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Liner notes for the revolution the intellectual life of black feminist sound

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Liner notes for the revolution : the intellectual life of black feminist sound

Brooks, Daphne A. (1968-)
Cambridge, Massachuesetts ; London, England: Harvard University Press, 2021 - 1 Online-Ressource (viii, 598 Seiten)
ISBN 9780674258808 , 9780674258815 , 978-0-674-05281-9
Schlagwörter: USA / Afroamerikanische Musik / Feminismus / Musikkritik / Geschichte
verfügbar nur im Hochschulnetz der Universität Würzburg
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Autor/Hrsg.:Brooks, Daphne A. (1968-)
Titel:Liner notes for the revolution
Untertitel:the intellectual life of black feminist sound
Verlagsort:Cambridge, Massachuesetts ; London, England
Verlag:Harvard University Press
Jahr:2021
Jahr:© 2021
Umfang:1 Online-Ressource (viii, 598 Seiten)
Details:Illustrationen
ISBN:9780674258808
ISBN:9780674258815
ISBN:978-0-674-05281-9
Fußnoten:An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music-and who should rightly tell it-Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals
Schlagwörter:USA / Afroamerikanische Musik / Feminismus / Musikkritik / Geschichte
RVK-Notation:LS 48015
RVK-Notation:HD 474
Volltext:https://www.degruyter.com/isbn/9780674258808
DOI:10.4159/9780674258808
OCLC-Nummer:1264267907
BVB-ID:BV047415251
UBW-ID:3217572