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Liner notes for the revolution

the intellectual life of black feminist sound
Verfasser: Brooks, Daphne A. <1968->

(DE-588)102897762X
978-0-674-25880-8; 978-0-674-25881-5
Schlagwörter: USA

; Afroamerikanische Musik

; Feminismus

; Musikkritik

; Geschichte

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Zugang für Benutzer von: Bayerische Staatsbibliothek München
Zugang für Benutzer von: Hochschulbibliothek Amberg
Zugang für Benutzer von: Hochschulbibliothek Coburg
Zugang für Benutzer von: Hochschulbibliothek Kempten
Zugang für Benutzer von: Hochschulbibliothek Landshut
Zugang für Benutzer von: Technische Hochschule Aschaffenburg, Hochschulbibliothek
Zugang für Benutzer von: Technische Hochschule Augsburg, Hochschulbibliothek
Zugang für Benutzer von: Universität der Bundeswehr München, Universitätsbibliothek
Zugang für Benutzer von: Universitätsbibliothek Bamberg
Zugang für Benutzer von: Universitätsbibliothek Passau
Zugang für Benutzer von: Universitätsbibliothek Würzburg

Fach:

Anglistik / Amerikanistik
Musikwissenschaft

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https://gateway-bayern.de/BV047415251

Letzte Änderung: 18.12.2023

Titel:	Liner notes for the revolution
Untertitel:	the intellectual life of black feminist sound
URL:	https://doi.org/10.4159/9780674258808
URL Erlt Interna:	Verlag
URL Erlt Info:	URL des Erstveröffentlichers
Erläuterung :	Volltext
Von:	Daphne A. Brooks
ISBN:	978-0-674-25880-8
Preis/Einband:	Online, PDF
ISBN:	978-0-674-25881-5
Preis/Einband:	Online, EPUB
Erscheinungsort:	Cambridge, Massachuesetts ; London, England
Verlag:	Harvard University Press
Erscheinungsjahr:	2021
Erscheinungsjahr:	© 2021
DOI:	10.4159/9780674258808
Umfang:	1 Online-Ressource (viii, 598 Seiten)
Details:	Illustrationen
Abstract:	An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music-and who should rightly tell it-Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals
Sprache:	eng
RVK-Notation:	LS 48015
RVK-Notation:	HD 474
Andere Ausgabe:	Erscheint auch als
_Bemerkung:	Druck-Ausgabe
_ISBN:	978-0-674-05281-9
Thema (Schlagwort):	USA; Afroamerikanische Musik; Feminismus; Musikkritik; Geschichte
Weitere Schlagwörter :	African American feminists; African American women musicians; African American women; Intellectual life; African American women; Music; History and criticism; Musical criticism; United States; History

MARC-Felder:

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Liner notes for the revolution; the intellectual life of black feminist sound

B3Kat (1/1)

Liner notes for the revolution