustrationen
    Series Statement: RHA:Rethinking art's histories
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Duke University 2013
    DDC: 305.4209497
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    Keywords: Abramović, Marina ; Iveković, Sanja ; Sozialismus ; Künstlerin ; Kunst ; Kulturpolitik ; Jugoslawien ; Feminism / Yugoslavia ; Feminism and the arts / Yugoslavia ; Féminisme / Yougoslavie ; Féminisme et arts / Yougoslavie ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Jugoslawien ; Sozialismus ; Künstlerin ; Kulturpolitik ; Kunst ; Iveković, Sanja 1949- ; Abramović, Marina 1946-
    Abstract: Coining the term "Jugoslovenka" to designate the unique history of Yugoslav women's resistance to patriarchy during and after socialism, this book shows how Yugoslavia's anti-fascist, transnational and feminist legacies manifest in performance, conceptual, video and activist works
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  • 44
    ISBN: 9783837658507
    Language: German
    Pages: 442 Seiten , Illustrationen , 24 cm
    Series Statement: Architekturen Band 64
    Series Statement: Architekturen
    Parallel Title: Erscheint auch als Schmitz, Rainer Heimat. Volkstum. Architektur
    Dissertation note: Dissertation Technische Universität Darmstadt
    DDC: 720.94309041
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    Keywords: Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutscher Bund Heimatschutz ; Heimat ; Nationalbewusstsein ; Architektur ; Geschichte 1904-1939 ; Heimat ; Architektur ; Gruppenidentität ; Architektur ; Bund Heimatschutz ; Heimatpflege ; Volkstumspolitik ; Architekturtheorie ; Ideologie ; Geschichte 1900-1939
    Note: Erweiterte Dissertation
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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    URL: Volltext  (kostenfrei)
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  • 45
    ISBN: 9783515131575 , 3515131574
    Language: German
    Pages: 592 Seiten , Illustrationen, Notenbeispiele , 24 cm x 17 cm, 1152 g
    Series Statement: Archiv für Musikwissenschaft. Beiheft 86
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität zu Köln 2019/20
    DDC: 782.507943
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    Keywords: Geschichte 1841-1914 ; Musikleben ; Chorgesang ; Chor ; Musikwettbewerb ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 46
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783031055553
    Language: English
    Pages: 1 Online-Ressource (XV, 275 p. 24 illus)
    Edition: 1st ed. 2022
    Series Statement: Palgrave Studies in the History of Subcultures and Popular Music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 941
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    Keywords: Geschichte 1945-1950 ; History of Britain and Ireland ; Modern History ; Cultural History ; Social History ; Music ; Great Britain—History ; History, Modern ; Civilization—History ; Social history ; Music ; Musik ; Subkultur ; Bebop ; London-Soho ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; London-Soho ; Bebop ; Musik ; Subkultur ; Geschichte 1945-1950
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 47
    ISBN: 9783949257025
    Language: German
    Pages: 407 Seiten , Illustrationen
    Series Statement: Veröffentlichungen der Schwäbischen Forschungsgemeinschaft Band 48
    Series Statement: Reihe 1, Studien zur Geschichte des Bayerischen Schwaben
    Dissertation note: Dissertation Universität Stuttgart 2018
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    Keywords: Kunst ; Sakralbau ; Barock ; Kirchenbau ; Ausstattung ; Oberschwaben ; Hochschulschrift ; Hochschulschrift ; Oberschwaben ; Barock ; Sakralbau ; Geschichte 1710-1780
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 48
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press
    ISBN: 9780472903016
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschlechtsidentität ; Hip-Hop ; Rapmusiker ; LGBT ; Geschlechterforschung ; USA ; USA ; Rapmusiker ; Rapmusiker ; Hip-Hop ; LGBT ; Geschlechtsidentität ; Geschlechterforschung
    URL: Volltext  (kostenfrei)
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    URL: Volltext  (kostenfrei)
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  • 49
    ISBN: 9781793613851
    Language: English
    Pages: x, 363 Seiten
    Parallel Title: Online version Fowler, Beth (Beth Nicole) Rock and roll, desegregation movements, and racism in the post-civil rights era
    DDC: 781.6609730904
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    Keywords: Geschichte 1946-1964 ; Bürgerrechtsbewegung ; Rock 'n' Roll ; USA ; Rock music / United States / To 1961 / History and criticism ; Rock music / United States / 1961-1970 / History and criticism ; Rhythm and blues music / History and criticism ; Music and race / United States / History / 20th century ; Segregation / United States / History / 20th century ; Rock (Musique) / États-Unis / 1961-1970 / Histoire et critique ; Musique et race / États-Unis / Histoire / 20e siècle ; Ségrégation / États-Unis / Histoire / 20e siècle ; Rock (Musique) / États-Unis / Jusqu'à 1961 / Histoire et critique ; Music and race ; Rhythm and blues music ; Rock music ; Segregation ; United States ; To 1999 ; Criticism, interpretation, etc ; History ; Hochschulschrift ; Hochschulschrift ; USA ; Rock 'n' Roll ; Bürgerrechtsbewegung ; Geschichte 1946-1964
    Abstract: "This book uses archival research and analyses of musical performances and original oral histories to explore the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era"--
    Description / Table of Contents: Introduction. "A Subtle Defiance in the Songs" -- Shufflin' 'Til the Break of Dawn," 1946-1953 -- "If It's a Hit, It's a Hit," 1954-1956 -- "A Teen Ager in Love," 1957-1960 -- "They'd All Be Dancing Together," 1961-1964 -- "A Drummer With a Totally Different Beat," The Post-Civil Rights Era
    URL: Cover
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  • 50
    ISBN: 9780472038558
    Language: English
    Pages: XVII, 240 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; Lomax, Alan / 1915-2002 ; African Americans / Music / History and criticism ; Folk songs, English / United States / History and criticism ; Folk songs, English / United States / Texts / History and criticism ; African American prisoners / Songs and music / History and criticism ; United States / History / 1933-1945 ; Lomax, Alan / 1915-2002 ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; African Americans / Music ; Folk songs, English ; United States ; 1933-1945 ; Criticism, interpretation, etc ; History ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African-American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings-including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton-contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Jonathan W. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element-a sonic rhetoric-for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings (including the reconstitution of prevailing stereotypes about African American identity) even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes archive and other repositories of historicized sound
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  • 51
    Book
    Book
    Warszawa : Wydawnictwo Naukowe SCHOLAR
    ISBN: 9788366470101
    Language: Polish
    Pages: 281 Seiten , 24 cm
    Edition: Wydanie pierwsze
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    Keywords: Geschichte 1980-2019 ; Popkultur ; Rap ; Soziale Identität ; Nationalismus ; Nationalismus ; USA ; Polen ; Hip-hop / wpływ ; Hip-hop / Polska ; Tożsamość społeczna ; Komunikacja międzykulturowa ; Muzyka rap / aspekt polityczny / Polska ; Muzyka rap / aspekt polityczny / Stany Zjednoczone ; Polen ; USA ; Rap ; Popkultur ; Nationalismus ; Nationalismus ; Soziale Identität ; Geschichte 1980-2019
    Note: Literaturverzeichnis Seite 246-271 , Text polnisch
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  • 52
    Online Resource
    Online Resource
    Ann Arbor, Michigan : University of Michigan Press
    ISBN: 9780472902446 , 047290244X
    Language: English
    Pages: 1 Online-Ressource (XVII, 240 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.4216213073
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    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings--including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton--contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element--a sonic rhetoric--for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power of folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes' archive and other repositories of historicized sound. Throughout Listening to the Lomax Archive, there are a number of audio resources for readers to listen to, including songs, oral histories, and radio program excerpts. Each resource is marked with a k&in the text. Visit https://doi.org/10.3998/mpub.9871097#resources to access this audio content
    URL: Volltext  (kostenfrei)
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    URL: Volltext  (kostenfrei)
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  • 53
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226768212 , 9780226768182
    Language: English
    Pages: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421661592
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    Keywords: Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Abstract: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Description / Table of Contents: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Note: Includes bibliographical references and index
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  • 54
    ISBN: 9783830942399
    Language: German
    Pages: 510 Seiten , Illustrationen, Karte
    Series Statement: Populäre Kultur und Musik Band 31
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Humboldt-Universität zu Berlin 2018
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    Keywords: Geschichte 1960-1970 ; Kunst ; Popmusik ; Musikleben ; Kunstbetrieb ; London ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; London ; Kunst ; Kunstbetrieb ; Popmusik ; Musikleben ; Geschichte 1960-1970
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  • 55
    ISBN: 9783339120960 , 333912096X
    Language: German
    Pages: 533 Seiten , 21 cm x 14.8 cm, 688 g
    Series Statement: Schriftenreihe Studien zur Musikwissenschaft Band 53
    Series Statement: Schriftenreihe Studien zur Musikwissenschaft
    Parallel Title: Erscheint auch als Sonner, Thomas, 1983 - Soundtrack der Demokratie - Musik bei staatlichen Zeremonien in der Weimarer und der Berliner Republik
    Dissertation note: Dissertation Hochschule für Musik und Darstellende Kunst Stuttgart 2019
    DDC: 781.5990943
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    Keywords: Hochschulschrift ; Hochschulschrift ; Deutschland ; Staatsakt ; Musik ; Geschichte 1918-2015 ; Deutschland ; Staatsakt ; Musik ; Geschichte ; Nation ; Demokratie ; Musik ; Geschichte 1990-2015 ; Nationalhymne ; Zapfenstreich ; Weimarer Republik ; Zeremoniell ; Militärmusik
    URL: Cover
    URL: Cover
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  • 56
    ISBN: 9783837655568
    Language: German
    Pages: 337 Seiten , Illustrationen
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    DDC: 782.42164909436
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    Keywords: Geschichte ; Globalisierung ; Musikleben ; Hip-Hop ; Österreich ; Österreich ; Musik ; Glokalisierung ; Musikanalyse ; Popkultur ; Popmusik ; Musikwissenschaft ; Kultursoziologie ; Hip Hop ; Austria ; Music ; Glocalization ; Music Analysis ; Popular Culture ; Pop Music ; Musicology ; Sociology of Culture ; Hochschulschrift ; Österreich ; Hip-Hop ; Musikleben ; Globalisierung ; Geschichte
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  • 57
    Book
    Book
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674052819
    Language: English
    Pages: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
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    Keywords: Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Abstract: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Note: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
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  • 58
    ISBN: 9783837654615 , 3837654613
    Language: German
    Pages: 372 Seiten , Illustrationen, Diagramme , 24 cm, 623 g
    Series Statement: Studien zur Popularmusik
    Dissertation note: Dissertation Humboldt-Universität Berlin 2019
    DDC: 658.872
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    Keywords: Unterhaltungsmusik ; Akustische Markenführung ; Werbewirtschaft ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Literaturverzeichnis Seite [329]-372
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  • 59
    ISBN: 9781350071216 , 9781350196247
    Language: English
    Pages: xxi, 185 Seiten
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University College London
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    Keywords: Geschichte 1945-1965 ; Volksmusik ; Politik ; Volkskultur ; Revival ; England ; Folk music / Great Britain / History and criticism ; Great Britain / Politics and government / 1945- ; Folk music ; Politics and government ; Great Britain ; Since 1945 ; Criticism, interpretation, etc ; Hochschulschrift ; England ; Politik ; Volkskultur ; Volksmusik ; Revival ; Geschichte 1945-1965
    Abstract: The English folk revival cannot be understood when divorced from the history of post-war England, yet the existing scholarship fails to fully engage with its role in the social and political fabric of the nation. Postwar Politics, Society and the Folk Revival in England is the first study to interweave the story of a gentrifying folk revival with the socio-political tensions inherent in England's postwar transition from austerity to affluence. Julia Mitchell skillfully situates the English folk revival in the context of the rise of the new left, the decline of heavy industry, the rise of local, regional and national identities, the 'Americanisation' of English culture and the development of mass culture. In doing so, she demonstrates that the success of the English folk revival derived from its sense of authenticity and its engagement with topical social and political issues, such as the conflicted legacy of the Welfare State, the fight for nuclear disarmament and the fallout of nationalization. In addition, she shrewdly compares the US and British revival to identify the links but also what was distinctive about the movement in Britain. Drawing on primary sources from folk archives, the BBC, the music press and interviews with participants, this is a theoretically engaged and sophisticated analysis of how postwar culture shaped the folk revival in England.
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  • 60
    ISBN: 978-3-8394-5268-4
    Language: German
    Pages: 1 Online-Ressource (554 Seiten).
    Series Statement: Transdisziplinäre Popkulturstudien Band 3
    Series Statement: Transdisziplinäre Popkulturstudien
    Uniform Title: Suchtgenese & Selbstkonzept(e)
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Leuphana Universität Lüneburg 2019
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    Keywords: Biographieforschung ; Cultural Studies ; Gesellschaft ; Ikone ; Junkie ; Lebensstil ; Los Angeles ; MUSIC / History & Criticism ; Musik ; Musiker*innen ; Musikwissenschaft ; Popkultur ; Popmusik ; Qualitative Sozialforschung ; Selbstkonzept ; Sucht ; Popmusiker. ; Drogenabhängigkeit. ; Heroin. ; Los Angeles, Calif. ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Popmusiker ; Drogenabhängigkeit ; Heroin
    Abstract: Getreu dem Motto »Sex & Drugs & Rock'n'Roll« scheint der Konsum von Drogen geradezu prototypisch zum Lifestyle vieler Musiker*innen dazuzugehören. Auffällig ist, dass es immer wieder musikalische Vertreter*innen des Typus »Junkie« sind, die zu Weltstars und Ikonen werden. Doch warum ist dieser Lebenswandel und dabei ausgerechnet der Konsum von Heroin so populär (gewesen)? Durch die Rekonstruktion individueller Lebensgeschichten heroinabhängiger Musiker*innen in Los Angeles bestimmt Melanie Ptatscheck nicht nur sozialpsychologische und musikspezifische Suchtfaktoren. Ebenso zeigt sie auf, durch welche individuellen Bedürfnisse und gesellschaftlichen Narrative die Selbstvorstellungen dieser Musiker*innen geprägt sind
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: Volltext  (URL des Erstveröffentlichers)
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  • 61
    ISBN: 9783447116428 , 3447116420
    Language: German
    Pages: VI, 464 Seiten , Illustrationen , 24 cm x 17 cm
    Series Statement: Kulturwissenschaftliche Japanstudien Band 11
    Series Statement: Kulturwissenschaftliche Japanstudien
    Dissertation note: Dissertation Universität zu Köln 2020
    DDC: 895.609005
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    Keywords: Geschichte 1955-2005 ; Japanisch ; Intermedialität ; Popmusik ; Literatur ; Japan ; Literaturgeschichte ; Japanologie ; Musikwissenschaft ; Literaturwissenschaft ; Populärkultur ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Japan ; Literatur ; Popmusik ; Geschichte 1955-2005 ; Japanisch ; Literatur ; Popmusik ; Intermedialität ; Geschichte 1955-2005
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  • 62
    Online Resource
    Online Resource
    Cambridge, Massachuesetts ; London, England : The Belknap Press of Harvard University Press
    ISBN: 9780674258808 , 9780674258815
    Language: English
    Pages: 1 Online-Ressource (viii, 598 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 780.82/0973
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    Keywords: Geschichte ; SOCIAL SCIENCE / Popular Culture ; African American feminists ; African American women musicians ; African American women Intellectual life ; African American women Music ; History and criticism ; Musical criticism History ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; USA ; Afroamerikanische Musik ; Feminismus ; Musikkritik ; Geschichte
    Abstract: An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music-and who should rightly tell it-Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 63
    Book
    Book
    Berlin : Ch.Links Verlag
    ISBN: 3962891382 , 9783962891381
    Language: German
    Pages: 334 Seiten , Illustrationen
    Uniform Title: Red Metal
    Dissertation note: Dissertation Universität Potsdam 2020
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    Keywords: Geschichte 1980-1990 ; Subkultur ; Heavy Metal ; Deutschland ; Beatkiste ; Berlin ; Blackout ; Bob Dylan ; Budapest ; DT 64 ; Disaster Area ; Feierabend ; Formel 1 ; Heavy Metal ; Jugendtanz ; Kulturpolitik ; Kutte ; Limbach-Oberfrohna ; Pop ; Schallplatte ; Skinhead ; Slayer ; Sodom ; Springsteen ; Stimme der DDR ; Subkultur ; Szene ; Tendenz Hard bis Heavy ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Heavy Metal ; Geschichte 1980-1990 ; Deutschland ; Heavy Metal ; Subkultur ; Geschichte 1980-1990
    URL: Cover
    URL: Cover
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  • 64
    ISBN: 1934351199 , 9781934351192
    Language: English
    Pages: xiii, 282 Seiten , Illustrationen , 28 cm
    DDC: 700.8996073075
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    Keywords: African American art Exhibitions 20th century ; African American art Exhibitions 21st century ; Material culture Exhibitions ; African Americans Music ; African Americans Religion ; African American art Political aspects ; African American art ; African Americans ; African Americans ; Religion ; Material culture ; Exhibition catalogs ; Music ; Southern States In art ; Exhibitions ; Southern States ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; USA ; Kunst ; Schwarze ; Geschichte 1945- ; Musik ; Literatur
    Abstract: Director's foreword / Alex Nyerges -- What you know about the Dirty South? / Valerie Cassel Oliver -- a poem for black art / Fred Moten -- Landscape : the politics and poetics of dirt. Cosmic encounter / Charlie R. Braxton ; Bevery Buchanan : forms of ruination / Andrea Barnwell Brownlee, Jennifer Burris, and Park MacArthur ; Quilted beats bound at the rut : a theorization of the Dirty South / Regina N. Bradley ; Plates -- Systems of thought : the vision of envisioning. Songs that are sacred and pure (for Toni Morrison) / Charlie R. Braxton ; Dreaming empire, conjuring freedom : Renée Stout, African American landscape representation, and the imperial South / Kirsten Pai Buick ; Bible Belt swag : Houston hip-hop and Black religion / Anthony B. Pinn ; Dreaming of the South in stereo : Black music's American journey / Guthrie P. Ramsey Jr. ; Plates -- The Black body : repository/site/agent. Bluesosophy (for Julius Thompson) / Charlie R. Braxton ; Picturing the South : how photographers have imaged the region / Rhea L. Combs ; Changing the rules, the practice of pleasure : the linguistic possibilities of dirt / Roger Reeves ; Plates -- Epilogue. Code Black : the Dirty South / Paul D. Miller ; The Dirty South playlist ; Plates -- Artist biographies -- Contributor biographies -- Exhibition checklist and image credits.
    Abstract: "This exhibition catalog to the Virginia Museum of Fine Arts’ The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse chronicles the pervasive visual and sonic parallels in the work of Black artists from the southern United States. It looks to contemporary southern hip-hop as a portal into the roots and aesthetic legacies that have shaped contemporary art from the 1920s to the present. It features multiple generations of both academically trained and 'outsider' artists working in a variety of genres and disciplines, including Thornton Dial, Allison Janae Hamilton, Arthur Jafa, Jason Moran, Sister Gertrude Morgan, Sun Ra, Kara Walker, and William Edmondson. Creating a capacious understanding of southern expression in visual art, material culture, and music, this richly illustrated volume documents the exhibition’s artworks and includes critical essays, poems, artist biographies, and an extended bibliography"--https://vmfashop.com/dirty-south/the-dirty-south-exhibition-catalog.html
    Note: "This catalogue accompanies the exhibition 'The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse', presented at the Virginia Museum of Fine Arts, May 22-September 6, 2021; Contemporary Arts Museum Houston, October 28, 2021-February 6, 2022; Crystal Bridges Museum of American Art, March 12-July 25, 2022; Museum of Contemporary Art Denver, September 2022-February 2023"--Page iv , Includes artists: Terry Adkins, Charles Henry Alston, Emma Amos, Benny Andrews, Radcliffe Bailey, Romare Bearden, Kevin Beasley, Paul Stephen Benjamin, Julia Beverly, John Biggers, Sanford Biggers, Herman Poole Blount (AKA Sony'r Ra or Sun Ra), Sheila Pree Bright, Beverly Buchanan, Bisa Butler, Elizabeth Catlett, Nick Cave, Mel Chin, Sonya Clark, Bethany Collins, Eldzier Cortor, Abraham Lincoln Criss, Jamal Cyrus, Bruce Davenport Jr. (AKA Dapper Bruce Lafitte), Beauford Delaney, Thornton Dial, Nathaniel Donnett, Aaron Douglas, William Edmondson, Melvin Edwards, Winton and Rosa Eugene, Minnie Evans, Leonard Freed, Theaster Gates, Sam Gilliam, Allison Janae Hamilton, David Hammons, Bessie Harvey, Palmer Hayden (AKA Peyton Cole Hedgeman), Robert Hodge, Earlie Hudnall, Jr., Clementine Hunter, Arthur Jafa, Anderson Johnson, William H. Johnson, Richard FIEND Jones (aka International Jones), Jacob Lawrence, El Franco Lee II, Samella Lewis, James Little, Whitfield Lovell, Jonathan Mannion, Kerry James Marshall, James Martin (AKA Spider Martin), Rodney McMillian, Michi Meko, Jason Moran, Sister Gertrude Morgan, Marilyn Nance (AKA Soulsista), Rashaad Newsome, Tameka Jenean Norris (AKA T.J. Dedeaux-Norris and Meka Jean), Demetrius Oliver, Joe Overstreet, Fahamu Pecou, Rita Mae Pettway, Robert Pruitt, Deborah Roberts, Nadine Robinson, Sulton Rogers, RaMell Ross, Nellie Mae Rowe, Kenneth Royster, Paul Rucker, Augusta Savage, Joyce J. Scott, John Sims, Kevin Sipp, Kaneem Smith, Renée Stout, Jimmy Lee Sudduth, Felandus Thames, Alma Thomas, James Thomas (AKA Son Ford), Bob Thompson, Mildred Thompson, Mose Tolliver, Bill Traylor, Freeman Vines, Kara Walker, Nari Ward, Arliss Watford, Jack Whitten, William T. Williams, Purvis Young
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  • 65
    ISBN: 9781941366325 , 1941366325
    Language: English
    Pages: 627 Seiten , Illustrationen , 23 cm
    DDC: 704.03/096/073
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    Keywords: African American art 20th century ; African American artists History 20th century ; Art and society History 20th century ; Black power History 20th century ; Black Arts movement ; Arts Political aspects ; African American art ; African American artists ; Art and society ; Arts ; Political aspects ; Black Arts movement ; Black power ; Art criticism ; Essays ; History ; Essays ; Art criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Geschichte 1960-1980
    Abstract: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Note: "Originating in research for the landmark traveling exhibition Soul of a nation: art in the age of Black power, this anthology brings together more than two hundred texts, most of them rare and long out of print"--Page 4 of cover , Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright , Includes bibliographical references
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  • 66
    ISBN: 9783990128947
    Language: English
    Pages: IX, 391 Seiten , Illustrationen , 24 cm
    Series Statement: Jazzforschung 48 (2016)
    Series Statement: Jazzforschung
    Parallel Title: Erscheint auch als
    DDC: 780
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    Keywords: Jazz ; Geschichte ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Jazz ; Geschichte
    Note: Erweiterte Fassung der Dissertation "The stories of jazz: performing America through its musical history", Dortmund 2014. - Literaturverzeichnis: Seiten 361-391
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  • 67
    ISBN: 9780691208190
    Language: English
    Pages: VII, 254 Seiten , Illustrationen, Pläne
    Parallel Title: Erscheint auch als
    DDC: 745.40973/0904
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    Keywords: Geschichte 1950-1959 ; ART / History / General ; Decorative arts Marketing ; Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Power (Social sciences) History 20th century ; Geschlecht ; Design ; Rasse ; Industriedesign ; USA ; USA ; Industriedesign ; Geschichte 1950-1959 ; USA ; Design ; Geschlecht ; Rasse
    Abstract: The first investigation of how race and gender shaped the presentation and marketing of Modernist decor in postwar AmericaIn the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and sleek, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life and Ebony, furniture, art, and more, Mid-Century Modernism and the American Body offers a powerful new look at how codes of race, gender, and identity influenced-and were influenced by-Modern design and shaped its presentation to consumers.Taking us to the booming suburban landscape of postwar America, Kristina Wilson demonstrates that the ideals defined by popular Modernist furnishings were far from neutral or race-blind. Advertisers offered this aesthetic to White audiences as a solution for keeping dirt and outsiders at bay, an approach that reinforced middle-class White privilege. By contrast, media arenas such as Ebony magazine presented African American readers with an image of Modernism as a style of comfort, security, and social confidence. Wilson shows how etiquette and home decorating manuals served to control women by associating them with the domestic sphere, and she considers how furniture by George Nelson and Charles and Ray Eames, as well as smaller-scale decorative accessories, empowered some users, even while constraining others. A striking counternarrative to conventional histories of design, Mid-Century Modernism and the American Body unveils fresh perspectives on one of the most distinctive movements in American visual culture
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  • 68
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520383739 , 9780520383746
    Language: English
    Pages: xiv, 258 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.48422
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    Keywords: Folk music ; Politik ; USA
    Note: Literaturverzeichnis Seite 225-258
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  • 69
    Book
    Book
    Berlin : Ch.Links Verlag
    ISBN: 3962891382 , 9783962891381
    Language: German
    Pages: 334 Seiten , Illustrationen
    Edition: 2., durchgesehene Auflage
    Uniform Title: Red Metal (Heavy Metal als eine Subkultur der DDR)
    Dissertation note: Dissertation Universität Potsdam 2020
    DDC: 781.660943109048
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    Keywords: Geschichte 1980-1990 ; Subkultur ; Heavy Metal ; Deutschland ; Beatkiste ; Berlin ; Blackout ; Bob Dylan ; Budapest ; DT 64 ; Disaster Area ; Feierabend ; Formel 1 ; Heavy Metal ; Jugendtanz ; Kulturpolitik ; Kutte ; Limbach-Oberfrohna ; Pop ; Schallplatte ; Skinhead ; Slayer ; Sodom ; Springsteen ; Stimme der DDR ; Subkultur ; Szene ; Tendenz Hard bis Heavy ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Heavy Metal ; Geschichte 1980-1990 ; Deutschland ; Heavy Metal ; Subkultur ; Geschichte 1980-1990
    URL: Cover
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  • 70
    ISBN: 9783839454619
    Language: German
    Pages: 1 Online-Ressource (372 Seiten) , Diagramme, Noten
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Humboldt-Universität zu Berlin 2019
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    Keywords: Akustische Markenführung ; Unterhaltungsmusik ; Werbewirtschaft ; Marken ; Musikwirtschaft ; Werbeindustrie ; Audio Branding ; Musik ; Homogenisierung ; Werbung ; Wirtschaft ; Pharrell Williams ; Popkultur ; Popmusik ; Musikwissenschaft ; Kulturwirtschaft ; Klang ; Popular Music Culture ; Branding ; Music Industry ; Music ; Homogenization ; Advertising ; Economy ; Popular Culture ; Pop Music ; Musicology ; Cultural Industry ; Sound ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Unterhaltungsmusik ; Akustische Markenführung ; Werbewirtschaft
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    URL: Cover
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    URL: Cover
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  • 71
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469664668 , 9781469664651
    Language: English
    Pages: 1 Online-Ressource (xiii, 231 pages) , Illustrations (black and white).
    Series Statement: North Carolina scholarship online
    DDC: 302.23082
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    Keywords: Künste ; Frau ; Sklaverei ; Gewalt ; Violence in literature ; Violence in motion pictures ; Violence on television ; Violence in women in literature ; Women in popular culture ; Women in popular culture ; Violence in women in popular culture ; Violence in women in popular culture ; Slavery History ; Literature ; Literature: history & criticism ; USA ; Karibik
    Abstract: This text examines how violence between women in contemporary Caribbean and American texts is rooted in plantation slavery. Amy King's work goes beyond any other study to date to examine the intersections of gender, sexuality, race, ethnicity, class, ability, and nationality in US and Caribbean depictions of violence between women in the wake of slavery.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 72
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    ISBN: 9783839457580
    Language: English
    Pages: 1 Online-Ressource (228 p.)
    Edition: 1st ed.
    Series Statement: Studien zur Popularmusik
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    Keywords: Elektronische Musik ; Tanzmusik ; Online-Community ; Diskursanalyse ; Electronic Dance Music; Discourse; Community; Culture; Identity; Music; Language; Popular Culture; Pop Music; Linguistics; Cultural Studies; Musicology; ; Hochschulschrift ; Hochschulschrift
    Abstract: Research on electronic dance music communities has been initiated by scholars in the fields of sociology, cultural studies, public health research and others. Linguistic aspects, however, are rarely considered. Anita Jóri fills this gap of research and suggests a new perspective by looking at these communities as a discourse community. She gives an overview of the language use and discourse characteristics of this community while applying a mixed methodology of linguistic discourse analysis and cultural studies. The book is aimed at researchers and students in the fields of applied linguistics, popular music, media, communication and cultural studies.
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 73
    ISBN: 9783830992745
    Language: German
    Pages: 1 Online-Ressource (577 Seiten) , Illustrationen
    Series Statement: Musik und Diktatur Band 4
    Series Statement: Musik und Diktatur
    Parallel Title: Erscheint auch als Lipp, Florian, 1980 - Punk und New Wave im letzten Jahrzehnt der DDR
    Dissertation note: Dissertation Universität Hamburg 2019
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    Keywords: 19./20. Jahrhundert ; 1980-1990 ; 20. Jahrhundert ; Bundesrepublik Deutschland/DDR ; DDR ; Deutschland ; Germany (East) ; Jugendkultur ; Neue Deutsche Welle ; New Wave ; Punk ; Rockmusik ; Subkultur ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Punk ; New wave ; Subkultur ; Jugendpolitik ; Kulturpolitik ; Geschichte 1976-1989 ; Deutschland ; Punk Rock ; New wave ; Geschichte 1976-1989
    Abstract: Auch in der DDR formierte sich zu Beginn der 1980er-Jahre eine Punkszene, die zwar klein, jedoch weder zu übersehen noch zu überhören war. Exponierte Vertreter und Bands dieser Szene wurden von der Mehrheitsgesellschaft abgelehnt, aus dem staatlich organisierten Kulturbetrieb ausgegrenzt und durch den Sicherheitsapparat kriminalisiert. Doch im Gegensatz zu diesen Repressionen gegen die Punkkultur in der ersten Hälfte der 1980er-Jahre vermittelt die zweite Hälfte der Dekade ein anderes Bild: Ehemals verfemte Musiker waren nun im Staatsfunk zu hören, wurden von der Freien Deutschen Jugend (FDJ) gefördert und unter dem Rubrum ›die anderen Bands‹ auf Schallplatte gehandelt. Die Analyse dieses Wandels im zeithistorischen Kontext ist Gegenstand dieses Buches.
    Note: Online resource; title from title screen (viewed May 11, 2021)
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  • 74
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag
    ISBN: 9783839455562 , 9783837655568
    Language: German
    Pages: 1 Online-Ressource (340 p.)
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    Keywords: Theory of music & musicology ; Rock & Pop music ; Popular culture ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: Erstmals wird in diesem Buch die für Deutschrap oft impulsgebende österreichische HipHop-Musiklandschaft auf Buchlänge ins Zentrum gerückt. Frederik Dörfler-Trummer zeichnet die Karrieren der wichtigsten Vertreter*innen - von Falco über Money Boy bis RAF Camora - nach und analysiert ihre Musik. Dabei werden genredefinierende Charakteristika des HipHop für die Subgenres BoomBap, Gangsta-Rap, Trap und Cloud-Rap herausgearbeitet. Über den Aspekt der Glokalisierung wird zudem das Zusammenspiel von globaler Verbreitung und lokaler Aneignung von HipHop-Musik demonstriert
    Note: German
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    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 75
    ISBN: 9783839455272 , 9783732855278
    Language: German
    Pages: 1 Online-Ressource (234 Seiten)
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Zürich 2018
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    Keywords: Streaming ; Musiktonträger ; Ethnologie ; Sammeln ; Popmusik ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Popmusik ; Musiktonträger ; Streaming ; Sammeln ; Popmusik ; Streaming ; Ethnologie ; Sammeln
    Note: Erscheint als Open Access bei De Gruyter
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 76
    Book
    Book
    Charlottesville : University of Virginia Press
    ISBN: 9780813943749
    Language: English
    Pages: xviii, 194 Seiten , Illustrationen
    Series Statement: Midcentury: architecture, landscape, urbanism, and design
    Parallel Title: Erscheint auch als Grubiak, Margaret M Monumental jesus
    DDC: 306.6/773
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    Keywords: Christianity and culture ; Cultural landscapes ; Popular culture Religious aspects ; Christianity ; United States Religion ; USA ; Religiöse Kunst ; Architektur ; Monumentalplastik
    Abstract: Touchdown Jesus! -- Dorothy, The Wizard of Oz, and the Mormon Temple -- Adventures in the evangelical theme park -- Charles Darwin's Night at the Creation Museum -- Gumby Jesus.
    Abstract: "This book explores how religious doubt is made manifest in the built environment by taking seriously the humorous, satirical, blasphemous, and popular culture responses to religious architecture and image in modern America. It challenges how audiences typically consider religious architecture by shifting the focus from believers to doubters and from architectural producers to architectural consumers. Its chapters explore landscapes of doubt created by "Touchdown Jesus" at the University of Notre Dame in Indiana; the Mormon temple outside Washington, D.C., recast as something from The Wizard of Oz; Jerry Falwell's waterslide plunge photograph and The Simpson's "Praiseland" episode satirizing Jim and Tammy Faye Bakker's Heritage USA evangelical theme park in South Carolina; the doctored photograph making fun of Oral Roberts's claim of seeing a 900-foot Jesus at Oral Roberts University in Tulsa, Oklahoma; MAD magazine's "Charles Darwin's Night at the Creation Museum" parody of the Creation Museum in Kentucky; and the "Gumby Jesus" renaming of the Christ of the Ozarks statue in Eureka Springs, Arkansas. These expressions of doubt activate the religious built environment in ways unanticipated but illuminating, asking Americans to consider and clarify what it is they believe"--
    Note: Includes bibliographical references and index
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  • 77
    Online Resource
    Online Resource
    Bern, Switzerland : Peter Lang
    ISBN: 9783034340908
    Language: English
    Pages: 1 Online-Ressource (472 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Video recordings in ethnomusicology ; Applied ethnomusicology ; Film ; Musikethnologie ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Musikethnologie ; Film
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  • 78
    ISBN: 9783631806432 , 3631806434
    Language: German
    Pages: 202 Seiten , Illustrationen, Notenbeispiele , 21 cm x 14.8 cm, 339 g
    Series Statement: Jazz under state socialism 7
    Series Statement: Jazz under state socialism
    Parallel Title: Erscheint auch als Weißenbacher, Katharina Jazz unter Kontrolle des Systems
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität für Musik und darstellende Kunst Graz 2018
    DDC: 781.650943109046
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    Keywords: Geschichte 1961-1976 ; Jazz ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Jazz ; Geschichte 1961-1976
    URL: Cover
    URL: Cover
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  • 79
    Book
    Book
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts
    ISBN: 9781350126329
    Language: English
    Pages: xii, 210 Seiten , 15 Illustrationen
    Series Statement: Dress cultures
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte 1980-2018 ; Punk ; Indie-Pop ; Subkultur ; Mode ; USA ; Großbritannien ; 21st century history: from c 2000 - ; Punk, New Wave & Indie ; Fashion & beauty industries ; Popular culture ; SOCIAL SCIENCE / Popular Culture ; SOCIAL SCIENCE / Gender Studies ; BUSINESS & ECONOMICS / Industries / Fashion & Textile Industry ; Fashion - Social aspects - History - 21st century ; Indie culture ; Popular culture - History - 21st century ; Großbritannien ; USA ; Indie-Pop ; Punk ; Mode ; Subkultur ; Geschichte 1980-2018
    Description / Table of Contents: List of Illustrations; Introduction; Chapter 1: From subculture to hot look: The evolution of indie; Chapter 2: Skinny boys and Parisian runways: The commodification of indie authenticity; Chapter 3: Wellies, fringe and individual style: The commercial rise of festival fashion; Chapter 4: Prints, paints and crop tops: The emergence of Afro-diasporic festival fashion ; Chapter 5: Beyond Retro and the pop ragtrade; Conclusion; Notes; Bibliography; Index
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  • 80
    ISBN: 9783487155326 , 348715532X
    Language: English
    Pages: 188 Seiten , Illustrationen, Karten , 23 cm, 320 g
    Series Statement: Center for World Music. Studies in music Band 5
    Dissertation note: Dissertation Universität Hildesheim 2020
    DDC: 786.843
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    Keywords: Bura ; Musik ; Xylofon ; Musikinstrument ; Bestattungsmusik ; Soziokultur ; Nigeria ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Literaturverzeichnis
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  • 81
    ISBN: 9781478009597 , 9781478008699
    Language: English
    Pages: x, 217 Seiten
    Series Statement: Refiguring American music
    DDC: 781.644
    RVK:
    Keywords: Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; USA
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  • 82
    ISBN: 9783837652680 , 3837652688
    Language: German
    Pages: 554 Seiten , 24 cm x 15.5 cm, 952 g
    Series Statement: Transdisziplinäre Popkulturstudien
    Uniform Title: Suchtgenese & Selbstkonzept(e): Biographische Fallrekonstruktion von Lebensgeschichten heroinabhängiger Musiker in Los Angeles
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Leuphana Universität Lüneburg 2019
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    Keywords: Drogenabhängigkeit ; Popmusiker ; Heroin ; Los Angeles, Calif. ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Los Angeles, Calif. ; Popmusiker ; Drogenabhängigkeit ; Heroin
    Note: Literaturverzeichnis: Seite 525-554
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  • 83
    Book
    Book
    New York, NY : Harper Design, an imprint of Harper Collins Publishers
    ISBN: 9780062914705
    Language: English
    Pages: 256 Seiten
    RVK:
    Keywords: Geschichte 1940-1960 ; Musiklokal ; Musikleben ; Jazz ; USA ; Jazz / United States / 1931-1940 ; Jazz / United States / 1941-1950 ; Nightclubs / United States / History / 20th century ; Jazz musicians / Interviews ; Jazz / Social aspects ; Jazz ; Jazz musicians ; Jazz / Social aspects ; Nightclubs ; United States ; 1900-1999 ; History ; Interviews ; Bildband ; Bildband ; Bildband ; USA ; Jazz ; Musiklokal ; Musikleben ; Geschichte 1940-1960
    Abstract: "Sittin' in brings to public view for the first time a rare collection of more than two hundred souvenir photographs and memorabilia from the most renowned jazz nightclubs in America in the 1940s and 1950s. In an era of segregation and Jim Crow laws, jazz nightclubs across the country were among the first places where Black and white people mixed in audiences and onstage. These remarkable images, detailed histories of each club, and first-person testimonies from those who performed and visited these seminal venues are your ticket inside an extraordinary world that gave root to change and greater personal expression, both musically and socially."--Back cover
    Description / Table of Contents: The East Coast. New York City ; Atlantic City ; Washington D.C. ; Boston -- The Midwest. Cleveland ; Detroit ; Chicago ; Kansas City ; St. Louis -- The West Coast. Los Angeles ; San Francisco
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  • 84
    Language: German
    Pages: 57 Seiten
    Dissertation note: Bachelorarbeit Humboldt-Universität Berlin 2020
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    Keywords: Hochschulschrift
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  • 85
    Online Resource
    Online Resource
    Berlin : Humboldt-Universität zu Berlin, Universitätsbibliothek
    Language: German
    Pages: 1 Online-Ressource , Illustrationen, Karten
    Series Statement: Alltag & Kultur 13
    Parallel Title: Elektronische Reproduktion von Binder, Beate Streitfall Stadtmitte
    Dissertation note: Habilitationsschrift Humboldt-Universität zu Berlin 2007
    DDC: 307.12120943155
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    Keywords: Geschichte 1999-2006 ; Geschichtsbewusstsein ; Kommunalpolitik ; Kontroverse ; Volkskunde ; Rekonstruktion ; Stadtplanung ; Platzgestaltung ; Politische Auseinandersetzung ; Schlossplatz ; Stadtschloss Berlin ; Hochschulschrift ; Schlossplatz ; Platzgestaltung ; Stadtplanung ; Geschichtsbewusstsein ; Kontroverse ; Schlossplatz ; Stadtplanung ; Kommunalpolitik ; Volkskunde ; Stadtschloss Berlin ; Rekonstruktion ; Politische Auseinandersetzung ; Geschichte 1999-2006
    Note: Literaturverzeichnis: Seite [305]-327
    URL: Volltext  (kostenfrei)
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  • 86
    ISBN: 9783515125857 , 351512585X
    Language: German
    Pages: 519 Seiten , Illustrationen , 25 cm, 1022 g
    Series Statement: Studien zur Alltags- und Kulturgeschichte Band 33
    Series Statement: Geschichte
    Parallel Title: Erscheint auch als Borscheid, Peter, 1943- The American Way of Music
    DDC: 781.6409
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    Keywords: Geschichte 1945-2020 ; Geschichte ; Popmusik ; Rockmusik ; Musikwirtschaft ; Internationalisierung ; Globalisierung ; Unterhaltungsmusik ; Amerikanisierung ; USA
    Note: Literaturverzeichnis Seite 508-519
    URL: Cover
    URL: Cover
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  • 87
    ISBN: 9783412518721
    Language: German
    Pages: 358 Seiten , Illustrationen, Notenbeispiele
    Additional Information: In Beziehung stehendes Werk Moscheles, Ignaz, 1794 - 1870 Albumblätter Detmold : Hochschule für Musik, Detmold, 2017
    Additional Information: Rezensiert in Schmidmaier, Dieter, 1938 - Musik-Stammbücher unter der Lupe 2020
    Additional Information: Rezensiert in Raffelt, Albert, 1944 - [Rezension von: Musik-Stammbücher] 2020
    Series Statement: Musik - Kultur - Gender Band 17
    Series Statement: Musik - Kultur - Gender
    Parallel Title: Erscheint auch als Rost, Henrike Musik-Stammbücher
    Dissertation note: Dissertation Hochschule für Musik und Tanz Köln 2019
    DDC: 780.26209409034
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    Keywords: Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Europa ; Stammbuch ; Musik ; Geschichte 1790-1900
    Note: Literaturverzeichnis: Seite 305-330
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  • 88
    ISBN: 9783837654769 , 3837654761
    Language: German
    Pages: 232 Seiten , Illustrationen
    Series Statement: Kultur und soziale Praxis
    Dissertation note: Dissertation Universität zu Köln
    DDC: 780.032
    RVK:
    Keywords: Kurden ; Aleviten ; Türken ; Politischer Konflikt ; Musik ; Protest ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 89
    ISBN: 9783942214308 , 394221430X
    Language: German
    Pages: 448 Seiten , Illustrationen
    Dissertation note: Dissertation Hochschule für Grafik und Buchkunst 2018
    DDC: 700.103
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    Keywords: Hochschulschrift ; Hochschulschrift ; Botschaft e.V. ; Kulturarbeit ; Engagierte Kunst ; Raum ; Zwischennutzung
    Note: Literatur- und Quellenverzeichnis: Seite 362-409
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  • 90
    Book
    Book
    Regensburg : ConBrio Verlagsgesellschaft
    ISBN: 9783940768872
    Language: German
    Pages: 254 Seiten , Illustrationen
    Series Statement: Neue Wege - nové cesty Band 17
    Series Statement: Neue Wege - nové cesty
    Dissertation note: Dissertation Martin-Luther-Universität Halle-Wittenberg 2018
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    Keywords: Brosch, Albert ; Sammlung ; Volkslied ; Sudetenland ; Franken ; Altbayern ; Biografie ; Hochschulschrift ; Biografie ; Hochschulschrift ; Biografie ; Hochschulschrift ; Biografie ; Hochschulschrift ; Biografie ; Hochschulschrift ; Brosch, Albert 1886-1970 ; Franken ; Altbayern ; Sudetenland ; Volkslied ; Sammlung
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  • 91
    ISBN: 9789490153328 , 949015332X
    Language: English
    Pages: 184 Seiten , Illustrationen
    Series Statement: KA series 32
    Parallel Title: Parallele Sprachausgabe
    DDC: 700.411
    RVK:
    RVK:
    Keywords: 20.10 art and society: general ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; USA ; New York- Harlem ; Kunstsoziologie ; Kunst ; Künstler ; Person of Color ; Geschichte 1920-2010 ; USA ; Schwarze ; Kunst ; Geschichte 1920-2020
    Abstract: Tell Me Your Story' starts with the Harlem Renaissance. Harlem in the 1920s saw a flurry of activity by African American authors, musicians and theatre makers, resulting in a vibrant visual arts scene. Black culture is currently enjoying another renaissance, and African American artists are more visible than ever in the United States. The exhibition places contemporary artists in the context of their predecessors.00'Tell Me Your Story' focuses on five chronological periods: the Harlem Renaissance, Post Harlem Renaissance, Civil Rights, Black Renaissance and the Bloom Generation. The artists in each of these distinct periods shared one common characteristic: the need to express themselves and safeguard the vital African tradition of storytelling.00The exhibition is being organised as part of Kunsthal KAdE's 2020 trilogy on the United States, inspired by the upcoming presidential election on 3 November. This is a key moment in a politically and socially polarised nation. Over the course of the elections KAdE will be holding a presentation exploring the role of artists in the current US environment. The summer period will see the launch of an exhibition on Art Activism in New York during the 1980s, another decade shaped by politically engaged artists.00Exhibition: Kunsthal KAdE, Amersfoort, The Netherlands (08.02.-17.05.2020)
    Note: Umschlagtitel , Seite 184: Exhibition catalogue published on the occasion of the exhibition "Tell me your story. 100 years of storytelling in African American art", February 8, 2020-May, 17, 2020
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  • 92
    ISBN: 9781419748547
    Language: English
    Pages: 236 Seiten
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Grecco, Michael ; Geschichte 1978-1991 ; Rockmusiker ; Rockgruppe ; Musikleben ; Porträtfotografie ; Fotografie ; Rockmusiker ; Punk Rock ; USA ; Punk rock musicians / United States / History / 20th century / Pictorial works ; Punk rock music / United States / History / 20th century / Pictorial works ; Punk rock music ; Punk rock musicians ; United States ; 1900-1999 ; Illustrated works ; Bildband ; Bildband ; USA ; Rockmusiker ; Rockgruppe ; Punk Rock ; Musikleben ; Porträtfotografie ; Geschichte 1978-1991 ; Grecco, Michael 1958- ; USA ; Fotografie ; Punk Rock ; Rockmusiker ; Geschichte 1978-1991
    Abstract: "Photographer and filmmaker Michael Grecco was in the thick of things, documenting the club scene in places like Boston and New York as punk rock morphed into the post-punk and new wave movements that dominated from the late '70s to the early '90s. From the Cramps to Dead Kennedys, Talking Heads, Human Sexual Response, Elvis Costello, Joan Jett, the Ramones, and many others, Grecco captured in black and white and color the raw energy, sweat, and antics that characterized the alternative music of the time. In addition to concert photography, he shot album covers and promotional pieces that round out his impressively extensive photo collection. Presented here for the first time are images of the clubs and bands as they evolve into the icons that they have become today."--Back cover
    Note: Includes index
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  • 93
    ISBN: 9780190687410 , 9780190687403
    Language: English
    Pages: xi, 260 Seiten , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 780.98
    RVK:
    Keywords: Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Abstract: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century.
    Note: Includes bibliographical references and index
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  • 94
    Book
    Book
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469658865 , 9781469658872
    Language: English
    Pages: xv, 249 Seiten , Illustrationen
    DDC: 306.48420973
    RVK:
    Keywords: Geschichte 1788-1865 ; Musikleben ; Politische Kultur ; Alltagskultur ; Musikpolitik ; Nationalbewusstsein ; Konservativismus ; USA
    Note: Bibliography Seite 209-234
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  • 95
    ISBN: 9783830992622
    Language: German
    Pages: 1 Online-Ressource (259 Seiten)
    Series Statement: Internationale Hochschulschriften Band 677
    Series Statement: Internationale Hochschulschriften
    Parallel Title: Erscheint auch als Viertel, Christiane Battle-Rap, Beatboxing und Breaking - Hip-Hop in schulischen und außerschulischen musikpädagogischen Kontexten
    Dissertation note: Dissertation Pädagogische Hochschule Ludwigsburg 2020
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    Keywords: Empirische Bildungsforschung ; Jugendkultur ; Musikalische Praxen ; Musiklehrer*innen ; Musikunterricht ; Populäre Musik ; Schulpädagogik ; Hochschulschrift ; Hochschulschrift ; Musikerziehung ; Hip-Hop ; Beatboxing
    Abstract: Die weltweit verbreitete Jugendkultur Hip-Hop mit ihren vielfältigen musikalischen und künstlerischen Praxen ist auch heute nach fast 50 Jahren bei Jugendlichen beliebt. Die quantitative Studie fokussiert die Hip-Hop-Kultur als Thema im Musikunterricht der Sekundarstufe I in Baden-Württemberg aus der Perspektive von Schüler*innen und Lehrenden unterschiedlicher Schulformen. Sie nimmt dabei Bezug auf das Interesse an und die Beschäftigung mit der Jugendkultur wie auch auf die persönliche Bedeutsamkeit von Hip-Hop. Außerdem stellt die Dissertation die Frage nach dem Bildungspotenzial der Jugendkultur. Eine detaillierte Betrachtung szenerelevanter Praxen im Hip-Hop setzt die hierfür benötigten Skills sowie zugrunde liegende Haltungen und Werte in Beziehung zu musikpädagogischen Dimensionen von Bildungsrelevanz. Betrachtet werden in diesem Zusammenhang Anschlussfähigkeiten und Schnittstellen zu Aspekten der Kompetenzorientierung, der ästhetischen Erfahrung sowie zum Ziel der kulturellen Teilhabe. Ein Blick auf Projekte der außerschulischen Jugendsozialarbeit eröffnet zudem Perspektiven für die Musikpädagogik und für zukünftiges Unterrichten.
    Note: Online resource; title from title screen (viewed May 11, 2021)
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  • 96
    ISBN: 9783955751104 , 3955751104
    Language: German
    Pages: 469 Seiten
    Edition: 1. Auflage
    Uniform Title: The Sex Revolts
    RVK:
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    Keywords: Rockmusikerin ; Frauenkunst ; Geschlechterrolle ; Geschlechterstereotyp ; USA
    Note: Literaturverzeichnis Seite 459-463
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  • 97
    Online Resource
    Online Resource
    Stuttgart : Franz Steiner Verlag
    ISBN: 9783515125932
    Language: German
    Pages: 1 Online-Ressource (519 Seiten) , Diagramme
    Series Statement: Studien zur Alltags- und Kulturgeschichte Band 33
    Series Statement: Studien zur Alltags- und Kulturgeschichte
    Parallel Title: Erscheint auch als
    DDC: 781.6409
    RVK:
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    Keywords: Geschichte ; Geschichte 1945-2020 ; Internationalisierung ; Globalisierung ; Musikmarkt ; Unterhaltungsmusik ; Amerikanisierung ; Rockmusik ; Musikwirtschaft ; Popmusik ; USA ; Wirtschaftsgeschichte ; Musikfilm ; Tonträgerindustrie ; MTV ; Kulturgeschichte ; Globalisierung ; Disco ; Hip-Hop ; Rockmusik ; Jazz ; Musikindustrie ; Popmusik ; Musikkultur ; EDM ; Techno ; Musikmarkt ; amerikanische Geschichte ; USA ; Unterhaltungsmusik ; Musikmarkt ; Amerikanisierung ; Geschichte ; USA ; Popmusik ; Rockmusik ; Musikwirtschaft ; Internationalisierung ; Globalisierung ; Geschichte 1945-2020
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 98
    ISBN: 9783825369378 , 3825369374
    Language: German
    Pages: 478 Seiten , Illustrationen , 23.5 cm x 15.5 cm
    Series Statement: Heidelberg transcultural studies volume 5
    Dissertation note: Dissertation Ruprecht-Karls-Universität Heidelberg 2014
    DDC: 940
    RVK:
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    Keywords: Jesuiten ; Geschichte 1600-1800 ; Architektur ; Kirchenbau ; Gartenkunst ; Interkulturalität ; Macht ; Repräsentation ; Mission ; Peking ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: "Die vorliegende Studie ist die erweiterte Fassung einer Dissertationsschrift, welche von der Philosophischen Fakultät der Ruprecht-Karls-Universität Heidelberg im Wintersemester 2014 angenommen wurde."
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  • 99
    ISBN: 978-3-8376-5285-7
    Language: German
    Pages: 427 Seiten : , Illustrationen, Notenbeispiele ; , 24 cm x 15.5 cm, 741 g.
    Series Statement: Histoire Band 180
    Series Statement: Histoire
    Parallel Title: Erscheint auch als
    Dissertation note: Habilitationsschrift Max-Planck-Institut für Bildungsforschung Berlin
    DDC: 303.3209431
    RVK:
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    Keywords: Geschichte 1945-1973 ; Jugend. ; Musikleben. ; Gefühl. ; Sozialistische Lebensweise. ; Politische Sozialisation. ; Jugendpolitik. ; Deutschland ; Zukunftsforschung ; Lieder ; Singen ; Fühlen ; Gefühl ; Jugend ; Musik ; Emotion ; Freie Deutsche Jugend ; Sowjetische Besatzungszone ; Bundesrepublik Deutschland ; Jugenderziehung ; Jugendpolitik ; Gefühlserziehung ; Herrschaft ; Macht ; Regime ; Kulturgeschichte ; Bildung ; Biopolitik ; Deutsche Geschichte ; Emotionsgeschichte ; Zeitgeschichte ; Geschichte des 20. Jahrhunderts ; Geschichtswissenschaft ; German History After 1945 ; Foresight ; Songs ; Singing ; Feel ; Youth ; Music ; Free German Youth ; Federal Republic of Germany ; Youth Education ; Youth Policy ; Power Relations ; Power ; Regimes ; Cultural History ; Education ; Biopolitics ; German History ; History of Emotions ; Contemporary History ; History of the 20th Century ; History ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Jugend ; Musikleben ; Gefühl ; Sozialistische Lebensweise ; Politische Sozialisation ; Jugendpolitik ; Geschichte 1945-1973
    URL: Cover
    URL: Cover
    URL: Cover
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  • 100
    Book
    Book
    London ; New York : Routledge
    ISBN: 9781138533271 , 9780878555864
    Language: English
    Pages: xxii, 504 Seiten , Illustrationen
    DDC: 338.4/7/789912
    RVK:
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    Keywords: Sound recording industry ; Popular music History and criticism ; USA
    Note: First published 1975 by Transaction Publishers
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