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  • MPI Ethno. Forsch.  (11,313)
  • HBZ  (6,031)
  • Regensburg UB  (847)
  • Online Resource  (14,581)
  • Cham : Springer International Publishing  (7,535)
  • Wiesbaden : Springer Fachmedien Wiesbaden  (3,947)
  • Boston, Mass. :Safari Books Online,  (2,247)
  • Imprint: VS Verlag für Sozialwissenschaften
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  • 1
    ISBN: 9783031414015
    Language: English
    Pages: 1 Online-Ressource(XIX, 287 p. 22 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Communication in organizations. ; Sustainability. ; Political science.
    Abstract: Chapter 1: Introduction -- Part 1: Theoretical and Empirical Approaches to Communication for Development and Sustainable Social Change in Africa -- Chapter 2: Anchoring Participatory Communication in South Africa’s Municipal Citizen Participation During Integrated Development Planning (IDP) Processes -- Chapter 3: Participatory communication for sustainable development: A study of the Access project in Ghana -- Chapter 4: A theoretical framework towards mutual sustainability communication -- Part 2: Strategic Communication in Governance, Planning and Policy Reforms -- Chapter 5: Exploration of the accentuated value of Strategic Communication Management for Inclusive Citizenry Engagement through governance and sustainability -- Chapter 6: Network Governance as a Catalyst for Sustainable Development on the African Continent -- Chapter 7: Communication Strategies for Community Development: A Study of World Bank SEEFOR-CDDS projects in Ukwa East communities, Abia State, Nigeria -- Part 3: Communication for Social Change, Bottom-up Development and Social Movements in Africa -- Chapter 8: The role of the Sudanese Professionals Association in the Revolution of 2019 towards development and social change -- Chapter 9: Invited and Invented Spaces of Public Participation in South African Local Government: The study of community engagement practices and service delivery protests -- Chapter 10: Movement communication practices of students & the poor: The political economy of communication -- Part 4: Cases Studies in applied Strategic Communication, Development, Social Change and Electoral Reform -- Chapter 11: Public health Communication and Growth -- Chapter 12: Using Digital Technologies in Community Radio to Promote Social Change in Kenya -- Chapter 13: Dwindling Voters’ Turnout and Citizenship Participation: A Political Market Orientation Analysis of Nigeria’s 2015 and 2019 Presidential Elections -- Chapter 14: The Arena Model as a basis for communication strategy formulation for the National Development Plan -- Chapter 15: Concluding Remarks.
    Abstract: This book is the first of its kind within the African region to combine scholarly perspectives from the fields of Strategic Communication Management and Communication for Development and Social Change. It draws insights from scholars across the African continent by unravelling the complementary nature of scholarship between the two fields, through the lens of prevailing governance and sustainability challenges facing African countries, today. This edited volume covers issues that have adversely affected the achievement of goals related to humanitarian upliftment, development and social change for all African nations. Consequently, citizen participation, which lies at the heart of these challenges when considering the question of sustainable governance and policy development for social change in an African context is addressed. To this end, a reflection is also made on various case studies that exist where local citizens do not inform sustainable development programmes, while the promotion of bottom-up development and social change is largely replaced by top-down instrumental action approaches and hemispheric communication instead of strategic communication. Themes explored include: ● Communication for social change, bottom-up development and social movements in the local government sphere ● Strategic communication in governance, planning and policy reforms ● The role of multi-stakeholder partnerships in achieving development of objectives geared towards good governance in Africa ● Public participation, protests, and resistance from 'below' ● Public sector health communications and development ● Media relations, accountability and contested development narratives with the Fourth Estate ● Social media and eParticipation in government development programs. Tsietsi Mmutle is Senior Lecturer at the University of Pretoria in the department of Business Management, he teaches Strategic Communication Management modules at honours and Masters level in the Communication Management unit. Tshepang B. Molale is Senior Lecturer at the University of the Witwatersrand, specializing in communication for development and social change. Olanrewaju Olugbenga Akinola lectures in the Mass Communication department of the Olabisi Onbanjo University, Ago-Iwoye, Nigera. Olebogeng Selebi completed her PhD in Communication Management from the University of Pretoria. She was the host of the first Nobel Prize Dialogue event ever to take place on African soil.
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  • 2
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031146633
    Language: English
    Pages: 1 Online-Ressource(XIII, 283 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in British Musical Theatre
    Parallel Title: Erscheint auch als
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    Keywords: Theater ; Musical theater. ; Cultural industries. ; Theater. ; Theater
    Abstract: 1. Introduction -- 2. Chapter 1: Cosmopolitan musical theatre styles at the Lane (1918-1934) -- 3. Chapter 2: The Drury Lane Musical Theatre Spectacle (1931-1939): “Hearts Splintering in Waltz Time” -- 4. Chapter 3: The Lane and ENSA (Entertainment National Services Association) headquarters (1939) -- 5. Chapter 5: Rodger’s and Hammerstein’s Oklahoma! Carousel and South Pacific: Imported Americana -- 6. Chapter 6: Ruritanian Imperialism in The King and I (1953) -- 7. Chapter 7: Fading Empire and British imitation: Lerner and Loewe -- 8. Chapter 8: Hello Dolly and the resurgence of the British musical the nostalgia of Lost Empire Word -- 9. Epilogue.
    Abstract: This monograph centres on the history of musical theatre in a space of cultural significance for British identity, namely the Theatre Royal, Drury Lane, which housed many prominent American productions from 1920-1970. It argues that during this period Drury Lane was the site of cultural exchanges between Britain and the United States that were a direct result of global engagement in two world wars and the evolution of both countries as imperial powers. The critical and public response to works of musical theatre during this period, particularly the American musical, demonstrates the shifting response by the public to global conflict, the rise of an American Empire in the eyes of the British government, and the ongoing cultural debates about the role of Americans in British public life. By considering the status of Drury Lane as a key site of cultural and political exchanges between the United States and Britain, this study allows us to gain a more complete portrait of the musical’s cultural significance in Britain. Dr. Arianne Johnson Quinn is an archivist, librarian, and scholar. She is currently the Music Special Collections Librarian at the Warren D. Allen Music Library, Florida State University, USA. She holds a Ph.D. in Musicology from Princeton University, and has worked as Digital Archivist and Research Associate for the Noël Coward Archive Trust. Arianne has been on the faculty of the Florida State Honors Program, South Georgia State College and Tallahassee Community College. Her research focuses on the intersections between the American and British musical in London’s West End from 1920-1970, particularly the works of Noël Coward, Kurt Weill, Lerner and Loewe, Irving Berlin, Cole Porter and Rodgers and Hammerstein. .
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  • 3
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031249983
    Language: English
    Pages: 1 Online-Ressource(XIII, 317 p. 2 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Literature ; Comparative literature. ; Collective memory.
    Abstract: Introduction (Takayuki Shonaka, Takahiro Mimura and Shinya Morikawa) -- Part I Early Japanese Influences -- 1 Blithe Spirit: Young Ishiguro’s Contact with Japanese Children’s Culture through Shogakukan’s Graded Educational Magazines (Motoko Sugano) -- 2 Osamu Tezuka’s Astro Boy and Kazuo Ishiguro’s Klara and the Sun (Ria Taketomi) -- Part II Ghosts and Stereotypes -- 3 Constructing Japan with Stereotypes: An Analysis of Kazuo Ishiguro’s ‘A Family Supper’ (Yoshiki Tajiri) -- 4 Envisioned ‘Ghosts Project’: Kazuo Ishiguro’s Imaginary Nagasaki (Megumi Kato) -- 5 The Hidden Ghost Story: Ishiguro, Ugetsu, and Troubled English Belief (Anni Shen) -- Part III War and Responsibilities -- 6 ‘The Shame of Being on the Wrong Side of History’: Defeat and the Failures of Masculinities in An Artist of the Floating World and The Remains of the Day (Kunio Shin) -- 7 Between the A-bombing and Responsibilities for World War II: Changes in the Themes of Ishiguro’s Early Novels (Masako Matsuda) -- 8 The Representation of the Sino-Japanese War and Cosmopolitanism in Empire of the Sun, When We Were Orphans, and My Shanghai, 1942-1946 (Erica Aso) -- Part IV Creative Development -- 9 Tracing the Origin of Kazuo Ishiguro through His Early Song Lyrics (Takayuki Shonaka) -- 10 ‘The Remains’ of Charlotte Brontë in the Early Novels of Kazuo Ishiguro (Hiromi Nagara) -- 11 The Evolution of Stevens towards The Remains of the Day (Shinya Morikawa) -- Part V Past and Future -- 12 Monumental Moments: Narrative Complicity in the Novels of Kazuo Ishiguro (Takahiro Mimura) -- 13 Nonhuman/Posthuman Aspects in Kazuo Ishiguro’s New Millennium Novels (Hiroshi Ikezono). .
    Abstract: This collection of essays offers new perspectives from Japan on Nobel Prize–winning author Kazuo Ishiguro. It analyses the Japanese-born British author from the vantage point of his birthplace, showing how Ishiguro remains greatly indebted to Japanese culture and sensibilities. The influence of Japanese literature and film is evident in Ishiguro’s early novels as he deals with the problem of the atomic bomb and Japan’s war responsibility, yet his later works also engage with folk tales and the modern popular culture of Japan. The chapters consider a range of Japanese influences on Ishiguro and adaptations of Ishiguro’s work, including literary, cinematic and animated representations. The book makes use of newly archived drafts of Ishiguro’s manuscripts at the Harry Ransom Center at the University of Texas to explore the origins of his oeuvre. It also offers sharp, new examinations of Ishiguro’s work in relation to memory studies, especially in relation to Japan. Takayuki Shonaka is Professor in English Literature at Kyoto Women’s University, Japan. His research and teaching expertise are in British and American Culture, Language, and Literature. He is the author of Kazuo Ishiguro: ‘Nihon’ to ‘Igirisu’ no Hazama kara [Kazuo Ishiguro: From Between ‘Japan’ and ‘England’] (2011). Takahiro Mimura is Professor in English at Chiba Institute of Technology, Japan. He studies contemporary English novels especially from the perspective of memory. He is the author of Kazuo Ishiguro Wo Yomu [Reading Kazuo Ishiguro] (2022) and Kioku To Zinbungaku [Memory and the Humanities] (2021). Shinya Morikawa is Professor in English Literature at Hokkai-Gakuen University, Japan. His research interests include contemporary British fiction, international migration novels, and literary stylistics. He is a co-editor of Kazuo Ishiguro No Shisen: Kioku, Souzou, Kyoushu [Kazuo Ishiguro’s Gaze: Memory, Imagination, Nostalgia] (2018). .
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  • 4
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031445958
    Language: English
    Pages: 1 Online-Ressource(XX, 268 p. 8 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave European Film and Media Studies
    Parallel Title: Erscheint auch als
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    Keywords: Motion picture plays, European. ; Ethnology ; Culture. ; Motion picture industry. ; Television broadcasting.
    Abstract: 1. Introduction: European film consumption, representation, and identity -- 2. The transnational viewership of European film: markets, audiences, and policies -- 3. Euro-million mainstream films: large audiences, limited diversity or insights -- 4. Euro-million arthouse films: diverse and insightful stories, niche audiences -- 5. Euro-million middlebrow films: insightful stories, varied audiences, limited diversity. 6. The transnational impact of European film: perceptions, identity, and other effects -- 7. Conclusion: limited unity and diversity -- Index.
    Abstract: “This study, based on a wealth of original research, analyses the production, circulation and reception of European films since 2005, considering their impact on broader cultural and social issues, notably the vexed question of what constitutes a European identity. Throughout, the author tests various theorisations and conceptual frameworks against the empirical evidence he has unearthed. His carefully considered interpretation will be widely welcomed as an important contribution to understanding European cinema.” - Andrew Spicer, Professor of Cultural Production, University of the West of England Bristol, UK This book explores how audiences in contemporary Europe engage with films from other European countries. It draws on admissions data, surveys, and focus group discussions to explain why viewers are attracted to particular European films and genres, including action-adventures, family films, biopics, period dramas, thrillers, comedies, and romances. It also examines how these films are produced and distributed, how they represent Europe, and how they affect audiences. Case-studies range from mainstream movies like Skyfall, Taken, and Asterix & Obelix: God Save Britannia, to more middlebrow and arthouse titles, such as The Lives of Others, Volver, Coco Before Chanel, Love Is All You Need, Intouchables, The Angels’ Share, Ida, The Hunt, and Blue Is the Warmest Colour. The study shows that watching European films can contribute to people’s understandings of other countries and make them feel more European. However, this is limited by the strong preference for Anglo-American action-adventures that offer few insights into the realities of European life. The book discusses what these findings mean for the European film industry, cultural policy, and scholarship on transnational and European cinema. It also considers how surveys, focus groups, databases and other methods that go beyond traditional textual analysis can offer new insights into our understanding of film. Huw D. Jones is a Lecturer in Film Studies at the University of Southampton, UK. He previously worked on ‘Mediating Cultural Encounters through European Screens’ (MeCETES), a collaborative project on European film and television drama, funded by Humanities in the European Research Area (HERA). .
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  • 5
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783031321603
    Language: English
    Pages: 1 Online-Ressource(XIX, 527 Seiten) , Illustrationen
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Literature, Modern ; Adaptation (Literary, artistic, etc.). ; Poetry. ; Drama. ; Motion pictures. ; Television broadcasting.
    Abstract: Introduction: Neo-Victorianism - Sarah E. Maier and Brenda Ayres -- Section 1: Neo-Victorian Genesis -- Chapter 1: Reinventing the Victorians by Jean Rhys and John Fowles - Catherine Layton -- Chapter 2: Tradition and Innovation in A.S. Byatt’s Possession - Pritika Pradhan, Rutgers University -- Chapter 3: Neo-Victorian Poetry - Jo Morton, University of Greenwich -- Section 2: Neo-Victorian Performances -- Chapter 4: Adapting Wilkie Collins Adapting Himself: Revisiting The Moonstone (1868, 1877, 2016) - Robert Laurella, University of Oxford -- Chapter 5: Miss Potter and Victorian Women’s Artistic Aspirations - Maria Juko, University of Hamburg -- Chapter 6: “And thou art like the poisonous tree / That stole my life away”: The Afterlives of Pre-Raphaelite Women in Desperate Romantics - Anne-Marie Beller and Claire O’Callaghan, Loughborough University, UK -- Chapter 7: Interpretations are Illimitable: Adapting George Eliot - Saswati Halder, Jadavpur University -- Chapter 8: Neo-Victorian Musical Theatre - Marija Reiff, American University of Sharjah -- Chapter 9: The Tortured Genius of the Neo-Victorian West End - Louise Creechan, Durham University -- Chapter 10: Music Hall and “The Handprint of History on the Present Moment” - Catherine Quirk, Edge Hill University -- Section 3: Neo-Victorian Crime, Empire, and Postcolonialism -- Chapter 11: The Thug in the Margin and the Murderer in the Centre: Re-reading the Victorian Discourse of Criminology in Tabish Khair’s The Thing About Thugs - Sajalkumar Bhattacharya, Kazi Nazrul University -- Chapter 12: Neo-Victorian Violence - Sophie Franklin, University of Tübingen -- Chapter 13: Rewriting the Convict Life in Australia: A Reading of Peter Carey’s Jack Maggs - Anjan Saikia, Kamargaon College -- Chapter 14: Under Transimperial Eyes: Traversing Anarchy, Crime, and Patriotism in Neo-Japanese- Victorian Anime, Moriarty, the Patriot - Preeshita Biswas, Texas Christian University -- Chapter 15: The Brontë Myth, Biofiction and Neo-Victorian Crime Novels - Barbara Braid, University of Szczecin -- Chapter 16: The Sinister Community of Objects: An Archaeological Reading of The Silent Companions - Arka Chakraborty, Jadavpur University -- Section 4: Neo-Victorian Gothic and Materiality -- Chapter 17: Temporality of the Neo-Victorian: Abjection in Matthew Kneale’s Sweet Thames - Suvendu Ghatak, University of Florida -- Chapter 18: The Hauntology of the Neo-Victorian Ghost Story - Brenda Ayres -- Chapter 19: Crimson Peak: The Ghosting of the Past - Brenda Ayres -- Chapter 20: The Limehouse Golem: Female Agency and Neo-Victorian Slumming - Brooke Cameron, Queen’s University, Ontario -- Chapter 21: Dust and Sewers, Filth and Waste: Disgusting Neo-Victorian Narratives - Eckart Voigts, TU Braunschweig -- Chapter 22: Victorian Ghostwriters, House Whisperers, and the Haunted House in Home Before Dark - Brenda Ayres -- Section 5: Neo-Victorian Other(s). -Chapter 23: “Cult of the Neo-Victorian Child” - Patricia Pulham, University of Surrey -- Chapter 24: Neo-Victorian Bodies of Inquiry: Narratives for Tweens to Teens - Sarah E. Maier -- Chapter 25: Neo-Victorian Queerness: New Directions - Rachel M. Friars, Queen’s University, Ontario -- Chapter 26: On Neo-Victorian Addiction, Alienism, Sex, and Insanity - Sarah E. Maier -- Chapter 27: “Men in Women’s Clothes”: Re-Imagining Stella and Fanny in Neo-Victorian Celebrity Biofiction - Danielle Mariann Dove, University of Surrey and Daný van Dam, Leiden University -- Section 6: Neo-Victorian Religion and Science -- Chapter 28: Dracula Never Dies: Spirituality and Science in the Neo-Victorian Vampire - Carole Senf, Georgia Tech -- Chapter 29: “Neo-Victorian Religion” - Miriam Elizabeth Burstein, SUNY Brockport -- Chapter 29: Exotic Prehistory or Relevant Science: Sukumar Ray’s Posthuman Subversion of Victorian Travel Literature - Sutirtho Roy, University of Calcutta -- Chapter 30: “I’m going to break you and remake you”: Reimagining David Lynch’s The Elephant Man in Museum, Documentary, and Comedy - Helen Davies, University of Wolverhampton and Louise Logan-Smith, Teesside University -- Section 7: Neo-Victorian Outcomes -- Chapter 31: Neo-Victorian Graphic Novel - Catherine Golden, Skidmore College -- Chapter 32: Gaslight: The Play, the Film, the Verb - Benjamin Poore, University of York -- Chapter 33: Is Steampunk Neo-Victorian? - Martin Danahay, Brock University -- Chapter 34: Drag, Dreadfuls, and Draculas: (Neo-)Victorians for TV - Sarah E. Maier .
    Abstract: This handbook offers analysis of diverse genres and media of neo-Victorianism, including film and television adaptations of Victorian texts, authors’ life stories, graphic novels, and contemporary fiction set in the nineteenth century. Contextualized by Sarah E Maier and Brenda Ayres in a comprehensive introduction, the collection describes current trends in neo-Victorian scholarship of novels, film, theatre, crime, empire/postcolonialism, Gothic, materiality, religion and science, amongst others. A variety of scholars from around the world contribute to this volume by applying an assortment of theoretical approaches and interdisciplinary focus in their critique of a wide range of narratives—from early neo-Victorian texts such as A. S. Byatt’s Possession (1963) and Jean Rhys’ Wide Sargasso Sea (1966) to recent steampunk, from musical theatre to slumming, and from The Alienist to queerness—in their investigation of how this fiction reconstructs the past, informed by and reinforming the present. Sarah E. Maier is Professor of English and Comparative Literature at the University of New Brunswick Saint John, Canada. Brenda Ayres teaches online courses for Liberty University and Southern New Hampshire University, USA. Maier and Ayres have coedited several collections of essays. The most recent are Neo-Victorian Things (2022), Neo-Disneyism (2022), The Routledge Handbook of Victorian Scandals in Literature and Culture (2022), The Theological Dickens (2022), A Vindication of the Redhead (2021), Neo-Victorian Madness (2020) Neo-Gothic Narratives: (2020), Animals and Their Children in Victorian Culture (2019), and Reinventing Marie Corelli (2019). .
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  • 6
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031364419
    Language: English
    Pages: 1 Online-Ressource(XIII, 286 p. 3 illus., 2 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Journalism. ; Communication in politics. ; Ethnology ; Culture.
    Abstract: 1. Introduction. Not Authoritarian, but Not Yet Democratic: the Mexican authoritarian legacies in media and politics. Volume editors -- Part 1. Media Systems, Regulation and Historical Antecedents: Explaining Continuities -- 2. Media Systems in Unconsolidated Democracies: the case of Mexico. Manuel Alejandro Guerrero -- 3. Challenges in Protecting Freedom of Expression in Mexico: 20 years of progress with poor results. Salvador de Leon Vazquez. -- 4. The Salinas Years, 1988-1994: Watershed in the opening of Mexico's print media?. Andrew Paxman -- Part 2. The Burden of Being a Journalist in Mexico: Risk, Security and Censorship -- 5. Surviving Mexico's Peripheries: limits and constraints among journalists in the Twenty-First Century. Celeste Gonzalez de Bustamente & Jeannine Relly -- 6. Still Dreaming of Democracy: How professional norms from the political opening shape risk and resilience today. Sallie Hughes -- 7. Defective Democracy, Erosion of Freedom of Press, and the Perils of Being a Journalist in Mexico Two Decades After the Democratic Transition. Ruben Arnoldo Gonzalez, Osiris S. Gonzales-Galvan -- 8. AMLO and Freedom of the Press: The struggle between conflicting visions of communicative strategies in Mexico. Stuart Davis & Melissa Santillana -- Part 3. Post-Authoritarian Media Performance: Actors and Representations in Dispute -- 9. Mediatization in post-authoritarian democracies: 20 years of media logic in Mexican press. Martin Echeverria -- 10. Press and Civil Society: Alliance and mistrust in Mexican transition to democracy. Grisel Salazar -- 11. Television Political Satire and the Mexican Democratic Transition. Frida V. Rodelo.
    Abstract: This volume presents an analytical and empirical overview of the array of issues that the Mexican media faces in the post-authoritarian age, which jointly explains how a partially accomplished democracy, its authoritarian inertias, and its unintended consequences hinder the democratic performance of the media. This is analyzed from three points of view: the stalemate Mexican media system and ineffective regulations, the conditions of risk and insecurity of the journalists on the field, and the limits of freedom of expression, political substance, and inclusiveness of media content. A binational effort, with research from US and Mexican authors, a wide analytic perspective is provided on the macro, meso, and micro levels, allowing for a deep conceptual richness and a comprehensive understanding of the Mexican case. With leading researchers in the field, the volume revolves around the problems of the media in post-authoritarian democracies. By answering the questions of how and why the Mexican media has not fully democratized, the works encompassed here can resonate with and are relevant to other post-authoritarian countries and academic disciplines. Martin Echeverria is Full-Professor at the Centre for Studies in Political Communication, Institute of Government Sciences and Strategic Development, Benemerita Universidad Autonoma de Puebla, Mexico. Ruben Arnoldo Gonzalez is Full-Professor at the Centre for Studies in Political Communication, Institute of Government Sciences and Strategic Development, Benemerita Universidad Autonoma de Puebla, Mexico.
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  • 7
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031517532
    Language: English
    Pages: 1 Online-Ressource(XIII, 150 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Social sciences ; Ethics. ; Political science ; Philosophy of nature. ; Climatology.
    Abstract: 1. Introduction to collective and shared responsibility for climate change -- 2. Calling all collective agents -- 3. Responsibility as members -- 4. Shared social orientation and responsibility as constituents -- 5. Carbon inequality and direct responsibility -- 6.Why we need ethical arguments to set good climate policies.
    Abstract: "In this innovative book, Hormio effectively argues for an 'all hands on deck' approach to assigning climate change responsibility to a wider array of agents than is typically recognized, making the case that ethical analysis matters for complex policy problems like climate change.” —Steve Vanderheiden, Professor of Political Science, University of Colorado at Boulder, USA "By interweaving philosophical argument with real-world examples, Säde Hormio makes an important contribution to debates about collective responsibility for climate change." —Stephanie Collins, Associate Professor of Philosophy, Monash University, Australia This book proposes that it is not only states and international bodies that have a responsibility to take action toward mitigating climate change. Other collective agents, such as corporations, need to also come onboard. Additionally, the book argues that climate change is not solely a problem for collective agents, but also for individuals, as they are members of collectives and groups of several kinds. Therefore, framing climate change responsibility exclusively from either the collective or the individual perspective leaves out something crucial: how we all are influenced by the collectives we belong to and how, in turn, collectives are influenced by individuals. The focus of the book is on areas of climate change responsibility that are often left out of the picture or get too little attention in climate ethics, such as carbon inequality within countries. But why should any theoretical arguments about normative issues matter when we have a real-life climate crisis on our hands? Säde Hormio argues that ethical arguments have an important role in setting climate policy: they can highlight what values are at stake and help ground normative arguments in public deliberations. Säde Hormio is an Academy Research Fellow in Practical Philosophy at the University of Helsinki. She is also affiliated with the Institute for Futures Studies in Stockholm. Her research focuses on shared and collective responsibility.
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  • 8
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031415463
    Language: English
    Pages: 1 Online-Ressource(XVII, 232 p. 13 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Journalism. ; Digital media. ; Mass media ; Science
    Abstract: Chapter 1. Journalism and the Smart City -- Chapter 2. Configuring the Case of the Quayside Project -- Chapter 3. Chronicle of a Mediatized Controversy -- Chapter 4. The Quayside Project: Some Reassembly Required./.
    Abstract: “Bob Hanke’s “Smarter Toronto” is an important study of a key event in the recent history of urban planning, technological innovataion and urban journalism. The book masterfully weaves together complex theoretical ideas while remaining readable and deeply engaged with the events it describes. Hanke’s account of Google’s failed Sidewalk project in Toronto should interest anyone concerned with media, urban democracy and the future of cities.” —Will Straw, James McGill Professor of Urban Media Studies, McGill University This book bridges media, technocultural, urban, and journalism studies to examine the role of journalism in relation to a smart city project on Toronto’s waterfront. From the announcement of the public-private partnership called Sidewalk Toronto to the project’s termination, a mediatized controversy unfolded. Through an assemblage approach to this project and a case study of The Globe and Mail and the Toronto Star, it follows the actors and chronicles the Quayside project story as a conversation about the promise and perils of a future “smart” neighbourhood. In the news of Waterfront Toronto, Sidewalk Labs, other actors, events, and developments, there were multiple voices and views, interpretations and arguments, that manifested conflicting interests and values. As a locally situated actor, journalism produced a porous discourse that expressed a proposeand- public pushback movement. This work of articulating mediation conditioned the project’s alteration and dissolution within asymmetrical relations of power. In addition to a wave of opposition that inflected the project’s enactment, a time lag between project time and governmental policymaking made the controversy over this future urban space intractable. With their residual symbolic power, quality journalism contributed to dialogical urban learning. Bob Hanke, a former a faculty member in the Department of Communication & Media Studies, York University, Canada, is currently an independent scholar living in Toronto.
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  • 9
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Springer
    ISBN: 9783031421860
    Language: English
    Pages: 1 Online-Ressource(XVI, 170 p. 5 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Tetsugaku Companions to Japanese Philosophy 6
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    Keywords: Philosophy, Japanese.
    Abstract: Introduction -- Part I: Nishida Kitarō on Feeling -- Chapter 1: The Orientation of Japanese Philosophy: Feeling in Nishida, or Scientific Attitude in Tanabe -- Chapter 2: The Blue Flower in the Mirror of True Emptiness: An Approach to Nishida’s Active Feeling -- Chapter 3: The Feeling of Happiness, Moral Sentimentalism and Knowing-to: On Nishida Kitarō’s Energetism -- Chapter 4: The Role of Shuqing (Feeling-Expression) in Response to the Form of Formlessness: Its Role in Eastern Culture and Philosophies -- Chapter 5: Kannō dōkō and kō'ō in Japanese philosophy: A Blueprint for a Second Person Account -- Part II: Feeling beyond Nishida Kitarō -- Chapter 6: Japanese “Mono-no-aware” and Western Philosophy -- Chapter 7: The Ethical Implications of Enlightenment in Dōgen’s Philosophy of Compassion -- Chapter 8: The Early Reception of Nietzsche’s Eternal Recurrence in Japan and its Emotional Features -- Chapter 9: Ressentiment and Love: Nietzsche, Scheler and Asano -- Chapter 10: Between the Authentic and the Artificial: A Thought Experiment on Kokoro.
    Abstract: This edited volume is the first in English that covers the philosophy of feeling and related topics in Japanese philosophy on Nishida Kitarō and fellow thinkers. Part I focuses on Nishida Kitarō’s philosophy of feeling, including, but not limited to, comparisons with Tanabe Hajime, Koyama Iwao, and provides coverage of Buddhist, moral and Chinese philosophy. Part II goes beyond Kitarō into topics such as Japanese aesthetics, Nietsche’s reception in Japan, and the philosophy of AI. This is a comprehensive scholarly text on feeling in Japanese philosophy, aimed at researchers and students working in the field. .
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  • 10
    ISBN: 9783031362798
    Language: English
    Pages: 1 Online-Ressource(XVIII, 301 p. 20 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Music. ; Ethnology ; Culture. ; Emigration and immigration ; Diplomacy.
    Abstract: Chapter 1. Introduction: Music and Cultural Diplomacy in the Middle East—Geopolitical Reconfigurations for the Twenty-First Century -- Part I Music as Cultural Diplomacy: History and Historiographic Perspectives -- Chapter 2. From the Ottoman Twilight to the Roaring Twenties: The Early Career of Sharif Muhiuddin Haidar -- Chapter 3. Strike an Elizabethan Pose: Early Music Diplomacy—Queen Elizabeth I’s Clockwork Organ Gift to the Ottoman Court -- Part II Musical Diplomacy: Migration, Diaspora, and Deterritorialised Power -- Chapter 4. Melodies Heard and Unheard: The Promise and Limits of Cultural Diplomacy Through Music -- Chapter 5. Cultural Diplomacy Despite the State: Mobility and Agency of State and Amateur Musicians in Turkish Classical Music Choirs -- Chapter 6. Shahnameh in the Classroom: Iranian Music and DIY Cultural Diplomacy in the UK -- Part III Soft Power in State, Statecraft and Music-Making -- Chapter 7. Umm Kulthum and Cultural Diplomacy in Egypt -- Chapter 8. Performing Soviet Cultural Diplomacy: “Western Art Music” and Musicians in Cairo 1955–1970 -- Chapter 9. Musical Diplomacy in Mandate Palestine from 1936 to 1948 -- Part IV Affective and Sensorial Diplomacy in Transnational Spaces -- Chapter 10. Music as Cultural Diplomacy: Analyzing the Role of Musical Flows from the Arab Levant to New Cultural Poles in the Arab Gulf in the Twenty-First Century -- Chapter 11. Arabian Violence: Censorship in Morocco’s Techno Underground -- Chapter 12. Musical Delineations of a PostNational Space for National Struggle: Hazara, Kurdish, and Baloch Cases -- Chapter 13. Epilogue: Cultural Diplomacy, Some Discontents./.
    Abstract: This edited volume offers innovative perspectives on the study of music as cultural diplomacy in the Middle East and North Africa (MENA), a region often overlooked in such discussions. It offers an innovative contribution to the field of ethnomusicology, as well as political science and international relations, by highlighting the agency of non-state actors (local voices, communities, and grassroots organizations), thereby contributing towards de-centering the state, hitherto conceived as the chief player in cultural diplomacy. This volume is divided into four main parts organized along the following themes: 1. History and Historiography, 2. Migration, Diaspora, and Ethics, 3. Statecraft and Music Making, and 4. Affective and Sensorial Diplomacy. The perspectives offered in this volume offer a deeper exploration of bottom-up initiatives of cultural diplomacy through music, instead of the more usual analyses of top-down, state-directed programmes. Overall, the aim is to reconceptualize Middle Eastern, North African and Arab Gulf musical practices in their relationship to power and cultural diplomacy in order build a broader and pluri-dimensional account of these contentious relationships. Maria M. Rijo Lopes da Cunha has been a Danish Institute in Damascus Postdoctoral Research Fellow in Ethnomusicology at the Department for Arts and Cultural Studies of the University of Copenhagen (2019 - 2021 and 2022). Jonathan Shannon is Professor of Anthropology at Hunter College and the Graduate Center, The City University of New York. Søren Møller Sørensen is Associate Professor Emeritus at Department for Arts and Cultural Studies, University of Copenhagen. Virginia Danielson retired as Director of Libraries, New York University Abu Dhabi and is currently an Associate of the Music Department at Harvard University.
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  • 11
    ISBN: 9783031187247
    Language: English
    Pages: 1 Online-Ressource(XII, 408 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; European literature. ; Russia ; Europe, Eastern ; Soviet Union
    Abstract: Chapter 1. Introduction -- Part I Literary Historiography in Russia After 1990: From a Liberal Search for New Openings Back to the Idea of Russia -- Chapter 2. Historical Introduction -- Chapter 3. Academy of Sciences: Definitive Literary History -- Chapter 4. Post-Soviet University Literary Histories: Defining Russianness -- Chapter 5. Literary History and the Literary Canon in School Education: An Orthodox Upbringing -- Part II Latvian Literature as an Ideologically and Politically Contested Terrain: Literary Historiography Between Foreign Rule, Nationalism, and Comparative Perspectives -- Chapter 6. Introduction: An Outline of the Political and Cultural Development of Latvia -- Chapter 7. Latvian Literary Histories from 1812 to 1940: Popular Enlightenment, Romantic Nationalism, and Political Independence -- Chapter 8. Soviet Latvia and Exile: Political Changes in the Aftermath of WWII and Their Impact on Latvian Literary Histories -- Chapter 9. Literary Histories in the Period of Independence: The 1990s and Early Twenty-First Century -- Part III Politics of Literary History in the Czech Lands -- Chapter 10. 10 Introduction: History, Politics, Culture and the Origins of Literary Historiography in the Czech Lands till 1918 -- Chapter 11. The First Czechoslovak Republic: Literary Historiography 1918–1939 -- Chapter 12. Literary Historiography in the 1950s and Early 1960s -- Chapter 13. Politics and Policies in Literary Historiography During the Periods of “Disobedience” (1963–1969) and “Normalization” (1969–1989) -- Chapter 14. Literary History Since 1989: Directions, Attempts at Synthesis, Challenges -- Chapter 15. Textbooks in Literary History -- Part IV Finland: From Nation-building in Two Languages Towards a European Identity -- Chapter 16. Literary Histories from Mid-Nineteenth to Mid-Twentieth Century: The Viewpoint of Nationalism -- Chapter 17. The Literary History of a Welfare State: Kuusi’s Literary History -- Chapter 18. Celebrating Finland: Laitinen’s Literary History -- Chapter 19. Opening Windows Toward Europe: The Varpio Literary History -- Chapter 20. In Defense of Poesy: Hallila’s Survey of Contemporary Finnish Literature -- Chapter 21. Swedish-Language Literature in Finland: From a National to a Minority Literature -- Chapter 22. Literary History in the Schools: From Nationalism to Cultural Varieties./.
    Abstract: This book looks at literary historiography in Russia, Latvia, the Czech Republic and Finland, focusing on how seismic shifts in state politics and ideology after 1990 changed the writing of national literary histories in these countries. While Russia saw a return to a more nationalist way of thinking about literature and a new emphasis on Orthodox religion after the fall of the Soviet Union, the opposite is true for Latvia, the Czech Republic and Finland. In these countries, literary historiography fosters connections between Western scholarship and literatures written in the national language and engages with questions such as transnationalism, minorities, culture and power, and the cultural construction of identities. This book scrutinizes the different ways in which the construction of national, cultural and European identities has occurred in and through the literary historiography of North-Eastern Europe in the last few decades. Liisa Steinby is Professor Emerita of Comparative Literature at the University of Turku, Finland. Her publications include Myth in the Modern Novel: Imagining the Absolute (2023), co-edited volumes Narrative Concepts in the Study of Eighteenth-Century Literature (2017), and Herder and the Nineteenth Century (2020). Benedikts Kalnačs is Senior Researcher at the Institute of Literature, Folklore and Art, University of Latvia, and Professor of Comparative Literature at the University of Liepāja, Latvia. His publications include A New History of Latvian Literature: The Long Nineteenth Century (ed., with Pauls Daija, 2022). Mikhail Oshukov is Assistant Professor at Petrozavodsk State University, Russia. His publications include the articles "Ezra Pound’s Dramatic Works: Vorticist Noh Theater" (2019), "E.E. Cummings: geometry and grammar of revolution" (2017), and "Familiar Otherness: Peculiarities of dialogue in Ezra Pound’s poetics of inclusion" (2013). Viola Parente-Čapková is Professor of Finnish Literature at the University of Turku, Finland. Her publications include co-edited volumes Women Writing Intimate Spaces: The Long 19th Century at the Fringes of Europe (2023), and Nordic literature of Decadence (2020). .
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  • 12
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Springer
    ISBN: 9783031512285
    Language: English
    Pages: 1 Online-Ressource(XIII, 306 p. 19 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Historical-Analytical Studies on Nature, Mind and Action 13
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    Keywords: Philosophy
    Abstract: 1. Introduction (Péter Hartl) -- 2. Replicability and Faith in science: Implications of Tacit Knowledge(Agnès Festré and Stein Østbye) -- 3. Attributing Meanings to “Science”, “Faith”, and “Society” (Richard W. Moodey) -- 4. Science, Faith and Society and Polanyi’s Metaphysical Account (Phil Mullins) -- 5. "Interpretations of Nature” in Polanyi’s Science, Faith and Society (John Preston) -- 6. That Our World Might Endure: Polanyi’s “Primary Education” (Jon Fennell) -- 7. The Architecture of Public Trust (Diane Yeager) -- 8. The Enlightenment is Dead, Long Live the Enlightenment! - Towards a Post-critical Age of Reasonm (Gábor Bíró) -- 9. From Scientific Truth to Tradition-Encased Personal Meaning - Polanyi’s Critique of Enlightenment Ideas (Walter Gulick) -- 10. Michael Polanyi’s Understanding of Totalitarianism Against the Backdrop of Liberal Civilization (Struan Jacobs) -- 11. The Galilean Principle of Relativity: The Ultimate Fundament ofMoral Inversion (Dániel Paksi) -- 12. Inversions and Conversions, Moral and Otherwise (Andrew Grosso) -- 13. The Tragedy of the Liberal Theory of Science (Stephen Turner) -- Index.
    Abstract: The book is arguably the first comprehensive collection of essays on Michael Polanyi’s social, political philosophy. The essays combine philosophical and historical approaches to show Polanyi’s social thought in the context of his epistemology and philosophy of science as well as the 20th century intellectual history. This volume appeals to specialists in Michael Polanyi’s philosophy, political philosophers who are interested in the 20th century political thought, mainly conservative-liberal political tradition. Furthermore it appeals to scholars focusing on the intersections between epistemology and political philosophy.
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  • 13
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Springer
    ISBN: 9783031542275
    Language: English
    Pages: 1 Online-Ressource(XVIII, 211 p. 1 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Synthese Library, Studies in Epistemology, Logic, Methodology, and Philosophy of Science 483
    Parallel Title: Erscheint auch als
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    Keywords: Science ; Metaphysics. ; Philosophy of nature. ; Knowledge, Theory of. ; Ontology.
    Abstract: Foreword -- Introduction -- 1. What is a scientific theory? -- 2. Scientific realism: what is at stake? -- 3. Scientific realism: a defence -- 4. The categorical conceptions of laws -- 5. A dualist metaphysics of nature -- General conclusion -- References -- Name index -- Subject index.
    Abstract: This book addresses central issues in the philosophy and metaphysics of science, namely the nature of scientific theories, their partial truth, and the necessity of scientific laws within a moderate realist and empiricist perspective. Accordingly, good arguments in favour of the existence of unobservable entities postulated by our best theories, such as electrons, must be inductively grounded on perceptual experience and not their explanatory power as most defenders of scientific realism claim. Similarly, belief in the reality of dispositions such as causal powers which ground the natural necessity of scientific laws must be based on experience. Hence, this book offers a synthetic presentation of an original metaphysics of science, namely a metaphysics of properties, both categorical and dispositional, while at the same time opposing strong versions of necessitarism according to which laws are true in all possible worlds. The main theses and arguments are clearly presented in a non-technical way. Thus, on top of being of interest to the specialists of the topics discussed, it is also useful as a textbook in courses for third year and more advanced university students.
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  • 14
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Springer
    ISBN: 9783031514067
    Language: English
    Pages: 1 Online-Ressource(VI, 424 p. 1 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Synthese Library, Studies in Epistemology, Logic, Methodology, and Philosophy of Science 481
    Parallel Title: Erscheint auch als
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    Keywords: Logic. ; Mathematical logic. ; Knowledge, Theory of. ; Mathematics
    Abstract: 1. Introduction: deduction at the crossroads (Antonio Piccolomini d'Aragona) -- 2. The interdependence between the concepts of valid inference and proof revisited (Dag Prawitz) -- 3. The completeness theorem? So what! (Goran Sundholm) -- 4. Godel's absolute proofs and Girard's Ludics. Mutual insights (Gabriella Crocco and Myriam Quatrini) -- 5. Dummett, analytic and synthetic deductions (Cesare Cozzo) -- 6. From proof-objects to grounds (Enrico Moriconi) -- 7. On an ecumenical natural deduction with stoup - Part I: the propositional case (Luiz Carlos Pereira and Elaine Pimentel) -- 8. Martin-Lof on the validity of inference (Ansten Klev) -- 9. Molecularity in the theory of meaning and the topic neutrality of logic (Nils Kurbis and Bernhard Weiss) -- 10. Assertion, assumption and deduction (Peter Pagin) -- 11. Deduction and ampliativity: a critical appraisal (Emiliano Ippoliti) -- 12. A new conjecture about identity of proofs (Paolo Pistone) -- 13. Godel's introduction to deduction (Milos Adzic) -- 14. Karl Popper on deduction (Thomas Piecha) -- 15. An epistemological view on the Peano School Axiomatics (Paola Cantu) -- 16. Inferential quantification and the w-rule (Constantin Brincus) -- 17. Chains of inferences in proof by induction: a cognitive analysis (Samuele Antonini and Bernardo Nannini) -- 18. From strategies to derivations and back. An easy completeness proof for first-order intuitionistic dialogical logic (Davide Catta) -- Index.
    Abstract: This book provides philosophers and logicians with a broad spectrum of views on contemporary research on the problem of deduction, its justification and explanation. The variety of distinct approaches exemplified by the single chapters allows for a dialogue between perspectives that, usually, barely communicate with each other. The contributions concern (in a possibly intertwined way) three major perspectives in logic: philosophical, historical, formal. The philosophical perspective has to do with the relationship between deductive validity and truth, and questions the alleged conclusiveness of deduction and its epistemic contribution. It also discusses the role of linguistic acts in deductive practice, and provides a cognitive-didactic contribution on how we may learn through deduction. In the historical perspective, the contributions discuss the ideas of some major historical figures, such as Bolzano, Girard, Gödel, and Peano. Finally, in the formal perspective, the mathematics of deduction is dealt with mainly from an intuitionistic-constructivist or proof-theoretic point of view, with focus on “ecumenic” or internalistic approaches to logical validity, on the nature and identity of proofs, and on dialogical setups. Chapter [14] is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
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  • 15
    ISBN: 9783031515606
    Language: English
    Pages: 1 Online-Ressource(XIX, 363 p. 1 illus.)
    Edition: 1st ed. 2024.
    Series Statement: The International Library of Ethics, Law and Technology 42
    Parallel Title: Erscheint auch als
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    Keywords: Technology ; Inclusive education.
    Abstract: Chapter1. Introduction – The Relevance of Ethics Education in STEM (Elisabeth Hildt, Kelly Laas, Christine Z. Miller, Eric M. Brey:) -- Part I: Restructuring Ethics Education in STEM: Chapter2. Social Responsibility Development in Undergraduate STEM Students: Influences and Inhibitors (Daniel Schiff, Jason Borenstein, Ellen Zegura) -- Chapter3.Ethics education in engineering and technological institutes in India: Challenges and looking forward (Reena Cheruvalath:) -- Chapter4. Developing an Ethics Credential for Undergraduate STEM Majors (Alexandra Bradner, Rebecca A. Bates) -- Chapter5. Enhancing Ethics Culture in STEM in Eastern Europe, Practices in Use (Aive Pevkur) -- Chapter6. Engineering Ethics Education in China: Development, Promoters and Challenges for the Future (Lina Wei) -- Part II: Underrepresented Groups, Inclusivity, and Ethical Cultures : Chapter7. Race Matters as a Matter of Ethics in Engineering and Technology: Reflections on exclusivity in device design(Rosalyn Berne) -- Chapter8. Building Connections Using Culturally Relevant Practices in STEM Departments (Karina Vielma) -- Chapter9. Ethics Education in Science, Technology, Engineering and Mathematics (STEM) in Africa: A Reflection on the Successes, Failures and the Way Forward in the Era of a Global Pandemic(F. K. Abagale and M. A. Akudugu) -- Part III: Embedding Ethics Education in Practice Contexts and Labs: Chapter10. Towards a Virtue-based RCR Training for Data Scientists (Louise Bezuidenhout, Emanuele Ratti) -- Chapter11. Encouraging Transparency in Lab Safety via Teachable Moments and Positive Feedback (Melinda Box, Maria Gallardo Williams) -- Chapter12. A Bottom-Up Approach to Building a Culture of Responsible Research and Practice in STEM (Elisabeth Hildt, Kelly Laas, Christine Z. Miller, Eric M. Brey, Laura Gaviria, Francisca Acosta) -- Chapter13. Towards a Neuroethical Ethos: A Case Study in Reframing Neuroethics Education for Engineers and Researchers (Juhi Farooqui, Devapratim Sarma, Josep-Maria Balaguer) -- Part IV: New Approaches in Framing Ethical Issues. Chapter14. Using a Brain Processes Map as a Framework to Strengthen Ethical Culture in Research Labs (J. Brooke Hamilton) -- Chapter15. Inclusivity in the Education of Scientific Imagination (Mike Stuart, Hannah Sargent) -- Chapter16. Tinkering with Technology: An Exercise in Inclusive Experiential Engineering Ethics (Janna van Grunsven, Lavinia Marin, Trijsje Franssen) -- Chapter17. Storytelling as Facilitation Tool for Inclusive Ethics Training (Marietjie Botes) -- Part V: Community Outreach Approaches: Chapter18. Philosophy in the Rainforest: Reflections on Integrating Philosophy and Fieldwork (Clair Mossiry) -- CChapter19. Building Inclusive Cultures through Community Research(Jennifer Nyland, Timothy Stock, Michéle Schlehofer) -- Chapter20. Concluding chapter: Reflection on Promising Approaches and Outlook.
    Abstract: This book shares innovative approaches to effectively engage students and faculty working in research labs, lab-based classrooms and courses to build inclusive ethical cultures. The frameworks and approaches presented move beyond traditional research ethics training to strengthen the ethical culture in research labs. The chapters in the book showcase best practices and approaches to embedding educational interventions in courses, research labs and departments. The book is based on the two-day workshop “Building Inclusive Ethical Cultures in STEM” (April 23-24, 2021). Moving beyond the two-day conference that inspired this collected volume, the various chapters address questions like: What are approaches and tools to integrate ethics education in STEM effectively? How can STEM ethics education be improved? What can researchers do to build more inclusive research environments? How can meaningful discussions about ethics be effectively integrated into STEM courses, research labs, and workplace environments? While each chapter takes a different perspective and is located in its respective context, the contributions are united by the goal of effectively including ethical reflection in STEM education. Instructors from both four-year and two-year colleges who teach STEM and lab-based STEM courses; young principal investigators/junior faculty who are in the process of building their research groups; departmental chairs interested in programmatic approaches for improving mentoring, research ethics education, and the research culture of their department, will find this work to be a very valuable resource in their daily practice.
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  • 16
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Springer
    ISBN: 9783031526251
    Language: English
    Pages: 1 Online-Ressource(XI, 246 p. 1 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Synthese Library, Studies in Epistemology, Logic, Methodology, and Philosophy of Science 482
    Parallel Title: Erscheint auch als
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    Keywords: Metaphysics. ; Ontology. ; Science
    Abstract: 1. Introduction -- 2. Reality -- 3. Appearance -- 4. Dispositional Reality -- 5. In favour of Dispositional Reality -- 6. The extent of Dispositional Reality -- 7. Explaining with dispositions -- 8. Meta-explanatory questions -- 9. The future of Dispositional Reality.
    Abstract: Dispositionalism, perhaps the most popular variant of non-Humean metaphysics, submits that dispositions, powers, or capacities, are part of the furniture of the world. In this book I advance an original approach to dispositionalism revolving around the notion of Dispositional Reality; the novelty lies in the fact that the account, unlike most alternatives on the market, does not require the reification of objects, facts, properties, nor their dispositional essences – and is in fact compatible with a far more deflationary approach to dispositions, while still being true to the non-Humean spirit of the proposal. This power metaphysics without powers allows one to dispel several puzzles in recent literature, or recast them under a new light. Albeit with its own peculiarities, this proposal constitutes a variant of explanatory dispositionalism, according to which realism about dispositions ought not to be understood as an ontological inflation, but as an explanatory inversion within the nomic and modal family. Some of these explanations are hereby attempted, and a study of various types of non-causal explanation will be provided.
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  • 17
    Online Resource
    Online Resource
    Wiesbaden : Springer Fachmedien Wiesbaden | Wiesbaden : Imprint: Springer Gabler
    ISBN: 9783658442392
    Language: English
    Pages: 1 Online-Ressource(XVII, 140 p. 13 illus. Textbook for German language market.)
    Edition: 1st ed. 2024.
    Series Statement: Schriftenreihe der HHL Leipzig Graduate School of Management
    Parallel Title: Erscheint auch als
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    Keywords: Business ethics. ; Management.
    Abstract: Introduction -- Understanding Aspirational Talk -- Business Ethics Perspective on Responsibility -- Synthesis: Applying Business Ethics to Aspirational Talk -- Conclusion.
    Abstract: Aspirational talk has gained increasing research attention as a compelling concept theoretically explaining the potential of talk-action discrepancies in corporate responsibility communication to instigate organizational change. Under certain conditions, aspirational talk can facilitate discourse, agreement, reframing, and corporate reflexivity. However, perceived talk-action discrepancies can negatively affect organizational members, leading to disengagement, and demotivation, causing emotional exhaustion, exposing employees to vulnerabilities, and even catalyzing unethical or illicit behaviors. Thus, this book focuses on how aspirational talk becomes irresponsible in an organizational context, and how it can be avoided. The author proposes that aspirational talk becomes irresponsible if it creates expectations that lead to illegitimate harm to employees or involved stakeholders. A framework is derived, constituting the finding that it takes two types of investments into performativity and responsibility conditions, to avoid the irresponsible use of aspirational talk – and thus, to inspire responsibly. About the author Marie Schwimmer completed her doctoral study under the supervision of Prof. Dr. Andreas Suchanek at the Dr. Werner Jackstädt Chair of Economic and Business Ethics at HHL Leipzig Graduate School of Management and the Wittenberg Center for Global Ethics. Her primary research and practice focus is on corporate responsibility, sustainability communication, and business ethics as well as particularly aspirational talk in organizations.
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  • 18
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    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031535413
    Language: English
    Pages: 1 Online-Ressource(X, 305 p.)
    Edition: 1st ed. 2024.
    Series Statement: Studies in Global Science Fiction
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    Keywords: Oriental literature. ; Fiction. ; Popular Culture. ; Translating and interpreting. ; China
    Abstract: Chapter 1. Introduction -- Chapter 2. Kang Youwei’s Book of the Heavens and the Porous Epistemological Grounds of Early-modern Chinese Science Fiction -- Chapter 3. Intelligent Humanoid Machines: Imaginations of Physical and Mental Transformation in late Qing Literature and Their Intellectual Origins -- Chapter 4. The King of Electricity from China: Science, Technology, and the Vision of World Order in Late Qing China -- Chapter 5. Formal Fictions: “Chinese” “Science” “Fiction” in Translation -- Chapter 6. The Writing Editors: Late Qing and Republican Media Professionals as Authors of Science Fiction -- Chapter 7. Projecting Eco-Futures: Cinematic Visions of Utopian Science and Ecology from the Mao Era to the Deng Era -- Chapter 8. Information, the Body, and Humanism in the Chinese Cyber Novel Forty Millennia of Authenticity Cultivation -- Chapter 9. Open Up Your Brain Hole: Spatial Imaginaries in Chinese Online Science Fiction -- Chapter 10. Of Illness and Illusion: The Chaosmology of Han Song’s Hospital Trilogy -- Chapter 11. Liu Cixin and the Cosmic Pastoral -- Chapter 12. Bodies in Transformation: The Politics of Post-80s Science Fiction Authors Chi Hui, Chen Qiufan, and Zhang Ran -- Chapter 13. The Posthuman and the Neo-Baroque in Taiwan Science Fiction .
    Abstract: "The collection, a first-of-its-kind project in English-language scholarship, heralds a kind of Chinese sf studies 2.0, emphasizing the multiple points of origin and the sheer diversity of the histories, cultures, aesthetic expressions, and transmedial forms that together make up the sprawling field of “Chinese science fiction.” —Veronica Hollinger, co-editor, Science Fiction Studies This volume brings together emerging approaches and addresses shifting paradigms in Chinese science fiction studies, offering a window on fan cultures, internet fiction, gender, eco-criticism, post-humanism and biomedical discourse. These studies present a “second wave” of Chinese science fiction studies, re-evaluating the canon of Chinese science fiction print and cinematic production, and expand the range of critical approaches to the subject. These studies also demonstrate that Chinese science fiction represents a significant contribution to modern Chinese cultural production, both in terms of its value, speaking powerfully to our modern condition, and its sheer volume in terms of production and consumption. Chinese science fiction speaks to both China’s rapidly shifting reality, its political multiplicity and its formless future, voicing the anticipations and anxieties of a new epoch filled with accelerating alterations and increasing uncertainty. Mingwei Song is Professor of Modern Chinese Literature at Wellesley College. He is the author of numerous books and research articles, including Young China: National Rejuvenation and the Bildungsroman, 1900–1959 (2015) and Fear of Seeing: A Poetics of Chinese Science Fiction (2023). Nathaniel Isaacson is Associate Professor of Modern Chinese Literature in the Department of World Languages and Cultures at North Carolina State University. He is the author of Celestial Empire: the Emergence of Chinese Science Fiction (2017). Hua Li is Professor of Chinese in the Department of Modern Languages and Literatures at Montana State University. She has published Contemporary Chinese Fiction by Su Tong and Yu Hua: Coming of Age in Troubled Times (2011) and Chinese Science Fiction during the Post-Mao Cultural Thaw (2021).
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  • 19
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031420689
    Language: English
    Pages: 1 Online-Ressource(XIII, 258 p.)
    Edition: 1st ed. 2024.
    Series Statement: New Directions in Irish and Irish American Literature
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Drama. ; Queer theory. ; Theater ; Sex.
    Abstract: 1 Introduction -- 2 Family, Normativity, and the Will to Escape -- 3 Moral Prudery, Respectability, and Broken Intimacies -- 4 Sadomasochistic Attachments: Reverse Power and Erotic Stimulations -- 5 Defiant Dykes: New Women against Patriarchy -- 6 Conclusions.
    Abstract: Queering W. B. Yeats and Gabriele D’Annunzio is an important new study that is revelatory not only for what it reveals about these two important playwrights, but also for its innovative approach to methodology. As modernist playwrights, Yeats and D’Annunzio adopted a variety of approaches – both overlapping and contrasting – to their dramaturgy and stagecraft, and this book sheds new light on the political and aesthetic consequences of their work. Of even greater value, however, is Balázs’s extraordinarily deft and original application of queer theory to these writers’ dramas and legacies. The overall impact is to open up new approaches to research in modernism, theatre studies, queer theory – and beyond. -Prof. Patrick Lonergan, University of Galway, Ireland Queering W. B. Yeats and Gabriele D’Annunzio offers a fresh, creative, and highly illuminating approach to the work of two essential yet perplexing modern European playwrights. Reading Yeats through the lens of queer theory unlocks some of the contradictions of his treatment of gender and sexuality, demonstrating that they remain profoundly anti-normative and anti-authoritarian even when citing heteronormative or misogynistic tropes. In addition to provocative and generative readings of some of Yeats's and D’Annunzio’s most difficult plays, Balázs’s book offers a treasure trove of information about modernist theatrical production and the performers who brought these dramas to life. The questions raised in this book about the arts and authority could not possibly be more timely. This book will be essential reading for anyone drawn to the fascinating world of modern European drama. -Prof. Susan Cannon Harris, University of Notre Dame This monograph provides the first fully theorised queer and comparative reading of Yeats’s and D’Annunzio’s drama in light of the playwrights’ rich queer and feminist networks. It uncovers a subversive and often coded social commentary in eight key dramatic texts by each playwright through meticulous and highly topical dramaturgical readings which carry relevant implications for the contemporary moment. Zsuzsanna Balázs is Assistant Professor at Óbuda University in Budapest, Hungary.
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  • 20
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031430671
    Language: English
    Pages: 1 Online-Ressource(XVI, 233 p. 12 illus., 11 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Theater ; Actors. ; Classical literature. ; Literature, Ancient. ; Adaptation (Literary, artistic, etc.).
    Abstract: Chapter 1: Introducing The Burnt City and beyond -- Chapter 2: Punchdrunk on the Classics: A History -- Chapter 3: The Burnt City in Development: Rehearsal as Mythopoiesis -- Chapter 4: The Burnt City in Development: Abstracting Ancient Literature -- Chapter 5: The Burnt City in Performance: Place, Space, and Experience -- Chapter 6: The Burnt City’s Legacy: Immersivity, Mimesis, and Enargeia -- Chapter 7: Conclusion.
    Abstract: Punchdrunk on the Classics: Experiencing Immersion in The Burnt City and Beyond draws attention to Punchdrunk’s use of ancient Greek literature in their creation of immersive theatre. The book documents and analyses the effects of utilising Greek tragedy within both Punchdrunk’s creative development windows, and the company’s final staged productions. It features material stretching from The House of Oedipus (2000) right through to The Burnt City (2022-23), on which the author worked as dramaturg. Chapters include rehearsal studies, explorations of how Greek literature can shape an audience’s experience in immersive theatre, and considerations of how The Burnt City might change our understanding of the poetics of immersion in antiquity. Overall, Punchdrunk on the Classics provides an unparalleled depth of insight into an individual Punchdrunk production, and highlights the until-now overlooked significance of antiquity within Punchdrunk’s practice. Emma Cole is Senior Lecturer in Drama at the University of Queensland, Australia; previously, she was Senior Lecturer in Liberal Arts and Classics at the University of Bristol. She is a classicist and a theatre historian and is an expert on Greek tragedy in contemporary theatre. Her previous book, Postdramatic Tragedies, was published in 2019.
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  • 21
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    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031283222
    Language: English
    Pages: 1 Online-Ressource(92 illus., 64 illus. in color. eReference.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Keywords: Intermediality. ; Digital media. ; Motion pictures. ; Television broadcasting. ; Mass media and history.
    Abstract: Introduction to The Palgrave Handbook of Intermediality -- Intermediality: Introducing terminology and approaches in the field -- An Updated Survey of Early Interart and Intermediality Roots: Claus Clüver -- Ekphrasis – Intermedial and Anglophone Perspectives -- Intermediality and Medium Specificity -- Intermedialities, Societies, and Power Histories -- Montreal School of Intermediality: Beyond Media Studies -- Case Studies as a Heuristic of Intermediality -- Linnaeus University Center for Intermedial and Multimodal Studies and the legacy of Lars Elleström -- Intermediality in Brazil: a diachronic survey -- An Overview of Intermedial Studies in China -- Intermediality, Semiotics and Media theory -- Intermediality and/in Translation -- Visual Citation in Intermedial Relations -- Reformulating the Theory of Literary Intermediality: A Genealogy from Ut pictura poesis to Poststructuralist In-betweenness -- Transmedial Narratology and Transmedia Storytelling -- The Narrator: A Transmedial Device -- Intermediality, Teaching and Literacy -- Intermedia, Multimedia and Media -- Citational Aesthetics: for Intermediality as Interrelation -- Traditional Chinese Painting: An Intermedial Play of Sister Arts Since the Eleventh Century -- The Anchor and the Dolphin: A History of Emblems -- The Age of Wonder and Entertainment: An Introduction to Intermedial Networks in Baroque Culture -- Intermediality in Seventeenth-Century Baroque Celebrations in Hispanic America: Commissions, Poetry, and Ephemeral Architecture -- Cabinets of Curiosities as a Transhistorical and Intermedial Phenomenon -- Crossing Media Borders: From Intermedial Shakespeares to Shakespearean Intermediality -- Metareference in the Nineteenth-Century Pictorial Press and Beyond -- Picturing Music in the 19th Century -- Prototype models of intermedial praxis (Wagner, Kandinsky, Brecht) and their resonances in contemporary performance -- Intermediality and Liveness at the Turn of the Twentieth Century -- The Sonification of Modernist Fiction: A Critical Review -- Adaptation and Sound -- Music Transformation in Literature -- Collage as a Creative Act: Emergence, Displacement and Re-signification -- Anthropophagic Appropriation and Intermediality -- Late Twentieth-Century Intermedia Poetry in the Americas -- Photo-Journalism and Beyond -- Media borders in a post-media age: the historical and conceptual co-evolution of cinema, television, video and computer screens -- The Qualified Medium of Computer Games: Form and Matter, Technology, and Use -- The Ecological Crisis and Intermedial Studies -- Simulated Climate in Ecological Games: Mediating Climate Change to Endow Players with Transformative Agency -- Intermediality in Theme Parks -- Interactive and Participatory Sound -- Intermediality and Computer Simulation -- Intermediality and Digital Fiction -- Intermediality and Metamediality: From Analog Representations to Digital Resources -- The Recommended Experience: Engaging Networked Media Platforms with Intermediality -- Posthuman Intermedial Semiotics and Distributed Agency for Sustainable Development.
    Abstract: This handbook provides an extensive overview of traditional and emerging research areas within the field of intermediality studies, understood broadly as the study of interrelations among all forms of communicative media types, including transmedial phenomena. Section I offers accounts of the development of the field of intermediality - its histories, theories and methods. Section II, III and IV then explore intermedial facets of communication from ancient times until the 21st century, with discussion on a wide range of cultural and geographical settings, media types, and topics, by contributors from a diverse set of disciplines. It concludes with an emphasis on urgent societal issues that an intermedial perspective might help understand.
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    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Springer
    ISBN: 9783031415708
    Language: English
    Pages: 1 Online-Ressource(XIV, 294 p. 16 illus., 13 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Contributions to Hermeneutics 12
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    Keywords: Hermeneutics. ; Aesthetics.
    Abstract: Introduction -- Serious Play: Towards a philosophical understanding of interpretative musical performance -- The Participant Belongs to the Play: The Ethical Dimensions of Improvised Music -- The Dance That Transforms: Gadamer on Morality, Music, and Religion -- Tarrying with John Cage's plant pieces -- Horizons of Fusion: Arabic Maqām, Improvisation and Gadamerian Hermeneutics -- Living Tradition: Jazz Improvisation in the light of Gadamer’s Hermeneutics -- The Drastic Hermeneutics of Hans-Georg Gadamer and Vladimir Jankélévitch -- The musical work of art and its interpretations: Gadamer's critique of Ingarden -- Gadamer's horizons as interfaces for knowing musical worlds -- Can Music Speak? The Language of Art and the Communicability of Aesthetic Experience -- The Experience of Music in the Digital Age: From Auditory Ereignis to Episodic Insignificance and Back -- Re-sounding: Towards an ontological hermeneutics of being-musically -- Gadamer, Beauty, and Musical Improvisation -- Music's Aesthetic Untology: Understanding's InMaterial Improvisations -- The Hermeneutics of Performance and the Performance of Hermeneutics -- Approaching Hermeneutics through Music.
    Abstract: This volume explores Hans-Georg Gadamer's philosophical hermeneutics within a musical context. It features contributions from philosophers, musicians, educators, and musicologists from a variety of backgrounds, and sheds light on both the hermeneutic nature of music and the musicality of hermeneutics. Contributors to this volume hermeneutically think with music to uncover its fundamentally hermeneutic character, and by thinking with Gadamer in a musical context, explore ways in which hermeneutics may be understood to possess an inherent musicality. Gadamer's thought is taken up in a variety of musical contexts including improvisation, musical performance, classical music, jazz, and music criticism. This first volume to explore Gadamer's hermeneutics in a musical context breaks new ground by challenging musical concepts and by pushing Gadamer's thought in new directions. It appeals to philosophers engaged with Gadamer's thought (and philosophical hermeneutics more broadly), as well as philosophers of music, musicologists, and musicians interested in critically engaging with the practice of performing and listening to music.
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    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Springer
    ISBN: 9783031495489
    Language: English
    Pages: 1 Online-Ressource(VIII, 179 p.)
    Edition: 1st ed. 2024.
    Series Statement: Contributions to Phenomenology, In Cooperation with The Center for Advanced Research in Phenomenology 128
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    Keywords: Phenomenology . ; Social sciences ; Ethics.
    Abstract: 1. Gustav Strandberg and Hugo Strandberg: Introduction -- 2. Jan Patočka: The Phenomenology of Afterlife -- 3. Jan Frei: To Live after Death: Where? Patočka’s “Phenomenology of Afterlife” and Its Contexts -- 4. Gustav Strandberg: Dying with the Other: Death as the Manifestation of Community -- 5. Nicolas de Warren: The Intimacy of Disappearance -- 6. Hugo Strandberg: Forgiveness and the Dead -- 7. Tomáš Hejduk: Postmortal Openness to Meaning -- 8. Ondřej Beran: The Other Modern Séances -- 9. Erin Plunkett: What Does It Mean to Love the Dead? -- 10. Lovisa Andén: Between Memory and History: Retracing Historical Knowledge through a Phenomenology of Afterlife -- 11. Antony Fredriksson: Drawing a Line or Blurring the Contour between Animate and Inanimate with Clarice Lispector and Jan Patočka -- 12. Niklas Forsberg: “Unresting Death, a Whole Day Nearer Now”: Parfit and Patočka on Death and False Consolations.
    Abstract: This volume contains for the first time in English, Jan Patočka’s seminal essay “The Phenomenology of Afterlife”, as well as contributions surrounding and analyzing this text. In his essay, Patočka reflects on our relation to the dead and on how the departure of a loved one affects our continued existence. The premise of Patočka’s investigation is that our existence always takes place by and through an originary and reciprocal “being for others”. The contributors in the volume extend the field of inquiry into the wider phenomenological and post-phenomenological discussion of death by being cognizant of how works of literature can broaden our understanding of the care of death, grief, forgiveness and non-reciprocal love. Also included are reflections on issues of philosophical anthropology, community, collective memory, and the ecstatic nature of life – issues that can all be related back to Patočka’s initial reflections, but which nonetheless radiate into a myriad of directions. This volume appeals to students and researchers in the field.
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  • 24
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    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031567063
    Language: English
    Pages: 1 Online-Ressource(IX, 268 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Theology. ; Catholic Church. ; Religion and politics.
    Abstract: Part One – What Did the Council Teach and What’s Wrong with It? -- Chapter One: Why Study Vatican II on Church-State Relations? -- Chapter Two: Survey of Conciliar Documents on Ecclesiology and the Lay Apostolate in Politics -- chapter Three: Defining the Debate in Political Theology -- 3.1 Introduction -- 3.2 Two ways of classifying political theology to be rejected -- 3.3 A qualified acceptance of an alternative classification -- Chapter Four: Reading DH through the Lens of Ecclesial Ethics -- 4.1 Introduction -- 4.2 'Not Late Enough: The Divided Mind of Dignitatis Humanae Personae' -- 4.3 Distinguishing the arguments that are distinctive to ecclesial ethics -- 4.4 First argument: DH's distinctions between nature-grace, reason-revelation -- 4.5 Second argument: distinction between religion and politics -- Chapter Five: Reading LG, AA, and GS through the Lens of Ecclesial Ethics -- 5.1 Introduction -- 5.2 The structure of Cavanaugh's argument -- 5.3 The problematic ecclesiology underlying Catholic Action -- 5.4 The elusive presence of Vatican II in Cavanaugh's thought -- 5.5 The critique of the Dogmatic Constitution on the Church -- 5.6 The critique of the Decree on the Lay Apostolate -- 5.7 The critique of the Pastoral Constitution on the Church in the Modern World -- 5.8 Summary of critique -- Chapter Six: A Critique of Hauerwas and Cavanaugh -- 6.1 Why Hauerwas and Cavanaugh are not sectarians -- 6.2 The modern state as an irredeemable foe -- 6.3 The church as a contrast society -- 6.4 Conclusion -- Part Two – How Can the Church’s Teaching be Corrected? -- Chapter Seven: Methodological Introduction -- Chapter Eight: Powers and Principalities in the New Testament -- 8.1 Introduction -- 8.2 Scholarship on the Powers -- 8.3 The Powers: Created, fallen, defeated -- 8.4 Political authority as one of the Powers -- 8.5 Oliver O'Donovan on the Powers and political authority -- 8.6 Conclusion -- Chapter Nine: Deliverance from the Powers in the church -- 9.1 The sacramental shape of the church -- 9.2 Baptism -- 9.3 Eucharist -- 9.4 Participating in the threefold office: Prophet, Priest, King -- 9.5 Ordained ministry -- Chapter Ten: Learning from the Ambiguous Legacy of Christendom -- 10.1 Bearing witness before the Powers -- 10.2 Mission leading to martyrdom or mutual service -- 10.3 From Two Cities to Two Swords -- 10.4 The Gospel’s impact on political authorities -- Chapter Eleven – Conclusion -- Bibliography.
    Abstract: “To revisit the legacy of Vatican II as it attempted to reconstruct the relation of church and state around a theology of the laity; to honour its ambitions to escape from the straitjacket of a two-level theory of authority; to enrich it with concepts drawn from the primary missionary impulses of the apostolic church and the debates of contemporary political theology; those are the very considerable ambitions of this constantly stimulating book. It should prove rewarding to Christians in all churches, taking one major Christian achievement of the twentieth century as a starting point for an ecumenical approach to the challenges of political life in the twenty first.” —Oliver O'Donovan, Professor Emeritus, University of Edinburgh, Scotland, UK Should religion and politics be kept apart? What should be the relationship between the church and the state? M.Y. Ciftci answers these questions by studying the most important event in the recent history of the Catholic Church: The Second Vatican Council (1962-65). The book provides a new interpretation of the Council’s teaching on church-state relations to better appreciate its flaws and need for reform. By paying attention to the (often overlooked) importance given by the Council to the lay apostolate, it reveals how the Council did not reform, as is often thought, but retained a flawed conception of the laity’s role in politics. It then proposes a new framework for understanding church-state relations using the ressourcement method of returning to scripture and tradition, and by a critical dialogue with Oliver O’Donovan and various Protestant biblical scholars of the Powers in the New Testament. Ciftci shows how fruitful an self-consciously ecumenical approach can be for political theology. As most ressourcement theologians have overlooked political issues, and since ecumenical theology rarely touches on issues of church-state relations, this work makes an original contribution to the ressourcement project and to ecumenism. M. Y. Ciftci is Public Bioethics Fellow at the Anscombe Bioethics Centre. He was previously Etienne Gilson Postdoctoral Fellow at the University of Toronto.
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  • 25
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    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031498343
    Language: English
    Pages: 1 Online-Ressource(X, 231 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; European literature.
    Abstract: 1: Introduction -- 2: ‘Straight through those clear blue eyes into his soul’: dreams of transparency in mary elizabeth braddon’s the trail of the serpent (1860) -- 3: ‘The curse that has always followed us’: (dis)inheriting the past in joseph sheridan le fanu’s wylder’s hand (1864) -- 4: ‘Short-spanned living creatures’: evolutionary perspectives and the fate of progress in rhoda broughton’s not wisely, but too well (1867) -- 5: ‘Can I say I believe in it too?’: hesitation and the difficulties of decision in wilkie collins’s armadale (1866) -- 6: Conclusion.
    Abstract: This book re-reads the relationship between the Victorian sensation novel and modernity. Whereas critics have long recognized its appearance in the form of nervous subjects and technologically-enabled mobility, Green contends that sensation fiction also depicts modernity in the form of intellectual and moral discontinuity. Through closely historicist readings of novels by Wilkie Collins and Mary Elizabeth Braddon, as well as by Joseph Sheridan Le Fanu and Rhoda Broughton, this book traces how discontinuity is manifested in the suspenseful plotting of these fictions, through which readers are challenged to revise conventional assumptions about the world and adopt more contingent perspectives. The study demonstrates that reading for this sense of modernity does not merely uncover the genre's engagements with various mid-century contexts. More fundamentally, it broaches a new sense of the function and significance of sensation fiction: the acclimatization of its readers to the discontinuities of modern existence.
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  • 26
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031508325
    Language: English
    Pages: 1 Online-Ressource(XVII, 293 p. 9 illus., 7 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Adaptation and Visual Culture
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    Keywords: Adaptation (Literary, artistic, etc.). ; Television broadcasting.
    Abstract: Paul Sheehan and Blythe Worthy, “Introduction” -- Part 1: Making Comedy Central -- Paul Giles, “The Aesthetics of Television: Genre, Auteur, Canon” -- Paul Sheehan, “Difficult Laughter: Modernist Aesthetics in Better Things and Atlanta” -- Part 2: Criminals, Outlaws, Auteurs -- Shannon Wells-Lassagne, “Entente Cordiale: Sherlock (BBC) and Lupin (Netflix), a Tale of Two Fandoms” -- Thomas Britt, “What Is Television? Two Auteur Series in Literary Contexts” -- Ryan Twomey, “Remixing the Law: Timely and Untimely Politics in Lindelof’s Watchmen ” -- Part 3: Adaptive Disruption: Young Adult and Children’s Television -- Debra Dudek, “Ambiguous Endings and Disrupted Paratexts in The End of the F***ing World and I Am Not Okay With This” -- Sabina Rahman, “From Medieval Legend to Modern Superheroics: Arrow as a 21st-Century Robin Hood” -- Katrine Kwong, “(Re)animating Shakespeare: Screen Theatre, on Television and Online” Pamela Demory, “Queering Emily Dickinson for the Millennial Age” -- Part 4: Transnational Dramas, Transcultural Contexts Blythe Worthy, “The Suburban Serial: tracing textual and community limits in Jane Campion’s Top of the Lake” -- Susan Lever, “Witnessing: Indigenous Life Experience on Television” -- Meenakshi Bharat, “The Dialectic of Transnational Adaptation: The Problematic Web Adaptation of A Suitable Boy” Trisha Dunleavy, “Complex Teenage Passion: Normal People and the Affordances of Cultural Specificity” -- Afterword: Christine Geraghty.
    Abstract: Adapting Television and Literature is an incisive collection of essays that explores the growing sub-category of television adaptations of literature and poetics. Each chapter questions inflexible notions of film / literature and adaptation / intertext, focusing judiciously on emergent or overlooked media and literary forms. These lines of enquiry embrace texts both within and beyond ‘adaptation proper’, to reveal the complex relationships between literary works, television adaptations, and related dialogues of textual interconnectivity. Adapting Television and Literature proposes, in particular, a ‘re-seeing’ of four genres pivotal to television and its history: caustic comedy, which claims for itself more freedoms than other forms of scripted television; auteurist outlaw drama, an offbeat, niche genre that aligns a fixation on lawbreakers with issues of creative control; young adult reinventions that vitalise this popular, yet under-examined area of television studies; and transcultural exchanges, which highlight adaptations beyond the white, Anglo-American programming that dominates ‘peak TV’. Through these genres, Adapting Television and Literature examines the creative resources of adaptation, plotting future paths for enquiries into television, literature and transmedial storytelling. Paul Sheehan is an Associate Professor of Literature at Macquarie University, Sydney. He is the author of two monographs, Modernism, Narrative, and Humanism (2002) and Modernism and the Aesthetics of Violence (2013), both with Cambridge UP. His work on film / television and literary studies includes book chapters on The Matrix Trilogy, HBO’s Deadwood, and Michael Haneke; as well as journal articles on Werner Herzog and HBO’s True Detective. He is currently working on a project about Black modernism and blues culture. Blythe Worthy is a sessional academic in the film studies and English disciplines at The University of Sydney. Blythe has had their research on television and film published by the University of California Press, Edinburgh University Press, Springer, and Rowman and Littlefield. Blythe is Managing Editor of the Australasian Journal of American Studies and has worked in research for SBS and ABC television.
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  • 27
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    Cham : Springer International Publishing | Cham : Imprint: Springer
    ISBN: 9783031555404
    Language: English
    Pages: 1 Online-Ressource(XXII, 248 p. 1 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Eminent Voices in Business Ethics 55
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    Keywords: Business ethics. ; Catholic Church. ; Religion and sociology.
    Abstract: Part I. EXPLORING THE SOURCES OF THE CATHOLIC TRADITION -- Chapter 1. Catholic Theology on Economics and Business: A Long Tradition -- Chapter 2. The Anthropological Grounds of Economic Activity -- Chapter 3. A Person-Friendly Ethics -- Chapter 4. Freedom and Commitment to the Common Good -- Part II. ECONOMIC SYSTEM, BUSINESS AND SOCIETY -- Chapter 5. Ethics in the Free Market Economy -- Chapter 6. Identity and Purpose of the Business Firm -- Chapter 7. Responsibility and Sustainability -- Chapter 8. Economic Policymaking and Corporate Governance -- Part III. LEADING BUSINESS ORGANIZATIONS -- Chapter 9. Ethics in Decision-Making -- Chapter 10. The Centrality of Work in the Production Process -- Chapter 11. Service to Customers -- Chapter 12. The Christian Ethos in Leadership and Organizational Cultures.
    Abstract: Humanism in business is not only an alternative to economism but a way to human excellence. Humanism presented here revolves around the rich notion of “human person”, keystone of modern personalist philosophy and Catholic Social Teaching. From this perspective this book is offered to everyone, believer and nonbeliever alike. The person-centered humanism considers the human-wholeness, individual and relational, with subjectivity, self-determination, openness to transcendence, and with capacity not only to possess but also to give. It also highlights the uniqueness of each person, endowed with a high constitutive dignity and in continuous process of flourishing toward human plenitude. An attitude of respect and good will is due to non-personal beings, while persons deserve to be treated with justice and even with love of benevolence. The book is prepared in dialogue with mainstream of thought in business and business ethics and focused on exploring ways to improve some conventional views. It includes some proposals such as a person-based ethics, ethics understood as intrinsic to business activity, the consideration of the company as an organized community of persons, and the purpose of the company oriented toward the common good through a double mission, internal and external. It is also suggested substituting the notion of “stakeholder” for the richer one of “relationholder.”.
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  • 28
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031547195
    Language: English
    Pages: 1 Online-Ressource(XV, 148 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Religion. ; Religion ; Science
    Abstract: Chapter 1. Preliminary Metaphysical Discourse -- Chapter 2. The Theseus’ Ship Paradox: Possibilities and Limits of a Trans-/Posthumanist Interpretation -- Chapter 3. Theseus and the Minotaur, Ariadne and the Labyrinth. Addressing Contemporary Monsters, Death, and Trans-/Posthumanist ‘Mysticism’.
    Abstract: “Any book of contemporary metaphysics that draws so heavily on Bruno and Leibniz is clearly on the right track! Mattia Geretto does that and more in his book, which extends new materialism down unexpected paths. This is a learned and imaginative work.” —Graham Harman, Southern California Institute of Architecture, USA “In this compact but rich and erudite book, Geretto accomplishes the nearly impossible, reconciling contemporary trans-/post-humanist theories with key texts and concepts—modern and classical, secular and spiritual—threatened with obsolescence in the ongoing deconstruction of the Humanist tradition. In elaborating the possibility of a different metaphysical basis for posthuman thought, Geretto balances the turn to a radical materialism with a pre-modern mystical tradition that locates the immateriality of intelligence in the materiality of being-beyond-the-human.” — Russell Kilbourn, Wilfried Lauriel University, Canada This book addresses the most suggestive themes of transhumanism and critical posthumanism by placing them in dialogue with classic problems of metaphysics, and with some great thinkers of the past (Bruno, Spinoza, and above all Leibniz). The main purpose of this comparison is to invite transhumanists and critical posthumanists to consider a highly complex problematic tradition rooted in the history of philosophy. This study also makes use of examples drawn from the history of mythology, angelology, and mysticism. At the same time, the book promotes dialogue between scholars of classical metaphysics and philosophy of religion, and the potential metaphysical/spiritual theories developed independently by transhumanist and posthumanist thinkers within an anti-dualist and naturalistic philosophical framework. The goal is to ‘enhance’ contemporary transhumanism and posthumanism by promoting the need to safeguard intelligence as a principle, without falling into the trap of a violent and egotistic metaphysics. Mattia Geretto received a PhD in Philosophy of Religion at the University of Perugia, Italy. Among his publications, L’angelologia leibniziana (2010) and many other articles on Leibniz. Since 2011 he is affiliated to Ca' Foscari University of Venice. .
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  • 29
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    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783031242434 , 3031242432
    Language: English
    Pages: 1 Online-Ressource (XVI, 341 Seiten) , 15 illus., 14 illus. in color.
    Edition: 1st ed. 2024
    Series Statement: Palgrave Studies in Globalization, Culture and Society
    Parallel Title: Erscheint auch als Planetary Hinterlands
    DDC: 306
    Keywords: Culture Study and teaching ; Globalization ; Science Social aspects ; Urban ecology (Biology) ; Bioclimatology ; Cultural Studies ; Globalization ; Posthumanism ; Urban Ecology ; Climate Change Ecology
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    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783031296161
    Language: English
    Pages: 1 Online-Ressource (XXVII, 426 p)
    Edition: 1st ed. 2024
    Series Statement: Global Transformations in Media and Communication Research - A Palgrave and IAMCR Series
    Parallel Title: Erscheint auch als
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    DDC: 302.23
    Keywords: Media Policy and Politics ; Public Policy ; Globalization ; Mass media / Political aspects ; Political planning ; Globalization
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 31
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    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783031470691
    Language: English
    Pages: 1 Online-Ressource (IX, 218 p. 1 illus)
    Edition: 1st ed. 2024
    Series Statement: Palgrave Macmillan Memory Studies
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    Parallel Title: Erscheint auch als
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    DDC: 302.2
    Keywords: Media and Communication ; Memory Studies ; Latin American Film and TV. ; Communication ; Collective memory ; Motion pictures, American
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 32
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783031362538
    Language: English
    Pages: 1 Online-Ressource (155 illus., 95 illus. in color. eReference)
    Edition: 1st ed. 2024
    Parallel Title: Erscheint auch als
    DDC: 809.38729
    Keywords: Gothic Studies ; Goth culture (Subculture)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 33
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Springer
    ISBN: 9783031573538
    Language: English
    Pages: 1 Online-Ressource(VI, 479 p. 34 illus., 18 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Synthese Library, Studies in Epistemology, Logic, Methodology, and Philosophy of Science 486
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Philosophy of mind. ; Psychology. ; Philosophy.
    Abstract: 1. The Roles of Representation in Visual Perception: An Introduction (Berit Brogaard and Robert French) -- Part I. Cognitive and Contextual Influences on Perceptual Representation. 2. Joint Perception Needs Representations (Ophelia Deroy and Louis Longin) -- 3. The Role of Long-Term Memory in Visual Perception (Berit Brogaard and Thomas Alrik Sørensen) -- 4. Attention and Representational Precision (Azenet Lopez) -- 5. Uncertainty in Blurry Vision (Jonna Vance) -- Part II. What Do Perceptual Representations Represent?. 6. Representation, Attention, and Perceptual Learning (Madeleine Ransom) -- 7. Singular Experiences (With and Without Objects) (Angela Mendelovici) -- 8. Kaplanianism (Roberto Pereira) -- 9. Reliable Color Misrepresentation and Color Vision (Dimitria Electra Gatzia) -- 10. Subject-Dependent Factors in the Perception of Size (Louise Daoust) -- Part III. Against Representation: Direct Relational Views. 11. Naive Realism as Psychosemantics (William Fish) -- 12. The Epistemic Value of Cognitive Contact with Reality (Duncan Pritchard) -- 13. How to be a Direct Realist (Otavio Bueno) -- 14. Get Acquainted With Naïve Idealism (Helen Yetter-Chappell) -- 15. What are Phenomenal Particularists Committed To? (Rami El Ali) -- Part IV. Revisiting Indirect Realist Theories Including Sense-Datum Theories. 16. Spatial Representational Theories of Visual Perception (Robert French) -- 17. Information Flow, Representation, and Awareness (Ernest Kent) -- 18. Seeing Matters: The Remarkable Relevance of the Object-Representation Relationship to Science … and to Society! (Nicholas Rosseinsky) -- 19. On the Analysis of Brentano's Intentional Inexistence in Light of the Historical Background (David McGraw) -- Part V: The Role of Enactive and Embodied Representations in Perception. 20. Seeing What To Do: Embodied Instructive Representations in Vision (Alison Springle) -- 21. Updating Our Theories of Perceiving: From Predictive Processing to Radical Enactivism (Daniel Hutto and Ines Hipolito) -- 22. The Role of Image Schemas in Visual Perception (Dan Guo, Huili Wang, and Zhongliang Cui).
    Abstract: This volume contains new papers addressing a number of new and traditional issues pertaining to the roles of representations in visual perception. Among these issues is the one concerning the nature of the perceptual state itself – e. g. on the issue of whether the perceptual state, like its distal objects, is structured, for instance by possessing a spatial character. Other issues include those of whether at least aspects of the distal object are presented immediately to us visually, whether representation plays any (interesting) role in disjunctivist and naïve realist accounts of visual experience and the relationship among visual perception, attention and representation. The anthology includes a wide variety of positions on the subject of the roles of representations in visual perception, which would help to close the literature gap and will be of interest to scholars from all schools and trends of philosophy of mind.
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  • 34
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783031394355
    Language: English
    Pages: 1 Online-Ressource (XII, 146 p. 1 illus)
    Edition: 1st ed. 2024
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306
    Keywords: Popular Culture ; Popular Culture
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 35
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031471346
    Language: English
    Pages: 1 Online-Ressource(XI, 263 p. 4 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Adaptation in Theatre and Performance
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Performing arts. ; Theater. ; Adaptation (Literary, artistic, etc.). ; Motion pictures. ; Balto-Slavic linguistic unity. ; European literature.
    Abstract: Introduction -- Part one -- Chapter 1- the basic concepts in semiotics -- Chapter 2- sign in film and theatre -- Chapter 3 - film and theatre language -- Conclusion -- Part two - the practicum -- Introduction -- Chapter 4 - the novel the fortress as the film discourse -- Chapter 5- the novel the island as the theatre discourse -- Conclusion.
    Abstract: Bosnian Literature on Stage and Screen aims to reconcile theoretical approaches with theatrical and cinematic practices by examining two adaptations based on works by the Bosnian author Meša Selimović. The book is informed by scholarship in film and theatre adaptation theories, and is grounded in a comparative approach that focuses on the interplay of sign systems and codes unique to screen and stage. The book looks closely at two adaptations: a screen adaptation of the novel The Fortress and a stage adaptation of the novel The Island. Sanja Garić-Komnenić holds a PhD in film and theater semiotics and teaches film and media, rhetoric, and academic writing at British Columbia Institute of Technology in Vancouver, Canada. A summary of her PhD thesis, “A Comparative Analysis of the Functions of Film and Theatre Language Units,” was published in The American Journal of Semiotics (Ed. Richard L. Lanigan: 2001. Vol. 17, No.3.). Sanja has translated two books into English, Footprints: Poetry and Threads of Poetical Impression (2008) and the novel Chernovs’ Toil and Peace (2010). Sanja has contributed to The Pacific Rim Review of Books and is a member of the NECS –The European Network for Cinema and Media Studies.
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  • 36
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Springer
    ISBN: 9783031566301
    Language: English
    Pages: 1 Online-Ressource(X, 290 p. 50 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Numanities - Arts and Humanities in Progress 27
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Semiotics. ; Music. ; Translating and interpreting.
    Abstract: Translation in literary and academic discourse -- Between texts, languages, cultures, semiotic systems: Key concepts and methods in translation studies -- Towards a definition of the term ‘Musical Translation’ – Musical arrangement, cover version, and performance in the light of musicological research -- Applying translation theories in musicological research -- Concluding remarks.
    Abstract: This monograph lays the foundation for new methodologies of research between music and translation. It is the first such holistic attempt—from the perspective of a musicologist—based on the adaptation of translation theories. Until now, these fields have remained underexplored together. Only recently have the tools developed by translation theory permeated into musical scholarship. Such tools should prove as a promising alternative to those offered by classic musicological studies, particularly in reference to musical arrangement, pop music covers and performance. Theoretical discussion on topics are supported by case studies. This text appeals to musicologists and musicians as well as experts in the field of translation theory who are interested in expanding their field of inquiry.
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  • 37
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031499593
    Language: English
    Pages: 1 Online-Ressource(XV, 292 p. 12 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Comparative literature. ; Literature, Modern ; Philosophy of mind. ; Self. ; Digital humanities. ; Literary form.
    Abstract: 1 Introduction: Strange Multiplicities -- 2 Philosophy: Eighteenth-Century Theories of Contingent Selfhood -- 3 Fiction: Growing Down in the Novels of Maria Edgeworth and Amelia Opie -- 4 Poetry: Absence of Self in the Sonnets of Charlotte Smith and John Clare -- 5 Drama: Inward Seas in the Tragedies of Joanna Baillie and Charles Harpur -- 6 Life: The ‘Multiform’ Self in Tom Moore’s Letters and Journals of Lord Byron (1830-31) -- 7 Conclusion: Rising to the Challenge of Representation.
    Abstract: This book offers a new critique of selfhood in Romantic literature. In the past, Romanticism has been seen as an individualistic movement, with writers believing in the ‘centrality’ of the self. Challenging this prevailing view of Romanticism and the modern self, this study unveils an alternative tradition of Romantic writing in which the self is fragile, degenerate, non-existent – or in a word, contingent. It combines philosophy, intellectual history, literary studies and digital humanities and takes a transnational approach both in its coverage of philosophical thought and literature, including case studies from England, Ireland, Scotland and colonial Australia, with examples from American and European works as well. The book also uses innovative digital techniques such as text analysis, sentiment mining and network analysis to enrich the exploration of text and context. It covers all major genres of Romantic writing: fiction (realist novels), poetry (the sonnet), non-fiction prose (biography) and drama (gothic tragedy). Providing a new framework for understanding the contingent self, this book is of interest to scholars and students of Romantic literature, philosophy of the self and digital humanities. Michael Falk is Senior Lecturer in Digital Studies in the Faculty of Arts at the University of Melbourne, Australia. He is a literary scholar and programmer, whose work considers how computing can expand the study of literature, and how literature can expand the study of computing. His work appears in the Oxford Encyclopedia of Literary Theory, Interdisciplinary Science Reviews, Frontiers in AI and Robotics, the John Clare Society Journal, and elsewhere. Romanticism and the Contingent Self is his first book.
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  • 38
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031509551
    Language: English
    Pages: 1 Online-Ressource(XI, 195 p.)
    Edition: 1st ed. 2024.
    Series Statement: New Comparisons in World Literature
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Literature. ; African literature. ; Comparative literature. ; Prose literature.
    Abstract: 1. Introduction: The Danger of the Single Reading -- 2. Reading Africa in the Neoliberal World-System -- 3. The Longer Walk to Freedom: South African Prophecy and Neoliberal Intervention upon ‘Tragic Africa’ -- 4. ‘Africa awaits its creators’: Subverting Development Narratives -- 5. Back to Utopia: Retrieving the Past to Reclaim the Future -- 6. Conclusion: Towards a Kind of Paradise.
    Abstract: Grounded in world-systemic analysis, this book revisits the literary and social implications of ‘tragedy’ in relation to global narratives about Africa and within fiction by writers from the continent. It argues that working through the full complexity of ‘tragedy’ helps to identify and challenge plots that depict Africa as reaching a tragic impasse. Instead, reconsidering tragedy allows for further, related interventions including the implications of narratives of development, the argument for formally engaging with literary texts that present challenging material, reformulations of African political and cultural agency, and the possibilities to be found in utopian thinking. It claims that contemporary fiction helps to scrutinise the familiar big picture of Africa and create space for discussions about wider political and historical commonalities between the continent and the rest of the world. As such, the novels discussed in this study are not simply ‘about’ Africa: these fictional narratives position Africa as a central actor within the global history of late capitalism. Amy Rushton is Senior Lecturer in English at Nottingham Trent University, UK. They have over a decade of teaching experience and have published numerous articles on African literature, neoliberalism, and contemporary cultural representations of mental distress. Amy is currently Chair of the Board for the National Survivor User Network (NSUN).
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    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031426414
    Language: English
    Pages: 1 Online-Ressource(XV, 293 p. 8 illus., 4 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Animals and Literature
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: European literature ; Ecocriticism. ; Poetry. ; Europe ; Animal welfare
    Abstract: Chapter 1. Introduction : Edmund Spenser and Animal Studies -- Chapter 2. Did Edmund Dream of Shorthaired Sheep? -- Chapter 3. Spenser, Marine Life, and the Metaphysics of Extinction: Overfishing and the True Monsters of the Deep -- Chapter 4. The Politics of Hunting: An Aristotelian Reading of Edmund Spenser’s Amoretti 67 -- Chapter 5. Errour’s Repercussions: Dragons, Race, and Animality in The Faerie Queene -- Chapter 6. Spenser’s ‘apish crue’: Aping in Prosopopoia or Mother Hubberds Tale -- Chapter 7. Scorned Little Creatures?: Insects and Genre in Complaints (1591) -- Chapter 8. Spenser’s Parenthetical Butterflies -- Chapter 9. Good to think [with]’: Spenser’s Animals Against Materiality -- Chapter 10. A Fruitful-Headed Beast?: Rhyme in The Faerie Queene -- Chapter 11. Coursers and Courses in The Faerie Queene -- Chapter 12. Spenser’s Wings -- Chapter 13. Coda.
    Abstract: This book is the first extended critical study of the early modern poet Edmund Spenser from the perspective of animal studies. With an introduction situating Spenser in current discussions of animal life and literary form, and early modern animal studies, the book proceeds in four sections: “Animals and Cultural Practices”; “Animals, Slavery, and Race”; “Animals in Complaints”; “Readers and Poetics in The Faerie Queene”. Contributors discuss a broad range of Spenser’s work, putting it into dialogue with a number of early modern discourses, including politics, poetics, and natural history.
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  • 40
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    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031499555
    Language: English
    Pages: 1 Online-Ressource(XXI, 300 p. 15 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Creative writing. ; Ecocriticism. ; Literary form.
    Abstract: Foreword – Graeme Harper -- 1 Introduction – Craig Jordan-Baker and Philippa Holloway -- Part I: Researching and Writing Landscape -- 2 Walking and Making: A Collaborative Autoethnography of our Creative Recoveries – Chris Reading and Jess Moriarty -- 3 Walking In Circles: Getting There, Somewhere, Nowhere – Jenn Ashworth -- 4 Myth-Making and the Urban: Alienation, Folklore and Re-Enchanting the Land – Jon Mason -- 5 Looped: Visually Mapping the Stories of the Past Framed by Experiences of the Present – Barbara Chamberlin -- Part II: Ecocriticism, Psychogeography and Creative Writing -- 6 Disturbing the Weather: Women Outdoors – Moy McCrory -- 7 Psychogeography of the Six Towns: Lyric Cartographies of Stoke on Trent – Mark Brown and Maria J. Martinez Sanchez -- 8 Micro Econarratives: Foraged Poems and Botanical Forms – Lisa Mansell -- Part III: Figures in the Landscape: Character, Place and Context -- 9 Oneiric Spaces: Diaspora, Disappointment and the Locus Amoenus – Craig Jordan-Baker -- 10 Zonesof Alienation: Placing Roadside Picnic and Stalker in the Chernobyl Zone – Nick Rush-Cooper -- 11 Character and Place in ‘Alice and North’ – Anne Caldwell -- Part IV: Writing in the Anthropocene and Beyond -- 12 Jon McGregor’s Reservoir 13: The Posthuman Pastoral in the Contemporary British Novel – Jon McGregor -- 13 The Sand Library: Multispecies Storymaking in Morecambe Bay – Claire Dean -- 14 Then, Now, Forever? Researching and Writing Nuclear Landscapes for The Half-Life of Snails – Philippa Holloway -- 15 A Terrible Beauty, or We Are All Ecopoets Now – Katherine Coles.
    Abstract: This edited collection offers an in-depth exploration of the role of landscape and place as literary ‘settings’. It examines the multifaceted relationships between authors, narrators, and characters to their locales, as well as broader considerations of the significance of the representation of landscape in a world deeply affected by human interventions. Consisting of case studies of projects that engage with these questions, as well as research examining the theoretical underpinnings of both creative practices/processes and post-textual analysis of published works, this volume is both multidisciplinary and interdisciplinary in scope. In the context of the climate crisis and a pandemic which has caused us to re-evaluate the significance of landscape and the environment, it responds to the need to engage current trends within the academy and in broader social debate about our relationship to the natural world. Philippa Holloway is a novelist and Senior Lecturer in Creative Writing at Staffordshire University, UK. As a writer and academic her work is published in internationally, and she has curated international writing projects and collaborated on interdisciplinary projects related to energy production and nuclearity. Craig Jordan-Baker is Senior Lecturer in Creative Writing at the University of Brighton, UK. He is principally a writer of fiction and non-fiction writer and has published peer-reviewed research in a range of creative writing journals. He is also a dramatist, short story writer, arts journalist, walker and forager.
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  • 41
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Springer
    ISBN: 9783031498619
    Language: English
    Pages: 1 Online-Ressource(VI, 322 p. 71 illus., 44 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Boston Studies in the Philosophy and History of Science 344
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Science ; Mathematics.
    Abstract: Chapter 1. Pilot-wave theory in the 21st Century (Paulo Castro, John Bush and J. R. Croca) -- Chapter 2. The state of play in Hydrodynamic Quantum Analogs (John W. M. Bush, Valeri Frumkin and Konstantinos Papatryfonos) -- Chapter 3. Establishing long-range pilot-wave interactions (André Nachbin) -- Chapter 4. Hydrodynamically Inspired Pilot-Wave Theory: An Ensemble Interpretation (Yuval Dagan) -- Chapter 5. On Multi-Time Correlations in Stochastic Mechanics (Maaneli Derakhshani and Guido Bacciagaluppi) -- Chapter 6. A version of de Broglie’s double solution theory reproducing Landau’s quantization in a uniform magnetic field (Pierre Jamet and Aurélien Drezet) -- Chapter 7. Convergence to quantum equilibrium: deterministic vs stochastic pilot wave dynamics (Mohamed Hatifi, Ralph Willox and Thomas Durt) -- Chapter 8. Non-Quantum Behaviors of Configuration-Space Density Formulations of quantum mechanics (Philipp Roser and Matthew Scoggins) -- Chapter 9. The Doubochinski pendulum – a paradigm for quantization through nonlinear interactions (Jonathan Tennenbaum) -- Chapter 10. Completing the quantum ontology with the electromagnetic zero-point field (Luis de la Peña and Ana María Cetto) -- Chapter 11. Are Hidden-Variable Theories for Pilot-Wave Systems Possible? (Louis Vervoort) -- Chapter 12. The Wave-memory interpretation of Quantum Mechanics (Paulo Castro) -- Chapter 13. What if We Lived in the Best of All Possible (Quantum) Worlds? (Valia Allori) -- Chapter 14. How the history of thermodynamics informs the hidden variables debate in quantum mechanics (Adam Kay) -- Chapter 15. Form, function, and continuity: knowledge on the move (Gildo Magalhães) -- Chapter 16. John Bell's unpublished notes about de Broglie's Pilot Wave (Augusto Garuccio, Angela Laurora) -- Chapter 17. The Quest for the Ontic Nature of the Quantum Waves (J.R. Croca) -- Index.
    Abstract: This book provides a state-of-the-art review of Pilot Wave Theory at the beginning of the XXI century. It contains the best contributions of the first International Conference on Advances in Pilot Wave Theory, held in Lisbon in 2021. The event brought together physicists from the new emerging field of Hydrodynamic Quantum Analogs (HQA) and philosophers of science. Three main themes were discussed: 1. Hydrodynamic quantum analogs, 2. Theoretical advances in pilot wave physics and, 3. Philosophical foundations of pilot wave theory. Recent experimental work in HQA has provided impetus to develop the pilot-wave approach into a realistic basis of quantum mechanics, specifically a dynamical completion of the existing theory of quantum statistics. To that end, the meeting featured theoretical work that advanced Louis de Broglie original pilot wave theory. This collection shows how several aspects of quantum systems have been reproduced in the hydrodynamic environment, and how the power of analogy suggests the possibility of a relatively intelligible quantum realm. Most notably, the notion of memory, as engendered in the pilot-wave-hydrodynamic system, suggests a profitable direction to explore in developing a more complete description of quantum phenomena. This book is expected to be of great interest to physicists, computer scientists and philosophers of science interested in the foundations of Quantum Mechanics. Chapter 1 and Chapter 12 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
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    Online Resource
    Online Resource
    Wiesbaden : Springer Fachmedien Wiesbaden | Wiesbaden : Springer VS
    ISBN: 9783658438586
    Language: German
    Pages: 1 Online-Ressource (XV, 436 S. 13 Abb)
    Edition: 1st ed. 2024
    Parallel Title: Erscheint auch als
    DDC: 306.3
    RVK:
    Keywords: Economic Sociology ; Business Ethics ; Economic sociology ; Business ethics ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 43
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    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783031460531
    Language: English
    Pages: 1 Online-Ressource (XII, 320 p. 7 illus., 1 illus. in color)
    Edition: 1st ed. 2024
    Parallel Title: Erscheint auch als
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    DDC: 302.231019
    Keywords: Cyberpsychology ; Criminology ; Anthropology ; Social Policy ; Children, Youth and Family Policy ; Psychology ; Mass Media ; Criminology ; Anthropology ; Social policy ; Family policy
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 44
    ISBN: 9783658434274
    Language: German
    Pages: 1 Online-Ressource (X, 250 S. 1 Abb)
    Edition: 1st ed. 2024
    Parallel Title: Erscheint auch als
    DDC: 306.461
    Keywords: Health, Medicine and Society ; Social medicine ; Hochschulschrift
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 45
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031219634
    Language: English
    Pages: 1 Online-Ressource(XV, 232 p. 5 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Journalism.
    Abstract: 1. Introduction -- 2. Why study news? The democratic role of news -- 3. Understanding influences on the production of news -- 4. Routines and practices: studying the making of news -- 5. Journalism norms, values, and role perceptions -- 6. Journalism ethics -- 7. The news organisation -- 8. News audiences -- 9. News sources -- 10. Conclusion.
    Abstract: This book provides readers with the understanding required to analyse the range of key factors that shape the production of news, and to assess their implications for the role of news and journalism in democracy. It brings existing research together under the umbrella of a central organising framework to explore how news and its production is shaped by a multiplicity of factors including the norms, values, role perceptions and ethics associated with journalism as a profession, the role of news sources, the changing character and significance of news audiences, the aims and objectives of news organisations, and the political, economic and social contexts within which news is produced. Exploring these factors in depth, using examples, and considering the changing conditions of news production, the chapters chart significant changes, challenges, and responses to provide the essential background for understanding the consequences of current transformations for the democratic qualities of news. Julie Firmstone is Professor of Journalism and Political Communication at the School of Media and Communication, University of Leeds, UK. Her teaching and research explore a range of issues in the intersection between journalism, the news media, politics, and democratic engagement. She has published widely on the role of news and journalism in local democracy; journalism standards, press ethics and regulation; editorial journalism at newspapers; and communication about the European Union. .
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    Online Resource
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031395703
    Language: English
    Pages: 1 Online-Ressource(XIV, 230 p. 3 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Animals and Literature
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Literature, Modern ; Ecocriticism. ; Literature ; Animal welfare ; Science
    Abstract: Chapter 1. Introduction: honey, wax, pollination Alexis Harley, La Trobe University, Christopher Harrington, La Trobe University -- Chapter 2. “Science and the Sacred Honeybee in the Nineteenth Century” Diane M. Rodgers, Northern Illinois University -- Chapter 3. “Housewives and Old Wives: sex and superstition in English Beekeeping” Adam Ebert, Mount Mercy University -- Chapter 4. “Unsettling Homes”: Honeybees, Georgiana Molloy and Colonial Beekeeping in Australia Jessica White, University of Adelaide -- Chapter 5. “The Social Insect and the Fashionable Newspaper”: Bee Poetry in the Oracle and World Claire Knowles, La Trobe University -- Chapter 6. “A Nineteenth-Century Beeography: Lucy Peacock’s The Life of a Bee Related by Herself (1800)” Samantha George, University of Hertfordshire -- Chapter 7. “Keats’s Honeybees: Sound, Passion, and Natural Prophecy” Hermione de Almeida, University of Tulsa.-Chapter 8. “Bumblebees and Emily Dickinson” Camilla Chen, Oxford University -- Chapter 9. A Hive Turned Upside Down: Drone Bees and the Chartist Imaginary Christopher Harrington, La Trobe University -- Chapter 10. “Through the Agency of Bees”: Charles Darwin, John Lubbock, and the Secret Lives of Plants and People” Jonathan Smith, University of Michigan -- Chapter 11. “Queens and Drones in Thomas Hardy’s Wessex” Alexis Harley, La Trobe University -- Chapter 12. “The Experimental Eminence of Darwin’s Bees” John Clark, St Andrews University.
    Abstract: "For centuries, humans have invested enormous weight in the symbol of the honey bee. The authors of the meticulously-researched Bees, Science, Sex and Literature in the Long Nineteenth Century show how the symbol changes radically in the literature and culture of the nineteenth-century, as emerging technologies and new biological discoveries clash with long-held agrarian and poetic traditions." —Tammy Horn Potter, author of Bees and America: How the Honey Bee Shaped a Nation The long nineteenth century (1789-1914) has been described as an axial age in the history of both bees and literature. It was the period in which the ecological and agronomic values that are still attributed to bees by modern industrial society were first established, and it was the period in which one bee species (the European honeybee) completed its dispersal to every habitable continent on Earth. At the same time, literature – which would enable, represent and in some cases repress or disavow this radical transformation of bees’ fortunes ­– was undergoing its own set of transformations. Bees, Science, and Sex in the Literature of the Long Nineteenth Century navigates the various developments that occurred in the scientific study of bees and in beekeeping during this period of remarkable change, focusing on the bees themselves, those with whom they lived, and how old and new ideas about bees found expression in an ever-diversifying range of literary media. Ranging across literary forms and genres, the studies in this volume show the ubiquity of bees in nineteenth-century culture, demonstrate the queer specificity of writing about and with bees, and foreground new avenues for research into an animal profoundly implicated in the political, economic, ecological, emotional and aesthetic conditions of the modern world. Alexis Harley lectures in literary studies at La Trobe University, Australia. She is the author of Autobiologies: Charles Darwin and the Natural History of the Self. She has kept honeybees since 2012. Christopher Harrington teaches literary studies at Victoria University in Melbourne. He has published numerous articles on the representation of bees and insects in literature.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031403453
    Language: English
    Pages: 1 Online-Ressource(XIX, 227 p. 3 illus.)
    Edition: 1st ed. 2024.
    Series Statement: New Directions in Irish and Irish American Literature
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Literature, Modern ; Medicine and the humanities. ; Great Britain
    Abstract: 1 The Story of Tuberculosis in Ireland: An Overview.-2 The Nameless Scourge: Tuberculosis in Ireland, 1800–the Present.-3 The Unspoken Menace -- 4 Dracula, Ireland’s Vampiric Vector -- 5 The Lingering and “The Dead”: Illusion and Irony in Early Twentieth-Century Irish Fiction -- 6 Contagion and Community in Irish Fiction 1900–1942 -- 7 Naming the Scourge and the “Sanatorium of the Imagination”.
    Abstract: This book focuses on Ireland’s lived experience of tuberculosis as represented in the nation’s fiction; not surprisingly, the disease both manifests and conceals itself with devastating frequency in literature as it did in life. It seeks to place the history of tuberculosis in Ireland, from 1800 until after its virtual eradication in the mid-Twentieth Century, in conversation with fictional representations or repressions of a condition so fearsome that until very recently it was usually referred to by code words and euphemisms rather than by its name. Rachael Sealy Lynch, Associate Professor Emerita of English at the University of Connecticut, USA, works primarily in the field of recent and contemporary Irish women writers, and, more recently, in the medical humanities. She has published widely, with a focus on sex, stigma, and shame, on writers including Anne Enright, Jennifer Johnston, Molly Keane, Edna O’Brien, Emma Donoghue, Mary Lavin, and Liam O’Flaherty.
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  • 48
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Springer
    ISBN: 9783031389689
    Language: English
    Pages: 1 Online-Ressource(VIII, 333 p. 1 illus.)
    Edition: 1st ed. 2024.
    Series Statement: History, Philosophy and Theory of the Life Sciences 33
    Parallel Title: Erscheint auch als
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    Keywords: Biology ; Life sciences.
    Abstract: Part 1: Historical and Conceptual Foundations -- ‘Organization’: Its Conceptual History, Definition and Relationship to Other Fundamental Biological Concepts -- Varieties of Organicism – A Metacritique? -- Organization as Presupposition? On the Epistemological Implications in the Attitudinal Stance -- ‘Dogmatic’ vs ‘Legitimate’ Organicism: Organization as Explanans and Explanandum in Biology -- Does Organicism Really Need Organization? -- Part2: Origins of Life -- A Structuralist Revival for Studies on the Origins of Life and Developmental Evolution -- On the Evolutionary Development of Biological Organization from Complex Prebiotic Chemistry -- Development -- An Organizational View on Development, with a Focus on Life Cycles -- Modelling Mammary Organogenesis from Biological First Principles: Cells and Organization of Constraints -- Part 4: Evolution -- Extended Heredity and the Return of Organizational Thinking in Evolutionary Biology -- Collaboration and the Evolution of Biological Complexity: An Organizational Perspective -- Organisms: Between a Kantian Approach and a Liberal Approach -- Part 5: Ecology -- Individuating Ecosystems by Ascribing Functions to their Parts -- Ecological Functions and Environmental Ethics -- Part 6: Theoretical Biology -- Studying Functional Organization with Systems Theory -- Organizational Principles of Autonomy -- On Taking an Organizational Approach to Cognition -- Biological Organization at the Crossroads between Conservation and Innovation.
    Abstract: This open access book assesses the prospects of (re)adopting organization as a pivotal concept in biology. It shows how organization can nourish biological thinking and practice, by reconnecting with the idea of biology as the science of organized systems. The book provides a comprehensive state-of-the-art picture of the characterizations and uses of the concept of organization in both biological science and philosophy of biology. It also deals with a variety of themes – including evolution, organogenesis, heredity, cognition and ecology – with respect to which the concept of organization can guide the elaboration of original models and new experimental protocols. It will be of interest to biologists and scholars working in philosophy of science alike. .
    Note: Open Access
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  • 49
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031301797
    Language: English
    Pages: 1 Online-Ressource(XVII, 264 p.)
    Edition: 1st ed. 2024.
    Series Statement: American Literature Readings in the 21st Century
    Parallel Title: Erscheint auch als
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    Keywords: America ; Ethnology ; Culture. ; Race. ; Globalization. ; Emigration and immigration.
    Abstract: Introduction: Beyond Borders. Inclusion and Exclusion in American Culture -- Isamu: Becoming Nisei -- Part I. Perpetuating Otherness. Relocation to the Outside Within -- “Don’t Fence Me In”: Interiorized Outsides and Japanese American Concentration Camps -- The Resonance of the Hostage Crisis in Funny in Farsi: A Memoir of Growing up Iranian in America (2004) and the Limits of Hospitality -- Cartographies of Inclusion/Exclusion and Contested Belongings in Raquel Cepeda’s Bird of Paradise: How I Became a Latina -- Part II. Beyond Sovereign Frames: Contesting Imaginaries and National Myths -- Foreigners in their Own Land: Nathaniel Hawthorne and the Creation of Tolerated Strangers -- E Pluribus Unum?: Disintegrating the Melting Pot Myth in American Science Fiction Narratives of National Fragmentation -- Inhospitable Homelands: Practices of Inclusion and Exclusion in African American War Narratives -- Monsters or Men?: Guillermo del Toro’s Allegories of American Othering in The Shape of Water -- Part III. Welcoming the Stranger Inside?: Exclusive Inclusion in the Age of Neoliberalism -- Strangers in the Homeland: Dystopic (in)Hospitality in McCarthy’s The Road -- Riding the Beast: Of Borders, Aliens, and Hospitality in Valeria Luiselli’s Lost Children Archive (2019) and Tell Me How It Ends (2017) -- Grief, Hospitality, and the Frontier in Chloé Zhao’s Nomadland (2020) -- Nonsecular Thirdspaces in Ayad Akhtar’s American Dervish and Homeland Elegies -- The Ugly Guy (Novel Excerpt).
    Abstract: American Borders: Inclusion and Exclusion in US Culture provides an overview of American culture produced in a range of contexts, from the founding of the nation to the age of globalization and neoliberalism, in order to understand the diverse literary landscapes of the United States from a twenty-first century perspective. The authors confront American exceptionalism, discourses on freedom and democracy, and US foundational narratives by reassessing the literary canon and exploring ethnic literature, culture, and film with a focus on identity and exclusion. Their contributions envision different manifestations of conviviality and estrangement and deconstruct neoliberal slogans, analyzing hospitable inclusion in relation to national history and ideologies. By looking at representations of foreignness and conditional belonging in literature and film from different ethnic traditions, the volume fleshes out a new border dialectic that conveys the heterogeneity of American boundaries beyond the opposition inside/outside. Paula Barba Guerrero is Assistant Professor of American Literature and Culture at Universidad de Salamanca, Spain. Her research interests include African American literature, space studies, memory, nostalgia, and speculative fiction. Mónica Fernández Jiménez holds a PhD in English from the University of Valladolid, Spain, and currently works as a translator in England. Her research interests include Caribbean literature, Postcolonial Studies, American imperialism, and ecocriticism.
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  • 50
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031475719
    Language: English
    Pages: 1 Online-Ressource(XII, 227 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Journalism. ; Communication in economic development. ; Diplomacy.
    Abstract: Chapter 1 Australia’s voice in the Indo-Pacific: why transnational broadcasts are vital -- Chapter 2 The Indo Pacific's broadcast landscape, its strategic, military value -- Chapter 3 Distribution via Shortwave, Satellites and Social Media -- Chapter 4 Broadcast Voices in the Indo-Pacific -- Chapter 5 The rise of China’s international broadcasting services -- Chapter 6 Diplomacy, propaganda, and journalism in the digital landscape -- Chapter 7 Social and mobile media in times of disaster -- Chapter 8 Fact-checking and Verification: The changing role of professional journalists -- Chapter 9 A case study of media tensions in the Solomon Islands, China and Australia -- Chapter 10 The Future and Funding of Transnational Broadcasting and Soft Diplomacy in the Indo-Pacific.
    Abstract: “This book makes a significant contribution to knowledge about media in the Indo-Pacific, a region where trustworthy information is fundamental to securing peace inside and beyond the boundary. Wake and her fellow authors examine how the many different news ecosystems are facing the challenges brought about by social media, propaganda, misinformation, and disinformation.” —Prof Colleen Murrell, Dublin City University, Dublin, Ireland “Almost every Australian knows about the ABC, and has an opinion about it. Far fewer know much about the ABC’s role to broadcast into countries in the Indo-Pacific region. Wake is an expert in this field who is able to draw on her experience working at the ABC and buttress it with reflection and scholarship. She has brought together a team of leading contributors to explore the urgent need to adequately fund international broadcasting.” —Prof Matthew Ricketson, Deakin University, Melbourne, Australia Transnational Broadcasting in the Indo-Pacific brings together research spanning journalism, broadcast and political science to interrogate the issues arising from a rapidly changing global political and broadcast environment. This book asks: Why is there increasing interest in the provision of English-language media in the Indo-Pacific from countries like China? What are the implications for the traditional providers of foreign-produced news such as the Australia Broadcasting Corporation and the British Broadcasting Corporation? What now is the role of social media in the creation of broadcast journalism, and why is there panic in diplomatic circles about some of the journalism that originates from broadcasters in China and Russia? The result is a book that offers an insight into a rapidly transforming media landscape, the changing state of international relations, and the rise of new powers. Alexandra Wake is an Associate Professor in Journalism in the School of Media and Communication at RMIT University, Australia. She is the elected President of the Journalism Education and Research Association of Australia. Before becoming an academic, she worked as a senior journalist and editor with the Australian Broadcasting Corporation.
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  • 51
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031321344
    Language: English
    Pages: 1 Online-Ressource(XIX, 277 p. 46 illus., 36 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Adaptation and Visual Culture
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Adaptation (Literary, artistic, etc.). ; Arts. ; Culture
    Abstract: INTRODUCTION.-PART 1: INTERACTIONS AND EXPANDED FIELDS -- CHAPTER 1 Dave McKean: “One plus one equals three” -- CHAPTER 2 Kate Newell: “Illustration and Adaptation in the Balbussos’ Pride and Prejudice (2013) and The Handmaid’s Tale (2012)” -- CHAPTER 3 Kamilla Elliott, “Ad-app-tive illustration: Alice for the iPad”.-PART 2: AFTERLIVES -- CHAPTER 4 Nathalie Collé, “‘[T]o mix colours for painters’ and illustrate and adapt Gulliver’s Travels worldwide: street murals, adaptability and transmediality” -- CHAPTER 5Ann Lewis, “Adapting Novel Illustration for the Almanac: Text/Image Relations in Chodowiecki’s Illustrations for Rousseau’s Julie” -- CHAPTER 6 Chris Louttit, “‘Alternative Dickens’: The Graphic Adaptation of the Inimitable in The New Yorker”.-PART 3: BEYOND ILLUSTRATION -- CHAPTER 7David Pinho Barros, “Drawing from Ozu: An intermedial consideration on clear line illustrations based on clear line film frames” -- CHAPTER 8 Julie LeBlanc, “Ekphrasis, illustration and adaptation: Annie Ernaux’s intermedial autobiographic and photographic production” -- CHAPTER 9Hélène Martinelli, “The ‘Great Image-Maker’ or the animation of illustrations in Karel Zeman’s Deadly Invention”.-PART 4: ILLUSTRATION AND TRANSCULTURAL ADAPTATION -- CHAPTER 10 Carol Adlam, “The Bobrov Affair: Creating a Graphic Novel Adaptation of a ‘Lost’ Russian-Empire Crime Novel” -- CHAPTER 11 Xavier Giudicelli, “Adapting, Translating, Illustrating: French Ballads of Reading Gaol in Word and Image” -- CHAPTER 12 Miriam Vieira, “What if the Grimms had been born in Brazil? The case of (illustrated) adaptations” -- CHAPTER 13 Camila Augusta Pires de Figueiredo: “The transcultural adaptation of The Little Prince to Brazilian cordel literature”.
    Abstract: This collection examines the relationship between illustration and adaptation from an intermedial and transcultural perspective. It aims to foster a dialogue between two fields that co-exist without necessarily acknowledging advances in each other’s domains, providing an argument for defining illustration as a form of adaptation, as well as an intermedial practice that redefines what we mean by adaptation. The volume embraces both a specific and an extended definition of illustration that accounts for its inclusion among the web of adaptive practices that developed with the rise of new media and intermediality. The contributors explore how crossovers may contribute to reappraise their objects, and rely on a transmedial and interdisciplinary corpus exploring the boundaries between illustration and other media such as texts, graphic novels, comics, theatre, film and mobile applications. Arguably adaptation, like intermediality, is an umbrella term that covers a variety of practices and products, and both of them have been shaped by intense debates over their boundaries and internal definitions. Illustration belongs to each of these areas, and this volume proposes insight into how illustration not only relates to adaptation and intermediality but how each field is redefined, enriched and also challenged by such interactions. Shannon Wells-Lassagne has worked extensively on film and television adaptation. She is the author of Television and Serial Adaptation, and the editor of Adapting Margaret Atwood (Palgrave), Adapting Endings, as well as of special issues of The Journal of Screenwriting, Interfaces, and TV/Series, Screen and Series. Sophie Aymes works on intermediality, modernist book history and illustration in 20th-century Britain. She has co-edited several word-and-image journal issues (inInterfaces and Image [&] Narrative), volumes on illustration (series Book Practices and Textual Itineraries), and a collection on Art and Science in Word and Image.
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  • 52
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Springer
    ISBN: 9783031469176
    Language: English
    Pages: 1 Online-Ressource(XII, 272 p. 1 illus.)
    Edition: 1st ed. 2024.
    Series Statement: History, Philosophy and Theory of the Life Sciences 35
    Parallel Title: Erscheint auch als
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    Keywords: Knowledge, Theory of. ; Science ; Machine learning.
    Abstract: Chapter 1. A framework for mapping mechanistic perspectives (João Cordovil, Gil Santos, Davide Vecchi ) -- Chapter 2. Different Types of Mechanistic Explanation and Their Ontological Implications (Beate Krickel ) -- Chapter 3. The Metabolic Theory of Ecology as a Mechanistic Approach (Gonçalo Martins) -- Chapter 4. Causing and composing evolution: lessons from evo-devo mechanisms (Cristina Villegas) -- Chapter 5. Organisms need mechanisms; Mechanisms need organisms (William Bechtel and Leonardo Bich) -- Chapter 6. Searching for protein folding mechanisms: on the insoluble contrast between thermodynamic and kinetic explanatory approaches (Gabriel Vallejos and Davide Vecchi) -- Chapter 7. Mechanisms in Chemistry (Robin Findlay Hendry) -- Chapter 8. A commentary on Robin Hendry’s views on molecular structure, emergence and chemical bonding (Eric Scerri) -- Chapter 9. Fundamental Physics and (New-)Mechanistic Ontologies (João L. Cordovil) -- Chapter 10. Mechanistic Explanations in Physics: History, Scope, and Limits (Brigitte Falkenburg) -- Chapter 11. The Mechanisms of Emergence (Stuart Glennan) -- Chapter 12. Emergence, Downward Causation and Interlevel Integrative Explanations (Gil Santos) -- Index. .
    Abstract: This open access book addresses the epistemological and ontological significance as well as the scope of new mechanism. In particular, this book addresses the issues of what is "new" about new mechanism, the epistemological and ontological reasons underlying the adoption of mechanistic instead of other modelling strategies as well as the possibility of mechanistic explanation to accommodate a non-trivial notion of emergence. Arguably, new mechanism has been particularly successful in making sense of scientific practice in the molecular life sciences. But what about other sciences? This book enlarges the context of analysis, addressing the issue of the putative compatibility between the current ways of conceiving new mechanism and actual scientific practices in quantum physics, chemistry, biochemistry, developmental biology and the cognitive sciences.
    Note: Open Access
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  • 53
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Springer
    ISBN: 9783031507991
    Language: English
    Pages: 1 Online-Ressource(XIV, 189 p. 1 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Jerusalem Studies in Philosophy and History of Science
    Parallel Title: Erscheint auch als
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    Keywords: Science ; Philosophy.
    Abstract: Part I: Interpretation -- Chapter 1. Interpreting Hume on Bodies -- Chapter 2. Arguments in Support of the Idealist Interpretation -- Chapter 3. Meeting Objections to the Idealist Interpretation -- Part II: Metaphysical Consequences of the Idealist Interpretation -- Chapter 4. Consequences of the Idealist Interpretation for the Unity of Space -- Chapter 5: Consequences of the Idealist Interpretation for Causation -- Part III: Consequences of the Idealist Interpretation for Hume’s Science of Man -- Chapter 6. Spatial and Causal Thoughts from an Idealist Point of View -- Part IV: Consequences of the Idealist Interpretation for Hume’s Methodology -- Chapter 7. The Idealist Interpretation Renders Hume More of an Empiricist.
    Abstract: This book defends the very contentious Idealist interpretation of Hume on external objects, and draws from it far-reaching metaphysical and epistemological consequences for Hume’s philosophy. Its interest is both interpretive and analytic. The content Hume ascribes to the belief in “bodies” is susceptible to more than one reading, and has not been systematically considered. Upholding the Idealistic interpretation is interesting in its own right, but also yields several important conclusions about the spatiality of objects, causation, Hume’s “science of man” and his epistemology. For instance, it argues that the Idealist reading means that there are no cross-temporal spatial relationships, and that the (more prevalent) Materialist reading takes Hume further away from methodological empiricism than does the Idealist counterpart, and may render his practice less in conformity with his official methodology.
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  • 54
    ISBN: 9783031398926
    Language: English
    Pages: 1 Online-Ressource(XVII, 303 p. 4 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Macmillan Memory Studies
    Parallel Title: Erscheint auch als
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    Keywords: Collective memory. ; Cultural property. ; Ethnology. ; Culture. ; Peace.
    Abstract: CHAPTER 1: Introduction. Mass atrocities, memory and cultural representations in the Global South - Lungile A. Tshuma, Mphathisi Ndlovu and Shepherd Mpofu -- CHAPTER 2: Decolonizing memory studies - Lungile Augustine Tshuma -- CHAPTER 3: The Cold War politics and the dynamics of conflicts in the Global South - Mphathisi Ndlovu and Lungile A. Tshuma -- CHAPTER 4: Resisting oblivion and memory: The destruction of Gukurahundi memorial plaques in Zimbabwe - Shepherd Mpofu and Siphosami Malunga, Executive Director of the Open Society Initiative for Southern Africa (OSISA) and a human rights lawyer -- CHAPTER 5: A Country of Mass Graves: Topography of Death and the Spectrality of Disappearances in Contemporary Mexico - Pedro J Gonzalez Corona, PhD, Assistant Professor - Holocaust Studies, University of Texas at Dallas, USA -- CHAPTER 6: Memories of Nigeria-Biafra War, 1967-1970: A Case of Nsukka Igbo - Ngozika Anthonia Obi-Ani, Senior Lecturer in the Department of History and International Studies, University of Nigeria, Nsukka -- CHAPTER 7: Memoricide, Apologias, and Representation: Centring Rwanda’s ‘Double Genocide’ Discourse in the Present Tense - Nick Mdika Tembo, PhD, Associate Professor and Head of the English Department at the University of Malawi -- CHAPTER 8: Fiction literary texts as sites of alternative memory and archive making. By Gibson Ncube, PhD, Lecturer at Stellenbosch University and Yemurai Gwatirisa, PhD, Senior Lecturer at the University of Zimbabwe -- CHAPTER 9: “Carving their place in history”: Reconstructing Public Memories of Colonial Struggle through Women’s Writing. By Asante Lucy Mtenje, PhD, Associate Professor at University of Malawi -- CHAPTER 10: Genocide, memory work and the falsehood of human rights in postapartheid South Africa - Khanyile Mlotshwa, PhD, Rosa Luxemburg Stiftung (RLS) Global Scholarly Dialogue Programme research fellow -- CHAPTER 11: ‘Witnessing’ and ‘postmemories’ in Gukurahundi Documentary Films: A case study of The Children of the Genocide (2021) - Mphathisi Ndlovu -- CHAPTER 12: Exploring the representation of genocidal rape in Hotel Rwanda (2004) and The Greatest Silence: Rape in the Congo (2007): A gendered perspective - Blessed Ngwenya, PhD, Research Associate at the University of South Africa, and Mcebisi Ngwenya, Independent Researcher -- CHAPTER 13: The constructions of the Homoine massacre in Mozambican mainstream newspapers - Isaias Carlos Fuel, PhD candidate at Universidade Federal do Rio Grande do Sul, Brazil, Alexandre Dinis Zavala, PhD, Lecturer at Escola Superior de Journalismo, Mozambique and Carlos Vitannisso, lecturer at Escola Superior de Journalismo, Mozambique -- CHAPTER 14: On memory-making: Truth telling, reconciliation and peacebuilding in Zimbabwe - Darlington Tshuma, policy analyst and governance specialist/2021 Africa Policy Fellow of the School of Transnational Governance (STG) at the European University Institute in Florence, Italy and Talent Moyo, Lecturer at the Midlands State University, Zimbabwe.
    Abstract: This book explores how popular cultural artifacts, literary texts, commemorative practices and other forms of remembrances are used to convey, transmit and contest memories of mass atrocities in the Global South. Some of these historical atrocities took place during the Cold war. As such, this book unpacks the influence or role of the global powers in conflict in the Global South. Contributors are grappling with a number of issues such as the politics of memorialization, memory conflicts, exhumations, reburials, historical dialogue, peacebuilding and social healing, memory activism, visual representation, transgenerational transmission of memories, and identity politics. Mphathisi Ndlovu is a research fellow at Stellenbosch University (South Africa). Mphathisi is also an Associate Professor of Journalism and Media Studies at the National University of Science and Technology (Zimbabwe). He is also an alumnus of the Alliance for Historical Dialogue and Accountability (AHDA) fellowship at Columbia University's Institute for the Study of Human Rights. Mphathisi holds a PhD in Journalism from Stellenbosch University. His research interests are in collective memory, identity politics and digital cultures. Mphathisi’s works have been published as book chapters, and peer reviewed articles in journals such as Digital Journalism, African Cultural Studies, Journal of Genocide Research, and Nations and Nationalism. Mphathisi is also co-editor of a book titled The Idea of Matabeleland in Digital Spaces: Genealogies, Discourses and EpistemicStruggles (2022). Lungile Augustine Tshuma holds a PhD in Journalism from the University of Johannesburg, South Africa. He is a Senior PostDoctoral Fellow in the Department of Communication and Media at the University of Johannesburg in South Africa. Lungile is also an Associate Professor in the department of Journalism and Media Studies at the National University of Science and Technology (Zimbabwe). His research interests are in journalism, photography and memory. He has published in local and international peer reviewed journals and among them are: African Journalism Studies, Nations and Nationalism, Media Culture and Society, and Journal of Communication Inquiry. Shepherd Mpofu is Associate Professor of Media and Communication at the University of South Africa. He has published several articles on communication, media and journalism in Africa. His body of work covers social media and politics; social media and identity; social media and protests. He is the co-editor of New Journalism Ecologies in East and Southern Africa: Innovations, Participatory and Newsmaking Cultures (Palgrave 2023); Decolonising Media and Communication Studies Education in Sub-Saharan Africa (Routledge 2023) and Mediating Xenophobia In Africa (Palgrave 2020). He is editor of The Politics Of Laughter In The Social Media Age: Perspectives From The Global South (Palgrave Macmillan 2021) and Digital Humour In The COVID-19 Pandemic: Perspectives From The Global South (Palgrave Macmillan 2021).
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    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Springer
    ISBN: 9783031530159
    Language: English
    Pages: 1 Online-Ressource(XIII, 257 p.)
    Edition: 1st ed. 2024.
    Series Statement: Philosophy and Politics - Critical Explorations 29
    Parallel Title: Erscheint auch als
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    Keywords: Political science ; Ethics. ; Political science. ; Artificial intelligence.
    Abstract: Introduction -- Part I: Framing algorithmic democracy -- Chapter 1. The democratic drift -- Part II: Ethical and political challenges of Algorithmic Democracy -- Chapter 2. The Second Age of Artificial Intelligence -- Chapter 3. The virtual politician: on algorithm-based political decision-making -- Chapter 4. Digital twins: on algorithm-based political participation -- Chapter 5. Platformization: the dangers of the artificial public sphere -- Chapter 6. Moral learning by algorithms: the possibility of developing morally intelligent technology -- Chapter 7. The metaverse: building a digital hyper-economy -- Part III: Against algorithmic democracy: scope and ethical-discursive perspectives for an expansion of deliberative democracy -- Chapter 8. Artificial ethics: on the automation of morality -- Chapter 9. Critique of algorithmic reason -- Chapter 10: Dialogic digital ethics: from explicability to participation -- Chapter 11: Civil society: an ethical framework for algorithmic democracy -- Chapter 12. Institutional design for an embedded algorithmic democracy -- Index.
    Abstract: Based on a deliberative democracy, this book uses a hermeneutic-critical methodology to study bibliographical sources and practical issues in order to analyse the possibilities, limits and consequences of the digital transformation of democracy. Drawing on a two-way democracy, the aim of this book is intended as an aid for thinking through viable alternatives to the current state of democracy with regard to its ethical foundations and the moral knowledge implicit in or assumed by the way we perceive and understand democracy. It is intended to stimulate reflection and discussion on the basis that, by addressing what we understand as democracy, we can inevitably influence the reality known as democracy. Democracy’s evident regression in today’s world makes this all too apparent: it has become a hostage to all kinds of autocracies and technopopulisms, which are supported to a greater or lesser extent by the current algorithmic revolution.
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  • 56
    ISBN: 9783031427718
    Language: English
    Pages: 1 Online-Ressource(XVII, 187 p. 20 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Communication in politics. ; Social media. ; Africa ; Identity politics.
    Abstract: Chapter 1. (Introduction) Election discourse in Africa: Some critical considerations -- Chapter 2. Digital rhetoric of pandemic elections: Toward multilingual multimodal information design -- Chapter 3. Metaphors and metonymies in Akosua cartoons in the Daily Guide on Ghana’s electoral politics: A cognitive linguistic approach -- Chapter 4. An examination of the communicative functions of Nana Addo Dankwa Akufo-Addo’s inaugural addresses -- Chapter 5. Political economy of vigilantism in Ghana’s 2020 general election -- Chapter 6. Social media, and electoral disagreements in Ghana’s election 2020 -- Chapter 7. Dialogic communication on digital platforms as public relations technique: A case of two political parties in Ghana -- Chapter 8. Direct address and ethical performance of political discourse: An analysis of Naana Jane Opoku-Agyemang’s inauguration speech -- Chapter 9. (Afterword) Democracy, education, and public scholarship.
    Abstract: This book explores issues at the intersection of communication and African electoral politics, taking Ghana’s 2020 general election as a focus of investigation. This interdisciplinary volume redresses gaps in the literature by highlighting the relevance of language and communication to electoral politics in Sub-Saharan Africa in the period of a global pandemic. The collection accounts for local influences on election discourse and illustrates how the specific context within which such discourse is enacted informs the linguistic, multimodal and technological choices of sociopolitical actors. The non-Western perspective it adopts extends work on political communication in a context underexplored in the literature and contributes to ongoing critical conversations on the decolonial and postcolonial aspects of communication studies. Drawing on a variety of data, including political speeches, political cartoons, election campaigns and social media posts, the volume not only addresses the dearth of scholarly work on African political communication, but also demonstrates the complexity of such scholarship and its importance to a comprehensive understanding of contemporary research on language and politics. This book enriches academic and public discussions on the future of democracy across the globe from a linguistic or communication perspective, expands scholarly work on African rhetoric and underscores the importance of engaging with diverse knowledge systems, especially non-Western epistemologies. Eliasu Mumuni (Ph.D.) is a Senior Lecturer and the Head of the Department for Communication, Innovation and Technology at the University for Development Studies, Ghana. He is also a Fulbright Scholar at the Appalachian State University. Mark Nartey (Ph.D.) is Lecturer in English Language and Linguistics at the University of the West of England. Ruby Pappoe (Ph.D.) is a Teaching Assistant Professor in Technical Writing at the University of North Carolina, Chapel Hill. Nancy Henaku (Ph.D.) is a Lecturer at the Department of English, University of Ghana. G. Edzordzi Agbozo (Ph.D.) is an Assistant Professor of English at the University of North Carolina Wilmington.
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  • 57
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031499678
    Language: English
    Pages: 1 Online-Ressource(XIV, 280 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Philosophy. ; Economics. ; Law ; Social sciences
    Abstract: Chapter 1: Introduction: Breaking Free from Private Control Over Knowledge -- Chapter 2: First Prolegomena: A Brief History of Intellectual Property -- Chapter 3: Prolegomena: Rationalisation of Intellectual Property -- Chapter 4: Prolegomena: The Dangers of Intellectual Property -- Chapter 5: Conclusion: Social Disintegration and the Privatisation of Knowledge.
    Abstract: The Paradox of Intellectual Property in Capitalism is an innovative book that comprehensively discusses and analyses intellectual property under capitalistic social conditions and relations. It not only addresses some historical developments of intellectual property but also brings to the fore the very notion of what knowledge is, knowledge creation, and knowledge production and appropriation within a Marxist framework. Nonetheless, the adopted approach pays heed to multiple fields of knowledge, providing rich discussions that facilitate the understanding of actual social totality in which capitalism, knowledge production and appropriation, and the struggles of appropriation mutually reinforce each other, although not devoid of antagonisms and contradictions. In light of contemporary capitalism, the transformations that social property relations are undergoing must be scrutinised – such as those brought about by the development of digitalisation and the convergence between big pharma and tech giants. What are the conditions of intellectual property creation today? What theoretical assumptions does it make? Under what social relations is intellectual property produced? Throughout, the emphasis is not on individual cases or symptoms but on the overarching logic: the logic of capitalism as revealed in intellectual property. João Romeiro Hermeto holds a PhD in philosophy from the Witten/Herdecke University, Germany.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031490842
    Language: English
    Pages: 1 Online-Ressource(XXI, 512 p. 6 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Journalism. ; Communication in science. ; Communication in the environmental sciences. ; Communication in politics.
    Abstract: 1. Introduction -- Part I Core Issues in Science and Health Journalism -- 2 Journalistic conceptualisation of science and health: An overview -- 3 Who speaks for/on science & health? Use of sources by science and health reporters -- 4. Who are science and health journalists? -- 5. Numeracy in science and health journalism -- 6. Uncertainty in the process of risk communication for public health: An integrative theory-based approach -- 7. Muzzling misinformation: Drawing from other disciplines and engaging health and science journalists as research collaborators -- 8 Understanding complexity in science/health: The challenges for two cultures -- Part II Reporting Formats and Audiences -- 9 Inclusion and exclusion in science and health journalism -- 10. The politics and economics of health and science journalism on TV -- 11. Telling science/health stories in audio -- 12. Social media and science/health reporting -- 13. Innovative journalism practices: Insights for reporting science and health issues -- Part III Key science and health topics in the media: Now and in the future -- 14. Journalism for the climate and biodiversity crises -- 15. Media coverage of space science and exploration.-16. Covering major epidemics/pandemics -- 17. News coverage of science and health policy: Impacts on public opinion and policy -- 18. It’s not all bad news: Solutions-oriented journalism approaches -- Part IV The impact of science and health reporting -- 19 Science and health journalism and its effects on audiences -- 20. Science and health journalism in the digital age and its implications on public trust -- 21. Politicisation of science and health topics -- 22. Treading waters: The many socio-ethical challenges of science and health journalism -- 23. Conclusion.
    Abstract: This handbook reviews the extant literature on the most important issues in health and science journalism, with a focus on summarizing the relevant research and identifying key questions that are yet to be answered. It explores challenges and best practices in health and science reporting, formats and audiences, key topics such as climate change, pandemics and space science, and the ethics and political impacts of science and health journalist practice. With numerous international contributions, it provides a comprehensive overview of an emerging area of journalism studies and science communication. Kim Walsh-Childers is Professor of Journalism at University of Florida, USA. Her research focuses on news coverage of health issues and mass media effects on individual health beliefs and behaviors and on health policy development. Merryn McKinnon is an Associate Professor at the Centre for the Public Awareness of Science at the Australian National University. Merryn’s research draws from her background in science, science communication and journalism to explore the factors influencing relationships between science, media and publics.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031406164
    Language: English
    Pages: 1 Online-Ressource(XII, 202 p. 6 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Arab Cinema
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    Keywords: Motion pictures ; Motion pictures. ; Culture. ; Sex. ; Motion pictures ; Ethnology
    Abstract: Chapter 1: Tangier and Paris – Multiculturalism and Feminism -- Chapter 2: Tangier and (Re)Turn to Fes: A Door to the Sky (1988) -- Chapter 3: Farida’s great halqa throughout Morocco & beyond -- Chapter 4: Tangier and the world: Juanita Narboni (2005) -- Chapter 5: The Sahara, the Atlas, and Tangier.
    Abstract: 'A marvelous and timely book on Morocco’s national treasure Farida Benlyazid. An elegant and playful spiral structure accommodates Martin’s deep understanding of Benlyazid's many contexts, from the socioeconomic to the spiritual.' ----Laura Marks, Simon Fraser University, Canada 'Florence Martin has achieved an into-depth exploration of a unique and unequalled Moroccan female cineaste-biography. Well-written, nuanced and historically informed.' ---Viola Shafik, Independent scholar and filmmaker, Berlin, Germany and Cairo, Egypt This book project unfolds and analyzes the work of Moroccan director, producer, and scriptwriter Farida Benlyazid, whose career extends from the beginning of cinema in independent Morocco to the present. This study of her work and career provides a unique perspective on an under-represented cinema, the gender politics of cinema in Morocco, and the contribution of Arab women directors to global cinema and to a gendered understanding of Muslim ethics and aesthetics in film. A pioneer in Moroccan cinema, Farida Benlyazid has been successful at negotiating the sometimes abrupt turns of Morocco’s rocky 20th century history: from Morocco under French occupation to the advent of Moroccan independence in 1956; the end of the international status of Tangier, her native city, in 1959; the “years of lead” under the reign of Hassan II; and finally Mohamed VI’s current reign since 1999. As a result, she has a long view of Morocco’s politics of self-representation as well as of the representation of Moroccan women on screen Florence Martin is Dean John Blackford Van Meter Professor of French Transnational Studies at Goucher College, USA. She is the author of Screens and Veils: Maghrebi Women’s Cinema (2011) and the co-author (with Will Higbee and Jamal Bahmad) of Moroccan Cinema Uncut: Decentred Voices, Transnational Perspectives (2020).
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    ISBN: 9783031485091
    Language: English
    Pages: 1 Online-Ressource(XVIII, 270 p. 1 illus.)
    Edition: 1st ed. 2024.
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    Keywords: Feminist theology. ; Sex. ; African literature. ; Culture ; Ecology .
    Abstract: Chapter 1. African Eco-Feminisms--African Women Writing Earth, Gender and the Sacred -- Chapter 2. Restoring Religion to the Land: Gender, Race, and Ecology in the Literature of Paulina Chiziane -- Chapter 3. Creating while black and female: Tsitsi Dangarembga’s African feminist decolonial imaginary -- Chapter 4. Religion, Gender and Earth Categories in Lauri Kubuetsile’s But Deliver us from Evil (2019) -- Chapter 5. Kwasuka-sukela: A new paradigm to the African stories of women in Futhi Ntshingila’s Shameless and They Got to You Too -- Chapter 6. The intersection of Earth, Gender and the Sacred in NoViolet Bulawayo’s We need new names: Eco-Critical African feminist and Social Semiotics perspectives -- Chapter 7. Postcolonial Dislocation and the Psyche: Connecting the dots in Tsitsi Dangarembga's This Mournable Body -- Chapter 8 -- “That’s what happens when two worlds collide”: An intersectional reading of Bessie Heads short stories, “The Collector of Treasures and other Botswana Village Tales” -- Chapter 9 -- Generational search for home: History, race and gendered perspectives in Yaa Gyasi’s Homegoing -- Chapter 10 -- Border Crossing: Religion, Gender, Race and Class in the Journeys of Ifemelu in Americanah -- Chapter 11. The Dragonfly Sea: The Sea, the Land and One African Woman’s Voyage-in -- Chapter 12. The Victims: An African-Ecofeminist Reading -- Chapter 13. Marginality, cultural positioning and religion in ’Mpho ’M’atsepo Nthunya’s Singing Away the Hunger: Stories of a life in Lesotho -- Chapter 14. All Water is Connected: African Earth Spirituality and Queering Identity in AkwaekeEmezi’s Freshwater -- Chapter 15. Earth, Gender and Religion in Zambia: An Eco-Feminist Reading of Sula and Ja, A Novel by Ellen Banda-Aaku.
    Abstract: This volume explores contemporary African women’s creative writing, highlighting their contributions to ecofeminist theology. Contributors address the following questions: How do contemporary African women writers depict the Earth/land/environment and its relationship to women in various contexts? How is religion featured in African women’s writing? How does religious literature (scriptures) form an intertextual layer in African women’s writing? The contributors proceed by analyzing the intersection of religion, gender, class, sexuality, colonialism, and ecology in selected texts written by African women. They bring these texts into conversation with broader eco-feminist theological scholarship, exploring the potential of literary writing to contribute to theological discourse of liberation and social justice in the African and global arena. Enna Sukutai Gudhlanga is Associate Professor in the Department of Languages and Literature at Zimbabwe Open University. Musa Wenkosi. Dube is Professor of New Testament at the Candler School of Theology, Emory University, USA. Limakatso Pepenene is Senior Lecturer in the French Department at the National University of Lesotho.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031397875
    Language: English
    Pages: 1 Online-Ressource(XXIX, 293 p. 41 illus., 39 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Media and Environmental Communication
    Parallel Title: Erscheint auch als
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    Keywords: Art, Modern ; Communication in the environmental sciences. ; Popular Culture.
    Abstract: PART 1: Staging Ice and Ice Stages in Science, Science Communication and Aesthetic Experience -- 1. Communicating Loss: Ice Research, Popular Art and Aesthetics: Introduction -- 2. Ice Stages and Staging Ice -- 3. Movies on Ice: An ArtSci Perspective on Communicating Antarctic Ice in the Climate Emergency -- 4. Here Be Science Show Dragons: Ice, Icons and Metaphoric Approaches to Climate Change Communication -- PART 2 :Ice Exploration: Heroism, Art and Imaginaries -- 5. Ethnography as Racialised Womanhood in the Arctic Writings of Josephine Diebitsch-Peary -- 6. Materiality of Time: Polar Ice as a Medium for Ecological Art for the Tempered Zones -- 7. Sensing Polar Ice Bodies -- 8. Antarctic Science on the Musical Stage -- 9. Icy Love: Performing Affect and Emotion Feeling About Climate Change -- PART 3: Pop Cultural Meanings of Ice in Visual Fiction and Film -- 10. Frozen Balloons: Aeronautic Heroism and Scientific Knowledge Production -- 11. Hard Ice, Soft Snow? Transnationalism, Spectatorship and the Arctic Sublime in Chasing Ice (2011) and Silent Snow (2011) -- 12. Frozen-Ground Cartoons—Revealing the Invisible Ice -- 13. On the Visual Narratives of Ice in Popular Culture: Comics on Ice, Icy Villains and Ice Science -- 14. Melt for Me: Communicating Ice Empathy Through the Plasticity of Disney -- 15. On the Aesthetic Facets of Ice Urgency: Some Final Reflections.-.
    Abstract: "The authors of Communicating Ice tell the stories and stages of ice, showing how its manifold bodies communicate from beyond the schemas of the Western tradition." -Amanda Boetzkes, University of Guelph, Canada "With its well-written analyses, new insights and, not least, uplifting visions of new approaches, collaborations and opportunities, this book is a joy to read." -Kirsten Thisted, University of Copenhagen, Denmark "This book makes a compelling attempt to understand ice not as an object but as an agent with which we must interact differently. Ultimately, the highly recommended volume points to the extreme urgency of political action to curb global warming" -Evi Zemanek, University of Freiburg, Germany "This collection brilliantly illustrates how storytelling and aesthetic presentation are crucial aids to understanding and communicating about objects of scientific inquiry. A timely and vital contribution to the environmental humanities, posthumanism and science communication." - Chris Danta, School of Cybernetics, Australian National University, Australia This edited collection is the first of its kind to explore the influences and interconnections between artistic and scientific understandings of, and communication around (the melting of) ice. This book investigates and clarifies the ecological and cultural implications of losing ice in the face of climate change – from glaciers to permafrost valleys, from scientific excursions into ice to its representation in (popular) art and culture. Bringing together diverse perspectives from research and practice across disciplines and media, this volume pioneers research into the cultural power of ice. Dr Anne Hemkendreis is a Lecturer (Senior Researcher) in the (SFB 948) Heroes – Heroizations - Heroism research group at the University of Freiburg (Germany) and a member of the German Young Academy. Dr Anna-Sophie Jürgens is a Lecturer in Popular Entertainment Studies at the Australian National Centre for the Public Awareness of Science at the Australian National University (ANU) and the Head of Popsicule, ANU's Science in Pop Culture and Entertainment Hub.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031509179
    Language: English
    Pages: 1 Online-Ressource(XVII, 613 p. 14 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature. ; Comparative literature. ; Sociology. ; Social groups. ; Gerontology.
    Abstract: 1: A Smorgasbord for Literature Lovers in Search of More Age-Just Futures -- 2: Audre Lorde, Black Writing, and Intersectional Aging -- 3: Visibility of Older Black Women in Literature: Female Ancestors in Paule Marshall’s Praisesong for the Widow -- 4: Magical Realism and Older Age: García Márquez’s Memories of My Melancholy Whores (2004) and Allende’s The Japanese Lover -- 5: Literacy Narratives and Age Identity across the Life Span -- 6: Revising the Dementia Imaginary: Disability and Age-Studies Perspectives on Graphic Narratives of Dementia -- 7: Queer Theory and Narrating Age Outside the Norm of (Re-)Productive Adulthood -- 8: Growing Older without Children: Challenging the (Re)Production Narrative for Older Women -- 9: Gerotranscendence as Literary Theory: Reading the Later Poems of Margaret Avison and W. B. Yeats -- 10: Care Noir: Before and After COVID -- 11: From Mushroom Men to Mycorrhizal Relations: Imagining Posthuman Aging and Care -- 11: Intergenerationality, Age, and Environment in Children’s Picturebooks -- 12: Age in Contemporary Drama and Performance: The Value of Considering Theatrical Time -- 13: Constructing ‘Old’ Age for Young Readers: A Digital Approach -- 14: Finding the Right Wor(l)ds: Creative Writing as Aesthetic and Existential Practice in Later Life -- 15: Creative Explorations for the Theatrical ‘Age Turn’: Toward a New Dramaturgy of Older Age -- 16: (Re)Interpreting Aging by Reading: Creativity, Wisdom, and Quality of Life in Older Age -- 17: Reading as Caring: Older Lay Readers’ Responses to the Dementia Narrative Stammered Songbook -- 18: Age and Its Metaphors -- 19: Age Identity in Old and Middle English Literature -- 20: Fantasies of Prolongevity in Early Modern Culture -- 21: “A Female, & Past 60 years of Age!”: Older Age in Women’s Later Life Writing 1800-1850 -- 22: American Modernity and the Narrative Arcs of Aging -- 23: Sex and the Senex: The Weight of Tradition in Desire under the Elms -- 24: Grief Representation in Late Poetry: Thomas Hardy’s “Poems of 1912-13” and Ted Hughes’s Birthday Letters -- 25: Gerontological Poetry of the Scandinavian Welfare State -- 26: Affirmations of Aging Masculinity in Victorian Fiction: Older Men at the Margins -- 27: Aging and the Drain of Empire: Postcolonial Age Studies -- 28: Are Older People Still Human? On Ageist Humor.
    Abstract: This handbook offers a comprehensive survey of the growing field of literary age studies and points to new directions in scholarly research. Divided into four sections, the volume reflects the current conversations in the field: intersections and intersectionalities, traveling concepts, methodological innovations, and archival inquiries. It encompasses the spectrum of critical approaches that literary age studies scholars employ, from environmental studies and postcolonial theory to critical race theory and queer studies. While close reading continues to be a mainstay of literary criticism, the handbook highlights alternative tools and routes in both data elicitation and analysis. The final part of the book shows the burgeoning interest in the field from literary scholars across historical periods, extending the scope of literary age studies beyond contemporary texts. This is an essential reference work for advanced students and scholars of literary studies, gerontology, age/aging studies, interdisciplinary studies and cultural studies.
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    Cham : Springer International Publishing | Cham : Imprint: Springer
    ISBN: 9783031558818
    Language: English
    Pages: 1 Online-Ressource(XI, 202 p. 3 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Philosophy. ; Postcolonialism. ; Terrorism. ; Political violence. ; Political science
    Abstract: 1. Introduction -- 2. Reimagining the colonial condition: understanding unhappiness in context to the colonial wound -- 3. Violent Technologies: A Historico-Philosophical Analysis -- 4. Internal Violence: A Critique of Absolute Socialisations -- 5. Corrective Sexual Violence in South Africa: a crime against the deviant Sexualised Other -- 6. Women, violence, and social activism: From Aba women’s protest to #EndSARS protests -- 7. An anger-based contextualist account of justifiable violence: An African case study -- 8. Reimagining Civil-Military Relations from a Quadrumvirate Interaction Perspective -- 9. Reading Contemporary Decolonial Iconoclasm in Belgium with Žižek, Yousfi and Fanon -- 10. A postcolonial theory of recognition: Honneth and Fanon on violence and mutual recognition.
    Abstract: This volume explores the role of violence generally but with specific reference to African concepts and themes, and the significance they have for social redress. The contributors interpret African concepts and themes to include accounts of violence, explicitly or implicitly construed from indigenous axiological resources like Ubuntu or personhood and from those works that are not African in origin but have become central in African moral, political and legal thought, such as Hannah Arendt’s On Violence and Walter Benjamin’s Critique of Violence. The volume contributes to moral philosophy, social philosophy, African philosophy, and political philosophy/theory. It situates itself within the Global South, specifically the African perspective, to explore, articulate, and defend (or even critique) African conceptions of violence. This volume also takes seriously the need to tap into the intellectual resource of the African and diasporic African episteme thru thinkers such as Steve Biko, Frantz Fanon and Reiland Rabaka. It appeals to students and researchers working in philosophy and related disciplines on violence in Africa and the postcolonial context.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031541001
    Language: English
    Pages: 1 Online-Ressource(XX, 318 p. 35 illus., 21 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Screenwriting
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    Keywords: Motion picture authorship. ; Digital media.
    Abstract: 1. An Introduction to Screenwriting for Virtual Reality -- 2. Shifting Diegetic Boundaries -- 3. Cinematic Virtual Reality: Towards an Optics of ‘Eco Screenwriting’ -- 4: The Nature of Narration in Cinematic Virtual Reality -- 5. Towards Immersography: Considerations for an Integrated Understanding of Immersive Narrative Experiences -- 6. Writing as design: The Future of Houses, a transformative single-player VR experience -- 7. The Diagrammatic screenplay: Strategies to address the challenges of writing an interactive, Mixed Reality (MR) experience -- 8. A Case Study of VR Story Development: Fire Escape (2019) -- 9. Expanded Experience: an ‘artist-bricoleur’ approach to writing VR in contemporary art -- 10. Writing the Virtual: Diverse Modes of Development in CVR -- 11. A Net of Invisible Things: The VR development practices of Lynette Wallworth in Collisions and Awavena -- 12. Virtual Catharsis: Decoding Empathy in Refugee Narratives -- 13. Screenwriting for Virtual Reality: Future directions.
    Abstract: “Kath Dooley and Alex Munt’s book on Screenwriting for Virtual Reality: Story, Space and Experience is an invaluable tool to anyone working on storytelling in immersive space in general and VR in particular. It combines important theoretical insights with an impressive range of case studies which make it an essential companion to anyone seeking to understand what’s distinctive about work in this field or looking to embark on a project of their own.” - Adam Ganz, Head of Writers’ Room, StoryFutures and Professor of Screenwriting, Royal Holloway University of London, UK This book is focused on screenwriting and development for virtual reality (VR). It explores a diverse range of creative approaches to the writing and screen development of VR stories and immersive audience experiences. Contributions from scholars and practitioners combine conceptual and practically orientated approaches for creating fictional and documentary media VR stories. The book evaluates, challenges and adapts existing screenwriting models and practices for immersive storytelling and grapples with the future of storytelling in the era of sophisticated computer visualization, AI and the online social metaverse. The book proposes new VR storytelling models, identifies altered relationships between creators, screen works and their audiences and demonstrates how interdisciplinary practices will be core to the future of screen storytelling. Kath Dooley is a practitioner/academic based at the University of South Australia. Her work as writer/director has screened at the Busan International Short Film Festival and FIVARS, Toronto. She is the author of Cinematic Virtual Reality- A Critical Study of 21st Century Approaches and Practices (Palgrave Macmillan, 2021). Her research interests include screen production methodology for traditional and immersive media, screenwriting, women’s screen practice and diversity in the screen industries. Alex Munt is a film academic, screenwriter and director. He is based in the School of Communication, Faculty of Arts and Social Sciences at the University of Technology Sydney, Australia. His films have screened at the Sydney Film Festival and SXSW and been distributed worldwide. His research interests include independent film, artists’ moving image, VR and spatialised media. .
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031416958
    Language: English
    Pages: 1 Online-Ressource(XXI, 373 p. 6 illus., 2 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Animals and Literature
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    Keywords: Fiction. ; Literature, Modern ; Literature, Modern ; Literature ; Popular Culture. ; Human ecology ; Philosophy. ; Postcolonialism.
    Abstract: Chapter 1. “Introduction: Reading the Speculative Animal” -- Chapter 2. From Animal Alterity to Animal Studies and SF Today: A Conversation with Sherryl Vint -- Chapter 3. “Safe in each other’s scaly arms”: Solace, Oddkinship, and the Third Position in African Speculative Texts -- Chapter 4. Playing the Animal: Imagining the Nonhuman Animal in 2-Dimensional Action and Adventure Games -- Chapter 5. Philip K. Dick’s Dr. Bloodmoney and the Species Politics of Risk -- Chapter 6. Listening to Nonhuman Animals in Science Fiction Film: Establishing Empathy through Dinosaur Voices in Jurassic World: Fallen Kingdom -- Chapter 7. “Muzzle for the Queen”: Settler-Nonhuman Entanglements in Australian Speculative Ecofiction -- Chapter 8. Reading the Speaking Animal: Biotechnology and Animal “Uplift” in Adam Roberts’s Bête -- Chapter 9. Spacefaring Animals and Their Humans: A Study in Extraction, Exploitation, and Co-Evolution -- Chapter 10. To “Jump” into an Animal’s Body: Empathy, Care, and ResExtendas in Emma Geen’s The Many Selves of Katherine North -- Chapter 11. “alien guest, courting the goodwill of a demonic microbe”: Living Poetry, NHAs and “Aliens Among Us” in Christian Bök’s The Xenotext: Book 1 -- Chapter 12. Disemboweling the Hyperreal in Bong Joon-ho’s Okja -- Chapter 13. A Change of Heart: Animality, Power, and Black Posthuman Enhancement in Malorie Blackman’s Pig-Heart Boy -- Chapter 14. Africanfuturist Assemblages of the Undersea in Nnedi Okorafor’s Lagoon -- Chapter 15. To Build a World: The Return of Biota in Thomas King’s The Back of the Turtle -- Chapter 16. A Multispecies Right to the City? Reimagining the Speculative Narratives of Urban Sustainability -- Chapter 17. Divination with Digital Animals: Sci-fi Realism in Jia Zhangke’s Tian Zhuding (A Touch of Sin) -- Chapter 18. “The Face of Extinction”: On Haunted Futures with Machine Animals -- Chapter 19. Mesozoic Miscegenation: Erotic Fiction’s Resurrection of Dinosaurs -- Chapter 20. A “speculation built on fact”: On Dougal Dixon’s Zoology of the Future.
    Abstract: “This is a strong contribution to the field(s) of animal studies and science fiction. Indeed, I would recommend it in both fields separately as well as in the combined field where I work. I am especially impressed by the generous range of texts, from bacteria to games to film to novels, and with some recognition of work beyond the British/American hegemony.” —Joan Gordon, Professor Emerita, Nassau Community College; Co-editor, Science Fiction Studies Animals and Science Fiction is the first edited collection to be published focusing on the intersection of animal studies and science fiction studies. It offers a broad range of theoretical approaches and primary source texts—including novels, short stories, poetry, film and TV, photography, erotica, video games, and urban planning documents—that explore the ways works of science fiction can transform how we see and interact with nonhuman others. With an eye toward more just multispecies futures, it argues that speculative imaginaries can be pivotal in changing attitudes toward and understandings of nonhuman animals in our world today. Chapters appeal to those interested in biopolitics, posthumanism, new materialism, ecocriticism and the environmental humanities, ocean humanities, postcolonial studies, critical race studies, Indigenous studies, global sf studies, film studies, and food studies. Taken together, the collection works to showcase a diverse and growing field of scholarly inquiry into animals and science fiction. Nora Castle is an IAS Early Career Fellow at the University of Warwick. She recently completed her PhD, entitled, “Food Futures: Food, Foodways, and Environmental Crisis in Contemporary Science Fiction,” which explored the future of food in/as science fiction through meat, plants, kitchens, and farms as thematic streams. Giulia Champion is a Research Fellow (Anniversary Fellowship) at the University of Southampton. Her project investigates different communities’ engagement with and representations of the seabed through culture, science communication and international policy. .
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    Cham : Springer International Publishing | Cham : Imprint: Springer
    ISBN: 9783031557446
    Language: English
    Pages: 1 Online-Ressource(VII, 257 p. 1 illus.)
    Edition: 1st ed. 2024.
    Series Statement: The International Library of Ethics, Law and Technology 24
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    Keywords: Technology ; Medical Ethics. ; Artificial intelligence.
    Abstract: Part 1: Foundations -- Chapter 1: Introduction -- Chapter 2: Artificial Intelligence: In search of a definition -- Chapter 3: MAI: A very short history and the state of the art -- Chapter 4: Ethical foundations: Medical Ethics and Data Ethics -- Part 2: Ethical Analysis -- Chapter 5: Practices -- Chapter 6: Relationships -- Chapter 7: Environments -- Chapter 8: Instead of a conclusion: Seven lessons for the present.
    Abstract: This is the first book to provide a coherent overview over the ethical implications of AI-related technologies in medicine. It explores how these technologies transform practices, relationships, and environments in the clinical field. It provides an introduction into ethical issues such as data security and privacy protection, bias and algorithmic fairness, trust and transparency, challenges to the doctor-patient relationship, and new perspectives for informed consent. The book focuses on the transformative impact that technology is having on medicine, and discusses several strategies for dealing with the resulting challenges. It also introduces innovative methods of ethics research for addressing existing desiderata and future challenges. This book is written to inform health care professionals, policy-makers, and researchers in medicine, health sciences, nursing science, social sciences, and ethics, but may also function as a primary textbook for graduate as well as undergraduate university courses.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031459368
    Language: English
    Pages: 1 Online-Ressource(XI, 229 p. 4 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Comparative literature. ; European literature. ; America ; Literature.
    Abstract: 1. WAYS OF BELONGING -- 2. NAOMI FONTAINE’S INDIGENOUS WRTING: SELF, COMMUNITY, SOCIETY -- 3. ABLA FARHOUD: MONTREAL MIGRATIONS AND THE GHOST OF LEBANON -- 4. ANITA ALOISIO AND AKOS VERBOCZY: CHILDREN OF LA LOI 101 -- 5 CONCLUSION: INSCRIBING HOME IN QUÉBEC.
    Abstract: This book focuses on modes of cultural belonging in Québec. It looks at recent literary memoir, autobiographical fiction, and documentary testimony. Through four in-depth case studies of cultural creators, one Indigenous and three non-Indigenous, Dervila Cooke discusses multicultural and ethnically diverse society in Québec, examining current tensions, challenges, and opportunities. Works studied range from Abla Farhoud’s first novel in 1998 to Anita Aloisio’s 2022 documentary film Calliari QC. Topics include the desire for freedom to self-ascribe and enact cultural identity, self-reinvention through fiction, expressions of Indigeneity in Naomi Fontaine, the term “Québécois”, especially after Bill 21, and the thorny question of integration of immigrants, discussed in relation to Akos Verboczy’s Rhapsodie québécoise. As with the companion volume on France, societal factors are discussed, here relating to the cultural renaissance of Indigenous writing, Farhoud’s Libano-Québécois context, and language laws in Québec, including the foundational Bill 101 and the more recent Bill 96. Dervila Cooke teaches in the School of Applied Language and Intercultural Studies at Dublin City University, Ireland. She is the author of Present Pasts: Patrick Modiano's (Auto) Biographical Fictions (2005) and editor of New Work on Immigration and Identity in Contemporary France, Québec and Ireland (2016), and of Modiano et l’image (2012).
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    Cham : Springer International Publishing | Cham : Imprint: Springer
    ISBN: 9783031421198
    Language: English
    Pages: 1 Online-Ressource(X, 194 p. 2 illus.)
    Edition: 1st ed. 2024.
    Series Statement: Sophia Studies in Cross-cultural Philosophy of Traditions and Cultures 42
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Philosophy of nature. ; Religion and culture. ; Religion ; Human ecology ; Bioclimatology. ; Cognitive science.
    Abstract: Chapter 1.Aboriginal Indian Elemental Ontology -- Chapter 2.Closing the Subject-Object Rift Through Aboriginal Australian Elemental and Embodied Philosophy -- Chapter 3.Elements of Slovenian Indigenous Religion -- Chapter 4. The Glacier and Me – Understanding the Human Being as Embodied and Elemental -- Chapter 5.The Life in Black Lives Matter -- Chapter 6.The Gravity of Our Situation: On Acrophobia and Eco-Paralysis -- Chapter 7. Vegetal Environmental Pedagogy -- Chapter 8.Environmental Responsiveness in Conceptual Thinking -- Chapter 9.Elements of Embodied Critical Thinking -- Chapter 10.Methodologies of Embodied-Elemental Thinking in Ethics of Nature.
    Abstract: This collection responds to widespread, complex, and current environmental challenges by presenting eleven original essays on a new elemental-embodied approach in environmental humanities. This approach has a special focus on elemental and indigenous philosophies as well as localized experiences of terrestrial forces: from earthquakes and eruptions to pandemics and natural disasters. Representing a shift in modern Western scientific and disembodied thinking of nature, this edited book approaches the question of relationality and intertwining of human and natural being by utilizing the elemental-embodied methodologies within philosophy of embodiment and nature. Supported by research in cognitive sciences, the contributors represent the experiential and affective turn within research into human cognition. As embodied, the human being is embedded and interacting with all there is. The aim of this edited volume is to indicate new paths toward regaining our access to natural being within us and thus toward reconnecting with the natural environment and the things and beings around us in a new, environmentally enhanced way. It appeals to researchers and students working in many fields, predominantly in philosophy, as well as religious and environmental studies.
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    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783031376566
    Language: English
    Pages: 1 Online-Ressource (XXXIV, 166 p. 15 illus)
    Edition: 1st ed. 2024
    Series Statement: Palgrave Studies in Literature, Culture and Human Rights
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306
    Keywords: Visual Culture ; Human Rights ; Contemporary Art ; Culture / Study and teaching ; Human rights ; Art, Modern / 21st century
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783031385148 , 3031385144
    Language: English
    Pages: 1 Online-Ressource (XVIII, 257 Seiten) , 10 illus., 6 illus. in color.
    Edition: 1st ed. 2024
    Series Statement: Gender and Cultural Studies in Africa and the Diaspora
    Parallel Title: Erscheint auch als Gender and Leadership in Nigeria and Ghana
    DDC: 306.096
    RVK:
    Keywords: Ethnology Africa ; Culture ; African Culture
    URL: Volltext  (URL des Erstveröffentlichers)
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    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783031417665
    Language: English
    Pages: 1 Online-Ressource (XV, 209 p. 10 illus)
    Edition: 1st ed. 2024
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.231
    RVK:
    Keywords: Digital and New Media ; Media Culture ; Race and Ethnicity Studies ; Intercultural Communication ; Digital media ; Mass media and culture ; Race ; Intercultural communication
    URL: Volltext  (URL des Erstveröffentlichers)
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    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783031343742
    Language: English
    Pages: 1 Online-Ressource (XIX, 357 p. 35 illus)
    Edition: 1st ed. 2024
    Series Statement: Palgrave Games in Context
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.487
    Keywords: Games Studies ; Popular Culture ; Education and Disability ; Digital and New Media ; Games ; Popular Culture ; People with disabilities / Education ; Digital media
    URL: Volltext  (URL des Erstveröffentlichers)
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    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783031459764 , 3031459768
    Language: English
    Pages: 1 Online-Ressource (XIX, 226 Seiten)
    Edition: 1st ed. 2024
    Series Statement: Global Transformations in Media and Communication Research - A Palgrave and IAMCR Series
    Parallel Title: Erscheint auch als Epistemic Rights in the Era of Digital Disruption
    DDC: 302.231
    Keywords: Digital media ; Human rights ; Mass media Political aspects ; Digital and New Media ; Politics and Human Rights ; Media Policy and Politics
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    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783031304385 , 3031304381
    Language: English
    Pages: 1 Online-Ressource (XXVI, 511 Seiten) , 20 illus.
    Edition: 1st ed. 2024
    Parallel Title: Erscheint auch als The Palgrave Handbook of Everyday Digital Life
    DDC: 302.231
    RVK:
    Keywords: Digital media ; Internet Social aspects ; Social media ; Technology Sociological aspects ; Mass media ; Digital and New Media ; Internet Studies ; Social Media ; Emerging Technologies ; Media Sociology
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783031495762
    Language: English
    Pages: 1 Online-Ressource (XVII, 333 p. 11 illus., 10 illus. in color)
    Edition: 1st ed. 2024
    Series Statement: Palgrave Studies in (Re)Presenting Gender
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.23
    Keywords: Media and Gender ; Film and Television Studies ; Media Culture ; Gender identity in mass media ; Motion pictures ; Television broadcasting ; Mass media and culture
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    ISBN: 9783031400179
    Language: English
    Pages: 1 Online-Ressource (XVIII, 343 p. 46 illus)
    Edition: 1st ed. 2024
    Series Statement: Palgrave Studies in Fashion and the Body
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 391
    Keywords: Fashion and the Body ; Social Care ; Health Care ; Clothing and dress / Social aspects ; Human body in popular culture ; Social service ; Medical care
    URL: Volltext  (URL des Erstveröffentlichers)
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    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783031420641 , 3031420640
    Language: English
    Pages: 1 Online-Ressource (XIX, 339 Seiten) , 30 illus.
    Edition: 1st ed. 2024
    Series Statement: Palgrave Studies in Intermediality
    Parallel Title: Erscheint auch als Truth Claims Across Media
    DDC: 302.231
    Keywords: Digital media ; Intermediality ; Digital and New Media ; Intermediality
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    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783031513039 , 3031513037
    Language: English
    Pages: 1 Online-Ressource (XXXIII, 223 Seiten) , 6 illus., 5 illus. in color.
    Edition: 1st ed. 2024
    Series Statement: Global Transformations in Media and Communication Research - A Palgrave and IAMCR Series
    Parallel Title: Erscheint auch als Uzuegbunam, Chikezie E Children and Young People’s Digital Lifeworlds
    DDC: 302.231
    Keywords: Digital media ; Ethnology Africa ; Culture ; Youth Social life and customs ; Digital and New Media ; African Culture ; Youth Culture
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    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783031289309 , 3031289307
    Language: English
    Pages: 1 Online-Ressource (XIX, 277 Seiten) , 26 illus.
    Edition: 1st ed. 2024
    Series Statement: Palgrave Studies in Digital Inequalities
    Parallel Title: Erscheint auch als Digital Inclusion
    DDC: 302.231
    Keywords: Digital media ; Social policy ; Mass media ; Social structure ; Equality ; Information technology Moral and ethical aspects ; Digital and New Media ; Social Policy ; Media Sociology ; Social Structure ; Information Ethics
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031474088
    Language: English
    Pages: 1 Online-Ressource(XIII, 402 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Literature ; Literature ; European literature.
    Abstract: 1 Interpretation -- 2 Fiction -- 3 Performativity and Performance -- 4 Intertextuality -- 5 Genre -- 6 Periodization.
    Abstract: This monograph offers new insights into the fundamentals of literary theory. It synthesizes and evaluates research from recent decades, critically examining this work from a transnational perspective and with a particular focus on publications in English, French and German. The book is divided into six sub-theories that tackle problems of interpretation, fictionality, performativity and performance, intertextuality, genre and periodization. Drawing on texts from Classical Antiquity to English, German, French, Spanish and Italian literature, the book brings together a range of different scholarly traditions in different languages. Klaus W. Hempfer is Professor Emeritus of Romance Literatures at the Freie Universität Berlin, Germany.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031246852
    Language: English
    Pages: 1 Online-Ressource(5 illus., 3 illus. in color. eReference.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Keywords: Popular Culture. ; Philosophy.
    Abstract: The Good Place as Philosophy: Moral Adventures in the Afterlife.-Twilight Zone as Philosophy 101 -- Star Trek as Philosophy: Spock as Stoic Sage -- Star Trek: The Next Generation as Philosophy: Gene Roddenberry’s Argument for Humanism -- Battlestar Galactica as Philosophy: Breaking the Biopolitical Cycle -- Black Sails as Philosophy: Pirates and Political Discourse -- Doctor Who as Philosophy: Four-Dimensionalism and Time Travel -- Breaking Bad as Philosophy -- The Handmaid’s Tale as Philosophy: Autonomy and Reproductive Freedom -- Mister Rogers’ Neighborhood as Philosophy: Children as Philosophers -- Futurama as Philosophy: Wisdom from the Ignorance of a Delivery Boy -- Firefly as Philosophy: Social Contracts, Political Dissent, and Virtuous Communities -- Arrested Development as Philosophy: Family First? What We Owe Our Parents -- The Doctor as Philosopher: The Collectivist-Realist Pacificism ofthe Doctor and the Quest for Social Justice. .
    Abstract: Much philosophical work on pop culture apologises for its use; using popular culture is a necessary evil, something merely useful for reaching the masses with important philosophical arguments. But works of pop culture are important in their own right--they shape worldviews, inspire ideas, change minds. We wouldn't baulk at a book dedicated to examining the philosophy of The Great Gatsby or 1984--why aren't Star Trek and Superman fair game as well? After all, when produced, the former were considered pop culture just as much as the latter. This will be the first major reference work to right that wrong, gathering together entries on film, television, games, graphic novels and comedy, and officially recognizing the importance of the field. It will be the go-to resource for students and researchers in philosophy, culture, media and communications, English and history and will act as a springboard to introduce the reader to the other key literature inthe field.
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  • 82
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031557255
    Language: English
    Pages: 1 Online-Ressource(XVII, 239 p. 5 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Theater. ; Theater ; Economic development.
    Abstract: How do theatre and development partnerships operate? What issues impede collaborations between various institutions and individuals? Why do relations between global North and South partners often fail to reflect important values such as equality, reciprocity and mutual benefit? This is the first book to examine theatre and global development partnerships. It focusses on the UK and East African countries of Kenya, Rwanda and Uganda, presenting the author’s own experiences, case study analyses and perspectives from practitioners and scholars involved in theatre and development. It argues that simplistic binaries pervade partnerships, whereby the global North is regarded as ‘modern’ and ‘developed’ versus the ‘under-developed’ global South. This results in unequal power relations between collaborators, less effective projects with communities, and a lack of reciprocity and mutual benefit. Consequently, this book revitalises how we conceptualise partnerships. Issues such as widening inequalities, conflict, health and the climate crisis impact all countries. How, then, can we work across borders to support interconnected learning and action on these challenges? In this regard, principles of solidarity and mutual responsibility, as well as critical openness, enable us to reflect honestly about the failures of the partnerships we participate in and move beyond simplistic binaries of global North and South. The book is of importance to applied and socially engaged performance scholars and practitioners, and to development workers interested in arts and social change. Bobby Smith is Associate Professor of Theatre and Performance Studies and course director of the MA Applied Theatre at the University of Warwick, UK. Through his research, creative practice and teaching he aims to develop innovative approaches to activism, education, and social change. He has worked internationally to explore issues including violence prevention, health education, peacebuilding and the climate crisis.
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  • 83
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031383519
    Language: English
    Pages: 1 Online-Ressource(XV, 253 p. 2 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Literary Cultures and Childhoods
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Children's literature. ; Comparative literature. ; Literature, Modern ; Social history.
    Abstract: Literary Cultures and Nineteenth-Century Childhoods explores the construction of the child and the development of texts for children in the nineteenth century through the application of fresh theoretical approaches and attention to aspects of literary childhoods that have only recently begun to be illuminated. This scope enables examination of the child in canonical nineteenth-century novels by Charles Dickens, Elizabeth Gaskell, Charlotte Brontë, and Thomas Hardy alongside well-known fiction intended for young readers by George MacDonald, Christabel Coleridge, and Kate Greenaway. The century was also distinctive for the rise of the children’s magazine, and this book broadens the definition of literary cultures to include magazines produced both by, and for, young people. The volume examines how the child and family are conceptualised, how children are positioned as readers in genres including the domestic novel, school story, Robinsonade, and fantasy fiction, how literary childhoods are written and politicised, and how childhood intersects with perceptions of animals and the natural environment. The range of chapters in this collection and the texts they consider demonstrate the variability and fluidity of literary cultures and nineteenth-century childhoods. Kristine Moruzi is an Associate Professor in the School of Communication and Creative Arts at Deakin University, Australia. She has written two monographs, Constructing Girlhood through the Periodical Press, 1850-1915 (2012) and From Colonial to Modern: Transnational Girlhood in Canadian, Australian, and New Zealand Children’s Literature, 1840-1940 (with Michelle J. Smith and Clare Bradford, 2018). She is co-editor (with Nell Musgrove and Carla Pascoe Leahy) of Children’s Voices from the Past: New Historical and Interdisciplinary Perspectives (2019). Michelle J. Smith is an Associate Professor in Literary Studies at Monash University, Australia. Her most recent monograph is Consuming Female Beauty: British Literature and Periodicals, 1840-1914 (2022). Her other authored books are From Colonial to Modern: Transnational Girlhood in Canadian, Australian, and New Zealand Children’s Literature, 1840-1940 (2018, with Clare Bradford and Kristine Moruzi) and Empire in British Girls’ Literature and Culture: Imperial Girls, 1880–1915 (2011). .
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031451980
    Language: English
    Pages: 1 Online-Ressource(XI, 287 p. 1 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Theater ; Performing arts. ; Theater. ; Motion pictures. ; Television broadcasting. ; Motion picture acting. ; Cultural policy. ; Popular Culture.
    Abstract: Introduction:Anglophone Drama in a Post-Democratic, Post-Truth World -- Chapter 1. Western Theatre as Sociopolitical Forum—A Short History -- Chapter 2. Progressive Western Cinema -- Chapter 3. Case-study Films and Plays from the First Decade -- Chapter 4. Case-study Films and Plays from the First Decade -- Chapter 5. Case-study Films and Plays from the Second Decade.-Chapter 6. Case-study Films and Plays from the Second Decade -- Conclusion: Progressive Drama and its Potentialities .
    Abstract: Anglo-American Stage and Screen Drama analyses and discusses the contemporary role of stage and screen drama as a critical forum for progressive thinking in an increasingly polarised geopolitical world. The book addresses the cultural politics of socially engaged 21st century stage plays and films, and makes the case for drama as a sociopolitical forum, in which the complex and contentious issues that confront society can be explored and debated. It conceives of Anglophone political drama as a significant intervention in today’s culture wars, representing the latter as a convenient distraction from the ongoing depredations of neoliberalism. In the main part of the book selected case-study plays and films from each of the first two decades illustrate drama’s capacity to influence critical debate on social justice issues. All of the case-study texts under discussion express a powerful aesthetics of resistance to right-wing ideology, and promote inclusive and enlightened values. This broader orientation underlines drama’s role as a channel for critical agency in today’s putative post-socialist, post-democratic climate. Mike Ingham is Adjunct Professor of English Studies in the English Department at The Chinese University of Hong Kong and a dedicated tertiary teacher and former teacher-trainer. His research interests include stage and screen drama, Shakespeare studies, Hong Kong literature in English, and drama in education. Mike is also a founder member of Theatre Action, a Hong Kong-based drama group specialising in action research on literary dramatic texts. Previous monograph publications include Staging Fictions - The Prose Fiction Stage Adaptation as Social Allegory (2004), Hong Kong - A Cultural and Literary History (2007), Stage-play and Screen-play: The Intermediality of Theatre and Cinema (2017) and The Intertextuality and Intermediality of the Anglophone Popular Song (2022). He has also produced journal articles and book chapters on adaptation for stage and screen, early modern drama, documentary and feature film in Asian and Western contexts, and drama pedagogy.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031393181
    Language: English
    Pages: 1 Online-Ressource(XVII, 279 p. 19 illus., 2 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Theater. ; Theater ; World politics. ; World War, 1939-1945.
    Abstract: Chapter-1: Introduction -- Part One: Dramaturgical Contexts: Institutionalised Ideologies -- Chapter 2 - Institutional Dramaturgy at Deutsches Theater Berlin - Ann-Christine Simke -- Chapter 3 - National Dramaturg Rainer Schlösser and German Theatre after 1933 - Gerwin Strobl -- Chapter 4 - Implementing Germanic Repertoires – Institutional Dramaturgy during WWII - Anselm Heinrich -- Chapter 5 - Brecht’s Performance Theories in Post- war Germany - Ramona Mosse -- Chapter 6 - Cold War Dramaturgies: Institution and Ideology in 1950s German Theatre - Michael Bachmann -- Part Two: Institutional Infrastructures: Theatres of Oppression -- Chapter 7 - Theatre Poznań/Posen (Poland) - Alexander Weigel -- Chapter 8 - Theatre Maribor/Marburg (Slovenia) - Matjaz Birk -- Chapter 9 - Theatre in Prague - Volker Mohn -- Chapter 10 - Theatre in Oslo - Anselm Heinrich -- Part Three: Performance Practice: Dramaturgy and the Aesthetics of War- Chapter 11 - In the Open Air: Shell Shock Theatre - Evelyn Annuss -- Chapter 12 - Berlin – Amsterdam – Westerbork: Revue and the Aesthetics of War: Veronika Zangl -- Chapter 13 - Theatre under the NS regime in Austria: Theatrical activities in Crisis Situations - Brigitte Dalinger -- Chapter 14 - Spanish classical theatre during Third Reich - John London. .
    Abstract: This book examines the institutional contexts of dramaturgical practices in the changing political landscape of 20th century Germany. Through wide-ranging case studies, it discusses the way in which operationalised modes of action, legal frameworks and an established profession have shaped dramaturgical practice and thus links to current debates around the “institutional turn” in theatre and performance studies. German theatre represents a rich and well-chosen field as it is here where the role of the dramaturg was first created and where dramaturgy played a significantly politicised role in the changing political systems of the 20th century. The volume represents an important addition to a growing field of work on dramaturgy by contributing to a historical contextualisation of current practice. In doing so, it understands dramaturgy not only as a process which occurs in rehearsal rooms and writers’ studies, but one that has far wider institutional and political implications. Anselm Heinrich is a Professor of Theatre Studies at the University of Glasgow. His books include Entertainment, Education, Propaganda (2007), Theater in der Region (2012), Theatre in Europe Under German Occupation (2017), and a volume on Ruskin, The Theatre, and Victorian Visual Culture (2009). He is currently under contract for a monograph on theatre in Britain during WWII. He has held research fellowships at Harvard, Oxford and Marburg. Ann-Christine Simke is a Lecturer in Performance at the University of the West of Scotland. She recently published the article “Forensic Architecture in the Theatre and the Gallery: A Reflection on Counter hegemonic Potentials and Pitfalls of Art Institutions” (with Anika Marschall, 2022) and is currently under contract for a co-authored (with Anika Marschall) book on intersectional theatre practices.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031421594
    Language: English
    Pages: 1 Online-Ressource(XII, 159 p.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Ethics.
    Abstract: 1. Existence Is Overrated. What Is a Value? -- 2. Even More. Where Do Values Come from? And How Many Are There? -- 3. Allure of the Temporary. How Is a Value? -- 4. The Power to Connect, the Power to Relativize. What Do Values Relate To? -- 5. At Home Nowhere and Everywhere. Where and When Are Values (in Use)? -- 6. Excursus I: Values and Human Rights -- 7. The Unstable Recovery Position. How Is a Value Positioned? -- 8. Miracles of Motivation and Guarantors of Paralysis. What Do Values Have? What Do They Do? -- 9. An Unruly Victim Tamed. What Things Are Done to Values? -- 10. Excursus II: Values in the Political Soap Opera -- 11. Against Prescriptions. Why Values?.
    Abstract: In his book, Andreas Urs Sommer reflects on the question of what it really means when everybody’s appealing to values, all the time – the question, fundamentally, of what values actually are. Values explores both of these points, arriving at two intriguing suggestions: Maybe what we call values are just a set of elaborate fictions. And maybe those fictions serve some very important purposes.
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031418082
    Language: English
    Pages: 1 Online-Ressource(XIII, 262 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave European Film and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Motion picture plays, European. ; Motion pictures
    Abstract: 1.European Scenes of Crime: Peripheries at the Centre -- 2.The Double Marginality of Peripheral Locations -- 3.Nordic Noir and Arctic Peripherality in Northern Europe -- 4.Mediterranean Noir and Nordic Peripheries in Southern Europe -- 5.Country Noir and Rural Peripheries in Western Europe -- 6.Eastern Noir and the Borderscapes of Eastern Europe -- 7.Brit Noir and the Hinterlands of the British Isles -- 8.Conclusion: Negotiating European Peripheries in TV Crime Series.
    Abstract: This book is a comprehensive study of peripheral locations in contemporary European TV crime series. Ambitiously, it covers the complete geography of Europe, and offers a nuanced image of a changing, dynamic, and unfinished continent. The chapters include analyses of the practical, creative approach to producing crime series in European peripheries and rural areas, evaluating a continent marked by an internal crisis between urban and rural Europe. The study includes readings of crime series such as Shetland, Bitter Daisies, Trom, Pagan Peak, and The Border, but presents such representative cases within broader tendencies on the European TV market, including challenges from streaming services, the influence of Nordic Noir, and changes within the cognitive geography of Europe. The authors position peripheral European crime series in a complex relationship between universal appeal and local recognisability and offer a comprehensive theoretical approach to the aesthetics of peripherality. Grounded in desktop production studies, the book presents an original scholarly approach to analysing European crime series from a continental point of view. Despite local differences, the spatio-generic orientations scrutinized in the book – Nordic Noir, Mediterranean Noir, Country Noir, Eastern Noir, and Brit Noir – show remarkable aesthetic similarities in series from territories otherwise normally unconnected in television production. Consequently, television crime series reveal a common tongue and voice for dialogue on a continent in a deepening crisis. Kim Toft Hansen is Associate Professor of Scandinavian Media Studies at Aalborg University, Denmark. He is the co-author of Locating Nordic Noir: From Beck to The Bridge (2017), the co-editor of European Television Crime Drama and Beyond (2018) and has written extensively on Nordic and European television crime series. Valentina Re is Full Professor of Film and Media Studies at Link Campus University, Italy. She is the editor of Streaming media. Distribuzione, circolazione, accesso (2017) and the PI of the research project The Atlas of Italian “Giallo”: Media History and Popular Culture (1954-2020), funded by the Italian Ministry of University and Research (2022-25). .
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  • 88
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031307843
    Language: English
    Pages: 1 Online-Ressource(XXX, 656 p. 28 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Literature, Modern ; Literature. ; Emigration and immigration. ; World history.
    Abstract: Chapter 1: Introduction -- Chapter 2: Narrating Migration in the Settler Colonies: Recent Climate Fiction in Australia and New Zealand -- Chapter 3: Invasion and Replacement Fantasies: Jean Raspail’s The Camp of the Saints and the French Far Right -- Chapter 4: Between History and the Discord of Time: The Figure of the Migrant in A Seventh Man and Transit -- Chapter 5: A Border Poetics of Migration: Five Mappings of Migration Literature in Norwegian and Swedish -- Chapter 6: "A Strangely Familiar Place”: Cinematic (Re)framings of the EU’s Easternmost Border. Chapter 7: Migration, Romani Writers, and the Question of National Literatures. Chapter 8: Introduction -- Chapter 9: Setting the Stage of Contemporary Migration in the Italian Hostile Environment. Chapter 10: The Dystopian Imaginary, Climate Migration, and “Lifeboat-Nationalism”. Chapter 11: Black Parisians in Merry Colors: Queerness and Creolisation in the Popular Comedies of Lucien Jean-Baptiste -- Chapter 12: Classification and the Secrets of Kinship: Migration, Scientific Naturalism, and the Racialization of Blood in the Eighteenth Century -- Chapter 13: “There’s ways to survive these times… and I think one way is the shape the telling takes”: Hostile Environments and Hospitable Connections in Ali Smith’s Seasonal Quartet -- Chapter 14: Introduction -- Chapter 15: Migration, Forced Displacement, and Aesthetic Agency: Sharon Dodua Otoo’s Adas Raum. Chapter 16: Comparing Migrations? Russian German Jewish Writers on the “Refugee Crisis”. Chapter 17: Literary Archives and Alternative Futures. Memories of Labor Migration in Contemporary Turkish German Fiction. Chapter 18: On the Afterlife of Lucrecia Pérez: Literature and Migrant Memory against Nationalist Myth-Making in Democratic Spain. Chapter 19: On the Afterlife of Lucrecia Pérez: Literature and Migrant Memory against Nationalist Myth-Making in Democratic Spain. Chapter 20: Muslim Interpellation: Hijabs, Beards, and the Post-9/11 Border Regime. Chapter 21: Another Home. Chapter 22: Introduction -- Chapter 23: “Struggles with Identity Don’t Care about Latitude”: Saša Stanišić’s Herkunft (Where You Come From) as “Born Translated” Text -- Chapter 24: Verstummung”: Carmine Abate’s Dislocative Voices -- Chapter 25: Going for Nothing: Migration and Translation in Christina Rivera Garza -- Chapter 26: “Life Goes on, Defying Common Sense”: On Translating Russian Émigré Poetry -- Chapter 27: "It is hard to choose": An Italian Author on Migration, Diaspora, African Literature, and the Limits of Labels -- Chapter 28: Poetry as Love and Resistance -- Chapter 29: Introduction -- Chapter 30: Sound in Place: Italian Migrant Street Music in the Nineteenth-Century English Novel -- Chapter 31: Restorying the Greco-Turkish Population Exchange and the Partition of India and Palestine through Graphic Narrative: Hand-drawn Lines, Embroidered Histories, Portable Homelands -- Chapter 32: “Resonance is Contact Ripple”: Media and Contemporary Poems of Mediterranean Migration. Chapter 33: Ways of Seeing: Ethics of Looking in Refugee Films after 2015 -- Chapter 34: Curating Hospitality: Towards a More Sensitive Perception of Vulnerability -- Chapter 35: Introduction -- Chapter 36: Reading the Politics of Exile: Matei Vișniec’s Mr. K Released -- Chapter 37: Hassan Blasim’s God 99: Staying with Fragments, Designing Other Worlds -- Chapter 38: Melancholia of Migration in the Transnational Italian Imaginary -- Chapter 39: “not safe any where anymore”: Biopolitical Poetics and Irish Migration Poetry -- Chapter 40: “a historian of the soft tissue”: An Interview with Bhanu Kapil. .
    Abstract: The Palgrave Handbook of European Migration in Literature and Culture engages with migration to, within, and from Europe, foregrounding migration through the lenses of historical migratory movement and flows associated with colonialism and postcolonialism. With essays on literature, film, drama, graphic novels, and more, the book addresses migration and media, hostile environments, migration and language, migration and literary experiment, migration as palimpsest, and figurations of the migrant. Each section is introduced by one of the handbook’s contributing editors and interviews with writers and film directors are integrated throughout the volume. The essays collected in the volume move beyond the discourse of the “refugee crisis” to trace the historical roots of the current migration situation through colonialism and decolonization. .
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  • 89
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031449628
    Language: English
    Pages: 1 Online-Ressource(XVII, 240 p. 29 illus., 28 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Dance. ; Performing arts. ; Theater. ; Theater ; Actors.
    Abstract: 1.Introduction -- 2 The analysis model -- 3. Case Study 1: Melancholy Spirals in Russell Maliphant’s Afterlight (Part One) (2009): Emergence, Expressiveness, and Emotional Import -- 4. Case Study 2: The poignant tensions of Crystal Pite’s Dark Matters (2009): Embodiment, Enaction and Emotion -- 5. Case Study 3: the despair of Petrichor (2016): Choreographer, analyst, audience, dancer -- 6. Conclusion.
    Abstract: This book offers an approach which unites choreographic and spectatorial perspectives, and argues for dance itself—its materials, its structures—as a medium of emotional communication. Contemporary dance often seems to contend with issues of understanding, regularly being “read” in “languages” which alienate it. Even if emotion seems a significant part of people’s engagement with dance, its workings are often surrounded by an air of mysticism. Engaging with these issues, this study investigates the experience of emotion in Euro-American contemporary dance theatre. It questions its dependence on the artist’s personal emotions, and the assumption that it is mediated by representational meaning. Instead, this book proposes that the emotional import of dance emerges from an interplay between perceptual properties and symbolic elements in an embodied affective cognitive experience. This experience includes the background of the spectator as well as the context of work, choreographer, performer(s) and other creative agents. Lucía Piquero Álvarez is a researcher and choreographer - she has produced and been commissioned to create choreographic work internationally. Lucía completed her PhD at the University of Roehampton, UK, in 2019, and was a lecturer in dance at the University of Malta between 2012–2022 and head of the dance department between 2019–2022. Lucía is currently a lecturer in performance psychology at Trinity Laban, UK, and senior lecturer at Dance City Newcastle, UK.
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  • 90
    ISBN: 9783031139208
    Language: English
    Pages: 1 Online-Ressource(XXVI, 287 p. 29 illus., 24 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Studies in Neuroscience, Consciousness and Spirituality 8
    Parallel Title: Erscheint auch als Consciousness studies in sciences and humanities
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Philosophy of mind. ; Neurosciences. ; Information technology ; Cosmochemistry. ; Conscience ; Philosophie de l'esprit ; Consciousness ; Philosophy of mind
    Abstract: This book presents consciousness models from Eastern and Western perspectives that accommodate current scientific research in the natural sciences and humanities, from neurological experiments through philosophical enquiries to spiritual approaches. It offers up to date research from key disciplines in consciousness studies ranging from neurology, quantum mechanics, algorithmic science, mathematics, and astrophysics to literary studies, philosophy, and (comparative) theology. The volume examines the dichotomy between Western and Eastern perceptions of consciousness – where consciousness is perceived as brain activity by Western scientists, and as a divine presence by various religions, especially in the East. The essays contextualize each other and reciprocally illuminate the potential and limits of the respective approaches. The texts aim at a transdisciplinary and transcultural exchange of ideas in consciousness studies and address a readership from interested lay-readers to experts of the field. The volume is of interest to researchers of consciousness studies. .
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  • 91
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031463457
    Language: English
    Pages: 1 Online-Ressource(XIII, 203 p.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Studies in Life Writing
    Parallel Title: Erscheint auch als
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    Keywords: Literature. ; Prose literature. ; Literature, Modern ; Literature, Modern ; Comparative literature.
    Abstract: 1 Introduction: Mourning as a Resistance Trope: Trauma, History and Memory in Indian Ocean Life Writing - Esther Pujolràs-Noguer & Felicity Hand -- Part I: Mourning Memoirs -- 2 The Ectopic Insider: Exploring the Interstices of Travel Writing, Memory and History in M.G. Vassanji’s And Home Was Kariakoo - Esther Pujolràs-Noguer -- 3 Of Father and Son: The Configuration of the Trauma of Return in Michael Ondaatje’s Running in the Family - Esther Pujolràs-Noguer -- Part II: Female Resilience -- 4 Rhizomatic Perennials: Resilience and Survival in Kenyan Asian Memoirs - Felicity Hand -- 5 ‘Learning to wear a sari is a rite of passage’: Shailja Patel’s Inventory of the Migrant Body in Migritude - Esther Pujolràs-Noguer -- Part III: Indian Ocean Crossing -- 6 Transoceanic Connections, Past and Present. Lindsey Collen’s The Indian Ocean as a Unifying Force: A Memoir - Felicity Hand -- 7 Banyans Behind Bars: Three South African Indian Memoirs - Felicity Hand.
    Abstract: This volume examines a selection of life writing in English by authors from the South West Indian Ocean, namely South Africa, East Africa, Mauritius and Sri Lanka. The two motifs that run through the chapters – mourning and resilience – are theoretical frameworks that have so far not been brought into conversation in this way. The combination of trauma studies and autobiographical analysis sharpens the focus of the discussions on Indian Ocean life writing, privileging an Indian Ocean imaginary that is transnational and cross-oceanic in its orientation and pointing to networks of connections that transcend the nation state, which is often the origin of trauma in the first place. Filling a gap in Indian Ocean studies in its close readings of trauma and resilience, the book also broadens perspectives on postcolonial life writing since little attention has been paid so far to Indian Ocean autobiographical literary products. By the same token, the volume also enriches the field of Indian Ocean literary studies by incorporating life writing as an aesthetic strategy which helps to configure Indian Ocean subjectivities. Esther Pujolràs-Noguer is a Serra-Húnter Fellow in the Department of Foreign Languages and Literatures of the University of Lleida, Spain. She teaches postcolonial literature and culture, gender studies and poetry in English. She is a poet and uses creative writing as a therapeutic tool to help people overcome traumas related to gender violence and forced displacements. She is the co-director with Felicity Hand of the research group Ratnakara, which explores the literatures and cultures of the South West Indian Ocean. Felicity Hand is Honorary Professor in the English Department of the Autonomous University of Barcelona, Spain.
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  • 92
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031128639
    Language: English
    Pages: 1 Online-Ressource(XIII, 192 p.)
    Edition: 1st ed. 2024.
    Series Statement: Literatures of the Americas
    Parallel Title: Erscheint auch als
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    Keywords: America ; Comparative literature. ; Literature ; Feminism and literature. ; Ethnology ; Culture. ; Psychic trauma.
    Abstract: Chapter 1– Introduction: Cicatrix Poetics: Chicana Literary Trauma Studies -- Chapter 2 – La Malogra and Liberating La Mujer Sufrida in Ana Castillo’s So Far from God -- Chapter 3 – La Chingada and “The Silent Lloronas” in Lucha Corpi’s Black Widow’s Wardrobe -- Chapter 4 – Coyolxauhqui and Coming of Age in Sandra Cisneros’s The House on Mango Street -- Chapter 5– Survival Scars and Solidarity in Emma Pérez’s Forgetting the Alamo, Or, Blood Memory -- Chapter 6 – Conclusion: Beyond Survival.
    Abstract: This book explores how Chicana literature often represents gender violence while simultaneously presenting strategies of survival in response. Adrianna M. Santos aims to contribute to a broader conversation concerning the intersections between Chicana literature and decolonial trauma theory, one which questions the colonial matrix of power and the universality of Western knowledge. Santos argues that Chicana survival narratives arise out of colonial wounds and form scars that both mark and protect the violated body. Cicatrix Poetics, Trauma and Healing in the Literary Borderlands proposes a “cicatrix poetics” that makes bold gestures toward healing and narrative/storytelling as survival. The book contends that the cicatrix fashioned through artistic expression is a necessary component for Chicana communities—not just to survive, but to thrive. The books presents several case studies that examine transformative narrativity and by theorizing the texts as survival narratives, social protest works that bring attention to violence and erasure, the chapters explore how literature can be an effective catalyst for both social change and personal transformation, an orientation towards freedom, liberation through love. Adrianna M. Santos is Associate Professor of English at Texas A&M University–San Antonio, USA, and advisor of the Mexican American Student Association. She has published in Aztlán, Chicana/Latina Studies, Shakespeare Bulletin and Latina Critical Feminism and is co-editor of The Bard in the Borderlands, and El Mundo Zurdo 8. .
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  • 93
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031395987
    Language: English
    Pages: 1 Online-Ressource(XXIII, 378 p. 52 illus., 46 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Motion pictures. ; Art ; Art, Modern ; Art
    Abstract: Introduction. Chapter 1. Retrospection and Revision in Modern and Contemporary Art, Literature, and Music -- Part I. Retrospection and Memory. Chapter 2. Stepping in the Same River Twice: Péter Forgács and the Revisiting of The Danube Exodus -- Chapter 3. Uwe Timm and the Ghosts of the Past: a Writer’s Ethical Impact on the Agenda of Collective Memory -- Chapter 4. Australia and Morocco Revisited: The Materialized Travel Memories of Dutch Visual Artist Theo Kuijpers -- Part II. Revision, Politics, and Ideology. Chapter 5. The Fall and Rise of Exile’s Return: Malcolm Cowley and the Cultural Politics of Revision -- Chapter 6. Revision, Change, and the Native American Oral Tradition in Louise Erdrich’s Love Medicine(s) -- Chapter 7. An Old Man Looking from the Window: Camille Pissarro, the Tuileries Garden Paintings and Turning Points in his Career -- Part III. Revisiting and Control: the Artist’s Legacy. Chapter 8. Retrospective Anticipation: Georgia O’Keeffe’s Efforts at Controlling her Legacy -- Chapter 9. Replaying the Past: Belgian Pop Band dEUS’s Return to Early Work -- Chapter 10. Confessin’ the Blues: The Rolling Stones’ Revisit of their Musical Roots -- Chapter 11. Artists’ Haunts: Late Artists Revisiting their Work Beyond their Time -- Part IV.Transformation and Change in Late Work. Chapter 12. Space, Time, and Change in Claude Monet’s Late Paintings -- Chapter 13. Winter is Coming: The Voice of Spring by Lawrence Alma-Tadema (1910).
    Abstract: “What drives creative artists to turn back later in their careers to the subject matter of their earlier years and reimagine it, reclaim it, or rewrite it? This rich and timely collection asks what prompts this “backward look,” resisting standard reductive formations such as ‘late style’ in order to assert the sheer diversity of reasons for artistic return, in the process reaching far beyond the usual suspects in the canon of late-life creativity – and indeed, in one memorable case, beyond the grave.” —Gordon McMullan, Professor of English at King's College London and Director of the London Shakespeare Centre, UK. This interdisciplinary book investigates the various ways in which North American and European modern and contemporary artists, authors, and musicians have returned to earlier works of their own, engaging in inventive revivals and transformations of the past in the present. The book is distinctive in its focus on such revisits, as well as in the diversity of art forms under review: in addition to visual art, the book explores fiction, poetry, literary criticism, film, rock music, and philosophy. This scope, together with the time-span covered in the book, from the 1850s to the twenty-first century, allows for a broad view on retrospection and revision. The case studies presented here offer a multifaceted exploration of the widely different goals to which practitioners of the arts have made retrospection and revision functional against the background of cultural, social, political, and personal forces. Mette Gieskes is Assistant Professor of Modern and Contemporary Art at Radboud University, The Netherlands. Her publications include articles on Philip Guston, Sol LeWitt, Francis Alÿs, Tamara Muller, and Otobong Nkanga. Gieskes is co-editor of Humor in Global Contemporary Art (Bloomsbury 2024, with Gregory Williams). Mathilde Roza is Associate Professor of North American Literature and North American Studies at Radboud University, the Netherlands. She has published on American modernism and the international avant-garde, American Modernist author Robert Myron Coates, The New Yorker magazine, Native North American visual art and literature, indigenous soldiers in WWII, cultural diversity, and cultural diplomacy.
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  • 94
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031492860
    Language: English
    Pages: 1 Online-Ressource(XIII, 123 p. 2 illus., 1 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Palgrave Gothic
    Parallel Title: Erscheint auch als
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    Keywords: Fiction. ; Goth culture (Subculture). ; Audiences. ; Literature, Modern ; Literature, Modern ; America
    Abstract: 1. Introduction: Reading Austen-Vampire Mashups -- 2. To Kiss or Kill? Austen’s Vampire-Slaying Heroines -- 3. Trouble in Paradise: Pride and Prejudice as Vampire Romance -- 4. Eternally Yours: Jane Austen as Vampire -- 5. Conclusion: An Unlikely Confluence.
    Abstract: Jane Austen and Vampires is the first book to investigate the literary convergence of Jane Austen and vampires in Austen fanfic after the success of Stephenie Meyer’s Twilight (2005) and Seth Grahame-Smith’s Pride and Prejudice and Zombies (2009). It asks how the shifting cultural values of Austen and the vampire have aligned, and what their connection might mean for their respective contemporary legacies. It also makes a case for reading “low brow” Austen fanfic attentively, as a way to gain meaningful insight directly from Austen fans into the tensions and anxieties surrounding contemporary notions of love, sex, femininity, and Austen’s modern currency. Offering close readings of Austen’s vampire-slaying heroines, vampiric retellings of Pride and Prejudice, and the transformation of Austen herself into a vampire, this book reveals Austen-vampire mashups as messy, complex entanglements that creatively and self-reflexively interrogate modern fantasies of vampire romance. By its unique intersection of Jane Austen with the vampire, the Gothic, fan culture and popular romance, Jane Austen and Vampires adds a new chapter to the history of Austen’s reception, for fans, students and scholars alike.
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  • 95
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    Cham : Springer International Publishing | Cham : Imprint: Springer
    ISBN: 9783031514104
    Language: English
    Pages: 1 Online-Ressource(XXXIV, 258 p. 298 illus., 251 illus. in color.)
    Edition: 2nd ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Interior architecture. ; Building materials. ; Architecture ; Engineering design.
    Abstract: Chapter 1. Planning Concept -- Chapter 2. Circulation Concept.-Chapter 3. Three-dimensional Concept. Chapter 4.Construction Concept. Chapter 5. Material Concept -- Chapter 6. Colour Concept.-Chapter 7. Lighting Concept -- Conclusion -- Appendix -- Index.
    Abstract: This book introduces interior design as a conceptual way of thinking, which is about ideas and how they are formulated. Now in its second edition, the book is enlarged to include topical subjects such as artificial intelligence, sustainability and climate change. The book prepares designers to focus on each concept independently as much as possible, whilst acknowledging relative connections without unwarranted influences unfairly dictating a conceptual bias, and is about that part of the design process called conceptual analysis. The major themes of this second edition of Interior Design: Conceptual Basis are the seven concepts of planning, circulation, 3D, construction, materials, colour and lighting, which cover the entire spectrum of a designer’s activity. It is assumed that the site, location, building and orientation as well as the client’s brief of activities and needs have been digested and analysed to provide the data upon which the design process can begin. Designed as a highly visual illustrative book, as the interior design medium demands, the hands-on creative process of designing is detailed with original drawn illustrations. Concentrating on the conceptual process of designing interiors, and defining what these concepts are, this book helps the designer to organise his/her process of designing and to sharpen the links between the various skill bases necessary to do the job. This book is stimulating for students and instructors alike and is aimed at any student who maybe majoring in interior design, interior architecture, architecture, design thinking or furniture design. It is also useful reference for students of design management and design leadership. .
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  • 96
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031495403
    Language: English
    Pages: 1 Online-Ressource(XII, 195 p. 1 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Poetry. ; Literature. ; Culture
    Abstract: Chapter 1: ‘While Yet a Boy I Sought for Ghosts’: Contexts -- Chapter 2: ‘Rending the Veil of Mortal Frailty’: Queen Mab (1813) -- Chapter 3: ‘Who Lifteth the Veil of What is to Come?’: Alastor (1816) -- Chapter 4: ‘And is This Death?’: ‘Seeing’ the Unseen, and Visionary Experimentation (1816-20) -- Chapter 5: ‘Where the Eternal Are’: Adonais (1821) -- Chapter 6: Shadows and Dreams: Conclusions.
    Abstract: “Andrew Lacey’s original approach to Shelley’s poetic practice and thought offers a timely reconsideration of the poet’s conceptualisation and treatment of death. This focus on death in Shelley’s artistic vision reveals fresh connections between those familiar and lesser-known poetic works. Lacey’s persuasive readings remain alert throughout to telling philosophical, scientific, textual, and biographical details.” — Professor Mark Sandy, Durham University, UK This book provides the first modern, in-depth analysis of Percy Bysshe Shelley’s engagement with the phenomenon of death. It argues that, for Shelley, this most nebulous of realities represents, first and foremost, possibility: Shelley’s poetic writings on death are both numerous and varied, presenting his reader, with differing degrees of confidence over the course of his brief but brilliant career, with several key visions of what death might be or actually is. Shelley’s Visions of Death stresses the seldom-appreciated fact that death was one of Shelley’s most enduring preoccupations, and also demonstrates the poet’s power to imagine, with startling variety, that which lies beyond the boundaries of experience. Andrew Lacey is a scholar of the literature and culture of the Romantic period. In the last decade, he has worked as Senior Research Associate, on the Davy Notebooks Project and the Davy Letters Project, in the Department of English Literature and Creative Writing at Lancaster University, UK. He assisted in the preparation of The Collected Letters of Sir Humphry Davy (4 volumes, 2020) and Volume Four of The Poems of Shelley in the Longman Annotated English Poets series (2014). He is Co-Editor of Nineteenth-Century Contexts: An Interdisciplinary Journal, and a former winner of the Keats-Shelley Memorial Association Keats-Shelley Prize.
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  • 97
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031472954
    Language: English
    Pages: 1 Online-Ressource(XI, 218 p. 1 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern ; Literature, Modern ; Literature, Modern ; Children's literature. ; Fiction. ; Youth
    Abstract: Chapter 1. Neo-Victorian Young Adult Narratives -- Chapter 2. Re/Articulated Monstrosity: Mary and her Creature -- Chapter 3. Mash(ed) Up: Maidens, Monsters, and Mad Scientists -- Chapter 4. Illustrative Genii: The Brontës’ Genius -- Chapter 5. The Odd(est) Brontë: Portrait(s) of Emily as a Young Author -- Chapter 6. Irregulars: Sherlockian Youth as Outsiders -- Chapter 7. The Mis(s) Education of Young Women -- Chapter 8. Deviant Young Womanhood: Liminal Queerness, Mad Femininity, and Spectral Subjectivity -- Chapter 9. Things Yet Undone: Encountering the Past through the Present.
    Abstract: Neo-Victorian Young Adult Narratives examines the neo-Victorian themes and motifs currently appearing in young adult fiction—specifically addressing the themes of authorship, sexuality, and criminality in the context of the Victorian age in British and American cultures. This book explicates the complicated relationship between the Victorian past and the turn to Victorian modes of thought on literature, history, and morality. Additionally, Sarah E. Maier aims to determine if the appeal of neo-Victorian young adult fiction rests in or resists nostalgia, parody, and revision. Given the overwhelming prevalence of the Victorian in the young adult genres of biofiction, juvenile writings, gothic, sensation, mystery, and crime fiction, there is much to investigate in terms of the friction between the past and the present. Sarah E. Maier is Professor of English & Comparative Literature at the University of New Brunswick. Her recent publications include work on Ann Lister, the Brontës, neo-Victorian vampires, neo-Victorian Alienists, Maleficent, neo-Gothicism, and Queer Mash-ups. Maier has written A Vindication of the Redhead (2021 Palgrave) with Brenda Ayres, and they have co-edited The Palgrave Handbook of Neo-Victorianism (2023 Palgrave), Neo-Victorian Things (2022 Palgrave), Neo-Disneyism (2022 Lang), The Routledge Handbook of Victorian Scandals in Literature and Culture (2022 Routledge), The Theological Dickens (2022 Routledge), Neo-Victorian Madness (2020 Palgrave), Neo-Gothic Narratives: (2020 Anthem), Animals and Their Children in Victorian Culture (2019 Routledge), and Reinventing Marie Corelli (2019 Anthem). .
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  • 98
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031414442
    Language: English
    Pages: 1 Online-Ressource(XXV, 339 p. 61 illus., 45 illus. in color.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
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    Parallel Title: Erscheint auch als
    Keywords: Photography. ; Art, Modern
    Abstract: 1. Introduction - Photography as Collaboration: changing the paradigm on old and new practices in photographic creation and circulation -- Part One. The politics of voice, visibility and identity -- 2. ‘A photography of becoming. Re-imagining the promise of participatory photography through the image of young photographers from refugee and diaspora communities in the UK’ -- 3. ‘” Untitled”: collaborative creation of a photographic record of a psychiatric home’ -- 4. ‘Urban change, politics and photography in post-war Britain’ -- 5. ‘Le ciel par-dessus le toit : Photographing in prison’ -- Part Two. Public display and the distribution of collective projects -- 6. ‘Commercially Unavailable: The Distribution of Participatory Projects’ -- 7. ‘The dominance of single-artist exhibitions in French institutions: is the photographic scene running counter to trend ?’ -- 8. Reflexive Portfolio -- Part Three. Archiving and curating collective practices -- 9. ‘The Jo Spence Memorial Archive’ .-10. “Re-activating the archive: how and for whom?” -- 11. Reflexive Portfolio -- Part Four. Common spaces, collective expressions -- 12. “Mapping local territories through participatory projects .-13. ‘Charged with Collaboration’.-14. Reflexive Portfolio: David Kendall -- Part Five. Towards an ethics of collaboration -- 15. ‘Participatory creation -- 16. ‘Photographic education and the collaboration of resource sharing’ -- 17. Reflexive Portfolio.
    Abstract: This book explores a spectrum of contemporary photographic practices across the fields of image-making, curating, archiving, teaching, community development and activism that have envisioned photography as ontologically and ethically collaborative. By looking specifically into the contexts where collaborative projects are produced and shown, and into the dialogical relation to the people they engage with –in hospitals, in prisons, in working-class neighbourhoods, with indigenous people, refugees, women, persons experiencing homelessness, young people– the contributions from practitioners, scholars, and curators show participatory practices to create the conditions for building new subjectivities, or making visible a multiplicity of identities, thus opening up a new politics of visibility. Therefore, this book specifically addresses the political, counter-cultural dimension of collaborative projects, but also their subversiveness in relation to dominant practices within the field of photography: this includes a reinvention of the position of the photographer –in turns facilitator or project leader– of curating and exhibition models, of archiving methodologies, of photographic education and of market practices. Mathilde Bertrand is Senior Lecturer in the Department of English Studies at Université Bordeaux-Montaigne, France. Her research focuses on the history of independent British photography in the post-war period, particularly on the role of photography collectives, photographic magazines and the community photography movement in fostering a discussion around the politics of representation from the 1970s onwards. She has published in the journals Photography and Culture, LISA e-journal, Revue Française de Civilisation Britannique, and co-edited Ici notre défaite a commencé, on The Miners' Strike, 1984-5 (Syllepses, 2016). Karine Chambefort-Kay is Senior Lecturer in English studies and Visual Culture at Université Paris Est Créteil, France. Her research interests include the cultural, social, and political uses of images in British contemporary society, as well as exhibition and archive policies, and the issues of identity formation, memory and nationalism. She has published on various photographic practices and projects in the UK. She has published in the journals Image and Narrative, InMedia, Revue Française de Civilisation Britannique, and Archivo Papers Journal.
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  • 99
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031420306
    Language: English
    Pages: 1 Online-Ressource(IX, 193 p. 1 illus.)
    Edition: 1st ed. 2024.
    Series Statement: New Interpretations of Beckett in the Twenty-First Century
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Literature, Modern ; Critical theory. ; Literature ; Continental Philosophy.
    Abstract: Chapter 1: “Beckett. On.” David Lloyd (University of California, Riverside) -- Chapter 2: “‘Where you are worth nothing’: Beckett, Geulincx, and an Ethics of the Miracle,” Gabriel Quigley (New York University) -- Chapter 3: “Philosophy in the Flesh: Feeling, Folly, and Animals in Beckett’s Molloy,” William Broadway (University of Wisconsin-Madison) -- Chapter 4: “GGREY! (Beckett/dialectic),” Rebecca Comay (University of Toronto) -- Chapter 5: “Reading Beckett’s Bilingualism with Jean-François Lyotard and Jacques Rancière,” Nadia Louar (University of Wisconsin-Oshkosh) -- Chapter 6: “Rêve de transfert collective: Beckett’s Resurgent Unanimism,” Jean-Michel Rabaté (University of Pennsylvania) -- Chapter 7: “‘The Golden Moment’: Violence, Escape, and Broken Immanence” Michael Krimper (New York University) -- Chapter 8: “Respirer sans cesse: Proust and Beckett’s Intermissions,” Stefanie Heine (University of Toronto) -- Chapter 9: “The Grammar of Absurdity and Affective Crisis: Reading Anna Burns’ Milkman through Beckett’s Philosophic Comedy,” John Waters (New York University).
    Abstract: “You must go on. I can’t go on. I’ll go on.” These are some of the most quoted lines written by Samuel Beckett, which speak to the impulse of persevering in times of crisis and impossibility. Yet few readers of Beckett agree about what this paradoxical formula could mean, let alone what mode of engagement it would seem to indicate, be it committed, autonomous, or something else entirely. This volume of essays explores what that mode of engagement could be, all the while elucidating the ethical and political stakes of the “ongoing” in both Beckett’s life and work. Across multiple disciplines in the humanities, the authors delve into questions of political subjectivity and representation, the ethics of powerlessness and refusal, the aesthetics of syncopation and destitution, multimedia experiments between genre, as well as Beckett’s wider impact on transnational itineraries of modernism and philosophy up to the contemporary. Michael Krimper teaches in the French and English departments at New York University, USA, where he received his PhD in Comparative Literature. His forthcoming book, Out of Work: The Refusal of Literature from Melville to Blanchot, examines the crystallization of an antiwork aesthetics and politics in late modernist writing and theory. He is also the editor of a recent special issue for the Journal of Beckett Studies that published Beckett’s lost translations on the Marquis de Sade. His articles, reviews, and translations have appeared in New Literary History, diacritics, SubStance, parallax, October, the Journal of Italian Philosophy, and the Los Angeles Review of Books, among other venues. Gabriel Quigley is a doctoral candidate in the Department of Comparative Literature at New York University, USA. Combining comparative modernisms, continental philosophy, and postcolonial theory, his work focuses on retrieving concealed paradigms of possibility and freedom. His articles and translations have been published or are forthcoming in Samuel Beckett Today/Aujourd'hui, French Studies Bulletin, Derrida Today, Critical Inquiry, Journal of Modern Literature, and Interventions: International Journal of Postcolonial Studies.
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  • 100
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Springer
    ISBN: 9783031444906
    Language: English
    Pages: 1 Online-Ressource(X, 470 p. 19 illus., 2 illus. in color.)
    Edition: 1st ed. 2024.
    Series Statement: Outstanding Contributions to Logic 27
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Logic. ; Mathematical logic.
    Abstract: Chapter 1. Introduction (Jacek Malinowski and Rafał Palczewski) -- Chapter 2. Biogram (Janusz Czelakowski) -- Chapter 3. Section of logic in Łódź 1982–1992 (Jacek Malinowski) -- Part 1: Surveys -- Chapter 4. Janusz Czelakowski’s research on the theory of matrices and its applications in the seventies and eighties of the 20th century (Josep Maria Font and Ramon Jansana) -- Chapter 5. A gentle introduction to the Leibniz hierarchy (Tommaso Moraschini) -- Chapter 6. Czelakowski’s work on quasivarieties (Miguel Campercholi and Diego Castaño) -- Chapter 7. On J. Czelakowski’s contributions to quantum logic and the foundation of quantum mechanics (Davide Fazio) -- Chapter 8. Actions and deontology: Janusz Czelakowski on actions and their assessment (Fengkui Ju and Piotr Kulicki) -- Part 2: Research -- Chapter 9. Assertional logics and the Frege hierarchy (Hugo Albuquerque and Ramon Jansana) -- Chapter 10. Characterization of strong day implication systems (Sergey Babenyshev) -- Chapter 11. SCI – Sequentcalculi, cut elimination and interpolation property (Andrzej Indrzejczak) -- Chapter 12. Some more theorems on structural entailment relations and non-deterministic semantics (Carlos Caleiro, Sérgio Marcelino, and Umberto Rivieccio) -- Chapter 13. Boolean-like algebras of finite dimension: From Boolean products to semiring products (Antonio Bucciarelli, Antonio Ledda, Francesco Paoli, and Antonino Salibra) -- Chapter 14. Logic of action from the perspective of knowledge representation (Andreas Herzig, Emiliano Lorini, and Elise Perrotin) -- Chapter 15. Implication in sharply paraorthomodular and relatively paraorthomodular posets (Ivan Chajda, Davide Fazio, Helmut Länger, Antonio Ledda, and Jan Paseka) -- Chapter 16. My final comments to the volume (Janusz Czelakowski) -- Chapter 17. List of publications of Janusz Czelakowski.
    Abstract: This book is dedicated to the life and work of logician Janusz Czelakowski on the topic of logical consequence. It consists of three parts – a biography, a survey and research sections. The volume begins with an autobiographic chapter by Janusz Czelakowski followed by a historical chapter written by Jacek Malinowski. The survey section forms the backbone of the volume with each chapter covering one of Janusz Czelakowski’s results. They focus on his results in the area of logical consequence, demonstrate how his results influenced following research, and presents potential future results, problems and applications. This volume is of interest to logicians and mathematicians.
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