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  • Frobenius-Institut  (22,254)
  • IWF  (605)
  • 1975-1979  (12,595)
  • 1965-1969  (8,200)
  • 1945-1949  (2,066)
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Year
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Keywords
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    From isolation towards integration : the Surinam Maroons and their colonial rulers : official documents relating to the Djukas (1845-1863) (2015)
    Leiden : Brill
    Details
    ISBN: 978-90-04-28711-2
    Language: English
    Pages: 1 Online-Ressource (xi, 111 Seiten) , Karten
    Series Statement: Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde 80
    Uniform Title: Van isolatie naar integratie
    Keywords: Indonesien Maroon ; Surinam ; Integration ; Beziehungen Indigenes Volk-Regierung ; Kolonialgeschichte ; Kulturanthropologie ; Anthropologie, soziale
    Description / Table of Contents: Preface -- I. Introduction - II. The office of postholder among the Djukas (1845-1863) - III. The postholders' actlvities -- IV. Migratory movements of the Djukas -- Concluding remarks - Notes -- List of literature referred to -- Documents
    Note: "originally published under the titel Van isolatie naar integratie in this same sieres in 1963 [...] For the resultant English version the Dutch text has moreover been supplemented and revised." (Preface)
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    Frobenius-Institut
  • 2
    Online Resource
    Online Resource
    Government in Wanggulam (2015)
    Leiden : Brill
    Details
    ISBN: 978-90-04-28687-0
    Language: English
    Pages: 1 Online-Ressource ([xi], 216 Seiten) , Illustrationen, Karten
    Series Statement: Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde 57
    Keywords: Papua-Neuguinea Dani ; Ethnologie ; Anthropologie, politische
    Note: "based on an thesis presented for the degree of Doctor of Philosophy in the Australian National University" (Preface) , Thesis, Australian National University, [1965]
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    Frobenius-Institut
  • 3
    Online Resource
    Online Resource
    The _Flamingo Bay dialect of the Asmat language (2014)
    London : Brill
    Details
    ISBN: 978-90-04-28674-0
    Language: English
    Pages: 1 Online-Ressource (383 Seiten) , Illustrationen, Karten
    Series Statement: Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde 46
    Keywords: Neuguinea Asmat ; Sprachwissenschaft
    Description / Table of Contents: Acknowledgements -- PART I: Introduction -- PART II: Phonology -- I. The phonological system -- II. Special phonological phenomena -- III. The accent-- IV. The distribution of phonemes in the word -- V. Word-variants -- PART III: Word-classes -- 1. Introduction -- II. The verb -- III. Substantives -- IV. Proper names -- V. The Asmat language adjectives -- VI. Deictic words -- VII. Interjections -- VIII. Negations and postpositions -- PART IV: Texts -- PART V: Word list - Maps -- Sketches -- Diagram
    Note: Proefschrift, Leiden
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    Frobenius-Institut
  • 4
    Online Resource
    Online Resource
    Loetoeng Kasaroeng : een mythologisch verhaal uit West-Java : bijdrage tot de Soendasche taal- en letterkunde (2014)
    Leiden : Brill
    Details
    ISBN: 978-90-04-28629-0
    Language: Dutch
    Pages: 1 Online-Ressource (VIII, 394 Seiten)
    Series Statement: Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde deel 8
    Keywords: Indonesien Sundaer ; Poesie ; Mythos und Legende ; Sprache, austronesische
    Note: Text in Sundanesisch in lateinischer Schrift mit Übersetzung ins Niederländische , proefschrift, Doctor in de letteren en wijsbegeerte aan de Rijkuniversiteit te Leiden, [1949]
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    Frobenius-Institut
  • 5
    Online Resource
    Online Resource
    Property in social continuity (2012)
    The Hague : Martinus Nijhoff
    Details
    ISBN: 90-04-28717-5 , 978-90-04-28717-4
    Language: English
    Pages: 1 Online-Ressource (473 Seiten) , Karten
    Series Statement: Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde 86
    Keywords: Indonesien Sumatra ; Minangkabau ; Erbrecht ; Eigentum ; Recht, islamisches ; Adat
    Abstract: This book deals with the property and inheritance system of the matrilineal Minangkabau of West Sumatra in the context of legal pluralism. The author proposes a new anthropological approach to law, property and inheritance. After the description of the Minangkabau socio-political organization and the development of legal and administrative pluralism, three chapters are devoted to property and inheritance proper. First the ideal legal systems are described. Then he illustrates how the Minangkabau actually handle their property and inheritance affairs, and how the various regulating mechanisms have changed through history. Finally the different agents creating and changing legal conceptions are treated in historical perspective. In his conclusions the author shows how the traditional system of common holding and distributing of property by matrilineal descent groups is slowly being undermined through an increasing monetarization and consequent individualization of property relationships which finds its expression in the form of new legislation. This development is reflected in the conceptual system where the formerly predominant diachronic dimension of property relationships is slowly abolished and where property rights are increasingly reified. (Verlagsangaben)
    Description / Table of Contents: Acknowledgements -- A note on orthography -- Abbreviations -- Introduction -- One: Basic Assumptions and Hypotheses -- Two: Socio-Political Organization in Minangkabau -- Three: The Pluralistic Situation -- Four: The Level of Meaning: Systems of Property Relationships in Minangkabau -- Five: The Level of Performance I: The Fulfilment of the Function -- Six: The Level of Performance II: The Production of Legal Conceptions in Historical Perspective -- Seven: Conclusions -- Notes -- Glossary -- Bibliography
    Note: Literaturverzeichnis: Seite [437]-455 , Habil.-Schrift; Universität Zürich, 1979
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    Frobenius-Institut
  • 6
    Online Resource
    Online Resource
    Overleveringen en zangen der Zuid-Toradja's (2012)
    The Hague : Brill
    Details
    ISBN: 978-90-04-28716-7
    Language: Dutch
    Pages: 1 Online-Ressource (VIII, 301 Seiten)
    Series Statement: Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde 85
    Keywords: Indonesien Toraja ; Volksdichtung ; Kulturanthropologie ; Anthropologie, soziale
    Description / Table of Contents: Voorwoord / J. L. Swellengrebel -- Overleveringen en zangen - B. Landopundun na Mendurana, Landorundun en Mendurana. Redactionele noot. Tekst met vertaling en aantekeningen -- C. Tangdona sulle gajangna Bullu Matua, De eedzwering van de majestueuze opvolger van Bullu Matua. Inleiding. Tekst met vertaling en aantekeningen - E. Over de twee redacties van E I -- I a. Gelong Maro Ne' Nora', De Maro-zang van Ne' Nora'. I b. Gelong Maro Sangaj u " De Maro-zang van Sanga ju'. II. GeZlong Massinggi', Lofzang. III. Singgi' Gelong Tallang, De lofprijzing de bamboe bezingende. IV. Gelong bate, De bate-zang -- F. Ossoran bugi', Overlevering van de zang ter gele genheid van het bugi'-feest -- G. Singgi' Bua' Padang, Lofprijzing ter gelegenheid van het Bua' Padang-feest -- H. Algemene inleiding. Het bua' kasalle'-feest. I. Singgi' tondok, Lofzang op de gemeenschap der dorpen. II. Urrodo bangkula' to, kakua, Men schudt de bel en zegt. III. Singgi' to barani, Lofprijzing op de held. IV. Singgi' kaunan sola pia, Lofprijzing op de slaven en de kinderen -- Lijst van Zuid-Toradjase namen, woorden en uitdrukkingen die meer dan eenmaal in de teksten voorkomen -- Afkortingen en aangehaalde geschriften -- Errata
    Note: Texte in Toraja Sa'dan, mit Übersetzung ins Niederländische
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  • 7
    Online Resource
    Online Resource
    Islamic states in Java 1500-1700 : eight Dutch books and articles (2012)
    Leiden : Brill
    Details
    ISBN: 978-90-04-28700-6
    Language: English
    Pages: 1 Online-Ressource (V, 213 Seiten) , Karten
    Series Statement: Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde 70
    Keywords: Java Indonesien ; Geschichte ; Islam
    Abstract: The growing interest in the history of Indonesia has made it desirable to have an English summary of the principal works of the Dutch historian Dr H.J. de Graaf, who in several books and articles published between 1935 and 1973 has given a description of the development of the Javanese kingdom of Mataram, based both on European and in digenous material. His works form a substantial contribution to the study of the national history of Indonesia. The Summary contains references to the paragraphs of the Dutch books and articles. This makes it easy for those readers who have a know ledge of Dutch to consult the original texts. The List of Sources for the study of Javanese history from 1500 to 1700 is composed of the lists in the summarized books and articles, and the Index of Names refers not only to the present Summary but also to the eight original texts. Many names of persons and localities in the Index have been provided with short explanatory notes and references to other lemmata as a quick way to give some provisional information on Javanese history. (Verlagsangaben)
    Description / Table of Contents: Preface -- Summary -- I. The First Islamic States of Java, 15th and 16th centuries -- II. The Reign of Sénapati Ingalaga of Mataram, 1575-1601 -- III. The Reign of Sultan Agung of Mataram, 1613-1645, and his predecessor Panembahan Séda-ing-Krapyak, 1601-1613 -- IVa. The Reign of Sunan Mangku Rat I, Séda-ing-Tegal Wangi, King of Mataram, 1646-1677. Part I: The Disintegration of the Realm -- IVb. The Reign of Sunan Mangku Rat I, Séda-ing-Tegal Wangi, King of Mataram, 1646-1677. Part II: Insurrection and Downfall -- V. The Expedition of Admiral Anthonio Hurdt to the inner parts of Java, September-December 1678 -- VI. Capture and Death of Radèn Truna Jaya, December 1679-January 1680 -- VII. The Kajoran Question, 1680-1681 -- VIII. The Murder of Captain François Tack, February 1686 -- Key to the Roman serial numbers used in the Comprehensive List of Sources and the Index of Names to indicate Dr. De Graaf's eight books and articles and the Summary -- Bibliography, Comprehensive List of Sources for the Study of Javanese History from 1500 to 1700 -- General Index of names, with explanatory notes
    Note: Literaturverzeichnis: Seite 107-123
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  • 8
    Online Resource
    Online Resource
    Nuaulu settlement and ecology : an approach to the environmental relations of an eastern Indonesian community (2012)
    The Hague : Brill
    Details
    ISBN: 978-90-04-28714-3
    Language: English
    Pages: 1 Online-Ressource (265 Seiten) , Karten
    Series Statement: Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde 83
    Keywords: Indonesien Ceram ; Nuaulu ; Soziales Leben ; Wissen, lokales ; Humanökologie ; Beziehungen Mensch-Umwelt ; Soziale Organisation ; Ethnosoziologie ; Ethnologie ; Anthropologie, soziale
    Abstract: This book is about the pattern of settlement and ecology of the Nuaulu, a group of sedentary swidden cultivators and hunters of southcentral Seram (Eastern Indonesia). It has three inter-related aims: to describe and account for nuaulu settlement; to outline and exemplify a suitable method of assessing the fine inter-action of cultural and ecological variables in small scale communities; and to explore the usefulness of a generative form of analysis in this respect. The fieldwork among the Nuaulu was undertaken between December 1969 and May 1971, and again for three months in 1973. After some basic introductory information, the analysis proceeds by first examining the residential component of the settlement patterns in terms of the processes which determine its location, form and composition. Next, the role of non-domesticated resources in local ecology and the processes of settlement generation in the domesticated component of the Nuaulu environment is investigated. In the final section the general theoretical and methodological issues raised in the introduction are examined in the light of the preceeding analysis. (Verlagsangaben)
    Description / Table of Contents: Preface -- List of tables, figures, maps -- Chapter I. Ecology, generative analysis and settlement patterns -- Chapter II. Nuaulu ethnography and envrionment -- Chapter III. The location and structure of Nuaulu villages -- Chapter IV. Non-domesticated resources and the ecology of settlement -- Chapter V. Sources and social oorganization of cultivated land -- Chapter VI. Site selection and garden preparation -- Chapter VII. Garden development and ecological succession -- Chapter VIII. Analyzing settlement: the wider relevance of the Nuaulu case -- Appendices: A. Local climatic data and Nuaulu ecology -- B. Local minerals and soils -- C. A note on data collection relating to land holdings -- D. Measurement of consumption and energy expenditure -- Orthography and glossary -- List of works cited -- Notes -- Index
    Note: "This book orginated as a thesis submitted for the degree of Doctor of Philosophy in the University of London" (Preface)Literaturverzeichnis: Seite 234-242 , Ph.D. thesis, University of London, 1973
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  • 9
    Book
    Book
    How to do things with words : [the William James lectures delivered at Harvard University in 1955] (2009)
    Cambridge, Massachusetts : Harvard University Press
    Details
    ISBN: 0-674-41152-8 , 978-0-674-41152-4
    Language: English
    Pages: VIII, 168 Seiten
    Edition: second edition
    Keywords: Sprachtheorie Sprache ; Philosophie ; Sprachwissenschaft
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  • 10
    Book
    Book
    Our sister Killjoy : or Reflections from a black-eyed squint (2000)
    London : Longman
    Details
    ISBN: 0-582-30845-3 , 978-0-582-30845-9
    Language: English
    Pages: 134 Seiten
    Edition: First published by 1977, first published as Longman African Writers 1994, fourth impression 2000
    Series Statement: Longman African writers
    Keywords: Literatur, afrikanische Roman ; Ghana ; Frau ; Beziehungen Afrika-Europa ; Beziehungen Mann-Frau
    Abstract: Out of Africa with her degree and her all-seeing eyes comes Sissie. She comes to Europe, to a land of towering mountains and low grey skies and tries to make sense of it all. What is she doing here? Why aren't the natives friendly? And what will she do when she goes back home?Ghanaian wirter Ama Ata Aidoo's brilliantly conceived prose poem is by turn bitter and gentle, and is a highly personal exploration of the conflicts between Africa and Europe, betwen men and women and between a complacent acceptance of the stattus quo and a passionate desire to reform a rotten world. Of her own writing, Ama Ata Aidoo says, "I write about people, about what strikes me and interest me. It seems the most natural thing in the world for women to write with women as central characters; making women the centre of my universe was spontaneous." (Umschlagtext)
    Description / Table of Contents: Into a bad dream -- The plums -- From our Sister Killjoy -- A love letter
    Note: "Collection of short stories" (Schmutztitel)
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  • 11
    Article
    Article
    The _scope of anthropology (1983)
    In:  Structural anthropology. Volume 2 Chicago, Ill.: [1983] [@1976], Seite 3-32
    Details
    Language: English
    Titel der Quelle: Structural anthropology. Volume 2
    Angaben zur Quelle: Chicago, Ill.: [1983] [@1976], Seite 3-32
    Note: Erschien ursprünglich unter dem Titel "Leçon inaugurale faite le mardi 5 janvier 1960". in: 'Leçon inaugurale' - Collège de France, ISSN 0294-0310 ; 31 (1960)
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    Frobenius-Institut
  • 12
    Article
    Article
    Relations of symmetry between rituals and myths of neighboring peoples (1983)
    In:  Structural anthropology. Volume 2 Chicago, Ill.: [1983] [@1976], Seite 238-255
    Details
    Language: English
    Titel der Quelle: Structural anthropology. Volume 2
    Angaben zur Quelle: Chicago, Ill.: [1983] [@1976], Seite 238-255
    Note: Erschien ursprünglich unter dem Titel "Rapports de symétrie entre rites et mythes de peuples voisins" in: 'The translation of culture: essays to E. E. Evans-Pritchard,' ed. T. O. Beidelman, London : Tavistock Publications, 1971, Seite 161-178
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  • 13
    Article
    Article
    The _story of Asdiwal (1983)
    In:  Structural anthropology. Volume 2 Chicago, Ill.: [1983] [@1976], Seite 146-197
    Details
    Language: English
    Titel der Quelle: Structural anthropology. Volume 2
    Angaben zur Quelle: Chicago, Ill.: [1983] [@1976], Seite 146-197
    Note: Erschien ursprünglich unter dem Titel "La geste d'Asdiwal" in : 'Annuaire 1958-1959,' Paris : École pratique des hautes études, 1958, Seite 3-43
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    Frobenius-Institut
  • 14
    Article
    Article
    The _sex of the sun and moon (1983)
    In:  Structural anthropology. Volume 2 Chicago, Ill.: [1983] [@1976], Seite 211-221
    Details
    Language: English
    Titel der Quelle: Structural anthropology. Volume 2
    Angaben zur Quelle: Chicago, Ill.: [1983] [@1976], Seite 211-221
    Note: Erschien ursprünglich unter dem Titel "Le sexe des astres" in: 'To honor Roman Jakobson: essays on the occasion of his seventieth birthday,' The Hague : Mouton, 1967, vol. 2, Seite 1163-1170
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  • 15
    Article
    Article
    The _meaning and use of the notion of model (1983)
    In:  Structural anthropology. Volume 2 Chicago, Ill.: [1983] [@1976], Seite 71-81
    Details
    Language: English
    Titel der Quelle: Structural anthropology. Volume 2
    Angaben zur Quelle: Chicago, Ill.: [1983] [@1976], Seite 71-81
    Note: Erschien ursprünglich unter dem Titel "On manipulated sociological models" in 'Bijdragen tot de Taal-, Land- en Volkenkunde,' vol. 116, no. 1 (1960), Seite 17-44
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    Frobenius-Institut
  • 16
    Article
    Article
    Scientific criteria in the social and human disciplines (1983)
    In:  Structural anthropology. Volume 2 Chicago, Ill.: [1983] [@1976], Seite 288-311
    Details
    Language: English
    Titel der Quelle: Structural anthropology. Volume 2
    Angaben zur Quelle: Chicago, Ill.: [1983] [@1976], Seite 288-311
    Note: Erschien ursprünglich in: 'International Social Science Journal,' vol. 16, no. 4 (1964), Seite 579-597
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    Frobenius-Institut
  • 17
    Article
    Article
    How myths die (1983)
    In:  Structural anthropology. Volume 2 Chicago, Ill.: [1983] [@1976], Seite 256-268
    Details
    Language: English
    Titel der Quelle: Structural anthropology. Volume 2
    Angaben zur Quelle: Chicago, Ill.: [1983] [@1976], Seite 256-268
    Note: Erschien ursprünglich unter dem Titel "Comment meurent les mythes" in: 'Science et conscience de la société: mélanges en l'honneur de Raymond Aron,' Paris : Calmann-Lévy, 1971, vol. 1., Seite 131-143
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    Frobenius-Institut
  • 18
    Article
    Article
    Cultural discontinuity and economic and social development (1983)
    In:  Structural anthropology. Volume 2 Chicago, Ill.: [1983] [@1976], Seite 312-322
    Details
    Language: English
    Titel der Quelle: Structural anthropology. Volume 2
    Angaben zur Quelle: Chicago, Ill.: [1983] [@1976], Seite 312-322
    Note: Erschien ursprünglich in: 'Information sur les sciences sociales,' vol. 2, no. 2 (June 1963), Seite 7-15
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    Frobenius-Institut
  • 19
    Article
    Article
    Reflections on the atom of kinship (1983)
    In:  Structural anthropology. Volume 2 Chicago, Ill.: [1983] [@1976], Seite 82-112
    Details
    Language: English
    Titel der Quelle: Structural anthropology. Volume 2
    Angaben zur Quelle: Chicago, Ill.: [1983] [@1976], Seite 82-112
    Note: Erschien ursprünglich unter dem Titel "Réflexions sur l'atome de parenté" in: L'Homme, vol. 13, no. 3 (1973), Seite 5-30
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    Frobenius-Institut
  • 20
    Article
    Article
    Mushrooms in culture : apropos of a book by R. G. Wasson (1983)
    In:  Structural anthropology. Volume 2 Chicago, Ill.: [1983] [@1976], Seite 222-237
    Details
    Language: English
    Titel der Quelle: Structural anthropology. Volume 2
    Angaben zur Quelle: Chicago, Ill.: [1983] [@1976], Seite 222-237
    Keywords: Wasson, Robert Gordon [Leben und Werk]
    Note: Erschien ursprünglich unter dem Titel "Les champignons dans la culture; à propos d'un livre de M. R.-G. Wasson" in: L'Homme, 10, no. 1 (1970), Seite 5-16
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  • 21
    Article
    Article
    The _work of the Bureau of American Ethnology and its lessons (1983)
    In:  Structural anthropology. Volume 2 Chicago, Ill.: [1983] [@1976], Seite 49-59
    Details
    Language: English
    Titel der Quelle: Structural anthropology. Volume 2
    Angaben zur Quelle: Chicago, Ill.: [1983] [@1976], Seite 49-59
    Note: Erschien ursprünglich in: 'Knowledge among men,' edited and with introduction by Paul H. Oehser, New York : Simon, Schuster, 1966
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  • 22
    Article
    Article
    Jean-Jacques Rousseau, founder of the sciences of man (1983)
    In:  Structural anthropology. Volume 2 Chicago, Ill.: [1983] [@1976], Seite 33-43
    Details
    Language: English
    Titel der Quelle: Structural anthropology. Volume 2
    Angaben zur Quelle: Chicago, Ill.: [1983] [@1976], Seite 33-43
    Note: Erschien ursprünglich unter dem Titel "Jean-Jacques Rousseau, fondateur des sciences d'homme", in: 'Jean-Jacques Rousseau' : quatre aspects de l'homme et de l'œuvre : contribution de l'Université de Neuchâtel à l'année Rousseau, Neuchâtel : Secrétariat de l'Université, 1962
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  • 23
    Article
    Article
    Comparative religions of nonliterate peoples (1983)
    In:  Structural anthropology. Volume 2 Chicago, Ill.: [1983] [@1976], Seite 60-67
    Details
    Language: English
    Titel der Quelle: Structural anthropology. Volume 2
    Angaben zur Quelle: Chicago, Ill.: [1983] [@1976], Seite 60-67
    Note: Erschien ursprünglich unter dem Titel "Religions comparées des peuples sans écriture", in 'Problèmes et méthodes d'histoire des religions,' Paris : Presses universitaires de France, 1968, Seite 1-7
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  • 24
    Article
    Article
    Race and history (1983)
    In:  Structural anthropology. Volume 2 Chicago, Ill.: [1983] [@1976], Seite 323-362
    Details
    Language: English
    Titel der Quelle: Structural anthropology. Volume 2
    Angaben zur Quelle: Chicago, Ill.: [1983] [@1976], Seite 323-362
    Note: Erschien ursprünglich unter dem Titel "Race et histoire" in: 'La question raciale devant la science moderne,' Paris, UNESCO, 1952. "The text has been reviesed and corrected in places" (Seite 323)
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  • 25
    Article
    Article
    Structure and form : reflections on a work by Vladimir Propp (1983)
    In:  Structural anthropology. Volume 2 Chicago, Ill.: [1983] [@1976], Seite 115-145
    Details
    Language: English
    Titel der Quelle: Structural anthropology. Volume 2
    Angaben zur Quelle: Chicago, Ill.: [1983] [@1976], Seite 115-145
    Keywords: Propp, Vladimir Jakovlevic [Leben und Werk]
    Note: Erschien ursprünglich unter dem Titel "L'Analyse morphologique des contes russes" in: 'International Journal of Slavic Linguistics and' Poetics, 3 (1969, Seite 122-149
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  • 26
    Article
    Article
    What ethnology owes to Durkheim (1983)
    In:  Structural anthropology. Volume 2 Chicago, Ill.: [1983] [@1976], Seite 44-48
    Details
    Language: English
    Titel der Quelle: Structural anthropology. Volume 2
    Angaben zur Quelle: Chicago, Ill.: [1983] [@1976], Seite 44-48
    Note: Erschien ursprünglich unter dem Titel "Ce que l'ethnologie doit à Durkheim", in: Annales de l'Université de Paris, no 1 (1960), Seite 45-50
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    Frobenius-Institut
  • 27
    Article
    Article
    Answers to some investigations (1983)
    In:  Structural anthropology. Volume 2 Chicago, Ill.: [1983] [@1976], Seite 271-287
    Details
    Language: English
    Titel der Quelle: Structural anthropology. Volume 2
    Angaben zur Quelle: Chicago, Ill.: [1983] [@1976], Seite 271-287
    Note: "Several essays that were originally published in the following journals": "Les trois humanisms" in: 'Demain,' no. 35 (1956), "Structuralisme et critique littéraire" in: 'Paragone, Nuova Serie-2' (Milan : Arnoldo Mondadori, 1965), Letteratura, no. 182, Seite 125-133, "A propos d'une rétrospective" in: 'Arts,' no. 60 (November 16-22, 1966), "L'art en 1985" in: 'Arts,' April 7-13, 1965, "Civilisation urbaine et santé mentale" in: Les Cahiers de l'Institut de la vie, no. 4 (April 1965), Seite 31-36, "Témoins de note temps" in: 'Le Figaro littéraire,' November 25, 1965
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  • 28
    Article
    Article
    Four Winnebago myths (1983)
    In:  Structural anthropology. Volume 2 Chicago, Ill.: [1983] [@1976], Seite 198-210
    Details
    Language: English
    Titel der Quelle: Structural anthropology. Volume 2
    Angaben zur Quelle: Chicago, Ill.: [1983] [@1976], Seite 198-210
    Note: Erschien ursprünglich unter dem Titel "Four Winnebago myths: a structural sketch" in: 'Culture in history: essays in honor of Paul Radin,' New York : Columbia University Press, 1960, Seite 351-362
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  • 29
    Book
    Book
    The _empire of Monomotapa : from the fifteenth to the nineteenth century (1981)
    Gwelo : Mambo Press
    Details
    Language: English
    Pages: xii, 149 Seiten, 2 ungezählte Blätter Bildtafeln, 3 Faltblätter , Illustrationen, Karten
    Series Statement: Zambeziana vol. 7
    Uniform Title: L'empire du Monomotapa du XVe au XIXe siècle
    Keywords: Simbabwe Shona ; Geschichte ; Geschichte, politische ; Monomotapa [Leben und Werk]
    Note: Literaturverzeichnis: Seite 122-141
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  • 30
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    The _tribal world and its transformation (1980)
    New Delhi
    Details
    Language: English
    Pages: XX, 276 Seiten
    Edition: First published
    Series Statement: Xth ICAES Series no. 1
    Series Statement: ICAES Series no. 1
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  • 31
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    Mitteleuropa, Tirol - Abendessen einer Bauernfamilie (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 145MB, 00:14:55:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1979)
    Keywords: food ; Europe ; family / extended family ; Nahrungsverzehr ; Familie / Großfamilie ; Kulturwissenschaften ; eating ; Trentino-Tiroler Etschland ; Wirtschaft (Ethnologie) ; Großfamilie ; Essen ; nutrition ; prayer ; family / dinner ; Gebet ; Religion ; economy ; religiöse Praktiken ; Familie / Abendessen ; Ernährung ; sakrale Handlung ; Encyclopaedia Cinematographica ; Europa ; religious practices ; religion ; cultural studies ; Ethnologie/Kulturanthropologie ; Italy ; extended family ; sacred activities ; Gebete ; Italien ; Trentino-Alto-Adige ; ethnology/cultural anthropology
    Abstract: Am Tisch unter dem Herrgottswinkel sitzt eine Bauernfamilie, die Eltern mit ihren 12 Kindern, beim Abendessen. Nach dem Tischgebet werden nacheinander Milchsuppe und "Schweißnudel" (eine Mehlspeise) mit Milch aufgetragen. Gegessen wird aus einer gemeinsamen Schüssel, die in der Mitte des Tisches steht. Das Essen wird mit einem Dankgebet abgeschlossen.
    Abstract: A peasant family, consisting of the parents and 12 children, are sitting at the table below the crucifix to take supper. After saying grace a milk soup is served, followed by a farinaceous dish called "Schweißnudel", eaten with milk. All the family eat out of one vessel placed in the centre of the table. The meal is concluded by saying grace.
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    DOI: 10.3203/IWF/E-1958
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  • 32
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    Kwoma (Neuguinea, Sepik) - Töpfern und Verzieren eines Zeremonialgefäßes (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 135MB, 00:15:46:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: arts (ethnology) ; handicraft ; division of labor ; ceremonial vessel ; Formen der Tonwaren ; shaping of clay ; art ; Kulturwissenschaften ; Papua-Neuguinea ; Kunsthandwerk ; Wirtschaft (Ethnologie) ; Arbeitsbeziehungen ; division of labour ; labor relations ; Arbeit ; decoration ; Künste (Ethnologie) ; Kerbschnittechnik ; pitfiring ; economy ; Arbeitsteilung ; work ; Kunst ; ornamentation ; Encyclopaedia Cinematographica ; Papua New Guinea ; cultural studies ; Sepik Region ; Brennhaufen ; Ethnologie/Kulturanthropologie ; Australien/Ozeanien ; Ornamentieren ; Dekoration ; Kwoma ; Töpfern / Spiralwulsttechnik ; Handwerk ; Sepik-Gebiet ; Australia/Oceania ; Kwoma ; open fire ; Zeremonialgefäß ; pottery ; ethnology/cultural anthropology ; Töpferei
    Abstract: Ein Mann aus Meno baut einen kleinen Zeremonialtopf (Aumar) in Spiralwulsttechnik auf. Das Gefäß wird ohne Werkzeug von Hand ausgeformt. Nach einer kurzen Trocknungsphase an der prallen Sonne verziert der Töpfer die ganze Außenfläche in Kerbschnittechnik. Zum Schluß wird der Topf zusammen mit weiteren Tongefäßen im offenen Feuer gebrannt.
    Abstract: Using the technique of coiling with foundation, a man constructs a small ceremonial vessel (aumar). The vessel is modelled by hand, without the use of tools. After the vessel has been dried briefly in the sun, the potter decorates its whole outer surface, employing the chip carving technique. Finally, this and other clay vessels are fired in the open fire.
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    DOI: 10.3203/IWF/E-2188
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  • 33
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    Sawos (Neuguinea, Mittlerer Sepik) - Totenfest in Gaikorobi: Abschied von einem getöteten Schwein (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 58MB, 00:05:59:01 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1979)
    Keywords: Sawos ; Wirtschaft (Ethnologie) ; Lebenslauf ; Haustiere ; farewell to a killed pig's spirit ; Feste ; Religion ; Gesellschaft ; Magie ; Tierhaltung ; Encyclopaedia Cinematographica ; Papua New Guinea ; Bräuche ; domestic animals ; religious practices ; religion ; magic ; ethnology of medicine ; cultural studies ; Ethnologie/Kulturanthropologie ; Sawos ; Sepik-Gebiet ; Schwein / Schweineopfer ; burial ; Tod ; custom / circle of life ; ethnology/cultural anthropology ; death ; animal husbandry ; Brauchtum / Lebenskreis ; death / festival in commemoration of the dead ; Kulturwissenschaften ; Papua-Neuguinea ; Zauberhandlung ; sacrifices ; magic act ; Beerdigung ; pig / pig sacrifice ; economy ; Opfer ; magische Therapie ; Totenfest ; Medizinethnologie ; religiöse Praktiken ; society ; Sepik Region ; Australien/Ozeanien ; Abschied von einem getöteten Schwein ; customs ; course of life ; Australia/Oceania ; magical therapy ; feasts
    Abstract: Eine Frau nimmt Abschied von einem von ihr aufgezogenen Schwein, das für ein Totenfest getötet wurde. Sie setzt sich auf das Tier und trauert. Ein Mann reibt Sago auf die Haut des Schweines und schlägt mit einer Palmblattrippe auf den Erdboden. Das Schwein wird an einem Stock festgebunden und in das Dorf getragen.
    Abstract: Four men bring a killed domestic pig to the hamlet Alembe. The woman who cared for the pig sits on the dead animal and mourns. Her husband's brother rubs sago on the skin of the pig and beats with the rib of a palm leaf on the ground. The pig is tied to a stick and is carried to the village where a mortuary ceremony is celebrated for four deceased people.
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    DOI: 10.3203/IWF/E-2480
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  • 34
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    Kwoma (Neuguinea, Sepik) - Herstellen einer Tragtasche in Maschenstofftechnik (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 277MB, 00:32:17:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: cloth ornamentation ; handicraft ; art ; Wirtschaft (Ethnologie) ; Stoffmusterung, Stoffverzierung ; decoration ; drilling ; fishing (ethnology) ; Kunst ; ornamentation ; Encyclopaedia Cinematographica ; Wildbeuter ; Papua New Guinea ; carrying bag ; cultural studies ; Rindenbast ; Ethnologie/Kulturanthropologie ; Kwoma ; Handwerk ; pflanzliche Rohmaterialien ; Sepik-Gebiet ; dyeing ; Färben ; Farbstoff, Farbe ; ethnology/cultural anthropology ; Fasergewinnung ; Maschenstoffbildung ; twisting ; bark bast ; Netze ; arts (ethnology) ; Drillen ; nets ; Bast ; Kulturwissenschaften ; Papua-Neuguinea ; Künste (Ethnologie) ; colour ; economy ; Gnetum gnemon ; game hunters ; Tragen ; vegetable raw materials ; Faseraufbereitung ; Tragtasche ; Fischen ; Sepik Region ; Australien/Ozeanien ; Ornamentieren ; Dekoration ; Textilproduktion ; fiber preparation ; dye ; Australia/Oceania ; Kwoma ; textile production ; bast
    Abstract: In Meno fertigt eine Frau aus Rindenbastfasern des Gnetum-gnemon-Strauches durch Drillen und Zwirnen das Ausgangsmaterial, einen schnurartiger Faden, an und stellt dann daraus durch knotenfreies Verschlingen in der Technik der sanduhrförmigen Masche die Tragtasche selbst her. Die Schauseite der Tasche wird bei der Herstellung mit einem schachbrettartigen und zugleich bandförmigen farbigen (Beige, Blau, Rot) Ornament verziert.
    Abstract: Nggai'uk, a widow from the village of Meno, shows how bark fibres of the Gnetum gnemon bush are twisted into the cord-like thread used to procedure carrying bags. Then, using the knotless netting technique with hourglass-shaped loops, she manufactures the bag itself. The looping is interrupted repeatedly, whenever a new supply of thread is needed. The outside of the bag is decorated in the course of manufacture. For this reason Nggai'uk works with seven parallel threads; three of them are left the basic colour, beige, twi are dyed blue and two red for the length of the pattern. An ornament at the same time chequered and bank-like is produced by the stepped course of the seven rows of loops. When the netting is finished, the bag is filled with stones so that the threads are stretched uniformly. Finally firewood is fetched, and the carrying function of the bag is demonstrated.
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    DOI: 10.3203/IWF/E-2287
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  • 35
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    Westsibirische Tataren (Vorderasien, Zentralanatolien) - Hochzeitsfeierlichkeiten (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 786MB, 00:14:58:03 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: Turkey ; dowry ; Wirtschaft (Ethnologie) ; wedding ; Lebenslauf ; initiation ; Tanz (Ethnologie) ; Tatars ; nutrition ; occasional dances ; food preparation ; Gesellschaft ; wedding dance ; anlaßbezogene Tänze ; Encyclopaedia Cinematographica ; Bräuche ; Mitgift ; cultural studies ; Ethnologie/Kulturanthropologie ; Nahrungszubereitung ; Hochzeit ; Rites de passage ; wedding customs ; Tataren ; custom / circle of life ; ethnology/cultural anthropology ; marriage ; arts (ethnology) ; Tanz / Hochzeitstanz ; rite of passage ; Brauchtum / Lebenskreis ; Kulturwissenschaften ; Initiation ; Asia ; Ritus / Rites de passage ; Asien ; Künste (Ethnologie) ; Hochzeitstanz ; Heirat ; economy ; dance / wedding dance ; Westsiberian Tatars ; rite / rite of passage ; Ernährung ; Nahrungsmittelzubereitung ; Hochzeitsbräuche ; Braut ; bride ; dance (ethnology) ; society ; Türkei ; customs ; course of life ; Westsibirische Tataren
    Abstract: Ausschnitte aus den Hochzeitsfeierlichkeiten in Bögrüdelik, einer Siedlung muslimischer Flüchtlinge (Muhacir) aus Rußland: Zubereiten der traditionellen Gerstensuppe, Bewirten der Gäste, Löffeltanz, Aufladen und Transportieren der Aussteuer, Umzug der Braut und ihrer Verwandten sowie die Begrüßung der Brautleute durch die Dorfbevölkerung in ihrem neuen Haus.
    Abstract: The film was taken in a settlement of muslim emigrants (muhacir) from Western Siberia. These Westsiberian Tatars of Uzbek origin (buharist) fled from the regions of Omsk and Tobolsk and were settled in the Vilâyet of Konya at the beginning of the 20th century. They have adopted the agricultural economy of their neighbours, the "native" Turks and Kurds (yerli) with whom they also share their religion, the sunnitic islam of the hanefi branch. This film shows some of the ceremonies of a muslim wedding in the willage, namely the preparation of the traditional barley soup (ürey), the reception of the guests in the house of the brides father, music and speen dancing, the loading and transport of the trousseau, the procession of the bride and her relatives through the village and over the fields and the reception of the newly weds at their new house by the village people. The film is incomplete, since some of the wedding ceremonies have not been filmed for ethical or technical reasons.
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    DOI: 10.3203/IWF/E-2033
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  • 36
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    Weyto (Nordostafrika, Äthiopien) - Backen von Fladenbrot aus Tef (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 296MB, 00:05:55:18 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: bread baking ; Umweltwissenschaft/Ökologie ; Zwerghirse ; Kulturwissenschaften ; environmental sciences/ecology ; tef ; Wirtschaft (Ethnologie) ; Botanik ; Afrika ; food production, crop science ; nutrition ; Fladenbrot ; flat bread ; Eragrostis tef ; Teig ; food preparation ; cereal crops ; Ethiopia ; economy ; Weyto ; Ökologie (Botanik) ; Mehl ; biology ; Ernährung ; Encyclopaedia Cinematographica ; Nahrungsmittelzubereitung ; Biologie ; baking ; grains ; Körnerfrüchte ; cultural studies ; Getreide ; Ethnologie/Kulturanthropologie ; Nahrungszubereitung ; Äthiopien ; Brotbacken ; Africa ; Backen ; Weyto ; dough ; botany ; Nahrungsmittel, Nutzpflanzenkunde ; Teff ; flour ; ethnology/cultural anthropology ; ecology (botany) ; Eragrostis tef
    Abstract: Injera, das typische Fladenbrot der amharischen Bevölkerung Äthiopiens, wird aus Tef gebacken, einer sehr kleinkörnigen Getreidesorte. Vor dem Backen wird ein Sauerteig hergestellt, den man auf eine Kochplatte gießt und unter Abschluß garen läßt.
    Abstract: Procedures for the preparation of injera, the typical flat bread of the Amharic population in Ethiopia. Injera is made of Tef, a fine-grained sort of local cereals. To prepare injera, a leaven has to be produced first. The dough is poured on a heatened stone-plate, like a pancake, sealed with a cover and needs about 5 minutes baking-time. Injera is a soft, greyish bread with slightly sour taste. The film document was taken in a Weyto-village. The Weytos are Sudanese refugees, who entered Ethiopia during the Mahdi-rebellion in the last century.
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    DOI: 10.3203/IWF/E-2312
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  • 37
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    Cubeo (Südostkolumbien, Provinz Vaupés) - Herstellung eines Maskenkleid-Paares aus Rindenbaststoff (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 311MB, 00:25:16:08 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: forestry, silviculture ; handicraft ; America ; Machete ; art ; Rindenbaststoff ; Baumfällen ; masks ; Wirtschaft (Ethnologie) ; Colombia ; decoration ; Axt ; tree felling ; drilling ; Cubeo ; Kunst ; ornamentation ; Maskenkleider ; South America ; Encyclopaedia Cinematographica ; urucu ; bark cloth ; Malen ; cultural studies ; Spleißen ; Ethnologie/Kulturanthropologie ; Südamerika ; Handwerk ; pflanzliche Rohmaterialien ; forestry (ethnology) ; painting (ethnology) ; Farbstoff, Farbe ; ethnology/cultural anthropology ; Urucú ; arts (ethnology) ; Drillen ; lianas ; Cubeo ; Bast ; Kulturwissenschaften ; axe ; Künste (Ethnologie) ; colour ; Masken ; economy ; Waldwirtschaft ; Lianen ; Amerika ; machete ; splicing ; Kolumbien ; vegetable raw materials ; Faseraufbereitung ; Ornamentieren ; Dekoration ; Textilproduktion ; Malen, Malerei ; fiber preparation ; dye ; Forstwirtschaft, Waldwirtschaft ; painting ; mask costume ; textile production ; bast
    Abstract: Zwei Männer fertigen ein weiblich-männliches Maskenpaar an: Rindenbaststoffgewinnung, Zuschneiden und Nähen, Farbstoffgewinnung. Bemalen von Oberkörper und Gesichtspartie der Maskenkleider, Ansetzen von Bastrock und Ärmeln, Anprobieren.
    Abstract: The northwest Amazon river area is one of the principal centres of masks in South America. The masks of the Cubeo, made from bark cloth and of high artistic quality, are used in feasts for the dead and then destroyed. The film shows two men making a couple (male-female) of masks. The work proceeds in different stages: making the bark cloth, cutting and sewing, extracting the dye, painting, attaching the skirt of bark fibres and the sleeves. Finally, the film presents the couple of masks with the attendant dancing-sticks. The two masks symbolize parrot demons.
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    DOI: 10.3203/IWF/E-2501
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  • 38
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    Vorderer Orient, Libanon - Herstellen eines Fischkorbes (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 376MB, 00:08:02:01 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: handicraft ; Flechten ; Schilf ; Kulturwissenschaften ; Korbflechten, Korb ; Wirtschaft (Ethnologie) ; basketry ; Asia ; plaiting ; Libanesen ; Pflanzenwelt ; Asien ; Libanon ; economy ; Fisch / Fischkorb ; fish / fish basket ; crocheting, knitting, plaiting ; Häkeln, Stricken, Flechten ; Lebanese ; Matten und Körbe ; Encyclopaedia Cinematographica ; flora ; Rohre und Gräser ; cultural studies ; Ethnologie/Kulturanthropologie ; Lebanon ; reeds ; Textilproduktion ; mats and baskets ; Handwerk ; basket-weaving ; reeds and grasses ; ethnology/cultural anthropology ; textile production
    Abstract: Der Handwerker Muhsen ar-Ruhban aus Zgarta stellt in Halat aus einheimischem Schilfrohr einen Fischkorb her: Herstellung des Bodens des Fischkorbes, Flechten des Randes und Formen des Tragebogens.
    Abstract: The film shows the making of a basket for transporting fish by the craftsman Muhsen ar-Ruhban from Zgarta in Northern Lebanon. The material used is native reed. The work is carried out in three stages: making the foundation of the basket, plaiting the rim, and forming the handle.
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    DOI: 10.3203/IWF/E-2412
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  • 39
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    Ghrib (Tunisia, Northwest Sahara) - Baking Stuffed Journey-Bread 'khubz mtabga' (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 304MB, 00:06:02:12 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: ashes ; bread baking ; Khubz mtabga ; Tagesbrot ; Kulturwissenschaften ; Wirtschaft (Ethnologie) ; Afrika ; journey-bread ; nutrition ; food preparation ; economy ; Backen / in Asche ; Mehl ; Ernährung ; Encyclopaedia Cinematographica ; Nahrungsmittelzubereitung ; baking ; Tunesien ; cultural studies ; Ethnologie/Kulturanthropologie ; Nahrungszubereitung ; Brotbacken ; khubz mtabga ; Africa ; Ghrib ; Tunisia ; Backen ; Asche ; flour ; ethnology/cultural anthropology ; baking / in ashes
    Abstract: Diese Brotsorte wird aus Weizenmehl, Wasser und Salz hergestellt. Sie besteht aus zwei zusammengeklappten Teigschichten, die mit zerkleinertem Gemüse und Stücken tierischen Fettes gefüllt werden. Gebacken wird das Brot in einer vorgeheizten Sandgrube, bedeckt mit heißem Sand, Asche und Glut. Backzeit etwa 30 Minuten.
    Abstract: The film describes how to prepare and bake khubz mtabga-bread. This kind of bread is made of two dough-layers, folded together and stuffed with mashed vegetables and pieces of animal fat. It is baked in hot sand.
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    DOI: 10.3203/IWF/E-2387
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  • 40
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    Vorderer Orient, Libanon - Herstellen eines Glaskruges (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 397MB, 00:07:44:09 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: house / household effects ; jug ; handicraft ; material culture ; modelling ; Kulturwissenschaften ; Kunsthandwerk ; glass jug ; Asia ; kitchen furnishings ; Modellieren ; Libanesen ; Asien ; Hausrat ; Libanon ; household utensil ; household articles ; Haus / Hausrat, Hausgerät ; Lebanese ; Encyclopaedia Cinematographica ; Kücheneinrichtung ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Lebanon ; Glasherstellung ; glass-making ; molding ; Krug ; Glaskrug ; ethnology/cultural anthropology
    Abstract: Mustafa Jammu, ein Glasbläser aus Halat, stellt eines Glaskrug mit Henkel her: Füllen des Ofens mit Glasscherben, Modellierung des Kruges, Ornamentierung des Krughalses, Formen der Tülle, Herstellung des Henkels und Abkühlung des Produktes in einem Nebenofen.
    Abstract: The film shows the different stages in making a glass jug: charging the furnace with pieces of broken glass, forming the jug, decorating the neck, shaping the spout (Zammule) and the handle, and the cooling of the product in a kiln at reduced temperature.
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    DOI: 10.3203/IWF/E-2409
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  • 41
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    Polar-Eskimo (Nordgrönland, Thule-Distrikt) - Fadenspiele (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 513MB, 00:08:49:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: games ; Freizeitaktivitäten ; America ; Unterhaltungsspiel ; Grönland (Dänemark) ; Kulturwissenschaften ; Spiel ; Spiele ; Nord- und Mittelamerika ; Spielzeug, Spielgerät ; plaything ; Spielzeug ; leisure activities ; Gesellschaft ; Polar-Eskimo ; Eskimo ; cat's cradle ; Encyclopaedia Cinematographica ; game ; Amerika ; toy ; Eskimo ; string game ; society ; recreational game ; string ; cultural studies ; Ethnologie/Kulturanthropologie ; toys ; North and Middle America ; Fadenspiel ; Schnur ; Greenland (Denmark) ; Polar Eskimo ; ethnology/cultural anthropology ; string figures
    Abstract: Drei Jäger zeigen 17 Figuren: Es werden Tiere, Körperteile und Gebrauchsgegenstände dargestellt, die jeweils von einer Person ausgeführt werden. Verschiedene Darstellungen zeigen das Objekt nur einmal, und zwar fertig. Andere lassen auch dessen Bewegungen erkennen.
    Abstract: 17 figures of the Polar Eskimo string-game repertoire are demonstrated. Animals, bodyparts or utensils of daily use are imitated by string configurations. All figures can be performed by a single person. Some patterns present the object in a stable state, others also show its movements. Playing string-games is still a very popular pastime pleasure among the Polar Eskimos.
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    DOI: 10.3203/IWF/E-2314
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  • 42
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    Mitteleuropa, Nordwestdeutschland - Herstellung von Zigarren in Handarbeit (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 2085MB, 00:41:02:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: Europe ; Germany ; cigar maker ; Kulturwissenschaften ; social problems ; handgerollte Zigarren ; alcoholism and drugs ; Gesellschaft ; Alkoholismus und Drogen ; soziale Probleme ; tobacco ; Encyclopaedia Cinematographica ; Europa ; Hamburg ; Deutschland ; society ; cultural studies ; Ethnologie/Kulturanthropologie ; stimulant ; Genußmittel ; Zigarrenherstellung ; hand-rolled cigars ; cigar manufacture ; ethnology/cultural anthropology ; Tabak ; Hamburg
    Abstract: Alle wesentlichen Arbeitsvorgänge der Zigarrenherstellung: Abwiegen und Zurichten des Tabaks, Anfertigung von Pennalzigarren, Formzigarren und Zigarillos aus Einlage, Umblatt und Deckblatt, ferner das Sortieren, Pressen und Verpacken der fertigen Zigarren.
    Abstract: Principal stages of the production of cigars: weighing out and preparing the tobacco, making cigars and cigarillos, consisting of a filler, a binder and a wrapper, and shaping them in a mould, as well as the sorting, pressing and packing up of the finished cigars.
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    DOI: 10.3203/IWF/E-2284
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  • 43
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    Vorderer Orient, Libanon - Töpfern eines Kruges (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 508MB, 00:09:13:19 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: arts (ethnology) ; house / household effects ; jug ; handicraft ; material culture ; Formen der Tonwaren ; shaping of clay ; art ; Kulturwissenschaften ; Kunsthandwerk ; Töpferscheibe ; Wirtschaft (Ethnologie) ; Asia ; kitchen furnishings ; potter's wheel ; Libanesen ; Asien ; decoration ; Künste (Ethnologie) ; Hausrat ; Libanon ; household utensil ; economy ; household articles ; Kunst ; Haus / Hausrat, Hausgerät ; ornamentation ; Lebanese ; Encyclopaedia Cinematographica ; Kücheneinrichtung ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Lebanon ; Ornamentieren ; Dekoration ; Handwerk ; Krug ; pottery ; ethnology/cultural anthropology ; Töpfern / Treibtechnik ; Töpferei
    Abstract: Der Töpfer Karim Muhammed Karim aus Halat führt folgende Arbeitsgänge durch: Abholen der benötigten Tonmasse aus einem Lager, Formen des Kruges, Herstellung des Henkels, der Tülle und des Deckels.
    Abstract: The manufacture of pottery is one of the traditional crafts practised in Lebanon. The film shows the making of a jug of simple shape by the potter Karim Muhammed Karim. The work is carried out in different stages: fetching the clay from a clay pit, modeling the jug, shaping the handle, the spout and the lid.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-2410
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  • 44
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    Mitteleuropa, Tirol - Flechten eines Lederstrickes (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 1294MB, 00:26:12:23 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: Europe ; Leder ; handicraft ; Flechten ; leather ; Kulturwissenschaften ; Trentino-Tiroler Etschland ; Wirtschaft (Ethnologie) ; Faden ; plaiting ; Wanderhandwerker ; economy ; crocheting, knitting, plaiting ; travelling craftsman ; Häkeln, Stricken, Flechten ; fadenlose Stoffe ; Encyclopaedia Cinematographica ; Europa ; cultural studies ; Ethnologie/Kulturanthropologie ; Italy ; Textilproduktion ; Lederstrick ; threadless materials ; leather cord ; Handwerk ; Italien ; Trentino-Alto-Adige ; ethnology/cultural anthropology ; textile production ; thread
    Abstract: In St. Nikolaus (Ultental, Südtirol) fertigt ein 72-jähriger Wanderhandwerker aus einer Rinderhaut einen geflochtenen Strick für Binden von Heufuder, Holzfuhren usw. Herstellungsphasen: Riemenschnitt, Haaren, Flechten, Einfetten und Recken.
    Abstract: In St. Nikolaus (Ulten, South Tyrol) a travelling craftsman makes from oxhide a plaited cord. The film shows the entire work-process, beginning with the cutting of the hide, the removing of the hair, and the plaiting itself to the greasing and racking of the finished product. Leather cords of this kind were used to bind hay, logs of wood, and other materials during transport.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-2524
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  • 45
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    Mitteleuropa, Oberösterreich - Verwendung von Hunden beim Holztransport mit Schlitten in Aigen-Schlägl (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 491MB, 00:08:57:22 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: forestry, silviculture ; transport of wood ; Europe ; Umweltwissenschaft/Ökologie ; Holztransport ; Wirtschaft (Ethnologie) ; Schlitten ; Haustiere ; sled ; dog sled ; wood transport ; transportation devices ; vehicles ; Gesellschaft ; transport ; Tierhaltung ; draught animal ; productive livestock ; Encyclopaedia Cinematographica ; transportation ; domestic animals ; Europa ; cultural studies ; Schlittenhunde ; Ethnologie/Kulturanthropologie ; forestry (ethnology) ; fauna ; ethnology/cultural anthropology ; dog ; Oberösterreich ; animal husbandry ; Nutztiere ; Zugtier ; Tierwelt ; Kulturwissenschaften ; Transport ; Agrar- und Forstwissenschaft ; Transportgeräte ; Hundeschlitten ; economy ; Waldwirtschaft ; Austria ; Forstwirtschaft ; society ; Hund ; Forstwirtschaft, Waldwirtschaft ; Upper Austria ; Fahrzeuge ; sled dogs ; Österreich
    Abstract: In einem verschneiten Wald werden Holztransportschlitten von Hunden bergauf gezogen und dort mit Meterscheiten quer zur Fahrtrichtung beladen. Bei der Talfahrt laufen die Hunde frei hinter den von Holzarbeitern gelenkten Schlitten her. Auf ebener Strecke ziehen Mann und Hund gemeinsam.
    Abstract: In a snowed-up forest of the Mühlviertel sledges for the transport of wood are being pulled uphill by dogs. Having arrived at the working place, the sledges are loaded with timber. On their way back at the steep slopes the dogs are running at large behind the quickly gliding sledges, driven by the woodworkes. On an even path the sledge is drawn by both, man and dog.
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    DOI: 10.3203/IWF/E-2523
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  • 46
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    Al-Bara'ma (Südostarabien, Dhofar) - Töpfern eines Kruges (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 690MB, 00:13:54:07 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: arts (ethnology) ; house / household effects ; jug ; handicraft ; material culture ; Formen der Tonwaren ; shaping of clay ; art ; Kulturwissenschaften ; Wirtschaft (Ethnologie) ; Asia ; Oman ; kitchen furnishings ; Al-Bara'ma ; Asien ; decoration ; Künste (Ethnologie) ; Hausrat ; pitfiring ; Ritztechnik ; household utensil ; economy ; household articles ; Kunst ; Haus / Hausrat, Hausgerät ; ornamentation ; Encyclopaedia Cinematographica ; Tonaufbereitung ; clay preparation ; Kücheneinrichtung ; Oman ; cultural studies ; materielle Kultur ; Brennhaufen ; Ethnologie/Kulturanthropologie ; Ornamentieren ; Al-Bara'ma ; incising technique ; Dekoration ; Handwerk ; Töpfern / Parallelwulsttechnik ; open fire ; Krug ; pottery ; ethnology/cultural anthropology ; Töpferei
    Abstract: Eine Frau töpfert: sie zerstampft Ton, siebt, wässert und knetet ihn; treibt das Bodenstück und baut die Gefäßwand in Ringwulsttechnik auf; bringt Ritzverzierungen an und brennt den getrockneten Krug im Brennhaufen.
    Abstract: The clay is pounded, sifted, watered, and kneaded. The modelling of the bottom of the jug is done from a lump of clay. The upper part of the jug is formed by fitted-on clay-rims. Below the rim of the jug the woman potter is carving a circular decoration. After drying the jug is baked in an open fire. The material used for burning is dried wood.
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    DOI: 10.3203/IWF/E-2526
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  • 47
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    Mitteleuropa, Tirol - Herstellen eines Messers in Sarnthein (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 1095MB, 00:25:02:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: Eisenbearbeitung ; arts (ethnology) ; house / household effects ; Europe ; handicraft ; metalwork ; material culture ; art ; Kulturwissenschaften ; Kunsthandwerk ; Trentino-Tiroler Etschland ; Wirtschaft (Ethnologie) ; Metallbearbeitung ; kitchen furnishings ; Messerherstellung ; metalworking ; ironworking ; decoration ; Künste (Ethnologie) ; inlaying ; Hausrat ; household utensil ; economy ; household articles ; Kunst ; Haus / Hausrat, Hausgerät ; ornamentation ; Holzarbeiten ; Einlegearbeit ; engraving ; Encyclopaedia Cinematographica ; Europa ; woodworking ; Kücheneinrichtung ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Italy ; Ornamentieren ; Dekoration ; Metallarbeiten ; Holzbearbeitung ; Handwerk ; knife making ; Italien ; ethnology/cultural anthropology ; Trentino-Alto-Adige ; Gravieren
    Abstract: Der 67jährige Dorfhandwerker Florian Trojer stellt ein einschneidiges Messer mit edelmetallgeschmücktem Holzgriff in einem mehr als zwei Tage dauernden Arbeitsgang her.
    Abstract: Knife making is one of the oldest crafts. Even today with mass production there are still craftsmen who produce knives within the so-called home industry. This film which was shot in Sarntal in South Tyrol, shows an elderly village-craftsman finishing off a one-edged knive with inlaid metal ornaments on the wooden handle, a process which takes more than two days.
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    DOI: 10.3203/IWF/E-2086
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  • 48
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    Al-Bara'ma (Südostarabien, Dhofar) - Herstellen einer geflochtenen Melkschale (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 165MB, 00:19:14:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: Leder ; handicraft ; Flechten ; basket ; leather ; Kulturwissenschaften ; Korbflechten, Korb ; Wirtschaft (Ethnologie) ; basketry ; Asia ; plaiting ; Oman ; palm leaf ; Al-Bara'ma ; Asien ; economy ; crocheting, knitting, plaiting ; Häkeln, Stricken, Flechten ; Palmblatt ; Matten und Körbe ; fadenlose Stoffe ; Encyclopaedia Cinematographica ; Oman ; cultural studies ; Ethnologie/Kulturanthropologie ; Al-Bara'ma ; Textilproduktion ; threadless materials ; mats and baskets ; Melkschale ; Handwerk ; basket-weaving ; ethnology/cultural anthropology ; textile production
    Abstract: Eine Frau flicht aus Palmblättern eine Melkschale in Spiralwulsttechnik, bespannt zwei Drittel der Außenwand zur Abdichtung mit Ziegenhaut, verziert den Rand mit eingeflochtenen Wollfäden und Indigo-Mustern. Abschließend Gebrauch der Schale beim Melken.
    Abstract: In a wadi a young beduin is cutting palm-branches from an 'azaf bush. The palm-leaves are slit after having been dried in the sun and than soaked in water or milk. For this and the piercing of holes the woman bowl-maker is using a nail. The hard strips of the leaves are used for the making of rolled strands and the soft strips for binding them together. The lower part of the outside of the milking bowl is sealed with a cover of soft kid. Finally the outer rim of the vessel is partly ornamented with patterns in indigo. At the end of the film a man demonstrates the practical use of a milking bowl when milking a cow. At the same time the use of a dummy-calf can be observed as well.
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    DOI: 10.3203/IWF/E-2525
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  • 49
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    Makú (Südost-Kolumbien, Provinz Vaupés) - Flechten eines Sammelkorbes (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 125MB, 00:14:39:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: house / household effects ; handicraft ; Flechten ; America ; material culture ; lianas ; Macú ; Kulturwissenschaften ; Korbflechten, Korb ; Wirtschaft (Ethnologie) ; basketry ; plaiting ; Colombia ; Hausrat ; household utensil ; economy ; household articles ; crocheting, knitting, plaiting ; Haus / Hausrat, Hausgerät ; Häkeln, Stricken, Flechten ; Matten und Körbe ; South America ; Lianen ; Encyclopaedia Cinematographica ; Amerika ; gathering basket ; Sammelkorb ; Kolumbien ; cultural studies ; vegetable raw materials ; Faseraufbereitung ; Makú ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Textilproduktion ; Südamerika ; mats and baskets ; fiber preparation ; Handwerk ; pflanzliche Rohmaterialien ; basket-weaving ; ethnology/cultural anthropology ; textile production
    Abstract: Eine Frau flicht aus zweierlei Lianen, die sie über Feuer geschmeidig werden läßt und aufspleißt, in der Technik des Zwirnbindens einen für die Makú typischen, glockenförmigen Sammelkorb.
    Abstract: The material culture of the Makú, a food-gathering community, is, compared to that of the neighbouring Tukano groups, rather poor. An important product is a basket, used for gathering and for batering. The film shows a Makú woman making a bell-shaped gathering basket. The materials used are two different kinds of lianas, made slender over the fire and then worked into a basket by the twining technique.
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    DOI: 10.3203/IWF/E-2548
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  • 50
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    Sawos (Neuguinea, Mittlerer Sepik) - Yangendambui vertreibt Regen (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 49MB, 00:05:02:23 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1979)
    Keywords: arts (ethnology) ; rhymes, sayings, verses ; Yangendambui ; Regenmacher, Regenzauber ; Sawos ; Kulturwissenschaften ; Papua-Neuguinea ; Zauberhandlung ; rainmaker ; Theater-Produktion ; magic act ; Künste (Ethnologie) ; Religion ; Theater (Ethnologie) ; magische Therapie ; Magie ; Reime, Sprüche, Verse ; Medizinethnologie ; religiöse Praktiken ; rain magic ; Encyclopaedia Cinematographica ; Papua New Guinea ; religious practices ; religion ; magic ; ethnology of medicine ; cultural studies ; Sepik Region ; Ethnologie/Kulturanthropologie ; Australien/Ozeanien ; Yangendambui ; Besprechen ; Sawos ; theatre (ethnology) ; theatrical productions ; Sepik-Gebiet ; Australia/Oceania ; magical therapy ; ethnology/cultural anthropology
    Abstract: Ein Mann in Gaikorobi, mit einer Rute in der Hand, geht zu einem Strauch und bricht einige Blätter ab. Er hält sie vor das Gesicht, sagt einen Spruch auf und zischt auf die Blätter sowie in verschiedene Himmelsrichtungen und schlägt mit den Blättern und der Rute in die Luft sowie auf den Boden.
    Abstract: Yangendambui, a man from the section Kraiembet of the village Gaikorobi, goes to a shrub and breaks off some leaves. He says a spell on these leaves and on a rod. Then he hisses on the leaves and in various quarters and beats with the leaves and the rod in the air and on the ground.
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    DOI: 10.3203/IWF/E-2461
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  • 51
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    Fachi - Oase der Sahara-Kanuri (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined
    Pages: 2425MB, 00:39:38:01 (unknown)
    Angaben zur Quelle: (Jan. 1979)
    Keywords: Brunnen, Brunnenbau ; Nutztiere ; commercial-use buildings ; handicraft ; Oase ; Tierwelt ; Kulturwissenschaften ; Wirtschaft (Ethnologie) ; Afrika ; geological sciences ; buildings ; crop growing methods ; Bewässerungsmethode ; Ackerbau ; economy ; Gesellschaft ; Nordafrika / Oase ; productive livestock ; construction work ; Niger ; society ; cultural studies ; Bauwesen ; Ethnologie/Kulturanthropologie ; Bauen ; Africa ; Tuareg ; Handwerk ; Geowissenschaften ; geography ; Wirtschaftsgebäude ; Agrikultur/Landwirtschaft ; Anbaumethoden ; Salz, Salzgewinnung ; Wasserwirtschaft ; Gebäude ; agriculture (ethnology) ; fauna ; ethnology/cultural anthropology ; Niger ; Geographie
    Abstract: Überblick über die Kultur der Sahara-Kanuri der Oasenstadt Fachi in der Südsahara (Rep. Niger). Am Beispiel einer Familie werden vor allem die Wirtschaftsform, der Salz- und Dattelhandel mit den Karawanen der nomadischen Tuareg sowie Ausschnitte aus dem sozialen und religiösen Leben der Bewohner gezeigt.
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    DOI: 10.3203/IWF/D-1322
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  • 52
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    Sawos (Neuguinea, Mittlerer Sepik) - Totenfest in Gaikorobi: Anrufung und Tanz der Ahnen, Gesänge und Flötenspiel (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 167MB, 00:17:09:19 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1979)
    Keywords: music (ethnology) ; Musikinstrumente ; Schädel, übermodellierter ; Sawos ; Lebenslauf ; musical instruments ; invocation of the ancestors ; Blasinstrumente ; Anrufung der Ahnen ; Tanz (Ethnologie) ; occasional dances ; Flöte ; Feste ; death cult, death custom ; Religion ; bamboo flute ; Ahnenkult ; Gesellschaft ; ancestor worship ; singing ; anlaßbezogene Tänze ; Encyclopaedia Cinematographica ; Papua New Guinea ; Bräuche ; religious practices ; religion ; cultural studies ; Ethnologie/Kulturanthropologie ; sacred activities ; Sawos ; Sepik-Gebiet ; Gebete ; burial ; Tod ; custom / circle of life ; ethnology/cultural anthropology ; death ; Trauerlied ; ritual dances ; arts (ethnology) ; cult of the dead / ancestor worship ; dirge ; Brauchtum / Lebenskreis ; Zaun ; death / festival in commemoration of the dead ; Musik (Ethnologie) ; Kulturwissenschaften ; Papua-Neuguinea ; Totenkult/Ahnenkult ; musical instruments / aerophone ; Totenkult, Totenbrauchtum ; fence ; dance / ancestor dance ; skull, over modelling ; prayer ; Künste (Ethnologie) ; flute ; Beerdigung ; Totenfest ; religiöse Praktiken ; Singen ; sakrale Handlung ; wind instruments ; rituelle Tänze ; Bambusflöte ; Musiker ; dance (ethnology) ; society ; Sepik Region ; musicians ; Australien/Ozeanien ; Tanz / Ahnentanz ; customs ; course of life ; cult of the dead/ancestor worship ; Australia/Oceania ; Gesang ; Musikinstrumente / Aerophone ; feast / festival in commemoration of the dead ; feasts
    Abstract: Herbeirufen der Ahnen; Auftritt von zwei Ahnenfiguren mit übermodellierten Schädeln hinter einem Blätterzaun, Flötenspiel, Namensgesänge, Trauerlied der Frauen.
    Abstract: At the beginning of the mortuary ceremony men, women, and children stand in front of a dwelling house. The man Singembandi calls names of ancestors who will be present during the feast. Behind a screen men dance and carry ancestor figures with modelled skulls, blow long bamboo flutes and beat on a lithophone and coconut shells. In front of the screen women and children sit as spectators. Some men sing name songs. In another dwelling house mourning women chant a death song.
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    DOI: 10.3203/IWF/E-2481
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  • 53
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    Aibom (Neuguinea, Mittlerer Sepik) - Herstellen eines Frauen-Schurzes (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 663MB, 00:13:36:19 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: clothing ; spezielle Kleidung ; material culture ; Bast ; apron ; Kulturwissenschaften ; Papua-Neuguinea ; Knüpfen ; knotting ; plaiting ; Kleidung ; women's skirt ; sago / sago-palm ; everyday clothing ; Encyclopaedia Cinematographica ; Papua New Guinea ; Schurz ; cultural studies ; materielle Kultur ; Sepik Region ; Ethnologie/Kulturanthropologie ; Australien/Ozeanien ; Frauenschurz ; special clothing ; Aibom ; Sepik-Gebiet ; Australia/Oceania ; Alltagskleidung ; Sago / Sagopalme ; Aibom ; ethnology/cultural anthropology ; bast
    Abstract: Aus verschieden gefärbten Sagopalmblattfasern und weißen Bastfasern eines Strauches stellt eine Frau einen Schurz her, indem sie die Fasern auf eine Hüftschnur knüpft. Sie legt den fertigen Schurz an, eine Freundin schneidet ihn auf die gewünschte Länge und nimmt die vom Färbeprozeß noch verbliebenen Bastreservierungen ab.
    Abstract: Namburagua makes a women's skirt from differently dyed fibres of sago-palm leaves and white fibres of a marsh-plant. She ties the fibres to a waistband, then she puts on the skirt. A friend cuts the skirt to the desired length and removes the bark fibres left from the dyeing-process.
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    DOI: 10.3203/IWF/E-1732
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  • 54
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    Ghrib (Tunesien, Nordwest-Sahara) - Künstliches Bestäuben von Dattelpalmen in der Oase El Faouar (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 92MB, 00:09:27:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: Landwirtschaft ; Umweltwissenschaft/Ökologie ; Kulturwissenschaften ; Ghrib ; environmental sciences/ecology ; Wirtschaft (Ethnologie) ; Botanik ; Afrika ; Echte Dattelpalme ; food production, crop science ; Phoenix dactylifera ; Agrar- und Forstwissenschaft ; crop growing methods ; pollination, artificial ; Dattelpalme ; Pflanzenbau, Ernte ; economy ; Ökologie (Botanik) ; biology ; Encyclopaedia Cinematographica ; date palm ; Biologie ; Tunesien ; cultural studies ; Ethnologie/Kulturanthropologie ; Africa ; Ghrib ; Tunisia ; Agrikultur/Landwirtschaft ; Anbaumethoden ; botany ; agriculture (ethnology) ; Phoenix dactylifera ; Nahrungsmittel, Nutzpflanzenkunde ; Bestäubung, künstliche ; ethnology/cultural anthropology ; ecology (botany) ; Palme
    Abstract: Abschneiden eines Blütenstandes von einer männlichen Dattelpalme, Entfernen der Hülle sowie Entnahme und Aufbewahrung von Blütenstaub; Bestäuben der weiblichen Blüten.
    Abstract: In the first part, the film shows the cutting of a male date palm inflorescence, the removal of the inflorescence from its envelope, and the gathering and preservation of pollen. The second part is focused on the pollination operation.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-2320
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  • 55
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    Sawos (Neuguinea, Mittlerer Sepik) - Einbrennen von Mustern in die Haut (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 69MB, 00:08:03:07 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: scarification ; branding ; Sawos ; Einbrennen von Mustern in die Haut ; Ziernarben ; Lebenslauf ; Brandnarben ; initiation ; Veränderungen des Körpers ; body deformation ; Reifebräuche ; Gesellschaft ; alterations of the body ; seclusion ; Encyclopaedia Cinematographica ; Papua New Guinea ; body modification ; Bräuche ; Körper ; cultural studies ; Ethnologie/Kulturanthropologie ; Sawos ; Sepik-Gebiet ; custom / rite of passage ; Rites de passage ; custom / circle of life ; ethnology/cultural anthropology ; individual ; rite of passage ; Branding ; Brauchtum / Lebenskreis ; human branding ; Kulturwissenschaften ; Papua-Neuguinea ; Initiation ; burn scars ; burning patterns into the skin ; Ritus / Rites de passage ; Individuum ; Brauchtum / Reifebräuche ; rite / rite of passage ; society ; Sepik Region ; Australien/Ozeanien ; customs ; course of life ; Australia/Oceania ; body ; Seklusion ; Körperdeformation ; Skarifizierung
    Abstract: Ein Mädchen in Gaikorobi brennt sich während der Seklusionszeit (nach Einsetzen der Menarche) mit dem glimmenden Blütenstengel einer Palme Narben in die Haut des Unterarms.
    Abstract: Pandidjangi, a girl who has concluded her seclusion during first menstruation, eats a sago pancake. Tambiandjo, another girl who is still in seclusion, leaves her house and goes to a nearby standing cocos palm. She burns scars into the skin of her lower arm with glowing fruitstalks of a palm.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-2460
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  • 56
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    Der Sprung über die Rinder - Ein Initiationsritus der Hamar in Südäthiopien (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 2611MB, 00:44:03:07 (unknown)
    Angaben zur Quelle: (Jan. 1979)
    Keywords: rite / Initiation ; Wirtschaft (Ethnologie) ; Lebenslauf ; Haustiere ; initiation ; Religion ; Ethiopia ; Reifebräuche ; Gesellschaft ; Tierhaltung ; ritual ; productive livestock ; Bräuche ; domestic animals ; religious practices ; Ritual ; religion ; cultural studies ; Ethnologie/Kulturanthropologie ; Äthiopien ; Rind ; Sprung über die Rinder ; custom / rite of passage ; Rites de passage ; fauna ; custom / circle of life ; ethnology/cultural anthropology ; animal husbandry ; Nutztiere ; rite of passage ; Brauchtum / Lebenskreis ; maturity ritual ; Tierwelt ; Kulturwissenschaften ; Initiation ; Afrika ; Hamar ; Ritus / Rites de passage ; Ritus / Initiation ; economy ; Brauchtum / Reifebräuche ; religiöse Praktiken ; rite / rite of passage ; Hamar ; society ; customs ; Africa ; course of life ; cattle
    Abstract: Verlauf eines Initiationsritus (Ukuli) bei den viehzüchtenden Hamar. Ein junger Mann wird heiratsfähig und volles Mitglied der Gesellschaft, indem er sich symbolischen Verwandlungen unterzieht und über eine Reihe von Rindern springt.
    Abstract: Initiation rite (ukuli) among the cattle-breeding Hamar. A lad reaches marriageability and becomes a full member of society by undergoing symbolic transformations and leaping across a number of cattle.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/W-1580
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  • 57
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    Fachi - Oasis of the Saharan Kanuri (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined
    Pages: 490MB, 00:39:46:02 (unknown)
    Angaben zur Quelle: (Jan. 1979)
    Keywords: Nutztiere ; commercial-use buildings ; handicraft ; Tierwelt ; Kulturwissenschaften ; Wirtschaft (Ethnologie) ; Afrika ; geological sciences ; buildings ; irrigation ; crop growing methods ; water supply ; oasis ; economy ; Gesellschaft ; productive livestock ; construction work ; Niger ; society ; cultural studies ; Ethnologie/Kulturanthropologie ; well / building of a well ; Bauen ; Africa ; North Africa / oasis ; Handwerk ; Geowissenschaften ; geography ; Wirtschaftsgebäude ; salt, salt production ; Agrikultur/Landwirtschaft ; Anbaumethoden ; agriculture ; Gebäude ; agriculture (ethnology) ; building trade ; Tuaregs ; fauna ; ethnology/cultural anthropology ; Niger ; Geographie
    Abstract: The film gives a general survey of the culture of the Saharan Kanuri inhabiting the oasis of Fachi. It is conceived as an approach to a type of culture determined by the extreme ecological conditions of the Sahara. Presenting a typical Kanuri family, the film shows chiefly the economic system, the trading with caravans of nomadic Tuareg as well as scenes from the social and religious life of the inhabitans of Fachi.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/D-1322eng
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  • 58
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    Aibom (Neuguinea, Mittlerer Sepik) - Gewinnen und Färben von Palmbaststreifen für einen Frauen-Schurz (Reservierungstechnik) (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 414MB, 00:33:37:11 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: cloth ornamentation ; clothing ; Umweltwissenschaft/Ökologie ; handicraft ; spezielle Kleidung ; material culture ; Pflanzliche Produkte ; Wirtschaft (Ethnologie) ; Wärmeversorgung ; plam leaf ; Stoffmusterung, Stoffverzierung ; mud as a dye ; Gesellschaft ; everyday clothing ; Reservierungstechnik ; Encyclopaedia Cinematographica ; Papua New Guinea ; Schurz ; cultural studies ; materielle Kultur ; ginger ; Ethnologie/Kulturanthropologie ; Frauenschurz ; Handwerk ; pflanzliche Rohmaterialien ; Sammelwirtschaft ; Sepik-Gebiet ; Sago / Sagopalme ; dyeing ; Aibom ; Färben ; awui tree ; Farbstoff, Farbe ; Ingwer ; ethnology/cultural anthropology ; Fasergewinnung ; apron ; Kulturwissenschaften ; Papua-Neuguinea ; settlement ; fiber extraction ; Agrar- und Forstwissenschaft ; Kleidung ; women's skirt ; sago / sago-plam ; Schlamm als Farbstoff ; colour ; economy ; reservation technique ; Palmblatt ; Siedlung ; society ; vegetable raw materials ; Sepik Region ; Awui-Baum ; skirt ; Australien/Ozeanien ; Textilproduktion ; special clothing ; Aibom ; dye ; Australia/Oceania ; Alltagskleidung ; fire / open fireplace ; heating ; Feuer / Feuerstelle, offene ; textile production
    Abstract: Aus den Blattfiedern der Sagopalme gewinnt eine Frau Fasern für ihren Schurz. Sie färbt sie mit zerschlagener Ingwerwurzel gelb, durch Kochen mit den Blättern des Awui-Baumes rot und durch Eingraben in Schlamm schwarz. Für den rückwärtigen Teil des Schurzes werden einige gelb gefärbte Faserstränge durch Abbinden mit Baumbast reserviert und rot sowie nach nochmaligem Abbinden schwarz gefärbt. Weiße Fasern gewinnt sie aus der Rinde eines Sumpfstrauches.
    Abstract: The woman Namburagua makes the major part of the required fibres from the young sprout of a sago-palm. She dyes the fibres yellow with smashed ginger root, red by boiling them with the leaves of the awui tree, and black by using mud. Several yellow dyed fibres, reserved for the back of the skirt, are bound with bark fibre and dyed red, then, after a further bounding, dyed black. Another, white-coloured fibre is obtained by Namburagua from the bark of a marsh-plant, which has been soaked in water for one week to loosen the inner bark.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1731
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  • 59
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    Polar-Eskimo (Nordgrönland, Thule-Distrikt) - Eisfischerei (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 381MB, 00:07:01:05 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: Umweltwissenschaft/Ökologie ; Harpunenfischerei ; America ; Kulturwissenschaften ; Grönland (Dänemark) ; harpoon ; Wirtschaft (Ethnologie) ; Harpunenjagd ; Nord- und Mittelamerika ; Agrar- und Forstwissenschaft ; ice fishing ; harpoon fishing ; economy ; fishing (ethnology) ; Polar-Eskimo ; Eskimo ; Fisch / Fischfang ; game hunters ; Encyclopaedia Cinematographica ; Wildbeuter ; Amerika ; fish / fishing ; Fischereiwesen ; Eskimo ; cultural studies ; Fischen ; Ethnologie/Kulturanthropologie ; harpoon hunting ; Angelfischerei ; North and Middle America ; Greenland (Denmark) ; salmon ; Lachs ; Polar Eskimo ; fishing / fishing rod ; ethnology/cultural anthropology ; Harpunieren ; Eisfischen
    Abstract: Gefischt wird durch eine in das Eis eines Sees gestoßene Öffnung. Beim Fischen mit der Lachsharpune werden Fische durch einen an einer Schnur hängenden Köder angelockt. Erscheint ein Fisch, wird er durch Harpunenstoß erbeutet. Es werden auch Fische mit dem Blinker gefangen.
    Abstract: The film shows Polar Eskimos, fishing salmons through ice-holes on a frozen lake in the Thule-District. For fishing they use two different techniques: The first includes the use of a particular harpoon which is especially designed for that purpose. The fish is attracted by a bait, which was dropped down instead of fish-hook at a fishing rod. As soon as a fish appears, becoming visible through the hole, the Eskimo pushes down the harpoon to pierce the prey. The other method is comparable to the fishing with a spoon bait, which is known as modern fishing technique too.
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    DOI: 10.3203/IWF/E-2313
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  • 60
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    Ghrib (Tunisia, Northwest Sahara) - Putting on a Turban and Veiling (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 474MB, 00:08:30:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: headgear ; clothing ; material culture ; headdress ; Politik (Ethnologie) ; Kulturwissenschaften ; Afrika ; veiling ; Kleidung ; Herrschaftsformen ; turban ; accessories ; Encyclopaedia Cinematographica ; Tunesien ; Accessoires ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Kopfbedeckung ; Turban ; Africa ; governance types ; Verschleiern ; Ghrib ; Tunisia ; ethnology/cultural anthropology ; politics (ethnology)
    Abstract: Der Ghrib-Stamm besteht aus neun Untergruppen, von denen sich die meisten äußerlich durch ihre Turban Tracht unterscheiden lassen. Vorgestellt werden die Turbane der Jerarda, der Thwamer, der Fdiliyin, der Ghunayma, der Chaanba sowie einige individuelle Verschleierungsformen.
    Abstract: The Ghrib-tribe is a confederation of nine sub-groups. Most of these sub-groups differ externally from each other in their way of wearing their turban. The film deals with the Jerarda-fashion, the Thwamer-fashion, the Fdiliyin-fashion, the Ghunayma-fashion, the Chaanba-fashion, and more individual fashions: the Kechta l-Hajjaj, the Sakim Mbarek-way and the Amara bin Masud or zemala-way of veiling.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-2386
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  • 61
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    Eipo (West-Neuguinea, Zentrales Hochland) - Neubau des sakralen Männerhauses in Munggona (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 1689MB, 00:35:49:03 (unknown)
    Angaben zur Quelle: (Jan. 1979)
    Keywords: lodging ; commercial-use buildings ; handicraft ; material culture ; Häuser ; Haus / Hausbau ; Grabstock, sakraler ; Wirtschaft (Ethnologie) ; cult house ; Arbeitsbeziehungen ; Götter ; tools ; labor relations ; Religion ; habitation ; Gesellschaft ; work ; group work ; hospitality ; landwirtschaftliche Ausrüstung ; Encyclopaedia Cinematographica ; construction work ; religion ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; agricultural devices ; Handwerk ; Unterkünfte ; Kulthaus ; ecclesiastical buildings ; Gebäude ; gods and spirits ; theology ; Rundhaus ; ethnology/cultural anthropology ; Eipo ; digging stick / sacral ; circular building ; Theologie ; religiöse Gebäude ; Kegeldachhaus ; Kulturwissenschaften ; gods ; Götter und Geister ; house / building of a house ; landwirtschaftliche Geräte ; buildings ; Eipo ; Arbeit ; agricultural equipment ; Werkzeug ; Gemeinschaftsarbeit ; economy ; Dach, Dachdecken ; Bewirtung ; society ; men's house, sacral ; Bauwesen ; Australien/Ozeanien ; Wohnen ; Bauen ; houses ; Irian Jaya (Indonesien) ; Irian Jaya (Indonesia) ; roof, roofing ; Geister / Geisterhäuschen ; Wirtschaftsgebäude ; Australia/Oceania ; conical roof ; teamwork ; building trade ; spirit house ; Männerhaus, sakrales
    Abstract: Das baufällig gewordene sakrale Männerhaus wird innerhalb eines Tages mit bereitgehaltenem Baumaterial durch eine Neukonstruktion ersetzt. Etwa 50 einheimische Männer und Jungen sowie Gäste aus anderen Dörfern nehmen an dem Bau des Rundhauses mit Kegeldach teil. Die Arbeit wird von zeremoniellen Handlungen begleitet.
    Abstract: Building materials, poles and planks, are partly of sacral character. They are set up at a rhythmical run, producing a state of ecstasy. Food is distributed to the workers. The new house is covered with the old roof. Finally, the sacred digging-stick is placed in the new men's house. Small spirit houses are also constructed.
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    DOI: 10.3203/IWF/E-2475
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  • 62
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    Vorderer Orient, Libanon - Herstellen eines Lampenschirmes aus Glasperlen (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 399MB, 00:07:45:19 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: Lebanese ; house / household effects ; handicraft ; Encyclopaedia Cinematographica ; material culture ; Lampenschirm ; cultural studies ; glass beads ; Kulturwissenschaften ; materielle Kultur ; Kunsthandwerk ; Ethnologie/Kulturanthropologie ; Lebanon ; Asia ; Libanesen ; Asien ; Hausrat ; Libanon ; household utensil ; ethnology/cultural anthropology ; household articles ; Glasperlen ; lampshade ; Haus / Hausrat, Hausgerät
    Abstract: Der Handwerker Muhsen ar-Ruhban aus Zgarta flicht vor einer Werkstatt in Halat das Grundgerüst des Lampenschirms aus Schilfrohr. Dann steckt er Glasperlen auf die Schilfrohrgerten und formt das Ganze zu einem Lampenschirm. Abschließend flicht er einen Henkel zum Aufhängen des Lampenschirmes.
    Abstract: The film shows the making of a lampshade from reed and glass beads. In front of a workshop at Halat Muhsen ar-Ruhban, a craftsman from Zgarta, first plaits the part of the lampshade made of reed. He then threads the glass beads on the reeds and forms the whole into the desired shape of a lampshade. Finally, he plaits a handle for suspending the lampshade.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-2411
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  • 63
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    Südostarabien, Ost-Dhofar - Gewinnung von Weihrauch-Harz (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 303MB, 00:06:30:08 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: Weihrauchharzgewinnung ; Umweltwissenschaft/Ökologie ; Weihrauchbaum ; Pflanzliche Produkte ; Kulturwissenschaften ; environmental sciences/ecology ; Wirtschaft (Ethnologie) ; Botanik ; Asia ; incense ; food production, crop science ; Oman ; Agrar- und Forstwissenschaft ; Asien ; economy ; Ökologie (Botanik) ; gathering (ethnology) ; Sammeln ; biology ; game hunters ; Encyclopaedia Cinematographica ; Wildbeuter ; Biologie ; collecting of gum ; Oman ; cultural studies ; Ethnologie/Kulturanthropologie ; Sammelwirtschaft ; frankincense trees ; Duftstoffe, Räucherwerk ; botany ; Harzgewinnung ; Nahrungsmittel, Nutzpflanzenkunde ; ethnology/cultural anthropology ; gathering ; collecting of frankincense ; ecology (botany)
    Abstract: Im Küstengebirge, dem Standort der Weihrauchbäume, zeigt eine Sammlerin an einem Weihrauchbaum alle Arbeitsgänge der Harzgewinnung mit Hilfe von Schaber und Sammelkorb (Schabetechnik, verschiedene Harzqualitäten, Art der Aufbewahrung).
    Abstract: From the plane an escarpment wooded with frankincense trees and after that the settlement of Hasik at Khuriya Muriya Bay can be seen. A woman frankincense collector is demonstrating all the different phases of gum collection while collecting gum from frankincense tree. She is using a special scraper and a collecting basket. The special technique used in scraping, the different gum qualities, and the way the gum is stored are presented.
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    DOI: 10.3203/IWF/E-2527
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  • 64
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    Ghrib (Tunisia, Northwest Sahara) - Attaching the Skin to a Frame Drum\[W0]\»bendir« (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 532MB, 00:10:08:19 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: musical instruments / membranophone ; music (ethnology) ; arts (ethnology) ; Leder ; handicraft ; Musikinstrumente ; Musik (Ethnologie) ; Politik (Ethnologie) ; leather ; Kulturwissenschaften ; Rahmentrommel ; Wirtschaft (Ethnologie) ; Afrika ; musical instruments ; bendir ; Bendir ; Schlaginstrumente ; Künste (Ethnologie) ; Herrschaftsformen ; economy ; Musikinstrumente / Membranophone ; drum ; fadenlose Stoffe ; Encyclopaedia Cinematographica ; fur ; Tunesien ; cultural studies ; Ethnologie/Kulturanthropologie ; Trommel ; fur processing ; threadless materials ; Fell, Fellbearbeitung ; Africa ; Handwerk ; percussion instruments ; governance types ; Ghrib ; Tunisia ; ethnology/cultural anthropology ; frame drum ; politics (ethnology)
    Abstract: Vorbereitung eines Schaffelles und des hölzernen Trommelrahmens, Befestigung des Felles am Rahmen, Anbringen von zwei Saiten unter der Membran zur Regulierung der Resonanz. Zum Spannen der Membran wird die Trommel nahe an ein Feuer gehalten.
    Abstract: The film shows the principal stages of making an one-skin frame-drum: the preparation of skin (in the film a sheepskin is used) and the wooden frame; the way of attaching the skin to the frame; and the fixation of two strings under the membrane in order to regulate its resonance when beaten. To strengthen the membrane, the frame-drum is held near a fire.
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    DOI: 10.3203/IWF/E-2385
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  • 65
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    Ghrib (Tunisia, Northwest Sahara) - Preparation of Tar for Veterinary Purposes (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 450MB, 00:09:01:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: Encyclopaedia Cinematographica ; preparation of tar ; Tunesien ; cultural studies ; Kulturwissenschaften ; tar burning ; Ethnologie/Kulturanthropologie ; Teerbrennen ; Afrika ; Africa ; Ghrib ; Tunisia ; ethnology/cultural anthropology
    Abstract: Errichtung und Betrieb einer Destillieranlage zur Gewinnung von Teer aus Pflanzen. Das Endprodukt ist ein Gemisch aus einer flüssigen und einer schwereren Teersorte. Das Produkt dient zur Behandlung von Räude bei Dromedaren.
    Abstract: The film shows step how to set up destillation unit in order to extract tar from plants, and how it operates. The final tar product, composed of a kind of liquid tar (mahal) and a more heavier kind (arus) is used for curing dromedaries affected with scabs.
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    DOI: 10.3203/IWF/E-2388
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  • 66
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    Mitteleuropa, Niedersachsen - Verwendung von Schlittenhunden im Watt bei Wremen (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 337MB, 00:06:46:08 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: Reuse ; Europe ; Umweltwissenschaft/Ökologie ; Germany ; Wirtschaft (Ethnologie) ; Schlitten ; Haustiere ; trap fishery ; sled ; dog sled ; transportation devices ; vehicles ; Gesellschaft ; fishing (ethnology) ; Krabbenfang ; transport ; Tierhaltung ; draught animal ; Krabbenfischer ; productive livestock ; Encyclopaedia Cinematographica ; Wildbeuter ; transportation ; domestic animals ; Europa ; Deutschland ; cultural studies ; Schlittenhunde ; Ethnologie/Kulturanthropologie ; fish trap ; mudflat ; fauna ; ethnology/cultural anthropology ; dog ; animal husbandry ; Nutztiere ; Zugtier ; shrimp fisherman ; Tierwelt ; Kulturwissenschaften ; Transport ; Agrar- und Forstwissenschaft ; Lower Saxony ; Transportgeräte ; Niedersachsen ; Hundeschlitten ; economy ; Fallenfischerei ; Fisch / Fischfang ; game hunters ; fish / fishing ; Fischereiwesen ; society ; Fischen ; Watt ; weir ; Hund ; shrimp fishery ; fishery ; Fahrzeuge ; sled dogs
    Abstract: Ein Hundegespann zieht einen Schlitten über durch Ebbe freigelegte Schlickflächen und durch Wasserrinnen zu den im Watt stehenden Reusen. Je nach Bodenbeschaffenheit steht der Krabbenfischer hinten auf dem Schlitten, schiebt eventuell mit einem Fuß an oder geht daneben her. An der Fangstelle entleert er die Reusen und schüttet den Fang auf einen Holzrost; durch Rütteln des Rostes sortiert er die großen Krabben aus. Etwa 90% des Fangs wird zurückgelassen.
    Abstract: A sledge is drawn on tidal mudflats by a team of dogs. At the place where he has set fish-traps the fisherman stops the sledge and empties the fish-traps. He pours the caught shrimps on a trellis and sorts out the big ones by vibrating the trellis. Nearly nine tenths of the catch are left in the tidal gutter and in the mud.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-2515
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  • 67
    AV-Medium
    AV-Medium
    Weyto (Nordostafrika, Süd-Äthiopien) - Bau eines Papyrus-Bootes (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 840MB, 00:16:59:11 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: boat building ; Wassertransport ; Kulturwissenschaften ; papyrus boat ; Afrika ; Transport ; Ethiopia ; Weyto ; Gesellschaft ; Boote ; Wasserfahrzeuge ; water transport ; Encyclopaedia Cinematographica ; Papyrusboot ; watercrafts ; transportation ; society ; cultural studies ; Ethnologie/Kulturanthropologie ; Äthiopien ; Africa ; Weyto ; ethnology/cultural anthropology ; Bootsbau ; boats
    Abstract: An ein Papyrusbündel, das als Kiel dient, werden seitlich weitere Bündel angefügt, bis die gewünschte Bordwandhöhe erreicht ist. In gleichen Abständen werden auch in Längsrichtung Stauden angebunden. Ein starkes Bündel wird so in den Bootsinnenraum gepreßt, daß es die Bordwände voneinander trennt und gleichzeitig als Sitz dient.
    Abstract: Papyrus boats of small size, like the one shown in the film, are generally used for fishing at Lake Tana. The boats suck water and stark to sink during use. They have to be dried after each ride. Having been in use for about half a year, a boat must be exchanged. The technique of building a boat is comparatively simple. A first bundle of papyrus-shrubs is formed and lengthened by further short bundles to reach the presumed boatlength. This bundle (the keel) is stiffened by a wooden stick. Then, more bundles are added successively on both sides (each bundle has to be lengthened again and is tightened to the forgoing bundle). Gradually the boat's sides rise. Before the bow and the stern of the boat are tightened, the bundles are pruned ro reduce the odd shrubs. To keep the easy collapsible plait in a "Boat"-form, an extra thick bundle is pressed into the interior space. This bundle is also used as a seat.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-2311
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    IWF
  • 68
    AV-Medium
    AV-Medium
    Christliche Kirchen. Syrisch-orthodoxe Christen (Jakobiten), Irak - Vorbereitungen zur westsyrischen Liturgie. Herrichten der Eucharistie-Speisen Brot und Wein, Bekleiden des Liturgen, Oikonomie-Gebet (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 560MB, 00:10:23:02 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: Orthodox Churches ; Syriac Orthodox Church ; metropolitan ; clothing ; Christentum ; material culture ; Orthodoxe Kirchen ; kirchliche Organisation ; Christian churches ; Irak ; oblation ; Glaubensrichtungen ; Syrisch-orthodoxe Christen ; world religions ; belief ; liturgy, Syrian Orthodox (Christians) ; Syrian Orthodox Christians ; Weltreligionen ; Religion ; Opfergaben ; Gesellschaft ; everyday clothing ; Eucharist food ; religiöse Organisation ; ritual ; Encyclopaedia Cinematographica ; religious practices ; Ritual ; religion ; cultural studies ; Ankleidungszeremonie ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Liturgie, syrisch-orthodoxe (Christen) ; sacred activities ; ecclesiastical buildings ; Gebete ; Oikonomiegebet ; Gebäude ; christliche Kirchen ; archbishop ; ethnology/cultural anthropology ; Eucharistiespeisen ; Jacobites ; Weihrauch ; religiöse Gebäude ; Kulturwissenschaften ; Metropolit ; Asia ; incense ; sacrificial offering ; buildings ; Kleidung ; sacrifices ; liturgical vestment ; prayer ; Asien ; Gebet ; Gewand, liturgisches ; Erzbischof ; Opfer ; Christianity ; church organisations ; religiöse Praktiken ; oikonomy prayer ; sakrale Handlung ; burning incense ; Syriac Orthodox Christians ; society ; Iraq ; religious organisations ; Räucherung ; Duftstoffe, Räucherwerk ; dressing ceremony ; Alltagskleidung ; Jakobiten ; frankincense
    Abstract: Die drei kurzen Zeremonien: Herrichten der Eucharistie-Opfer, Einkleidung des Liturgen und Einleitungsgebet wurden vom Erzbischof Gregorius Saliba von Mosul auf dem Dach seines Amtssitzes vor der Kamera durchgeführt.
    Abstract: The preparations for the West Syrian liturgy consist of three short ceremonies: preparing Eucharist bread and wine, vesting the liturgist, and the introductory prayer of the liturgy. Each piece of vestment and each liturgical act is of symbolical value. These ceremonies are performed before the beginning of the liturgy in the sacristy or beside the altar. In the film they are celebrated by the Archbishop of Mossul Gregorius Saliba.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-2407
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  • 69
    AV-Medium
    AV-Medium
    Makuna (Südost-Kolumbien, Provinz Vaupés) - Herstellung einer Maskenkapuze aus Rindenbaststoff mit aufmodelliertem Gesicht (1979)
    IWF (Göttingen)
    In:  (Jan. 1979)
    Details
    Language: Undetermined , Undetermined
    Pages: 1327MB, 00:26:07:05 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1979)
    Keywords: handicraft ; clothing ; America ; material culture ; art ; Rindenbaststoff ; Makuna ; masks ; Wirtschaft (Ethnologie) ; Colombia ; sewing ; decoration ; mask cap ; drilling ; Weben ; Nähen ; Kunst ; ornamentation ; Maskenkapuze ; South America ; accessories ; Encyclopaedia Cinematographica ; adhesive, adhesion ; Harz ; woodworking ; bark cloth ; Malen ; Accessoires ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Holzbearbeitung ; Südamerika ; Handwerk ; pflanzliche Rohmaterialien ; painting (ethnology) ; ethnology/cultural anthropology ; arts (ethnology) ; Drillen ; resin ; Bast ; Kulturwissenschaften ; Kleidung ; cord ; Künste (Ethnologie) ; weaving ; Masken ; economy ; Holzarbeiten ; Makuna ; Klebstoff, Kleben ; Amerika ; Kolumbien ; vegetable raw materials ; Faseraufbereitung ; Ornamentieren ; Dekoration ; Textilproduktion ; Malen, Malerei ; fiber preparation ; Schnur ; painting ; textile production ; bast
    Abstract: Rindenbaststoffgewinnung, Fadendrillen, Zusammennähen der Kapuze, Aufnähen eines Reifens als Gesichtsumrahmung, Aufmodellieren des Gesichtes aus Harz, Aufkleben der geschnitzten Augenbrauen und Nase, Bemalen des Gesichtes mit geometrischen Mustern in weißer und gelber Farbe, Öffnen der Sehschlitze, Ansetzen der Haarschopffransen, Anprobe.
    Abstract: The northwest Amazon river area is one of the principal centres of masks in South America. Among the Makuna masked festivals are held at the harvest of particular crops and play a large ritual role. The film shows the different stages of making a mask: making the reddish-brown bark cloth and twisting the threads, sewing on a hoop of liana as frame for the face, modelling the face of resin, and affixing balsa sticks serving as eyes and nose. Geomtric designs are then made on the face in white and yellow, a tuft of hair made of bark fibres is attached, and the completed mask is tried on. The mask symbolizes a fish demon.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-2531
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  • 70
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    On being a native anthropologist (1979)
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    In:  The _politics of anthropology The Hague: 1979, Seite 343-352
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    Language: English
    Titel der Quelle: The _politics of anthropology
    Angaben zur Quelle: The Hague: 1979, Seite 343-352
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  • 71
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    Opretholdelse af gruppeidentitet i Baringo-disriktet i det vestlige Kenya (1979)
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    In:  Hikuin. 5 Højbjerg: 1979, Seite 79-96
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    Language: Danish
    Titel der Quelle: Hikuin. 5
    Angaben zur Quelle: Højbjerg: 1979, Seite 79-96
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  • 72
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    Room to move : contemporary Alyawara settlement patterns and their implications for Aboriginal housing policy (1979)
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    In:  A _black reality Canberra: 1979, Seite 97-120
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    Titel der Quelle: A _black reality
    Angaben zur Quelle: Canberra: 1979, Seite 97-120
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  • 73
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    The _Gebeanda : a sacred cave ritual : traditional religion among the Huli of the Southern Highlands (1979)
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    In:  Powers, plumes and piglets Bedford Park: 1979 (reprinted 1983), Seite 19-24
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    Titel der Quelle: Powers, plumes and piglets
    Angaben zur Quelle: Bedford Park: 1979 (reprinted 1983), Seite 19-24
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  • 74
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    The _Ndebele and Mwari before 1893 : a religious conquest of the conquerors by the vanquished (1979)
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    In:  Guardians of the land Gwelo: 1979, Seite 287-295
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    Titel der Quelle: Guardians of the land
    Angaben zur Quelle: Gwelo: 1979, Seite 287-295
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  • 75
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    Notes on the present-day state of anthropology in the Third World (1979)
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    In:  The _politics of anthropology The Hague: 1979, Seite 187-199
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    Titel der Quelle: The _politics of anthropology
    Angaben zur Quelle: The Hague: 1979, Seite 187-199
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  • 76
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    The _balance of power in primitive states (1979)
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    In:  Political anthropology The Hague: [1979, reprint 2012], Seite 183-195
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    Titel der Quelle: Political anthropology
    Angaben zur Quelle: The Hague: [1979, reprint 2012], Seite 183-195
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  • 77
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    Etniske symboler i et afrikansk kongedømme, Borno (1979)
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    In:  Hikuin. 5 Højbjerg: 1979, Seite 49-78
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    Titel der Quelle: Hikuin. 5
    Angaben zur Quelle: Højbjerg: 1979, Seite 49-78
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  • 78
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    Anthropology, "snooping," and commitment : a view from Papua New Guninea (1979)
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    In:  The _politics of anthropology The Hague: 1979, Seite 269-273
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    Titel der Quelle: The _politics of anthropology
    Angaben zur Quelle: The Hague: 1979, Seite 269-273
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  • 79
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    Setting up, pulling down, going on : the case of a Northern Territory cattle station community (1979)
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    In:  A _black reality Canberra: 1979, Seite 180-195
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    Titel der Quelle: A _black reality
    Angaben zur Quelle: Canberra: 1979, Seite 180-195
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  • 80
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    'Tambu' - traditional sacred wealth (1979)
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    In:  Powers, plumes and piglets Bedford Park: 1979 (reprinted 1983), Seite 33-44
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    Titel der Quelle: Powers, plumes and piglets
    Angaben zur Quelle: Bedford Park: 1979 (reprinted 1983), Seite 33-44
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  • 81
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    The _early man remains from Pikimachay Cave, Ayacucho Basin, Highland Peru (1979)
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    In:  Pre-Llano cultures of the Americas Washington, D.C.: [1979], Seite 1-47
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    Titel der Quelle: Pre-Llano cultures of the Americas
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  • 82
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    Konzeption einer Ausstellung (1979)
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    In:  Ethnologica. Neue Folge. Band 8 Köln: 1979, Seite 52-72
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    Titel der Quelle: Ethnologica. Neue Folge. Band 8
    Angaben zur Quelle: Köln: 1979, Seite 52-72
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  • 83
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    Die _anglophone Literatur der siebziger Jahre (1979)
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    In:  Afrikanische Literatur - Perspektiven und Probleme Stuttgart: 1979, Seite 167-182
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    Titel der Quelle: Afrikanische Literatur - Perspektiven und Probleme
    Angaben zur Quelle: Stuttgart: 1979, Seite 167-182
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  • 84
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    The _New Zealand octopus lure : fact or fiction (1979)
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    In:  Birds of a feather Oxford: 1979, Seite 231-246
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    Titel der Quelle: Birds of a feather
    Angaben zur Quelle: Oxford: 1979, Seite 231-246
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  • 85
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    Spirits and powers in Melanesia (1979)
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    In:  Powers, plumes and piglets Bedford Park: 1979 (reprinted 1983), Seite 97-108
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    Titel der Quelle: Powers, plumes and piglets
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  • 86
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    The _traditional treatment of illness in the Kiripia area (1979)
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    In:  Powers, plumes and piglets Bedford Park: 1979 (reprinted 1983), Seite 91-96
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    Titel der Quelle: Powers, plumes and piglets
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  • 87
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    Post-colonial bibliography : some useful titles (1979)
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    In:  Reappraisals in overseas history Leiden: 1979, Seite 225-240
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    Titel der Quelle: Reappraisals in overseas history
    Angaben zur Quelle: Leiden: 1979, Seite 225-240
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  • 88
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    English-language historiography on British expansion in India and Indian reactions since 1945 (1979)
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    In:  Reappraisals in overseas history Leiden: 1979, Seite 21-53
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    Titel der Quelle: Reappraisals in overseas history
    Angaben zur Quelle: Leiden: 1979, Seite 21-53
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  • 89
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    Dutch historiography on European expansion sinve 1945 (1979)
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    In:  Reappraisals in overseas history Leiden: 1979, Seite 122-139
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    Titel der Quelle: Reappraisals in overseas history
    Angaben zur Quelle: Leiden: 1979, Seite 122-139
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  • 90
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    Three Tiwa communities and their response to stress for change (1979)
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    In:  Political anthropology The Hague: [1979, reprint 2012], Seite 343-352
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    Titel der Quelle: Political anthropology
    Angaben zur Quelle: The Hague: [1979, reprint 2012], Seite 343-352
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  • 91
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    Participant observation or partisan participation? (1979)
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    In:  The _politics of anthropology The Hague: 1979, Seite 309-318
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    Titel der Quelle: The _politics of anthropology
    Angaben zur Quelle: The Hague: 1979, Seite 309-318
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  • 92
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    Change in rank and status in the Polynesian kingdom of Tonga (1979)
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    In:  Political anthropology The Hague: [1979, reprint 2012], Seite 225-240
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    Titel der Quelle: Political anthropology
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  • 93
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    Citizenship and sources of political authority in the Marianas (1979)
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    In:  Political anthropology The Hague: [1979, reprint 2012], Seite 215-224
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    Titel der Quelle: Political anthropology
    Angaben zur Quelle: The Hague: [1979, reprint 2012], Seite 215-224
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  • 94
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    Gravformer, primitive penge og politiske alliancer på Samoa (1979)
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    In:  Hikuin. 5 Højbjerg: 1979, Seite 21-30
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    Titel der Quelle: Hikuin. 5
    Angaben zur Quelle: Højbjerg: 1979, Seite 21-30
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  • 95
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    A _deceptive terrestrial vertebrate fossil site on the Waipara River, North Canterbury, New Zealand (1979)
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    In:  Birds of a feather Oxford: 1979, Seite 25-52
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  • 96
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    The _effect of reservation bordertowns and energy exploitation on American Indian economic development (1979)
    In:  Research in Economic Anthropology [Bestand] : 1979, Seite 303-337
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    Titel der Quelle: Research in Economic Anthropology [Bestand]
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  • 97
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    The _golden stool and the elephant tail : an essay on wealth in Asante (1979)
    In:  Research in Economic Anthropology [Bestand] : 1979, Seite 1-36
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    Titel der Quelle: Research in Economic Anthropology [Bestand]
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  • 98
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    Peasant political cogniton : a methodological perspective (1979)
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    In:  Political anthropology The Hague: [1979, reprint 2012], Seite 311-342
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    Titel der Quelle: Political anthropology
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  • 99
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    Maori godsticks and their stylistic affinities (1979)
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    In:  Birds of a feather Oxford: 1979, Seite 285-295
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    Titel der Quelle: Birds of a feather
    Angaben zur Quelle: Oxford: 1979, Seite 285-295
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  • 100
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    Anthropologists and their terminologies : a critical review (1979)
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    In:  The _politics of anthropology The Hague: 1979, Seite 67-83
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    Titel der Quelle: The _politics of anthropology
    Angaben zur Quelle: The Hague: 1979, Seite 67-83
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