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City songs and American life, 1900-1950
Verfasser: Lasser, Michael
(DE-588)1136046895978-1-58046-952-4
Schlagwörter: USA
; Unterhaltungsmusik ; Song ; Stadt <Motiv> ; Geschichte 1900-1950
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Letzte Änderung: 13.12.2019
MARC-Felder:
- Bayerische Staatsbibliothek München (Sigel: 12)
- Universitätsbibliothek Bayreuth (Sigel: 703)
- Bibliothek der Hochschule für Musik Nürnberg (Sigel: 1259)
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- Musikwissenschaft
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https://gateway-bayern.de/BV045434817
Letzte Änderung: 13.12.2019
| Titel: | City songs and American life, 1900-1950 |
|---|---|
| URL: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=03082044... |
| Erläuterung : | Inhaltsverzeichnis |
| Von: | Michael Lasser |
| ISBN: | 978-1-58046-952-4 |
| Erscheinungsort: | Rochester |
| Verlag: | University of Rochester Press |
| Erscheinungsjahr: | 2019 |
| Erscheinungsjahr: | © 2019 |
| Umfang: | XI, 303 Seiten |
| Details: | Illustrationen |
| Abstract: | Nothing defines the songs of the great American songbook more richly and persuasively than their urban sensibility. During the first half of the twentieth century, songwriter such as Harold Arlen, Irving Berlin, Dorothy Fields, George and Ira Gershwin, and Thomas 'Fats' Waller flourished in New York City, the home of Tin Pan Alley, Broadway, and Harlem. Many of these remarkably deft and forceful creators were native New Yorkers. Others got to Gotham as fast as they could. Either way, it was as if, from their vantage point on the West Side of Manhattan, these artists were describing America--not its geography of politics, but its heart--to Americans and to the world at large. In City songs and American life, 1900-1950, renowned author and broadcaster Michael Lasser offers an evocative and probing account of the popular songs--including some written originally for the stage or screen--that America heard, and sang, and danced to during the turbulent first half of the twentieth century. Lasser demonstrates how the spirit of the teeming city pervaded these wildly diverse songs. Often that spirit took form overtly in songs that portrayed the glamor of Broadway of the energy and jazz age culture of Harlem. But a city-bred spirit--or even a specifically New York City way of feeling and talking--also infused many other widely known and loved songs, stretching from the early decades of the century to the twenties (the age of the flapper, bathtub gin, and women's right to vote), the Great Depression, and, finally, World War II. Throughout this remarkable book, Lasser emphasizes how the soul of city life, as echoes in the nation's songs, developed and changed in tandem with economic, social, and political currents in America as a whole. (Klappentext) |
| Sprache: | eng |
| RVK-Notation: | LS 48050 |
| Fid-Notation: | MUS |
| Angaben zum Inhalt: | Introduction: Encountering the City. - The City's Clamor. - Broadway's Melody. - Harlem's Renaissance. - Recordings, Radio, and Talkies. - Starting the Century. - The Flapper and the Jazz Age. - The Great Depression. - World War II. - Afterword. - Notes. - Bibliography |
| Andere Ausgabe: | Erscheint auch als |
| _Bemerkung: | Online-Ausgabe |
| _ISBN: | 978-1-78744-463-8 |
| _ID der anderen Ausgabe: | (DE-604)BV046199324 |
| Thema (Schlagwort): | USA; Unterhaltungsmusik; Song; Stadt; Geschichte 1900-1950 |
| Weitere Schlagwörter : | Popular music / United States / 20th century / History and criticism; Cities and towns / United States / Songs and music / 20th century / History and criticism |
| Weitere Schlagwörter : | New York (N.Y.) / Songs and music / 20th century / History and criticism |
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| 245 | 1 | 0 | |a City songs and American life, 1900-1950 |c Michael Lasser |
| 264 | 1 | |a Rochester |b University of Rochester Press |c 2019 | |
| 264 | 4 | |c © 2019 | |
| 300 | |a XI, 303 Seiten |b Illustrationen | ||
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| 505 | 8 | |a Introduction: Encountering the City. - The City's Clamor. - Broadway's Melody. - Harlem's Renaissance. - Recordings, Radio, and Talkies. - Starting the Century. - The Flapper and the Jazz Age. - The Great Depression. - World War II. - Afterword. - Notes. - Bibliography | |
| 520 | 3 | |a Nothing defines the songs of the great American songbook more richly and persuasively than their urban sensibility. During the first half of the twentieth century, songwriter such as Harold Arlen, Irving Berlin, Dorothy Fields, George and Ira Gershwin, and Thomas 'Fats' Waller flourished in New York City, the home of Tin Pan Alley, Broadway, and Harlem. Many of these remarkably deft and forceful creators were native New Yorkers. Others got to Gotham as fast as they could. Either way, it was as if, from their vantage point on the West Side of Manhattan, these artists were describing America--not its geography of politics, but its heart--to Americans and to the world at large. In City songs and American life, 1900-1950, renowned author and broadcaster Michael Lasser offers an evocative and probing account of the popular songs--including some written originally for the stage or screen--that America heard, and sang, and danced to during the turbulent first half of the twentieth century. Lasser demonstrates how the spirit of the teeming city pervaded these wildly diverse songs. Often that spirit took form overtly in songs that portrayed the glamor of Broadway of the energy and jazz age culture of Harlem. But a city-bred spirit--or even a specifically New York City way of feeling and talking--also infused many other widely known and loved songs, stretching from the early decades of the century to the twenties (the age of the flapper, bathtub gin, and women's right to vote), the Great Depression, and, finally, World War II. Throughout this remarkable book, Lasser emphasizes how the soul of city life, as echoes in the nation's songs, developed and changed in tandem with economic, social, and political currents in America as a whole. (Klappentext) | |
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