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  • 1
    ISBN: 9781032004662 , 9781032004549
    Language: English
    Pages: x, 343 Seiten , Illustrationen
    DDC: 302.2
    Keywords: Intermediality ; Mass media and literature ; Mass media and the arts ; Intertextuality
    Abstract: "Intermedial Studies provides a concise, hands-on introduction to the analysis of a broad array of texts from a variety of media - including literature, film, music, performance, news, and videogames, addressing fiction and non-fiction, mass media and social media. The detailed introduction offers a short history of the field and outlines the main theoretical approaches to the field. Part one explains the approach, examining and exemplifying the dimensions that construct every media product. The following sections offer practical examples and case studies using many examples, which will be familiar to students, from Sherlock Holmes and football, to news, vlogs and videogames. This book is the only textbook taking both a theoretical and practical approach to Intermedial Studies. The book will be of use to students from a variety of disciplines looking at any form of adaptation, from comparative literature to film adaptations, fan fictions, and spoken performances. The book equips students with the language and understanding to confidently and competently apply their own intermedial analysis to any text"--
    Note: Literaturangaben
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  • 2
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031283222
    Language: English
    Pages: 1 Online-Ressource(92 illus., 64 illus. in color. eReference.)
    Edition: 1st ed. 2024.
    Parallel Title: Erscheint auch als
    Keywords: Intermediality. ; Digital media. ; Motion pictures. ; Television broadcasting. ; Mass media and history.
    Abstract: Introduction to The Palgrave Handbook of Intermediality -- Intermediality: Introducing terminology and approaches in the field -- An Updated Survey of Early Interart and Intermediality Roots: Claus Clüver -- Ekphrasis – Intermedial and Anglophone Perspectives -- Intermediality and Medium Specificity -- Intermedialities, Societies, and Power Histories -- Montreal School of Intermediality: Beyond Media Studies -- Case Studies as a Heuristic of Intermediality -- Linnaeus University Center for Intermedial and Multimodal Studies and the legacy of Lars Elleström -- Intermediality in Brazil: a diachronic survey -- An Overview of Intermedial Studies in China -- Intermediality, Semiotics and Media theory -- Intermediality and/in Translation -- Visual Citation in Intermedial Relations -- Reformulating the Theory of Literary Intermediality: A Genealogy from Ut pictura poesis to Poststructuralist In-betweenness -- Transmedial Narratology and Transmedia Storytelling -- The Narrator: A Transmedial Device -- Intermediality, Teaching and Literacy -- Intermedia, Multimedia and Media -- Citational Aesthetics: for Intermediality as Interrelation -- Traditional Chinese Painting: An Intermedial Play of Sister Arts Since the Eleventh Century -- The Anchor and the Dolphin: A History of Emblems -- The Age of Wonder and Entertainment: An Introduction to Intermedial Networks in Baroque Culture -- Intermediality in Seventeenth-Century Baroque Celebrations in Hispanic America: Commissions, Poetry, and Ephemeral Architecture -- Cabinets of Curiosities as a Transhistorical and Intermedial Phenomenon -- Crossing Media Borders: From Intermedial Shakespeares to Shakespearean Intermediality -- Metareference in the Nineteenth-Century Pictorial Press and Beyond -- Picturing Music in the 19th Century -- Prototype models of intermedial praxis (Wagner, Kandinsky, Brecht) and their resonances in contemporary performance -- Intermediality and Liveness at the Turn of the Twentieth Century -- The Sonification of Modernist Fiction: A Critical Review -- Adaptation and Sound -- Music Transformation in Literature -- Collage as a Creative Act: Emergence, Displacement and Re-signification -- Anthropophagic Appropriation and Intermediality -- Late Twentieth-Century Intermedia Poetry in the Americas -- Photo-Journalism and Beyond -- Media borders in a post-media age: the historical and conceptual co-evolution of cinema, television, video and computer screens -- The Qualified Medium of Computer Games: Form and Matter, Technology, and Use -- The Ecological Crisis and Intermedial Studies -- Simulated Climate in Ecological Games: Mediating Climate Change to Endow Players with Transformative Agency -- Intermediality in Theme Parks -- Interactive and Participatory Sound -- Intermediality and Computer Simulation -- Intermediality and Digital Fiction -- Intermediality and Metamediality: From Analog Representations to Digital Resources -- The Recommended Experience: Engaging Networked Media Platforms with Intermediality -- Posthuman Intermedial Semiotics and Distributed Agency for Sustainable Development.
    Abstract: This handbook provides an extensive overview of traditional and emerging research areas within the field of intermediality studies, understood broadly as the study of interrelations among all forms of communicative media types, including transmedial phenomena. Section I offers accounts of the development of the field of intermediality - its histories, theories and methods. Section II, III and IV then explore intermedial facets of communication from ancient times until the 21st century, with discussion on a wide range of cultural and geographical settings, media types, and topics, by contributors from a diverse set of disciplines. It concludes with an emphasis on urgent societal issues that an intermedial perspective might help understand.
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  • 3
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    ISBN: 9781003174288 , 9781000513967 , 9781032004549 , 9781032004662
    Language: English
    Pages: 1 Online-Ressource (354 p.)
    DDC: 302.23
    Keywords: Literature: history & criticism
    Abstract: Intermedial Studies provides a concise, hands-on introduction to the analysis of a broad array of texts from a variety of media – including literature, film, music, performance, news and videogames, addressing fiction and non-fiction, mass media and social media. The detailed introduction offers a short history of the field and outlines the main theoretical approaches to the field. Part I explains the approach, examining and exemplifying the dimensions that construct every media product. The following sections offer practical examples and case studies using many examples, which will be familiar to students, from Sherlock Holmes and football, to news, vlogs and videogames. This book is the only textbook taking both a theoretical and practical approach to intermedial studies. The book will be of use to students from a variety of disciplines looking at any form of adaptation, from comparative literature to film adaptations, fan fictions and spoken performances. The book equips students with the language and understanding to confidently and competently apply their own intermedial analysis to any text
    Note: English
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  • 4
    Online Resource
    Online Resource
    Marburg : Philipps-Universität Marburg | London : Routledge
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  • 5
    ISBN: 9781685710231 , 1685710239
    Language: English
    Pages: 1 Online-Ressource (317 pages) , illustrations
    Parallel Title: Erscheint auch als Multispecies storytelling in intermedial practices
    Keywords: Human ecology ; Human beings Animal nature ; Philosophy ; Écologie humaine ; Homme - Animalité - Philosophie ; human ecology ; Human ecology ; ART / Mixed Media
    Note: Includes bibliographical references
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  • 6
    Online Resource
    Online Resource
    Brooklyn, NY : punctum books
    ISBN: 9781685710224
    Language: English
    Pages: 1 Online-Ressource (324 p.)
    Keywords: Performance art ; Electronic, holographic & video art ; Animals & nature in art (still life, landscapes & seascapes, etc) ; Ecological science, the Biosphere ; Animal ecology
    Abstract: Multispecies Storytelling in Intermedial Practices is a speculative endeavor asking how we may represent, relay, and read worlds differently by seeing other species as protagonists in their own rights. What other stories are to be invented and told from within those many-tongued chatters of multispecies collectives? Could such stories teach us how to become human otherwise? Often, the human is defined as the sole creature who holds language, and consequently is capable of articulating, representing, and reflecting upon the world. And yet, the world is made and remade by ongoing and many-tongued conversations between various organisms reverberating with sound, movement, gestures, hormones, and electrical signals. Everywhere, life is making itself known, heard, and understood in a wide variety of media and modalities. Some of these registers are available to our human senses, while some are not. Facing a not-so-distant future catastrophe, which in many ways and for many of us is already here, it is becoming painstakingly clear that our imaginaries are in dire need of corrections and replacements. How do we cultivate and share other kinds of stories and visions of the world that may hold promises of modest, yet radical hope? If we keep reproducing the same kind of languages, the same kinds of scientific gatekeeping, the same kinds of stories about “our” place in nature, we remain numb in the face of collapse. Multispecies Storytelling in Intermedial Practices offers steps toward a (self)critical multispecies philosophy which interrogates and qualifies the broad and seemingly neutral concept of humanity utilized in and around conversations grounded within Western science and academia. Artists, activists, writers, and scientists give a myriad of different interpretations of how to tell our worlds using different media – and possibly gives hints as to how to change it, too
    Note: English
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  • 7
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    ISBN: 9781003174288 , 9781000513967 , 9781032004549 , 9781003174288 , 9781032004662
    Language: English
    Pages: 1 Online-Ressource (343 p.)
    Keywords: Literature: history & criticism
    Abstract: Intermedial Studies provides a concise, hands-on introduction to the analysis of a broad array of texts from a variety of media – including literature, film, music, performance, news and videogames, addressing fiction and non-fiction, mass media and social media. The detailed introduction offers a short history of the field and outlines the main theoretical approaches to the field. Part I explains the approach, examining and exemplifying the dimensions that construct every media product. The following sections offer practical examples and case studies using many examples, which will be familiar to students, from Sherlock Holmes and football, to news, vlogs and videogames. This book is the only textbook taking both a theoretical and practical approach to intermedial studies. The book will be of use to students from a variety of disciplines looking at any form of adaptation, from comparative literature to film adaptations, fan fictions and spoken performances. The book equips students with the language and understanding to confidently and competently apply their own intermedial analysis to any text
    Note: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    Online Resource
    Online Resource
    London : Palgrave Macmillan
    ISBN: 9781137578419
    Language: English
    Pages: Online-Ressource (VII, 134 p, online resource)
    Series Statement: SpringerLink
    Series Statement: Bücher
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als Bruhn, Jørgen, 1968 - The intermediality of narrative literature
    Parallel Title: Printed edition
    RVK:
    RVK:
    RVK:
    Keywords: Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; America Literatures ; Literature—Philosophy. ; USA ; Kurzgeschichte ; Roman ; Erzähltheorie ; Intermedialität
    Abstract: This book argues that narrative literature very often, if not always, include significant amounts of what appears to be extra-literary material - in form and in content - and that we too often ignore this dimension of literature. It offers an up to date overview and discussion of intermedial theory, and it facilitates a much-needed dialogue between the burgeoning field of intermedial studies on the one side and the already well-developed methods of literary analysis on the other. The book aims at working these two fields together into a productive working method. It makes evident, in a methodologically succinct way, the necessity of approaching literature with an intermedial terminology by way of a relatively simple but never the less productive three-step analytic method. In four in-depth case studies of Anglophone texts ranging from Nabokov, Chandler and Tobias Wolff to Jennifer Egan, it demonstrates that medialities matter
    Abstract: Acknowledgments -- 1. Introduction -- 2. What is Mediality, and (How) does it Matter? Theoretical Terms and Methodology -- 3. Speak, Memory? Vladimir Nabokov, “Spring in Fialta” -- 4. “This beats tapes, doesn’t it?” - Women, cathedrals, and other medialities in Raymond Carver’s “Cathedral” -- 5. “Great script, eh?” - Medialities, metafiction and non-meaning in Tobias Wolff’s “Bullet in the brain” -- 6. Between punk and PowerPoint: Authenticity versus medialities in Jennifer Egan’s A visit from the goon squad -- 7. Afterthoughts -- Bibliography -- Index.-
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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