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  • KOBV  (570)
  • HeBIS  (320)
  • Weltkulturen Museum  (25)
  • GRASSI Mus. Leipzig  (7)
  • Ethnoguide
  • Unterhaltungsmusik  (458)
  • History and criticism  (303)
  • Musicology  (756)
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Keywords
  • 1
    Book
    Book
    Leiden : Brill
    ISBN: 9004048731
    Language: English
    Series Statement: Orientalia Rheno-traiectina vol. 22
    DDC: 781.7/54
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    Keywords: Somanatha ; son of Mudgala ; Ragavibodha of Somanatha ; Carnatic music ; History and criticism ; Music ; India ; History and criticism ; Raga
    Note: Erschienen: 1 - 2
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  • 2
    ISBN: 9783830997566
    Language: English
    Pages: 1 Online-Ressource (250 p.)
    Edition: 1st ed.
    Series Statement: Populäre Kultur und Musik 40
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    Keywords: Unterhaltungsmusik ; Kultur ; Ästhetik ; USA
    Abstract: The essay collection Americana poses the basic question of how American music can be described and analyzed as such, as American music. Situated at the intersection between musicology and American Studies, the essays focus on the categories of aesthetics, authenticity, and performance in order to show how popular music is made American—from Alaskan Hip Hop to German Schlager, from Creedence Clearwater Revival to film scores, from popular opera to U2, from the Rolling Stones to Country Rap, and from Steve Earle to the Trans Chorus of Los Angeles.
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  • 3
    Title: Ленинградский рок-клуб, Рубинштейна, 13 : рождение истории
    Author, Corporation: Бурлака, Андрей Петрович
    Publisher: Москва : Издательство АСТ
    ISBN: 9785171488741
    Language: Russian
    Pages: 207 Seiten , Illustrationen , 29 cm
    Series Statement: Zvezdy veka
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    Keywords: Akvarium ; Zoopark ; Kino ; Geschichte ; Rockgruppe ; Russland ; History and criticism ; Literature on music ; The performing arts. Show business ; Russland ; Rockgruppe ; Akvarium ; Kino ; Zoopark ; Geschichte
    Note: Akvarium, Zoopark, Popularnaja mechanika, Kino, Mify, Rossijane, Piknik , Text russisch , Kyrillisch
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  • 4
    ISBN: 9781800109537 , 9781800109520
    Language: English
    Pages: 1 Online-Ressource (xvi, 252 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Parallel Title: Erscheint auch als Intimate entanglements in the ethnography of performance
    DDC: 780.89
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    Keywords: Ethnomusicology ; Music Performance ; Social aspects ; Intimacy (Psychology) ; Africans Music ; History and criticism ; African Americans Music ; History and criticism ; Music History and criticism ; Music History and criticism ; Music and race ; African Americans ; Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Criticism, interpretation, etc ; Africa ; United States
    Abstract: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk.
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Note: Includes bibliographical references and index
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  • 5
    ISBN: 9783830947561 , 3830947569
    Language: English
    Pages: 233 Seiten
    Series Statement: Populäre Kultur und Musik Band 40
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
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    Keywords: Unterhaltungsmusik ; USA ; Hip-Hop ; Tupac Shakur ; German Schlager ; Schlager-Pop ; Middlebrow Musical Theater ; American Opera ; Broadway-Musical ; Creedence Clearwater Revival ; Bill Morrison ; Spike Lee ; U2 ; Rolling Stones ; Steve Earle ; trans identity ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Unterhaltungsmusik
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  • 6
    ISBN: 9783839470107
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Beiträge zur Popularmusikforschung Band 47
    DDC: 306.4842
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    Keywords: Materialität ; Popmusik ; Unterhaltungsmusik ; Musikleben ; Konferenzschrift 2021
    Note: Literaturangaben
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    ISBN: 9783837670103 , 3837670104
    Language: German
    Pages: 255 Seiten , Illustrationen , 22.5 cm x 14.8 cm, 405 g
    Series Statement: Beiträge zur Popularmusikforschung Band 47
    Parallel Title: Erscheint auch als
    DDC: 781.64
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    Keywords: Materialität ; Popmusik ; Unterhaltungsmusik ; Musikleben ; Konferenzschrift 2021 ; Konferenzschrift 22.10.2021-24.10.2021 ; Konferenzschrift 22.10.2021-24.10.2021
    Note: Literaturangaben
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 8
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190661991 , 9780190661984
    Language: English
    Pages: 1 Online-Ressource (xx, 541 Seiten)
    Series Statement: Oxford handbooks series
    Parallel Title: Erscheint auch als The Oxford handbook of music in China and the Chinese diaspora
    DDC: 780.951
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    Keywords: Music History and criticism ; Chinese Music ; History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik
    Abstract: The Oxford Handbook of Music in China and the Chinese Diaspora illuminates new insights into Chinese music studies, musical genres, and contexts. This volume incorporates extensive scholarly insight from China, Taiwan, and the Chinese diaspora, and is arranged into three parts: the historical legacies of Chinese music, evolving practice and musical transformations, and prominent issues in Chinese music studies.
    Note: Includes bibliographical references and index , Description based on publisher supplied metadata and other sources
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  • 9
    Online Resource
    Online Resource
    Rochester : University of Rochester Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781800109520
    Language: English
    Pages: 1 Online-Ressource (xvi, 252 pages)
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
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    Keywords: Kolonialismus ; Unterdrückung ; Rassismus ; Diaspora ; Musikethnologie ; Tanz ; Ethnologie ; Ethnomusicology ; Music Performance ; Social aspects ; Intimacy (Psychology) ; Africans Music ; History and criticism ; African Americans Music ; History and criticism ; Music History and criticism ; Music History and criticism ; Music and race ; Afrika ; Aufsatzsammlung
    Abstract: Offers expansive and intersecting understandings of erotic subjectivity, intimacy, and trauma in performance, in ethnography, and in institutional and disciplinary settings.
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  • 10
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496842435
    Language: English
    Pages: 1 Online-Ressource (x, 236 pages) , Illustrations (black and white), music.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 781.62410763
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    Keywords: Franzosen ; Kreolen ; Jazz ; Creoles Music ; History and criticism ; Jazz History and criticism ; Music ; Music ; Louisiana
    Abstract: This work describes the music played by the Afro-Creole community since the arrival of enslaved Africans in La Louisiane, then a French colony, at the beginning of the eighteenth century, emphasizing the many cultural exchanges that led to the development of jazz.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 11
    ISBN: 9783830945864
    Language: German
    Pages: 252 Seiten
    Series Statement: Perspektiven musikpädagogischer Forschung Band 16
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Siegen 2022
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    Keywords: Hip-Hop ; Komposition ; Unterhaltungsmusik ; Musikerziehung ; Hochschulschrift
    Note: Literaturverzeichnis Seite 233-251 , Diskografie und Filmografie Seite 252
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  • 12
    ISBN: 9780231189187 , 9780231189194
    Language: English
    Pages: xiii, 275 Seiten , Illustrationen
    Series Statement: Leonard Hastings Schoff memorial lectures
    Parallel Title: Erscheint auch als O'Meally, Robert G., 1948- Antagonistic cooperation
    DDC: 781.650973
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    Keywords: Jazz History and criticism ; African American art ; American literature African American authors ; History and criticism ; African Americans Social life and customs ; Music and literature ; Art and music ; Collage ; Lectures ; USA ; Schwarze ; Musik ; Jazz ; Kunst ; Literatur ; Geschichte 1900-2000 ; Modern Jazz ; Collage ; Fiktion ; USA ; Kunst ; Schwarze
    Abstract: This Music Demanded Action : Ellison, Armstrong, and the Imperatives of Jazz -- We Are All a Collage : Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz -- The "Open Corner" of Black Community and Creativity : From Romare Bearden to Duke Ellington and Toni Morrison -- Hare and Bear : The Racial Profiles of Satchmo's Smile -- The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished.
    Abstract: "Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics. From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy"--
    Note: Includes index
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  • 13
    Book
    Book
    Stanford, California : Stanford University Press
    ISBN: 9781503631687 , 9781503630567
    Language: English
    Pages: XVII, 300 Seiten , Illustrationen
    DDC: 781.63096
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    Keywords: Juden ; Muslim ; Unterhaltungsmusik ; Musikproduktion ; Musikwirtschaft ; Nordafrika
    Note: Includes bibliographical references
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  • 14
    ISBN: 9783830995869
    Language: German
    Pages: 1 Online-Ressource
    Edition: 1st ed.
    Series Statement: Perspektiven musikpädagogischer Forschung 16
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    Keywords: Hip-Hop ; Komposition ; Unterhaltungsmusik ; Musikerziehung ; Hip Hop ; populäre Musik ; Musiklernen ; Musiktechnologie ; Komponieren ; Musikproduktion ; Sampling ; Grounded Theory Methodology ; musikkulturelle Diversität ; cultural studies ; informelles Lernen ; Musikwissenschaft ; Popular Music Studies ; Hochschulschrift
    Abstract: Zu Beginn der 1980er Jahre entsteht innerhalb der Hip-Hop-Kultur in den USA das Beatmaking – eine Musikpraxis, die auf dem kreativen Umgang mit bereits vorhandenem Klangmaterial basiert und hauptsächlich in informellen Kontexten ausgeübt wird. In den letzten 40 Jahren hat sich das Beatmaking in enger Verbindung mit musik- und medientechnologischen Entwicklungen global verbreitet und vielfältig ausdifferenziert. Dabei hat es vor allem im Bereich der populären Musik in musikalisch-ästhetischer und technisch-praktischer Hinsicht maßgebende Impulse gesetzt.In seiner qualitativ-empirischen Studie geht Chris Kattenbeck der Frage nach, was es bedeutet, als Beatmaker*in künstlerisch kompetent zu handeln, welche Fertigkeiten und Kenntnisse dafür nötig sind und wie diese erworben und entwickelt werden. Damit liefert er grundlegende Erkenntnisse über eine bislang kaum erforschte Musikpraxis und die mit ihr verbundenen künstlerischen Strategien und Techniken, ästhetischen Ziele und Vorstellungen, Wissensformen und Lernpraktiken. Dabei zeigt sich unter anderem, dass bestimmte in der Musikpädagogik vorherrschende Verständnisse – etwa von Musiklernen oder Musiktheorie – ungeeignet sind, das Beatmaking adäquat zu erfassen. Die Studie bietet daher nicht zuletzt Anlass, diese Verständnisse zu hinterfragen und neu zu konzeptualisieren, um mit der Vielfalt musikalischer Praxen in Zukunft angemessen umgehen zu können.
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  • 15
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197546451
    Language: English
    Pages: 1 Online-Ressource (xiv, 246 pages) , Illustrations (black and white, and colour).
    Series Statement: Oxford scholarship online
    DDC: 780.899240569442
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    Keywords: Geschichte 1880-1977 ; Musik ; Jerusalem ; Jews Music ; History and criticism ; Music Political aspects ; Israel ; Jerusalem Songs and music ; History and criticism
    Abstract: In 'City of Song', author Michael A. Figueroa presents an extensive history of Zionist musical discourses around Jerusalem in the long 20th century (1880-2010s), reorienting our understanding of the city's place in the Israeli-Palestine crisis.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 16
    Online Resource
    Online Resource
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9781003168751
    Language: English
    Pages: 1 Online-Ressource (397 Seiten)
    Edition: Fifth edition
    Series Statement: Routledge key guides
    Uniform Title: Key concepts in popular music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6403
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    Keywords: Popular music Encyclopedias ; Unterhaltungsmusik ; Popmusik ; Wörterbuch ; Popmusik ; Unterhaltungsmusik
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  • 17
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Waxmann Verlag | The Hague : OAPEN FOUNDATION
    ISBN: 9783830995869 , 9783830945864
    Language: German
    Pages: 1 Online-Ressource (252 p.)
    Series Statement: Perspektiven musikpädagogischer Forschung 16
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    Keywords: Hip-Hop ; Komposition ; Unterhaltungsmusik ; Musikerziehung ; Theory of music & musicology ; Musikwissenschaft ; Popular Music Studies ; Hip Hop ; populäre Musik ; Hochschulschrift
    Abstract: Zu Beginn der 1980er Jahre entsteht innerhalb der Hip-Hop-Kultur in den USA das Beatmaking – eine Musikpraxis, die auf dem kreativen Umgang mit bereits vorhandenem Klangmaterial basiert und hauptsächlich in informellen Kontexten ausgeübt wird. In den letzten 40 Jahren hat sich das Beatmaking in enger Verbindung mit musik- und medientechnologischen Entwicklungen global verbreitet und vielfältig ausdifferenziert. Dabei hat es vor allem im Bereich der populären Musik in musikalisch-ästhetischer und technisch-praktischer Hinsicht maßgebende Impulse gesetzt. In seiner qualitativ-empirischen Studie geht Chris Kattenbeck der Frage nach, was es bedeutet, als Beatmaker*in künstlerisch kompetent zu handeln, welche Fertigkeiten und Kenntnisse dafür nötig sind und wie diese erworben und entwickelt werden. Damit liefert er grundlegende Erkenntnisse über eine bislang kaum erforschte Musikpraxis und die mit ihr verbundenen künstlerischen Strategien und Techniken, ästhetischen Ziele und Vorstellungen, Wissensformen und Lernpraktiken. Dabei zeigt sich unter anderem, dass bestimmte in der Musikpädagogik vorherrschende Verständnisse – etwa von Musiklernen oder Musiktheorie – ungeeignet sind, das Beatmaking adäquat zu erfassen. Die Studie bietet daher nicht zuletzt Anlass, diese Verständnisse zu hinterfragen und neu zu konzeptualisieren, um mit der Vielfalt musikalischer Praxen in Zukunft angemessen umgehen zu können.
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  • 18
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496836076
    Language: English
    Pages: 1 Online-Ressource (viii, 153 pages).
    Series Statement: Mississippi scholarship online
    DDC: 820.99287096
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    Keywords: Schwarze Frau ; Jazz ; Literatur ; English literature Black authors ; History and criticism ; English literature Women authors ; History and criticism ; Jazz in literature ; Women, Black, in literature ; Music and literature
    Abstract: In 1957, Duke Ellington released the influential album A Drum Is a Woman. This musical allegory revealed the implicit truth about the role of women in jazz discourse - jilted by the musician and replaced by the drum. Further, the album's cover displays an image of a woman sitting atop a drum, depicting the way in which the drum literally obscures the female body, turning the subject into an object. This objectification of women leads to a critical reading of the role of women in jazz music: If the drum can take the place of a woman, then a woman can also take the place of a drum. This book challenges that image but also defines a counter-tradition within women's writing that involves the reinvention and reclamation of a modern jazz discourse.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 19
    ISBN: 9783944487908 , 3944487907
    Language: German
    Pages: 141 Seiten , Illustrationen , 30 cm, 470 g
    DDC: 782.421640904
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    Keywords: Geschichte 1920-1952 ; Unterhaltungsmusik ; Schallplatte ; USA ; Diskografie
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  • 20
    ISBN: 9780190881979
    Language: English
    Pages: 266 Seiten , Illustrationen, Notenbeispiele , 27 cm
    Series Statement: Oxford studies in music theory
    DDC: 782.4216213
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    Keywords: Volkslied ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Großbritannien ; USA
    Abstract: As children, many of us learn to sing, 'If you're happy and you know it, clap your hands.' But despite the familiarity of this tune, few of us realize that what we're singing is actually part of a pervasive - and centuries-old - musical scheme. This particular scheme, dubbed the 'Sweet Thing,' has generated a large group of songs spanning a broad range of topics, genres, and time periods, but all related through a specific stanzaic form. Early twentieth-century blues songs 'My Babe' and 'Motherless Children,' country songs 'Peg and Awl' and 'Crawdad Song,' and gospel songs 'Pure Religion' and 'This Train' use this form, along with popular songs like Ray Charles's 'I Got a Woman,' The Beatles's 'One After 909,' and the Velvet Underground's 'I'm Waiting for the Man.' Sweet Thing: The History and Musical Structure of a Shared American Vernacular Form studies one of the most productive and enduring shared musical resources in North American vernacular music. Author Nicholas Stoia offers the most comprehensive examination to date of the 'Sweet Thing's' long history, exploring how it made its way from sixteenth-century Scotland to eighteenth-century British broadside ballads to nineteenth-century American ragtime. Stoia also examines the form in various contexts, including early blues and country music, and moving forward to rhythm and blues, soul, and rock music, connecting these modern forms to their ancient roots. Through this close look at a ubiquitous musical from, Sweet Thing shows us how it has linked listeners and musicians alike across the boundaries of genre, race, and even time.
    Note: Literaturverzeichnis: Seite [249]-255
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  • 21
    Book
    Book
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9781138336032 , 9781138336025
    Language: English
    Pages: xiii, 281 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1920-2019 ; Musikleben ; Unterhaltungsmusik ; Irland ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Irland ; Unterhaltungsmusik ; Musikleben ; Geschichte 1920-2019
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  • 22
    ISBN: 9783837654615 , 3837654613
    Language: German
    Pages: 372 Seiten , Illustrationen, Diagramme , 24 cm, 623 g
    Series Statement: Studien zur Popularmusik
    Dissertation note: Dissertation Humboldt-Universität Berlin 2019
    DDC: 658.872
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    Keywords: Unterhaltungsmusik ; Akustische Markenführung ; Werbewirtschaft ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Literaturverzeichnis Seite [329]-372
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  • 23
    ISBN: 9783110723120
    Language: English
    Pages: VIII, 272 Seiten
    Uniform Title: Madregot le-gan ʿEden
    Parallel Title: Erscheint auch als Stairway to Paradise
    Parallel Title: Erscheint auch als
    DDC: 781.64089924073
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    Keywords: Geschichte 1880-1965 ; Juden ; Schwarze ; Unterhaltungsmusik ; Musikwirtschaft ; USA
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  • 24
    ISBN: 3990128248 , 9783990128244
    Language: German
    Pages: 505 Seiten , Illustrationen
    Series Statement: Musikkontext 14
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1919-1938 ; Schlager ; Schlagersänger ; Unterhaltungsmusik ; Wien ; Hochschulschrift ; Hochschulschrift
    Note: Literaturverzeichnis Seite 447-501
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  • 25
    ISBN: 9783658326906
    Language: German
    Pages: 1 Online-Ressource (XVI, 310 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306
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    Keywords: Popular Culture ; Cultural Theory ; Music ; Media Sociology ; Popular Culture ; Culture—Study and teaching ; Music ; Mass media ; Communication ; Scham ; Musiksoziologie ; Unterhaltungsmusik ; Normativität ; Rezeption ; Soziokultureller Wandel ; Musikalischer Geschmack ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik ; Musikalischer Geschmack ; Normativität ; Soziokultureller Wandel ; Rezeption ; Scham ; Popmusik ; Musiksoziologie
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 26
    ISBN: 9783828844414 , 3828844413
    Language: German
    Pages: 152 Seiten , Illustrationen , 21 cm x 14.8 cm
    Series Statement: Dresdner Schriften zur Musik Band 12
    Series Statement: Dresdner Schriften zur Musik
    Parallel Title: Erscheint auch als Jazz/Rock/Pop - Das Dresdner Modell
    DDC: 781.630711432142
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Hochschule für Musik Carl Maria von Weber Dresden ; Musikstudium ; Unterhaltungsmusik ; Geschichte ; Musikhochschule ; Dresden ; Jazz ; Rockmusik ; Popmusik ; Ehemaliger Schüler ; Biografie
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  • 27
    Online Resource
    Online Resource
    Oxford : Archaeopress Publishing Ltd
    ISBN: 9781789699333
    Language: English
    Pages: 1 Onliner-Ressource (viii, 200 Seiten) , Notenbeispiele, Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 780.9174927
    RVK:
    Keywords: Arabs Music ; History and criticism ; Songs, Arabic History and criticism ; Electronic books
    Abstract: Offering a comprehensive survey of the history and the development of Arab music and musical theory from its pre-Islamic roots until 1970, this book also offers a discussion of the major genres and forms practiced today, such as the Egyptian gil, the Algerian raï and Palestinian hip hop; it also touches upon musical instruments and folk music
    Note: Also issued in print: 2021 , Includes bibliographical references, discography and index , Zielgruppe: Specialized
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  • 28
    Online Resource
    Online Resource
    Cambridge, Massachuesetts ; London, England : The Belknap Press of Harvard University Press
    ISBN: 9780674258808 , 9780674258815
    Language: English
    Pages: 1 Online-Ressource (viii, 598 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 780.82/0973
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    Keywords: Geschichte ; SOCIAL SCIENCE / Popular Culture ; African American feminists ; African American women musicians ; African American women Intellectual life ; African American women Music ; History and criticism ; Musical criticism History ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; USA ; Afroamerikanische Musik ; Feminismus ; Musikkritik ; Geschichte
    Abstract: An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music-and who should rightly tell it-Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 29
    Book
    Book
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9780815391784 , 9780815391777
    Language: English
    Pages: xii, 236 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
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    Keywords: Geschichte ; Unterhaltungsmusik ; Deutschland ; Popular music / Germany / History and criticism ; Popular music / Social aspects / Germany / History ; Popular music / Political aspects / Germany / History ; Popular music ; Popular music / Political aspects ; Popular music / Social aspects ; Germany ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Unterhaltungsmusik ; Geschichte
    Abstract: "Made in Germany: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary German popular music. Each essay, written by a leading scholar of German music, covers the major figures, styles, and social contexts of pop music in Germany and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Germany, followed by essays organized into thematic sections: Historical Spotlights; Globally German; Also "Made in Germany"; Explicitly German; and Reluctantly German"--
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  • 30
    ISBN: 9783830943969 , 3830943962
    Language: English
    Pages: 190 Seiten , 23.5 cm x 16.5 cm
    Series Statement: Freiburger Studien zur Kulturanthropologie Band 4
    Parallel Title: Erscheint auch als
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    Keywords: Islam ; Jugendkultur ; Identität ; Musik ; Muslim ; Unterhaltungsmusik ; Religiöse Identität ; Pop-Kultur ; Massenkultur ; Jugend ; Deutschland ; Indonesien ; Großbritannien ; Ägypten ; Marokko
    Note: Literaturangaben
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  • 31
    ISBN: 9783830993964
    Language: English
    Pages: 1 Online-Ressource (190 Seiten)
    Series Statement: Freiburger Studien zur Kulturanthropologie
    Parallel Title: Erscheint auch als
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    Keywords: Young Muslims ; Popular Music ; Sabyan Gambus ; Indonesia ; 2019 Indonesian Presidential Elections ; Female Performance ; Egyptian Music ; Mahraganāt ; Asylum House ; Hip Hop ; Morocco ; German Rap ; Metal ; Tunisia ; Political Islam ; Hijab ; Spiritualität und Religion ; Volksmusik und populäre Musikkulturen ; Unterhaltungsmusik ; Islam ; Jugendkultur ; Popkultur ; Musik ; Jugend ; Religiöse Identität ; Massenkultur ; Muslim ; Aufsatzsammlung ; Konferenzschrift Albert-Ludwigs-Universität 2018 ; Aufsatzsammlung ; Konferenzschrift Albert-Ludwigs-Universität 2018 ; Popkultur ; Massenkultur ; Musik ; Jugend ; Islam ; Jugendkultur ; Muslim ; Unterhaltungsmusik ; Religiöse Identität
    Abstract: Music has the universal power to move individuals, peoples and societies. Music is one of the most important signifiers of cultural change. It is also most significant for youth movements and youth cultures. While Islam has a historically and traditionally rich culture of music, religious controversy on the topic of music is still ongoing. However, young Muslims in today's globalised world seek pop cultural tools such as music, and particularly hip hop music, as way of exploring and expressing their manifold identities, whilst challenging Islamophobia, stigma and racism on the one hand and traditional and religious challenges on the other hand. In this volume, following an international conference with the same title, scholars and young academics from a variety of disciplines seek to explore and highlight the phenomena surrounding the two, somewhat artificially separated, realms of music and religion. The contributions not only look into different genres of music, from Tunisian metal over German female hip hop to Egyptian folk, but take the reader on a journey from continent to countries to cities and rural areas and thus give space and time to a widely neglected area of research: that of Muslim popular culture and young Muslims
    Note: Online resource; title from title screen (viewed September 28, 2021)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 32
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197533000
    Language: English
    Pages: 1 Online-Ressource (644 pages) , Illustrations (black and white).
    Series Statement: Oxford scholarship online
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    Keywords: Geschichte 1945-1989 ; Juden ; Musiker ; Musikleben ; Jews Music ; History and criticism ; Music History and criticism 20th century ; Deutschland
    Abstract: By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. 'Transcending Dystopia' tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Tina Fruhauf provides a kaleidoscopic panorama of musical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 33
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190882006
    Language: English
    Pages: 1 Online-Ressource (276 pages) , Illustrations (black and white, and colour).
    Series Statement: Oxford studies in music theory
    Series Statement: Oxford scholarship online
    DDC: 782.4216213
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    Keywords: Volkslied ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Popular music History and criticism ; Großbritannien ; USA
    Abstract: 'Sweet Thing' offers readers a comprehensive new perspective on a musical scheme shared by broadside ballads and experimental rock songs alike.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 34
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190869175
    Language: English
    Pages: 1 Online-Ressource (336 pages) , Illustrations (black and white, and colour).
    Series Statement: American musicspheres
    Series Statement: Oxford scholarship online
    DDC: 780.8997120798
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    Keywords: Indigenes Volk ; Musik ; Inuit Music ; History and criticism ; Music History and criticism ; Music Historiography ; Inuit Social life and customs ; Alaska
    Abstract: 'Sound Relations' delves into histories of Inuit musical life in Alaska to trace the ways in which sound is integral to self-determination and sovereignty. Offering radical and relational ways of listening to Inuit performances across genres - from hip hop to Christian hymnody and traditional drumsongs to funk and R&B - author Jessica Bissett Perea shows how Indigenous ways of musicking amplify possibilities for more just and equitable futures.
    Note: Also issued in print: 2021 , Includes bibliographical references, discography and index
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  • 35
    Online Resource
    Online Resource
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 1351200798 , 9781351200790
    Language: English
    Pages: 1 Online-Ressource (xii, 236 Seiten) , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
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    Keywords: Geschichte ; Unterhaltungsmusik ; Deutschland ; Popular music / Germany / History and criticism ; Popular music / Social aspects / Germany / History ; Popular music / Political aspects / Germany / History ; Popular music ; Popular music / Political aspects ; Popular music / Social aspects ; Germany ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Unterhaltungsmusik ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Inhaltsverzeichnis  (URL des Erstveröffentlichers)
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  • 36
    ISBN: 9783839454619
    Language: German
    Pages: 1 Online-Ressource (372 Seiten) , Diagramme, Noten
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Humboldt-Universität zu Berlin 2019
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    Keywords: Akustische Markenführung ; Unterhaltungsmusik ; Werbewirtschaft ; Marken ; Musikwirtschaft ; Werbeindustrie ; Audio Branding ; Musik ; Homogenisierung ; Werbung ; Wirtschaft ; Pharrell Williams ; Popkultur ; Popmusik ; Musikwissenschaft ; Kulturwirtschaft ; Klang ; Popular Music Culture ; Branding ; Music Industry ; Music ; Homogenization ; Advertising ; Economy ; Popular Culture ; Pop Music ; Musicology ; Cultural Industry ; Sound ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Unterhaltungsmusik ; Akustische Markenführung ; Werbewirtschaft
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
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  • 37
    ISBN: 9781793639004 , 9781793638984
    Language: English
    Pages: ix, 161 Seiten , Illustrationen
    Series Statement: Music, culture, and identity in Latin America
    DDC: 306.484226872064
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    Keywords: Unterhaltungsmusik ; Popmusik ; Tex Mex Music ; USA ; Mexiko
    Note: Bibliography Seite 143-155
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  • 38
    ISBN: 9781138336025 , 9781138336032
    Language: English
    Pages: xiii, 281 Seiten , Illustrationen
    Edition: First published
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.66094150904
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    Keywords: Geschichte 1920-2019 ; Unterhaltungsmusik ; Musikleben ; Irland ; Aufsatzsammlung
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  • 39
    Online Resource
    Online Resource
    Münster : Waxmann | Stuttgart : UTB GmbH
    ISBN: 9783830993964
    Language: English
    Pages: 1 Online-Ressource (190 p.)
    Edition: 1st, New ed.
    Series Statement: Freiburger Studien zur Kulturanthropologie 4
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    Keywords: Islam ; Jugendkultur ; Identität ; Musik ; Muslim ; Unterhaltungsmusik ; Religiöse Identität ; Pop-Kultur ; Massenkultur ; Jugend ; Young Muslims ; Popular Music ; Sabyan Gambus ; Indonesia ; 2019 Indonesian Presidential Elections ; Female Performance ; Egyptian Music ; Mahraganāt ; Asylum House ; Hip Hop ; Morocco ; German Rap ; Metal ; Tunisia ; Political Islam ; Hijab ; Spiritualität und Religion ; Volksmusik und populäre Musikkulturen ; Deutschland ; Indonesien ; Großbritannien ; Ägypten ; Marokko
    Abstract: Music has the universal power to move individuals, peoples and societies. Music is one of the most important signifiers of cultural change. It is also most significant for youth movements and youth cultures. While Islam has a historically and traditionally rich culture of music, religious controversy on the topic of music is still ongoing. However, young Muslims in today’s globalised world seek pop cultural tools such as music, and particularly hip hop music, as way of exploring and expressing their manifold identities, whilst challenging Islamophobia, stigma and racism on the one hand and traditional and religious challenges on the other hand. In this volume, following an international conference with the same title, scholars and young academics from a variety of disciplines seek to explore and highlight the phenomena surrounding the two, somewhat artificially separated, realms of music and religion. The contributions not only look into different genres of music, from Tunisian metal over German female hip hop to Egyptian folk, but take the reader on a journey from continent to countries to cities and rural areas and thus give space and time to a widely neglected area of research: that of Muslim popular culture and young Muslims.
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  • 40
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    ISBN: 9783839454619
    Language: German
    Pages: 1 Online-Ressource (374 p.)
    Edition: 1st ed.
    Series Statement: Studien zur Popularmusik
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    Keywords: Unterhaltungsmusik ; Akustische Markenführung ; Werbewirtschaft ; Populäre Musikkultur; Marken; Musikwirtschaft; Werbeindustrie; Audio Branding; Musik; Homogenisierung; Werbung; Wirtschaft; Pharrell Williams; Popkultur; Popmusik; Musikwissenschaft; Kulturwirtschaft; Klang; Popular Music Culture; Branding; Music Industry; Music; Homogenization; Advertising; Economy; Popular Culture; Pop Music; Musicology; Cultural Industry; Sound; ; Hochschulschrift
    Abstract: Der Einfluss werbetreibender Marken auf die Musikkulturen der Gegenwart ist ungeachtet ihrer dortigen Omnipräsenz bislang kaum Gegenstand musikwissenschaftlicher Forschung. Andreas Schoenrocks Pionierarbeit Fremdbestimmte Freude legt die autoritative Wirkkraft von Marken und Werbeindustrie auf kontemporäre populäre Musikkulturen im jungen 21. Jahrhundert offen und untersucht die von diesem Markenmandat ausgehenden musikalischen Homogenisierungseffekte. Die transparente Darstellung des Zusammenhangs zwischen werbetreibenden Marken und Musikentwicklung kulminiert in der detaillierten Analyse eines prototypischen Beispiels für »synchronisationsfreundliche« Musik: Pharrell Williams' Happy.
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  • 41
    Book
    Book
    New York ; London : Roputledge, Taylor & Francis Group
    ISBN: 9780367228903 , 9780367228910
    Language: English
    Pages: xv, 260 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1950-2020 ; Musikleben ; Unterhaltungsmusik ; Finnland ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Finnland ; Unterhaltungsmusik ; Musikleben ; Geschichte 1950-2020
    Abstract: Made in Finland: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, culture, and musicology of twentieth and twenty-first century popular music in Finland. The volume consists of essays by leading scholars in the field, and covers the major figures, styles, and social contexts of popular music in Finland. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book is organized into four thematic sections: Emerging Foundations of Popular Music in Finland; Environments, Borderlines, Minorities; Transnationalisms; and Redefining Finnishness
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  • 42
    ISBN: 9783658326890 , 3658326891
    Language: German
    Pages: XVI, 310 Seiten , Illustrationen, Notenbeispiele , 22 cm, 430 g
    Parallel Title: Erscheint auch als Das verdächtig Populäre in der Musik
    DDC: 306.48423
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    Keywords: Musikalischer Geschmack ; Unterhaltungsmusik ; Scham ; Rezeption ; Musiksoziologie ; Popmusik ; Soziokultureller Wandel ; Normativität ; Musiksoziologie ; Camp in der Musik ; Popularmusikforschung ; Trash in der Musik ; Guilty Pleasure ; Kitsch in der Musik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik ; Musikalischer Geschmack ; Normativität ; Soziokultureller Wandel ; Rezeption ; Scham ; Popmusik ; Musiksoziologie
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  • 43
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Resling | Berlin : Walter de Gruyter GmbH
    ISBN: 9783110723168
    Language: English
    Pages: 1 Online-Ressource (VI, 273 p.)
    Edition: 2021
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    Keywords: Geschichte 1880-1965 ; Juden ; Schwarze ; Unterhaltungsmusik ; Musikwirtschaft ; Amerikanische Musik ; Ethnizität ; Juden ; Musikindustrie ; HISTORY / General ; USA ; African-American ; American Music ; Civil Rights history ; Ethnicity ; Hegemony ; Jews ; Music industry ; New Left ; Old Left ; Semiotics ; WASP
    Abstract: Stairway to Paradise reveals how American Jewish entrepreneurs, musicians, and performers influenced American popular music from the late nineteenth century till the mid-1960s. From blackface minstrelsy, ragtime, blues, jazz, and Broadway musicals, ending with folk and rock 'n' roll. The book follows the writers and artists' real and imaginative relationship with African-American culture's charisma. Stairway to Paradise discusses the artistic and occasionally ideological dialogue that these artists, writers, and entrepreneurs had with African-American artists and culture. Tracing Jewish immigration to the United States and the entry of Jews into the entertainment and cultural industry, the book allocates extensive space to the charged connection between music and politics as reflected in the Jewish-Black Alliance - both in the struggle for social justice and in the music field. It reveals Jewish success in the music industry and the unique and sometimes problematic relationships that characterized this process, as their dominance in this field became a source of blame for exploiting African-American artistic and human capital. Alongside this, the book shows how black-Jewish cooperation, and its fragile alliance, played a role in the hegemonic conflicts involving American culture during the 20th century. Unintentionally, it influenced the process of decline of the influence of the WASP elite during the 1960s. Stairway to Paradise fuses American history and musicology with cultural studies theories. This inter-disciplinary approach regarding race, class, and ethnicity offers an alternative view of more traditional notions regarding understanding American music's evolution.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
    URL: Cover
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  • 44
    ISBN: 9780253050267 , 9780253050250
    Language: English
    Pages: xii, 303 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Music in world war II
    DDC: 780.9/04
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    Keywords: World War, 1939-1945 Music and the war ; Music History and criticism 20th century ; Music History and criticism 20th century ; Popular music History and criticism 1941-1950 ; Popular music History and criticism 1931-1940 ; Music Political aspects 20th century ; History ; Zweiter Weltkrieg ; Musik ; Unterhaltungsmusik ; Europa ; USA ; Aufgabensammlung ; Europa ; USA ; Zweiter Weltkrieg ; Musikleben ; Musikpolitik ; Musikpolitik ; Weltgesellschaft ; Zweiter Weltkrieg ; Kulturelle Einrichtung ; Sound ; Musik ; Geschichte
    Abstract: "How can music withstand the death and destruction brought on by war? Global conflicts of the 20th century fundamentally transformed not only national boundaries, power relations, and global economies, but also the arts and culture of every nation involved. An important, unacknowledged aspect of these conflicts is that they have unique musical soundtracks. Music in World War II explores how music and sound took on radically different dimensions in the United States and Europe before, during, and after World War II. Additionally, the collection examines the impact of radio and film as the disseminators of the war's musical soundtrack. Contributors contend that the European and American soundtrack of World War II was largely one of escapism rather than the lofty, solemn, heroic, and celebratory mode of "war music" in the past. Furthermore, they explore the variety of experiences of populations forced from their homes and interned in civilian and POW camps in Europe and the United States, examining how music in these environments played a crucial role in maintaining ties to an idealized "home" and constructing politicized notions of national and ethnic identity. This fascinating and well-constructed volume of essays builds understanding of the role and importance of music during periods of conflict and highlights the unique aspects of music during World War II"--
    Note: Literaturverzeichnis: Seiten 275-287
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  • 45
    ISBN: 9780807169322
    Language: English
    Pages: xii, 302 Seiten , Illustrationen, Karten , 27 cm
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    Keywords: Geschichte ; Unterhaltungsmusik ; Musiker ; Louisiana ; Enzyklopädie
    Note: Literatur- und URL-Verzeichnis Seite 299-302 , Louisiana Musicians -- Notable Musicians Born outside Louisiana -- Prominent Record Producers by Region
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  • 46
    ISBN: 9780813574660
    Language: English
    Pages: vii, 179 Seiten , Illustrationen , 24 cm
    DDC: 330.09
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    Keywords: Geschichte ; Unterhaltungsmusik ; Jazz ; Musikleben ; Musikproduktion ; New Jersey
    Note: Literaturangaben
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  • 47
    Book
    Book
    New York ; London : Routledge Taylor & Francis Group
    ISBN: 9781138489530 , 9781138211735
    Language: English
    Pages: xiii, 272 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1950-1989 ; Unterhaltungsmusik ; Jugoslawien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Jugoslawien ; Unterhaltungsmusik ; Geschichte 1950-1989
    Note: Enthält Literaturverzeichnis und Filmographie Seite 255-258 und Literaturangaben
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  • 48
    ISBN: 9781786607386
    Language: English
    Pages: 1 online resource (206 pages)
    Series Statement: Popular Musics Matter: Social, Political and Cultural Interventions
    Parallel Title: Erscheint auch als Bottà, Giacomo, 1974 - Deindustrialisation and popular music
    DDC: 781.66
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    Keywords: Popular music-Social aspects-Europe-History ; Electronic books ; Europa ; Großstadt ; Deindustrialisierung ; Punk Rock ; Postpunk ; Musikleben ; Sozialer Wandel ; Unterhaltungsmusik ; Volkstümliche Musik ; Sozialer Wandel
    Abstract: The book offers a new and unique point of view on industrial cities and their popular music cultures based on interdisciplinary research and methods.
    Abstract: Intro -- Title Page -- Acknowledgements -- Introduction -- The Industrial City -- A Genealogy of 'Industrial City Music' -- Manchester -- Düsseldorf -- Torino -- Tampere -- Industrial Heritages -- From Vanishing Mediator to Cultural Catalyst -- Conclusion -- References -- Index -- About the Author.
    Note: Description based on publisher supplied metadata and other sources
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  • 49
    Book
    Book
    Ditzingen : Reclam
    ISBN: 9783150112441 , 3150112443
    Language: German
    Pages: 350 Seiten , Illustrationen , 24 cm x 16 cm
    DDC: 780
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    Keywords: Geschichte 1970-1980 ; Unterhaltungsmusik ; Kultur ; Seventies ; Thatcher ; Kraftwerk ; Patti Smith ; Joey Ramone ; Johnny Rotten ; David Bowie ; Iggy Pop ; Bob Marley ; Kulturgeschichte ; Pop ; Popkultur ; Populärkultur ; Unterhaltungsmusik ; Kultur ; Geschichte 1970-1980
    URL: Cover
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  • 50
    Book
    Book
    London : Rowman & Littlefield International
    ISBN: 9781786615961
    Language: English
    Pages: ix, 277 Seiten , Illustrationen
    Edition: Paperback edition
    Series Statement: Popular musics matter: social, political and cultural interventions
    DDC: 306.484240943
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    Keywords: Deutschland ; Unterhaltungsmusik ; Nationalbewusstsein ; Kulturelle Identität ; Geschichte 1949-1989 ; Deutschland ; Unterhaltungsmusik ; Nationalbewusstsein ; Kulturelle Identität ; Geschichte 1990-2016
    Abstract: This book argues for the importance of popular music in negotiations of national identity, and Germanness in particular. By discussing diverse musical genres and commercially and critically successful songs at the heights of their cultural relevance throughout seventy years of post-war German history, Soundtracking Germany describes how popular music can function as a language for “writing” national narratives. Running chronologically, all chapters historically contextualize and critically discuss the cultural relevance of the respective genre before moving into a close reading of one particularly relevant and appellative case study that reveals specific interrelations between popular music and constructions of Germanness. Close readings of these sonic national narratives in different moments of national transformations reveal changes in the narrative rhetoric as this book explores how Germanness is performatively constructed, challenged, and reaffirmed throughout the course of seventy years.
    Note: Literaturverzeichnis: Seite 235-262 , Enthält ein Register
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  • 51
    ISBN: 9780190052218 , 9780190052201
    Language: English
    Pages: ix, 199 Seiten , Illustrationen
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als Malawey, Victoria, 1977- A blaze of light in every word
    DDC: 782.42/164143
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    Keywords: Popular music Analysis, appreciation ; Singing ; Popmusik ; Gesang ; Singen ; Unterhaltungsmusik
    Abstract: Introduction. Why Voice? Why Voice Analysis? -- Pitch -- Prosody -- Quality -- The Area in Between : Mediation with Technology -- Synthesis, or Why Covers of Elliott Smith Songs Don't Work.
    Abstract: "Singing Voice presents a conceptual model for analyzing vocal delivery in popular song recordings focused on three overlapping areas of inquiry: pitch, prosody, and quality. The domain of pitch, which refers to listeners' perceptions of frequency, considers range, tessitura, intonation, and registration. Prosody, the pacing and flow of delivery, comprises phrasing, metric placement, motility, embellishment, and consonantal articulation. Qualitative elements include timbre, phonation, onset, resonance, clarity, paralinguistic effects, and loudness. Intersecting all three domains is the area of technological mediation, which considers how external technologies, such as layering, overdubbing, pitch modification, recording transmission, compression, reverb, spatial placement, delay, and other electronic effects, impact voice in recorded music. Though the book focuses primarily on the sonic and material aspects of vocal delivery, it situates these aspects among broader cultural, philosophical, and anthropological approaches to voice with the goal to better understand the relationship between sonic content and its signification. Drawing upon transcription and spectrographic analysis as the primary means of representation, as well as modes of analysis, this book features in-depth analyses of a wide array of popular song recordings spanning genres from indie rock to hip hop to death metal, develops analytical tools for understanding how individual dimensions make singing voices both complex and unique, and synthesizes how multiple aspects interact to better understand the multi-dimensionality of singing voices"--
    Note: Includes bibliographical references and index
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  • 52
    ISBN: 9783150112441 , 3150112443
    Language: German
    Pages: 350 Seiten , Illustrationen , 24 cm x 16 cm
    Edition: 2., durchgesehene Auflage
    DDC: 780
    RVK:
    Keywords: Popmusik ; Popmusik ; Musikleben ; Geschichte 1970-1980 ; Unterhaltungsmusik ; Kultur ; Geschichte 1970-1980
    Abstract: Die 70er sind das innovationsfreudigste und folgenreichste Jahrzehnt der Popmusik. So unterschiedliche Genres wie Glam, Punk, Reggae und Metal feiern hier ihren Ursprung, nicht zu vergessen Krautrock, Elektropop, Disco, Prog und sogar Hip-Hop. Ernst Hofacker erzählt die Story dieses einzigartigen Jahrzehnts anhand von zehn exemplarischen Daten. Er entfaltet die popkulturelle Vielschichtigkeit, zeigt auf, wie Trends und ihre Gegenbewegungen entstanden, und verfolgt die gesellschaftlichen Hintergründe und ihr Fortwirken bis heute. Das bunte Porträt einer Zeit, in der noch galt: Sag mir, was du hörst, und ich sag dir, wer du bist! Das Buch "hebt sich von der verbreiteten selbstverliebten oder semiotischen Popbeschreibung ab. Punk ist bei Hofacker ein Phänomen, das sich zwischen grassierender Inflation, dem Aufstieg Margaret Thatchers und dem Vermarktungsgeschick Malcolm McLarens bewegt. Krautrock deutet er als Versuch der Selbstbehauptung zwischen internationaler Bewunderung und einheimischer Ignoranz. Und Hiphop ist eine neue Ausdrucksform diskriminierter Bevölkerungsgruppen, in der erstmals schon geschaffene Musik zum Material wird. Hofackers Geschichtsschreibung ist das Gegenmodell zu kontextlosen Nostalgieshows in Radio und Fernsehen. Sie zeigt, welche Schätze im Pop verborgen sind. Es ist ein bewährtes Modell. Vielleicht haben Autor und Verlag ja Lust, auch die anderen Jahrzehnte seit der Geburt des Pop zu traktieren" (FAZ)
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  • 53
    ISBN: 9783515125857 , 351512585X
    Language: German
    Pages: 519 Seiten , Illustrationen , 25 cm, 1022 g
    Series Statement: Studien zur Alltags- und Kulturgeschichte Band 33
    Series Statement: Geschichte
    Parallel Title: Erscheint auch als Borscheid, Peter, 1943- The American Way of Music
    DDC: 781.6409
    RVK:
    RVK:
    Keywords: Geschichte 1945-2020 ; Geschichte ; Popmusik ; Rockmusik ; Musikwirtschaft ; Internationalisierung ; Globalisierung ; Unterhaltungsmusik ; Amerikanisierung ; USA
    Note: Literaturverzeichnis Seite 508-519
    URL: Cover
    URL: Cover
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  • 54
    ISBN: 9783734408991 , 3734408997
    Language: German
    Pages: 173 Seiten , 19 cm x 12 cm
    Parallel Title: Erscheint auch als Büchner, Timo Der Begriff "Heimat" in rechter Musik
    DDC: 306.4842
    RVK:
    Keywords: Rechtsradikalismus ; Unterhaltungsmusik ; Heimat ; Rockmusik ; Rechtsradikalismus ; Heimat
    Abstract: Der Kampf um die Deutungshoheit des Heimatbegriffs wird nicht nur im Netz und im Parlament, sondern auch in der Musik geführt. "Rechtsrock" ist seit mehr als 30 Jahren zu einem wichtigen Ideologieträger geworden. Eingerahmt wird dieser Text von persönlichen Erfahrungen des Autors mit dem Begriff Heimat. Nachdem T. Büchner (s. "Weltbürgertum statt Vaterland", 2018, hier nicht besprochen) ausführlich auf die Aktualität und die Geschichte des Begriffs eingegangen ist, gibt er einen Einblick in die verschiedenen Aspekte der rechten Musik. Er analysiert Musik und Texte der Rapper Komplott und Chris Ares und geht ausführlich auf den rechten Liedermacher F. Reinicke ein. Dabei macht er deutlich welche Kontakte die Musiker zu rechten Personen, Parteien und Organisationen haben. Einen breiten Raum nimmt die angeblich unpolitische Band Frei-Wild ein. Als positiven Gegenpol berichtet der Autor über die Band "Feine Sahne Fischfilet". Eine informative Analyse der rechten Musikszene, geeignet für Lehrer und Schüler, die nach dem deutlich umfangreicheren Band "Rechtsrock" angeschafft werden sollte
    Note: Literaturverzeichnis: Seite 157-172
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  • 55
    ISBN: 9781786607379
    Language: English
    Pages: viii, 212 Seiten
    Series Statement: Popular musics matter: social, political and cultural interventions
    Parallel Title: Erscheint auch als Bottà, Giacomo, 1974 - Deindustrialisation and Popular Music
    DDC: 781.66
    RVK:
    Keywords: Popular music Social aspects ; History ; Punk rock music Social aspects ; History ; Post-punk music Social aspects ; History ; Deindustrialization ; Punk ; Postpunk ; Musikleben ; Manchester ; Düsseldorf ; Turin ; Tampere ; Europa ; Unterhaltungsmusik ; Deindustrialisierung
    Abstract: Introduction. Metal on Metal -- The Industrial City -- A Genealogy of 'Industrial City Music' -- Manchester -- Düsseldorf -- Torino -- Tampere -- Industrial Heritages -- From Vanishing Mediator to Cultural Catalyst : Music, Space and Place.
    Abstract: "The book offers a new and unique point of view on industrial cities and their popular music cultures based on interdisciplinary research and methods"--
    Note: Literaturverzeichnis: Seite 197-207
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  • 56
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190052249
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford studies in music theory
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.42164143
    RVK:
    RVK:
    Keywords: Popular music / Analysis, appreciation ; Singing ; Singen ; Unterhaltungsmusik ; Gesang ; Popmusik ; Popmusik ; Gesang ; Singen ; Unterhaltungsmusik
    Abstract: 'A Blaze of Light in Every Word' presents a conceptual model for analyzing vocal delivery in popular song recordings focused on three overlapping areas of inquiry: pitch, prosody, and quality
    Note: Also issued in print: 2020. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 57
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197504673
    Language: English
    Pages: 1 Online Ressource (xx, 459 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als Sheleg, Asaf, 1974 - Theological stains
    DDC: 780.8992405694
    RVK:
    Keywords: Music History and criticism 20th century ; Music by Jewish composers History and criticism 20th century ; Jews Music ; History and criticism ; Zionism ; Zionism in literature ; Music ; Israel ; 20th century ; History and criticism ; Music by Jewish composers ; Israel ; 20th century ; History and criticism ; Jews ; Music ; History and criticism ; Zionism ; Zionism in literature ; Israel ; Kunstmusik ; Literatur ; Zionismus ; Juden ; Ethnische Identität ; Geschichte 1950-2000
    Abstract: In this in-depth study of Israeli art music in the second half of the twentieth century, author Assaf Shelleg explores how art music and modern Hebrew literature engaged with Zionism and competing diasporic Jewish histories that are not grounded in notions of territory.
    Note: Also issued in print: 2021. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 9, 2020)
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  • 58
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226653174
    Language: English
    Pages: 1 Online-Ressource (272 pages) , Illustrations (black and white).
    Series Statement: Chicago scholarship online
    RVK:
    RVK:
    Keywords: Soulmusiker ; Soul ; Schwarze ; Soul music History and criticism ; Soul music Social aspects ; Soul music Political aspects ; Soul musicians ; African Americans Music ; History and criticism ; Chicago, Ill.
    Abstract: Chicago's place in the history of soul music is rock solid. But for Chicagoans, soul music in its heyday from the 1960s to the 1980s was more than just a series of hits: it was a marker and a source of black empowerment. In Move On Up, Aaron Cohen tells the remarkable story of the explosion of soul music in Chicago. Together, soul music and black-owned businesses thrived. Record producers and song-writers broadcast optimism for black America's future through their sophisticated, jazz-inspired productions for the Dells and many others. Curtis Mayfield boldly sang of uplift with unmistakable grooves like 'We're a Winner' and 'I Plan to Stay a Believer.' Musicians like Phil Cohran and the Pharaohs used their music to voice Afrocentric philosophies that challenged racism and segregation, while Maurice White of Earth, Wind, and Fire and Chaka Khan created music that inspired black consciousness.
    Note: Previously issued in print: 2019 , Includes bibliographical references and index
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  • 59
    Book
    Book
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9780815360124 , 9780815360131
    Language: English
    Pages: xi, 235 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.6409438
    RVK:
    RVK:
    Keywords: Geschichte 1945-2018 ; Unterhaltungsmusik ; Polen ; Popular music / Poland / History and criticism ; Popular music / Social aspects / Poland / History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Polen ; Unterhaltungsmusik ; Geschichte 1945-2018
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  • 60
    Online Resource
    Online Resource
    New Brunswick : Rutgers University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780813574691
    Language: English
    Pages: 1 Online-Ressource (193 pages)
    DDC: 781.6409749
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte ; Unterhaltungsmusik ; Jazz ; Musikleben ; Musikproduktion ; Popular music-New Jersey-History and criticism ; Sound recording industry-New Jersey-History ; New Jersey ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 61
    Online Resource
    Online Resource
    Stuttgart : Franz Steiner Verlag
    ISBN: 9783515125932
    Language: German
    Pages: 1 Online-Ressource (519 Seiten) , Diagramme
    Series Statement: Studien zur Alltags- und Kulturgeschichte Band 33
    Series Statement: Studien zur Alltags- und Kulturgeschichte
    Parallel Title: Erscheint auch als
    DDC: 781.6409
    RVK:
    RVK:
    Keywords: Geschichte ; Geschichte 1945-2020 ; Musikmarkt ; Unterhaltungsmusik ; Internationalisierung ; Musikwirtschaft ; Rockmusik ; Globalisierung ; Amerikanisierung ; Popmusik ; USA ; Wirtschaftsgeschichte ; Musikfilm ; Tonträgerindustrie ; MTV ; Kulturgeschichte ; Globalisierung ; Disco ; Hip-Hop ; Rockmusik ; Jazz ; Musikindustrie ; Popmusik ; Musikkultur ; EDM ; Techno ; Musikmarkt ; amerikanische Geschichte ; USA ; Unterhaltungsmusik ; Musikmarkt ; Amerikanisierung ; Geschichte ; USA ; Popmusik ; Rockmusik ; Musikwirtschaft ; Internationalisierung ; Globalisierung ; Geschichte 1945-2020
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 62
    Online Resource
    Online Resource
    Stuttgart : Franz Steiner Verlag | Stuttgart : Wissenschaftliche Verlagsgesellschaft
    ISBN: 9783515125932
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Alltags- und Kulturgeschichte Band 33
    Series Statement: Geschichte
    RVK:
    RVK:
    Keywords: Geschichte 1945-2020 ; Geschichte ; Popmusik ; Rockmusik ; Musikwirtschaft ; Internationalisierung ; Globalisierung ; Unterhaltungsmusik ; Amerikanisierung ; USA
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  • 63
    ISBN: 9783925170461
    Language: German
    Pages: 339 Seiten , Illustrationen, Notenbeispiele
    Edition: 1. Auflage
    Series Statement: Veröffentlichungsreihe der Forschungsstelle für Fränkische Volksmusik 77
    Series Statement: Veröffentlichungsreihe der Forschungsstelle für Fränkische Volksmusik
    DDC: 781.62
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Verbot ; Unterhaltungsmusik ; Volksmusik ; Konferenzschrift 2018 ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift 2018 ; Volksmusik ; Unterhaltungsmusik ; Verbot
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  • 64
    Online Resource
    Online Resource
    Bielefeld, Germany : transcript Verlag | The Hague : OAPEN FOUNDATION
    ISBN: 9783839443583 , 9783839443583
    Language: English
    DDC: 780
    RVK:
    Keywords: Geschichte ; Unterhaltungsmusik ; Public Diplomacy ; Theory of music & musicology ; Arts ; Music ; Politics ; Popular Culture ; Pop Music ; International Relations ; History of the 20th Century ; Cultural History ; Musicology
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop. This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.
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  • 65
    ISBN: 9781433149498 , 1433149494
    Language: English
    Pages: XII, 248 Seiten , 23 cm, 449 g
    Series Statement: Black studies & critical thinking Vol. 111
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6411208996073
    RVK:
    Keywords: Bibel ; Afroamerikanische Musik ; Unterhaltungsmusik ; Text ; Christentum
    Note: Literaturangaben
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  • 66
    ISBN: 9781501340642
    Language: English
    Pages: XIV, 244 Seiten , Illustrationen
    DDC: 780.922
    RVK:
    RVK:
    RVK:
    Keywords: Musiker ; Unterhaltungsmusik ; Das Autobiografische ; Erinnerung ; Aufsatzsammlung
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  • 67
    ISBN: 9780199913923 , 9780199913947
    Language: English
    Pages: xiii, 319 Seiten , Illustrationen, Karten
    Series Statement: Currents in Latin American and Iberian music
    Parallel Title: Erscheint auch als Quintero, Michael Birenbaum, author Rites, rights and rhythms
    DDC: 781.6409861
    RVK:
    Keywords: Folk music History and criticism ; Blacks Music ; History and criticism ; Blacks Social conditions ; Schwarze ; Volksmusik ; Soziale Situation ; Kolumbien ; Einführung ; Einführung ; Einführung ; Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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  • 68
    Book
    Book
    Bloomington : Indiana University Press
    ISBN: 9780253041142 , 9780253041135
    Language: English
    Pages: xi, 241 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Wolf, Juan Eduardo, 1971- author Styling blackness in Chile
    DDC: 780.89/96083
    RVK:
    Keywords: Popular music History and criticism ; Blacks Music ; History and criticism ; Music and race Chile ; Musik ; Schwarze ; Tanz ; Chile ; Chile ; Schwarze ; Musik ; Tanz
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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  • 69
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource (328 Seiten)
    Series Statement: Popular music
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als Popular Music and Public Diplomacy (Veranstaltung : 2015 : Dortmund) Popular music and public diplomacy
    RVK:
    Keywords: International relations and culture ; Music and diplomacy ; Music ; Popular music Political aspects ; history ; Politics ; Music ; Cultural History ; History of the 20th Century ; Popular Culture ; Musicology ; Pop Music ; International Relations ; Diplomacy ; MUSIC / History & Criticism ; Konferenzschrift ; Konferenzschrift ; Unterhaltungsmusik ; Public Diplomacy ; Geschichte ; Musik ; Kulturveranstaltung ; Interdisziplinarität ; Transnationalisierung
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries
    Abstract: Frontmatter -- Table of Contents -- Acknowledgements -- Popular Music and Public Diplomacy / Dunkel, Mario / Nitzsche, Sina A. -- Part I: Competition and Collaboration -- Music in Transnational Transfers and International Competitions / Nathaus, Klaus -- The Paradoxes of Cultural and Music Diplomacy in a Federal Country / Mazzola, Alessandro -- Dervish on the Eurovision Stage / Şahin, Nevin Ş -- Part II: Infiltration and Appropriation -- Between Propaganda and Public Diplomacy / Ritter, Rüdiger -- "Liberated from Serfdom" / Feustle, Maristella -- A Musical Inquisition? / Ignácz, Ádám -- Part III: Education and Promotion -- Dancing in Chains / Bayles, Martha -- Becoming a Blue-Collar Musical Diplomat / Brown, Nicholas Alexander -- Music Trade in the Slipstream of Cultural Diplomacy / Kube, Sven -- National Flamencoism / Díaz, Carlos Sanz / Morales Tamaral, José Manuel -- Part IV: Representation and Participation -- The Ethics and Politics of Empathy in US Hip-Hop Diplomacy / Salois, Kendra -- Popular Musicking and the Politics of Spectatorship at the United Nations / Ball, James R. -- From Sons of Gastarbeita to Songs of Gastarbeiter / Nieden, Gesa zur -- Public Diplomacy and Decision-Making in the Eurovision Song Contest / Vuletic, Dean -- List of Contributors -- Index
    Note: Open Access , Mode of access: Internet via World Wide Web.
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 70
    ISBN: 9783830991045
    Language: German
    Pages: 1 Online-Ressource (339 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Populäre Kultur und Musik Band 25
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Friedrich-Schiller-Universität Jena 2018
    RVK:
    Keywords: Dance hall ; Reggaemusiker ; Musikalische Analyse ; Reggae ; Unterhaltungsmusik ; Jamaika ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Jamaika ; Reggae ; Reggaemusiker ; Dance hall ; Unterhaltungsmusik ; Musikalische Analyse
    Abstract: Reggae und Dancehall gehören zu den einflussreichsten Stilbereichen populärer Musik der vergangenen Jahrzehnte. Auf der Karibikinsel Jamaika entstanden, durchliefen sie international intensive Aneignungsprozesse und werden mittlerweile weltweit gehört und gespielt. Diese Studie spürt den ästhetischen Phänomenen des Genres nach. Durch die Verschränkung diskurs-, bild- und musikanalytischer Zugänge werden die Bewertungskriterien von Experten, die visuellen Darstellungen der Musiker sowie die musikalischen Klänge im Reggae und Dancehall analysiert und wechselseitig aufeinander bezogen. Damit reagiert die Studie auf aktuelle Herausforderungen der wissenschaftlichen Analyse populärer Musik: Nicht nur das Klanggeschehen im Reggae und Dancehall, sondern auch die darauf bezogenen Bewertungskriterien werden empirisch untersucht und als Interpretationsgrundlage genutzt. Zentral ist dabei die Frage, was in diesem Genre positiv bewertet wird und wie diese Wertschätzung analytisch greifbar werden kann
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  • 71
    ISBN: 9783830991199
    Language: German , English
    Pages: 1 Online-Ressource (216 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Populäre Kultur und Musik Band 26
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als Große Formen in der populären Musik
    DDC: 781.63168
    RVK:
    Keywords: Aufsatzsammlung ; Konferenzschrift 2015 ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Klassische Musik ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Song ; Rockmusik ; Funktionale Musik
    Abstract: Der kurze, eingängige Song ist das Herzstück – der Diamant – populärer Musikkulturen. Daneben haben exzentrische Spielarten allerdings auch große Formen hervorgebracht, die – auf unterschiedlichen Ebenen – einen Willen zur Expansion bezeugen. Diese Sammelpublikation fragt nach den verschiedenen Erscheinungen von Großformen, analysiert die Phänomene und klärt dabei ihre soziokulturellen Kontexte, die ökonomischen, technologischen Entstehungshintergründe sowie die leitenden Motivationen musikalischen Handelns im 'großen Stil' und seine möglichen ästhetischen Konsequenzen auf. Aufgeteilt in die vier Themenfelder 'Concepts – Cycles – Narrations', 'Cultural (Trans-) Formations', 'Personal Artistry' und 'Audio-Vision and Performance' werden Geschichte und Gestaltung von Konzeptalben, tanz- bzw. clubbasierte Musikumgebungen, individuelle kompositorische Verfahren sowie auf Bühne oder Bildschirm ausgerichtete Erweiterungen des Songformats untersucht.
    Note: Tabellen, Literaturangaben
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  • 72
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 9780226607474
    Language: English
    Pages: 1 Online-Ressource (x, 279 Seiten) , Illustrationen
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als Tucker, Joshua Making music indigenous
    DDC: 781.62/9832308529
    RVK:
    Keywords: Indians of South America Music History and criticism ; Indians of South America Social life and customs ; Popular music History and criticism ; Songs, Quechua History and criticism ; Indians of South America Social life andcustoms ; Indians of South America Music ; History and criticism ; Indians of South America Social life and customs ; MUSIC / General
    Abstract: When thinking of indigenous music, many people may imagine acoustic instruments and pastoral settings far removed from the whirl of modern life. But, in contemporary Peru, indigenous chimaycha music has become a wildly popular genre that is even heard in the nightclubs of Lima. In Making Music Indigenous, Joshua Tucker traces the history of this music and its key performers over fifty years to show that there is no single way to “sound indigenous.” The musicians Tucker follows make indigenous culture and identity visible in contemporary society by establishing a cultural and political presence for Peru’s indigenous peoples through activism, artisanship, and performance. This musical representation of indigeneity not only helps shape contemporary culture, it also provides a lens through which to reflect on the country’s past. Tucker argues that by following the musicians that have championed chimaycha music in its many forms, we can trace shifting meanings of indigeneity—and indeed, uncover the ways it is constructed, transformed, and ultimately recreated through music
    Abstract: Frontmatter -- Contents -- Prologue -- Introduction: Making Music Indigenous -- 1. Setting a Scene -- 2. Landscape, Performance, and Social Structure -- 3. Song and Sound -- 4. Tradition and Folklore -- 5. Broadcasting and Building Publics -- 6. Success and Sentiment -- 7. Wood and Work -- Epilogue -- Acknowledgments -- Online Resources -- Glossary -- Notes -- References -- Index
    Note: restricted access online access with authorization star , Mode of access: Internet via World Wide Web.
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
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  • 73
    Book
    Book
    Chicago and London : University of Chicago Press
    ISBN: 9780226607337 , 9780226607160
    Language: English
    Pages: X, 279 Seiten , Illustrationen
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
    DDC: 781.62/9832308529
    RVK:
    Keywords: Unterhaltungsmusik ; Peru ; Anden ; Popular music / Peru / Cangallo (Province) / History and criticism ; Songs, Quechua / Peru / Cangallo (Province) / History and criticism ; Indians of South America / Peru / Cangallo (Province) / Music / History and criticism ; Indians of South America / Peru / Cangallo (Province) / Social life and customs ; Peru ; Anden ; Unterhaltungsmusik
    Abstract: Introduction: making music indigenous -- Setting a scene -- Landscape, performance, and social structure -- Song and sound -- Tradition and folklore -- Broadcasting and building publics -- Success and sentiment -- Wood and work
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  • 74
    ISBN: 9783830941194
    Language: German , English
    Pages: 216 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Populäre Kultur und Musik Band 26
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als Große Formen in der populären Musik
    Parallel Title: Erscheint auch als Große Formen in der populären Musik
    DDC: 781.63168
    RVK:
    Keywords: Konferenzschrift 2015 ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift 2015 ; Aufsatzsammlung ; Klassische Musik ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Klassische Musik ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Song ; Rockmusik ; Funktionale Musik
    Abstract: Der kurze, eingängige Song ist das Herzstück – der Diamant – populärer Musikkulturen. Daneben haben exzentrische Spielarten allerdings auch große Formen hervorgebracht, die – auf unterschiedlichen Ebenen – einen Willen zur Expansion bezeugen. Diese Sammelpublikation fragt nach den verschiedenen Erscheinungen von Großformen, analysiert die Phänomene und klärt dabei ihre soziokulturellen Kontexte, die ökonomischen, technologischen Entstehungshintergründe sowie die leitenden Motivationen musikalischen Handelns im 'großen Stil' und seine möglichen ästhetischen Konsequenzen auf. Aufgeteilt in die vier Themenfelder 'Concepts – Cycles – Narrations', 'Cultural (Trans-) Formations', 'Personal Artistry' und 'Audio-Vision and Performance' werden Geschichte und Gestaltung von Konzeptalben, tanz- bzw. clubbasierte Musikumgebungen, individuelle kompositorische Verfahren sowie auf Bühne oder Bildschirm ausgerichtete Erweiterungen des Songformats untersucht.
    Note: Tabellen, Literaturangaben
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  • 75
    Online Resource
    Online Resource
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9781315544700 , 9781134830787 , 1134830785 , 1315544709
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 781.64/117
    RVK:
    RVK:
    Keywords: Musikalische Analyse ; Unterhaltungsmusik ; Neue Musik ; Popular music / Analysis, appreciation ; Popular music / History and criticism ; Musical analysis ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Musikalische Analyse ; Unterhaltungsmusik ; Neue Musik
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 76
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496819758
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    RVK:
    RVK:
    Keywords: Geschichte 1850-2018 ; Einwanderer ; Musik ; Schallaufzeichnung ; Greek Americans Music ; History and criticism ; Folk music History and criticism ; Folk music History and criticism ; Greek Americans Social life and customs ; USA ; Griechenland ; Aufsatzsammlung
    Abstract: 'Greek Music in America' provides a foundation for understanding the scope, practice, and development of Greek music in America through essays by the principal scholars in the field. This text offers a comprehensive view of the subject; despite the richness, diversity, and longevity of Greek music in America, there has been relatively little available on the topic. The volume includes several previously published essays, as well as recent work by contemporary specialists on the Greek diaspora.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 77
    ISBN: 9783658252526 , 3658252529
    Language: English
    Pages: VIII, 298 Seiten , Illustrationen
    Series Statement: Systematische Musikwissenschaft
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Popmusik ; Unterhaltungsmusik
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  • 78
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496805843
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 782.00973
    RVK:
    RVK:
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    Keywords: Geschichte ; Unterhaltungsmusik ; Countrymusic ; Klassische Musik ; Jodeln ; Yodeling History ; Popular music History and criticism ; USA
    Abstract: Considering yodeling as a musical device in American music, this text investigates in parallel two ways of understanding various meanings associated with yodeling: as the connotative functions of yodeling within specific musical texts and as the ideological implications of its use. It aims to provoke a reflection on the concept of singing and received cultural ideas associated with it. Starting with the premise that music is a discursive practice that is itself inseparable from a critical verbal discourse about music, the work interrogates the relationship between yodeling and predominating musical orthodoxy. Through a critical examination of that relationship, the book explores numerous examples of yodeling in American music, questioning why it achieved prominence and status in some genres and not in others and attempting to account for the relatively low prestige accorded to music featuring yodeling.
    Note: Previously issued in print: 2016 , Includes bibliographical references and index
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  • 79
    ISBN: 9783837650587 , 3837650588
    Language: German , English
    Pages: 308 Seiten , Illustrationen, Diagramme , 22.5 cm x 14.8 cm, 486 g
    Series Statement: Beiträge zur Popularmusikforschung 45
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Erscheint auch als (Dis-)orienting sounds - machtkritische Perspektiven auf populäre Musik
    DDC: 781.6301
    RVK:
    Keywords: Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Unterhaltungsmusik ; Macht ; Intersektionalität ; Unterhaltungsmusik ; Musikerziehung ; Unterhaltungsmusik ; Forschung ; Musikwissenschaft ; Popmusik
    Note: Literaturangaben , Beiträge teilweise in Deutsch, teilweise in Englisch
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  • 80
    Book
    Book
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9781138683112
    Language: English
    Pages: xviii, 441 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Neue Musik ; Unterhaltungsmusik ; Musikalische Analyse ; Popular music / Analysis, appreciation ; Popular music / History and criticism ; Musical analysis ; Aufsatzsammlung ; Aufsatzsammlung ; Musikalische Analyse ; Unterhaltungsmusik ; Neue Musik
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  • 81
    Book
    Book
    Wien : Verlag des Instituts für Europäische Ethnologie
    ISBN: 9783902029331 , 3902029331
    Language: German
    Pages: 324 Seiten , Illustrationen , 21 cm
    Edition: 2. Auflage
    Series Statement: Veröffentlichungen des Instituts für Europäische Ethnologie der Universität Wien Band 47
    Dissertation note: Masterarbeit Universität Wien 2018
    DDC: 781.64090512
    RVK:
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    Keywords: Hochschulschrift ; Hochschulschrift ; Berlin ; Breakcore ; Gabber ; Utopie ; Weltuntergang ; Geschichte 2011-2018 ; Unterhaltungsmusik ; Subkultur ; Utopie ; Postmoderne ; Utopie ; Unterhaltungsmusik
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  • 82
    Online Resource
    Online Resource
    New York : Bloomsbury Academic | London : Bloomsbury Publishing
    ISBN: 9781501330209 , 9781501330193
    Language: English
    Pages: 1 Online-Ressource (xv, 178 pages) , illustrations
    Series Statement: 33 1/3 Japan
    Parallel Title: Erscheint auch als Roberts, Martin Cornelius's Fantasma
    DDC: 781.63
    RVK:
    Keywords: Cornelius ; Popular music History and criticism 1991-2000 ; Electronic books ; Biografie ; Biografie ; Electronic books ; Biografie ; Japan ; Popmusiker ; Musikalbum ; Geschichte 1997 ; Volkstümliche Musik ; Unterhaltungsmusik ; Geschichte 1997 ; Cornelius 1969-
    Abstract: "In Tokyo in the early 1990s, an indie band called Flipper's Guitar was at the forefront of a new wave in Japanese popular music known as Shibuya-kei. The band's founder, Keigo Oyamada, would go on to produce, under the name Cornelius, a series of albums that are among the most innovative in Japanese popular music of the past two decades. Oyamada's third album under his Cornelius alter-ego, Fantasma (1997), played a key role in putting J-pop on the world map for Western music fans, and Oyamada himself is today one of the most respected figures in the Japanese music industry. This book tells the story of Fantasma's emergence from the Shibuya-kei scene and considers the wider impact of Oyamada's work both internationally and on Japanese popular music today. 33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-based books and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more"--Bloomsbury Collections
    Abstract: Dedication -- Epigraph -- Note on Transliterations and Japanese Names -- Preface: White Rabbit -- Chapter 1. From Nakameguro to Everywhere -- Chapter 2. Magic Kingdom -- Chapter 3. Ape Shall Not Kill Ape -- Chapter 4. Mutations -- Chapter 5. Pet Sounds -- Chapter 6. Merrie Melodies -- Chapter 7. Three-Dimensional Music -- Chapter 8. Analog Afterlives -- Chapter 9. Double Fantasy -- Notes -- Bibliography -- Permissions -- Index.
    Note: Includes bibliographical references and index
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  • 83
    Book
    Book
    Rochester, NY : University of Rochester Press
    ISBN: 9781580469524
    Language: English
    Pages: xi, 303 Seiten , Illustrationen , 24 cm
    DDC: 782.421640973091732
    RVK:
    Keywords: Geistesgeschichte 1900-1950 ; Unterhaltungsmusik ; Song ; Stadt ; USA
    Note: Literaturverzeichnis: Seite [297]-303
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  • 84
    Online Resource
    Online Resource
    Wiesbaden : Springer Fachmedien Wiesbaden | Cham : Springer International Publishing AG
    ISBN: 9783658252533 , 3658252537
    Language: English
    Pages: 1 Online-Ressource (VIII, 291 Seiten) , 1 illus.
    Edition: 1st ed. 2019
    Series Statement: Systematische Musikwissenschaft
    Parallel Title: Erscheint auch als Contemporary Popular Music Studies
    DDC: 306
    RVK:
    Keywords: Unterhaltungsmusik ; Popmusik ; Culture Study and teaching ; Art Study and teaching ; Mass media ; Music ; Cultural Studies ; Creativity and Arts Education ; Media Sociology ; Music
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  • 85
    Online Resource
    Online Resource
    Rochester, NY : University of Rochester Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781787444638
    Language: English
    Pages: 1 Online-Ressource (xi, 303 pages)
    DDC: 782.421640973/091732
    RVK:
    Keywords: Geistesgeschichte 1900-1950 ; Unterhaltungsmusik ; Song ; Stadt ; USA
    Abstract: An insightful look at the urban sensibility that gives the Great American Songbook its pizzazz. Nothing defines the songs of the great American songbook more richly and persuasively than their urban sensibility. During the first half of the twentieth century, songwriter such as Harold Arlen, Irving Berlin, Dorothy Fields, George and Ira Gershwin, and Thomas 'Fats' Waller flourished in New York City, the home of Tin Pan Alley, Broadway, and Harlem. Many of these remarkably deft and forceful creators were native New Yorkers. Others got to Gotham as fast as they could. Either way, it was as if, from their vantage point on the West Side of Manhattan, these artists were describing America--not its geography of politics, but its heart--to Americans and to the world at large. In City songs and American life, 1900-1950, renowned author and broadcaster Michael Lasser offers an evocative and probing account of the popular songs--including some written originally for the stage or screen--that America heard, and sang, and danced to during the turbulent first half of the twentieth century. Lasser demonstrates how the spirit of the teeming city pervaded these wildly diverse songs. Often that spirit took form overtly in songs that portrayed the glamor of Broadway of the energy and jazz age culture of Harlem. But a city-bred spirit--or even a specifically New York City way of feeling and talking--also infused many other widely known and loved songs, stretching from the early decades of the century to the twenties (the age of the flapper, bathtub gin, and women's right to vote), the Great Depression, and, finally, World War II. Throughout this remarkable book, Lasser emphasizes how the soul of city life, as echoes in the nation's songs, developed and changed in tandem with economic, social, and political currents in America as a whole.
    Note: Title from publisher's bibliographic system (viewed on 30 Aug 2019)
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  • 86
    Book
    Book
    Milano : Il Saggiatore
    ISBN: 9788842825463
    Language: Italian
    Pages: 813 pages , illustrations (some color) , 22 cm
    Series Statement: La cultura 1219
    Series Statement: La cultura
    DDC: 782
    RVK:
    RVK:
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    Keywords: Popular music History and criticism 20th century ; Italien ; Unterhaltungsmusik ; Schlager ; Kultur
    Note: Includes bibliographical references (pages 711-749) and index -- Discography: pages 751-781
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  • 87
    ISBN: 9783830991199
    Language: German
    Pages: 1 Online-Ressource (216 Seiten)
    Series Statement: Populäre Kultur und Musik Band 26
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als Große Formen in der populären Musik
    RVK:
    Keywords: elektronische Tanzmusik ; Hip-Hop ; Jules Buckley ; Konzeptalbum ; Konzeptmusical ; Mike Oldfield ; musikalische Großformen ; Musikvideo ; Popkonzert ; Populäre Musik ; Rockmusik ; Schlager ; Schlagerfilm ; Steve Vai ; Konferenzschrift 2015 ; Aufsatzsammlung ; Konferenzschrift 2015 ; Aufsatzsammlung ; Klassische Musik ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Klassische Musik ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Song ; Rockmusik ; Funktionale Musik
    Abstract: Der kurze, eingängige Song ist das Herzstück – der Diamant – populärer Musikkulturen. Daneben haben exzentrische Spielarten allerdings auch große Formen hervorgebracht, die – auf unterschiedlichen Ebenen – einen Willen zur Expansion bezeugen. Die vorliegende Sammelpublikation von international forschenden Expertinnen und Experten auf dem Gebiet der Popmusik-Studien fragt nach den verschiedenen Erscheinungen von Großformen auf diesem Gebiet, beschreibt und analysiert die Phänomene und klärt dabei ihre soziokulturellen Kontexte, die ökonomischen, technologischen Entstehungshintergründe, die leitenden Motivationen musikalischen Handelns im „großen Stil“ und seine möglichen ästhetischen Konsequenzen auf. Aufgeteilt in die vier Themenfelder „Concepts – Cycle – Narrations“, „Cultural (Trans-) Formations“, „Personal Artistry“ und „Audio-Vision and Performance“ werden Geschichte und Gestaltung von Konzeptalben, tanz- bzw. clubbasierte Musikumgebungen, individuelle kompositorische Verfahren sowie auf Bühne oder Bildschirm ausgerichtete Erweiterungen des Songformats untersucht. Die Herausgeber: PD Dr. Christofer Jost ist wissenschaftlicher Mitarbeiter am Zentrum für Populäre Kultur und Musik der Albert-Ludwigs-Universität Freiburg sowie Privatdozent am hiesigen Institut für Medienkulturwissenschaft. PD Dr. Gregor Herzfeld ist Universitätsassistent (Tenure Track) am Institut für Musikwissenschaft der Universität Wien sowie Privatdozent der Universität Basel.
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  • 88
    ISBN: 9783830941040
    Language: German
    Pages: 339 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Populäre Kultur und Musik Band 25
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als Burkhart, Benjamin Genre im Diskurs
    Dissertation note: Dissertation Hochschule für Musik Franz Liszt Weimar 2019
    DDC: 781.646015
    RVK:
    Keywords: Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Reggae ; Dance hall ; Musikalische Analyse ; Musikalische Analyse ; Reggae ; Reggaemusiker ; Dance hall ; Unterhaltungsmusik ; Jamaika
    Abstract: Reggae und Dancehall gehören zu den einflussreichsten Stilbereichen populärer Musik der vergangenen Jahrzehnte. Auf der Karibikinsel Jamaika entstanden, durchliefen sie international intensive Aneignungsprozesse und werden mittlerweile weltweit gehört und gespielt. Diese Studie spürt den ästhetischen Phänomenen des Genres nach. Durch die Verschränkung diskurs-, bild- und musikanalytischer Zugänge werden die Bewertungskriterien von Experten, die visuellen Darstellungen der Musiker sowie die musikalischen Klänge im Reggae und Dancehall analysiert und wechselseitig aufeinander bezogen. Damit reagiert die Studie auf aktuelle Herausforderungen der wissenschaftlichen Analyse populärer Musik: Nicht nur das Klanggeschehen im Reggae und Dancehall, sondern auch die darauf bezogenen Bewertungskriterien werden empirisch untersucht und als Interpretationsgrundlage genutzt. Zentral ist dabei die Frage, was in diesem Genre positiv bewertet wird und wie diese Wertschätzung analytisch greifbar werden kann.
    Note: Quellen- und Literaturverzeichnis: Seite 296-339 , Geringfügig modifizierte Version der Dissertation , Tag der Verteidigung: 22.03.2019
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  • 89
    Book
    Book
    New Brunswick, Camden ; Newark, New Jersey ; London : Rutgers University Press
    ISBN: 9780813596600 , 9780813596594
    Language: English
    Pages: xi, 222 Seiten
    Series Statement: Critical Carribean studies
    Dissertation note: Dissertation Brandeis University, Waltham, Mass 2012
    DDC: 813/.509357809729
    RVK:
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    Keywords: Literatur ; Unterhaltungsmusik ; Englisch ; Karibik ; Caribbean fiction (English) / 20th century / History and criticism ; Music and literature / Caribbean Area / History / 20th century ; Popular music in literature ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Karibik ; Englisch ; Literatur ; Unterhaltungsmusik
    Abstract: Phonographic memory : tracing the calypsonian's work in Lawrence Scott's Night calypso -- "Record your memories" : the bolero aesthetic in Oscar Hijuelos' The mambo kings play songs of love -- Re-membering "body and soul" : gender, gwoka, and jazz in Daniel Maximin's Lone sun -- Roots, romance, reggae : (dis)placing memory in Colin Channer's Waiting in vain -- Memory as mixtape : the dub aesthetic in Ramabai Espinet's The swinging bridge
    Abstract: "Phonographic Memories is the first book-length analysis of Caribbean popular music in the Caribbean novel. Tracing a region-wide poetics that attends to the centrality of Caribbean music in retrieving and replaying personal and cultural memories, Hamilton offers a fresh perspective on musical nationalism and nostalgic memory in the era of globalization"--
    Note: Revision of author's thesis (doctoral)--Brandeis University, 2012, titled Sound writing : popular music in the contemporary Caribbean novel , Includes bibliographical references and discography
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  • 90
    Online Resource
    Online Resource
    Middletown, Connecticut : Wesleyan University Press
    ISBN: 9780819578648
    Language: English
    Pages: 1 Online-Ressource (xviii, 330 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89/97
    RVK:
    Keywords: Geschichte 1900- ; Indians of North America Music ; History and criticism ; Music North America ; History and criticism ; Indians of North America Social life and customs ; Ethnomusicology ; Musikethnologie ; Identität ; Indianer ; Kulturaustausch ; Musik ; Moderne ; Nordamerika ; Aufsatzsammlung ; Konferenzschrift 2013 ; Nordamerika ; Indianer ; Musik ; Identität ; Moderne ; Kulturaustausch ; Musikethnologie ; Geschichte 1900-
    Note: Includes bibliographical references and index
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  • 91
    Online Resource
    Online Resource
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    DDC: 780
    RVK:
    Keywords: Geschichte ; Unterhaltungsmusik ; Public Diplomacy ; Cultural History ; Diplomacy ; History of the 20th Century ; History ; International Relations ; Music ; Musicology ; Politics ; Pop Music ; Popular Culture ; Unterhaltungsmusik ; Public Diplomacy ; MUSIC / History & Criticism ; Electronic books
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Jun 2019)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Image
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  • 92
    Book
    Book
    Urbana : University of Illinois Press
    ISBN: 9780252083280 , 9780252041648
    Language: English
    Pages: 224 Seiten , 23 cm
    Series Statement: Music in American life
    RVK:
    Keywords: Geschichte ; Unterhaltungsmusik ; Folk music ; USA ; Erlebnisbericht
    Note: Literaturangaben
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  • 93
    ISBN: 9780190296612 , 9780190296605
    Language: English
    Pages: xviii, 229 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 781.49
    RVK:
    Keywords: Geschichte ; Sound recordings Production and direction ; Popular music Production and direction ; Musikproduktion ; Tonstudio ; Musiker ; Unterhaltungsmusik ; Unterhaltungsmusik ; Musiker ; Tonstudio ; Musikproduktion ; Geschichte
    Note: Includes bibliographical references and index
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  • 94
    Book
    Book
    London ; New York :Routledge, Taylor & Francis Group,
    ISBN: 978-1-138-06240-5
    Language: English
    Pages: xxii, 255 Seiten : , Illustrationen, Notenbeispiele.
    Series Statement: SOAS musicology series
    Parallel Title: Erscheint auch als
    DDC: 780.917/4943
    RVK:
    RVK:
    Keywords: Geschichte 1900- ; Turkic peoples Music ; History and criticism ; Music ; Music ; Music Turkish influences ; Musik. ; Kultur. ; Türkei. ; Kaukasus. ; Zentralasien. ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musik ; Kultur ; Geschichte 1900-
    Note: Includes bibliographical references and index
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  • 95
    Book
    Book
    Lanham ; Boulder ; New York ; London : Rowman & Littlefield
    ISBN: 9781442258396
    Language: English
    Pages: xix, 192 Seiten
    Series Statement: Listener's companion
    Parallel Title: Erscheint auch als Frühauf, Tina, author Experiencing Jewish music in America
    DDC: 780.89/924073
    RVK:
    Keywords: Jews Music ; History and criticism ; Music History and criticism
    Note: Includes bibliographical references and index
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  • 96
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource (328 Seiten) , Illustrationen
    Series Statement: Popular music
    DDC: 780
    RVK:
    Keywords: Geschichte ; Unterhaltungsmusik ; Public Diplomacy ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Aufsatzsammlung ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Aufsatzsammlung ; Konferenzschrift 2015
    Note: Literaturangaben
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 97
    Book
    Book
    London ; New York : Rowman & Littlefield International
    ISBN: 9781786606228
    Language: English
    Pages: ix, 277 Seiten , Illustrationen
    Series Statement: Popular musics matter: social, political and cultural interventions
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University of Amsterdam 2016
    DDC: 781.640943
    RVK:
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    Keywords: Geschichte 1945-2016 ; Unterhaltungsmusik ; Identität ; Nationalbewusstsein ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Identität ; Nationalbewusstsein ; Unterhaltungsmusik ; Geschichte 1945-2016
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  • 98
    Online Resource
    Online Resource
    Bielefeld : transcript | Gießen : Giessener Elektronische Bibliothek
    Language: German , English
    Pages: 1 Online-Ressource
    Series Statement: Beiträge zur Popularmusikforschung 44
    DDC: 305.800943
    RVK:
    Keywords: Unterhaltungsmusik ; Popmusik ; Jazz ; Forschung ; Musikphilosophie ; Musiktheorie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Aufsatzsammlung ; Konferenzschrift 2017 ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Beiträge teilweise deutsch, teilweise englisch
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
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  • 99
    ISBN: 9780415715737 , 9781138328273
    Language: English
    Pages: XIII, 182 Seiten , Illustrationen
    Edition: 1st issued in paperback
    Series Statement: Routledge global popular music series
    RVK:
    Keywords: Unterhaltungsmusik ; Lateinamerika ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Includes bibliographical references and index
    Abstract: Made in Latin America serves as a comprehensive introduction to the history, sociology, and musicology of contemporary Latin American popular music. Each essay, written by a leading scholar of Latin American music, covers the major figures, styles, and social contexts of popular music in Latin America and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music, followed by essays organized into thematic sections: Theoretical Issues; Transnational Scenes; Local and National Scenes; Class, Identity, and Politics; and Gendered Scenes.
    URL: Cover
    URL: Cover
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  • 100
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190296643
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 781.49
    RVK:
    Keywords: Geschichte ; Sound recordings / Production and direction ; Popular music / Production and direction ; Tonstudio ; Musiker ; Unterhaltungsmusik ; Musikproduktion ; Unterhaltungsmusik ; Musiker ; Tonstudio ; Musikproduktion ; Geschichte
    Abstract: 'Dawn of the DAW' examines DIY recording studio practices past and present, with a focus on the concept of 'the studio as musical instrument' the evolving role of the producer, and the implications of these practices for the field of music education
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
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