ABSTRACT

Made in Germany: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary German popular music. Each essay, written by a leading scholar of German music, covers the major figures, styles, and social contexts of pop music in Germany and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Germany, followed by essays organized into thematic sections: Historical Spotlights; Globally German; Also "Made in Germany"; Explicitly German; and Reluctantly German.

chapter |15 pages

Introduction

DEUTSCHLAND! – Echt jetzt?: German Popular Music’s Complicated Relationship with German Identity

part I|41 pages

Historical Spotlights

part II|30 pages

Globally German

chapter 5|10 pages

The Krauts Are Coming

Electronic Music and Rock in the 1970s

chapter 6|9 pages

German Metal Attack

Power Metal in and from Germany

chapter 7|9 pages

German Longings

A Dialogue about the Promises and Dangers of National Stereotypes

part III|33 pages

Also “Made in Germany”

chapter 8|10 pages

Peepl Rock

Post-Soviet Popular Music in Germany

chapter 9|11 pages

Made in Almanya

The Birth of Turkish Rap 1

chapter 10|10 pages

G.I. Blues and German Schlager

The Politics of Popular Music in Germany during the Cold War

part IV|30 pages

Explicitly German

chapter 11|10 pages

Neue Deutsche Welle

Tactical Affirmation as a Strategy of Subversion

chapter 12|9 pages

“One Day You Will Wish We’d Only Played Music”

Some Remarks on Recent Developments of Germany’s RechtsRock Scene

chapter 13|9 pages

Hallo Blumenau, bom dia Brasil!

German Music beyond Germany

part |21 pages

Coda

chapter 17|10 pages

The Germaican Connection

German Reggae Abroad

chapter |9 pages

Standing up against Discrimination and Exclusion

An Interview with Kutlu Yurtseven (Microphone Mafia)