B3Kat (1/1)
Transcending dystopia
music, mobility, and the Jewish community in Germany, 1945-1989Verfasser: Frühauf, Tina <1972-> (DE-588)1038036798
978-0-19-753297-3
Schlagwörter 1: Deutschland ; Musiker ; Juden ; Geschichte 1945-1989
Schlagwörter 2: Deutschland ; Musikleben ; Juden ; Geschichte 1945-1989
Buch
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Letzte Änderung: 06.09.2022
MARC-Felder:
- Universitätsbibliothek Würzburg (Sigel: 20)
- Institut für Zeitgeschichte München - Berlin, Bibliothek (Sigel: M 352)
- Bibliothek der Ludwig-Maximilians-Universität München (Sigel: 19)
- Bayerische Staatsbibliothek München (Sigel: 12)
- Universitätsbibliothek Bayreuth (Sigel: 703)
Externe Links:
Fach:
- Musikwissenschaft
Permalink:
https://gateway-bayern.de/BV047244588
Letzte Änderung: 06.09.2022
Titel: | Transcending dystopia |
---|---|
Untertitel: | music, mobility, and the Jewish community in Germany, 1945-1989 |
URL: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=03264877... |
Erläuterung : | Inhaltsverzeichnis |
Von: | Tina Frühauf |
ISBN: | 978-0-19-753297-3 |
Preis/Einband: | hbk |
Erscheinungsort: | New York, NY |
Verlag: | Oxford University Press |
Erscheinungsjahr: | [2021] |
Erscheinungsjahr: | © 2021 |
Umfang: | xxiii, 613 Seiten |
Details: | Illustrationen, Porträts (schwarz-weiß) |
Format: | 24 cm |
Abstract: | By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. Transcending Dystopia tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Author Tina Frühauf provides a kaleidoscopic panorama ofmusical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust.Drawing on newly unearthed sources from archives and private collections, this book covers a wide spectrum of musical activity-from its role in commemorations and community events to synagogue concerts and its presence on the radio-across the divided Germany until the Fall of the Wall in 1989. Frühauf's use of mobility as a conceptual framework reveals the myriad ways in which the reemergence of Jewish music in Germany was shaped by cultural transfer and exchange that often relied on thecirculation of musicians, their ideas, and practices within and between communities. By illuminating the centrality of mobility to Jewish experiences and highlighting how postwar Jewish musical practices in Germany were defined by politics that reached across national borders to the United States andIsrael, this pioneering study makes a major contribution to our understanding of Jewish life and culture in a transnational context. |
Sprache: | eng |
RVK-Notation: | LS 33260 |
Fid-Notation: | MUS |
IFZ-Notation: | v 78 |
IFZ-Notation: | c 366.6 |
IFZ-Notation: | v 44.2 |
IFZ-Notation: | v 44.1 |
IFZ-Notation: | n 45 |
IFZ-Notation: | n 45.2 |
IFZ-Notation: | v 44 |
IFZ-Notation: | n 37 |
IFZ-Notation: | n 45.1 |
IFZ-Notation: | n 65.4 |
Andere Ausgabe: | Erscheint auch als |
_Bemerkung: | Online-Ausgabe, EPUB |
_ISBN: | 978-0-19-753299-7 |
Andere Ausgabe: | Erscheint auch als |
_Bemerkung: | Online-Ausgabe |
_ISBN: | 978-0-19-753300-0 |
Andere Ausgabe: | Erscheint auch als |
_Bemerkung: | Online-Ausgabe, PDF |
_ISBN: | 978-0-19-753298-0 |
Thema (Schlagwort): | Deutschland; Musiker; Juden; Geschichte 1945-1989; Deutschland; Musikleben; Juden; Geschichte 1945-1989 |
Weitere Schlagwörter : | Theory of music&musicology; The Cold War; Judaism |
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520 | |a By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. Transcending Dystopia tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Author Tina Frühauf provides a kaleidoscopic panorama ofmusical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust.Drawing on newly unearthed sources from archives and private collections, this book covers a wide spectrum of musical activity-from its role in commemorations and community events to synagogue concerts and its presence on the radio-across the divided Germany until the Fall of the Wall in 1989. Frühauf's use of mobility as a conceptual framework reveals the myriad ways in which the reemergence of Jewish music in Germany was shaped by cultural transfer and exchange that often relied on thecirculation of musicians, their ideas, and practices within and between communities. By illuminating the centrality of mobility to Jewish experiences and highlighting how postwar Jewish musical practices in Germany were defined by politics that reached across national borders to the United States andIsrael, this pioneering study makes a major contribution to our understanding of Jewish life and culture in a transnational context. | ||
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