ISBN:
1281191175
,
9053569618
,
905356960X
,
9048501660
,
9048501679
,
9781281191175
,
9789053569610
,
9789053569603
,
9789048501663
,
9789048501670
Language:
English
Pages:
1 Online-Ressource (369 pages)
Edition:
Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
Series Statement:
Film culture in transition
Parallel Title:
Print version Hagener, Malte, 1971- Moving forward, looking back
Keywords:
Experimental films History and criticism
;
Motion pictures History
;
Motion pictures History
;
Experimental films History and criticism
;
PERFORMING ARTS ; Film & Video ; Reference
;
PERFORMING ARTS ; Film & Video ; General
;
Society and social sciences
;
Society and culture: general
;
The arts
;
Film, TV and radio
;
Experimental films
;
Motion pictures
;
Avant-garde
;
Cultfilms
;
Experimentalfilm
;
Europa (geografie)
;
Europe
;
Europa
;
Criticism, interpretation, etc
;
History
;
Electronic book
Abstract:
"Moving Forward, Looking Back : The European Avant-Garde and the Invention of Film Culture, 1913-1339 is the first concise and critical overview of this crucial period in film history. Arguing that the avant-garde should be understood as a transnational network of European scope, this book ushers in a new approach to the study of artistic movements. Such ephemeral activities as alternative screening practice, teaching, publishing, film collecting, exhibitions and film festivals in fact stand at the beginning of what came to be known as film culture ever since. The book thus argues for the lasting and continuing impact that the avant-garde has had on the cinema in general, and not just on film form and film style."--Jacket
Abstract:
Introduction: avant-garde culture and technological transformations -- Reframing the historical avant-garde -- media, historiography and method -- The dialectics of self-conception -- film avant-garde and industry around 1930 -- Strategic convergence and functional differentiation -- the film societies and ciné-clubs of the 1920s and 30s -- Mapping a totality of networks, nodes and flows -- discourses as practice -- Vanishing point Soviet Union -- Soviet cinema and the West between innovation and repression -- Melodies across the oceans -- the intersection of documentary and avant-garde -- Conclusion -- bridging the gaps, connecting the dots
Note:
Includes bibliographical references (pages 307-343) and indexes -- Filmography: pages 345-352
,
Use copy Restrictions unspecified star MiAaHDL
,
Electronic reproduction
,
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
,
English
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