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  • BVB  (643)
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  • Musicology  (643)
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Years
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Publisher
Keywords
Subjects(RVK)
  • 1
    Book
    Book
    Jazz and American culture (2024)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
    DDC: 781.650973
    RVK:
    LS 48200
    RVK:
    HU 1121
    RVK:
    HU 1520
    RVK:
    HU 1691
    RVK:
    HV 11400
    RVK:
    HV 15200
    RVK:
    HV 17000
    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
    URL: Inhaltsverzeichnis
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    Book
    München BSB
    Regensburg UB
    BVB
  • 2
    Online Resource
    Online Resource
    Cool. : Jazz als Gegenkultur im westlichen Nachkriegsdeutschland (2024)
    München : edition text + kritik
    Details
    ISBN: 9783967079166
    Language: German
    Pages: 1 Online-Ressource (442 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Braese, Stephan, 1961 - Cool.
    RVK:
    LS 48100
    Keywords: Kulturgeschichte ; Gegenkultur ; Musikgeschichte ; Jazz ; Geschichte des Jazz ; American Cool ; Deutschland ; Deutschland ; Jazz ; Geschichte 1945-1969
    Abstract: Jazz übte eine eminente kulturelle Wirkung auf zahlreiche Sphären der neuen Öffentlichkeit Deutschlands nach der Befreiung 1945 aus und wurde zum Ausdruck eines komplexen Zeit- und Lebensgefühls, das weit über Liebhaberkreise hinaus Einfluss auch auf Literatur und Film, Debatten und Diskurse genommen hat. Das Buch zeigt in konzisen Lektüren der unterschiedlichsten Zeugnisse – von Fan-Zines und Leserbriefen über Essays und Sachliteratur, Romane, Hörspiele und Filme bis zu Zeitschriften wie "twen" oder mündlichen Überlieferungen aus der "Exi"-Jugendszene –, in welchem Maß Jazz durch seine enge Verknüpfung mit der radikal kritischen, dabei zugleich 'zurückgenommenen' Haltung des amerikanischen Cool gegenkulturelle Virulenz zum restaurativen Geist der Adenauer-Ära entfaltet hat. Zugleich wird deutlich, dass diese Virulenz durch die besonderen Bedingungen im Westdeutschland der Nachkriegsjahre spezifisch aufgerufen wurde. Zu diesen gerade an diesem Ort relevanten, letztlich unvermeidlichen Bedeutungsfeldern gerieten vor allem die Frage nach dem Rassismus, die Frage nach der nationalen 'Identität' und schließlich die Revision des Verhältnisses von Ethik und Ästhetik durch eine radikale Ausdruckskultur. Jazz wird erkennbar als genuiner Ausdruck eines zutiefst skeptischen Lebensgefühls – bis die charakteristische Haltung des Cool durch die des lautstarken und aktivistischen Protestes einschließlich der sie begleitenden neuen musikalischen Soundtracks abgelöst wurde.
    DOI: 10.5771/9783967079166
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.5771/9783967079166
    URL: https://www.nomos-elibrary.de/10.5771/9783967079166/cool-jazz-als-gegenkultur-im-westlichen-nachkriegsdeutschland
    URL: Inhaltsverzeichnis
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    Online Resource
    BSZ
    HeBIS
    BVB
  • 3
    Book
    Book
    Cool : Jazz als Gegenkultur im westlichen Nachkriegsdeutschland (2024)
    München : edition text + kritik
    Details
    ISBN: 9783967079159
    Language: German
    Pages: 442 Seiten , Illustrationen
    DDC: 780
    RVK:
    LS 48100
    Keywords: Geschichte 1945-1970 ; Jazz ; Deutschland ; Jazz ; Geschichte des Jazz ; Musikgeschichte ; Gegenkultur ; American Cool ; Kulturgeschichte ; Deutschland ; Jazz ; Geschichte 1945-1970
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    HU Berlin
    München BSB
    München UB
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
  • 4
    Book
    Book
    From St. Petersburg to Vienna : the New Jewish School in music (1908-1938) as part of the Jewish cultural renaissance (2024)
    Wiesbaden : Harrassowitz Verlag
    Details
    ISBN: 9783447111058
    Language: English
    Pages: XIX, 475 Seiten , Illustrationen
    Series Statement: Jüdische Musik Band 17
    Series Statement: Jüdische Musik
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    LS 33120
    Keywords: Cultural Studies ; East European Studies ; Folkore Studies ; History ; Jewish Studies ; Klezmer ; Musicology ; Religious Studies
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Book
    HU Berlin
    Würzburg UB
    Regensburg UB
    KOBV
    BVB
  • 5
    Book
    Book
    Punk revolution! : an oral history of punk rock politics and activism (2023)
    Lanham ; Boulder ; New York ; London :Rowman & Littlefield,
    Details
    ISBN: 978-1-5381-7172-1
    Language: English
    Pages: xviii, 357 Seiten : , Illustrationen, Porträts ; , 24 cm.
    Parallel Title: Erscheint auch als
    DDC: 306.48426
    RVK:
    LB 42000
    RVK:
    LC 86000
    RVK:
    LS 48645
    RVK:
    MS 2350
    Keywords: Geschichte 1970-2022 ; Punk rock music / Political aspects / History ; Punk rock musicians / Interviews ; Punk rock musicians ; Punk Rock. ; Rockmusiker. ; Rockmusikerin. ; Politischer Protest. ; Aktivismus. ; Soziale Bewegung. ; Interview ; History ; Interviews ; Oral histories ; Interview ; Interview ; Interview ; Punk Rock ; Rockmusiker ; Rockmusikerin ; Politischer Protest ; Aktivismus ; Soziale Bewegung ; Geschichte 1970-2022
    Abstract: "This is the most wide-ranging and provocative look at punk rock as a social change movement over the past forty-five years, told through first-hand accounts of roughly 250 musicians and activists. John Malkin brings together punk's most famous figures as well as underground voices, creating a new and insightful history of punk throughout the ages"--
    Description / Table of Contents: Introduction. What You Think Changes How You Act -- Acknowledgments & Gratitude -- Mixing Punk & Politics : Common Ground For The Revolution -- Do It Yourself : DIY Together -- We Are All Pussy Riot : Punk On The Frontlines, Russia To Myanmar, China To Mexico -- East Berlin Punk : Clandestine Concerts Behind The Berlin Wall -- Music Is That Powerful Tool : Blackfire Navajo Punks -- Tijuana No! : Latin Punk Rock From Peru To Mexico To East L.A. -- Pansy Division : Out Of The Closet Into The Slampit -- Positive Force : Mark Andersen And Fugazi In Washington D.C. -- Fight War Not Wars : Punk Rock, Militarism, And War -- Just Another Gulf War : Punk, U.S. Wars In Iraq And Afghanistan, And 9/ -- America! Fuck Yeah! : Punks Perform For U.S. Soldiers -- Nazi Trumps Fuck Off! : Punk In The Trump Era -- I Am An Anarchist : Anti-Authoritarian Soundtrack -- To Hell With Poverty : Capitalism And Class In Punk Rock -- White Riot : Race And Anti-Racism In Punk -- Equal But Different : Gender & Feminism In Punk -- The Revolution Is Personal : Politics With A Small "P" -- The Revolution Will Be Commodified -- Burn Punk London : Joe Corre' And Extinction Rebellion -- How Revolutionary Has Punk Rock Been? -- Where Is The Revolution Now?
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Book
    HU Berlin
    München BSB
    KOBV
    HeBIS
    BVB
  • 6
    Musical Score
    Musical Score
    Reform, notation and Ottoman music in early 19th century Istanbul : Euterpe (2023)
    New York ; London : Routledge
    Details
    ISBN: 9781032413846 , 9781032413853
    Language: English
    Pages: XIII, 282 Seiten , Illustrationen, Notenbeispiele , 23 cm
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
    RVK:
    LS 36060
    Keywords: Geschichte 1700-1900 ; Maqām ; Sammlung ; Lied ; Quelle ; Reform ; Notenschrift ; Osmanisches Reich ; Istanbul ; Türkei ; Euterpe / (1830) ; Songs, Turkish / Turkey / Istanbul / 19th century / History and criticism ; Songs, Greek / Turkey / Istanbul / 19th century / History and criticism ; Songs, Turkish / Turkey / Analysis, appreciation ; Songs, Greek / Turkey / Analysis, appreciation ; Maqām / Turkey / 19th century / History and criticism ; Musical notation / Turkey / History / 19th century ; Music / Turkey / Western influences ; Turkey / History / Ottoman Empire, 1288-1918 ; Songs, Turkish / Turkey / Istanbul ; Songs, Greek / Turkey / Istanbul ; Euterpe (Foggia, Italy) ; Maqām ; Music / Western influences ; Musical notation ; Songs, Greek ; Songs, Turkish ; Turkey ; Turkey / Istanbul ; 1288-1918 ; Criticism, interpretation, etc ; History ; Scores ; Songs ; Songs ; Scores ; Quelle ; Kommentar ; Quelle ; Kommentar ; Türkei ; Istanbul ; Osmanisches Reich ; Maqām ; Lied ; Sammlung ; Quelle ; Notenschrift ; Reform ; Geschichte 1700-1900
    Abstract: "Reform, Notation and Ottoman music in Early 19th Century Istanbul presents the first complete set of transcription and edition of Euterpe (1830) from Byzantine neumatic notation into the modified staff notation used by classical Turkish music and is accompanied by a substantial examination of the related historical, theoretical and musical topics. Through a series of Ottoman/Turkish classical vocal music compositions that can be dated to 18th and 19th centuries, Euterpe and related sources reinforce a much broader picture of musical practice and transmission in which we clearly see that the Greek and Turkish traditions are linked. Reform, Notation and Ottoman music in Early 19th Century Istanbul is presented in two parts: historical discussion and musical analysis, and complete transcription and edition of Euterpe. This book will appeal to music scholars and university students interested in minorities, cosmopolitanism in the Middle East and Balkans, the relationship between music and national identity, musical notation, classical Ottoman/Turkish music, Byzantine music, and, most significantly, ethnomusicology"--
    Description / Table of Contents: Part I. Historical Discussion and Musical Analysis. Euterpe in an Ottoman context ; Makam, Usul, Repertoire and Style in Euterpe -- Part II. Transcription and Edition of Euterpe. Methodology ; Edition
    Note: Critical report in English; songs with words in Turkish or Greek
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Musical Score
    München BSB
    Würzburg UB
    BVB
  • 7
    Book
    Book
    Entangled entertainers : Jews and popular culture in Fin-de-Siècle Vienna (2023)
    New York ; Oxford : Berghahn
    Details
    ISBN: 9781800737259 , 9781789200300
    Language: English
    Pages: 186 Seiten
    Series Statement: Austrian and Habsburg studies volume 24
    Series Statement: Austrian and Habsburg studies
    Parallel Title: Erscheint auch als
    RVK:
    LC 86160
    RVK:
    LB 46160
    RVK:
    LQ 81106
    Keywords: Geschichte 1890-1910 ; Varieté ; Volkssänger ; Juden ; Wien ; Jews / Austria / Vienna / History / 19th century ; Jews / Austria / Vienna / Identity ; Jews / Cultural assimilation / Austria / Vienna ; Vienna (Austria) / Social conditions / 19th century ; Vienna (Austria) / Ethnic relations ; Ethnic relations ; Jews ; Jews / Cultural assimilation ; Jews / Identity ; Social conditions ; Austria / Vienna ; 1800-1899 ; History ; Wien ; Juden ; Volkssänger ; Varieté ; Geschichte 1890-1910
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Book
    BVB
  • 8
    Book
    Book
    Disaster songs as intangible memorials in Atlantic Canada (2023)
    New York ; London : Routledge
    Details
    ISBN: 9781032111209 , 9781032111230 , 9781032431147
    Language: English
    Pages: xvi, 218 Seiten
    Series Statement: SOAS studies in music
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    RVK:
    LS 21140
    Keywords: Geschichte 1980- ; Gedenken ; Lied ; Katastrophe ; Kanada ; Maritime Provinzen ; Disasters / Atlantic Provinces / Songs and music / History and criticism ; Memorialization / Atlantic Provinces / History ; Canada ; Disasters / Songs and music ; Memorialization ; Canada / Atlantic Provinces ; Criticism, interpretation, etc ; History ; Kanada ; Maritime Provinzen ; Lied ; Katastrophe ; Gedenken ; Geschichte 1980-
    Abstract: "Disaster Songs as Intangible Memorials in Atlantic Canada draws on a collection of over 500 Atlantic Canadian songs relating to disasters from 1891 up until the present, and describes the characteristics that define them as intangible memorials. The book demonstrates the relationship between vernacular memorials - informal memorials collectively and spontaneously created from objects and notes by the general public - and disaster songs. Author identifies the features that define vernacular memorials, and applies them to disaster songs: spontaneity; ephemerality; importance of place; motivations and meaning-making; content, as well as the role of media in inspiring and disseminating memorials and songs"--
    Description / Table of Contents: Preface. Come All Ye -- Introduction -- Formal Memorials, Vernacular Memorials, and Disaster Songs -- Going Down in History : The Story of Disaster Songs -- Locating Meaning : The Place of Disasters in Songs -- Spontaneity & Ephemerality : The Timing of Memorialization -- Social Significance : The Motivation to Create Disaster Songs -- Personal Motivations : Relationships & Grief -- News & Social Media : Inspiring, Informing, and Disseminating Disaster Songs -- Conclusion
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    Book
    München BSB
    Würzburg UB
    BVB
  • 9
    Book
    Book
    Music and musicians in the medieval Islamicate world : a social history (2023)
    London ; New York ; Oxford ; New Delhi ; Sydney : I.B. Tauris
    Details
    ISBN: 9780755641819
    Language: English
    Pages: 284 Seiten
    Edition: Paperback edition
    Series Statement: The early and medieval Islamic world
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 34120
    Keywords: Geschichte 800-1400 ; Musikleben ; Islam ; Musik ; Musiker ; Naher Osten ; Music / Islamic countries / History / To 1500 ; Musicians / Islamic countries / History / To 1500 ; Musicology / Islamic countries ; Islamic countries / Social conditions ; Music ; Musicians ; Musicology ; Social conditions ; Islamic countries ; To 1500 ; History ; Naher Osten ; Islam ; Musik ; Geschichte 800-1400 ; Naher Osten ; Islam ; Musikleben ; Musiker
    Abstract: "During the early medieval Islamicate period (800-1400 CE), discourses concerned with music and musicians were wide-ranging and contentious, and expressed in works on music theory and philosophy as well as literature and poetry. But in spite of attempts by influential scholars and political leaders to limit or control musical expression, music and sound permeated all layers of the social structure. Lisa Nielson here presents a rich social history of music, musicianship and the role of musicians in the early Islamicate era. Focusing primarily on Damascus, Baghdad and Jerusalem, Lisa Nielson draws on a wide variety of textual sources written for and about musicians and their professional/private environments -- including chronicles, literary sources, memoirs and musical treatises -- as well as the disciplinary approaches of musicology to offer insights into musical performances and the lives of musicians. In the process, the book sheds light onto the dynamics of medieval Islamicate courts, as well as how slavery, gender, status and religion intersected with music in courtly life. It will appeal to scholars of the Islamicate world and historical musicologists."--
    Note: Literaturverzeichnis Seite [255]-271
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    München UB
    BVB
  • 10
    Book
    Book
    The Cambridge companion to K-pop (2023)
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    Details
    ISBN: 9781108837057 , 9781108940030
    Language: English
    Pages: xv, 295 Seiten
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    RVK:
    LQ 94008
    RVK:
    LS 48060
    Keywords: Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Music and transnationalism ; Popular music ; Sound recording industry ; Korea (South) ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; K-Pop ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte
    Abstract: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Description / Table of Contents: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    Regensburg UB
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    BVB
  • 11
    Online Resource
    Online Resource
    Atemlos zum Erfolg : Gender, Frauenbild und Entwicklungstendenzen im deutschen Schlager (2023)
    Baden-Baden : Rombach Wissenschaft
    Details
    ISBN: 9783968219295
    Language: German
    Pages: 1 Online-Ressource (281 Seiten)
    Edition: 1. Auflage
    Series Statement: Die Gesellschaft der Musik Band 1
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Leipzig 2022
    RVK:
    LS 21420
    RVK:
    LR 56618
    RVK:
    LS 48615
    Keywords: Aufführung ; Social Media ; Frauenbild ; Schlager ; Deutschland ; Musikwissenschaft ; Popmusik ; Geschlecht ; Musikvideo ; Image ; Pop ; Schlager ; Bühnenshow ; Beatrice Egli ; Vanessa Mai ; Andrea Berg ; Helene Fischer ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Schlager ; Aufführung ; Social Media ; Frauenbild
    DOI: 10.5771/9783968219295
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    Online Resource
    München BSB
    München UB
    KOBV
    BVB
  • 12
    Book
    Book
    Atemlos zum Erfolg : Gender, Frauenbild und Entwicklungstendenzen im deutschen Schlager (2023)
    Baden-Baden : Rombach Wissenschaft
    Details
    ISBN: 9783968219288
    Language: German
    Pages: 281 Seiten , Illustrationen, Diagramme, Notenbeispiele , 22.4 cm x 15 cm
    Edition: 1. Auflage
    Series Statement: Rombach Wissenschaft. Die Gesellschaft der Musik Band 1
    Series Statement: Rombach Wissenschaft. Die Gesellschaft der Musik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Leipzig 2022
    DDC: 782.42164
    RVK:
    LR 56618
    RVK:
    LS 21420
    RVK:
    LS 48615
    Keywords: Aufführung ; Social Media ; Frauenbild ; Schlager ; Deutschland ; Popmusik ; Musikwissenschaft ; Schlager ; Geschlecht ; Image ; Musikvideo ; Pop ; Bühnenshow ; Beatrice Egli ; Vanessa Mai ; Andrea Berg ; Helene Fischer ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Schlager ; Aufführung ; Social Media ; Frauenbild ; Deutschland ; Schlager ; Social Media ; Frauenbild
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    Würzburg UB
    Regensburg UB
    KOBV
    BVB
    Bayreuth UB
  • 13
    Book
    Book
    Manchester unspun : pop, property and power in the original modern city (2023)
    Manchester : Manchester University Press
    Details
    ISBN: 9781526168450
    Language: English
    Pages: viii, 365 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 942.733085
    RVK:
    LQ 84407
    RVK:
    LS 48635
    Keywords: Geschichte 1979-2023 ; Stadtentwicklung ; Popkultur ; Sport ; Popmusik ; Manchester ; Popular culture / England / Manchester ; Popular music / England / Manchester ; Property / England / Manchester ; Soccer / England / Manchester ; Manchester (England) / History / 20th century ; Manchester (England) / History / 21st century ; Popular culture ; Popular music ; Property ; Soccer ; England / Manchester ; 1900-2099 ; History ; Manchester ; Popmusik ; Popkultur ; Sport ; Stadtentwicklung ; Geschichte 1979-2023
    Abstract: At the end of the 1970s, Manchester seemed to be sliding into the dustbin of history. Today the city is an international destination for culture and sport, and one of the fastest-growing urban regions in Europe. This book gives a first-hand account of what happened in between
    Note: Maps on lining paper
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Cover  (lizenzpflichtig)
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    HU Berlin
    München BSB
    KOBV
    BVB
  • 14
    Book
    Book
    Kälte-Pop : die Geschichte des erfolgreichsten deutschen Popmusik-Exports (2023)
    Berlin : De Gruyter Oldenbourg
    Details
    ISBN: 9783111245157 , 3111245152
    Language: German
    Pages: VI, 666 Seiten , Illustrationen , 23 cm x 15.5 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Potsdam 2022
    DDC: 781.640943
    RVK:
    LS 48015
    RVK:
    LS 48040
    Keywords: Ideal ; Einstürzende Neubauten ; Kraftwerk ; Deutsch Amerikanische Freundschaft ; Geschichte 1978-2023 ; Geschichte 1978-1983 ; Kälte ; Rockmusik ; Rezeption ; Neue deutsche Welle ; Kälte ; Popmusik ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Popmusik ; Kälte ; Rezeption ; Geschichte 1978-1983 ; Kraftwerk ; Deutsch Amerikanische Freundschaft ; Ideal ; Einstürzende Neubauten ; Rockmusik ; Kälte ; Deutschland ; Popmusik ; Kälte ; Neue deutsche Welle ; Rezeption ; Geschichte 1978-2023
    URL: https://www.degruyter.com/isbn/9783111245157
    URL: Inhaltsverzeichnis
    URL: https://www.degruyter.com/isbn/9783111245157
    URL: Inhaltsverzeichnis
    URL: https://www.degruyter.com/isbn/9783111245157
    URL: Inhaltsverzeichnis
    URL: https://www.degruyter.com/isbn/9783111245157
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  • 15
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    Heavy Metal und gesellschaftlicher Wandel : Sozialgeschichte einer Musikkultur in den langen 1980er Jahren (2023)
    Bielefeld : transcript
    Details
    ISBN: 9783837669411 , 3837669416
    Language: German
    Pages: 657 Seiten , Illustrationen , 24 cm x 15.5 cm, 1109 g
    Edition: [1. Auflage]
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    Dissertation note: Habilitationsschrift Friedrich-Schiller-Universität Jena 2023
    DDC: 781.66
    RVK:
    LS 48635
    Keywords: Geschichte 1977-1995 ; Heavy Metal ; Jugendkultur ; Sozialer Wandel ; Subkultur ; Wandel ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 16
    Online Resource
    Online Resource
    Heavy Metal und gesellschaftlicher Wandel : Sozialgeschichte einer Musikkultur in den langen 1980er Jahren (2023)
    [Erscheinungsort nicht ermittelbar] : transcript Verlag | Wiesbaden : divibib GmbH
    Details
    ISBN: 9783839469415
    Language: German
    Pages: 658 S.
    Series Statement: Onleihe. E-Book
    Series Statement: Studien zur Popularmusik ; 4
    DDC: 780
    RVK:
    LS 48635
    Keywords: Geschichte 1977-1995 ; Heavy Metal ; Jugendkultur ; Sozialer Wandel ; Subkultur ; Wandel ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: Heavy Metal ist eine soziale Kraft, die uns viel über den zeitgeschichtlichen Wandel verraten kann. Ursprünglich ein Phänomen der Arbeiterklasse, eroberte die Musikkultur seit den 1970er Jahren neue soziale Milieus, Regionen, Medien und Märkte. Heavy Metal wurde dabei nicht nur zum Lebensinhalt vieler Fans, sondern auch zur Erwerbsarbeit, zum musikalischen und kommerziellen Experimentierfeld sowie zum sozialen Abgrenzungsinstrument. Erstmals nimmt Marco Swiniartzki diese Entwicklungen auf Grundlage eines breiten Quellenfundaments unter die Lupe. Zahlreiche Interviews mit Musiker*innen geben einen Einblick in die 1980er Jahre und zeigen: Die Sozialgeschichte des Heavy Metal und der gesamtgesellschaftliche Wandel dieser Zeit gehen Hand in Hand.
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839469415
    URL: https://doi.org/10.1515/9783839469415?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9783839469415
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  • 17
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    Magnetizdat DDR : Magnetbanduntergrund Ost 1979-1990 (2023)
    Berlin : Verbrecher Verlag
    Show associated volumes/articles
    Details
    ISBN: 9783957324764 , 3957324769
    Language: German
    Pages: 462 Seiten , Illustrationen
    Edition: Erste Auflage
    DDC: 781.640943109048
    RVK:
    LS 48645
    RVK:
    NQ 7010
    RVK:
    AP 18250
    Keywords: Protestbewegung ; Opposition ; Gegenkultur ; Musik ; Frauenbewegung ; Aufsatzsammlung ; Interview ; Aufsatzsammlung ; Interview ; Aufsatzsammlung ; Interview ; Aufsatzsammlung ; Aufsatzsammlung ; Interview ; Aufsatzsammlung ; Interview ; Deutschland ; Popmusik ; Musikleben ; Underground ; Geschichte 1979-1990 ; Deutschland ; Musikleben ; Geschichte 1979-1990 ; Sachsen ; Musikleben ; Geschichte
    Abstract: Im letzten Jahrzehnt der DDR fanden Punk und seine experimentellen Verästelungen in Post-Punk, New Wave, Elektronischer Musik und Avantgarde-Rock und -Pop auch in dem stillen Land ihre Hörer. Wer hörte, wollte oft aber auch mehr: "Magnetizdat DDR" erzählt, wie aus Konsumenten schnell Produzenten wurden und DDR-weit eine sich selbst verlegende Kassettentäter-Szene entstand, der Magnetbanduntergrund. Ein Magnetizdat, in Ableitung von Samizdat und Tamizdat in der sowjetischen Gegenkultur. Hier wie dort, in Ost wie West, war dabei Multimedialität das Gebot der Stunde. Literaten ließen sich von Bands befeuern, Musiker entdeckten Barock- und Experimental-Lyrik, Super-8-Filmer und bildende Künstler griffen zum Mikrofon, international renommierte Projekte nahmen hier ihren Anfang.
    Note: Literaturverzeichnis: Seite 449-454 , Zeitgleich zu diesem Buch erscheint bei Iron Curtain Radio/Major Label die 3-LP-Edition "Magnetizdat DDR. Magnetbanduntergrund Ost 1979-1990"
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  • 18
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    Rap & Rassismus : zur Aushandlung von Rassismus in Musikvideos, (Szene-)Medien und Social Media (2023)
    Weinheim : Beltz Juventa
    Details
    ISBN: 9783779976202 , 377997620X
    Language: German
    Pages: 302 Seiten , Illustrationen , 23 cm x 15 cm
    Edition: 1. Auflage
    Series Statement: HipHop Studies
    Parallel Title: Erscheint auch als
    DDC: 306.4842490943
    RVK:
    AP 13800
    RVK:
    LC 87015
    RVK:
    LS 48650
    RVK:
    MS 2350
    RVK:
    MS 3530
    RVK:
    MS 8020
    Keywords: Jugendkultur ; Rap ; Rassismus ; Rassismus ; Musikvideo ; Social Media ; Deutschland
    Note: Literaturverzeichnis Seite 273-283
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    URL: https://d-nb.info/1285837177/04
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  • 19
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    HipHop im 21. Jahrhundert : Medialität, Tradierung, Gesellschaftskritik und Bildungsaspekte einer (Jugend-)Kultur (2022)
    Wiesbaden, Germany : Springer VS
    Details
    ISBN: 9783658365158 , 3658365153
    Language: German
    Pages: VII, 543 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 305.2350943
    RVK:
    LC 87015
    RVK:
    LS 48650
    Keywords: Geschichte 2000- ; Hip-Hop ; Deutschland ; Deutscher Rap/HipHop ; Empowerment/ Jugendkultur ; Gender/Geschlechtlichkeit ; Pädagogik/Musikpädagogik ; Migration/Postmigration ; HipHop Studies ; Hip-Hop pedagogy ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Hip-Hop ; Geschichte 2000-
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    URL: http://www.springer.com/
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  • 20
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    Rude citizenship : Jamaican popular music, copyright, and the reverberations of colonial power (2022)
    Chapel Hill : The University of North Carolina Press
    Details
    ISBN: 9781469667249 , 9781469667232
    Language: English
    Pages: 228 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48015
    RVK:
    LS 48700
    Keywords: Kooperation ; Musik ; Urheberrecht ; Jamaika ; Popular music / Jamaica / History and criticism ; Popular music / Social aspects / Jamaica / History ; Music trade / Jamaica ; Copyright / Music / Jamaica ; Music and race / Jamaica ; Musique populaire / Jamaïque / Histoire et critique ; Musique populaire / Aspect social / Jamaïque / Histoire ; Musique / Industrie / Jamaïque ; Droit d'auteur / Musique / Jamaïque ; Musique et race / Jamaïque ; Copyright / Music ; Music trade ; Popular music ; Popular music / Social aspects ; Jamaica ; Criticism, interpretation, etc ; History ; Jamaika ; Musik ; Kooperation ; Urheberrecht
    Abstract: "In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann reveals, goes beyond cultural concerns. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a postcolonial world, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization"--
    Description / Table of Contents: Introduction : Community originality and colonial copyright -- Voice of the people : Cultural survival as a musical imperative -- Every night it's something : Exilic authoritiy in the street dance -- Counteractions : Musical conversation against commodification -- Conclusion : New visions from old traditions : autonomy from the commons
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  • 21
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    Dann sind wir Helden : wie mit Popmusik über die Mauer hinweg deutsche Politik gemacht wurde (2022)
    Hamburg : Rowohlt
    Details
    Language: German
    Pages: 414 Seiten, 16 ungezählte Seiten , Illustrationen
    Edition: Originalausgabe, Sonderausgabe für die Zentralen für politische Bildung
    RVK:
    LS 48070
    RVK:
    NQ 6970
    Keywords: Geschichte 1960-1989 ; Musik ; Kulturaustausch ; Deutschland ; Deutschland ; Deutschland ; Deutschland ; Musik ; Kulturaustausch ; Geschichte 1960-1989
    Abstract: Der Kalte Krieg wurde kälter, der Kampf um die politisch-ideologische Lufthoheit zwischen Ost und West heftiger. Aber zugleich geschah in den späten 70ern und 80ern Erstaunliches. Der deutsch-deutsche Kulturaustausch geriet heftig in Bewegung - ausgerechnet in dem Bereich, der als besonders sensibel galt: der Pop- und Rockmusik. DDR-Bands wie City, Pankow und Puhdys wurden erstmals auf BRD-Tour geschickt, Karat traten bei "Wetten, dass...?" auf, ließen Hunderttausende von West-Mark nach Ost-Berlin fließen. Im Gegenzug durften Westkünstler wie Udo Lindenberg, Peter Maffay und Rio Reiser in der DDR spielen, rockten Die Toten Hosen semilegal in Ostkirchen. Es ging um Propaganda und Devisen, versteckte Botschaften, politische Manöver. Joachim Hentschel erzählt hier zum ersten Mal die ganze Geschichte dieser Zeit, spricht mit Zeitzeugen und beleuchtet die Hintergründe: Wer waren die Strippenzieher? Welche Rolle spielten Stasi, DDR-Kulturministerium und FDJ, westliche Plattenfirmen und Impresarios? Und wie viel trug der große Kulturhandel zur Wende von 1989 und zum Mauerfall bei?
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  • 22
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    Heavy Kraut : wie der Metal nach Deutschland kam (2022)
    Meine : Reiffer
    Details
    ISBN: 9783910335721 , 3910335721
    Language: German
    Pages: 299 Seiten , Illustrationen
    Additional Material: 1 Beilage
    Edition: 1. Auflage
    RVK:
    LS 48635
    Keywords: Geschichte 1970-1990 ; Hard Rock ; Heavy Metal ; Oral history ; Krautrock ; Deutschland ; Krautrock ; Hard Rock ; Heavy Metal ; Deutschland ; Krautrock ; Hard Rock ; Heavy Metal ; Oral history ; Geschichte 1970-1990
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  • 23
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    The Stone age : sixty years of the Rolling Stones (2022)
    New York, NY : Pegasus Books
    Details
    ISBN: 9781639362073
    Language: English
    Pages: 388 Seiten, 16 ungezählte Blätter Tafeln , Illustrationen, Porträts
    Edition: First Pegasus Books cloth edition
    Parallel Title: Erscheint auch als
    RVK:
    LS 48040
    RVK:
    LS 48635
    Keywords: The Rolling Stones ; Geschichte 1962-2022 ; Rolling Stones ; Rolling Stones / History ; Rock musicians / England / Biography ; Rolling Stones ; Rock musicians ; England ; Biographies ; History ; Biographies ; Biografie ; Biografie ; The Rolling Stones ; Geschichte 1962-2022
    Abstract: "An acclaimed rock and roll journalist evokes the legacy of The Rolling Stones--iconic, granitic, commercially unstoppable as a collective; and fascinating, contradictory, and occasionally disturbing as individuals. As Lesley-Ann Jones writes, the Rolling Stones are 'still roaming the globe like rusty tanks without a war to go to. Jumping, jacking, flashing, posturing, these septuagenarian caricatures with faces that might have been microwaved but coming on like eternal thirty-year-olds.' On 12th July 1962, the Rollin' Stones performed their first-ever gig at London's Marquee jazz club. Down the line, a 'g' was added, a spark was lit and their destiny was sealed. No going back. These five white British kids set out to play the music of black America. They honed a style that bled bluesy undertones into dark insinuations of women, sex, and drugs. Denounced as 'corruptors of youth' and 'messengers of the devil,' they created some of the most thrilling music ever recorded. Now their sound and attitude seem louder and more influential than ever. Elvis is dead and the Beatles are over, but Jagger and Richards bestride the world. The Stones may be gathering moss, but on they roll. Yet how did the ultimate anti-establishment misfits become the global brand we know today? Who were the casualties, and what are the forgotten legacies? Can the artist ever be truly divisible from the art? Lesley-Ann Jones's new history tracks this contradictory, disturbing, granitic and unstoppable band through hope, glory and exile, into the juggernaut years and beyond into rock's ongoing reckoning...where the Stones seem more at odds than ever with the values and heritage against which they have always rebelled. Good, bad, and often ugly, here are the Rolling Stones as never seen before"--
    Description / Table of Contents: Karma -- Joner -- Mick'n'keef -- Drum'n'bass -- Hustlers -- Heyday -- Reaction -- Marianne -- Anita -- Redlands -- Mouche -- Christopher Robin -- Altamont -- Exile -- Crisis -- Juggernaut -- Mandy -- Cliodhna -- Resonance -- So long -- Roots -- Out of timeline -- Stones women -- Chapter notes -- Quote, unquote -- Select bibliography -- Acknowledgements -- Index
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  • 24
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    The N-word in music : an American history (2022)
    Jefferson, North Carolina : McFarland & Company
    Details
    ISBN: 9781476687063
    Language: English
    Pages: ix, 257 Seiten
    DDC: 306.4/8420973
    RVK:
    LR 54607
    RVK:
    LC 87610
    Keywords: Popular music Social aspects ; History ; Slurs History ; Music and language History ; Music and race History ; African Americans in popular culture ; African American comedians ; MUSIC / History & Criticism ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies
    Abstract: The N-Word's Musical Contours -- Out of Music : The N-Word's Material, Environmental, and Social Contours -- John Lennon's N-Word Moment -- Interlude. Diverse Opinions -- Philosorock : John Lennon, Bob Dylan, and Other White Musicians Who Sing the N-Word -- Black Demystification, White Bewilderment : Transformation and Numbing in Black Comedy and Black Music -- Muhammad Ali, Rap, and That Word -- A Hip-Hop Icon -- A Sensible Rule : A Case Study -- Inviting Destruction Beyond the Music -- Conclusion. Welcome to the Conversation, Country Music.
    Abstract: "The minstrelsy play, song, and dance "Jump, Jim Crow" did more than enable blackface performers to spread racist stereotypes about Black Americans. This widespread antebellum-era cultural phenomenon was instrumental in normalizing the N-word across several aspects of American life. Material culture, sporting culture, consumer products, house-pets, carnival games and even geographic landmarks obtained the racial slur as a formal and informal appellation. Music, it is argued, was the catalyst for normalizing and disseminating those two ugly syllables throughout society, well beyond the environs of plantation and urban slavery. This weighty and engaging look at the English language's most explosive slur, described by scholars as the "atomic bomb" of bigoted words, traces the N-word's journey through various music genres and across generations. The author uses private letters, newspaper accounts, exclusive interviews and, most importantly, music lyrics from artists in the fields of minstrelsy, folk, country, ragtime, blues, jazz, rock 'n' roll and hip hop. The result is a reflective account of how the music industry has channeled linguistic and cultural movements across eras, resulting in changes to the slur's meaning and spelling"--
    Note: Includes bibliographical references and index
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  • 25
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    Dilla time : the life and afterlife of J Dilla, the hip-hop producer who reinvented rhythm (2022)
    New York : Farrar, Straus and Giroux
    Details
    ISBN: 9780374139940
    Language: English
    Pages: XVI, 458 Seiten , Illustrationen, Karten
    Edition: First edition
    RVK:
    LS 48045
    Keywords: J Dilla ; J Dilla / 1974-2006 ; J Dilla / 1974-2006 / Criticism and interpretation ; Sound recording executives and producers / United States / Biography ; Rap (Music) / Production and direction / History ; Rap (Music) / History and criticism ; Musical meter and rhythm ; Musique / Mesure et rythme ; MUSIC / History & Criticism ; J Dilla / 1974-2006 ; Musical meter and rhythm ; Rap (Music) ; Sound recording executives and producers ; United States ; Biography ; Biographies ; Criticism, interpretation, etc ; History ; Biographies ; Music criticism and reviews ; Biographies ; Comptes rendus de musique ; Biografie ; Biografie ; Biografie ; J Dilla 1974-2006
    Abstract: "Equal parts musicology, biography, and cultural history, Dilla Time chronicles the invention of a new kind of beat by the most underappreciated musical genius of our time"--
    Abstract: J Dilla wasn't known to mainstream audiences: in his lifetime he never had a pop hit. Since his death he has been revered by jazz musicians and rap icons for a new kind of musical time-feel that he created on a drum machine, which changed the way "traditional" musicians play. Charnas chronicles the life of James DeWitt Yancey, from a childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death; and follows the people who kept him and his ideas alive. Along the way Charnas rewinds the histories of American rhythms, a story of Black culture in America and of what happens when human and machine times are synthesized into something new. -- adapted from jacket
    Description / Table of Contents: Wrong -- Straight Time / Swing Time -- Play Jay -- Machine Time -- Dee Jay -- Sample Time -- Jay Dee -- Dilla Time -- Partners -- Pay Jay -- Warp Time -- J Dilla -- Zealots -- Micro Time -- Descendants / Disciples -- Fragments
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  • 26
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    Breaks in the air : the birth of rap radio in New York City (2022)
    Durham : Duke University Press
    Details
    ISBN: 9781478018872 , 9781478016236
    Language: English
    Pages: xiv, 218 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    LS 48650
    Keywords: Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; Rap (Music) / New York (State) / New York / History and criticism ; African American radio stations / New York (State) / New York ; Radio stations / New York (State) / New York / History ; Radio broadcasting / Deregulation / New York (State) / New York ; Radio in popular culture / New York (State) / New York ; MUSIC / Genres & Styles / Rap & Hip Hop ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; African American radio stations ; Radio broadcasting / Deregulation ; Radio in popular culture ; Radio stations ; Rap (Music) ; New York (State) / New York ; Criticism, interpretation, etc ; History ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Abstract: "Breaks in the Air provides a social and cultural history of rap music on Black radio in New York City from the late 1970s to the late 1980s. Radio shows were crucial in the growth of hip hop in New York, and Klaess explores the intertwined histories of sounds, institutions, communities, and legal formations converging in that post-Civil Rights period. John Klaess offers a careful analysis of the city's three crucial commercial radio stations-WBLS-FM 107.5, WRKS-FM 98.7, and WHBI-FM 105.9-drawing on an archive of tape recordings of the stations' broadcasts. Klaess moves from a history of deregulation in the broadcasting industry to the ways that American racial politics inflected the broadcast of rap and looks at how these radio stations engaged with this unique historical situation, how technologies both aided and limited their broadcasts, how their broadcasts were received, and what the public broadcast of this music and culture meant to young people of color in New York"--
    Description / Table of Contents: Deregulating radio -- Sounding Black progress in the post-civil rights era -- Commercializing rap with Mr. Magic's rap attack -- Programming the street at WRKS -- Broadcasting the Zulu Nation -- Listening to the labor of the Awesome II Show
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  • 27
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    Online Resource
    HipHop im 21. Jahrhundert : Medialität, Tradierung, Gesellschaftskritik und Bildungsaspekte einer (Jugend-)Kultur (2022)
    Wiesbaden : Springer VS
    Details
    ISBN: 9783658365165
    Language: German
    Pages: 1 Online-Ressource (VII, 543 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 306
    RVK:
    LC 87015
    RVK:
    LS 48650
    Keywords: Geschichte 2000- ; Popular Culture ; Youth Culture ; Fan and Audience Studies ; Cultural Theory ; Media Sociology ; Popular Culture ; Youth—Social life and customs ; Audiences ; Culture—Study and teaching ; Mass media ; Hip-Hop ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Hip-Hop ; Geschichte 2000-
    DOI: 10.1007/978-3-658-36516-5
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 28
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    Harmoniousness : essays in Chinese musicology (2022)
    Leiden ; Boston : Brill
    Details
    ISBN: 9789004516816 , 9004516816
    Language: English
    Pages: XV, 441 Seiten , Illustrationen , 25 cm
    Series Statement: Collected works of Jao Tsung-i 1
    Series Statement: Collected works of Jao Tsung-i
    Uniform Title: Works
    Parallel Title: Online version Rao, Zongyi Harmoniousness
    RVK:
    LS 41000
    Keywords: Geschichte ; Musik ; Musikarchäologie ; Musikphilosophie ; China ; Music / China / History and criticism ; Music / China / Philosophy and aesthetics ; Music theory / China / History ; Music archaeology / China ; Music ; Music archaeology ; Music / Philosophy and aesthetics ; Music theory ; China ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik ; Musikarchäologie ; Musikphilosophie ; Geschichte
    Abstract: "From prehistoric bone flutes to Confucian bell-sets, from ancient divination to his beloved qin, this book presents translations of thirteen seminal essays on musical subjects by Jao Tsung-i. In language as elegant and refined as the ancient texts he so admired, his journey takes readers through Buddhist incantation, the philosophy of musical instruments, acoustical numerology, lyric poetry, historical and sociological contexts, manuscript studies, dance choreography, repertoire formulation, and opera texts. His voice is authoritative and intimate, the expert crafting his arguments, both accessible and sophisticated, succinct and richly tapestried; and concealed within a deft modesty is a thinker privileging us with his most profound observation. The musician's musician, the scholar's scholar, bold yet cautious, flamboyant yet restrained, a man for all seasons, a harmoniousness of time and place"--
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  • 29
    Online Resource
    Online Resource
    Culture from the slums : punk rock in East and West Germany (2022)
    Oxford : Oxford University Press
    Details
    ISBN: 9780191897801
    Language: English
    Pages: 1 Online-Ressource (xv, 364 Seiten) , Illustrationen
    Edition: First edition
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.66094309047
    RVK:
    LB 42015
    RVK:
    LC 87015
    RVK:
    LS 48645
    Keywords: Geschichte 1970-1990 ; Punk rock music / Social aspects / Germany (West) ; Punk rock music / Social aspects / Germany (East) ; Punk culture / Germany (East) / History ; Punk culture / Germany (West) / History ; Punk ; Punk Rock ; Deutschland ; Deutschland ; Deutschland ; Deutschland ; Punk Rock ; Punk ; Geschichte 1970-1990
    Abstract: 'Culture from the Slums' explores the history of punk rock in East and West Germany during the 1970s and 1980s, examining how youths mobilized music to build alternative communities and identities during the Cold War, and detailing how punk became the site of historical change on both sides of the Iron Curtain
    Note: This edition also issued in print: 2022. - Includes bibliographical references, discography and index
    DOI: 10.1093/oso/9780198866183.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 30
    Image
    Image
    Wenn die Nacht am tiefsten : Ton Steine Scherben in ihrer Zeit (2022)
    Berlin : Browse Gallery
    Details
    ISBN: 9783000717796 , 300071779X
    Language: German
    Pages: 287 Seiten , 30 cm x 25.3 cm, 1600 g
    RVK:
    LS 48040
    Keywords: Ton Steine Scherben ; Geschichte 1960-1990 ; Politische Kultur ; Fotografie ; Umkreis ; Deutschland ; Nachkriegszeit ; West-Berlin ; Ton Steine Scherben ; Deutsche Rockmusik ; Kreuzberg ; Ausstellung ; Revolte ; Ausstellungskatalog Kunstquartier Bethanien 10.06.2021-04.07.2021 ; Bildband ; Ausstellungskatalog Kunstquartier Bethanien 10.06.2021-04.07.2021 ; Bildband ; Ausstellungskatalog Kunstquartier Bethanien 10.06.2021-04.07.2021 ; Bildband ; Ausstellungskatalog Kunstquartier Bethanien 10.06.2021-04.07.2021 ; Bildband ; Ton Steine Scherben ; Umkreis ; Deutschland ; Politische Kultur ; Fotografie ; Geschichte 1960-1990
    Note: Rückseite Titelblatt: Katalog zur Ausstellung "Wenn die Nacht am tiefsten - Ton Steine Scherben in ihrer Zeit", produziert und kuratiert von Browse Gallery, zuerst präsentiert vom 10. Juni bis 4. Juli 2021, Kunstquartier Bethanien, Berlin-Kreuzberg , Zusätzliches Online-Angebot unter QR-Code abrufbar
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  • 31
    Book
    Book
    Schmalz und Rebellion : der deutsche Pop und seine Sprache (2022)
    Berlin : Dudenverlag
    Details
    ISBN: 9783411756698 , 3411756691
    Language: German
    Pages: 223 Seiten , 20.5 cm x 12.5 cm
    Parallel Title: Erscheint auch als
    RVK:
    LS 48060
    RVK:
    LS 48070
    Keywords: Geschichte ; Sprachgebrauch ; Popmusik ; Deutschland ; Einführung ; Deutschland ; Popmusik ; Sprachgebrauch ; Geschichte
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    URL: http://deposit.dnb.de/cgi-bin/dokserv?id=cc39d3e8e6854af7a55284184c01c796&prov=M&dok_var=1&dok_ext=htm
    URL: Inhaltstext
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  • 32
    Book
    Book
    Negativ-dekadent : Punk in der DDR (2022)
    Mainz : Ventil Verlag
    Details
    ISBN: 9783955751685 , 3955751686
    Language: German
    Pages: 267 Seiten , 14 cm x 19.5 cm
    Edition: 1. Auflage
    DDC: 780
    RVK:
    LS 48645
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Punk ; Deutschland ; Punk ; Geschichte
    Abstract: Als Punk etwa im Jahr 1980 in der DDR ankam, verunsicherte er nicht nur die sogenannten Staatsorgane, auch die Spießer und Biedermänner liefen Amok. Bereits optisch als Provokation gewollt und verstanden, bildete sich in einigen Zentren eine ganze Gegenkultur samt Lifestyle und Musik heraus, der es um Freiräume und Freiheit ging. Und genau wie Punk in der DDR eine von Stadt zu Stadt, von Kaff zu Kaff ganz unterschied­liche Szene jeweils mit ganz eigenen Protago­nist:innen und Eigenheiten war, zeichnet sich dieser Sammelband durch Vielstimmigkeit aus, Stories stehen neben Anekdoten, sachliche Analysen neben ganz persönlichen Reflektionen. "negativ-dekadent" versteht sich als eine Zeitklammer, die möglichst viel von dem wiedergeben will, was für zehn Jahre in diesem diktatorisch regierten Teil Deutschlands für zumindest etwas Farbe und viel Verwirrung sorgte. Mit Texten von Cornelia Schleime, Franziska Hause, Jan Müller, Anne Hahn, Tim Mohr, Alexander Pehlemann, Jan Off, Roland Galenza, Jochen Schmidt, Peter Wawerzinek, Heinz Havemeister, Iron Henning und vielen anderen mehr. Einige der hier versammelten Texte sind bereits in vergriffenen Publikationen erschienen, einige wurden extra für dieses Buch verfasst. Gemeinsam ist ihnen allen, dass sie möglichst viel von der Lebenswirklichkeit made in GDR abbilden, die in die Geschichte einging.
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    URL: https://d-nb.info/1247751805/04
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  • 33
    Book
    Book
    The Malay nobat : a history of power, acculturation, and sovereignty (2022)
    Lanham ; Boulder ; New York ; London : Lexington Books
    Details
    ISBN: 9781666900880
    Language: English
    Pages: xx, 241 Seiten , Illustrationen, Karten, Notenbeispiele
    Series Statement: The Lexington series in historical ethnomusicology: deep soundings
    Parallel Title: Erscheint auch als
    RVK:
    LC 87420
    RVK:
    LS 45700
    Keywords: Geschichte ; Rezeption ; Islam ; Ensemble ; Einflussnahme ; Hofmusik ; Malaysia ; Islamische Staaten ; Nobat ; Music / Southeast Asia / History and criticism ; Music / Political aspects / Southeast Asia / History ; Courts and courtiers / History ; Islam / Southeast Asia / History ; Courts and courtiers ; Islam ; Music ; Music / Political aspects ; Southeast Asia ; Criticism, interpretation, etc ; History ; Malaysia ; Islam ; Hofmusik ; Ensemble ; Einflussnahme ; Rezeption ; Islamische Staaten ; Geschichte
    Abstract: "The Malay Nobat: A History of Power, Acculturation, and Sovereignty explores the history and meaning of the nobat, its spread throughout the Muslim empire, and its emergence as a symbol of power and sovereignty, ultimately showing how existing nobat ensembles in Malaysia and Brunei are the last living legacy of the Mulism world"--
    Description / Table of Contents: Introduction -- Early Histories -- The Malay Nobat -- The Nobat in Early Malay Literature : A Lesson from Patani -- The Adat Aceh and 17th Century European Encounter -- From British Colonialism to Independence -- Conclusion
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  • 34
    Book
    Book
    Chorwettbewerbe in Deutschland zwischen 1841 und 1914 : Traditionen - Praktiken - Wertdiskurse (2022)
    Stuttgart : Franz Steiner Verlag
    Details
    ISBN: 9783515131575 , 3515131574
    Language: German
    Pages: 592 Seiten , Illustrationen, Notenbeispiele , 24 cm x 17 cm, 1152 g
    Series Statement: Archiv für Musikwissenschaft. Beiheft 86
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität zu Köln 2019/20
    DDC: 782.507943
    RVK:
    LP 17100
    RVK:
    LS 22000
    RVK:
    LR 57230
    Keywords: Geschichte 1841-1914 ; Musikleben ; Chorgesang ; Chor ; Musikwettbewerb ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    URL: Inhaltstext
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    HU Berlin
    München BSB
    München UB
    Würzburg UB
    Regensburg UB
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
  • 35
    Book
    Book
    Die Glock im Deutschrap : eine Diskursanalyse (2022)
    Hamburg : Verlag Dr. Kovač
    Details
    ISBN: 9783339128188
    Language: German
    Pages: 167 Seiten , Diagramme , 21 cm, 218 g
    Series Statement: Schriftenreihe Schriften zur Medienwissenschaft Band 49
    Series Statement: Schriftenreihe Schriften zur Medienwissenschaft
    Parallel Title: Erscheint auch als
    DDC: 306.4842490943
    RVK:
    LS 48650
    Keywords: Schusswaffe ; Rap ; Subkultur ; Diskursanalyse ; Deutschland ; Österreich ; Medienethik ; Deutschrap ; Waffen ; Diskursanalyse ; Medienwissenschaft ; Gewaltverherrlichung ; HipHop ; Musik ; Deutschland ; Österreich ; Rap ; Schusswaffe ; Subkultur ; Diskursanalyse
    URL: Inhaltstext
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    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 36
    Book
    Book
    Culture from the slums : punk rock in East and West Germany (2022)
    Oxford : Oxford University Press
    Details
    ISBN: 9780198866183
    Language: English
    Pages: xv, 364 Seiten , Illustrationen
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 781.66094309047
    RVK:
    LB 42015
    RVK:
    LC 87015
    RVK:
    LS 48645
    Keywords: Geschichte 1970-1990 ; Punk rock music / Social aspects / Germany (West) ; Punk rock music / Social aspects / Germany (East) ; Punk culture / Germany (East) / History ; Punk culture / Germany (West) / History ; Punk ; Punk Rock ; Deutschland ; Deutschland ; Deutschland ; Deutschland ; Punk Rock ; Punk ; Geschichte 1970-1990
    Abstract: 'Culture from the Slums' explores the history of punk rock in East and West Germany during the 1970s and 1980s, examining how youths mobilized music to build alternative communities and identities during the Cold War, and detailing how punk became the site of historical change on both sides of the Iron Curtain
    Note: Includes bibliographical references, discography and index
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  • 37
    Book
    Book
    Dann sind wir Helden : wie mit Popmusik über die Mauer hinweg deutsche Politik gemacht wurde (2022)
    Hamburg : Rowohlt
    Details
    ISBN: 9783498002794 , 3498002791
    Language: German
    Pages: 414 Seiten, 16 ungezählte Seiten , Illustrationen
    Edition: Originalausgabe
    DDC: 781.630943
    RVK:
    LS 48070
    RVK:
    NQ 6970
    Keywords: Geschichte 1960-1989 ; Musik ; Kulturaustausch ; Deutschland ; Deutschland ; Deutschland ; Deutschland ; Musik ; Kulturaustausch ; Geschichte 1960-1989
    Abstract: Der Kalte Krieg wurde kälter, der Kampf um die politisch-ideologische Lufthoheit zwischen Ost und West heftiger. Aber zugleich geschah in den späten 70ern und 80ern Erstaunliches. Der deutsch-deutsche Kulturaustausch geriet heftig in Bewegung - ausgerechnet in dem Bereich, der als besonders sensibel galt: der Pop- und Rockmusik. DDR-Bands wie City, Pankow und Puhdys wurden erstmals auf BRD-Tour geschickt, Karat traten bei "Wetten, dass...?" auf, ließen Hunderttausende von West-Mark nach Ost-Berlin fließen. Im Gegenzug durften Westkünstler wie Udo Lindenberg, Peter Maffay und Rio Reiser in der DDR spielen, rockten Die Toten Hosen semilegal in Ostkirchen. Es ging um Propaganda und Devisen, versteckte Botschaften, politische Manöver. Joachim Hentschel erzählt hier zum ersten Mal die ganze Geschichte dieser Zeit, spricht mit Zeitzeugen und beleuchtet die Hintergründe: Wer waren die Strippenzieher? Welche Rolle spielten Stasi, DDR-Kulturministerium und FDJ, westliche Plattenfirmen und Impresarios? Und wie viel trug der große Kulturhandel zur Wende von 1989 und zum Mauerfall bei?
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    URL: https://www.rowohlt.de/buch/joachim-hentschel-dann-sind-wir-helden-9783498002794
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  • 38
    Online Resource
    Online Resource
    Deutscher Gangsta-Rap III : soziale Konflikte und kulturelle Repräsentationen (2022)
    Bielefeld : transcript
    Details
    ISBN: 9783839460559
    Language: German
    Pages: 1 Online-Ressource (375 Seiten)
    Series Statement: Cultural studies Band 56
    Series Statement: Cultural studies
    Parallel Title: Erscheint auch als
    RVK:
    LS 48650
    RVK:
    MS 2350
    RVK:
    LC 87015
    Keywords: Gangsta-Rap ; Gesellschaft ; Hip Hop ; Intersektionalität ; Kultursoziologie ; Kulturwissenschaft ; Migration ; Musik ; Musikwissenschaft ; Popkultur ; Popmusik ; Soziale Medien ; Soziale Ungleichheit ; SOCIAL SCIENCE / Popular Culture ; Gangsta-Rap ; Popkultur ; Repräsentation ; Sozialer Konflikt ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Popkultur ; Gangsta-Rap ; Deutschland ; Gangsta-Rap ; Sozialer Konflikt ; Repräsentation
    Abstract: Als Ort der symbolischen Austragung sozialer Konflikte hat es deutscher Gangsta-Rap im Laufe der letzten zwei Jahrzehnte zu einiger Bekanntheit gebracht: Im Gangsta-Rap kommen nicht nur Spannungen zwischen Hoch- und Popkultur, Migrationsgesellschaft und Nationalitäten, wirtschaftlichen Erfolgen und künstlerischem Anspruch, sondern auch strafrechtlich verfolgbaren Beleidigungen und gesellschaftlicher Diskursfähigkeit deutlich zum Tragen. Die Beiträger*innen des Bandes zeigen, dass dieses Phänomen der pluralen Gesellschaft damit exemplarisch für die Ambivalenzen der Moderne stehen kann
    DOI: 10.1515/9783839460559
    DOI: 10.14361/9783839460559
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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    URL: Volltext  (kostenfrei)
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  • 39
    Online Resource
    Online Resource
    Made in Germany : studies in popular music (2021)
    New York ; London : Routledge, Taylor & Francis Group
    Details
    ISBN: 1351200798 , 9781351200790
    Language: English
    Pages: 1 Online-Ressource (xii, 236 Seiten) , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
    RVK:
    LS 48060
    Keywords: Geschichte ; Unterhaltungsmusik ; Deutschland ; Popular music / Germany / History and criticism ; Popular music / Social aspects / Germany / History ; Popular music / Political aspects / Germany / History ; Popular music ; Popular music / Political aspects ; Popular music / Social aspects ; Germany ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Unterhaltungsmusik ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Inhaltsverzeichnis  (URL des Erstveröffentlichers)
    URL: https://www.taylorfrancis.com/books/made-germany-oliver-seibt-martin-ringsmut-david-emil-wickstr%C3%B6m/e/10.4324/9781351200790
    URL: https://doi.org/10.4324/9781351200790
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  • 40
    Book
    Book
    Soundtrack to a movement : African American Islam, jazz, and black internationalism (2021)
    New York : New York University Press
    Details
    ISBN: 9781479806768 , 9781479871032
    Language: English
    Pages: 247 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
    LR 57747
    RVK:
    LS 48100
    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Schwarze ; Islam ; Jazz ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa.
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  • 41
    Book
    Book
    Gehört "deutsche" Popmusik ins Museum? : Materialien zu und von der Fünften Pop-Dekadentagung (2021)
    [Hamburg] : Nachttischbuch-Verlag
    Details
    ISBN: 9783937550305 , 3937550305
    Language: German
    Pages: 288 Seiten , 19 cm, 269 g
    Edition: Originalausgabe
    DDC: 781.640943
    RVK:
    LS 48070
    Keywords: Subkultur ; Musealisierung ; Popmusik ; Deutschland ; Pop-Kultur ; Pop ; deutsche Pop-Szene ; Konferenzschrift 29.09.2019 ; Konferenzschrift 29.09.2019 ; Deutschland ; Popmusik ; Subkultur ; Musealisierung
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  • 42
    Online Resource
    Online Resource
    Transcending dystopia : music, mobility, and the Jewish community in Germany, 1945-1989 (2021)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197532997
    Language: English
    Pages: 1 Online-Ressource (513 Seiten) , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 780.8992404309045
    RVK:
    LS 33260
    Keywords: Geschichte 1945-1989 ; Jews / Germany / Music / History and criticism ; Music / Germany / 20th century / History and criticism ; Juden ; Musikleben ; Musiker ; Deutschland ; Deutschland ; Musiker ; Juden ; Geschichte 1945-1989 ; Deutschland ; Musikleben ; Juden ; Geschichte 1945-1989
    Abstract: By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. 'Transcending Dystopia' tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Tina Fruhauf provides a kaleidoscopic panorama of musical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust.
    DOI: 10.1093/oso/9780197532973.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 43
    Book
    Book
    Citizen Cash : the political life and times of Johnny Cash (2021)
    New York : Basic Books
    Details
    ISBN: 9781541699571
    Language: English
    Pages: ix, 355 Seiten , Illustrationen
    Edition: First edition
    RVK:
    LS 48040
    Keywords: Cash, Johnny Criticism and interpretation ; Cash, Johnny Political activity ; Cash, Johnny Political and social views ; Cash, Johnny ; Politisches Denken ; Country music Political aspects 20th century ; History
    Abstract: "Johnny Cash was an American icon, known for his level bass-baritone voice and somber demeanor, for huge hits like "Ring of Fire" and "I Walk the Line." He's one of the best-selling musicians of all time, and his crossover appeal earned him inductions into the Country Music, Gospel Music, and Rock and Roll Halls of Fame. But he was also the most prominent political artist in the United States, even if he wasn't recognized for it in his own lifetime, or since his death in 2003. Then and now, people have misread Cash's politics, usually accepting the idea of him as a "walking contradiction." Cash didn't fit into easy political categories-liberal or conservative, Red state or Blue state, hawk or dove. Like most people, Cash's politics were remarkably consistent in that they were based not on ideology or scripts-but on emotion, instinct, and identification. He supported Richard Nixon in his Vietnam War policies, while also seeming to stand up both for those asked to fight the war and for those who protested against it. Instead of choosing sides, Cash channeled an emotional discontent that bridged America's youth and the "silent majority." Foley traces the political evolution of the Man in Black as a prominent public citizen. Drawing on untapped archives and new research on social movements and grassroots activism, Citizen Cash offers a major reassessment of a legendary figure
    Note: Literaturangaben
    URL: Inhaltsverzeichnis
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  • 44
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    Liner notes for the revolution : the intellectual life of black feminist sound (2021)
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    Details
    ISBN: 9780674052819
    Language: English
    Pages: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
    RVK:
    HD 370
    RVK:
    LS 48015
    Keywords: Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Abstract: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Note: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
    URL: Inhaltsverzeichnis
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  • 45
    Online Resource
    Online Resource
    Scots folk singers and their sources : a study of two major Scottish song collections (2021)
    Leiden ; Boston : Brill Rodopi
    Details
    ISBN: 9789004464414
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Diagramme
    Series Statement: Scottish cultural review of language and literature volume 31
    Parallel Title: Erscheint auch als
    RVK:
    HG 280
    RVK:
    LS 22550
    Keywords: Geschichte ; Volkslied ; Schottland ; Folk songs, Scots / Scotland / Sources ; Folk songs, English / Scotland / Sources ; Folk songs, Scots / Scotland / History and criticism ; Folk songs, English / Scotland / History and criticism ; Scots / Music / History and criticism ; Scottish Travellers (Nomadic people) / Music / History and criticism ; Music / Social aspects / Scotland / History ; Folk singers / Scotland ; Greig-Duncan folk song collection ; School of Scottish Studies Archives (Edinburgh) ; Folk singers ; Folk songs, English ; Folk songs, Scots ; Music / Social aspects ; Scotland ; Criticism, interpretation, etc ; History ; Sources ; Schottland ; Volkslied ; Geschichte
    Abstract: "This book offers a detailed analysis of two major Scottish folk song collections, the Greig-Duncan Collection, and the Scots folk song material of the School of Scottish Studies Archives. This exhaustive study of song transmission includes all contributors, not only notable singers. The scattered information, marshalled into quantifiable data, throws light on such topics as transmission within and outside the family, the role of literacy, the public reticence of women singers, the association between the Travellers and the big ballads, and the impact of social changes in the late nineteenth century, and of broadcast music in the 1920s. The new opportunities opened up by digitisation are explored here for the first time."
    Description / Table of Contents: Introduction -- Weighing the Catch -- Did Greig and Duncan Neglect the Travellers? -- Song Transmission -- The Reticence of Female Singers -- The Devolution of the Child Ballads to the Travellers -- Social Change and Education versus Tradition -- The Missing Singers of the 1920s -- Conclusions
    URL: Volltext  (URL des Erstveröffentlichers)
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    Regensburg UB
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  • 46
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    Book
    Mama lauter! Gute Musik für Kinder : kritischer Streifzug durch eine unterschätzte Gattung (2021)
    Regensburg : ConBrio
    Details
    ISBN: 9783940768919
    Language: German
    Pages: 293 Seiten , Illustrationen
    DDC: 782.42083
    RVK:
    LR 57072
    RVK:
    LS 21340
    Keywords: Kinderlied ; Liedermacher ; Deutschland ; Kinderkonzert ; Kinderliedermacher ; Kindheit ; Kindermusik ; Rolf Zuckowski ; Kinderlied ; Fredrik Vahle ; Deutschland ; Kinderlied ; Deutschland ; Kinderlied ; Liedermacher
    URL: Inhaltsverzeichnis
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  • 47
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    Book
    Made in Germany : studies in popular music (2021)
    New York ; London : Routledge, Taylor & Francis Group
    Details
    ISBN: 9780815391784 , 9780815391777
    Language: English
    Pages: xii, 236 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
    RVK:
    LS 48060
    Keywords: Geschichte ; Unterhaltungsmusik ; Deutschland ; Popular music / Germany / History and criticism ; Popular music / Social aspects / Germany / History ; Popular music / Political aspects / Germany / History ; Popular music ; Popular music / Political aspects ; Popular music / Social aspects ; Germany ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Unterhaltungsmusik ; Geschichte
    Abstract: "Made in Germany: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary German popular music. Each essay, written by a leading scholar of German music, covers the major figures, styles, and social contexts of pop music in Germany and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Germany, followed by essays organized into thematic sections: Historical Spotlights; Globally German; Also "Made in Germany"; Explicitly German; and Reluctantly German"--
    URL: Rezension
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    Weltkulturen Museum
    Regensburg UB
    BSZ
    GBV
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  • 48
    Online Resource
    Online Resource
    Music and musicians in the medieval Islamicate world : a social history (2021)
    London ; New York ; Oxford ; New Delhi ; Sydney : I.B. Tauris | London : Bloomsbury Publishing
    Details
    ISBN: 9780755617913 , 9780755617906 , 9780755617890
    Language: English
    Pages: 1 Online-Ressource (284 Seiten)
    Edition: First edition
    Series Statement: Early and Medieval Islamic World
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.9
    RVK:
    LS 34120
    Keywords: Geschichte 800-1400 ; Music Islamic countries ; History ; Musicians Islamic countries ; History ; Musikleben ; Islam ; Musik ; Musiker ; Naher Osten ; Naher Osten ; Islam ; Musik ; Geschichte 800-1400 ; Naher Osten ; Islam ; Musikleben ; Musiker
    Abstract: "During the early medieval Islamicate period (800-1400 CE), discourses concerned with music and musicians were wide-ranging and contentious, and expressed in works on music theory and philosophy as well as literature and poetry. But in spite of attempts by influential scholars and political leaders to limit or control musical expression, music and sound permeated all layers of the social structure. Lisa Nielson here presents a rich social history of music, musicianship and the role of musicians in the early Islamicate era. Focusing primarily on Damascus, Baghdad and Jerusalem, Lisa Nielson draws on a wide variety of textual sources written for and about musicians and their professional/private environments -- including chronicles, literary sources, memoirs and musical treatises -- as well as the disciplinary approaches of musicology to offer insights into musical performances and the lives of musicians. In the process, the book sheds light onto the dynamics of medieval Islamicate courts, as well as how slavery, gender, status and religion intersected with music in courtly life. It will appeal to scholars of the Islamicate world and historical musicologists."
    Note: Section I. Musical culture in the early Islamic courts. Chapter 1. Music and musicians ; Chapter 2. Musicianship and performance ; Chapter 3. Patronage -- Section II. Representations of musicianship and identity. Chapter 4. Literary performance of music and reading musical identity ; Chapter 5.Slavery and gender ; Chapter 6. Ethnos and gens -- Section III. Diversions of pleasure Chapter 7. Discomfort and censure ; Chapter 8. "Sama" and practice ; Chapter 9. The politics of listening
    DOI: 10.5040/9780755617913
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 49
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    Book
    Tear down the walls : white radicalism and black power in 1960s rock (2021)
    Chicago ; London : The University of Chicago Press
    Details
    ISBN: 9780226768212 , 9780226768182
    Language: English
    Pages: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421661592
    RVK:
    LS 48635
    Keywords: Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Abstract: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Description / Table of Contents: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Note: Includes bibliographical references and index
    URL: Rezension
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  • 50
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    Book
    Listening to the Lomax Archive : the sonic rhetorics of African American folksong in the 1930s (2021)
    Ann Arbor : University of Michigan Press
    Details
    ISBN: 9780472038558
    Language: English
    Pages: XVII, 240 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    LS 21000
    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; Lomax, Alan / 1915-2002 ; African Americans / Music / History and criticism ; Folk songs, English / United States / History and criticism ; Folk songs, English / United States / Texts / History and criticism ; African American prisoners / Songs and music / History and criticism ; United States / History / 1933-1945 ; Lomax, Alan / 1915-2002 ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; African Americans / Music ; Folk songs, English ; United States ; 1933-1945 ; Criticism, interpretation, etc ; History ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African-American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings-including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton-contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Jonathan W. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element-a sonic rhetoric-for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings (including the reconstitution of prevailing stereotypes about African American identity) even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes archive and other repositories of historicized sound
    URL: Inhaltsverzeichnis
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  • 51
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    Fandom and the Beatles : the act you've known for all these years (2021)
    Oxford : Oxford University Press
    Details
    ISBN: 9780190917869 , 9780190917852
    Language: English
    Pages: xii, 283 Seiten , Illustrationen
    DDC: 306.090905
    RVK:
    LS 48040
    Keywords: The Beatles ; Geschichte 1960-2020 ; Fan ; Popular music / 1961-1970 / History and criticism ; Popular music / Social aspects / Great Britain / History / 20th century ; Influence (Literary, artistic, etc ; Music fans ; Popular music ; Popular music / Social aspects ; Beatles / Influence ; Beatles ; Great Britain ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturangaben
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  • 52
    Online Resource
    Online Resource
    Fandom and the Beatles : the act you've known for all these years (2021)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190917890
    Language: English
    Pages: 1 Online-Ressource (296 pages) , Illustrations (colour).
    Series Statement: Oxford scholarship online
    DDC: 782.421660922
    RVK:
    LS 48040
    Keywords: Beatles ; Beatles Influence ; The Beatles ; Geschichte 1960-2020 ; Fan ; Popular music History and criticism 1961-1970 ; Popular music Social aspects 20th century ; History ; Music fans ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: This title offers an insightful look into the band's enduring appeal through fan responses, exploring how the Beatles have inspired such loyalty and multigenerational popularity.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190917852.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190917852.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 53
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    Book
    Crossing bar lines : the politics and practices of Black musical space (2021)
    Jackson : University Press of Mississippi
    Details
    ISBN: 9781496832115 , 9781496832108
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele, Porträt
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48100
    Keywords: Geschichte 2005-2019 ; Ethnische Identität ; Schwarze ; Improvisation ; Jazz ; Sänger ; USA ; Jazz / 2001-2010 / History and criticism ; Jazz / 2011-2020 / History and criticism ; Jazz / Political aspects / United States / History / 21st century ; African Americans / Music / 21st century / History and criticism ; African Americans / Music ; Jazz ; United States ; 2000-2099 ; Criticism, interpretation, etc ; History ; USA ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; Geschichte 2005-2019
    Abstract: "In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today"--
    Description / Table of Contents: Foreword / Robin D. G. Kelley -- Introduction. Entering a theory of black musical space -- Terence Blanchard and the politics of breathing -- Billy Higgins in the zone : brushwork, breath, and imagination -- The social science music of Terri Lyne Carrington -- Ambrose Akinmusire's satchel of origami -- Unified fragmentation : Andrew Hill's street theory of black musical space -- Epilogue. The sonic archive of black spatiality
    URL: Inhaltsverzeichnis
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  • 54
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    Book
    Takin' care of business : a history of working people's rock 'n' roll (2021)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197548813
    Language: English
    Pages: 203 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    LS 48630
    RVK:
    LS 48015
    Keywords: Geschichte ; Arbeiterklasse ; Unterhaltungsmusik ; Rockmusik ; Rock 'n' Roll ; Rock music / Social aspects / History / 20th century ; Working class / Attitudes / History / 20th century ; Rock music / Social aspects ; Working class / Attitudes ; 1900-1999 ; History ; Rock 'n' Roll ; Rockmusik ; Unterhaltungsmusik ; Arbeiterklasse ; Geschichte
    Abstract: "We usually associate the sounds of classic rock 'n' roll with youthful rebellion, by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But an important strain of rock from the late 1960s onward spoke to and for a very different audience: the regular working-class fans who didn't want to change the world as much as they only wanted to protect their place in it. From Creedence Clearwater Revival to Bruce Springsteen, from Lynyrd Skynyrd to AC/DC, and from Judas Priest to Ted Nugent, the music provided the anthems of an increasingly distinct - and increasingly vulnerable - demographic, which has since become a key influence on political culture around the world"--
    Description / Table of Contents: Introduction. Dream On -- Salt of the Earth -- Wrote A Song For Everyone -- Free For All -- Workin' Man Blues -- Swamp Music -- British Steel -- For Those About to Rock -- Youngstown -- One In a Million -- Conclusion. Subdivisions
    URL: Inhaltsverzeichnis
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  • 55
    Online Resource
    Online Resource
    Soundtrack to a movement : African American Islam, jazz, and Black internationalism (2021)
    New York : New York University Press
    Details
    ISBN: 9781479849697 , 9781479800360
    Language: English
    Pages: 1 Online-Ressource (247 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
    LR 57747
    RVK:
    LS 48100
    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Islam ; Jazz ; Schwarze ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa
    DOI: 10.18574/9781479849697
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 56
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    Book
    The spirit of resistance in music and spoken word of South Africa's Eastern Cape (2021)
    Lanham : Lexington Books
    Details
    ISBN: 9781498576208 , 9781498576222
    Language: English
    Pages: xiii, 283 Seiten , 24 x 16 cm
    Parallel Title: Erscheint auch als
    RVK:
    LC 60585
    RVK:
    LC 87585
    RVK:
    LS 47949
    RVK:
    MI 65092
    Keywords: Musik ; Künstler ; Widerstand ; Literatur ; Provinz Ostkap ; Music / Social aspects / South Africa / Eastern Cape / History ; Oral tradition / Social aspects / South Africa / Eastern Cape / History ; Government, Resistance to / South Africa / Eastern Cape / History ; Xhosa (African people) / South Africa / Eastern Cape / Social conditions ; Eastern Cape (South Africa) / Social conditions / History ; Eastern Cape (South Africa) / Race relations / History ; Government, Resistance to ; Music / Social aspects ; Oral tradition / Social aspects ; Race relations ; Social conditions ; Xhosa (African people) / Social conditions ; South Africa / Eastern Cape ; History ; Provinz Ostkap ; Künstler ; Widerstand ; Musik ; Literatur
    Abstract: "Explores Eastern Cape performance artists, activists, and organizations that used inventive and historical means to protest and resist oppressive authorities and systems while exhibiting their unique culture. Michie analyzes music and oral poetry to study the region's role in the history of South African protest politics and creativity"--
    Description / Table of Contents: "We Create Our Own Language" -- "Unite Like a Ball of Scrapings": Early History to the 1850s -- "Turn Phalo's Land on Its Head": Late Nineteenth and Early Twentieth Centuries -- "You Sent Us the Light, We Sit in the Dark": 1920s-1940s -- "A Spirit That Could Not Be Broken": 1950s-1960s -- "A Land in Calamity's Shadow": 1970s-1980s -- "Our Bull Has Escaped from the Pound": 1990s to the Present
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    Bayreuth UB
  • 57
    Online Resource
    Online Resource
    Soziologie des Gangstarap : Popkultur als Ausdruck sozialer Konflikte (2021)
    Weinheim : Beltz Juventa | Grünwald : Preselect.media GmbH
    Details
    ISBN: 9783779965794
    Language: German
    Pages: 1 Online-Ressource (233 Seiten)
    Edition: 1. Auflage
    Series Statement: HipHop studies
    RVK:
    MS 8020
    RVK:
    LS 48650
    RVK:
    MS 2350
    Keywords: Gangsta-Rap ; Pop-Kultur ; Prekariat ; Neoliberalismus ; Geschlechterrolle ; Berichterstattung ; Massenmedien ; Deutschland
    Abstract: Long description: Als eines der erfolgreichsten Popmusikgenres bildet Gangstarap gesellschaftliche Konfliktlinien ab wie kaum eine andere symbolische Ordnung. Aus intersektionaler Perspektive und informiert durch Kritische Theorie und Cultural Studies entwickelt das Buch vier Argumente: Die kulturellen Formen des Gangstarap sind Ort eines Kampfes um Anerkennung in der postmigrantischen Gesellschaft, Ausdruck kompensatorischer Aufstiegsphantasien und Prekarisierungskritik, Versuch der Aktualisierung hegemonialer Männlichkeit sowie ein ›Boundary Object‹ pluraler Gesellschaften. - Quote: »Für die soziologische und kulturwissenschaftliche Auseinandersetzung dürfte sein Buch ein Standardwerk werden.« Sebastian Friedrich, NDR Kultur Journal, 20.5.2021 »›Soziologie des Gangstaraps‹ (Beltz/Juventa) ist ein Buch mit akademischem Anspruch, das allerdings ob seines Themas und seines Autoren gar nicht anders kann, als auch abseits von Seminaren interessant zu sein.« Linus Volkmann, musikexpress.de, 18.6.2021
    URL: http://www.content-select.com/index.php?id=bib_view&ean=9783779965794
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    HU Berlin
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  • 58
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    From Manchester with love : the life and opinions of Tony Wilson* : *aka Anthony H. Wilson ; written in 51 sections that prove how all dramatic truth contains fiction (2021)
    London : Faber
    Details
    ISBN: 9780571252497
    Language: English
    Pages: x, 604 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen, Karte, Porträts
    RVK:
    LP 95900
    RVK:
    LQ 84407
    RVK:
    LS 48635
    Keywords: Wilson, Anthony H. ; Hacienda ; Factory Records ; Geschichte 1950-2007 ; Musikproduzent ; Moderator ; Musikjournalist ; Unternehmer ; Großbritannien ; Wilson, Tony / 1950-2007 ; Factory Records (Firm) / History ; Haçienda (Nightclub) / History ; Sound recording executives and producers / Great Britain / Biography ; Producteurs d'enregistrements sonores / Grande-Bretagne / Biographies ; Factory Records (Firm) ; Haçienda (Nightclub) ; Sound recording executives and producers ; Great Britain ; Biography ; History ; Biografie ; Biografie ; Wilson, Anthony H. 1950-2007 ; Großbritannien ; Musikproduzent ; Unternehmer ; Moderator ; Musikjournalist ; Factory Records ; Hacienda ; Geschichte 1950-2007
    Abstract: Tony Wilson is one of the most legendary music industry figures of his generation. Nicknamed Mr Manchester, he transformed the Northern music scene as founder of Factory Records and the Haçienda nightclub after earning a cult following as a television presenter. Working with legendary bands such as Joy Division, New Order, and the Happy Mondays, Wilson was at the very heart of the Manchester music phenomenon and regenerated the culture of an entire city. Celebrated music journalist Paul Morley knew Wilson personally, and is uniquely placed to tell the fascinating and intimate story of his life. He explores Wilson's existence through the eyes of those closest to him, and offers a rare insight into his own personal papers and diaries
    Description / Table of Contents: Before -- It happens -- After
    Note: "Written in 51 sections that prove how all dramatic truth contains fiction. , Includes index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 59
    Online Resource
    Online Resource
    Singing like Germans : black musicians in the land of Bach, Beethoven, and Brahms (2021)
    Ithaca : Cornell University Press
    Details
    ISBN: 9781501759857
    Language: English
    Pages: 1 Online-Ressource (368 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.48428
    RVK:
    LB 48015
    RVK:
    LC 87015
    RVK:
    LR 11046
    Keywords: Geschichte 1870-1990 ; Musicians, Black Germany ; History ; 20th century ; Musicians, Black Austria ; History ; 20th century ; Musicians, Black Germany ; History ; 19th century ; Schwarze ; Musiker ; Österreich ; Deutschland ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
    URL: Click to View
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  • 60
    Book
    Book
    Transcending dystopia : Music, mobility, and the Jewish community in Germany, 1945-1989 (2021)
    New York : Oxford University Press
    Details
    ISBN: 9780197532973
    Language: English
    Pages: xxiii, 613 Seiten , Illustrationen , 243 mm
    Parallel Title: Erscheint auch als
    DDC: 780.8992404309045
    RVK:
    LS 33260
    Keywords: Geschichte 1945-1989 ; Musikleben ; Musiker ; Juden ; Deutschland ; Deutschland ; Musiker ; Juden ; Geschichte 1945-1989 ; Deutschland ; Musikleben ; Juden ; Geschichte 1945-1989
    Abstract: By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. Transcending Dystopia tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Author Tina Frühauf provides a kaleidoscopic panorama ofmusical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust.Drawing on newly unearthed sources from archives and private collections, this book covers a wide spectrum of musical activity-from its role in commemorations and community events to synagogue concerts and its presence on the radio-across the divided Germany until the Fall of the Wall in 1989. Frühauf's use of mobility as a conceptual framework reveals the myriad ways in which the reemergence of Jewish music in Germany was shaped by cultural transfer and exchange that often relied on thecirculation of musicians, their ideas, and practices within and between communities. By illuminating the centrality of mobility to Jewish experiences and highlighting how postwar Jewish musical practices in Germany were defined by politics that reached across national borders to the United States andIsrael, this pioneering study makes a major contribution to our understanding of Jewish life and culture in a transnational context
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Rezension  (H-Soz-Kult)
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Rezension  (H-Soz-Kult)
    URL: Inhaltsverzeichnis
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    Bayreuth UB
  • 61
    Book
    Book
    Red Metal : die Heavy-Metal-Subkultur der DDR (2021)
    Berlin : Ch.Links Verlag
    Details
    ISBN: 3962891382 , 9783962891381
    Language: German
    Pages: 334 Seiten , Illustrationen
    Edition: 2., durchgesehene Auflage
    Uniform Title: Red Metal (Heavy Metal als eine Subkultur der DDR)
    Dissertation note: Dissertation Universität Potsdam 2020
    DDC: 781.660943109048
    RVK:
    LS 48635
    RVK:
    LS 78635
    RVK:
    NQ 7010
    Keywords: Geschichte 1980-1990 ; Subkultur ; Heavy Metal ; Deutschland ; Beatkiste ; Berlin ; Blackout ; Bob Dylan ; Budapest ; DT 64 ; Disaster Area ; Feierabend ; Formel 1 ; Heavy Metal ; Jugendtanz ; Kulturpolitik ; Kutte ; Limbach-Oberfrohna ; Pop ; Schallplatte ; Skinhead ; Slayer ; Sodom ; Springsteen ; Stimme der DDR ; Subkultur ; Szene ; Tendenz Hard bis Heavy ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Heavy Metal ; Geschichte 1980-1990 ; Deutschland ; Heavy Metal ; Subkultur ; Geschichte 1980-1990
    URL: Inhaltstext
    URL: Rezension
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: Rezension
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    URL: Inhaltstext
    URL: Cover
    URL: Inhaltsverzeichnis
    URL: Rezension
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    URL: Cover
    URL: Inhaltsverzeichnis
    URL: Rezension
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    URL: Rezension
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    URL: Inhaltstext
    URL: Cover
    URL: Inhaltsverzeichnis
    URL: Rezension
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
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    MEK Berlin
  • 62
    Book
    Book
    Soziologie des Gangstarap : Popkultur als Ausdruck sozialer Konflikte (2021)
    Weinheim : Beltz Juventa
    Details
    ISBN: 9783779965787 , 377996578X
    Language: German
    Pages: 233 Seiten , 23 cm x 15.3 cm, 385 g
    Edition: 1. Auflage
    Series Statement: HipHop Studies
    Parallel Title: Erscheint auch als Seeliger, Martin, 1984 Soziologie des Gangstarap
    DDC: 306.4842490943
    RVK:
    LS 48650
    RVK:
    MS 2350
    RVK:
    MS 8020
    Keywords: Gangsta-Rap ; Pop-Kultur ; Prekariat ; Neoliberalismus ; Geschlechterrolle ; Berichterstattung ; Massenmedien ; Deutschland
    Note: Literaturverzeichnis: Seite 214-233
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
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  • 63
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    Richard Wagner & die Klezmerband : auf der Suche nach dem neuen jüdische Sound in Deutschland (2021)
    Berlin : Ariella Verlag
    Details
    ISBN: 9783945530382
    Language: German
    Pages: 264 Seiten , Illustrationen, Porträts , 22.5 cm x 16 cm
    RVK:
    LS 33100
    Keywords: Geschichte 1985-2021 ; Musikleben ; Juden ; Deutschland ; Jüdische Musik ; Musiker ; Interviews ; Russendisko ; Ukraine ; zeitgenössische jüdische Musikszene ; DJ ; Jüdische Musikszene Deutschlands ; jiddische Lieder ; Klezmer ; Jüdische Musik in Deutschland ; Interview ; Deutschland ; Juden ; Musikleben ; Geschichte 1985-2021
    Note: Rezensiert in: Das Orchester 70 (2022), Heft 10, Seite 60 (Sabine Kreter)
    URL: Inhaltsverzeichnis
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  • 64
    Book
    Book
    Deutschfolk : Das Volksliedrevival in der BRDDR (2020)
    Rudolstadt : Stadt Rudolstadt
    Details
    ISBN: 9783981978131 , 3981978137
    Language: German
    Pages: 519 Seiten , Illustrationen , 23 cm x 16 cm, 1070 g
    Edition: 1. Auflage
    RVK:
    LC 86015
    RVK:
    LS 21000
    RVK:
    LS 22050
    Keywords: Geschichte ; Volkslied ; Folk music ; Deutschland ; Deutschland ; Deutschfolk ; Folk ; Deutschland ; Deutschland ; Volkslied ; Deutschland ; Volkslied ; Folk music ; Geschichte
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
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  • 65
    Book
    Book
    Sittin' in : jazz clubs of the 1940s and 1950s (2020)
    New York, NY : Harper Design, an imprint of Harper Collins Publishers
    Details
    ISBN: 9780062914705
    Language: English
    Pages: 256 Seiten
    RVK:
    LS 48100
    Keywords: Geschichte 1940-1960 ; Musiklokal ; Musikleben ; Jazz ; USA ; Jazz / United States / 1931-1940 ; Jazz / United States / 1941-1950 ; Nightclubs / United States / History / 20th century ; Jazz musicians / Interviews ; Jazz / Social aspects ; Jazz ; Jazz musicians ; Jazz / Social aspects ; Nightclubs ; United States ; 1900-1999 ; History ; Interviews ; Bildband ; Bildband ; Bildband ; USA ; Jazz ; Musiklokal ; Musikleben ; Geschichte 1940-1960
    Abstract: "Sittin' in brings to public view for the first time a rare collection of more than two hundred souvenir photographs and memorabilia from the most renowned jazz nightclubs in America in the 1940s and 1950s. In an era of segregation and Jim Crow laws, jazz nightclubs across the country were among the first places where Black and white people mixed in audiences and onstage. These remarkable images, detailed histories of each club, and first-person testimonies from those who performed and visited these seminal venues are your ticket inside an extraordinary world that gave root to change and greater personal expression, both musically and socially."--Back cover
    Description / Table of Contents: The East Coast. New York City ; Atlantic City ; Washington D.C. ; Boston -- The Midwest. Cleveland ; Detroit ; Chicago ; Kansas City ; St. Louis -- The West Coast. Los Angeles ; San Francisco
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
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  • 66
    Book
    Book
    A sound history : Lawrence Gellert, black musical protest, and white denial (2020)
    Amherst ; Boston : University of Massachusetts Press
    Details
    ISBN: 9781625345301 , 9781625345295
    Language: English
    Pages: xii, 220 Seiten
    Series Statement: American popular music
    Parallel Title: Erscheint auch als
    RVK:
    LQ 89307
    RVK:
    LC 87610
    RVK:
    LB 81350
    RVK:
    LB 31960
    Keywords: Gellert, Lawrence ; Geschichte ; Protestbewegung ; Folk music ; Afroamerikanische Musik ; African Americans / Music / History and criticism ; Folk music / United States / History and criticism ; Protest songs / United States / History and criticism ; Gellert, Lawrence / 1898-1979 ; Music / Historiography ; African Americans / Historiography ; Music / Political aspects / United States / History / 20th century ; Gellert, Lawrence / 1898-1979 ; African Americans / Historiography ; African Americans / Music ; Folk music ; Music / Historiography ; Music / Political aspects ; Protest songs ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Gellert, Lawrence 1898-1979 ; Afroamerikanische Musik ; Folk music ; Protestbewegung ; Geschichte
    Abstract: "Lawrence Gellert has long been a mysterious figure in American folk and blues studies, gaining prominence in the left-wing folk revival of the 1930s for his fieldwork in the U.S. South. A "lean, straggly-haired New Yorker," as Time magazine called him, Gellert was an independent music collector, without formal training, credentials, or affiliation. At a time of institutionalized suppression, he worked to introduce white audiences to a tradition of black musical protest that had been denied and overlooked by prior white collectors. By the folk and blues revival of the 1960s, however, when his work would again seem apt in the context of the civil rights movement, Gellert and his collection of Negro Songs of Protest were a conspicuous absence. A few leading figures in the revival defamed Gellert as a fraud, dismissing his archive of black vernacular protest as a fabrication-an example of left-wing propaganda and white interference. A Sound History is the story of an individual life, an excavation of African American musical resistance and dominant white historiography, and a cultural history of radical possibility and reversal in the defining middle decades of the U.S. twentieth century"--
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 67
    Book
    Book
    Deindustrialisation and popular music : Punk and "Post-Punk" in Manchester, Düsseldorf, Torino and Tampere (2020)
    London : Rowman & Littlefield International
    Details
    ISBN: 9781786607379
    Language: English
    Pages: viii, 212 Seiten
    Series Statement: Popular musics matter: social, political and cultural interventions
    Parallel Title: Erscheint auch als Bottà, Giacomo, 1974 - Deindustrialisation and Popular Music
    DDC: 781.66
    RVK:
    LS 48645
    Keywords: Popular music Social aspects ; History ; Punk rock music Social aspects ; History ; Post-punk music Social aspects ; History ; Deindustrialization ; Punk ; Postpunk ; Musikleben ; Manchester ; Düsseldorf ; Turin ; Tampere ; Europa ; Unterhaltungsmusik ; Deindustrialisierung
    Abstract: Introduction. Metal on Metal -- The Industrial City -- A Genealogy of 'Industrial City Music' -- Manchester -- Düsseldorf -- Torino -- Tampere -- Industrial Heritages -- From Vanishing Mediator to Cultural Catalyst : Music, Space and Place.
    Abstract: "The book offers a new and unique point of view on industrial cities and their popular music cultures based on interdisciplinary research and methods"--
    Note: Literaturverzeichnis: Seite 197-207
    URL: Rezension
    URL: Rezension
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    HU Berlin
    München BSB
    Weltkulturen Museum
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  • 68
    Book
    Book
    The Indian drum of the king-god and the pakhāvaj of Nathdwara (2020)
    London ; New York : Routledge, Taylor & Francis Group
    Details
    ISBN: 9780367370237
    Language: English
    Pages: ix, 190 Seiten , Illustrationen
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
    RVK:
    LS 39700
    Keywords: Geschichte ; Mridanga ; Mridanga / History ; Music / Religious aspects / Hinduism ; Music / India / Religious aspects ; Carnatic music / History and criticism ; Music and mythology / India ; Carnatic music ; Mridanga ; Music and mythology ; Music / Religious aspects ; Music / Religious aspects / Hinduism ; India ; Criticism, interpretation, etc ; History ; Mridanga ; Geschichte
    Abstract: "The book studies the evolution of the ancient drum mṛdaṅga into the pakhāvaj crossing more than two thousand years of history. While focusing on the Nathdwara school of pakhāvaj, the author, joins ethnographic, historical, religious and iconographic perspectives, to argue a multifaceted interpretation of the role and function of the pakhāvaj in royal courts, temples and contemporary stages; furthermore he offers the first analysis of the visual and narrative contents of its repertoire"--
    Description / Table of Contents: Introduction -- A drum between courts and temples -- The pakhāvaj in contemporary India -- Auspicious Drumming -- The drum of the King-God -- From mṛdaṅga to pakhāvaj -- The Nathdwara gharānā: playing the pakhāvaj for Nāthjī -- The repertoire -- The solo pakhāvaj recital
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  • 69
    Online Resource
    Online Resource
    Sun Ra's Chicago : Afrofuturism & the city (2020)
    Chicago ; London : The University of Chicago Press
    Details
    ISBN: 9780226732244
    Language: English
    Pages: 1 Online-Ressource (vii, 313 Seiten) , Illustrationen, Karten
    Series Statement: Historical studies of urban America
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48040
    Keywords: Sun Ra ; Geschichte 1946-1961 ; Afrofuturismus ; Chicago, Ill. ; Sun Ra ; African American musicians / Biography ; Afrofuturism ; Jazz / Illinois / Chicago / History and criticism ; South Side (Chicago, Ill.) / History / 20th century ; MUSIC / History & Criticism ; Sun Ra ; African American musicians ; Afrofuturism ; Jazz ; Illinois / Chicago ; 1900-1999 ; Biographies ; Criticism, interpretation, etc ; History ; Biografie ; Biografie ; Sun Ra Jazzmusiker 1914-1993 ; Chicago, Ill. ; Afrofuturismus ; Geschichte 1946-1961
    Abstract: "William T. Sites details the life of visionary musician Sun Ra in Chicago, from 1946 until 1961. Sun Ra's South Side was a site of unorthodox religious and cultural activism where Afrocentric philosophies flourished, storefront prophets sold "dream-book bibles," and Elijah Muhammad was building the Nation of Islam. It was also an unruly musical crossroads where styles circulated and mashed together in clubs and community dancehalls. Sun Ra drew from a vast array of intellectual sources (radical nationalism, antinomian Christianity, black mythology, and science fiction) and from multiple musical traditions (swing, jazz, blues, Latin dance music, "space-age pop," and other exotica) to promulgate visions of the city that did not conform to the orthodoxies of metropolitan elites, black or white"--
    DOI: 10.7208/9780226732244
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 70
    Book
    Book
    Hip-hop en français : an exploration of hip-hop culture in the Francophone world (2020)
    Lanham, Maryland ; Boulder ; New York : London : Rowman & Littlefield Publishing Group
    Details
    ISBN: 9781538116326
    Language: English
    Pages: XXV, 233 Seiten
    Parallel Title: Online version Hip hop en français
    RVK:
    LS 48000
    RVK:
    LS 48650
    Keywords: Geschichte 1990-2020 ; Musikleben ; Hip-Hop ; Soziale Identität ; Rap ; Französisches Sprachgebiet ; Rap (Music) / France / History and criticism ; Rap (Music) / French-speaking countries / History and criticism ; Hip-hop / France / History ; Hip-hop / French-speaking countries / History ; Hip-hop ; Rap (Music) ; France ; French-speaking countries ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Criticism, interpretation, etc ; History ; Französisches Sprachgebiet ; Hip-Hop ; Rap ; Musikleben ; Soziale Identität ; Geschichte 1990-2020
    Abstract: "This edited volume presents an overview of the emergence and development of hip-hop culture in France, French Caribbean, Canada, and Francophone Africa from its origins until today. Contributors discuss the artists' interactions with media arts, social media, literature, race, political landscapes, as well as hip-hop based education"--
    URL: Inhaltsverzeichnis
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    HU Berlin
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  • 71
    Book
    Book
    The velvet mafia : the gay men who ran the swinging sixties (2020)
    London : Omnibus Press
    Details
    ISBN: 9781787602311
    Language: English
    Pages: 348 Seiten , 16 ungezählte Seiten Tafeln , Illustrationen, Portraits
    RVK:
    LS 48015
    RVK:
    LQ 84007
    Keywords: Geschichte 1955-1970 ; Unterhaltungsmusiker ; Homosexualität ; LGBT ; Musikbranche ; Großbritannien ; lesbian/gay/bisexual,transgender/transsexual plus studies ; History of music & musical styles ; Musical criticism & theory ; Gay musicians / Great Britain ; Rock music / Great Britain / History / 20th century ; Popular music / Social aspects / Great Britain ; Nineteen sixties ; Great Britain / Social conditions / 1945- ; Gay musicians ; Nineteen sixties ; Popular music / Social aspects ; Rock music ; Social conditions ; Great Britain ; Since 1900 ; History ; Großbritannien ; Unterhaltungsmusiker ; Musikbranche ; LGBT ; Homosexualität ; Geschichte 1955-1970
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
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  • 72
    Book
    Book
    Könnt ihr uns hören? : eine Oral History des deutschen Rap (2020)
    Berlin : Ullstein
    Details
    ISBN: 9783548062488 , 3548062482
    Language: German
    Pages: 463 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen , 19 cm, 346 g
    Edition: Ungekürzte Ausgabe im Ullstein Taschenbuch, 1. Auflage
    Additional Information: In Beziehung stehende Ressource 9783843718615
    Additional Information: In Beziehung stehende Ressource 9783843708609
    Additional Information: In Beziehung stehende Ressource 9783843718769
    Parallel Title: Erscheint auch als Bortot, Davide Könnt ihr uns hören?
    DDC: 782.421649
    RVK:
    LS 48650
    Keywords: Geschichte 1983-2019 ; Hip-Hop ; Rapmusiker ; Rap ; Deutschland ; Hip Hop ; Rap ; Deutschrap ; neue Sachbücher ; erzählendes Sachbuch ; Sachbücher des Monats ; aktuelle Sachbücher ; Musik ; Popkultur ; Subkultur ; Punk ; Techno ; Verschwende deine Jugend ; Der Klang der Familie ; Max Herre ; Fanta 4 ; Fanta vier ; fantastische vier ; Konzert ; Absolute Beginner ; Peter Fox ; Seed ; Sido ; KIZ ; K.I.Z. ; Samy Deluxe ; Kool Savas ; Marteria ; Casper ; Cro ; Cora E. ; Torch ; Haiyiti ; Bonez MC ; Freundeskreis ; Bücher Neuerscheinung 2019 ; Neuerscheinungen 2019 ; Musikbücher ; oral history ; Musikbuch ; Musiker ; Musikerin ; HipHop ; Jugendkultur ; 90er Jahre ; Wenn der Vorhang fällt ; Bestseller ; Spiegel Bestseller ; Deutschland ; Rap ; Hip-Hop ; Rapmusiker ; Geschichte 1983-2019
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 73
    Book
    Book
    Musik & politischer Konflikt aus der Türkei : kurdische, alevitische und linke Musik in Deutschland (2020)
    Bielefeld : transcript
    Details
    ISBN: 9783837654769 , 3837654761
    Language: German
    Pages: 232 Seiten , Illustrationen
    Series Statement: Kultur und soziale Praxis
    Dissertation note: Dissertation Universität zu Köln
    DDC: 780.032
    RVK:
    LS 38550
    Keywords: Kurden ; Aleviten ; Türken ; Politischer Konflikt ; Musik ; Protest ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    URL: http://www.transcript-verlag.de/978-3-8376-5476-9
    URL: Inhaltsverzeichnis
    URL: Unbekannt
    URL: Inhaltsverzeichnis
    URL: http://www.transcript-verlag.de/978-3-8376-5476-9
    URL: http://www.transcript-verlag.de/978-3-8376-5476-9
    URL: http://www.transcript-verlag.de/978-3-8376-5476-9
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  • 74
    Image
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    Provincial headz : British hip hop and critical regionalism (2020)
    Sheffield, South Yorkshire ; Bristol, CT : Equinox Publishing
    Details
    ISBN: 9781781796450 , 9781781796443
    Language: English
    Pages: XVI, 339 Seiten , Illustrationen , 24 cm
    Series Statement: Transcultural music studies
    Parallel Title: Online version Paor-Evans, Adam de, author Provincial headz
    RVK:
    LS 48650
    Keywords: Geschichte ; Hip-Hop ; Regionalismus ; Rap ; Großbritannien ; Rap (Music) / Great Britain / History and criticism ; Hip-hop / Great Britain / History / 20th century ; Hip-hop ; Rap (Music) ; Great Britain ; 1900-1999 ; Criticism, interpretation, etc ; History ; Großbritannien ; Hip-Hop ; Rap ; Regionalismus ; Geschichte
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 75
    Image
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    Die Technisierung der Klangwelt : Phonographen im Deutschen Museum (2020)
    München : Deutsches Museum
    Details
    ISBN: 9783940396914 , 3940396915
    Language: German
    Pages: 233 Seiten , 31 cm
    Edition: 1. Auflage
    DDC: 740
    RVK:
    LH 36170
    RVK:
    LH 36170
    RVK:
    LR 55650
    RVK:
    LB 20015
    RVK:
    LC 11000
    RVK:
    LC 11015
    RVK:
    LC 13000
    RVK:
    LC 13015
    RVK:
    LC 87000
    RVK:
    ZG 8940
    RVK:
    ZG 8756
    Keywords: Deutsches Museum von Meisterwerken der Naturwissenschaft und Technik ; Geschichte ; Technischer Fortschritt ; Phonograph ; Deutschland ; Grammophon ; Tontechnik ; edison ; Bildband ; Katalog ; Katalog ; Bildband ; Bildband ; Katalog ; Deutsches Museum von Meisterwerken der Naturwissenschaft und Technik ; Phonograph ; Geschichte ; Deutschland ; Phonograph ; Technischer Fortschritt ; Geschichte
    Note: Rezensiert in: Zeitschrift für Volkskunde, 117. Jahrgang (2021), 1, Seite 107-109 (Maximilian Jablonowski, Zürich) ; Rezensiert in: Bayerisches Jahrbuch für Volkskunde 2022, Seite 174-175 (Josef Focht, Leipzig)
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 76
    Online Resource
    Online Resource
    Deindustrialisation and popular music : punk and 'post-punk' in Manchester, Düsseldorf, Torino and Tampere (2020)
    London ; New York : Rowman & Littlefield International
    Details
    ISBN: 9781786607386
    Language: English
    Pages: 1 Online-Ressource (viii, 213 Seiten)
    Series Statement: Popular musics matter: social, political and cultural interventions
    Parallel Title: Erscheint auch als
    RVK:
    LB 42005
    RVK:
    LB 71005
    RVK:
    LC 27005
    RVK:
    LC 87005
    RVK:
    LS 48645
    Keywords: Geschichte 1980-1990 ; Musikleben ; Punk ; Punk Rock ; Großstadt ; Deindustrialisierung ; Heavy Metal ; Postpunk ; Sozialer Wandel ; Europa ; Tampere ; Turin ; Manchester ; Düsseldorf ; Popular music / Social aspects / Europe / History ; Punk rock music / Social aspects / Europe / History ; Post-punk music / Social aspects / Europe / History ; Deindustrialization / Europe ; Deindustrialization ; Popular music / Social aspects ; Europe ; Electronic books ; History ; Turin ; Tampere ; Manchester ; Düsseldorf ; Deindustrialisierung ; Punk ; Heavy Metal ; Musikleben ; Sozialer Wandel ; Geschichte 1980-1990 ; Europa ; Großstadt ; Deindustrialisierung ; Punk Rock ; Postpunk ; Musikleben ; Sozialer Wandel
    Abstract: "The book offers a new and unique point of view on industrial cities and their popular music cultures based on interdisciplinary research and methods"--
    Description / Table of Contents: Introduction. Metal on Metal -- The Industrial City -- A Genealogy of 'Industrial City Music' -- Manchester -- Düsseldorf -- Torino -- Tampere -- Industrial Heritages -- From Vanishing Mediator to Cultural Catalyst : Music, Space and Place
    URL: Volltext
    URL: Volltext
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    München UB
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  • 77
    Book
    Book
    Jazz unter Kontrolle des Systems : die Entwicklung des Jazz in der DDR nach dem Mauerbau (2020)
    Berlin : Peter Lang GmbH
    Details
    ISBN: 9783631806432 , 3631806434
    Language: German
    Pages: 202 Seiten , Illustrationen, Notenbeispiele , 21 cm x 14.8 cm, 339 g
    Series Statement: Jazz under state socialism 7
    Series Statement: Jazz under state socialism
    Parallel Title: Erscheint auch als Weißenbacher, Katharina Jazz unter Kontrolle des Systems
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität für Musik und darstellende Kunst Graz 2018
    DDC: 781.650943109046
    RVK:
    LS 48100
    RVK:
    LQ 80407
    RVK:
    LS 48100
    RVK:
    LQ 80407
    Keywords: Geschichte 1961-1976 ; Jazz ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Jazz ; Geschichte 1961-1976
    URL: Inhaltstext
    URL: Unbekannt
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Unbekannt
    URL: Inhaltsverzeichnis
    URL: http://deposit.dnb.de/cgi-bin/dokserv?id=fed1d66c778b45a8b6310a8a89e28f1e&prov=M&dok_var=1&dok_ext=htm
    URL: https://d-nb.info/1209765292/04
    URL: http://deposit.dnb.de/cgi-bin/dokserv?id=fed1d66c778b45a8b6310a8a89e28f1e&prov=M&dok_var=1&dok_ext=htm
    URL: https://www.peterlang.com/view/product/91107?format=HC
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Unbekannt
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  • 78
    Book
    Book
    The Beatles and Sixties Britain (2020)
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    Details
    ISBN: 9781108477246
    Language: English
    Pages: xviii, 365 Seiten , 10 Illustrationen , 26 cm
    Parallel Title: Online version Collins, Marcus, 1971- The Beatles and sixties Britain
    DDC: 782.42166092/2
    RVK:
    LS 48040
    Keywords: The Beatles ; Geschichte 1960-1970 ; Politik ; Soziokultur ; Großbritannien ; Beatles ; Popular music / Social aspects / Great Britain / History / 20th century ; Popular music / Great Britain / 1961-1970 / History and criticism ; Nineteen sixties ; Beatles ; Nineteen sixties ; Popular music ; Popular music / Social aspects ; Great Britain ; 1900-1999 ; Criticism, interpretation, etc ; History ; Großbritannien ; The Beatles ; Soziokultur ; Politik ; Geschichte 1960-1970
    Abstract: "This book seeks to understand what the Beatles meant to people in 1960s Britain. It argues that they were iconic, divisive, atypical and prefigurative: themes introduced and illustrated in the preface using contemporary cartoons. Their depiction as icons in the 1964 Daily Mail cartoon contrasted starkly with their first appearance in a Fleet Street cartoon twelve months previously, when theirs was one of a barrage of British records raining down on the Kremlin in a display of soft power. They received minor billing in February 1963 compared to Susan Maughan, Helen Shapiro, Cliff Richard, Adam Faith, Marty Wilde and the Tornados, as befitted a band whose second single (Please Please Me) was competing for the number one spot with Frank Ifield's The Wayward Wind (1963). Over the following year, they achieved what commentators agreed to be an unprecedented celebrity"--
    Description / Table of Contents: The Other Sixties : An Anti-Permissive Permissive Society? -- Society, 1963-65 : The Beatles and Modernity -- Society, 1966-70 : The Beatles Go Too Far -- Culture : The Beatles as Artists -- Politics : The Beatles, Parliament and Revolution
    URL: Inhaltsverzeichnis
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  • 79
    Book
    Book
    Östlich der Elbe : Songs und Bilder 1970-2013 (2020)
    Berlin : Christoph Links Verlag GmbH
    Details
    ISBN: 9783962890827
    Language: German
    Pages: 350 Seiten , Illustrationen , 30 cm x 24 cm
    Edition: 1. Auflage
    DDC: 782.4216409431
    RVK:
    LS 48060
    Keywords: Geschichte 1990-2013 ; Geschichte 1970-1990 ; Rockmusik ; Popmusik ; Deutschland ; Deutschland ; Deutschland ; DDR ; Rockmusik ; Songtexte ; Liedermacher ; Wolfgang Herzberg ; Christian Kunert ; Flake Lorenz ; Bernd Rump ; Hans-Eckardt Wenzel ; Peter Wicke ; Ulrich Burchert ; Kurt Demmler ; Gerhard Gundermann ; Gerulf Pannach ; Gerhard Schöne ; Bettina Wegner ; Silly ; City ; Pankow ; Renft ; Puhdys ; Feeling B ; Ostdeutschland ; Anthologie ; Anthologie ; Anthologie ; Anthologie ; Bildband ; Aufsatzsammlung ; Anthologie ; Deutschland ; Popmusik ; Rockmusik ; Geschichte 1970-1990 ; Deutschland ; Popmusik ; Rockmusik ; Geschichte 1990-2013
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Rezension
    URL: Rezension
    URL: Rezension
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Rezension
    URL: Rezension
    URL: Rezension
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  • 80
    Online Resource
    Online Resource
    It's a London thing : how rare groove, acid house and jungle remapped the city (2020)
    Manchester : Manchester University Press
    Details
    ISBN: 9781526131249
    Language: English
    Pages: 1 Online-Ressource (296 pages)
    Parallel Title: Erscheint auch als Melville, Caspar It's a London thing : how rare groove, acid house and jungle remapped the city
    DDC: 780.94109034
    RVK:
    LS 48060
    RVK:
    NR 8640
    Keywords: Geschichte 1995-2020 ; Music Social aspects 19th century ; History ; Musikleben ; Sozialer Wandel ; Schwarze ; London ; London ; Schwarze ; Musikleben ; Sozialer Wandel ; Geschichte 1995-2020
    Note: Description based on print version record
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  • 81
    Book
    Book
    European Echoes: Jazz Experimentalism in Germany, 1950-1975 (2020)
    Hofheim : Wolke
    Details
    ISBN: 9783955931186
    Language: English
    Pages: 255 Seiten , Illustrationen
    DDC: 781.6550943
    RVK:
    LS 48100
    Keywords: Geschichte 1950-1975 ; Jazz ; Experimentelle Musik ; Deutschland
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
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  • 82
    Online Resource
    Online Resource
    Musik & politischer Konflikt aus der Türkei : Kurdische, alevitische und linke Musik in Deutschland (2020)
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9783839454763
    Language: German
    Pages: 1 Online-Ressource (234 Seiten)
    Series Statement: Kultur und soziale Praxis
    RVK:
    LS 38550
    Keywords: Kurden ; Aleviten ; Türken ; Politischer Konflikt ; Musik ; Protest ; Alevis ; Aleviten ; Cultural Anthropology ; Cultural Studies ; Kulturanthropologie ; Kurden ; Kurds ; Migration ; Music ; Musicology ; Musik ; Musikwissenschaft ; Politics ; Politik ; Protest Music ; Protestmusik ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: In Deutschland leben zahlreiche Musiker*innen aus der Türkei, die in ihrem Herkunftsland aus politischen Gründen nicht uneingeschränkt leben und musizieren könnten. Sie verließen die Türkei aufgrund des Militärputsches von 1980, der Diskriminierung ihrer kurdischen und/oder alevitischen Identität oder des gescheiterten Gezi-Protests und erneuter Einschränkungen von Minderheitsgruppierungen im Musikleben. Kirsten Seidlitz untersucht, wie sie von Deutschland aus mit ihrem musikalischen Schaffen politisch kommentieren, inwiefern die deutsche Gesellschaft mit Musik erreicht, aufgeklärt und beeinflusst werden kann, und ob die in Deutschland produzierte Musik zurück in die Türkei gelangt.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020)
    DOI: 10.1515/9783839454763
    URL: https://doi.org/10.1515/9783839454763?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9783839454763
    URL: Cover
    URL: kostenfrei
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 83
    Book
    Book
    The northern soul scene (2019)
    Sheffield : Equinox Publishing
    Details
    ISBN: 9781781795583 , 9781781795576 , 9781781795583
    Language: English
    Pages: 353 Seiten
    Series Statement: Studies in popular music
    Parallel Title: Erscheint auch als
    DDC: 781.64409427
    RVK:
    LS 48060
    RVK:
    LQ 84307
    RVK:
    LS 48640
    Keywords: Geschichte 1970- ; Soul (Music) History and criticism ; Soul (Music) Social aspects ; History ; Musikleben ; Soul ; England ; Midlands ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; England Nord ; Midlands ; Soul ; Musikleben ; Geschichte 1970-
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 84
    Book
    Book
    Henry Cow : the world is a problem (2019)
    Durham ; London : Duke University Press
    Details
    ISBN: 9781478004660 , 9781478004059
    Language: English
    Pages: xiii, 494 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    LS 48040
    Keywords: Henry Cow ; Geschichte 1968-1978 ; Jazz ; Rockgruppe ; Experimentelle Musik ; Progressive Rock ; Großbritannien ; Henry Cow (Musical group) ; Avant-garde (Music) / England / 20th century / History and criticism ; Music / Political aspects / History / 20th century ; Music / 20th century / Philosophy and aesthetics ; Rock musicians / Interviews ; Avant-garde (Music) ; Music / Philosophy and aesthetics ; Music / Political aspects ; Rock musicians ; England ; 1900-1999 ; Criticism, interpretation, etc ; History ; Interviews ; Biografie ; Biografie ; Henry Cow ; Großbritannien ; Rockgruppe ; Progressive Rock ; Jazz ; Experimentelle Musik ; Geschichte 1968-1978
    Abstract: In its open improvisations, lapidary lyrics, errant melodies, and relentless pursuit of spontaneity, the British experimental band Henry Cow pushed rock music to its limits. The band's rotating personnel, sprung from rock, free jazz, and orchestral worlds, synthesized a distinct sound that troubled genre lines, and with this musical diversity came a mixed politics, including Maoism, communism, feminism, and Italian Marxism. In Henry Cow: The World is a Problem Benjamin Piekut tells the band's story-from its founding in Cambridge in 1968 and later affiliation with Virgin Records to its demise ten years later-and analyzes its varied efforts to link aesthetics with politics. Drawing on ninety interviews with Henry Cow musicians and crew, letters, notebooks, scores, journals, and meeting notes, Piekut traces the group's pursuit of a political and musical collectivism, offering up its history as but one example of the vernacular avant-garde that emerged in the decades after World War II. Henry Cow's story resonates far beyond its inimitable music; it speaks to the avant-garde's unpredictable potential to transform the world. -- Back cover
    Description / Table of Contents: You can't play this music at Cambridge (1968-73) -- Faust and the virgins (1973) -- Contentment is hopeless, unrest is progress (1974) -- Death to the individual : Slapp Happy (1974-75) -- Europa (1975- 76) -- The roads leading to Rome (1976-77) -- No joy anymore : London 1977 -- Henry Cow always had to be Henry Cow
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 85
    Book
    Book
    Billie Holiday : essays on the artistry and legacy (2019)
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    Details
    ISBN: 9781476674698
    Language: English
    Pages: viii, 169 Seiten
    Parallel Title: Erscheint auch als
    DDC: 782.42165092
    RVK:
    LS 48040
    Keywords: Holiday, Billie ; Holiday, Billie / 1915-1959 ; Holiday, Billie / 1915-1959 / Influence ; Holiday, Billie / 1915-1959 / Criticism and interpretation ; Civil rights movements / United States / History / 20th century ; Civil rights movements / United States / History / 21st century ; African American women jazz singers / Biography ; Women jazz singers / Biography ; Jazz singers / United States / Biography ; Holiday, Billie / 1915-1959 ; African American women jazz singers ; Civil rights movements ; Influence (Literary, artistic, etc.) ; Jazz singers ; Women jazz singers ; United States ; 1900-2099 ; Biography ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Holiday, Billie 1915-1959
    Abstract: ""Eleanora "Lady Day" Fagan, better known as Billie Holiday, played a primary role in the development of American jazz culture and in African American history. Devoted to the enduring jazz icon, covering many aspects of her career, image and legacy, these essays range from musical and vocal analyses, to critical assessments of film depictions of the singer, to analysis of the social movements and protests addressed by her signature songs, including her impact on contemporary movements such as #BlackLivesMatter. More than a century after her birth, Billie Holiday's abiding relevance and impact is a testament to the power of musical protest. This collection pays tribute to her creativity, bravery and lasting legacy."--
    Description / Table of Contents: Introduction / Jessica McKee and Michael V. Perez -- In stereotragic hi-fidelity : performing Billie Holiday / Michael V. Perez -- Billie reverberates her blues : advertising Love for sale that costs More than you know / Tammie Jenkins -- Lady sings the blues? : tragedy, autobiography and reassessment / Anna Maria Barry -- Merging artists : the legacy of Motown's Lady sings the blues / Claudius Stemmler -- "Owning" Billie Holiday in several representative jazz poems / William Levine -- Brigitte loves Billie : channeling Holiday in Domino (1988) / Fernando Gabriel Pagnoni Berns -- Seeing is believing? : reading Billie Holiday through photography / Matthew Duffus -- Shouting back : cohering Lady Day through Kevin Young's jazz poem anthology / Taylor Joy Mitchell -- Reevaluating Lady sings the blues and What's love got to do with it : ambivalent representations of black female artistry / Jesse Schlotterbeck -- Easy to love : representations of Billie Holiday in contemporary American poetry / Tara Betts -- The fruit is on the ground : the impact of "Strange fruit" on Black Lives Matter / Devona Mallory
    URL: Inhaltsverzeichnis
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  • 86
    Book
    Book
    Könnt ihr uns hören? : eine Oral History des deutschen Rap (2019)
    Berlin : Ullstein fünf
    Details
    ISBN: 9783961010189
    Language: German
    Pages: 463 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen , 21 cm, 586 g
    Edition: 4. Auflage
    DDC: 782.4216490943
    RVK:
    LS 48650
    Keywords: Geschichte 1983-2019 ; Hip-Hop ; Rapmusiker ; Deutschland ; Deutschland ; Hip-Hop ; Rapmusiker ; Geschichte 1983-2019
    Note: Hier auch später erschienene unveränderte Nachdrucke
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  • 87
    Image
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    Lunch with the wild frontiers : a history of Britpop and excess in 131/2 chapters (2019)
    London, England : Jawbone Press
    Details
    ISBN: 9781911036494
    Language: English
    Pages: 270 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen , 22
    Edition: First edition
    RVK:
    LQ 84007
    RVK:
    LS 48635
    Keywords: Geschichte 1990-2000 ; Musikleben ; Britpop ; Großbritannien ; Savidge Phill ; Alternative rock music / Great Britain / History and criticism ; Popular music / 1991-2000 / History and criticism ; Alternative rock musicians / Great Britain ; Popular music / Great Britain / History and criticism ; Popular culture / Great Britain / History / 20th century ; Alternative rock music ; Alternative rock musicians ; Popular culture ; Popular music ; Great Britain ; 1900-2000 ; Criticism, interpretation, etc ; History ; Großbritannien ; Britpop ; Musikleben ; Geschichte 1990-2000
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 88
    Book
    Book
    Könnt ihr uns hören? : eine Oral History des deutschen Rap (2019)
    Berlin : Ullstein fünf
    Details
    ISBN: 9783961010189
    Language: German
    Pages: 463 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen , 21 cm, 586 g
    Edition: 3. Auflage
    DDC: 782.4216490943
    RVK:
    LS 48650
    Keywords: Geschichte 1983-2019 ; Rapmusiker ; Hip-Hop ; Deutschland ; Interview ; Anthologie ; Deutschland ; Hip-Hop ; Rapmusiker ; Geschichte 1983-2019
    Note: Hier auch später erschienene unveränderte Nachdrucke
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 89
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    Book
    Kein Land in Sicht : Gespräche mit Liedermachern und Kabarettisten der DDR (1989-1992) (2019)
    Berlin : Ch. Links Verlag
    Details
    ISBN: 9783962890384 , 3962890386
    Language: German
    Pages: 335 Seiten , 21 cm x 14.3 cm
    Edition: 1. Auflage
    DDC: 792.70922431
    RVK:
    LS 48620
    Keywords: Geschichte 1989-1992 ; Friedliche Revolution in der DDR ; Deutschland ; Kabarettist ; Liedermacher ; Deutschland ; Deutschland ; DDR ; Liedermacher ; Kabarett ; Musik ; Ostdeutschland ; Friedliche Revolution ; Wende ; Interviews ; Biografien ; Gerd Eggers ; Gina Pietsch ; Martin Miersch ; Edgar Harter ; Gerhard Gundermann ; Arno Schmidt ; Gisela Oechelhaeuser ; Gisela May ; Dieter Kalka ; Bettina Wegner ; Hans-Eckart Wenzel ; Barbara Kellerbauer ; Jürgen Walter ; Perry Friedman ; Peter Ensikat ; Udo Magister ; Annekathrin Bürger ; Norbert Bischoff ; Gerd Krambehr ; Bianca Tänzer ; Jörg Sobiella ; Stefan Körbel ; Rainer Schulze ; Matthias Görnandt ; Jens Quandt ; Stephan Krawczyk ; Dirk Michaelis ; Gisela Kraft ; Interview 1989-1992 ; Interview ; Aufsatzsammlung ; Interview 1989-1992 ; Interview 1989-1992 ; Interview ; Aufsatzsammlung ; Liedermacher ; Kabarettist ; Friedliche Revolution in der DDR ; Deutschland ; Geschichte 1989-1992 ; Deutschland ; Kabarettist ; Liedermacher ; Deutschland ; Kabarettist ; Liedermacher
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: Cover
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 90
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    Alpenstimmung : musikalische Beziehung zwischen Alphorn und Jodel - Fakt oder Ideologie? (2019)
    Zürich : Chronos
    Details
    ISBN: 9783034015301 , 3034015305
    Language: German
    Pages: 231 Seiten , Notenbeispiele, Karten, Diagramme
    RVK:
    LS 27640
    Keywords: Alphornspiel ; Kuhreigen ; Jodeln ; Volksmusik ; Deutschland ; Schweiz ; Österreich ; Hardback ; Alpenraum ; Alphorn ; Hirtenlieder ; Jodeln ; Kuhreihen ; Volksmusik ; 1593: Hardcover, Softcover / Musik/Musikgeschichte ; Jodeln ; Alphornspiel ; Kuhreigen ; Volksmusik ; Schweiz ; Österreich ; Deutschland ; Jodeln ; Alphornspiel ; Kuhreigen ; Volksmusik
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 91
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    Book
    "Play yourself, man!" : die Geschichte des Jazz in Deutschland (2019)
    Ditzingen : Reclam
    Details
    ISBN: 9783150112274 , 3150112273
    Language: German
    Pages: 528 Seiten , Illustrationen
    RVK:
    LQ 80107
    RVK:
    LS 48100
    RVK:
    NK 4755
    Keywords: Geschichte 1917-2019 ; Jazz ; Deutschland
    Note: Literaturverzeichnis Seite 503-510
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
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    URL: Inhaltsverzeichnis
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  • 92
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    Book
    Anti-music : jazz and racial blackness in German thought between the wars (2018)
    Albany, NY : SUNY Press
    Details
    ISBN: 9781438469874 , 9781438469867
    Language: English
    Pages: xxvi, 200 Seiten , Illustrationen , 23 cm
    Series Statement: SUNY series, philosophy and race
    Parallel Title: Erscheint auch als
    DDC: 781.65089/96073043
    RVK:
    LR 57727
    RVK:
    LS 48100
    RVK:
    LQ 80107
    Keywords: Geschichte 1918-1939 ; Philosophy, German 20th century ; Jazz History and criticism 20th century ; Blacks Race identity 20th century ; History ; Jazz ; Schwarze ; Nationalsozialismus ; Ethnische Identität ; Afroamerikanische Musik ; Deutschland ; Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Abstract: Anti-Music examines the critical, literary, and political responses to African American jazz music in interwar Germany. During this time, jazz was the subject of overt political debate between left-wing and right-wing interests: for the left, jazz marked the death knell of authoritarian Prussian society; for the right, jazz was complicit as an American import threatening the chaos of modernization and mass politics. This conflict was resolved in the early 1930s as the left abandoned jazz in the face of Nazi victory, having come to see the music in collusion with the totalitarian culture industry. Mark Christian Thompson recounts the story of this intellectual trajectory and describes how jazz came to be associated with repressive, virulently racist fascism in Germany. By examining writings by Hermann Hesse, Bertolt Brecht, T.W. Adorno, and Klaus Mann, and archival photographs and images, Thompson brings together debates in German, African American, and jazz studies, and charts a new path for addressing antiblack racism in cultural criticism and theory. - Mark Christian Thompson is Professor of English at Johns Hopkins University and the author of Black Fascisms: African American Literature and Culture between the Wars and Kafka’s Blues: Figurations of Racial Blackness in the Construction of an Aesthetic. (Klappentext)
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 93
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    Book
    Der Komponist Gerd Natschinski : der Meister von Musical, Filmmusik und Schlager in der DDR (2018)
    Hamburg : tredition GmbH
    Details
    ISBN: 9783746974538 , 9783746974545
    Language: German
    Pages: 427 Seiten , Illustrationen, Notenbeispiele
    RVK:
    LS 48040
    RVK:
    LS 48615
    RVK:
    LQ 80107
    Keywords: Natschinski, Gerd ; Komponist ; Filmmusik ; Schlager ; Deutschland ; Biografie ; Werkverzeichnis ; Biografie ; Biografie ; Werkverzeichnis ; Diskografie ; Biografie ; Biografie ; Biografie ; Werkverzeichnis ; Diskografie ; Natschinski, Gerd 1928-2015 ; Schlager ; Filmmusik ; Komponist ; Deutschland
    Note: Abweichender Untertitel auf dem Umschlag: Musical, Filmmusik und Schlager in der DDR
    URL: http://www.folkwang-uni.de/fileadmin/medien/Downloads/Bibliothek/Inhaltsverzeichnisse/HT020040594.pdf
    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Cover
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  • 94
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    Perspectives on German popular music (2018)
    London ; New York : Routledge, Taylor & Francis Group
    Details
    ISBN: 9781138363069 , 9781472479624
    Language: English
    Pages: xvii, 320 Seiten , Illustrationen
    Edition: First issued in paperback
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
    RVK:
    LQ 80107
    RVK:
    LS 48000
    RVK:
    LS 48060
    Keywords: Popular music History and criticism ; Unterhaltungsmusik ; Musiksoziologie ; Deutsch ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutsch ; Unterhaltungsmusik ; Musiksoziologie
    Abstract: In this book, native popular musicologists focus on their own popular music cultures from Germany, Austria and Switzerland for the first time: from subcultural to mainstream phenomena; from the 1950s to contemporary acts. Starting with an introduction and two chapters on the histories of German popular music and its study, the volume then concentrates on focused, detailed and yet concise close readings from different perspectives (including particular historical East and West German perspectives), mostly focusing on the music and its protagonists. Moreover, these analyses deal with very original specific genres such as Schlager and Krautrock as well as transcultural genres such as Punk or Hip Hop. There are additional chapters on characteristically German developments within music media, journalism and the music industry. The book will contribute to a better understanding of German, Austrian and Swiss popular music, and will interconnect international and especially Anglo-American studies with German approaches. The book, as a consequence, will show close connections between global and local popular music cultures and diverse traditions of study.
    Abstract: Michael Ahlers has studied music education, German, and musicology. He worked as an editor and ran a company for music production. His PhD was on human-machine interfaces in music production software. He is Professor of Music Education and Popular Music at the Leuphana University of Luneburg, Germany. His main research is on empirical music pedagogy, creativity and improvisation, as well as popular music studies. Christoph Jacke has studied communication and media, politics, and English. He has worked as a music journalist. He is Professor of Theory, Aesthetics and History of Popular Music, and Director of the BA and MA programme in Popular Music and Media at the Department of Music at the University of Paderborn, Germany. His research focus is on media, culture and communications theory, cultural studies, celebrity studies and popular music studies.
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  • 95
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    Female highlife performers in Ghana : expression, resistance, and advocacy (2018)
    Lanham ; Boulder ; New York ; London : Lexington Books
    Details
    ISBN: 9781498564663
    Language: English
    Pages: xvii, 172 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63082/09667
    RVK:
    LS 46720
    Keywords: Highlife (Music) History and criticism ; Women musicians ; Popular music Political aspects ; History ; Musikerin ; Highlife ; Ghana ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Ghana ; Highlife ; Musikerin
    Abstract: This book offers a detailed analysis of the history of female musicians in the Highlife music tradition of the Republic of Ghana, particularly the challenges and constraints these women faced and overcame. Highlife – a form of West African music infusing Ghana’s traditional Akan dance rhythms and melodies with European instruments and harmonies – grew in popularity throughout the 20th century and hit its peak in the 1970s and 1980s. Although women played significant roles in the evolution and survival of the genre, few of their contributions have been thoroughly explored or documented. Despite being disregarded and ignored in many spheres, female Highlife musicians thrived and became trailblazers in the Ghanaian music industry, making particularly vibrant contributions to Highlife music in the 1970s. This book presents the voices of female Highlife artists and documents the ideological transformations expressed through their musical works, exploring the challenges they confronted throughout their musical careers and their contributions to music and culture in Ghana. - Nana Abena Amoah-Ramey is adjunct assistant professor in the Department of African American and African diaspora studies at Indiana University.
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 96
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    Auf den Spuren von Martin Luther und der Reformation : Deutschland und Oberbayern : Personen, Orte, Kirche, Herrschaft, Leben, Bräuche, Volksgesang : ein Zwischenbericht über die Arbeiten zu diesem Thema am Volksmusikarchiv und in der Volksmusikpflege des Bezirks Oberbayern (2018)
    Bruckmühl : Volksmusikarchiv des Bezirks Oberbayern
    Details
    Language: German
    Pages: 544 Seiten , Notenbeispiele, Illustrationen, Karten
    Series Statement: Auf den Spuren von ... Heft 32
    Series Statement: Auf den Spuren von ...
    RVK:
    LC 87015
    RVK:
    LC 29015
    RVK:
    LB 27800
    RVK:
    LS 12200
    Keywords: Luther, Martin ; Geschichte ; Rezeption ; Reformation ; Deutschland ; Regierungsbezirk Oberbayern ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Luther, Martin 1483-1546 ; Reformation ; Deutschland ; Regierungsbezirk Oberbayern ; Rezeption ; Geschichte
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    München UB
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  • 97
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    Gundermann : von jedem Tag will ich was haben, was ich nicht vergesse ... Briefe, Dokumente, Interviews, Erinnerungen (2018)
    Berlin : Ch. Links Verlag
    Details
    ISBN: 9783962890117 , 3962890114
    Language: German
    Pages: 179 Seiten , Illustrationen, Portraits , 27 cm x 21 cm
    Parallel Title: Erscheint auch als
    DDC: 782.42092
    RVK:
    LS 48620
    RVK:
    NQ 7650
    Keywords: Gundermann, Gerhard ; Gundermann ; Geschichte 1955-1998 ; Liedermacher ; Deutschland ; Ostdeutschland ; DDR ; Gerhard Gundermann ; Andreas Dresen ; Laila Stiehler ; Alexander Scheer ; Axel Prahl ; Lutz Kerschowski ; Conny Gundermann ; Baggerfahrer ; Rockmusik ; Singegruppe ; Hoyerswerda ; Staatssicherheit ; Stasi ; SED ; Idealismus ; Musik ; Die Seilschaft ; Silly ; Aufsatzsammlung ; Biografie ; Interview ; Aufsatzsammlung ; Biografie ; Interview ; Aufsatzsammlung ; Biografie ; Interview ; Biografie ; Gundermann, Gerhard 1955-1998 ; Deutschland ; Liedermacher ; Geschichte 1955-1998 ; Gundermann
    Note: Hier auch später erschienene, unveränderte Nachdrucke
    URL: Inhaltstext
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    URL: Inhaltstext
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    URL: Inhaltstext
    URL: Rezension
    URL: Rezension
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  • 98
    Online Resource
    Online Resource
    Soundtracking Germany : popular music and national identity (2018)
    London : Rowman & Littlefield International | Birmingham, AL, USA : EBSCO Industries, Inc.
    Details
    ISBN: 9781786606235
    Language: English
    Pages: 1 Online-Ressource (ix, 277 Seiten) , Illustrationen
    Series Statement: Popular musics matter: social, political and cultural interventions
    DDC: 781.640943
    RVK:
    LC 87015
    RVK:
    LQ 80107
    RVK:
    LS 48015
    RVK:
    LS 48060
    Keywords: Geschichte 1945-2016 ; Unterhaltungsmusik ; Nationalbewusstsein ; Kulturelle Identität ; Identität ; Deutschland ; Deutschland ; Hochschulschrift
    Note: Bibliographie: Seite 235-262
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext
    URL: lizenzpflichtig
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  • 99
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    Bye bye, Lübben City : Bluesfreaks, Tramps und Hippies in der DDR (2018)
    Berlin : Schwarzkopf & Schwarzkopf
    Details
    ISBN: 9783862657087
    Language: German
    Pages: 675 Seiten , Illustrationen , 24 cm
    Edition: Erweiterte Neuausgabe
    DDC: 781.59208309431
    RVK:
    LS 48500
    Keywords: Geschichte 1970-1990 ; Jugendmusik ; Jugendprotest ; Jugendbewegung ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Jugendbewegung ; Jugendprotest ; Jugendmusik ; Geschichte 1970-1990 ; Deutschland ; Jugendbewegung ; Jugendprotest ; Jugendmusik ; Geschichte 1970-1990
    URL: https://d-nb.info/1158681658/04
    URL: http://d-nb.info/1158681658/04
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    HU Berlin
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  • 100
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    John Blacking and contemporary African musicology : reflections, reviews, analyses and prospects (2018)
    Cape Town : Centre for Advanced Studies of African Society (CASAS)
    Details
    ISBN: 9781920294212
    Language: English
    Pages: xvi, 240 Seiten , Illustrationen, Notenbeispiele
    Series Statement: CASAS book series no. 126
    Series Statement: CASAS book series
    RVK:
    LS 46000
    Keywords: Blacking, John ; Musikethnologie ; Afrika ; Blacking, John ; Ethnomusicology / Africa / History ; Musicology / Africa / History ; National songs / Africa ; Musicology ; Africa ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Blacking, John 1928-1990 ; Afrika ; Musikethnologie
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