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  • 1
    Book
    Book
    Berlin, Boston :De Gruyter Oldenbourg,
    ISBN: 9783110655254
    Language: English
    Pages: VI, 290 Seiten.
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: HISTORY / Study & Teaching ; Computerspiel. ; Narrativität. ; Erzähltechnik. ; Handlung ; Intermedialität. ; USA. ; Aufsatzsammlung ; Computerspiel ; Narrativität ; Erzähltechnik ; Handlung ; Intermedialität
    Abstract: American Studies has only gradually turned its attention to video games in the twenty-first century, even though the medium has grown into a cultural industry that is arguably the most important force in American and global popular culture today. There is an urgent need for a substantial theoretical reflection on how the field and its object of study relate to each other. This anthology, the first of its kind, seeks to address this need by asking a dialectic question: first, how may American Studies apply its highly diverse theoretical and methodological tools to the analysis of video games, and second, how are these theories and methods in turn affected by the games? The eighteen essays offer exemplary approaches to video games from the perspective of American cultural and historical studies as they consider a broad variety of topics: the US-American games industry, Puritan rhetoric, cultural geography, mobility and race, urbanity and space, digital sports, ludic textuality, survival horror and the eighteenth-century novel, gamer culture and neoliberalism, terrorism and agency, algorithm culture, glitches, theme parks, historical guilt, visual art, sonic meaning-making, and nonverbal gameplay
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Amsterdam :Amsterdam University Press,
    ISBN: 90-485-2870-4
    Language: English
    Pages: 1 online resource (341 pages)
    Series Statement: Televisual culture
    Series Statement: Televisual culture
    DDC: 303.484
    RVK:
    Keywords: Popular culture.
    Abstract: This volume introduces a new concept that boldly breaks through the traditional dichotomy of high and low culture while offering a fresh approach to both: unpopular culture. From the works of David Foster Wallace and Ernest Hemingway to fanfiction and The Simpsons, from natural disasters to 9/11 and beyond, the essays find the unpopular across media and genres, analysing the politics and aesthetics of a side to culture that has been overlooked by previous theories and methods in cultural studies.
    Note: Includes index. , Front matter -- , Table of Contents -- , Introduction / , Why We Talk the Talk We Talk / , Big Fish / , How (Not) to Make People Like You / , Dissenting Commodities / , Secrets, Lies and The Real Housewives / , Karaoke Americanism Gangnam Style / , 'When order is lost, time spits' / , 'Famous in a Small Town' The Authenticity of Unpopularity in Contemporary Country Music / , Making Christianity Cool / , Listening to Bad Music / , Hipster Black Metal? / , Unpopular Culture and the American Reception of Tinariwen / , Cultural Studies and the Un/Popular / , Unpopular Sport Teams and the Social Psychology of 'Anti-Fans' / , The Unpopular Profession? / , Contributors -- , Index , In English.
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  • 3
    Online Resource
    Online Resource
    New York : JSTOR
    ISBN: 9789048528707 , 9048528704 , 9789089649669 , 9089649662
    Language: English
    Pages: 1 Online-Ressource (341 Seiten)
    Series Statement: Televisual culture
    DDC: 306
    Keywords: Popular culture ; Film theory & criticism ; POLITICAL SCIENCE Public Policy ; Cultural Policy ; SOCIAL SCIENCE Anthropology ; Cultural ; SOCIAL SCIENCE Popular Culture ; SOCIAL SCIENCE General ; Popular culture
    Abstract: This volume introduces a new concept that boldly breaks through the traditional dichotomy of high and low culture while offering a fresh approach to both: unpopular culture. From the works of David Foster Wallace and Ernest Hemingway to fanfiction and The Simpsons, from natural disasters to 9/11 and beyond, the essays find the unpopular across media and genres, analysing the politics and aesthetics of a side to culture that has been overlooked by previous theories and methods in cultural studies.
    Abstract: This collection includes eighteen essays that introduce the concept of unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey and fan fiction, from Christian Rock and Country to Black Metal, from Steven Seagal to Genesis (Breyer) P-Orridge, from The Simpsons to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies.
    Note: Includes bibliographical references and index
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  • 4
    ISBN: 9783830997566
    Language: English
    Pages: 1 Online-Ressource (250 p.)
    Edition: 1st ed.
    Series Statement: Populäre Kultur und Musik 40
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    Abstract: The essay collection Americana poses the basic question of how American music can be described and analyzed as such, as American music. Situated at the intersection between musicology and American Studies, the essays focus on the categories of aesthetics, authenticity, and performance in order to show how popular music is made American—from Alaskan Hip Hop to German Schlager, from Creedence Clearwater Revival to film scores, from popular opera to U2, from the Rolling Stones to Country Rap, and from Steve Earle to the Trans Chorus of Los Angeles.
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  • 5
    ISBN: 9783846755907
    Language: English
    Pages: 1 Online-Ressource (1 online resource)
    Series Statement: Anfänge
    Series Statement: Schöningh, Fink and mentis Religious Studies, Theology and Philosophy E-Books Online, Collection 2013-2017, ISBN: 9783657100095
    Parallel Title: Erscheint auch als Gründungsorte der Moderne
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    Keywords: Art centers ; Centers for the performing arts ; Central places ; Cities and towns ; Konferenzschrift 2012 ; Konferenzschrift 2012 ; Konferenzschrift 2012 ; Moderne ; Ort ; Anfang ; Geschichte ; Stadt ; Ort ; Gründung ; Literatur ; Geschichte
    Abstract: Preliminary Material /Maha El Hissy and Sascha Pöhlmann -- Gründungsorte der Moderne – Versuch einer Hinführung /Bernhard Teuber -- Gründungsorte auf einen Blick /Sascha Pöhlmann and Maha El Hissy -- Gründungsorte und besetzte Räume /W. J. T. Mitchell -- Die Erfindung Sankt Petersburgs: Gründungsmythen und ihre Metamorphosen /Aage A. Hansen-Löve -- Schnittstelle und Trümmerstätte: Jerusalem als Gründungsort bei Leopold Kompert und Heinrich Heine /Doerte Bischoff -- Wolkenkuckucksheim. Ein theatraler Gründungsort in Antike und Moderne /Julia Stenzel -- Walt Whitmans unfertige Stadt: Washington, D.C. als Anfangsort /Sascha Pöhlmann -- Der Mythos Südsee. Koloniale Ursprungsphantasien und gescheiterte Gründungen im Fin de Siècle /Maha El Hissy -- Künstlerkolonien. Gründungsorte im Abseits der Moderne /Matthias Krüger -- Wanderlust Das Gehen als paradoxer Gründungsort der Moderne /Klaus Benesch -- Macchu Picchu: Pablo Nerudas Aufstieg zum wahren Tod und die (Be-)Zeugung des amerikanischen Grundes /André Otto -- Kryptische Gründung. Die Aushöhlung des Grundes und Maurice Blanchots literarische Krypta /Martina Bengert -- Zum Tlön’schen Fundament /Victor Andrés Ferretti -- Der Renaissancehumanismus und die Idee einer „humanen Architektur“. Florenz als Gründungsort in der Architekturgeschichte seit dem Zweiten Weltkrieg /Dietrich Erben -- Komplexe Figur auf dichtem Grund: Baltimore in The Wire /Julika Griem -- Verzeichnis der Autorinnen und Autoren /Maha El Hissy and Sascha Pöhlmann.
    Abstract: Was ist ein Gründungsort? Wie werden solche Orte gemacht und gepflegt? Was für Geschichten werden mit ihnen erzählbar und für wen? Welche Widerstände oder Widersprüche fordern sie heraus? Der Band präsentiert die Ergebnisse des internationalen Abschlusssymposiums der Forschergruppe »Anfänge (in) der Moderne« an der LMU München. Die Beiträge befassen sich mit fiktiven wie realen Gründungsorten des 19. bis 21. Jahrhunderts. Ob St. Petersburg, Jerusalem, Washington/D.C. und Florenz oder die Künstlerkolonien in der Bretagne, die Inseln der Südsee und die Occupy-Camps oder aber auch Tlön, Wolkenkuckucksheim und der literarische Spaziergang – die Anfänge sind so vielfältig wie die Orte, an denen sie stattfinden. Die Autoren betrachten diese gemeinsame Konstruktion von Anfang und Ort in verschiedenen Medien in Hinblick auf ihre symbolische, politische, historische, kulturelle und ästhetische Bedeutung
    URL: DOI
    URL: DOI
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  • 6
    Book
    Book
    Amsterdam : Amsterdam University Press
    ISBN: 9789089649669
    Language: English
    Pages: 339 Seiten , 1 Diagramm , 25 cm
    Series Statement: Televisual culture
    Parallel Title: Erscheint auch als
    DDC: 303.484
    RVK:
    Keywords: Massenkultur ; Nonkonformismus ; Culture ; Dissenters, Artistic ; Popular culture ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Massenkultur ; Nonkonformismus
    Abstract: This collection includes eighteen essays that introduce the concept of unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey and fan fiction, from Christian Rock and Country to Black Metal, from Steven Seagal to Genesis (Breyer) P-Orridge, from The Simpsons to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies
    Note: Erscheint auch als Open Access bei De Gruyter
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 7
    ISBN: 9789048528707 , 9048528704 , 9789089649669 , 9089649662
    Language: English
    Pages: 1 Online-Ressource (341 pages)
    Series Statement: Televisual culture
    Parallel Title: Erscheint auch als Lüthe, Martin Unpopular Culture
    Keywords: Popular culture ; Film theory & criticism ; POLITICAL SCIENCE ; Public Policy ; Cultural Policy ; SOCIAL SCIENCE ; Anthropology ; Cultural ; SOCIAL SCIENCE ; Popular Culture ; SOCIAL SCIENCE / General ; Popular culture ; Electronic books
    Abstract: Cover; Table of Contents; Introduction; What is Unpopular Culture?; Martin Lüthe & Sascha Pöhlmann; Why We Talk the Talk We Talk; On the Emptiness of Terms, the Processual Un/Popular, and Benefits of Distinction-Some Auto-Ethnographical Remarks; Martin Butler; Big Fish; On the Relative Popularity of Zane Grey and Ernest Hemingway1; Dominika Ferens; How (Not) to Make People Like You; The Anti-Popular Art of David Foster Wallace; James Dorson; Dissenting Commodities; Negotiations of (Un)popularity in Publications Critical of Post-9/11 U.S.-America; Elizabeth Kovach.
    Abstract: Deafheaven's Sunbather and the Evolution of an (Un)popular GenrePaola Ferrero; Unpopular Culture and the American Reception of Tinariwen; Barry Shank; Cultural Studies and the Un/Popular; How the Ass-Kicking Work of Steven Seagal May Wrist-Break Our Paradigms of Culture; Dietmar Meinel; Unpopular Sport Teams and the Social Psychology of 'Anti-Fans'; Karsten Senkbeil; Popular, Unpopular; When First World War Museums Meet Facebook; Catherine Bouko; Unpopular American Natural Calamities and the Selectivity of Disaster Memory; Susanne Leikam; The Unpopular Profession?
    Abstract: Graduate Studies in the Humanities and the Genre of the 'Thesis Hatement'Sebastian M. Herrmann; Contributors; Index.
    Abstract: Secrets, Lies and The Real HousewivesThe Death of an (Un)Popular Genre; Dan Udy; Karaoke Americanism Gangnam Style; K-pop, Wonder Girls, and the Asian Unpopular; Jeroen de Kloet and Jaap Kooijman; 'When order is lost, time spits'; The Abject Unpopular Art of Genesis (Breyer) P-Orridge; Florian Zappe; 'Famous in a Small Town'; The Authenticity of Unpopularity in Contemporary Country Music1; Christian Schmidt; Making Christianity Cool; Christian Pop Music's Quest for Popularity; Bärbel Harju; Listening to Bad Music; White Power and (Un)Popular Culture; C. Richard King; Hipster Black Metal?
    Abstract: This collection includes eighteen essays that introduce the concept of unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey and fan fiction, from Christian Rock and Country to Black Metal, from Steven Seagal to Genesis (Breyer) P-Orridge, from The Simpsons to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies
    Abstract: This volume introduces a new concept that boldly breaks through the traditional dichotomy of high and low culture while offering a fresh approach to both: unpopular culture. From the works of David Foster Wallace and Ernest Hemingway to fanfiction and The Simpsons, from natural disasters to 9/11 and beyond, the essays find the unpopular across media and genres, analysing the politics and aesthetics of a side to culture that has been overlooked by previous theories and methods in cultural studies
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    Online Resource
    Online Resource
    Heidelberg : Universitätsverlag Winter
    ISBN: 9783825375164
    Language: English
    Pages: 1 Online-Ressource (421 pages)
    Series Statement: Publikationen der Bayerischen Amerika-Akademie v. 16
    Series Statement: Publications of the Bavarian American Academy
    Parallel Title: Erscheint auch als Banita, Georgiana Electoral Cultures : American Democracy and Choice
    DDC: 303.3
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    Keywords: Democracy ; Political culture ; Democracy ; Political culture ; Politics and government ; United States Politics and government ; United States ; Online-Publikation
    Abstract: Acknowledgements; Table of Contents; Georgiana Banita and Sascha Pöhlmann Life, Liberty, and the Pursuit of the Presidency: Elections and American Culture; Suffrage and Disenfranchisement; Manfred Berg -- From White Supremacy to the White House: Racial Disfranchisement, Party Politics, and Black Political Integration; Volker Depkat -- African Americans Voting: Visual Narratives of the Reconstruction Period; Sascha Pöhlmann -- Vote With a Bullet: The Aesthetics of Assassination in Stephen King's The Dead Zone and ""11/22/63""
    Abstract: Georgiana Banita -- Voting for American Energy: Elections, Oil, and US CultureVoting, Campaigning, and Electability; Michael Hochgeschwender -- The Rise and Decline of the American Catholic Vote; Georg Schild -- Lincoln the Campaigner: The Issue of Slavery in Election Campaigns of the 1850s; Andrew Gross -- Goldwater's Phoenix: Emerging from the Ashes of an Unsuccessful Presidential Campaign; Gerd Hurm -- A Crisis of Rhetoric? 2012 Campaign Speeches and the Dilemma of American Exceptionalism; Mediating Choice: Visibility, Performance, Race.
    Abstract: Diana Owen -- The Political Culture of American Presidential Elections: A Media PerspectiveAndreas Etges -- "A Great Box-Office Actor": John F. Kennedy, Television, and the 1960 Presidential Election; Reingard M. Nischik and Gabriele Metzler -- Culture and Charisma: The 2008 Presidential Election; Sabine Sielke -- The Blackening of Barack Obama and the Browning of America, or: How Race and Ethnicity Mattered in the 2012 Presidential Race; Symbolism and Narrative; Brendon O'Connor -- Buying into American Dreams: US Presidential Elections, Exceptionalism, and Global Power.
    Abstract: Karsten Fitz -- Crafting the Presidential Story: The Electoral Narrative in Recent Presidential CampaignsSebastian M. Herrmann -- "To Tell a Story to the American People": Elections, Postmodernism, and Popular Narratology; Greta Olson -- Confessing Self, Confessing Nation: Life Narratives in the 2012 Presidential Election; Sabrina Hüttner -- "Stay in Control of Your Narrative, If You Let the Other Guys Define You": Hockey Moms, Hawks, and Heroes on the (Political) Stage; Antje Dallmann -- Absences and Presences: Campaigns, Candidates, and Voters in American Film; Contributors.
    Abstract: Presidential elections are essential to US culture, shaping the nation's stability and global influence. This volume is the first to establish an interdisciplinary platform for a broad investigation of election mechanics and legacies. Historians, political scientists, literary scholars, and cultural theorists shed light on the narratives of election successes and failures. Beginning with the struggle for voting rights and extending to current representations of candidates and campaigns, Electoral Cultures examines elections as complex cultural phenomena. Analyzing political processes and perso
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  • 9
    Online Resource
    Online Resource
    Heidelberg : Universitätsverlag Winter
    ISBN: 9783825364571
    Language: English
    Pages: Online-Ressource (421 p)
    Series Statement: Publikationen der Bayerischen Amerika-Akademie / Publications of the Bavarian American Academy v.16
    Series Statement: Publikationen der Bayerischen Amerika-Akademie / Publications of the Bavarian American Academy v.16
    Parallel Title: Print version Electoral Cultures : American Democracy and Choice
    DDC: 303.3
    Keywords: Democracy -- United States ; Political culture -- United States ; United States -- Politics and government ; Electronic books ; Electronic books
    Abstract: Presidential elections are essential to US culture, shaping the nation's stability and global influence. This volume is the first to establish an interdisciplinary platform for a broad investigation of election mechanics and legacies. Historians, political scientists, literary scholars, and cultural theorists shed light on the narratives of election successes and failures. Beginning with the struggle for voting rights and extending to current representations of candidates and campaigns, Electoral Cultures examines elections as complex cultural phenomena. Analyzing political processes and perso
    Description / Table of Contents: Acknowledgements; Table of Contents; Georgiana Banita and Sascha Pöhlmann Life, Liberty, and the Pursuit of the Presidency: Elections and American Culture; Suffrage and Disenfranchisement; Manfred Berg - From White Supremacy to the White House: Racial Disfranchisement, Party Politics, and Black Political Integration; Volker Depkat - African Americans Voting: Visual Narratives of the Reconstruction Period; Sascha Pöhlmann - Vote With a Bullet: The Aesthetics of Assassination in Stephen King's The Dead Zone and ""11/22/63""
    Description / Table of Contents: Georgiana Banita - Voting for American Energy: Elections, Oil, and US CultureVoting, Campaigning, and Electability; Michael Hochgeschwender - The Rise and Decline of the American Catholic Vote; Georg Schild - Lincoln the Campaigner: The Issue of Slavery in Election Campaigns of the 1850s; Andrew Gross - Goldwater's Phoenix: Emerging from the Ashes of an Unsuccessful Presidential Campaign; Gerd Hurm - A Crisis of Rhetoric? 2012 Campaign Speeches and the Dilemma of American Exceptionalism; Mediating Choice: Visibility, Performance, Race
    Description / Table of Contents: Diana Owen - The Political Culture of American Presidential Elections: A Media PerspectiveAndreas Etges - "A Great Box-Office Actor": John F. Kennedy, Television, and the 1960 Presidential Election; Reingard M. Nischik and Gabriele Metzler - Culture and Charisma: The 2008 Presidential Election; Sabine Sielke - The Blackening of Barack Obama and the Browning of America, or: How Race and Ethnicity Mattered in the 2012 Presidential Race; Symbolism and Narrative; Brendon O'Connor - Buying into American Dreams: US Presidential Elections, Exceptionalism, and Global Power
    Description / Table of Contents: Karsten Fitz - Crafting the Presidential Story: The Electoral Narrative in Recent Presidential CampaignsSebastian M. Herrmann - "To Tell a Story to the American People": Elections, Postmodernism, and Popular Narratology; Greta Olson - Confessing Self, Confessing Nation: Life Narratives in the 2012 Presidential Election; Sabrina Hüttner - "Stay in Control of Your Narrative, If You Let the Other Guys Define You": Hockey Moms, Hawks, and Heroes on the (Political) Stage; Antje Dallmann - Absences and Presences: Campaigns, Candidates, and Voters in American Film; Contributors
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
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  • 10
    ISBN: 9783770555901
    Language: German , English
    Pages: 294 S. , Ill.
    Series Statement: Anfänge
    Parallel Title: Erscheint auch als Gründungsorte der Moderne
    DDC: 306.4
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    Keywords: Konferenzschrift 2012 ; Konferenzschrift 2012 ; Konferenzschrift 2012 ; Konferenzschrift 2012 ; Konferenzschrift 2012 ; Konferenzschrift 2012 ; Konferenzschrift 2012 ; Moderne ; Ort ; Anfang ; Geschichte ; Stadt ; Ort ; Gründung ; Literatur ; Geschichte
    Note: Literaturangaben , Text überw. dt., teilw. engl.
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