PPN: | 510272967 |
Titel: | |
Verantwortlich: | |
Erschienen: | Jackson : University Press of Mississippi, 2022 |
Vertrieb: | Oxford : Oxford University Press |
Umfang: | 1 Online-Ressource (viii, 153 pages). |
Serie: | Mississippi scholarship online |
Anmerkung: | Also issued in print: 2022 Includes bibliographical references and index |
ISBN: | 978-1-4968-3607-6 ; 978-1-49-683603-8 |
RVK-Notation: | |
: | Schwarze Frau, Motiv Jazz, Motiv Literatur |
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DOI: | |
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Abstract: | In 1957, Duke Ellington released the influential album A Drum Is a Woman. This musical allegory revealed the implicit truth about the role of women in jazz discourse - jilted by the musician and replaced by the drum. Further, the album's cover displays an image of a woman sitting atop a drum, depicting the way in which the drum literally obscures the female body, turning the subject into an object. This objectification of women leads to a critical reading of the role of women in jazz music: If the drum can take the place of a woman, then a woman can also take the place of a drum. This book challenges that image but also defines a counter-tradition within women's writing that involves the reinvention and reclamation of a modern jazz discourse. |
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