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  • MPI Ethno. Forsch.  (133)
  • Weltkulturen Museum  (53)
  • Frobenius-Institut  (13)
  • Film  (188)
  • General works  (188)
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  • 1
    ISBN: 9781003263234 , 9781032203317 , 9781032203324
    Language: Undetermined
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als The Routledge companion to history and the moving image
    Parallel Title: Erscheint auch als The Routledge companion to history and the moving image
    Parallel Title: Erscheint auch als Hughes-Warrington, Marnie The Routledge Companion to History and the Moving Image
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    Keywords: Humanities ; General & world history ; Social & cultural history ; Film theory & criticism ; Film: styles & genres ; Historiography ; Television ; General and world history ; Social and cultural history ; Film history, theory or criticism ; Film: styles and genres ; History ; Communications; Television; Historiography; Media history; Cinema; Historical films; Media studies; Digital screen culture; Film ; Aufsatzsammlung ; Film ; Geschichte
    Abstract: Klappentext: The Routledge Companion to History and the Moving Image takes an interdisciplinary approach to understanding history in moving images. It engages this popular and dynamic field that has evolved rapidly from film and television to digital streaming into the age of user-created content. The volume addresses moving image history through a theoretical lens; modes and genres; representation, race, and identity; and evolving forms and formats. It brings together a range of scholars from across the globe who specialize in film and media studies, cultural studies, history, philosophy of history, and education. Together, the chapters provide a necessary contemporary analysis that covers new developments and questions that arise from the shift to digital screen culture. The book examines technological and ethical concerns stemming from today's media landscape, but it also considers the artificial construction of the boundaries between professional expertise and amateur production. Each contributor?s unique approach highlights the necessity of engaging with moving images for the academic discipline of history. The collection, written for a global audience, offers accessible discussions of historiography and a compelling resource for advanced undergraduates and postgraduates in history, film and media studies, and communications.
    Note: English
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  • 2
    ISBN: 9783741003486
    Language: German
    Pages: 1 Online-Ressource (326 Seiten) , Illustrationen
    Series Statement: Zürcher Filmstudien Band 46
    Parallel Title: Erscheint auch als Wanner, Clea Entfesselte Körper
    Dissertation note: Dissertation Universität Basel 2020
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    Keywords: Film guides & reviews ; Hochschulschrift ; Russland ; Film ; Körper ; Tanz ; Geschichte 1908-1918 ; Russland ; Film ; Tanz ; Neuer Mensch ; Filmästhetik ; Geschichte 1913-1918
    Abstract: With its new media possibilities, film at the beginning of the 20th century brought increased intensity to the perception of body representations. It now showed the body in an aesthetic tension of authenticity, alienation, fetishization and ephemerality and at the same time created media and aesthetic constellations which combined numerous (theoretical) considerations and artistic articulations of a crisis-ridden modernity Visions of a new man – especially a new woman – were omnipresent. Using a broad spectrum of cinematic artefacts and historical materials, the book examines the first decade of narrative cinema, 1908-1918 in the late Tsarist Empire, how cinema specifically modeled cinematic concepts of physicality and thus significantly the idea of ​​the human being in Russian modernity, a cultural culture characterized by transmediality Epoch, co-designed. Accordingly, in the study, practices from theater and dance as well as cultural, artistic and literary discourses, such as from the avant-garde or symbolism, are intertwined with developments in film aesthetics and film theory
    Abstract: Mit seinen neuen medialen Möglichkeiten brachte der Film zu Beginn des 20. Jahrhunderts eine gesteigerte Intensität in die Wahrnehmung von Körperrepräsentationen. Er zeigte den Körper nun in einer ästhetischen Spannung von Authentizität, Verfremdung, Fetischisierung und Flüchtigkeit und schuf zugleich mediale und ästhetische Konstellationen, an die sich zahlreiche (theoretische) Überlegungen und künstlerische Artikulationen einer krisenhaften Moderne banden. Visionen von einem Neuen Menschen – insbesondere einer Neuen Frau – waren allgegenwärtig. Anhand eines breiten Spektrums filmischer Artefakte und historischer Materialien untersucht das Buch zur ersten Dekade des Erzählkinos, 1908-1918 im ausgehenden Zarenreich, wie das Kino spezifisch filmische Konzepte von Körperlichkeit modellierte und somit maßgeblich die Vorstellung vom Menschen in der russischen Moderne, einer transmedial geprägten kulturellen Epoche, mitgestaltete. Entsprechend werden in der Studie Praktiken aus Theater und Tanz sowie kulturelle, künstlerische und literarische Diskurse, etwa aus der Avantgarde oder dem Symbolismus, mit filmästhetischen und filmtheoretischen Entwicklungen verschränkt
    Note: German
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  • 3
    ISBN: 9783839466247 , 9783837666243 , 9783732866243
    Language: Undetermined
    Pages: 1 Online-Ressource (270 p.)
    Series Statement: Edition Medienwissenschaft
    Parallel Title: Erscheint auch als Neubauer, Tatjana, 1989 - The Mediatization of the O.J. Simpson Case. From Reality Television to Filmic Adaptation
    Parallel Title: Erscheint auch als Neubauer, Tatjana, 1989 - The mediatization of the O.J. Simpson case
    Parallel Title: Erscheint auch als Neubauer, Tatjana, 1989 - The mediatization of the O.J. Simpson case
    Parallel Title: Erscheint auch als Neubauer, Tatjana, 1989 - The mediatization of the O.J. Simpson case
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    Keywords: Television ; TV & society ; Cultural studies ; Simpson, Orenthal J. 1947-2024 ; Gerichtsberichterstattung ; Reality-TV ; Sensationsjournalismus ; Film ; Geschichte 1994-2016
    Abstract: F. Scott Fitzgerald once said: "Show me a hero, and I'll write you a tragedy." In the 1990s, nobody fell deeper than O.J. Simpson. Once considered a national treasure, the athlete was accused of brutally slaying his ex-wife Nicole Brown and her friend Ronald Goldman on June 12, 1994. Within days, the media and public developed an unprecedented obsession with the story, turning a murder investigation and trial into a sensationalized reality show. Tatjana Neubauer examines the mediatization, deliberate manipulation, and the simplification of popular criminal trials for profit on television. She demonstrates that TV conflated legal proceedings into entertainment programming by commodifying events, people, and places.
    Note: English
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  • 4
    ISBN: 9783839452486 , 3839452481
    Language: German
    Pages: 1 Online-Ressource (415 p.)
    Series Statement: Film
    Uniform Title: The Berlin school and its global contexts
    Parallel Title: Erscheint auch als Abel, Marco Die Berliner Schule im globalen Kontext
    DDC: 791.430943
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    Keywords: Motion pictures History ; Motion pictures German influences ; New wave films ; Cinéma - Allemagne - Berlin - Histoire ; Cinéma - Influence allemande ; Nouvelle Vague (Cinéma) - Allemagne - Berlin ; SOCIAL SCIENCE / Media Studies ; Motion pictures ; Motion pictures - German influences ; New wave films ; Arthouse-Kino ; Berliner Schule ; Deutsches Kino ; Filmemacher ; Filmkritik ; Filmtheorie ; Gegenwartskino ; Globales Kino ; Globalisierung ; Medienwissenschaft ; Nachwende-Kino ; New Wave ; History ; Germany - Berlin ; Berliner Schule ; Berliner Schule 2018 ; Deutschland ; Film ; New wave ; Deutschland ; Film ; Geschichte 1970 - ; Deutschland ; Film ; Globalisierung ; Filmkritik ; Filmtheorie ; Film ; Moderne
    Abstract: Die Berliner Schule gilt als die wichtigste Strömung im deutschen Kino seit den 1970er Jahren. Gleichzeitig kann sie als wesentlicher Teil der globalen New-Wave-Filme verstanden werden, die an den traditionellen Rändern des Weltkinos angesiedelt sind. In 15 Essays setzen die Beiträger*innen des Bandes die Berliner Schule mit Beispielen des globalen Kinos in Verbindung - vom Nahen Osten über Südostasien bis Nordamerika - und laden dazu ein, sie als zentralen Aspekt des Nachwende-Kinos in einem transnationalen Licht zu betrachten. Damit liefern sie zum ersten Mal eine systematische Untersuchung dieser Gattung und stellen sie als eine der wichtigsten Entwicklungen des gegenwärtigen Arthouse-Kinos heraus
    Description / Table of Contents: Cover -- Inhalt -- Danksagungen -- Danksagung für die englische Edition -- Danksagung für die deutsche Edition -- Einleitung: Die Berliner Schule und darüber hinaus -- »Die Berliner Schule«: Gemeinsamkeiten und Unterschiede -- Die Gefahren des »guten Objekts« -- Die seltsamen Reisen des Kunstkinos: Institutionelle Eigenschaften und ästhetische Herangehensweisen -- Die anhaltende, nagende dynamische Kraft des Begriffs der Nation und des »nationalen« Kinos: Angela Schanelecs Film Der traumhafte Weg (2016) -- Ein reiches Mosaik des zeitgenössischen globalen Kunstkinos -- Literaturverzeichnis
    Description / Table of Contents: 1 Die Berliner Schule und Filme von Frauen -- Die Entstehung von Medienkonglomeraten und die zeitgenössische Film- und Fernsehkultur von Frauen -- Die Berliner Schule, der Neoliberalismus und das Frauenkino -- Zeitgenössische Filmproduktionen von Frauen: Materielle Interventionen und Affinitäten -- Die Situationstragödie: Formale und thematische Verwandtschaften in zeitgenössischen Filmen von Frauen -- englishLiteraturverzeichnis -- 2 Gender, Genre und die (Un-)Möglichkeit der romantischen Liebe -- Eine unmögliche Liebe: Blue Valentine -- Neue Liebesversuche: Alle anderen
    Description / Table of Contents: Schlussfolgerung: Hin zu einem postromantischen Affekt -- englishLiteraturverzeichnis -- 3 Reflexionen über das Gegenkino und (nicht-)nationale Strategien -- I. -- II. -- III. -- englishLiteraturverzeichnis -- 4 »Das Leben ist voller schwieriger Entscheidungen« -- Zwei Kinos -- Lucy -- Wendy and Lucy -- Schlussfolgerung -- englishLiteraturverzeichnis -- 5 Kino als Digest, Kino als Verdauung -- englishLiteraturverzeichnis -- 6 Daheim gibt es nicht -- englishLiteraturverzeichnis -- 7 Die Kräfte des Milieus -- Milieu als Medium -- Die Pathologien professioneller Beobachter
    Description / Table of Contents: Strategien der Inszenierung -- Die Politik des Milieus -- Literaturverzeichnis -- 8 Neue Globale Wellen -- Literaturverzeichnis -- 9 Gegabelte Zeit -- Köhler und Apichatpong über »politischen Film« -- Apichatpongs geteilte/gefaltete Zeit -- Zeitliche Brüche: Blissfully Yours und Tropical Malady -- Der Raum bei Köhler und Apichatpong: »Primitive« und Montag kommen die Fenster -- Doppelte Zeit: Syndromes, Uncle Boonmee und Schlafkrankheit -- Geschichte ist eine Schlafkrankheit -- englishLiteraturverzeichnis -- 10 Jenseits von Berlin -- I. -- II. -- III. -- IV. -- englishLiteraturverzeichnis
    Description / Table of Contents: 11 Die Politik der Berliner Schule und darüber hinaus -- Hunger: Die trägen Grenzen des gewalttätigen Widerstandes -- Innere Sicherheit: Neoliberale Trägheit von Terroristenkindern und jugendlichen McJobbern -- Falscher Bekenner (2005): Verlangsamung und prekäre Anerkennung -- Epilog -- Literaturverzeichnis -- 12 Bilder des Laufens in den Filmen von Benjamin Heisenberg -- Der ursprüngliche Läufer: Antoine Doinel -- Heisenberg'sche Relationen -- Räuber oder Läufer? -- englishLiteraturverzeichnis -- 13 Von früh an Gespenster
    Note: Description based upon print version of record , Das geteilte Nachleben der Industriewirtschaft und ihrer prekären Solidaritäten
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  • 5
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Schüren Verlag
    ISBN: 9783741002250 , 9783741004483
    Language: Undetermined
    Pages: 1 Online-Ressource (296 p.)
    Series Statement: Marburger Schriften zur Medienforschung
    Parallel Title: Erscheint auch als Rassismus im Film
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    Keywords: Film guides & reviews ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Rassendiskriminierung ; Film
    Abstract: Seit dem Mord an George Floyd durch den Polizeieingriff in den Vereinigten Staaten im Mai 2020 und der daraus erwachsenen (Social Media-)Bewegung #blacklivesmatter hat auch die Beschäftigung mit den verschiedenen Formen von Rassismus in Deutschland zugenommen. Konnte der Begriff vor wenigen Jahren in wissenschaftlichen wie öffentlichen Diskursen weitgehend nur schwierig oder selten genutzt werden, hat er sich inzwischen hierzulande auch als Gegenbegriff zur globalen Wirkmächtigkeit rechter Ideologien, die besonders Identitätskategorien zur Legitimation mörderischer Gewalt heranziehen, sowie im Kontext globaler Diversifizierungsmaßnahmen im Diskursmainstream durchgesetzt. Dieser Erfolg des Begriffs lässt auch die filmischen Produktionen zu Themen von Menschenfeindlichkeit, die auf Repräsentationskategorien basieren, in einem neuen Licht erscheinen. Filme zu Themen des Rassismus versuchen, Aufklärungsarbeit im Sinne anti-rassistischer Praxis zu leisten, während beispielsweise propagandistische Videos rechter und dschihadistischer Kreise zur (re-)produktiven Verhandlung von Rassismus beitragen. Andererseits lassen sich Filme, die scheinbar nichts mit Rassismus zu tun haben, bei einem genaueren analytischen Blick sehr wohl als Verstärkungs-, Reproduktions- oder Verschleierungsakteure von Rassismen verstehen. So sind Filme immer schon im Sinne von (Un-)Sichtbarkeitsmaschinen dazu geeignet, soziale Verhältnisse zu veräußerlichen und so ungedachte Zusammenhänge zu denken. In dieser argumentativen Bi-Perspektivität – Sichtbarwerden der Rassismusdiskurse und Filme als Sichtbarkeitsmedien sozialer Verhältnisse – geht der vorliegende Sammelband Diskursformen des Rassismus, seiner Filmkulturen und Möglichkeiten des (anti-rassistischen) Widerstands besonders/aber nicht nur im deutschsprachigen Kontext nach. Daran schließen sich folgende Fragen an: Wie sieht der Zusammenhang von (fiktionalen) Filmen und Formen des Rassismus in Film-kulturen aus? Wie gehen fiktionale Formate mit Antisemitismus, Rechtsradikalismus, antimuslimischem Rassismus, Antiziganismus und whiteness um? Und wie versuchen aktuelle (auch experimentelle) filmische Formate, Rassismus entgegenzutreten? Im Zentrum des Sammelbandes stehen die Filme und ihre Geschichten selbst. Ziel ist es, das Erkenntnispotential von Filmen in der Auseinandersetzung mit Rassismus zu befragen: Was genau am Rassismus machen die Filme sichtbar? Wie lassen sich mögliche historische Entwicklungen narrativer audiovisueller Diskursformen (für den deutschsprachigen Kontext) darstellen? Wie verändern sich in diesen Entwicklungen die Auseinandersetzungen mit jenen rassistischen Formen? Und grundsätzlich: Wie stehen Film und Rassismus zueinander? Die Beiträge des Sammelbands explorieren so diverse Erscheinungsformen des Rassistischen: Umweltrassismus, Antisemitismus, Rassismus gegen Schwarze Menschen, Anti-Zig*anismus, anti-muslimischer Rassismus, Rassismus und Gender, rechtsextremer Rassismus in Deutschland und filmische Erinnerungskultur, Afropolitanismus und Rassismus, Rassismus ohne Rassen*/Rassismus gegen Migrant:innen. Beiträge von Ömer Alkin , Julia Bee, Julia Dittmann , Irina Gradinari , Hilde Hoffmann , Kien Nghi Ha Hauke Lehmann, Radmila Mladenova,, Tobias Nagl , Burrhus Njanjo und Alena Strohmaier
    Note: German
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  • 6
    ISBN: 9783837635317 , 3837635317
    Language: German
    Pages: 278 Seiten , Illustrationen , 22.5 cm x 14.8 cm
    Series Statement: Locating media Band 13
    Series Statement: Locating media
    Parallel Title: Erscheint auch als Mohn, Bina Elisabeth, 1956 - Kamera-Ethnographie
    Parallel Title: Erscheint auch als Mohn, Bina Elisabeth, 1956 - Kamera-Ethnographie
    DDC: 302.2343
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    Keywords: Motion pictures Handbooks, manuals, etc Social aspects ; Motion pictures Handbooks, manuals, etc Appreciation ; Psychoanalysis and motion pictures Handbooks, manuals, etc ; Film genres Handbooks, manuals, etc ; Motion picture audiences Handbooks, manuals, etc History ; Documentary films Handbooks, manuals, etc History and criticism ; Visuelle Ethnologie ; Forschungsmethode ; Film ; Forschungsmethode ; Film
    Abstract: Klappentext: Kamera-Ethnographie ist ein filmischer Ansatz zur Gestaltung der Wahrnehmungs- und Wissensprozesse beim ethnographischen Forschen. Dabei wird im Unterschied zur Logik der Aufzeichnung angenommen, dass Forschungsgegenstände zunächst noch gar nicht sichtbar sind. Kameraführung, Schnitt und Montage tragen als experimentelle Praktiken zur Beobachtbarkeit und Sichtbarkeit epistemischer Dinge bei. Bina Elisabeth Mohns repräsentationskritische Programmschrift zeigt, wie die Methode der Kamera-Ethnographie auch nonverbale Praktiken in ihren Choreographien und bildhaften Figuren in den Blick rückt. Eine situierte Methodologie und reflexive Pragmatik leiten zum positionierten Hinschauen und Sehenlernen an und binden selbst das Publikum in eine forschende Rezeption ein.
    Note: Literaturverzeichnsis: Seiten 263-276
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 7
    ISBN: 9783839435311 , 9783732835317
    Language: German
    Pages: 1 Online-Ressource (278 Seiten) , Illustrationen
    Series Statement: Locating media Band 13
    Series Statement: Locating media
    Parallel Title: Erscheint auch als Mohn, Bina Elisabeth, 1956 - Kamera-Ethnographie
    DDC: 302.2343
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    Keywords: Visuelle Ethnologie ; Forschungsmethode ; Film
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  • 8
    ISBN: 9783406780615 , 340678061X
    Language: German
    Pages: 304 Seiten , Illustrationen , 22 x 16,5 cm
    Additional Information: Rezensiert in Tack, Anja, 1978 - Rezension: Peter Geimer, die Farben der Vergangenheit 2022
    Parallel Title: Erscheint auch als Geimer, Peter, 1965 - Die Farben der Vergangenheit
    DDC: 700.45809034
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    Keywords: Historienmalerei ; Fotografie ; Film ; Geschichtsbild ; Geschichte 1860-2022 ; Vergangenheit ; Visualisierung ; Historienmalerei ; Fotografie ; Film ; Geschichte 1860-2022 ; Geschichtsbild ; Geschichte ; Kunst ; Bild ; Quelle ; Geschichtstheorie
    Abstract: Die Vergangenheit ist unbeobachtbar. Was wir von ihr wissen oder uns vorstellen, haben wir nicht zuletzt durch Bilder erfahren: Historiengemälde, Fotografien, Filme, digitale Reanimationen. Der Kunsthistoriker Peter Geimer fragt, was Bilder zu visuellen Zeugnissen macht und wie sie Geschichte Gestalt verleihen. Dabei zeigt sich, dass Bilder nicht einfach historische Sachverhalte illustrieren, sondern selbst Erscheinungsformen der Geschichte sind. Obwohl Sprache traditionell als Leitmedium des Historischen gilt, beruht unsere Vorstellung des Vergangenen maßgeblich auch auf Bildern. Wie Schriftquellen, so rekonstruieren Bilder Geschichte aber nur bruchstückhaft - sie bilden Fragmente auf der Suche nach der verlorenen Zeit. Das vorliegende Buch stellt vielfältige Erscheinungsweisen visueller Rekonstruktion in den Medien Malerei, Fotografie und Film vor. Die Zusammenschau zeigt, dass diese diversen Formen der Vergegenwärtigung - vom detailgenau rekonstruierenden Historienbild des 19. Jahrhunderts über das dokumentarische Foto bis zum "reenactment" im zeitgenössischen Video - sehr unterschiedliche Möglichkeiten der Imagination des Vergangenen darstellen. Ein neuer Blick auf die Rekonstruktion von Geschichte im Bild Peter Geimer zeigt, wie Bilder zu visuellen Zeugnissen werden
    Note: Literaturverzeichnis: Seite 287-300
    URL: Cover
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  • 9
    ISBN: 9783412523831
    Language: German
    Parallel Title: Erscheint auch als Kötzing, Andreas, 1978 - Unscharfe Kontraste. Die filmischen Repräsentationen der Leipziger Montagsdemonstrationen im Kontext der DDR-Erinnerungskultur
    Titel der Quelle: Das umstrittene Erbe von 1989
    Publ. der Quelle: Wien : Böhlau Verlag, 2022
    Angaben zur Quelle: (2021), Seite 89-109
    Angaben zur Quelle: year:2021
    Angaben zur Quelle: pages:89-109
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    Keywords: Leipzig ; Friedliche Revolution in der DDR ; Demonstration ; Medien ; Film ; Dokumentarfilm ; Friedliche Revolution in der DDR ; Kollektives Gedächtnis ; Geschichte 1989-
    Note: Literaturangaben
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  • 10
    Online Resource
    Online Resource
    Wiesbaden : Springer Fachmedien Wiesbaden | Wiesbaden : Imprint: Springer VS
    ISBN: 9783658381271
    Language: German
    Pages: 1 Online-Ressource(XII, 183 S. 23 Abb. in Farbe.)
    Edition: 1st ed. 2022.
    Series Statement: pop.religion: lebensstil – kultur – theologie
    Parallel Title: Erscheint auch als Pandemie im Film
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    Keywords: Motion pictures. ; Television broadcasting. ; Religion and sociology. ; Mass media. ; Aufsatzsammlung ; Pandemie ; Film ; Fernsehserie
    Abstract: Untersucht wird die theologische und ästhetische Bearbeitung der Pandemien in dystopischen und Science-Fiction-Filmen sowie Serien. Zwischen Verschwörungstheorien, der Sicht als Strafe Gottes und der fatalistischen Annahme eines "notwenigen Übels" changieren die Erklärungsmodelle im Film wie auch in der gesellschaftlichen Wirklichkeit. Filme bieten dabei stellvertretend narrative Lösungsmodelle an. Die Katastrophe wird auf diese Weise dem beängstigenden Alltag für kurze Zeit enthoben, was eine der Reflexion zuträgliche Distanz ermöglicht. Exemplarisch wird ein sich wandelndes Rollen-, Gesellschafts- und Gottesbild aufgezeigt, das zu religionspädagogischen Reflexionen anregt. Die Herausgebenden Dr. Inge Kirsner ist als apl. Professorin für Praktische Theologie/Religionspädagogik am Institut für Evangelische Theologie der Universität Paderborn sowie als Hochschulpfarrerin in Tübingen tätig. Dr. Harald Schroeter-Wittke ist Professor für Didaktik der Evangelischen Religionslehre mit Kirchengeschichte am Institut für Evangelische Theologie der Universität Paderborn.
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  • 11
    Online Resource
    Online Resource
    Stuttgart : J.B. Metzler | Stuttgart : Imprint: Palgrave Macmillan
    ISBN: 9783476058881
    Language: English
    Pages: 1 Online-Ressource(XIII, 528 p. 43 illus.)
    Edition: 1st ed. 2022.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Motion pictures—History. ; Queer theory. ; Performing arts. ; Theater. ; Ethnology—Europe. ; Culture. ; Motion pictures. ; Deutschland ; Film ; Homosexualität ; Männlichkeit ; Geschichte Anfänge - 1945
    Abstract: Chapter 1. Introduction -- Chapter 2. Empire/Germany: Film and Cinema, Gender and Sexuality -- Chapter 3. Weimar Republic/Germany: Film and Cinema, Gender and Sexuality -- Chapter 4. National Socialism/Germany: Film and Cinema, Gender and Sexuality -- Chatper 5. Concluding Remarks.-.
    Abstract: The work in media cultural history is a German history of cinema and film from the 1890s to 1945 with a focus on queer masculinity. Using media studies approaches, the study shows how film as a new medium is constituted through performative re-enactments of spectacular elements from the entertainment and knowledge cultures of the 19th century. In it, bodies, desires and identities are constantly remodelled through the formation of difference. Therefore, male queerness here does not mean the representation of male homosexuality. Rather, it is the dynamic result of complex medial processes, in connection with affects and (self-)cognitions on and off screen. This book is a translation of an original German 1st edition Performative Figuren queerer Männlichkeit by Christiane König, published by J.B.Metzler, imprint of Springer-Verlag GmbH Germany, part of Springer Nature in 2020. The translation was done with the help of artificial intelligence (machine translation by the service DeepL.com). The author (with the friendly support of Megan Hanson) has subsequently revised the text further in an endeavour to refine the work stylistically. Springer Nature works continuously to further the development of tools for the production of books and on the related technologies to support authors.
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  • 12
    ISBN: 9783031062018
    Language: English
    Pages: 1 Online-Ressource(XIII, 233 p.)
    Edition: 1st ed. 2022.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Literature, Modern—19th century. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Motion pictures. ; Aufsatzsammlung ; Englisch ; Roman ; Sachkultur ; Geschichte 1837-1901 ; Rezeption ; Fernsehspiel ; Großbritannien ; Neuseeland ; Film ; USA ; Geschichte 1980-2022
    Abstract: 1. Introduction: Stuff and Things: Introducing Neo-Victorian Materialities -- 2. Objects and Memorabilia in Deborah Lutz’s The Brontë Cabinet: Three Lives in Nine Objects -- 3. “Around the Mizzenpole”: Charles Johnson’s Middle Passage and African Americanizing the Neo-Victorian-at-sea -- 4. Touching, Writing, Collecting: Opium Paraphernalia and Neo-Victorian Material Culture -- 5. An Instrumental Thing: Pianos Extending and Becoming Postcolonial Bodies in Jane Campion’s The Piano and Daniel Mason’s The Piano Tuner -- 6. “Wilful Phantoms”: Haunted Dress, Memory, and Agentic Materiality in Colm Tóibín’s The Master -- 7. The Thing About Haunted Houses: In The Turn of the Screw, The Innocents and The Haunting of Hill House -- 8. There’s Something in the Tea: Murder and Materiality in Dark Angel -- 9. Criminal Things: Sherlock Holmes’ Details of Detection and Their Neo-Victorian Revisions -- 10. The Sleight of Hand: Appearance and Disappearance of Things in Neo-Victorian Magic.
    Abstract: Neo-Victorian Things: Re-Imagining Nineteenth-Century Material Cultures in Literature and Film is the first volume to focus solely on the replication, reconstruction, and re-presentation of Victorian things. It investigates the role of materiality in contemporary returns to the past as a means of assessing the function of things in remembering, revisioning, and/or reimagining the nineteenth century. Examining iterations of material culture in literature, film and popular television series, this volume offers a reconsideration of nineteenth-century things and the neo-Victorian cultural forms that they have inspired, animated, and even haunted. By turning to new and relatively underexplored strands of neo-Victorian materiality—including opium paraphernalia, slave ships, clothing, and biographical objects—and interrogating the critical role such objects play in reconstructing the past, this volume offers ways of thinking about how mis/apprehensions of material culture in the nineteenth century continue to shape our present understanding of things.
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  • 13
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783031133923
    Language: English
    Pages: 1 Online-Ressource (XIX, 335 p. 8 illus)
    Edition: 1st ed. 2022
    Series Statement: Palgrave Studies in Cultural Heritage and Conflict
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.094
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    Keywords: Geschichte 1998-2018 ; European Culture ; Regional Cultural Studies ; Cultural Heritage ; Ethnology—Europe ; Culture ; Ethnology ; Cultural property ; Spanisch ; Unterdrückung ; Roman ; Galicisch ; Film ; Franquismus ; Spanien ; Spanisch ; Galicisch ; Roman ; Spanien ; Film ; Unterdrückung ; Franquismus ; Geschichte 1998-2018
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 14
    Online Resource
    Online Resource
    Stuttgart : J.B. Metzler | Stuttgart : Palgrave Macmillan
    ISBN: 9783476058836
    Language: English
    Pages: 1 Online-Ressource (IX, 180 p. 11 illus. in color)
    Edition: 1st ed. 2022
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.094
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    Keywords: Geschichte 1982-2019 ; European Culture ; Ethnology—Europe ; Culture ; Politik ; Politische Identität ; Europa ; Literatur ; Film ; Europäische Integration ; Europa ; Konferenzschrift 2018 ; Konferenzschrift 2018 ; Konferenzschrift 2018 ; Literatur ; Film ; Europa ; Geschichte 1982-2019 ; Europa ; Politik ; Europäische Integration ; Politische Identität
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 15
    Online Resource
    Online Resource
    Wiesbaden : Springer Fachmedien Wiesbaden | Cham : Springer International Publishing AG
    ISBN: 9783658349271 , 3658349271
    Language: German
    Pages: 1 Online-Ressource (VI, 252 Seiten) , 36 Abb., 30 Abb. in Farbe.
    Edition: 1st ed. 2021
    Series Statement: Film und Bewegtbild in Kultur und Gesellschaft
    Parallel Title: Erscheint auch als Methoden der Filmsoziologie
    DDC: 302.23
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    Keywords: Clarke, Gerald ; Film ; Soziologie ; Mass media ; Motion pictures ; Culture ; Culture—Study and teaching ; Media Sociology ; Film Studies ; Audio-Visual Culture ; Sociology of Culture ; Visual Culture ; Aufsatzsammlung ; Aufsatzsammlung
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  • 16
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    ISBN: 9789048551958 , 9048551951
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Film culture in transition
    Parallel Title: Erscheint auch als BAER, HESTER GERMAN CINEMA IN THE AGE OF NEOLIBERALISM
    DDC: 791.430943
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    Keywords: Motion pictures History and criticism ; Neoliberalism in motion pictures ; Motion pictures ; Criticism, interpretation, etc ; Germany ; Deutschland ; Film ; Filmproduktion ; Geschichte 1980-2010 ; Deutschland ; Film ; Filmproduktion ; Deutsche Film AG
    Note: Includes bibliographical references and index
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  • 17
    Image
    Image
    Köln : Verlag der Buchhandlung Walther und Franz König
    ISBN: 9783960989837 , 3960989830
    Language: German
    Pages: 351 Seiten , 520 Illustrationen , 26.5 cm x 20 cm
    Parallel Title: Parallele Sprachausgabe Counter gravity
    DDC: 791.43023092
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    Keywords: Ausstellungskatalog Haus der Kulturen der Welt Berlin 15.10.2021-03.01.2022 ; Emigholz, Heinz 1948- ; Film ; Emigholz, Heinz 1948- ; Film ; Video
    Note: Diese Publikation erscheint anlässlich der WErkschau Counter Gravity. Die Filme von Heinz Emigholz im HKW, 15. Obtober 2021-3. Januar 2022. Teil des HKW-Projekts Das Neue Alphabet, gefördert von der Beauftragten der Bundesregierung für Kultur und Medien aufgrund eines Beschlusses des Deutschen Bundestages. In Kooperation mit Filmgalerie 451
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  • 18
    ISBN: 9783837652468 , 3837652467
    Language: English
    Pages: 286 Seiten , Illustrationen , 23 cm
    Series Statement: Media studies volume 76
    Series Statement: Edition Medienwissenschaft
    Parallel Title: Erscheint auch als Images on the move
    Parallel Title: Erscheint auch als Images on the move
    DDC: 302.23
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    Keywords: Digital images Social media ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Bild ; Verbreitung ; Fotografie ; Film ; Neue Medien ; Geschichte 1930-2018 ; Bild ; Mobilität ; Neue Medien ; Medienwissenschaft ; Bildwissenschaft ; Medien ; Bild ; Vernetzung ; Bildformat ; Vernetzung
    Note: Literaturangaben
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  • 19
    Online Resource
    Online Resource
    New York, NY, United States of America : Oxford University Press
    ISBN: 9780190878023 , 9780190878009 , 9780190878016
    Language: English
    Pages: 1 Online-Ressource (xvi, 844 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.766
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    Keywords: Homosexualität ; Film ; Sexual minorities in mass media ; Sexual minorities in motion pictures ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Film ; Homosexualität
    Abstract: 'The Oxford Handbook of Queer Cinema' encompasses more than a century of filmmaking, film criticism and film reception, looking at the ways in which the idea of 'queer cinema' has expanded as a descriptor for a global arts practice
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 20
    ISBN: 9783037786062 , 303778606X , 9783037786079
    Language: German
    Pages: 240 Seiten , 24 cm x 16.5 cm
    DDC: 770
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    Keywords: Ausstellungskatalog Fotomuseum Winterthur 07.09.2019-24.11.2019 ; Fotografie ; Film ; Farbe ; Materialität ; Geschichte ; Farbfotografie ; Farbfilm ; Geschichte
    Note: Enthält 17 Beiträge , Impressum: "Diese Publikation erscheint anlässlich der Ausstellung "Color Mania - Materialität Farbe in Fotografie und Film" im Fotomuseum Winterthur, 7. September - 24. November 2019" , Literaturverzeichnis: Seite 235-237
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  • 21
    Online Resource
    Online Resource
    Wiesbaden : Springer Fachmedien Wiesbaden | Wiesbaden : Imprint: Springer VS
    ISBN: 9783658320522
    Language: German
    Pages: 1 Online-Ressource(XII, 653 S.)
    Edition: 1st ed. 2020
    Series Statement: Film, Fernsehen, Medienkultur, Schriftenreihe der Filmuniversität Babelsberg KONRAD WOLF
    Series Statement: Springer eBook Collection
    Parallel Title: Erscheint auch als Wuss, Peter, 1940 - Künstlerische Verfahren des Films aus psychologischer Sicht
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    Keywords: Motion pictures. ; Popular Culture. ; Mass media. ; Communication. ; Film ; Rezeptionsästhetik ; Psychologie ; Filmtheorie
    Abstract: Einführung in eine unübliche Betrachtung der Siebenten Kunst -- Umdenken in Ästhetik und Kunstwissenschaften -- Kognitionspsychologische Beschreibung filmischer Strukturen -- Filmisches Erzählen und seine kognitive Modellierung -- Zur Anwendung des Narrationsmodells -- Konflikt und Problemlösung -- Das Konflikt-Diskrepanz-Modell der Kino-Emotionen -- Figur und Vorstellung -- Narrative Spannung und Suspense -- Filmgenres -- Prinzip Hoffnung: Kino-Träume und ihre Utopie-Funktion -- Spiel in Realität, Filmhandlung und Erlebensprozess -- Spezifik des Mediums -- Zum Realitätseffekt des Spielfilms -- Gestaltungsmittel Bild, Ton und Montage unter dem Rezeptionsaspekt der Aufmerksamkeit -- Bild: Kamerablick und Aufmerksamkeit -- Montage und Aufmerksamkeits-Steuerung -- Über Wirkungsbesonderheiten der Plansequenz -- Stil als Priming -- Zusammenfassung. .
    Abstract: Gestaltungsweisen des Spielfilms werden danach befragt, welche ästhetische Funktion ihnen im Erlebensprozess des Zuschauers zukommen mag und wie man diese aus der Perspektive der Psychologie objektivierbar machen kann. Künstlerische Verfahren mit ihren differenzierten gestalterischen Lösungen im Bereich des Erzählens, der Konfliktdarstellung, Kameraführung und Montage, doch auch im Hinblick auf Medienspezifik, Stil und Genre, erfahren hierbei eine psychologische Interpretation, was zu Hypothesen hinführt, die eine empirische Erforschung der kognitiven, emotiven und imaginativen Wirkungsdimension des Films gestatten. Da bei dieser transdisziplinären Untersuchung, die sich explizit dem künstlerischen Ausdruckspotenzial des Mediums stellt, stets von einer Betrachtung konkreter Werke ausgegangen wird, ergeben sich für den Filminteressierten neben psychologisch fundierten Erklärungen zur Funktion bewährter Darstellungsweisen zahlreiche Einblicke in die Wirkungsstrategien innovativer Ausdrucksformen, die sich bisher der Analyse entzogen. Besonders gilt dies für künstlerische Verfahren, die seit Anbruch der Kino-Moderne vom europäischen Autorenfilm zur Anwendung gebracht werden und wichtige Erlebnisgehalte unterhalb der Bewusstheitsschwelle vermitteln bzw. Emotionen und Vorstellungen des Publikums auf neuartige Weise beeinflussen. Der Autor Dr. sc. Peter Wuss ist Professor emeritus der Filmuniversität Babelsberg Konrad Wolf. Er schrieb zahlreiche Fachaufsätze zur Ästhetik, Geschichte und Psychologie des Films und fünf Bücher, darunter Die Tiefenstruktur des Filmkunstwerks (1986; 1990), Filmanalyse und Psychologie (1993; 1990) sowie Cinematic Narration and its Psychological Impact: Functions of Cognition, Emotion and Play (2009). .
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  • 22
    Online Resource
    Online Resource
    Berlin : J.B. Metzler
    ISBN: 9783476046345
    Language: German
    Pages: 1 Online-Ressource (VIII, 326 Seiten)
    Series Statement: Springer eBooks
    Series Statement: J.B. Metzler Humanities
    Parallel Title: Erscheint auch als Bonnemann, Jens, 1970 - Filmtheorie
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    Keywords: Screen Studies ; Motion pictures and television ; Lehrbuch ; Filmtheorie ; Ästhetik ; Film ; Interpretation
    Abstract: Einleitung -- 1. Die filmische Mimesis von Bewusstseinsformen -- 2. Wiederentdeckung der Physiognomie von Mensch und Welt -- 3. Montage als (nicht nur) filmisches Grundprinzip der Kunst -- 4. Das technische Defizit des Filmbilds und künstlerisches Potenzial -- 5. Filmischer Realismus 1 -- 6. Filmischer Realismus 2 -- 7. Filmische Bedeutungsgenese -- 8. Die Taxonomie der Filmbilder -- 9. Gewöhnliche, philosophische und filmische Weltanschauung -- 10. Neoformalismus -- 11. Leibliche Filmwahrnehmung -- 12. Anhang: Literaturverzeichnis, Personenregister
    Abstract: Diese Einführung bietet einen Überblick über die wichtigsten Positionen der Filmtheorie von ihren Anfängen bis in die Gegenwart und schlägt einen Bogen von Hugo Münsterberg bis zu Vivian Sobchack. Die einzelnen Filmtheorien werden in chronologischer Reihenfolge vorgestellt, wobei ihre Hauptthesen, ihr Argumentationsaufbau wie auch ihre wechselseitigen Einflüsse und Abgrenzungen rekonstruiert werden. Inwiefern diese Ansätze dazu dienen können, das Verständnis von Filmen zu vertiefen, wird an konkreten Filmbeispielen gezeigt. Ein weiterer roter Faden innerhalb des Buchs ist der Vergleich mit Theorieangeboten aus der Bildtheorie und der philosophischen Ästhetik. Damit werden die jeweiligen Theoretiker in einen umfassenderen geistesgeschichtlichen Traditionsrahmen eingeordnet
    Note: Literaturangaben
    URL: Cover
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  • 23
    ISBN: 9789048550463
    Language: English
    Pages: 1 Online-Ressource (267 Seiten)
    Series Statement: Cinema and technology
    Uniform Title: Inventer le cinéma. Épistémologie : problèmes, machines
    Parallel Title: Erscheint auch als Turquety, Benoît Inventing cinema
    DDC: 791
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    Keywords: Film ; Medien
    Abstract: With machines mediating most of our cultural practices, and innovations, obsolescence and revivals constantly transforming our relation with images and sounds, media feel more unstable than ever. But was there ever a "stable" moment in media history? 'Inventing Cinema' proposes to approach this question through an archaeology and an epistemology of media machines. The archaeology analyses them as archives of users' gestures, as well as of modes of perception. The epistemology reconstructs the problems that the machines' designers and users have strived to solve, and the network of concepts they have elaborated to understand these problems. Drawing on the philosophy of technology and anthropology, 'Inventing Cinema' argues that networks of gestures, problems, perception and concepts are inscribed in vision machines, from the camera obscura to the stereoscope, the Cinématographe, and digital cinema. The invention of cinema is ultimately seen as an ongoing process irreducible to a single moment in history
    Note: Enthält Bibliografie und Index
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  • 24
    Online Resource
    Online Resource
    New York, NY, United States of America : Oxford University Press
    ISBN: 9780190229122 , 9780190229115 , 9780190933159
    Language: English
    Pages: 1 Online-Ressource (xxii, 483 Seiten) , Illustrationen
    Series Statement: Oxford handbooks online
    Series Statement: Literature
    Parallel Title: Erscheint auch als The Oxford handbook of Canadian cinema
    DDC: 791.430971
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    Keywords: Motion pictures History ; Motion pictures, Canadian History and criticism ; Film ; Kanada ; Motion pictures ; Canada ; History ; Motion pictures, Canadian ; History and criticism ; Aufsatzsammlung ; Kanada ; Film ; Kanada ; Film ; Geschichte
    Abstract: The Oxford Handbook of Canadian Cinema offers an overview of the current state of thinking around Canadian cinema. The volume was conceived to register the variety of voices expressing themselves within Canadian cinema with special attention paid to Indigenous, Quebecois, and diasporic identities. Canadian cinema increasingly finds its place within a broad conception of "screen cultures", which extend into the divergent realms of small-scale artistic experimentation and large-scale public spectacle. Insofar as these realms have played a vital role in establishing Canada's presence within international screen culture, they are given special emphasis here. Rather than a straight historical account of cinema in Canada, this Oxford Handbook looks at the technological complexes, geographical spaces, and identity formations in which that cinema has emerged and developed.
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  • 25
    ISBN: 9783476047656
    Language: German
    Pages: 1 Online-Ressource (VIII, 293 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 301
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    Keywords: Cultural and Media Studies, general ; Culture-Study and teaching ; Unterricht ; Film ; Mediendidaktik ; Einführung ; Lehrbuch ; Einführung ; Lehrbuch ; Lehrbuch ; Einführung ; Lehrbuch ; Einführung ; Mediendidaktik ; Film ; Film ; Unterricht
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 26
    ISBN: 9789004411401
    Language: English
    Pages: 1 Online-Ressource (XIII, 321 Seiten) , Illustrationen
    Series Statement: Studies in religion and the arts 15
    Parallel Title: Erscheint auch als Scorsese and religion
    DDC: 791
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    Keywords: Aufsatzsammlung ; Scorsese, Martin 1942- ; Film ; Religion
    Abstract: Scorsese and Religion' concerns the religious vision of the great American filmmaker Martin Scorsese. Not only will this volume explore the foundation of Scorsese's interest in religion - namely, his relation to the Catholic Church - but it will also highlight the religious breadth of Scorsese's corpus. Ultimately, this book demonstrates that Scorsese's cinematic "re-presentation" of reality brings together various religious influences (Catholicism, existentialism, Buddhism, etc.) and topics such as violence, morality, nihilism, and so on. The overarching claim is that Scorsese, who indeed once claimed that his "whole life" had been "movies and religion," cannot be properly understood without reflecting on the ways in which his religious interests are expressed in and through his art
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  • 27
    ISBN: 9783830940340 , 3830940343
    Language: German , English
    Pages: 256 Seiten , Illustrationen
    Series Statement: Visuelle Kultur Band 13
    Series Statement: Visuelle Kultur
    Parallel Title: Erscheint auch als Tagung "Populäre Präsentationen. Fotografie und Film als Medien Musealer Aneignungsprozesse" (2018 : Berlin) Populäre Präsentationen
    DDC: 069.50289
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    Keywords: Ausstellungstechnik ; Film ; Fotografie ; Museum ; Präsentation ; Vermittlung ; Konferenzschrift 2018 ; Konferenzschrift 2018 ; Konferenzschrift, 2018, Berlin ; Konferenzschrift 2018 ; Konferenzschrift 2018 ; Konferenzschrift 2018 ; Museum ; Präsentation ; Vermittlung ; Fotografie ; Film ; Fotografie ; Film ; Vermittlung ; Präsentation ; Ausstellung ; Museum
    Note: "Die Tagung "Populäre Präsentationen. Fotografie und Film als Medien musealer Aneignungsprozesse" bot im November 2018 ein exzellentes Forum" (Grußwort) , Literaturangaben , Beiträge überwiegend deutsch, teilweise englisch
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
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  • 28
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    ISBN: 9789048532179
    Language: English
    Pages: 1 Online-Ressource (304 Seiten)
    Series Statement: Knowledge communities
    Uniform Title: Screening sanctity: modern visual theory and divine visions in thirteenth-century female saints’ lives from the Low Countries
    Dissertation note: Dissertation University College London (UCL) 2014
    DDC: 791.43/682
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    Keywords: Saints in motion pictures ; Middle Ages in motion pictures ; Hagiography ; Motion pictures History 20th century ; Motion pictures History 21st century ; History ; History ; Electronic books ; Hochschulschrift ; Heiligenbild ; Vision ; Mystik ; Visuelle Wahrnehmung ; Film
    Abstract: The thirteenth-century Latin hagiographic works known as the "Holy Women of Liège" corpus presents biographies filled with dramatic visions of God and intense physical unions with Christ. The texts that make up the collection demonstrate the problematic division of body and soul in the period and also reveal the potential of text to transmit visual experiences. This book explores those qualities of the texts using the latest developments in film theory, taking up such topics as the relationship of film to mortality, embodied spectatorship, celebrity studies, and digital environments
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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  • 29
    ISBN: 978-3-8376-4208-7
    Language: English
    Pages: 291 Seiten : , Illustrationen.
    Series Statement: Image Volume 129
    Series Statement: Image
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität der Künste Berlin
    DDC: 302.2343
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    Keywords: Europäische Union. ; Übereinkommen zur Durchführung des Übereinkommens von Schengen ; Dokumentarfilm. ; Migration ; Illegaler Einwanderer ; Illegale Einwanderung. ; Migration. ; Flüchtling. ; Grenze. ; Auswanderung. ; Grenzschutz. ; Europa. ; Afrika. ; Border ; Documentary Film ; Visuality ; Film ; Image ; Political Art ; Refugee Studies ; Media Studies ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Dokumentarfilm ; Migration ; Illegaler Einwanderer ; Illegale Einwanderung ; Dokumentarfilm ; Übereinkommen zur Durchführung des Übereinkommens von Schengen 1990 Juni 19 ; Migration ; Flüchtling ; Grenze ; Auswanderung ; Grenzschutz ; Illegale Einwanderung
    Note: Filmografie Seite 265-266. - Literaturverzeichnis Seite 267-291
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  • 30
    ISBN: 9783110591217 , 9783110590036
    Language: English
    Pages: 1 Online-Ressource (VII, 413 Seiten) , Illustrationen
    Series Statement: Culture & Conflict volume 12
    Parallel Title: Erscheint auch als The enemy in contemporary film
    DDC: 791.43653
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    Keywords: Enemies in motion pictures ; Aufsatzsammlung ; Feind ; Film ; Geschichte 1970-2017
    Abstract: "The Enemy in Contemporary Film analyses the (de-) and (re)constructions of enemy images in international film since the 1970s. Contexts and conceptions range from military conflict to dictatorship, collaboration, the war on drugs and ethno-cultural groups as 'enemy'. In particular, the essays collected in this volume concentrate on the impact which filmically mediated images of the 'enemy' have had on national cultural memories"--
    Abstract: New enemies, new cold wars: reimagining occupation and military conflict in Norway / Gunnar Iversen -- A murky business: the post-Soviet enemy / Angela Brintlinger -- Of monsters and men: forms of evil in war films / Holger Pözsch -- The domestic enemy in British TV documentaries on the Iraq War / Janet Harris -- Britains Muslims as the enemy within in contemporary British Cinema / Maryam Jameela -- (Re)Framing the disembodied public enemy: the war on drugs in contemporary narrative screen media / Florian Zappe -- From Ivan to Andreij: The Red Army in German Film and TV / Petra Rau -- Enemies within: reimagining the fallen women of World War II in Finnish contemporary documentary / Niina Oisalo -- The collaborator as enemy during the French Occupation in (auto-)biographical and post-memory cinema / Caroline Perret -- False idyll: Siris L'Ennemi intime / Noah McLaughlin -- Femme, je ne vous aime pas : The Enemy Within in Joachim Lafosses A perdre la raison / Marcelline Block -- The past as enemy in Argentine cinema, 1983-2000 / Mario Ranalletti -- Who attacked whom? the year 1981 in twenty-first century Polish feature films / Maria Kobielska -- Redefining the enemy in contemporary Australian Anzac cinema / Daniel Reynaud -- The fading of enemy images in contemporary Latvian cinema / Andrejs Plakans and Vita Zelc̆e -- Looking for an invisible enemy in Israeli film / Francesca de Lucia -- Bonds across borders: a fictional enemy in motion on the Israeli screen / Miri Talmon -- Bosnia beyond good and evil: (de)constructing the enemy in Western and post-Yugoslav films about the 1992-1995 War / Stephen Harper -- Forbidden bonding at the time of the war on terror: the enemy as friend in Camp X-Ray and Boys of Abu Ghraib / Martin Löschnigg -- Lost pasts and unseen enemies: the Pacific War in recent Japanese films / Jonathan Rayner
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  • 31
    ISBN: 3837643425 , 9783837643428
    Language: German , English
    Pages: 263 Seiten , Illustrationen , 23 cm
    Series Statement: Edition Kulturwissenschaft Band 173
    Series Statement: Edition Kulturwissenschaft
    Parallel Title: Erscheint auch als Archive dekolonialisieren
    Parallel Title: Erscheint auch als Archive dekolonialisieren
    Parallel Title: Erscheint auch als Knopf, Eva Archive dekolonialisieren
    Parallel Title: Erscheint auch als Archive dekolonialisieren
    Parallel Title: Erscheint auch als Archive dekolonialisieren
    DDC: 025.21
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Archiv ; Museum ; Entkolonialisierung ; Künste ; Intervention ; Archiv ; Museum ; Antikolonialismus ; Geschichte 2017 ; Museumskunde ; Antikolonialismus ; Kunst ; Film ; Design ; Archiv ; Antikolonialismus ; Kulturwissenschaften ; Archivkunde ; Postkolonialismus
    Note: Literaturangaben , Beiträge überwiegend deutsch, teilweise englisch
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  • 32
    ISBN: 9781782386971 , 9781785335136
    Language: English
    Pages: x, 309 Seiten , Illustrationen
    Edition: First paperback edition
    Series Statement: Film Europa Vol. 17
    Series Statement: Film Europa
    Parallel Title: Erscheint auch als Fuhrmann, Wolfgang, 1965 - Imperial projections
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    Keywords: Deutschland Deutsches Reich ; Kolonie ; Afrika ; Film ; Rezeption ; Propaganda ; Germany German Empire ; Colonies ; Africa ; Films ; reception ; Forschungsgegenstand Ethnologie/Volkskunde ; Dokumentarfilm ; Unterhaltung ; Ästhetik ; Rassismus ; Jagd ; Subjects of research Ethnology ; Documentary films ; Entertainment ; Aesthetics ; Racism ; Hunting ; Deutschland ; Kolonialismus ; Propaganda ; Film ; Geschichte 1904-1918 ; Deutschland ; Deutsche Kolonialgesellschaft ; Kolonie ; Dokumentarfilm ; Propagandafilm ; Geschichte 1904-1918
    Abstract: Introduction -- The beginning of colonial film culture in Imperial Germany. From the variety theatre to the German colonial society -- Carl Muller: a colonial film maker -- The DKG's film shows: the colonies in motion -- Addressing the masses. The 'Hottentot election' of 1907 -- The DKG's Kinematographenkampagne -- Rise and fall of the Kinemtographenkampagne -- Ethnographic filmmaking in the colonies -- Karl Weule in German East Africa -- The expedition in context: modern German ethnography -- Filming in the Colonies: Training and Improvisation -- Tourism, Entertainment, and Colonial Ideology. Colonial Films in Public Cinema -- The colonial travelogue -- Colonial films in transition: Robert Schumann's comeback -- Colonial film propaganda during the First World War. Setting up colonial war propaganda -- The Deutsche Kolonial-filmgesellschaft (DEUKO) -- Conclusion
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  • 33
    AV-Medium
    AV-Medium
    [Paris] : Éditions Montparnasse
    Show associated volumes/articles
    Language: French
    Pages: 10 DVD-Videos (15 h 32 min) , schwarz-weiß, farbig, Mono, Stereo, Ländercode 2, PAL, DVD 9, DVD 5 , 12 cm
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    Keywords: Film ; DVD-Video
    Note: Bildformat: 4/3, 16/9 , Enthält: Ethnofictions (DVD 1-3): DVD 1: Babatu : les 3 conseils (1973-76, 96 min). DVD 2: Zomo et ses frères (1975, 19 min). Cousin, cousines (1985-87, 32 min). Damouré parle du sida (1991-92, 10 min). DVD 3: Moi fatigué debout, moi couché (1996-97, 87 min). Rituels traditionnels et modernes (DVD 4-7): DVD 4: Hampi : le ciel est posé sur la terre (1960-62, 23 min). Yenendi de Ganghel : le village foudroyé (1968, 36 min). Pam Kuso Kar : briser les poteries de Pam (1974, 13 min). Horendi (1972, 72 min). DVD 5: Batteries Dogon : éléments pour une étude de rythmes (1964-66, 28 min). Funérailles à Bongo : le vieil Anaï, 1848-1971 (1970-79, 70 min). DVD 6: Germaine chez elle (1994, 35 min). Hommage à Marcel Mauss : Germaine Dieterlen (1977, 27 min). Germaine et ses copains (1996, 16 min). DVD 7: Fêtes du Niger, décembre 1961 : fêtes commémoratives de l'indépendance de la république (1961-62, 33 min), L'Afrique et la recherche scientifique (1960-64, 31 min). Monsieur Albert, prophète (1962-63, 24 min). La Goumbé des jeunes noceurs (1964-65, 28 min). Promenades et portraits (DVD 8-10): DVD 8: La punition ou les mauvaises rencontres (1960-63, 64 min). Faire-part : Musée Henri Langlois - Cinémathèque Française (8 juilliet 1997) (1997, 53 min). DVD 9: Hampaté Bâ (1984, 45 min). Ciné-portrait de Stanislas Adotevi (1978, 10 min). Hommage à Marcel Mauss : Taro Okamato (1974, 17 min). DVD 10: Isaphan : lettre persane (1977, 40 min). Ciné-portrait de Raymond Depardon par Jean Rouch et réciproquement (1983, 12 min). Ciné-portrait de Bill Witney (1986, 11 min)
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  • 34
    ISBN: 9783531942124
    Language: German
    Pages: Online-Ressource (VI, 283 S. 31 Abb., 26 Abb. in Farbe, online resource)
    Series Statement: Film, Fernsehen, Medienkultur, Schriftenreihe der Hochschule für Film und Fernsehen "Konrad Wolf
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. Special Effects in der Wahrnehmung des Publikums
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    Keywords: Social sciences ; Sociology ; Cultural studies ; Religion and culture ; Communication ; Mass media ; Social Sciences ; Social sciences ; Sociology ; Cultural studies ; Religion and culture ; Communication ; Mass media ; Aufsatzsammlung ; Spezialeffekt ; Film ; Computerspiel ; Rezeption ; Rezeptionsästhetik
    Abstract: Die film- und medienwissenschaftliche Diskussion zum Thema Special Effects wird bisher von Fragen nach der Produktionsweise und technischen Realisierbarkeit dominiert. Im Rahmen einer derart technik- und produktionszentrierten Herangehensweise an das Phänomen bleibt das Verständnis der kulturellen Bedeutung von Special Effects in Film, Fernsehen und digitalen Unterhaltungsmedien auf die Ebene der industriellen Möglichkeitsbedingungen ästhetischer Erfahrung reduziert. Selten wird in diesem Zusammenhang danach gefragt, welche „Effekte“ die Verwendung von Special Effects im individuellen Wahrnehmungsakt herstellen und was sie in den Augen des Publikums tatsächlich so „speziell“ erscheinen lässt. Der Sammelband korrigiert die Vernachlässigung dieser Fragen, indem er theoretische Grundlagentexte zu einer Wirkungsästhetik der Special Effects versammelt und mit konkreten Fallstudien zur kulturellen Wahrnehmung und empirischen Publikumsrezeption in verschiedenen Mediengattungen vom Kinofilm bis hin zu Internet-Videos und Computerspielen verbindet. Der Inhalt Theoretische Grundlagen.- Analysen und Fallstudien Die Zielgruppen Dozierende und Studierende der Filmwissenschaft Fachpublikum aus der Medienwissenschaft und der Filmproduktion Der Herausgeber Dr. Michael Wedel ist Professor für Mediengeschichte im digitalen Zeitalter an der Filmuniversität Babelsberg KONRAD WOLF
    Abstract: Theoretische Grundlagen: Méliès/Metz. Zur Theorie des Filmtricks.-Der ultimative Trip. Special Effects und kaleidoskopische Wahrnehmung -- Wahre Lügen. Perzeptiver Realimus, digitale Bilder und die Filmtheorie -- Kombinieren. Über Spezialeffekte zur Frage, was (digitaler) Film ist -- Wag the Film. Wirkstrategien computergestützter Bildmanipulation im Kinofilm -- Zeigen und Verbergen. Der doppelte Gestus digitaler Visual Effects -- Staunen - Faszination - Bewunderung. Zum emotionalen Erleben von Special Effects im Spielfilm -- Multiple Welten. Zur Attraktivität visueller Effekte für ein globales Publikum -- Analysen und Fallstudien: Der Mythos des Bonnie-and-Clyde-Schocks.Über Funktion und Rezeption von Zeitlupensequenzen -- Die Verortung des Zuschauers.Die akustische Dimension der Splitscreen -- Special Effects, Science Fiction und Publikumsreaktionen auf 2001: A Space Odyssey -- Click and Snap. Special Effects als Meta-Politik des Komischen -- Computervisualisierte Figuren als filmische Innovation -- Die Publikumsakzeptanz von Digital 3D.-Effekteinsatz im Fanfilm.-In-Sight the Game. Involvierungsprozesse und Visual Effects in Computerspielen
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  • 35
    ISBN: 9781349949083
    Language: English
    Pages: 1 Online-Ressource (VII, 270 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Italian and Italian American Studies
    Parallel Title: Printed edition
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    Keywords: Literature ; Motion pictures European influences ; Literature, Modern 20th century ; European literature ; European literature. ; Motion pictures—European influences. ; Literature, Modern—20th century. ; Italienisch ; Kriminalroman ; Film ; Fernsehserie ; Italien ; Geschichte
    Abstract: This book is the first monograph in English that comprehensively examines the ways in which Italian historical crime novels, TV series, and films have become a means to intervene in the social and political changes of the country. This study explores the ways in which fictional representations of the past mirror contemporaneous anxieties within Italian society in the work of writers such as Leonardo Sciascia, Andrea Camilleri, Carlo Lucarelli, Francesco Guccini, Loriano Macchiavelli, Marcello Fois, Maurizio De Giovanni, and Giancarlo De Cataldo; film directors such as Elio Petri, Pietro Germi, Michele Placido, and Damiano Damiani; and TV series such as the “Commissario De Luca” series, the “Commissario Nardone” series, and “Romanzo criminale-The series.” Providing the most wide-ranging examination of this sub-genre in Italy, Barbara Pezzotti places works set in the Risorgimento, WWII, and the Years of Lead in the larger social and political context of contemporary Italy. “With this book, Pezzotti further cements her reputation as the foremost expert on the intersection of place, history, and national identity in Italian crime fiction. Essential reading.” (Robert Rushing, Associate Professor of Comparative Literature, University of Illinois, Urbana-Champaign, USA) “Pezzotti’s fine book presents an authoritative overview of recent Italian crime fiction. Lucidly written and compellingly interdisciplinary, this book emphasises the capacity of crime fiction to fill in the gaps left by historians, and the power and relevance of cultural responses to a contested and difficult past.” (Philip Cooke, Professor of Italian History and Culture, University of Strathclyde, UK) "Pezzotti's fascinating study shows how crime fiction has been used to probe and question Italy's historical open wounds and unresolved legacies. The Risorgimento, Fascism and the war, and the anni di piombo are each carefully illuminated in turn through the lens and intelligent eye of the contemporary giallo." (Robert S. C Gordon, Serena Professor of Italian, University of Cambridge, UK)
    Abstract: Introduction -- The Foundation of the State: Giallo and the Risorgimento -- The Giallo and the Black: The Representation of Fascism and WWII between Revisionism and Criticism -- The Giallo and Terrorism: the Years of Lead and the Conspiracy Novel -- Conclusion
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  • 36
    ISBN: 9783593505664 , 3593505665
    Language: German
    Pages: 304 Seiten , 22 cm
    Series Statement: Normative orders Band 16
    Series Statement: Normative orders
    Parallel Title: Erscheint auch als Rechtfertigungsnarrative: Terror und Krieg im Kino (Veranstaltung : 2014 : Frankfurt am Main) Erzählungen und Gegenerzählungen
    DDC: 791.436581
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    Keywords: Konferenzschrift 2014 ; Terrorismus ; Golfkrieg ; USA ; Film ; Fernsehsendung ; Krieg ; Film ; Erzähltechnik
    Note: Beiträge des Workshops "Rechtfertigungsnarrative: Terror und Krieg im Kino" 2014 in Frankfurt am Main - Vorwort Seite 15
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  • 37
    ISBN: 9781137529398
    Language: English
    Pages: 1 Online-Ressource (XVII, 233 p. 15 illus. in color)
    Parallel Title: Erscheint auch als
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    Keywords: Culture Study and teaching ; Motion pictures ; Motion pictures. ; Mittlerer Osten ; Nordafrika ; Film ; Kultur ; Produktpiraterie
    Abstract: This book approaches the topic of the state of post-cinema from a new direction. The authors explore how film has left the cinema as a fixed site and institution and now appears ubiquitous - in the museum and on the street, on planes and cars and new digital communication platforms of various kinds. The authors investigate how film has become more than cinema, no longer a medium that is based on the photochemical recording and replay of movement. Most often, the state of post-cinema is conceptualized from the "high end" of the most advanced technology; discussions usually focus on performance capture and digital 3-D, 4-K projection and industrial light & magic. Here, the authors' approach is focused on the "low-end" of the circulation of filmic images. This includes informal networks of exchange and transaction, such as p2p-networks, video platforms, so called “piracy” with a special focus on the Middle East and North Africa, where political and social transformations make new forms of circulation and presentation particularly visible
    Abstract: Acknowledgments -- Introduction -- Like Water: On the Reconfigurations of the Cinema in the Age of Digital Networks (Malte Hagener, Vinzenz Hediger, Alena Strohmaier) -- I. Informal Economies: Promises and Threats of Dissemination Technologies -- Venice to Go: Digital Circulation and the Value of Cultural In/difference in Film (Vinzenz Hediger) -- Arab Storytelling in the Digital Age: From Musalsalat to Web Drama? (Alexandra Buccianti) -- Mapping the Circulation of Films by Women Filmmakers with Maghrebi Funding (Patricia Caillé) -- II. Informal Networks: National-Regional-Global Nexus -- The Good Pirates: Moroccan Cinema in the Age of Digital Reproduction (Jamal Bahmad) -- Watching the Forbidden: Reception of Banned Films in Iran (Zeydabadi-Nejad) -- Why Sories Matter: Jafar Panahi and the Contours of Cinema (Alena Strohmaier) -- Informal Translation, Post-Cinema and Global Media Flows (Tessa Dwyer and Ramon Lobato) -- III. Informal Aesthetics: Reshaping Cine-Cultures -- Post-Cinematic Distribution Flows. Alternative Content, Sports Films and the (In)stability of the Multiplex Market (Florian Hoof) -- Distributing Moving Image Art After Digitization (Erika Balsom) -- Cinephilia and Film Culture in the Age of Digital Networks (Malte Hagener) -- The Secret Lives of Images (Marc Siegel) -- Interview with Kevin B. Lee -- Index
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  • 38
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319404813
    Language: English
    Pages: 1 Online-Ressource (XI, 116 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Culture Study and teaching ; United States Study and teaching ; Communication ; Motion pictures United States ; Motion pictures ; Film genres ; Culture Study and teaching ; United States Study and teaching ; Communication ; Motion pictures United States ; Motion pictures ; Film genres ; Film ; Filmwirtschaft ; Krise ; USA
    Abstract: This book discusses the collapse and transformation of the Hollywood movie machine in the twenty-first century, and the concomitant social collapse being felt in nearly every aspect of society. Winston Wheeler Dixon examines key works in cinema from the era of late-stage capitalists, analyzing Hollywood films and the current wave of cinema developed outside of the Hollywood system alike. Dixon illustrates how movies and television programs across these spaces have adopted, reflected, and generated a society in crisis, and with it, a crisis for the cinematic industry itself. Wheeler Winston Dixon is James Ryan Professor of Film Studies, Coordinator of the Film Studies Program, and Professor of English at the University of Nebraska, Lincoln, USA
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  • 39
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137553546
    Language: English
    Pages: 1 Online-Ressource (256 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Culture Study and teaching ; Communication ; Motion pictures and television ; Motion pictures History ; Arts ; Motion pictures—European influences. ; Culture Study and teaching ; Communication ; Motion pictures and television ; Motion pictures History ; Arts ; Frankreich ; Film ; Reise
    Abstract: Travel narratives abound in French cinema since the 1980s. This study delineates recurrent travel tropes in films such as departures and returns, the chase, the escape, nomadic wandering, interior voyages, the unlikely travel, rituals, pilgrimages, migrants' narratives and emergencies, women's travel, and healing narratives
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  • 40
    ISBN: 9781137388926
    Language: English
    Pages: 1 Online-Ressource (X, 219 p)
    Series Statement: Global Cinema
    Series Statement: Springer eBook Collection
    Series Statement: History
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Science ; Motion pictures—History. ; Motion pictures and television. ; Social groups. ; Family. ; Sociology. ; Civilization—History. ; Childhood. ; Adolescence. ; Science ; Film ; Mädchen ; Junge Frau
    Abstract: From the precocious charms of Shirley Temple to the box-office behemoth Frozen and its two young female leads, Anna and Elsa, the girl has long been a figure of fascination for cinema. The symbol of (imagined) childhood innocence, the site of intrigue and nostalgia for adults, a metaphor for the precarious nature of subjectivity itself, the girl is caught between infancy and adulthood, between objectification and power. She speaks to many strands of interest for film studies: feminist questions of cinematic representation of female subjects; historical accounts of shifting images of girls and childhood in the cinema; and philosophical engagements with the possibilities for the subject in film. This collection considers the specificity of girls' experiences and their cinematic articulation through a multicultural feminist lens which cuts across the divides of popular/art-house, Western/non Western, and north/south. Drawing on examples from North and South America, Asia, Africa, and Europe, the contributors bring a new understanding of the global/local nature of girlhood and its relation to contemporary phenomena such as post-feminism, neoliberalism and queer subcultures. Containing work by established and emerging scholars, this volume explodes the narrow post-feminist canon and expands existing geographical, ethnic and historical accounts of cinematic cultures and girlhood.From the precocious charms of Shirley Temple to the box-office behemoth Frozen and its two young female leads, Anna and Elsa, the girl has long been a figure of fascination for cinema. The symbol of (imagined) childhood innocence, the site of intrigue and nostalgia for adults, a metaphor for the precarious nature of subjectivity itself, the girl is caught between infancy and adulthood, between objectification and power. She speaks to many strands of interest for film studies: feminist questions of cinematic representation of female subjects; historical accounts of shifting images of girls and childhood in the cinema; and philosophical engagements with the possibilities for the subject in film. This collection considers the specificity of girls' experiences and their cinematic articulation through a multicultural feminist lens which cuts across the divides of popular/art-house, Western/non Western, and north/south. Drawing on examples from North and South America, Asia, Africa, and Europe, the contributors bring a new understanding of the global/local nature of girlhood and its relation t
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  • 41
    Online Resource
    Online Resource
    New York : Palgrave Macmillan US
    ISBN: 9781137595478
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Springer eBook Collection
    Series Statement: History
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Science ; Motion pictures and television. ; Sociology. ; Feminist theory. ; Motion pictures—History. ; Cultural studies. ; Science ; Film ; Körper ; Feminismus
    Abstract: Disruptive Feminisms provides a revolutionary new approach to feminism as a disruptive force. By examining various films and filmmakers who are not so obviously read as feminist or Marxist, Gwendolyn Foster showcases their ability to disrupt and effectively challenge everything from class and racism, as well as sexism, ageism, and homophobia
    Note: Description based upon print version of record
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  • 42
    Online Resource
    Online Resource
    Frankfurt am Main : Peter Lang Edition | Berlin : Knowledge Unlatched
    ISBN: 9783653059625 , 3653059623
    Language: English
    Pages: 1 Online-Ressource (169 Seiten)
    Series Statement: Approaches to literary phantasy volume 9
    Series Statement: Approaches to literary phantasy
    Parallel Title: Erscheint auch als Ghosts -- or the (nearly) invisible
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    Keywords: Supernatural in literature ; Ghosts in literature ; Ghosts in motion pictures ; Future life in literature ; Ghosts ; Ghost stories History and criticism ; Konferenzschrift 2015 ; Electronic books ; Geister ; Gespenst ; Literatur ; Film
    Abstract: This collection of articles looks at ghost stories ranging from the Middle Ages to contemporary movies from different perspectives, both interdisciplinary and international. Spectral phenomena from Antarctic literature to Haitian Voodoo, Russian poetry to Irish novels are discussed in relation to their places in history and the media.
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  • 43
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    ISBN: 9781137551603
    Language: English
    Pages: 1 Online-Ressource (XIII, 224 p. 10 illus)
    Parallel Title: Erscheint auch als
    DDC: 306.095
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    Keywords: Geschichte 2001-2010 ; Culture Study and teaching ; Ethnology Asia ; Motion pictures Asia ; Film genres ; Interkulturalität ; Filmmarkt ; Globalisierung ; Kulturelle Identität ; Film ; Filmproduktion ; Japan ; Japan ; Film ; Kulturelle Identität ; Interkulturalität ; Geschichte 2001-2010 ; Japan ; Filmproduktion ; Filmmarkt ; Globalisierung
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  • 44
    ISBN: 9781474411448 , 9781474411431
    Language: English
    Pages: 1 Online-Ressource (xi, 298 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Adaptation: Russian Text into Film (Veranstaltung : 2013 : Columbus, Ohio) Border crossing
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    Keywords: Emigration and immigration in motion pictures ; Russian literature Film adaptations ; Emigration and immigration in literature ; Film adaptations ; Film theory & criticism ; Konferenzschrift 2013 ; Electronic books ; Russisch ; Literatur ; Film
    Abstract: Each time a border is crossed there are cultural, political, and social issues to be considered. Applying the metaphor of the 'border crossing' from one temporal or spatial territory into another, Border Crossing: Russian Literature into Film examines the way classic Russian texts have been altered to suit new cinematic environments. In these essays, international scholars examine how political and economic circumstances, from a shifting Soviet political landscape to the perceived demands of American and European markets, have played a crucial role in dictating how filmmakers transpose their cinematic hypertext into a new environment. Rather than focus on the degree of accuracy or fidelity with which these films address their originating texts, this innovative collection explores the role of ideological, political, and other cultural pressures that can affect the transformation of literary narratives into cinematic offerings
    Abstract: Machine generated contents note: -- 1. -- Across the Russian Border / -- Thomas Leitch -- 2. -- Dostoevskii's "White Nights": The Dreamer Goes Abroad / -- Ronald Meyer -- 3. -- On Not Showing Dostoevskii's Work: Robert Bresson's Pickpocket / -- Olga Peters Hasty -- 4. -- Stealing the Scene: Crime as Confession in Robert Bresson's Pickpocket / -- S. Ceilidh Orr -- 5. -- The Eye-deology of Trauma: Killing Anna Karenina Softly / -- Yuri Leving -- 6. -- "A Vicious Circle": Karen Shakhnazarov's Ward no. 6 / -- Alexander Burry -- 7. -- A Slap in the Face of American Taste: Transporting He Who Gets Slapped to American Audiences / -- Frederick H. White -- 8. -- Against Adaptation? The Strange Case of (Pod) Poruchik Kizhe / -- Alastair Renfrew -- 9. -- Chasing the Wealth: The Americanization of Il'f and Petrov's The Twelve Chairs / -- Robert Mulcahy -- 10. -- Fassbinder's Nabokov -- From Text to Action: Repressed Homosexuality, Provocative Jewishness, and Anti-German Sentiment / -- Dennis Ioffe -- 11. -- "The Soviet Abroad (That We Lost)": The Fate of Vasilii Aksenov's Cult Novel A Starry Ticket on Paper and on Screen / -- Otto Boele
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  • 45
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780199338634
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als
    DDC: 791.43/6
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    Keywords: Dance in motion pictures, television, etc ; Dance in motion pictures, television, etc ; Tanz ; Film ; Video ; Performance
    Abstract: The Oxford Handbook of Screendance Studies offers a scholarly overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema, and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation. Each essay discusses and reframes current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed include politics of the body; agency, race, and gender in screendance; the relationship of choreography to image; constructs of space and time; dance and interactive and digital technology; and production and curatorial practice.
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  • 46
    Online Resource
    Online Resource
    Wiesbaden : Springer VS
    ISBN: 9783658072063
    Language: German
    Pages: Online-Ressource (XII, 313 S. 25 Abb, online resource)
    Edition: 1. Aufl. 2016
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. Politische Theorie im Film
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    Keywords: Political science ; Political Science and International Relations ; Industrial management ; Political theory ; International relations ; Political science ; Industrial management ; Political theory ; International relations ; Internationale Beziehungen ; Politische Philosophie ; Politische Soziologie ; Politische Theorie ; Aufsatzsammlung ; Film ; Fernsehsendung ; Politik
    Abstract: Theorien der Politischen Soziologie -- Theorien der Internationalen Beziehungen -- Theorien der Politischen Philosophie.
    Abstract: Realitäten und Fiktionen sind in Filmen oftmals eng miteinander verknüpft. Auch vermitteln Serien und Filme zahlreiche Sichtweisen über die Welt und transportieren politische Botschaften. Bisweilen geschieht dies unbewusst für uns, manchmal auch sehr direkt, weshalb sich ein Blick auf das Medium Film durch eine politiktheoretische Brille lohnt. Der Sammelband verbindet Aufsätze von Politikwissenschaftler_innen, die ihren Forschungsbereich in Filmen und Serien erblicken und dies mit uns teilen. Verbindendes Grundthema der Aufsätze sind die Fragen, wie Erkenntnis über die Welt möglich ist und was für uns Utopie bedeutet. Diese Themen werden im Rahmen dieses Sammelbandes anhand von unterschiedlichen Theorien und Diskursen der Politischen Soziologie, der Internationalen Beziehungen, der Politischen Philosophie, sowie durch Erkenntnistheorie durch zahlreiche Beispiele aus Fernsehen und Kino beleuchtet. Der Inhalt Theorien der Politischen Soziologie • Theorien der Internationalen Beziehungen • Theorien der Politischen Philosophie Die Zielgruppen Politik-, Kultur- und Filmwissenschaftler_innen Der Herausgeber Dr. Ulrich Hamenstädt ist wissenschaftlicher Mitarbeiter am Institut für Politikwissenschaft der Westfälischen Wilhelms-Universität Münster.
    Description / Table of Contents: Theorien der Politischen SoziologieTheorien der Internationalen Beziehungen -- Theorien der Politischen Philosophie.
    Note: Description based upon print version of record
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  • 47
    ISBN: 9781137439550
    Language: English
    Pages: 1 Online-Ressource (XX, 314 p. 24 illus. in color)
    Series Statement: Contemporary Performance InterActions
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als Post-conflict performance, film and visual arts
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    Keywords: Culture Study and teaching ; Performing arts ; Historiography ; Culture Study and teaching ; Performing arts ; Historiography ; Postwar reconstruction Social aspects ; War and civilization ; War in art ; Europa ; Naher Osten ; Afrika ; Stadt ; Nachkriegszeit ; Film ; Kollektives Gedächtnis
    Abstract: Drawing on a range of cities and conflicts from Europe, Africa and the Middle East, the collection explores the post-conflict condition as it is lived and expressed in modern cities such as Berlin, Belfast, Bilbao, Beirut, Derry, Skopje, Sarajevo, Tunis, Johannesburg and Harare. Post-Conflict Performance, Film and Visual Arts: Cities of Memory investigates how the memory of conflict can be inscribed in historical monuments, human bodies and hermeneutic acts of mapping, traversing, representing, and performing the city. Several essays explore the relations between memory, history and urban space; where memory is located and how it is narrated, as well as various aspects of embodied memory; testimonial memory; traumatic memory; counter-memory; false memory; post-memory. Other essays examine the representations of post-war cities and how cultural imaginations relate to the politics of reconstruction in places devastated by protracted urban warfare. Post-Conflict Performance, Film and Visual Arts: Cities of Memory offers a comparative survey of the complex and often controversial encounters between public art, political memory and commemoration in divided societies, as well as offering insights into the political and ethical difficulties of balancing the dynamics of forgetting and remembering
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  • 48
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137599995
    Language: English
    Pages: 1 Online-Ressource (X, 211 p)
    Series Statement: Crime Files
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Literature ; Motion pictures History ; Civilization History ; Comparative literature ; Literature History and criticism ; Technology in literature ; Literature ; Motion pictures History ; Civilization History ; Comparative literature ; Literature History and criticism ; Technology in literature ; Jack the Ripper ; Rezeption ; Film ; Kultur
    Abstract: In 1888 the name Jack the Ripper entered public consciousness with the brutal murders of women in the East End of London. The murderer was never caught, yet film and television depicts a killer with a recognisable costume, motive and persona. This book examines the origins of the screen presentation of the four key elements associated with the murders -Jack the Ripper, the victims, the detective and Whitechapel. Nineteenth-century history, art and literature, psychoanalytical theories of Freud and Jung and feminist film theory are all used to deconstruct the representation of Jack the Ripper on screen
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 49
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK
    ISBN: 9781137555984
    Language: English
    Pages: 1 Online-Ressource (X, 192 p. 20 illus., 1 illus. in color)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Culture Study and teaching ; Sex (Psychology) ; Gender expression ; Gender identity ; Communication ; Motion pictures ; Motion picture acting ; Sociology ; Culture Study and teaching ; Communication ; Motion pictures ; Motion picture acting ; Sociology ; Sex (Psychology) ; Gender expression ; Gender identity ; Film ; Fernsehserie ; Lesbische Orientierung
    Abstract: This critical analysis of contemporary film, television and video, examines how queer girls have become more regular onscreen in recent years, why this occurs, why it is problematic, and how some screen texts have responded. It wasn't until 1987 that one of teen television’s first queer girls appeared on the Canadian series Degrassi Junior High. It took more than a decade for same-sex attracted female characters to regularly appear on Western television, and a further decade for this to regularly occur within teen-oriented programming. Nowadays, queer girls are the major characters in mainstream television series as well as the protagonists and love interests in both short and feature length films around the globe. However, these characters are dominantly represented through storylines emphasizing their sexuality as ‘a passing phase.’ In this critical analysis of contemporary film, television and video, Whitney Monaghan explores how this occurs, why it is problematic, and how some screen texts have responded
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 50
    Online Resource
    Online Resource
    Wiesbaden : Springer Fachmedien Wiesbaden | Cham : Springer International Publishing AG
    ISBN: 9783531190808 , 3531190806
    Language: German
    Pages: 1 Online-Ressource (VII, 435 Seiten) , 163 Abb., 21 Abb. in Farbe.
    Edition: 1st ed. 2016
    Series Statement: Film, Fernsehen, Neue Medien
    Parallel Title: Erscheint auch als Hesse, Christoph Filmstile
    DDC: 302.23
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    Keywords: Geschichte ; Film ; Filmgenre ; Stil ; Mass media ; Performing arts ; Theater ; Media Sociology ; Theatre and Performance Arts
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 51
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    ISBN: 9781137522801
    Language: English
    Pages: 1 Online-Ressource (XXXIV, 290 p. 29 illus. in color)
    Series Statement: Palgrave European Film and Media Studies
    Parallel Title: Erscheint auch als
    DDC: 302.23
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    Keywords: Geschichte ; Culture Study and teaching ; Communication ; Motion pictures European influences ; History ; Film ; Kulturerbe ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; Kulturerbe ; Film ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 52
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    ISBN: 9781137576514
    Language: English
    Pages: 1 Online-Ressource (XXI, 285 p. 40 illus., 9 illus. in color)
    Series Statement: Palgrave European Film and Media Studies
    Parallel Title: Erscheint auch als
    DDC: 302.23
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    Keywords: Geschichte ; Culture Study and teaching ; Communication ; Motion pictures European influences ; Motion pictures History ; Filmwirtschaft ; Film ; Finnland ; Aufsatzsammlung ; Aufsatzsammlung ; Finnland ; Film ; Filmwirtschaft ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 53
    Online Resource
    Online Resource
    London : Palgrave Macmillan
    ISBN: 9781137496331
    Language: English
    Pages: 1 Online-Ressource (xxviii, 289 Seiten) , Illustrationen
    Parallel Title: Print version Gruner, Oliver Screening the Sixties : Hollywood Cinema and the Politics of Memory
    Parallel Title: Erscheint auch als Gruner, Oliver Screening the sixties
    DDC: 301
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    Keywords: Motion pictures ; Motion pictures United States ; History ; Politics in motion pictures 20th century ; Electronic books ; Motion pictures ; Nineteen sixties ; Politics in motion pictures ; Electronic books ; Los Angeles- Hollywood ; Film ; Politik ; USA ; Geschichte 1960-1974
    Abstract: Acknowledgements -- Contents -- List of Figures -- Introduction -- Welcome to the Sixties -- Notes -- Chapter 1: Mourning the Age of Aquarius -- 'Where Do I Go?' Writing the Sixties in the 1970s -- Out of Time: Coming Home from Script to Screen -- A New Dawn: Hair from Script to Screen -- Lights Out on the Counterculture: The Rose from Script to Screen -- Coda: The End of the Sixties? -- Notes -- Chapter 2: Bringing Them All Back Home -- 'The Only Marxist I Ever Met with a Hairdryer': Into the 1980s with The Big Chill -- Tracks of Their Tears: The Big Chill from Script to Screen
    Abstract: 'Go Out There and Make a Difference': Running on Empty, Field of Dreams and Sneakers -- Dancing to Beethoven: Running on Empty from Script to Screen -- 'The Man Is Very Sick': Field of Dreams from Script to Screen -- Reawakening the Sixties: Sneakers from Script to Screen -- Coda: 'We All Died. Some of Us Just Came Back' -- Notes -- CHAPTER 3: Go Away and Find Yourself -- Backlash and Beyond: Writing Dirty Dancing -- 'There Are a Lot of Things About Me That Aren't What You Thought': Dirty Dancing from Script to Screen -- From the 'City of Hate' to a New Frontier: Writing Love Field
    Abstract: The First Lady: Love Field from Script to Screen -- Coda: All the Way with JFK? -- Notes -- Chapter 4: Something's Happening Here -- What Rough Beast?: Oliver Stone and the Sixties -- The Ceremony Begins: The Doors from Script to Screen -- 'That's All I Have to Say About That': Writing Forrest Gump -- Forrest Gump from Script to Screen -- Coda: On the Eve of Destruction -- Notes -- Chapter 5: Come Together -- Marching with Dr King: Remember the Titans Remembers the Sixties -- A Race Man and a Family Man: Remember the Titans from Script to Screen
    Abstract: 'A Call to Arms for Liberal America': Bobby and Across the Universe -- Bobby and Across the Universe from Script to Screen -- Coda: And in the End -- Notes -- Chapter 6: A Change Has Come -- A New Civil Rights Sixties -- Breaking with the Past: The Help and The Butler from Script to Screen -- Coda: Revisiting the Sixties -- Notes -- Chapter 7: More Funk In The Trunk -- Notes -- Bibliography -- Scripts Consulted -- Index
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 54
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    ISBN: 9781137583741
    Language: English
    Pages: 1 Online-Ressource (XIII, 260 p. 12 illus., 11 illus. in color)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Culture Study and teaching ; Motion pictures. ; Motion pictures Great Britain ; Ethics ; Motion pictures ; Ethics. ; Motion pictures—Great Britain. ; Film ; Ethik ; Visualisierung
    Abstract: This book provides a comprehensive, critical overview of the turn to ethics in literature, film, and visual culture. It discusses the concept of a biovisual ethics, offering a new theory of the relation between film and ethics based on the premise that images are capable of generating their own ethical content. This ethics operates hermeneutically and materializes in cinema’s unique power to show us other modes of being. The author considers a wealth of contemporary art films and documentaries that embody ethical issues through the very form of the text. The ethical imagination generated by films such as The Nine Muses, Post Tenebras Lux, Amour, and Nostalgia For the Light is crucially defined by openness, uncertainty, opacity, and the refusal of hegemonic practices of visual representation
    Abstract: Introduction -- Part I: Ethics -- From an ethics of transgression to a general ethics of form -- Optics as an Ethics -- The Return of Ethics in Literary Studies -- Screen Ethics before the Ethical Turn -- The Ethical Turn in Film and Visual Culture: From Content to Form -- The Responsibility of Forms -- Six Theses on the Ethical Imagination -- Part II: Imagination -- Ethical Intimacy and the Cinematic Face -- Slow Cinema and the Ethics of Duration -- The Ethics of Dying -- A Cinema of Gestures -- Ethics, Politics and the Question of Form -- The Ethical Image Between Fiction and Politics -- The Ethics of Matter and Memory -- Bioscreens -- Film Visions, Planetary Ethics --
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  • 55
    Book
    Book
    Cambridge, MA : The MIT Press
    ISBN: 9780262529068
    Language: English
    Pages: 322 Seiten , Illustrationen
    DDC: 709
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    Keywords: Documentary mass media and the arts ; Documentary films ; Documentary photography ; Information und Dokumentation ; Film ; Dokumentarfilm ; Fotografie ; Neue Medien ; Interdisziplinarität ; Ikonographie ; Anthropologie ; Wirklichkeit ; Fiktion ; Repräsentation ; Ästhetik ; Klang
    Note: The documentary attitude , Bruises and blushes: photography 'beyond' anthropology , 'The cruel radiance of what is' , 'A cage of information,' or, what is a biometric diagram? , Interview in perspective I: the man with a tape recorder , Photography is not served: 'The family of man' and the human condition , 'Now that's Brecht at last!': Harun Farocki's observational films , Didactic elegy , Reading between the images , Montage against all odds , No man's land, every man's home: Clemens von Wedemeyer documentary aporia , Interviews in perspective 2: dying documented , Narrative, 'evidence vérité,' and the different truths of the modern trial documentary , The right to one's self-image , Data visualization and documentary's (in)visible frontiers
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  • 56
    ISBN: 9781474402910
    Language: English
    Parallel Title: Erscheint auch als Kerner, Aaron, 1972 - Extreme cinema
    DDC: 791.43/655
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    Keywords: Violence in motion pictures ; Sex in motion pictures ; Motion pictures History ; Film ; Gewalt ; Erotik
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  • 57
    Online Resource
    Online Resource
    New York : Berghahn Books | [Berlin] : BiblioLabs
    ISBN: 9781789204681 , 9781789204643
    Language: English
    Pages: 1 Online-Ressource
    DDC: 791.436
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    Keywords: Geschichte 1967-1976 ; Film ; Umwelt ; Ecocriticism ; Los Angeles- Hollywood ; Electronic books
    Abstract: In their bold experimentation and bracing engagement with culture and politics, the "New Hollywood" films of the late 1960s and early 1970s are justly celebrated contributions to American cinematic history. Relatively unexplored, however, has been the profound environmental sensibility that characterized movies such as The Wild Bunch, Chinatown, and Nashville. This brisk and engaging study explores how many hallmarks of New Hollywood filmmaking, such as the increased reliance on location shooting and the rejection of American self-mythologizing, made the era such a vividly "grounded" cinematic moment. Synthesizing a range of narrative, aesthetic, and ecocritical theories, it offers a genuinely fresh perspective on one of the most studied periods in film history
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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  • 58
    Online Resource
    Online Resource
    New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc | The Hague : OAPEN Foundation
    ISBN: 9781501311628 , 9781501311635
    Language: English
    Pages: 1 Online-Ressource (viii, 198 Seiten)
    Edition: [The Hague] OAPEN
    Series Statement: Knowledge Unlatched Round 2
    Series Statement: Media and communications
    Parallel Title: Print version McKittrick, Casey Hitchcock's Appetites : The Corpulent Plots of Desire and Dread
    DDC: 791.4302/33092#23
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    Keywords: Electronic books ; Electronic books ; Hitchcock, Alfred 1899-1980 ; Körpergewicht ; Film
    Abstract: Title Page -- Copyright Page -- Contents -- Acknowledgments -- Introduction -- Why appetites? -- Why Hitchcock? -- Hitchcock studies and fat studies: An interdisciplinary repulsion? -- Hitchcock, f eminism, and e mbodiment -- How Hitchcock ' s body matters -- The genius of tall, thin, and handsome -- Chapter 1 Hitchcock ' s Hollywood diet -- The makings of a media giant -- The arrival of the " 300-Pound Prophet " -- Selznick ' s fat commodity -- Chapter 2 The Hitchcock cameo: Fat self-fashioning and cinematic belonging
    Abstract: " The Real Me (The Thin One) " : Another origin story of the cameo -- The (Meso) textual play of the cameo: Blackmail, Shadow of a Doubt, Lifeboat, Stage Fright -- A typology of the Hitchcock cameo -- Chapter 3 The pleasures and pangs of Hitchcockian consumption -- Screening the revolting body -- The poetics of potables -- " Drink It Down " : An Hitchcockian imperative -- Lactose and intolerance: The poisonous meanings of milk -- Hitchcockian consumption and the carnivalesque -- Food, sex, murder: The Hitchcockian trinity of pleasure -- Hitchcock and the signifying food chain
    Abstract: Chapter 4 Appetite and temporality in Rear Window : Another aspect of voyeurism -- An eye for a stomach: The instructive case of Miss Torso -- Framing the Eat, Drink, and Be Merry Girl -- The problem of fit: Imagining change, growth, and proportion -- When seeing is not believing -- " I want no part of her " : Women and the comedy of corporeal errors -- Time, change, and ambivalence -- Chapter 5 Childhood and the challenge of fat masculinity -- " You ' ll outgrow it " : Hitchcock ' s youth -- Suffer little children : Hitchcock and cinematic childhood
    Abstract: Loss, danger, absence: The semiotics of Hitchcock ' s filmic children -- The Wrong Man and the appetites of Cain and Abel -- Chapter 6 Hitchcock and the queer lens of fatness -- Hitchcock and the fat closet -- A sense of sex: Queer romance in Hitchcock ' s cinema -- Cinematic vicarity: Surrogate versus prosthetic identification -- The Tickles: Subjectivities without bodies -- Epilogue -- Notes -- Introduction -- Chapter 1 -- Chapter 2 -- Chapter 3 -- Chapter 4 -- Chapter 5 -- Chapter 6 -- Enhanced Filmography -- Bibliography -- Index
    Note: Der Titel ist Teil des Projekts Knowledge Unlatched, Round2 Pre-Unlatch
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  • 59
    ISBN: 9783837624762 , 3837624765
    Language: German
    Pages: 274 Seiten , Illustrationen , 225 mm x 148 mm, 498 g
    Series Statement: Postcolonial studies Band 16
    Series Statement: Postcolonial studies
    Parallel Title: Online-Ausg. Schulze, Peter W., 1977 - Strategien »kultureller Kannibalisierung«
    Parallel Title: Erscheint auch als Schulze, Peter W., 1977 - Strategien "kultureller Kannibalisierung"
    Dissertation note: Dissertation Johannes Gutenberg-Universität Mainz 2013
    DDC: 791.4365810981
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    Keywords: Postkolonialismus ; Kunst ; Kulturtheorie ; Tropicalismo ; Modernismo ; Brasilien ; Hochschulschrift ; Brasilien ; Film ; Postkolonialismus ; Modernismo ; Tropicalismo ; Geschichte 1969-1971
    Note: Literaturverzeichnis: Seite 239-265
    URL: Cover
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  • 60
    ISBN: 3593502917 , 9783593502915
    Language: German
    Pages: 285 Seiten , Illustrationen , 213 mm x 140 mm
    Series Statement: Normative Orders Band 14
    Series Statement: Normative orders
    DDC: 302.2343
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    Keywords: Film ; Recht ; Gesetz ; Gewalttätigkeit ; Analyse ; Aufsatzsammlung ; Aufsatzsammlung ; Gesetz ; Gewalt ; Film ; Gewalt ; Gesetz ; Recht ; Film ; Drama
    Note: Literaturangaben
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  • 61
    Book
    Book
    Bielefeld : transcript
    ISBN: 3837627632 , 9783837627633
    Language: English
    Pages: 169 Seiten , Illustrationen , 225 mm x 148 mm, 438 g
    Series Statement: Urban Studies
    DDC: 307.760949618
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    Keywords: Image ; Urbanität ; Istanbul ; Film ; Fernsehserie ; Istanbul ; Konferenzschrift 2013 ; Konferenzschrift 2013 ; Konferenzschrift 2013 ; Konferenzschrift 2013 ; Konferenzschrift 2013 ; Konferenzschrift 2013
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  • 62
    Book
    Book
    Bloomington [u.a.] : Indiana University Press
    ISBN: 9780253016294 , 9780253016256
    Language: English
    Pages: XII, 311 S. , Ill.
    Series Statement: African expressive cultures
    DDC: 306.096
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    Keywords: Pop-Kultur ; Film ; Musik ; Comic ; Rezeption ; Globalisierung ; Nigeria ; Tansania ; Rezension ; Rezension ; Rezension ; Rezension
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  • 63
    ISBN: 9781782386971
    Language: English
    Pages: x, 309 Seiten , Illustrationen , 24 cm
    Series Statement: Film Europa Vol. 17
    Series Statement: Berghahnonfilm
    Series Statement: Film Europa
    DDC: 070.1/8
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    Keywords: Documentary films History 20th century ; Motion pictures Colonies ; Motion pictures in propaganda ; Germany Colonies 20th century ; History ; Deutschland ; Kolonialismus ; Propaganda ; Film ; Geschichte 1904-1918 ; Deutschland ; Kolonie ; Dokumentarfilm
    Abstract: Introduction -- The beginning of colonial film culture in Imperial Germany. From the variety theatre to the German colonial society -- Carl Muller: a colonial film maker -- The DKG's film shows: the colonies in motion -- Addressing the masses. The 'Hottentot election' of 1907 -- The DKG's Kinematographenkampagne -- Rise and fall of the Kinemtographenkampagne -- Ethnographic filmmaking in the colonies -- Karl Weule in German East Africa -- The expedition in context: modern German ethnography -- Filming in the Colonies: Training and Improvisation -- Tourism, Entertainment, and Colonial Ideology. Colonial Films in Public Cinema -- The colonial travelogue -- Colonial films in transition: Robert Schumann's comeback -- Colonial film propaganda during the First World War. Setting up colonial war propaganda -- The Deutsche Kolonial-filmgesellschaft (DEUKO) -- Conclusion
    Description / Table of Contents: Introduction -- The beginning of colonial film culture in Imperial Germany. From the variety theatre to the German colonial society -- Carl Muller: a colonial film maker -- The DKG's film shows: the colonies in motion -- Addressing the masses. The 'Hottentot election' of 1907 -- The DKG's Kinematographenkampagne -- Rise and fall of the Kinemtographenkampagne -- Ethnographic filmmaking in the colonies -- Karl Weule in German East Africa -- The expedition in context: modern German ethnography -- Filming in the Colonies: Training and Improvisation -- Tourism, Entertainment, and Colonial Ideology. Colonial Films in Public Cinema -- The colonial travelogue -- Colonial films in transition: Robert Schumann's comeback -- Colonial film propaganda during the First World War. Setting up colonial war propaganda -- The Deutsche Kolonial-filmgesellschaft (DEUKO) -- Conclusion.
    Note: Filmographie Seite [276] - 277 , Literaturverzeichnis Seite [278] - 301
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  • 64
    Online Resource
    Online Resource
    Wiesbaden : Springer Fachmedien Wiesbaden
    ISBN: 9783658046736
    Language: English
    Pages: Online-Ressource (X, 250 p. 5 illus., 1 illus. in color, online resource)
    Series Statement: Film, Fernsehen, Medienkultur, Schriftenreihe der Hochschule für Film und Fernsehen "Konrad Wolf
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. Eichner, Susanne Agency and media reception
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    Keywords: Social sciences ; Social Sciences ; Social sciences ; Film ; Fernsehsendung ; Videospiel ; Rezeption ; Handlung
    Abstract: What happens to our sense of agency, our general ability to perform actions in our lifeworlds, in the course of media reception and appropriation? Whilst considering media communication as a special form of social action, this work reconsiders the key concepts of social action theory, pragmatism, communication theory, as well as film, game, and television theory. It thus integrates agency as the key to understanding ‘doing media’ and at the same time conceptualizes agency as a specific mode of involvement across media boundaries. This approach amalgamates miscellaneous ideas and conceptions such as interactivity, participation, cognitive control, play or empowerment and applies the theoretical considerations on the basis of textual analyses of the films Inception and The Proposal, the TV shows Lost and I’m a Celebrity and the video games Grand Theft Auto IV, and The Walking Dead. Contents -Agency Interdisciplinary -Interactivity and Play -From Media Use to Doing Media -Agency as a Mode of Involvement -Levels and Points of Agency -Textuality and Agency - Exemplary Analyses -The Quality of Agency in the Media Target Groups -Researchers and students of Media Studies in general, game studies, film studies, and television studies The Author Dr. Susanne Eichner is lecturer at the Academy of Film and Television, Potsdam-Babelsberg (Hochschule für Film und Fernsehen “Konrad Wolf”) in the department of Media Studies
    Description / Table of Contents: Agency InterdisciplinaryInteractivity and Play -- From Media Use to Doing Media -- Agency as a Mode of Involvement -- Levels and Points of Agency -- Textuality and Agency - Exemplary Analyses -- The Quality of Agency in the Media.
    Note: Description based upon print version of record
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    URL: Cover
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  • 65
    Online Resource
    Online Resource
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780822376804
    Language: English
    Pages: 1 Online-Ressource (x, 470 Seiten) , Illustrationen
    DDC: 302.230973
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    Keywords: Sexualität ; Massenmedien ; Film ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books. ; Aufsatzsammlung
    Abstract: Sex Scene suggests that what we have come to understand as the sexual revolution of the late 1960s and early 1970s was actually a media revolution. In lively essays, the contributors examine a range of mass media-film and television, recorded sound, and publishing-that provide evidence of the circulation of sex in the public sphere, from the mainstream to the fringe. They discuss art films such as I am Curious (Yellow), mainstream movies including Midnight Cowboy, sexploitation films such as Mantis in Lace, the emergence of erotic film festivals and of gay pornography, the use of multimedia in sex education, and the sexual innuendo of The Love Boat. Scholars of cultural studies, history, and media studies, the contributors bring shared concerns to their diverse topics. They highlight the increasingly fluid divide between public and private, the rise of consumer and therapeutic cultures, and the relationship between identity politics and individual rights. The provocative surveys and case studies in this nuanced cultural history reframe the "sexual revolution" as the mass sexualization of our mediated world.Contributors. Joseph Lam Duong, Jeffrey Escoffier, Kevin M. Flanagan, Elena Gorfinkel, Raymond J. Haberski Jr., Joan Hawkins, Kevin Heffernan, Eithne Johnson, Arthur Knight, Elana Levine, Christie Milliken, Eric Schaefer, Jeffrey Sconce, Jacob Smith, Leigh Ann Wheeler, Linda Williams.
    Note: Literaturverzeichnis: Seite 435-450 , Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: eDuke
    URL: JSTOR
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  • 66
    Online Resource
    Online Resource
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780199983971
    Language: English
    Pages: XII, 483 S. , Ill., graph. Darst. , 26 cm
    Edition: Online-Ausg. Online-Ressource
    Series Statement: Oxford handbooks online
    Series Statement: Literature
    Parallel Title: Druckausg.: The Oxford handbook of Japanese cinema
    DDC: 791.409
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    Keywords: Motion pictures / Japan Motion picture industry / Japan ; Motion picture industry ; Motion pictures ; Motion picture industry / Japan ; Motion pictures / Japan ; Japan / In motion pictures / Japan ; Motion pictures ; Motion picture industry ; Motion pictures ; Japan ; Motion picture industry ; Japan ; Japan ; In motion pictures ; Japan In motion pictures ; Aufsatzsammlung ; Japan ; Film ; Geschichte
    Abstract: This text provides a multifaceted single-volume account of Japanese cinema. It addresses productive debates about what Japanese cinema is, where Japanese cinema is, as well as what and where Japanese cinema studies is, at the so-called period of crisis of national boundary under globalization and the so-called period of crisis of cinema under digitalization.
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  • 67
    ISBN: 9783883099224
    Language: German
    Pages: 332 S. , 225 mm x 152 mm
    Dissertation note: Zugl.: Göttingen, Univ., Diss., 2014
    DDC: 791.4365290955
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    Keywords: Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Iran ; Film ; Nationale Minderheit ; Geschichte 1980-2010 ; Iran ; Film ; Nationale Minderheit ; Geschichte 1980-2010
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  • 68
    Book
    Book
    New York : Bloomsbury Academic
    ISBN: 9781623562687 , 9781623562250
    Language: English
    Pages: 279 Seiten , Illustrationen
    DDC: 801
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    Keywords: Material culture in literature ; Personal belongings in literature ; Personal belongings in art ; Property in literature ; Alltagsgegenstand ; Sachkultur ; Literatur ; Film ; Semiotik ; Ästhetik ; Gebrauchsgegenstand ; Ding ; Warenästhetik ; Literatur ; Philosophie
    Abstract: "Stuff, the hoard of minor objects which have shed their commodity glamor but which we refuse to recycle, flashes up in fiction, films and photographs as alluring, unruly reminder of how people and matter are intertwined. Stuff is modern materiality out of bounds that refuses to be contained by the western semiotic system. It declines its role as the eternal sidekick of the subject, and thus is the ideal basis for a counter-narrative of materiality in flux. Can such a narrative, developed by the new materialism, reinvigorate the classical materialist account of human alienation from commodities under capital? By shifting the discussion of materiality toward the aesthetic and the everyday, the book both embraces and challenges the project of new materialism. It argues that matter has a politics, and that its new plasticity offers a continued possibility of critique.Stuff Theory's five chapters illustrate the intermittent flashes of modern 'minor' materiality in twentieth-century modernity as fashion, memory object, clutter, home de;cor, and waste in a wide range of texts: Benjamin's essays, Virginia Woolf's and Elfriede Jelinek's fiction, Rem Koolhaas' criticism, 1920s German photography and the cinema of Tati, Bertolucci, and Mendes. To call the commodified, ebullient materiality the book tracks stuff, is to foreground its plastic and transformative power, its fluidity and its capacity to generate events. Stuff Theory interrogates the political value of stuff's instability. It investigates the potential of stuff to revitalize the oppositional power of the object.Stuff Theory traces a genealogy of materiality: flashpoints of one kind of minor matter in a succession of cultural moments. It asserts that in culture, stuff becomes a rallying point for a new critique of capital, which always works to reassign stuff to a subaltern position. Stuff is not merely unruly: it becomes the terrain on which a new relation between people and matter might be built"--
    Abstract: "Stuff, the hoard of minor objects which have shed their commodity glamor but which we refuse to recycle, flashes up in fiction, films and photographs as alluring, unruly reminder of how people and matter are intertwined. Stuff is modern materiality out of bounds that refuses to be contained by the western semiotic system. It declines its role as the eternal sidekick of the subject, and thus is the ideal basis for a counter-narrative of materiality in flux. Can such a narrative, developed by the new materialism, reinvigorate the classical materialist account of human alienation from commodities under capital? By shifting the discussion of materiality toward the aesthetic and the everyday, the book both embraces and challenges the project of new materialism. It argues that matter has a politics, and that its new plasticity offers a continued possibility of critique. Stuff Theory's five chapters illustrate the intermittent flashes of modern 'minor' materiality in twentieth-century modernity as fashion, memory object, clutter, home decor, and waste in a wide range of texts: Benjamin's essays, Virginia Woolf's and Elfriede Jelinek's fiction, Rem Koolhaas' criticism, 1920s German photography and the cinema of Tati, Bertolucci, and Mendes"--
    Description / Table of Contents: Machine generated contents note:Introduction: Of Jena Glassware and Potatoes--Matter in the Moment 1. Homeopathic Benjamin: A Flexible Poetics of Matter 2. For the Unnatural Use of Clothes: Fashion as Cultural Assault 3. Paris Circa 1968: Cool Spaces, Decoration, Revolution 4. "You Must Remember this:" Memory Objects in the Age of Erasable Memory 5. Garbage in Theory: Waste Aesthetics Envoi: What Should We Do With Our Stuff Notes Index.
    Note: Literaturangaben
    URL: Cover
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  • 69
    ISBN: 9783828832763
    Language: German
    Pages: 153 S. , 21 cm
    Parallel Title: Online-Ausg. Drogla, Paul Vom Fressen und Gefressenwerden
    DDC: 791.436556
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    Keywords: Kannibalismus ; Film
    Note: Literaturangaben
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  • 70
    ISBN: 9783837626520 , 3837626520
    Language: German , English
    Pages: 384, 408 S. , Ill., graph. Darst.
    DDC: 300
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    Keywords: Konferenzschrift 2013 ; Neue Medien ; Film ; Literatur ; Erzähltechnik
    Note: Wendebuch. - Text dt. und engl
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  • 71
    AV-Medium
    AV-Medium
    [S.l.] : Realfiction
    Language: Italian , German , English
    Pages: 1 DVD-Video (80 Min. + 21 Min.)
    DDC: 300
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    Keywords: Film ; DVD-Video
    Abstract: Der Film zeigt, was vom venezianischen Leben übrig geblieben ist: eine Subkultur touristischer Dienstleister; ein Hafen für die monströsen Kreuzfahrtschiffe, der auf seine Erweiterung wartet; Venezianer, die auf das Festland ziehen, weil es keine bezahlbaren Wohnungen mehr gibt; eine alte Adlige, die die Stadtverwaltung mit Hohn überzieht; ein Immobilienmakler, der darüber nachdenkt, das sinkende Schiff zu verlassen. Andreas Pichlers Protagonisten sind Sensoren für die Veränderungen ihrer Stadt. Venedig fühlt sich für sie immer weniger nach Heimat an, eine Lösung sehen sie jedoch nicht. Ein Requiem auf eine immer noch grandiose Stadt. Ein Lehrstück darüber, wie öffentliches Gut zur Beute einiger Weniger wird. Ein Hohelied auf die letzten Venezianer, ihren Witz und ihr Herz.
    Note: Sprache: italienisch. Untertitel: dt., engl. - Bonusmaterial , Dokumentarfilm. Österreich. 2013 , D/I/A 2012 , Sprache: Ital. - Untertitel: dt., engl.
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  • 72
    ISBN: 9789004241923
    Language: English
    Pages: 1 Online-Ressource (340 Seiten) , Illustrationen
    Series Statement: Metaforms: studies in the reception of classical antiquity
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    Keywords: Historical films History and criticism ; Civilization, Ancient, in motion pictures ; Civilization, Ancient, on television ; Sex role in motion pictures ; Politics in motion pictures ; Motion pictures and history ; Television and history ; Social sciences ; Social Science / Media Studies ; Electronic books ; Konferenzschrift ; Antike ; Rezeption ; Film
    Abstract: Preliminary Material -- Introduction /Almut-Barbara Renger and Jon Solomon -- Ben-Hur and Gladiator: Manifest Destiny and the Contradictions of American Empire /Jon Solomon -- Muscles and Morals: Spartacus, Ancient Hero of Modern Times /Thomas Späth and Margrit Tröhler -- With Your Shield or On It: The Gender of Heroism in Zack Snyder’s 300 and Rudoph Maté’s The 300 Spartans /Thorsten Beigel -- “This is Sparta!”: Discourse, Gender, and the Orient in Zack Snyder’s 300 /Jeroen Lauwers , Marieke Dhont and Xanne Huybrecht -- “Everybook-body Loves a Muscle Boi”: Homos, Heroes, and Foes in Post-9/11 Spoofs of the 300 Spartans /Ralph J. Poole -- The Womanizing of Mark Antony: Virile Ruthlessness and Redemptive Cross-Dressing in Rome, Season Two /Margaret M. Toscano -- Cleopatra’s Venus /Elisabeth Bronfen -- Over His Dead Body: Male Friendship in Homer’s Iliad and Wolfgang Petersen’s Troy (2004) /Andreas Krass -- Models of Masculinities in Troy: Achilles, Hector and Their Female Partners /Celina Proch and Michael Kleu -- “Include me out” – Odysseus on the Margins of European Genre Cinema: Le Mépris, Ulisse, L’Odissea /Christian Pischel -- Between Mythical and Rational Worlds: Medea by Pier Paolo Pasolini /Lada Stevanović -- “Universal’s Religious Bigotry Against Hinduism”: Gender Norms and Hindu Authority in the Global Media Debate on Representing the Hindu God Krishna in Xena: Warrior Princess /Xenia Zeiler -- Ancient Women’s Cults and Rituals in Grand Narratives on Screen: From Walt Disney’s Snow White to Olga Malea’s Doughnuts with Honey /Svetlana Slapšak -- Pandora-Eve-Ava: Albert Lewin’s Making of a “Secret Goddess” /Almut-Barbara Renger -- Phryne Paves the Way for the Wirtschaftswunder: Visions of Guilt and “Purity” Fed by Ancient Greece, Christian Narrative, and Contemporary History /Barbara Schrödl -- The New Israeli Film Beruriah: Between Rashi and Talmud, between Antiquity and Modernity, between Feminism and Religion /Tal Ilan -- Index.
    Abstract: More than a century ago, filmmakers made their primary focus innovative and widely promulgated visions of antiquity, creating a profound effect on the critical, popular, and scholarly reception of antiquity. In this volume, scholars from a variety of countries and varying academic disciplines have addressed film’s way of using the field of Classical Reception to investigate, contemplate, and develop hypotheses about present-day culture, society, and politics, with a particular emphasis on gender and gender roles, their relationship to one another, and how filmic constructions of masculinity and femininity shape and are shaped by interacting economic, political, and ideological practices
    Note: Includes bibliographical references and index
    URL: Cover  (Thumbnail cover image)
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  • 73
    ISBN: 9780822353263 , 9780822353409
    Language: English
    Pages: xxiii, 335 Seiten, 16 ungezählte Seiten , Illustrationen
    Parallel Title: Erscheint auch als Demos, T. J., 1966 - The Migrant Image
    DDC: 700.86/91
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    Keywords: Arts and globalization ; Culture and globalization ; Art and society ; Documentary mass media and the arts ; Emigration and immigration in art ; Globalisierung ; Globalisierung ; Massenmedien ; Film ; Videokunst ; Fotografie ; Performance ; Kunst ; Politik ; Migration ; Kunst ; Politik ; Migration
    Abstract: Indeterminacy and bare life in Steve McQueen's Western deep -- Sabotaging the future? : the essay-films of the Otolith Group -- Hito Steyerl's travelling images -- The art of Emily Jacir : dislocation and politicization -- Recognizing the unrecognized : the photographs of Ahlam Shibli -- The politics of opacity : the Otolith Group's Nervus rerum -- Out of Beirut : mobile histories and the politics of fiction -- Ursula Biemann's Sahara chronicle : video's migrant geography -- Means without end : Anastas and Gabri's camp campaign -- Destination : the politics of aesthetics during global crisis.
    Description / Table of Contents: Indeterminacy and bare life in Steve McQueen's Western deep -- Sabotaging the future? : the essay-films of the Otolith Group -- Hito Steyerl's travelling images -- The art of Emily Jacir : dislocation and politicization -- Recognizing the unrecognized : the photographs of Ahlam Shibli -- The politics of opacity : the Otolith Group's Nervus rerum -- Out of Beirut : mobile histories and the politics of fiction -- Ursula Biemann's Sahara chronicle : video's migrant geography -- Means without end : Anastas and Gabri's camp campaign -- Destination : the politics of aesthetics during global crisis.
    Note: Literaturverzeichnis: Seiten 305-322
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  • 74
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780199983315
    Language: English
    Pages: 1 Online-Ressource (xvii, 709 Seiten) , Illustrationen
    Series Statement: Oxford handbooks online
    Series Statement: Literature
    Series Statement: Oxford handbooks of literature
    Parallel Title: Erscheint auch als The Oxford handbook of Chinese cinemas
    DDC: 791.409
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    Keywords: Motion pictures ; Motion pictures ; Motion pictures ; Motion pictures ; China ; Motion pictures ; Taiwan ; Motion pictures ; China ; Hong Kong ; Motion pictures ; China ; Motion pictures ; Taiwan ; Motion pictures ; China ; Hong Kong ; Aufsatzsammlung ; China ; Hongkong ; Taiwan ; Film ; Geschichte ; Film ; Geschichte ; Hongkong ; Film ; Geschichte ; Taiwan ; Film ; Geschichte
    Abstract: What does it mean for a cinematic work to be 'Chinese'? Does it refer specifically to a work's subject, or does it also reflect considerations of language, ethnicity, nationality, ideology, or political orientation? Such questions make any single approach to a vast field like 'Chinese cinema' difficult at best. Accordingly, The Oxford Handbook of Chinese Cinemas situates the term more broadly among various different phases, genres, and distinct national configurations.
    Description / Table of Contents: Includes bibliographical references and index
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  • 75
    ISBN: 9783837623581 , 3837623580
    Language: German
    Pages: 369 S. , Ill., Notenbeisp. , 23 cm
    Series Statement: Gender studies
    Parallel Title: Online-Ausg. Mörderinnen
    Parallel Title: Erscheint auch als Lee, Hyunseon Mörderinnen
    DDC: 800
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    Keywords: Women murderers in literature Congresses ; Women murderers in motion pictures Congresses ; Konferenzschrift 2011 ; Mörderin ; Literatur ; Film
    Note: Literaturangaben
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  • 76
    Book
    Book
    New York, NY [u.a.] : New York Univ. Press
    ISBN: 9780814771891 , 9780814729496
    Language: English
    Pages: XI, 254 S. , Ill.
    Series Statement: Postmillennial pop
    DDC: 302.230954792
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    Keywords: Bombay ; Bollywood ; Filmindustrie ; Film ; Geschichte ; Motion picture industry--India--Mumbai--History. ; Television broadcasting--India--Mumbai--History. ; Digital media--India--Mumbai--History. ; Marketing--India--Mumbai--History.
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  • 77
    ISBN: 9780877277859 , 9780877277552
    Language: English
    Pages: VIII, 239 S. , Ill.
    Series Statement: Studies on Southeast Asia 55
    Series Statement: Studies on Southeast Asia
    DDC: 791.409
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    Keywords: Independent films History ; Motion pictures History ; Motion picture audiences History ; Aufsatzsammlung ; Südostasien ; Unabhängiger Film ; Geschichte 1990-2010 ; Südostasien ; Film
    Note: Introduction : dialectics of independence , Part IActionVoices of the fourth generation of Malaysian-Indian filmmakers , Dissent isn't disloyalty : in conversation with Martyn See , The age of Thai independence : looking back on the first decade of the short film , Piracy boom boom , Aku, Perempuan, dan Perempuan Itu : Me, woman, and that woman , Part IIReflectionCircumventing channels : indie filmmaking in post-socialist Vietnam and beyond , Auteur-ing Malaysia : Yasmin Ahmad and dreamed communities , Smoking, eating, and desire : a study of alienation in the films of James Lee , Independence and indigenous film : the framing of Timor-Leste , The strange story of a strange beast : receptions in Thailand of Apichatpong Weerasethakul's Sat pralaat , The Thai short film and video festival and the question of independence , Part IIIAdvocacyLike the body and the soul : independence and aesthetics in contemporary Philippine cinema , The piracy generation : media piracy and independent film in Southeast Asia , The substation and the emergence of an alternative cinema culture in Singapore , The beginnings of digital cinema in Southeast Asia
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  • 78
    ISBN: 3837621421 , 9783837621426
    Language: German
    Pages: 396 S. , 225 mm x 148 mm, 528 g
    Series Statement: Postcolonial Studies 14
    Series Statement: Postcolonial studies
    Dissertation note: Zugl.: Mainz, Univ., Diss., 2011
    DDC: 791.43096
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    Keywords: Film ; Theater ; Casting ; Schwarze ; Ethnische Identität ; Schwarze ; Postkolonialismus ; Afrika ; Subsaharisches Afrika ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 79
    AV-Medium
    AV-Medium
    Hamburg : Spiegel-TV
    Language: German
    Pages: 1 DVD-Video (59 Min.) , farb., Bildformat 16:9, stereo, DVD 5 , 12 cm
    Series Statement: Spiegel-TV 34
    Series Statement: Spiegel-TV
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    Keywords: Attitude to death ; Death ; Near-death experiences ; Parapsychology ; Film ; DVD-Video ; Nahtoderfahrung ; Jenseitskontakt
    Abstract: Die Film-Autorin sprach mit Menschen, die fest daran glauben, eine Nahtod-Erfahrung erlebt zu haben.
    Note: D 2012 , Sprache: dt.
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  • 80
    Book
    Book
    Berkeley [u.a.] : University of California Press
    ISBN: 0520272528 , 9780520272521
    Language: English
    Pages: 185 S. , cm
    Series Statement: Flashpoints 11
    Series Statement: FlashPoints
    DDC: 891.1
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    Keywords: Indic literature History and criticism ; 20th century ; Postmodernism (Literature) India ; Indic literature Translations ; History and criticism ; Postcolonialism in motion pictures India ; Indic literature History and criticism 20th century ; Postmodernism (Literature) ; Indic literature Translations ; History and criticism ; Postcolonialism in motion pictures ; Südasien ; Volkssprache ; Literatur ; Film ; Südasien ; Postkoloniale Literatur ; Übersetzung ; Indien ; Volkssprache ; Literatur ; Film ; Postkoloniale Literatur ; Übersetzung
    Note: Includes bibliographical references and index
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  • 81
    Online Resource
    Online Resource
    Durham : Duke University Press | Baltimore, Md. : Project MUSE
    ISBN: 9780822395331
    Language: English
    Pages: 1 Online-Ressource
    DDC: 305.50982
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    Keywords: Geschichte 1920-1946 ; Film ; Hörfunk ; Argentinien ; Electronic books ; Electronic books ; Electronic books. ; History. ; Electronic books ; Electronic books
    Abstract: Major change came to Argentina during the first decades of the twentieth century. Following the mass influx of European immigrants to the country during the beginning of the century, a truly national culture was produced through mass media, facilitating the assimilation of immigrants and their descendants. New forms of media emerged, such as radio and cinema, as did new forms of entertainment, such as tango songs, films, and radio theater. Yet despite the unifying effect of popular culture, the nation remained divided, and, if anything, more so in 1950 than in 1910. This book argues that the key to understanding this paradox lies in a reassessment of the mass culture of the 1920s and 1930s. With a focus on film and radio in and around Buenos Aires, the locus of production as well as much of the market consumption, Karush shows how integration and class fractures occurred simultaneously in a short span of the country's history. He brings together the usually separated subjects of radio and cinema to show how they can combine to gauge a larger cultural and political environment and shed light on class distinctions. The book contributes to an ongoing discussion of the relationship between power and mass culture. It will be of interest to scholars of cultural history and urban studies and those interested in Latin American history and culture.
    Note: Includes bibliographical references (p. [251]-268) and index , Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 82
    Online Resource
    Online Resource
    Amsterdam : Amsterdam Univ. Press
    ISBN: 9789089644268 , 9089644261 , 9789048516322 (Sekundärausgabe) , 9789048516339 (Sekundärausgabe)
    Language: English
    Pages: 272 S. , Ill., map
    Edition: Online-Ausg. [The Hague] OAPEN Online-Ressource ISBN 9789048516322 pdf
    Edition: ISBN 9789048516339 ePub
    Edition: [Online-Ausg.]
    DDC: 303.375
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    Keywords: Geschichte 1933-1945 ; Massenkultur ; Großveranstaltung ; Propaganda ; Drittes Reich ; Stadt ; Geräusch ; Unterhaltungsindustrie ; Massenmedien ; Nationalsozialismus ; Hörfunk ; Film ; Audiotechnik ; Deutschland ; Düsseldorf ; Online-Publikation ; Electronic books
    Abstract: Following the formation of the German National Socialist Party in the 1920s, various forms of sound (popular music, voice, noise and silence) and media technology (radio and loudspeaker systems) were configured as useful to the party's political programme. Focusing on the urban "soundscape" of Düsseldorf, the author makes a persuasive case for investigating such sound events and technological devices in their specific contexts of production and reception. Nazi Soundscapes identifies strategies for controlling space and reworking identity patterns, but also the ongoing difficulties in manipulating mediated sounds and the spaces of listening reception, whether in the home, workplace, the cinema, public rituals or with wartime siren systems. The study revises visualist notions of social control, and reveals the disciplinary functions of listening (as eavesdropping) as well as the sonic dimensions to exclusion and violence during Nazism. An essential title for everyone interested in the links between German political culture, audiovisual media and urban history, Nazi Soundscapes provides a fascinating analysis of the cultural significance of sound between the 1920s and early 1940s. Click "http://soundclips.humanities.uva.nl/"〉here for the sound clips discussed in the book.
    Note: Literaturverz. S. 217 - 253 , Online-Ausg.:
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 83
    ISBN: 3837617289 , 9783837617283
    Language: German
    Pages: 225 S. , Ill. , 225 mm x 135 mm, 290 g
    Series Statement: Kultur- und Medientheorie
    Parallel Title: Online-Ausg. Facetten der Popkultur
    Parallel Title: Erscheint auch als Niedlich, Florian Facetten der Popkultur
    DDC: 306.4
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    Keywords: Popkultur ; Popmusik ; Musik ; Literatur ; Fernsehen ; Video ; Subversion ; Ästhetik ; Gegenkultur ; Satire ; Protestbewegung ; Fernsehen ; Film ; Literatur ; Popkultur ; Popmusik ; Subversion ; Video ; Film ; Aufsatzsammlung ; Aufsatzsammlung ; Pop-Kultur ; Ästhetik ; Wirkung ; Gesellschaft
    Note: Literaturangaben
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  • 84
    ISBN: 9780231153591 , 0231153597 , 9780231153584
    Language: English
    Pages: VIII, 315 S. , Ill. , 23x15x2 cm
    DDC: 303.6
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    Keywords: Film ; Fernsehen ; Folter ; Politische Verfolgung ; Gewalt ; Dokumentarfilm ; Fernsehsendung ; Aufsatzsammlung
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  • 85
    ISBN: 9783938944493
    Language: German
    Pages: 227 S. , Ill.
    DDC: 809.933272
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    Keywords: Metaphor ; Mexiko Vereinigte Staaten ; Europa ; Auslandsbild/Fremdbilder ; Mexico In motion pictures ; Mexico In mass media ; Mexico In literature ; Mexikobild ; Stereotyp ; Fremdheit ; Literatur ; Film ; Geschichte 1890-2000
    URL: Cover
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  • 86
    AV-Medium
    AV-Medium
    [München] : Film & Kunst
    Show associated volumes/articles
    Language: German
    Pages: 2 DVD-Videos (Ländercode 0, 164 Min. + 148 Min.) , s/w, farb., TV-Format: 4:3 PAL, Originalformat: 1,33:1, Tonformat: Dolby digital 2.0 (Mono) , 12 cm
    Additional Material: 1 Beih. ([24] S.)
    Edition: 2. Aufl.
    Series Statement: Edition Filmmuseum 56
    Series Statement: Edition filmmuseum
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    Keywords: Film ; DVD-Video ; Deutschland ; Deutschland ; Geschichte 1988-2008
    Note: LEHR-Programm gemäß § 14 JuSchG , Die Vorlage enthält insgesamt 4 Werke , Laufzeit des Films "Material": 164 Min , D 2009 , Sprache: dt. - Untertitel: engl., franz., span.
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  • 87
    Online Resource
    Online Resource
    New York : Berghahn Books
    ISBN: 9780857450661 , 0857450662
    Language: English
    Pages: 1 Online-Ressource (206 pages)
    Series Statement: Film Europa
    Parallel Title: Gemünden, Gerd, 1959 - A foreign affair
    Parallel Title: Print version Gemünden, Gerd A Foreign Affair : Billy Wilder's American Films
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    Keywords: Wilder, Billy Criticism and interpretation ; Wilder, Billy ; Wilder, Billy ; PERFORMING ARTS ; Reference ; PERFORMING ARTS ; Film & Video ; History & Criticism ; Music, Dance, Drama & Film ; Film ; Criticism, interpretation, etc ; Electronic books ; Double indemnity ; Sunset Boulevard ; Some like it hot ; The apartment ; Wilder, Billy 1906-2002 ; USA ; Film ; Geschichte 1944-1970 ; Double indemnity ; Sunset Boulevard ; Some like it hot ; The apartment
    Abstract: With six Academy Awards, four entries on the American Film Institute's list of 100 greatest American movies, and more titles on the National Historic Register of classic films deemed worthy of preservation than any other director, Billy Wilder counts as one of the most accomplished filmmakers ever to work in Hollywood. Yet how American is Billy Wilder, the Jewish émigré from Central Europe? This book underscores this complex issue, unpacking underlying contradictions where previous commentators routinely smoothed them out. Wilder emerges as an artist with roots in sensationalist journalism
    Abstract: With six Academy Awards, four entries on the American Film Institute's list of 100 greatest American movies, and more titles on the National Historic Register of classic films deemed worthy of preservation than any other director, Billy Wilder counts as one of the most accomplished filmmakers ever to work in Hollywood. Yet how American is Billy Wilder, the Jewish émigré from Central Europe? This book underscores this complex issue, unpacking underlying contradictions where previous commentators routinely smoothed them out. Wilder emerges as an artist with roots in sensationalist journalism
    URL: Volltext  (kostenfrei)
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  • 88
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Knowledge Unlatched
    ISBN: 9780822393351 , 0822393352
    Language: English
    Pages: 1 Online-Ressource (xiv, 313 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Tasker, Yvonne, 1964 - Soldiers' stories
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    Keywords: Film ; Militär ; Frau ; Soldatin
    Abstract: From Skirts Ahoy! to M*A*S*H, Private Benjamin, G.I. Jane, and JAG, films and television shows have grappled with the notion that military women are contradictory figures, unable to be both effective soldiers and appropriately feminine. In Soldiers' Stories, the author traces this perceived paradox across genres including musicals, screwball comedies, and action thrillers. She explains how, during the WWII, women were portrayed as auxiliaries, temporary necessities of "total war." Later, nursing, with its connotations of feminine care, offered a solution to the "gender problem." From the 1940s through the 1970s, musicals, romances, and comedies exploited the humorous potential of the gender role-reversal that the military woman was taken to represent. Since the 1970s, female soldiers have appeared most often in thrillers and legal and crime dramas, cast as isolated figures, sometimes victimized and sometimes heroic. Soldiers' Stories is a comprehensive analysis of representations of military women in film and TV since the 1940s. Throughout, the author relates female soldiers' provocative presence to contemporaneous political and cultural debates and to the ways that women's labor and bodies are understood and valued
    Abstract: From Skirts Ahoy! to M*A*S*H, Private Benjamin, G.I. Jane, and JAG, films and television shows have grappled with the notion that military women are contradictory figures, unable to be both effective soldiers and appropriately feminine. In Soldiers' Stories, the author traces this perceived paradox across genres including musicals, screwball comedies, and action thrillers. She explains how, during the WWII, women were portrayed as auxiliaries, temporary necessities of "total war." Later, nursing, with its connotations of feminine care, offered a solution to the "gender problem." From the 1940s through the 1970s, musicals, romances, and comedies exploited the humorous potential of the gender role-reversal that the military woman was taken to represent. Since the 1970s, female soldiers have appeared most often in thrillers and legal and crime dramas, cast as isolated figures, sometimes victimized and sometimes heroic. Soldiers' Stories is a comprehensive analysis of representations of military women in film and TV since the 1940s. Throughout, the author relates female soldiers' provocative presence to contemporaneous political and cultural debates and to the ways that women's labor and bodies are understood and valued.
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  • 89
    ISBN: 9783837616712
    Language: German
    Pages: 351 S. , Ill. , 23 cm
    Edition: 1. Aufl.
    Series Statement: Film
    Parallel Title: Online-Ausg. Ebbrecht-Hartmann, Tobias, 1975 - Geschichtsbilder im medialen Gedächtnis
    Parallel Title: Erscheint auch als Ebbrecht-Hartmann, Tobias, 1975 - Geschichtsbilder im medialen Gedächtnis
    Parallel Title: Erscheint auch als Ebbrecht-Hartmann, Tobias, 1975 - Geschichtsbilder im medialen Gedächtnis
    Dissertation note: Zugl.: Berlin, Freie Univ., Diss., 2010
    DDC: 770
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    Keywords: Holocaust, Jewish (1939-1945), in motion pictures History and criticism ; Bild, historische Quelle ; Bilddokument ; Geschichtsbild ; Narration ; Kollektives Gedächtnis ; Mediales Gedächtnis ; Holocaust ; Shoah ; Nationalsozialismus ; NS ; Film ; Hochschulschrift ; Judenvernichtung ; Geschichtsdarstellung ; Erzähltechnik ; Film ; Judenvernichtung ; Gedächtnis ; Geschichte ; Nationalsozialismus
    Note: Literaturverz. S. [329] - 347
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  • 90
    Book
    Book
    Woodbridge, Suffolk :James Currey,
    ISBN: 978-1-84701-521-1
    Language: English
    Pages: x, 180 Seiten : , Illustrationen.
    DDC: 791.436521096
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    Keywords: Film. ; Roman. ; Mann ; Männlichkeit ; Afrika. ; Aufsatzsammlung ; Aufsatzsammlung ; Film ; Roman ; Mann ; Männlichkeit
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  • 91
    AV-Medium
    AV-Medium
    [München] : Sony Pictures Home Entertainment
    Language: English , Italian
    Pages: 1 DVD-Video (Ländercode 2, 104 Min.) , farb., Dolby digital 5.1, Bildformat: 16:9 Widescreen (2.35:1) , 12 cm
    Series Statement: Sony pictures classics
    Uniform Title: Inside job
    DDC: 338.5/42
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    Keywords: Film ; DVD-Video ; Finanzkrise ; Weltwirtschaftskrise ; Dokumentarfilm
    Abstract: „INSIDE JOB, der erste Film, der die schockierende Wahrheit über die Wirtschaftskrise im Jahr 2008 präsentiert.“
    Description / Table of Contents: Entfallene Szenen, Die Entstehung von Inside Job, Kommentar mit Regisseur Charles Ferguson und Produzent Audrey Marrs
    Note: Sprache: engl., ital. - Untertitel: dt., engl., engl. für Hörgeschädigte, dän., finn., franz., Hindi, holänd., ital., schwed., türk. - Enth. Extras: Entfallene Szenen, Making of, Audiokommentar , Filmbericht. USA. 2010 , USA 2010 , Sprachen: engl., ital. - Untertitel: dt., engl., dän., finn., franz., hindi, niederländ., ital., schwed., türk. - Untertitel für Hörgeschädigte: engl.
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  • 92
    ISBN: 359339491X , 9783593394916
    Language: German
    Pages: 208 S. , Ill. , 213 mm x 140 mm
    Series Statement: Wissenschaftliche Reihe des Fritz Bauer Instituts 19
    Parallel Title: Online-Ausg. "Der Letzte der Ungerechten"
    DDC: 943
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    Keywords: Murmelstein, Benjamin Congresses In motion pictures ; Lanzmann, Claude Congresses ; Theresienstadt (Concentration camp) Congresses In motion pictures ; Shoah (Motion picture) Congresses ; Jewish councils Congresses In motion pictures ; Antisemitismus ; Faschismus ; Medien ; Konferenzschrift 2010 ; Murmelstein, Benjamin 1905-1989 ; Konzentrationslager Theresienstadt ; Film ; Geschichte 1942-1975
    Abstract: Die Shoah-Outtakes / Ronny Loewy -- Das Ende von Theresienstadt : Stellungnahme eines Beteiligten / Benjamin Murmelstein -- "Wenn Sie das demokratisch nennen, dann bin ich gerne ein Faschist" : ein Auszug aus dem Interview von Claude Lanzmann mit Benjamin Murmelstein -- Benjamin Murmelstein, "der Letzte der Ungerechten" : Elemente und Folgen totaler Ohnmacht / Doron Rabinovici -- "... zwischen Hammer und Amboss" : Selbstwahrnehmung und Zuschreibung bei Benjamin Murmelstein / Lisa Hauff -- Der Judenälteste und seine SS-Männer : Benjamin Murmelstein und seine Beziehung zu Adolf Eichmann und Karl Rahm / Anna Hájková -- Emotionen, Körper, Mythen : Lanzmann interviewt Murmelstein / Daniel Wildmann -- Film Ghetto Theresienstadt : die Suche nach Zusammenhängen / Eva Strusková -- Benjamin Murmelstein und der Nazi-Propagandafilm Theresienstadt von 1944 / Karel Margry -- Rekonstruktion und Groteske : Zbyněk Brynychs Trandport aus dem Paradies im Kontext / Hanno Loewy
    Note: Die Shoah-Outtakes , Das Ende von Theresienstadt : Stellungnahme eines Beteiligten , "Wenn Sie das demokratisch nennen, dann bin ich gerne ein Faschist" : ein Auszug aus dem Interview von Claude Lanzmann mit Benjamin Murmelstein ; Benjamin Murmelstein, "der Letzte der Ungerechten" : Elemente und Folgen totaler Ohnmacht , "... zwischen Hammer und Amboss" : Selbstwahrnehmung und Zuschreibung bei Benjamin Murmelstein , Der Judenälteste und seine SS-Männer : Benjamin Murmelstein und seine Beziehung zu Adolf Eichmann und Karl Rahm , Emotionen, Körper, Mythen : Lanzmann interviewt Murmelstein , Film Ghetto Theresienstadt : die Suche nach Zusammenhängen , Benjamin Murmelstein und der Nazi-Propagandafilm Theresienstadt von 1944 , Rekonstruktion und Groteske : Zbyněk Brynychs Trandport aus dem Paradies im Kontext , Deutsch
    URL: Volltext  (Inhaltsverzeichnis)
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  • 93
    AV-Medium
    AV-Medium
    Hamburg : Warner Home Video Germany
    Language: German
    Pages: 1 DVD-Video (82 Min.) , farb., Dolby digital, Bildofrmat: 16:9 (1.78:1), Ländercode 2 , 12 cm
    Series Statement: X Edition
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    Keywords: Film ; DVD-Video
    Abstract: Ein schwarzer Migrant reist durch Deutschland und stellt die Gastfreundschaft der Einheimischen auf die Probe. Doch die Menschen, auf die er trifft, wissen nicht, dass dieser Schwarze, der sich überall als Kwami Ogonno vorstellt, in Wirklichkeit Günter Wallraff ist. Ein Jahr lang war Journalist maskiert und mit versteckter Kamera in der Republik unterwegs und erlebte am eigenen Leib, wie Deutsche mit schwarzen Mitbürgern umgehen.
    Note: Sprache: dt. - Untertitel: dt. für Hörgeschädigte , Dokumentarfilm. Deutschland. 2009 , D 2009 , Sprache: dt. Untertitel: dt. für Hörgeschädigte
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  • 94
    ISBN: 9780230102644
    Language: English
    Pages: XIV, 272 S. , Ill.
    Edition: 1. ed.
    DDC: 791.43/6581
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    Keywords: Imperialism in motion pictures ; Culture in motion pictures ; Indigenous peoples in motion pictures ; Motion pictures Political aspects ; Motion pictures Political aspects ; Motion pictures Political aspects ; USA ; Australien ; Neuseeland ; Film ; Imperialismus ; Indigenes Volk
    Abstract: Part one: Making a settler cinema in the United States -- Playing empire: settler masculinities, adventure, and The four feathers (1929) -- Imperial production, settler colonialism, and the Argosy Westerns -- Part two: Empire and settler cinema in Australia -- Ealing's Australian westerns -- Part three: Film history and settler cinema in Aotearoa/New Zealand -- Hei Tiki (1935): film histories past and present -- Unsettled histories: The seekers (1954)
    Description / Table of Contents: Making a settler cinema in the United States. Playing empire : settler masculinities, adventure, and Merian C. Cooper's The four feathers (1929) -- Imperial production, settler colonialism, and the Argosy Westerns -- Ealing in Australia. The Australian western, or, a settler cinema par excellence -- Film history and settler cinema in Aotearoa/New Zealand. Hei Tiki (1935) : film histories past and present -- Unsettled histories : The seekers (1954).
    URL: Cover
    URL: Cover
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  • 95
    ISBN: 9783791343433 , 3791343432
    Language: German
    Pages: 319 S. , Ill. , 22 cm
    Additional Material: 1 DVD-Video (12 cm)
    Edition: [Limitierte Aufl. inkl. DVD]
    Parallel Title: Engl. Ausg. u.d.T. African film
    DDC: 300
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    Keywords: Interview ; Afrika ; Film ; Geschichte 1990-2010 ; Afrika ; Filmregisseur
    Note: Literaturverz. S. 194 , DVD-Video enth.: 15 Interviews , DVD-Video u.d.T.: African film : new forms of aesthetics and politics ; filmmakers in conversation / Manthia Diawara
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  • 96
    ISBN: 9780822346685 , 9780822346807
    Language: English
    Pages: 290 S. , 25 cm
    Series Statement: Asia-Pacific: culture, politics, and society
    DDC: 306.76/630951
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    Keywords: Massenkultur ; Fernsehen ; Film ; Lesbische Orientierung ; China
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  • 97
    Online Resource
    Online Resource
    Durham, NC : Duke University Press
    ISBN: 9780822392767
    Language: English
    Pages: 1 Online-Ressource (320 Seiten)
    Parallel Title: Erscheint auch als Beckman, Karen Redrobe, 1971 - Crash
    DDC: 791.43/6
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    Keywords: Car-chase films History and criticism ; Motion pictures Plots, themes, etc ; Motion pictures History ; Performing arts ; Performing Arts / Film / History & Criticism ; Electronic books ; Film ; Zusammenstoß ; Film ; Personenkraftwagen ; Zusammenstoß
    Abstract: Artists, writers, and filmmakers from Andy Warhol and J. G. Ballard to Alejandro González Iñárritu and Ousmane Sembène have repeatedly used representations of immobilized and crashed cars to wrestle with the conundrums of modernity. In Crash, Karen Beckman argues that representations of the crash parallel the encounter of film with other media, and that these collisions between media offer useful ways to think about alterity, politics, and desire. Examining the significance of automobile collisions in film genres including the "cinema of attractions," slapstick comedies, and industrial-safety movies, Beckman reveals how the car crash gives visual form to fantasies and anxieties regarding speed and stasis, risk and safety, immunity and contamination, and impermeability and penetration
    Description / Table of Contents: "Jerky nearness" : spectatorship, mobility, and collision in early cinema -- Car wreckers and home lovers : the automobile in silent slapstick -- Doing death over : industrial-safety films, accidental-motion studies, and the involuntary crash test dummy -- Disaster time, the Kennedy assassination, and Andy Warhol's Since (1966/2002) -- Film falls apart : Crash, Semen, and Pop -- Crash aesthetics : Amores perros and the dream of cinematic mobility -- The afterlife of Weekend, or, the university found on a scrapheap.
    Note: Includes bibliographical references (p. [275] - 288) and index
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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  • 98
    ISBN: 9780822392989
    Language: English
    Pages: 1 Online-Ressource (342 Seiten)
    Parallel Title: Erscheint auch als Wojcik, Pamela Robertson The apartment plot
    Parallel Title: Erscheint auch als Wojcik, Pamela Robertson The apartment plot
    DDC: 791.43/658209732
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    Keywords: City and town life in motion pictures ; Apartments in motion pictures ; Motion pictures History 20th century ; Performing arts ; Performing Arts / Film / History & Criticism ; City and town life in motion pictures ; Apartments in motion pictures ; Motion pictures ; United States ; History ; 20th century ; Electronic books ; USA ; Film ; Wohnung ; Geschichte 1945-1975
    Abstract: Rethinking the significance of films including Pillow Talk, Rear Window, and The Seven Year Itch, Pamela Robertson Wojcik examines the popularity of the "apartment plot," her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV shows, Broadway plays, literature, and comic strips, from The Honeymooners and The Mary Tyler Moore Show to Subways are for Sleeping and Apartment 3-G. By identifying the apartment plot as a film genre, Wojcik reveals affinities between movies generally viewed as belonging to such distinct genres as film noir, romantic comedy, and melodrama. She analyzes the apartment plot as part of a mid-twentieth-century urban discourse, showing how it offers a vision of home centered on values of community, visibility, contact, mobility, impermanence, and porousness that contrasts with views of home as private, stable, and family-based
    Description / Table of Contents: Introduction: a philosophy of urbanism -- A primer in urbanism : Rear Window's archetypal apartment plot -- "We like our apartment" : the playboy indoors -- The great reprieve : modernity, femininity, and the apartment -- The suburbs in the city : the housewife and the apartment -- Movin' on up : the African american apartment.
    Note: Includes bibliographical references (p. [289] - 302) and index
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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  • 99
    ISBN: 9783899717693
    Language: German
    Pages: 345 S. , 240 mm x 158 mm
    Series Statement: Palaestra Bd. 333
    Series Statement: Palaestra
    DDC: 791
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    Keywords: German literature History and criticism 19th century ; German literature History and criticism 20th century ; Imperialism in literature ; Germany Colonies ; In literature ; Africa In literature ; Deutsch ; Roman ; Kolonialismus ; Afrika ; Geschichte 1880-1918 ; Deutsch ; Reisebericht ; Afrikabild ; Kolonialismus ; Geschichte 1880-1918 ; Deutschland ; Film ; Afrika ; Geschichte 1900-2008
    Note: Literaturverz. S. [309] - 336. - Filmverz. S. 337 - 341
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  • 100
    Online Resource
    Online Resource
    Wiesbaden : VS Verlag für Sozialwissenschaften / GWV Fachverlage GmbH, Wiesbaden
    ISBN: 9783531926025
    Language: English
    Pages: Online-Ressource (130p, digital)
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Buchausg. u.d.T. Jung, Berenike Narrating violence in Post-9/11 action cinema
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    Keywords: Social sciences ; Sociology ; Social Sciences ; Social sciences ; Sociology ; Social sciences ; Sociology ; Elfter September ; Terrorismus ; Film ; Erzähltechnik ; Gewaltdarstellung ; Filmästhetik ; Children of Men ; V for vendetta ; Munich ; Film ; Interpretation ; Elfter September ; Terrorismus ; Film ; Erzähltechnik ; Gewaltdarstellung ; Filmästhetik ; Children of Men ; V for vendetta ; Munich ; Film ; Interpretation
    Abstract: Berenike Jung studied Comparative Literature, Cinema, and North American Studies in Berlin, New York, and Paris. She works as a journalist and author with a focus on film and media.
    Abstract: This work discusses the way in which action movies have responded to the visual and narrative challenge of depicting terrorist violence after 9/11, when the spectacular representation of terrorist violence - and by extension the consumers of these imagers - was considered as complicit behaviour. If terrorism is theatre, who goes to see the show? A close-reading of exemplary movies (V for Vendetta, Munich, and Children of Men) concentrates on three key aspects: How is terrorist violence justified, especially in comparison to other forms of violence? How is the audience implicitly positioned? And finally, what is the role and scope of the films- visual short-cuts, iconic real images such as those from the Abu Ghraib prison? The results reaffirm popular movies' power of working through traumatic events as well as their capacity to articulate a valid political critique. Instead of inventing or preceding real acts of violence, cinema can document, witness, and encourage the spectator to explore unorthodox viewing positions and moral dilemma. This interdisciplinary work is addressed to students of Philosophy, the Humanities, Cinema, American, or Cultural Studies as well as to the interested public.
    Description / Table of Contents: Geleitwort; Deutsche Zusammenfassung; Table of Contents; 1 Introduction; 1.1 Methodology; 1.1.1 Just War Theory; 1.1.2 Narrative Discourse; 2 The Films; 2.1 Narrating Violence in V for Vendetta; 2.1.1 Types of Violence; 2.1.1.1 A Vendetta : Vigilantism; 2.1.1.2 Terrorism: Just Revolution and Tyrannicide; 2.1.1.3 Torture; 2.1.2 Cinematic Narration; 2.1.2.1 Visualizing Violence: The Spectacular; 2.1.2.2 Alterations in Focalization; 2.1.2.3 Heroes and Enemies; 2.1.3 Narrative Challenges; 2.1.3.1 References: Post-9/11 Politics; 2.1.3.2 Responding to 9/11: Charges against Cinema
    Description / Table of Contents: 2.1.4 Résumé for V for Vendetta2.2 Narrating Violence in Munich; 2.2.1 Types of Violence; 2.2.1.1 Terrorism and the Media; 2.2.1.2 Targeted Killings: The Response; 2.2.2 Cinematic Narration; 2.2.2.1 Flashbacks: Visualizing Violence with Latency; 2.2.2.2 Point of View: Heroes and Enemies; 2.2.2.3 Docudrama; 2.2.3 Narrative Challenges; 2.2.3.1 9/11: Depicting Images of Atrocity; 2.2.3.2 The Media and the Response to 9/11; 2.2.4 Résumé for Munich; 2.3 Narrating Violence in Children of Men; 2.3.1 Types of Violence; 2.3.1.1 Terrorism: The Fishes; 2.3.1.2 War; 2.3.1.3 A Biological Threat
    Description / Table of Contents: 2.3.2 Cinematic Narration2.3.2.1 Visualizing Violence: The Long Take; 2.3.2.2 The Spectacular vs the Long Take; 2.3.2.3 External Focalization and the Subjective Camera; 2.3.2.4 Disrupting Cinematic Codes; 2.3.2.5 Characters and Character Relations; 2.3.3 Narrative Challenges; 2.3.3.1 References to Post-9/11 Politics; 2.3.3.2 Engaging with 9/11: Iconic Images and The Media; 2.3.4 Résumé for Children of Men; 3 Conclusion; Bibliography
    Note: Includes bibliographical references (p. [121]-130)
    URL: Volltext  (lizenzpflichtig)
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