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  • 1
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031472954
    Language: English
    Pages: 1 Online-Ressource(XI, 218 p. 1 illus.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Literature, Modern ; Literature, Modern ; Literature, Modern ; Children's literature. ; Fiction. ; Youth
    Abstract: Chapter 1. Neo-Victorian Young Adult Narratives -- Chapter 2. Re/Articulated Monstrosity: Mary and her Creature -- Chapter 3. Mash(ed) Up: Maidens, Monsters, and Mad Scientists -- Chapter 4. Illustrative Genii: The Brontës’ Genius -- Chapter 5. The Odd(est) Brontë: Portrait(s) of Emily as a Young Author -- Chapter 6. Irregulars: Sherlockian Youth as Outsiders -- Chapter 7. The Mis(s) Education of Young Women -- Chapter 8. Deviant Young Womanhood: Liminal Queerness, Mad Femininity, and Spectral Subjectivity -- Chapter 9. Things Yet Undone: Encountering the Past through the Present.
    Abstract: Neo-Victorian Young Adult Narratives examines the neo-Victorian themes and motifs currently appearing in young adult fiction—specifically addressing the themes of authorship, sexuality, and criminality in the context of the Victorian age in British and American cultures. This book explicates the complicated relationship between the Victorian past and the turn to Victorian modes of thought on literature, history, and morality. Additionally, Sarah E. Maier aims to determine if the appeal of neo-Victorian young adult fiction rests in or resists nostalgia, parody, and revision. Given the overwhelming prevalence of the Victorian in the young adult genres of biofiction, juvenile writings, gothic, sensation, mystery, and crime fiction, there is much to investigate in terms of the friction between the past and the present. Sarah E. Maier is Professor of English & Comparative Literature at the University of New Brunswick. Her recent publications include work on Ann Lister, the Brontës, neo-Victorian vampires, neo-Victorian Alienists, Maleficent, neo-Gothicism, and Queer Mash-ups. Maier has written A Vindication of the Redhead (2021 Palgrave) with Brenda Ayres, and they have co-edited The Palgrave Handbook of Neo-Victorianism (2023 Palgrave), Neo-Victorian Things (2022 Palgrave), Neo-Disneyism (2022 Lang), The Routledge Handbook of Victorian Scandals in Literature and Culture (2022 Routledge), The Theological Dickens (2022 Routledge), Neo-Victorian Madness (2020 Palgrave), Neo-Gothic Narratives: (2020 Anthem), Animals and Their Children in Victorian Culture (2019 Routledge), and Reinventing Marie Corelli (2019 Anthem). .
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  • 2
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783031321603
    Language: English
    Pages: 1 Online-Ressource(XIX, 527 Seiten) , Illustrationen
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Literature, Modern ; Literature, Modern ; Literature, Modern ; Adaptation (Literary, artistic, etc.). ; Poetry. ; Drama. ; Motion pictures. ; Television broadcasting.
    Abstract: Introduction: Neo-Victorianism - Sarah E. Maier and Brenda Ayres -- Section 1: Neo-Victorian Genesis -- Chapter 1: Reinventing the Victorians by Jean Rhys and John Fowles - Catherine Layton -- Chapter 2: Tradition and Innovation in A.S. Byatt’s Possession - Pritika Pradhan, Rutgers University -- Chapter 3: Neo-Victorian Poetry - Jo Morton, University of Greenwich -- Section 2: Neo-Victorian Performances -- Chapter 4: Adapting Wilkie Collins Adapting Himself: Revisiting The Moonstone (1868, 1877, 2016) - Robert Laurella, University of Oxford -- Chapter 5: Miss Potter and Victorian Women’s Artistic Aspirations - Maria Juko, University of Hamburg -- Chapter 6: “And thou art like the poisonous tree / That stole my life away”: The Afterlives of Pre-Raphaelite Women in Desperate Romantics - Anne-Marie Beller and Claire O’Callaghan, Loughborough University, UK -- Chapter 7: Interpretations are Illimitable: Adapting George Eliot - Saswati Halder, Jadavpur University -- Chapter 8: Neo-Victorian Musical Theatre - Marija Reiff, American University of Sharjah -- Chapter 9: The Tortured Genius of the Neo-Victorian West End - Louise Creechan, Durham University -- Chapter 10: Music Hall and “The Handprint of History on the Present Moment” - Catherine Quirk, Edge Hill University -- Section 3: Neo-Victorian Crime, Empire, and Postcolonialism -- Chapter 11: The Thug in the Margin and the Murderer in the Centre: Re-reading the Victorian Discourse of Criminology in Tabish Khair’s The Thing About Thugs - Sajalkumar Bhattacharya, Kazi Nazrul University -- Chapter 12: Neo-Victorian Violence - Sophie Franklin, University of Tübingen -- Chapter 13: Rewriting the Convict Life in Australia: A Reading of Peter Carey’s Jack Maggs - Anjan Saikia, Kamargaon College -- Chapter 14: Under Transimperial Eyes: Traversing Anarchy, Crime, and Patriotism in Neo-Japanese- Victorian Anime, Moriarty, the Patriot - Preeshita Biswas, Texas Christian University -- Chapter 15: The Brontë Myth, Biofiction and Neo-Victorian Crime Novels - Barbara Braid, University of Szczecin -- Chapter 16: The Sinister Community of Objects: An Archaeological Reading of The Silent Companions - Arka Chakraborty, Jadavpur University -- Section 4: Neo-Victorian Gothic and Materiality -- Chapter 17: Temporality of the Neo-Victorian: Abjection in Matthew Kneale’s Sweet Thames - Suvendu Ghatak, University of Florida -- Chapter 18: The Hauntology of the Neo-Victorian Ghost Story - Brenda Ayres -- Chapter 19: Crimson Peak: The Ghosting of the Past - Brenda Ayres -- Chapter 20: The Limehouse Golem: Female Agency and Neo-Victorian Slumming - Brooke Cameron, Queen’s University, Ontario -- Chapter 21: Dust and Sewers, Filth and Waste: Disgusting Neo-Victorian Narratives - Eckart Voigts, TU Braunschweig -- Chapter 22: Victorian Ghostwriters, House Whisperers, and the Haunted House in Home Before Dark - Brenda Ayres -- Section 5: Neo-Victorian Other(s). -Chapter 23: “Cult of the Neo-Victorian Child” - Patricia Pulham, University of Surrey -- Chapter 24: Neo-Victorian Bodies of Inquiry: Narratives for Tweens to Teens - Sarah E. Maier -- Chapter 25: Neo-Victorian Queerness: New Directions - Rachel M. Friars, Queen’s University, Ontario -- Chapter 26: On Neo-Victorian Addiction, Alienism, Sex, and Insanity - Sarah E. Maier -- Chapter 27: “Men in Women’s Clothes”: Re-Imagining Stella and Fanny in Neo-Victorian Celebrity Biofiction - Danielle Mariann Dove, University of Surrey and Daný van Dam, Leiden University -- Section 6: Neo-Victorian Religion and Science -- Chapter 28: Dracula Never Dies: Spirituality and Science in the Neo-Victorian Vampire - Carole Senf, Georgia Tech -- Chapter 29: “Neo-Victorian Religion” - Miriam Elizabeth Burstein, SUNY Brockport -- Chapter 29: Exotic Prehistory or Relevant Science: Sukumar Ray’s Posthuman Subversion of Victorian Travel Literature - Sutirtho Roy, University of Calcutta -- Chapter 30: “I’m going to break you and remake you”: Reimagining David Lynch’s The Elephant Man in Museum, Documentary, and Comedy - Helen Davies, University of Wolverhampton and Louise Logan-Smith, Teesside University -- Section 7: Neo-Victorian Outcomes -- Chapter 31: Neo-Victorian Graphic Novel - Catherine Golden, Skidmore College -- Chapter 32: Gaslight: The Play, the Film, the Verb - Benjamin Poore, University of York -- Chapter 33: Is Steampunk Neo-Victorian? - Martin Danahay, Brock University -- Chapter 34: Drag, Dreadfuls, and Draculas: (Neo-)Victorians for TV - Sarah E. Maier .
    Abstract: This handbook offers analysis of diverse genres and media of neo-Victorianism, including film and television adaptations of Victorian texts, authors’ life stories, graphic novels, and contemporary fiction set in the nineteenth century. Contextualized by Sarah E Maier and Brenda Ayres in a comprehensive introduction, the collection describes current trends in neo-Victorian scholarship of novels, film, theatre, crime, empire/postcolonialism, Gothic, materiality, religion and science, amongst others. A variety of scholars from around the world contribute to this volume by applying an assortment of theoretical approaches and interdisciplinary focus in their critique of a wide range of narratives—from early neo-Victorian texts such as A. S. Byatt’s Possession (1963) and Jean Rhys’ Wide Sargasso Sea (1966) to recent steampunk, from musical theatre to slumming, and from The Alienist to queerness—in their investigation of how this fiction reconstructs the past, informed by and reinforming the present. Sarah E. Maier is Professor of English and Comparative Literature at the University of New Brunswick Saint John, Canada. Brenda Ayres teaches online courses for Liberty University and Southern New Hampshire University, USA. Maier and Ayres have coedited several collections of essays. The most recent are Neo-Victorian Things (2022), Neo-Disneyism (2022), The Routledge Handbook of Victorian Scandals in Literature and Culture (2022), The Theological Dickens (2022), A Vindication of the Redhead (2021), Neo-Victorian Madness (2020) Neo-Gothic Narratives: (2020), Animals and Their Children in Victorian Culture (2019), and Reinventing Marie Corelli (2019). .
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  • 3
    ISBN: 9783031321597
    Language: English
    Pages: xix, 527 Seiten , Illustrationen
    DDC: 306.094109034
    RVK:
    Keywords: 1800-1901 ; History ; Great Britain History Victoria, 1837-1901 ; In popular culture ; Great Britain Social life and customs 19th century ; In popular culture ; Great Britain ; Aufsatzsammlung ; Großbritannien ; Kultur ; Geschichte 1837-1901 ; Rezeption
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  • 4
    ISBN: 9783031062018
    Language: English
    Pages: 1 Online-Ressource(XIII, 233 p.)
    Edition: 1st ed. 2022.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Literature, Modern—19th century. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Motion pictures. ; Aufsatzsammlung ; Englisch ; Roman ; Sachkultur ; Geschichte 1837-1901 ; Rezeption ; Fernsehspiel ; Großbritannien ; Neuseeland ; Film ; USA ; Geschichte 1980-2022
    Abstract: 1. Introduction: Stuff and Things: Introducing Neo-Victorian Materialities -- 2. Objects and Memorabilia in Deborah Lutz’s The Brontë Cabinet: Three Lives in Nine Objects -- 3. “Around the Mizzenpole”: Charles Johnson’s Middle Passage and African Americanizing the Neo-Victorian-at-sea -- 4. Touching, Writing, Collecting: Opium Paraphernalia and Neo-Victorian Material Culture -- 5. An Instrumental Thing: Pianos Extending and Becoming Postcolonial Bodies in Jane Campion’s The Piano and Daniel Mason’s The Piano Tuner -- 6. “Wilful Phantoms”: Haunted Dress, Memory, and Agentic Materiality in Colm Tóibín’s The Master -- 7. The Thing About Haunted Houses: In The Turn of the Screw, The Innocents and The Haunting of Hill House -- 8. There’s Something in the Tea: Murder and Materiality in Dark Angel -- 9. Criminal Things: Sherlock Holmes’ Details of Detection and Their Neo-Victorian Revisions -- 10. The Sleight of Hand: Appearance and Disappearance of Things in Neo-Victorian Magic.
    Abstract: Neo-Victorian Things: Re-Imagining Nineteenth-Century Material Cultures in Literature and Film is the first volume to focus solely on the replication, reconstruction, and re-presentation of Victorian things. It investigates the role of materiality in contemporary returns to the past as a means of assessing the function of things in remembering, revisioning, and/or reimagining the nineteenth century. Examining iterations of material culture in literature, film and popular television series, this volume offers a reconsideration of nineteenth-century things and the neo-Victorian cultural forms that they have inspired, animated, and even haunted. By turning to new and relatively underexplored strands of neo-Victorian materiality—including opium paraphernalia, slave ships, clothing, and biographical objects—and interrogating the critical role such objects play in reconstructing the past, this volume offers ways of thinking about how mis/apprehensions of material culture in the nineteenth century continue to shape our present understanding of things.
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