B3Kat (1/1)
Reform, notation and Ottoman music in early 19th century Istanbul
EuterpeKomponist: Sanlıkol, Mehmet Ali <1974-> (DE-588)128944532X
978-1-03-241384-6; 978-1-03-241385-3
Schlagwörter: Türkei ; Istanbul ; Osmanisches Reich ; Maqām ; Lied ; Sammlung ; Quelle ; Notenschrift ; Reform ; Geschichte 1700-1900
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Letzte Änderung: 09.10.2023
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Letzte Änderung: 09.10.2023
Titel: | Reform, notation and Ottoman music in early 19th century Istanbul |
---|---|
Untertitel: | Euterpe |
URL: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=03422779... |
Erläuterung : | Inhaltsverzeichnis |
Von: | Mehmet Ali Sanlıkol |
ISBN: | 978-1-03-241384-6 |
Preis/Einband: | hardback |
ISBN: | 978-1-03-241385-3 |
Preis/Einband: | paperback |
Erscheinungsort: | New York ; London |
Verlag: | Routledge |
Erscheinungsjahr: | 2023 |
Umfang: | XIII, 282 Seiten |
Details: | Illustrationen, Notenbeispiele |
Serie/Reihe: | SOAS studies in music |
Format: | 23 cm |
Abstract: | "Reform, Notation and Ottoman music in Early 19th Century Istanbul presents the first complete set of transcription and edition of Euterpe (1830) from Byzantine neumatic notation into the modified staff notation used by classical Turkish music and is accompanied by a substantial examination of the related historical, theoretical and musical topics. Through a series of Ottoman/Turkish classical vocal music compositions that can be dated to 18th and 19th centuries, Euterpe and related sources reinforce a much broader picture of musical practice and transmission in which we clearly see that the Greek and Turkish traditions are linked. Reform, Notation and Ottoman music in Early 19th Century Istanbul is presented in two parts: historical discussion and musical analysis, and complete transcription and edition of Euterpe. This book will appeal to music scholars and university students interested in minorities, cosmopolitanism in the Middle East and Balkans, the relationship between music and national identity, musical notation, classical Ottoman/Turkish music, Byzantine music, and, most significantly, ethnomusicology"-- |
Sprache: | eng |
RVK-Notation: | LS 36060 |
Fid-Notation: | MUS |
Angaben zum Inhalt: | Part I. Historical Discussion and Musical Analysis. Euterpe in an Ottoman context ; Makam, Usul, Repertoire and Style in Euterpe -- Part II. Transcription and Edition of Euterpe. Methodology ; Edition |
Andere Ausgabe: | Erscheint auch als |
_Bemerkung: | Online-Ausgabe |
_ISBN: | 978-1-00-335785-8 |
Fußnote : | Critical report in English; songs with words in Turkish or Greek |
Angaben zum Inhalt/Datenträger : | Quelle |
Angaben zum Inhalt/Datenträger : | Kommentar |
Thema (Schlagwort): | Türkei; Istanbul; Osmanisches Reich; Maqām; Lied; Sammlung; Quelle; Notenschrift; Reform; Geschichte 1700-1900 |
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505 | 8 | |a Part I. Historical Discussion and Musical Analysis. Euterpe in an Ottoman context ; Makam, Usul, Repertoire and Style in Euterpe -- Part II. Transcription and Edition of Euterpe. Methodology ; Edition | |
520 | 3 | |a "Reform, Notation and Ottoman music in Early 19th Century Istanbul presents the first complete set of transcription and edition of Euterpe (1830) from Byzantine neumatic notation into the modified staff notation used by classical Turkish music and is accompanied by a substantial examination of the related historical, theoretical and musical topics. Through a series of Ottoman/Turkish classical vocal music compositions that can be dated to 18th and 19th centuries, Euterpe and related sources reinforce a much broader picture of musical practice and transmission in which we clearly see that the Greek and Turkish traditions are linked. Reform, Notation and Ottoman music in Early 19th Century Istanbul is presented in two parts: historical discussion and musical analysis, and complete transcription and edition of Euterpe. This book will appeal to music scholars and university students interested in minorities, cosmopolitanism in the Middle East and Balkans, the relationship between music and national identity, musical notation, classical Ottoman/Turkish music, Byzantine music, and, most significantly, ethnomusicology"-- | |
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