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  • 1
    ISBN: 0822328003 , 082232797X
    Language: English
    Pages: X, 491 S. , Ill.
    Parallel Title: Erscheint auch als Soundtrack available
    DDC: 781.5/42/09
    RVK:
    RVK:
    RVK:
    Keywords: Motion pictures and music ; Motion picture music History and criticism ; Popular music History and criticism ; Motion pictures and music ; Motion picture music History and criticism ; Popular music History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Filmmusik ; Unterhaltungsmusik ; Geschichte
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    ISBN: 9781478011743 , 9781478010616
    Language: English
    Pages: vii, 340 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Media crossroads
    Parallel Title: Erscheint auch als Media crossroads
    DDC: 302.23
    Keywords: Space and time in mass media ; Mass media ; Gender identity in mass media ; Space perception ; Identity (Psychology) and mass media ; Women's studies ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Film ; Neue Medien ; Raum
    Abstract: Intersections and/in Space / Paula J. Massood, Angel Daniel Matos, and Pamela Robertson Wojcik -- Digital Intersections -- "Where Do Aliens Pee?": Bathroom Selfies, Trans Activism, and Reimagining Spaces / Nicole Erin Morse -- The Queerness of Space and the Body in Nintendo's The Legend of Zelda Series / Angel Daniel Matos -- The Digital Flaneuse: Exploring Intersectional Identities and Spaces through Walking Simulators / Matthew Thomas Payne and John Vanderhoef -- Cinematic Urban Intersections -- Blurring Boundaries, Exploring Intersections: Form, Genre, and Space in Shirley Clarke's The Connection / Paula J. Massood -- Crossing Boundaries: Cinematic Cruising in Eloy de la Iglesia's La semana del asesino -- (1972) / Jacqueline Sheean -- Encounters and Embeddedness: The Urban Cinema of Ramin Bahrani / Amy Corbin -- Perpetual Motion: Mobility, Precarity, and Slow Death Cinema / Pamela Robertson Wojcik -- Urbanism and Gentrification -- Senior Citizens Under Siege: Number Our Days (1976) and Gray Power Activism in Venice / Joshua Glick -- Music City Makeover: The Televisual Tourism of Nashville / Noelle Griffis -- Portland at the Intersection: Gentrification and the Whitening of the City in Portlandia's Hipster Wonderland / Elizabeth Patton -- Criminal Properties: Real Estate and the Upwardly Mobile Gangster / Erica Stein -- Race, Place, and Space -- Dressing the Part: Black Maids, White Stars in the Dressing Room / Desiree J. Garcia -- "I Do Not Know that I Find Myself Anywhere": The British Heritage Film and Spaces of -- Intersectionality in Amma Asante's Belle (2014) / Sarah Louise Smyth -- Queerness, Race, and Class in the Mid-Century Suburb Film Crime of Passion (1957) / Merrill Schleier -- Fair Play: Race, Class and Recreation in Black Media Culture / Peter C. Kunze -- Style and/as Intersectionality -- The Toxic Intertwining of Small Town Lives in Happy Valley -- Ina Rae Hark -- Tattooed Light and Embodied Design: Intersectional Surfaces in Moana / Kirsten Moana Thompson -- Vaguely Visible: Intersectional Politics in Bertrand Bonello's Nocturama (2016) / Malini Guha.
    Abstract: "Media Crossroads is an anthology that examines space and place in film, television, video games, and other media via critical intersectional lenses and other interpretive strategies. The eighteen essays in this volume draw from and build upon research on gender and space across numerous disciplines and situate such studies in conversation with research on sexuality, race, ethnicity, age, class, ability, and other domains of identity as they relate to space. The contributors not only consider the way screens produce intersections between and among various identities through spectatorship, play, and social media, but they also focus on how representations of space in film and media address matters of oppression, discrimination, privilege, and inequity"--
    Note: Literaturverzeichnis: Seiten 303-328
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    ISBN: 9780822380986 , 0822380986
    Language: English
    Pages: 1 Online-Ressource (x, 491 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Soundtrack available
    DDC: 781.54209
    RVK:
    RVK:
    RVK:
    Keywords: Motion pictures and music ; Motion picture music History and criticism ; Popular music History and criticism ; Motion pictures and music ; Motion picture music ; History and criticism ; Popular music ; History and criticism ; Electronic books ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Filmmusik ; Unterhaltungsmusik ; Geschichte
    Abstract: Overture / Arthur Knight and Pamela Robertson Wojcik -- Cinema and popular song : the lost tradition / Rick Altman -- Surreal symphonies : l'age d'or and the discreet charms of classical music / Priscilla Barlow -- "The future's not ours to see" : song, singer, labyrinth in Hitchcock's The man who knew too much / Murray Pomerance -- "You think they call us plastic now--" : the Monkees and Head / Paul B. Ramaeker -- Real men don't sing ballads : the radio crooner in Hollywood, 1929-1933 / Allison McCracken -- Flower of the asphalt : the chanteuse réaliste in 1930s French cinema / Kelley Conway -- The embodied voice : song sequences and stardom in popular Hindi cinema / Neepa Majumdar -- Music as ethnic marker in film : the "Jewish" case / Andrew P. Killick -- Sounding the American heart : cultural politics, country music, and contemporary American film / Barbara Ching -- Crossing musical borders : the soundtrack for Touch of evil / Jill Leeper -- Documented/documentary Asians : Gurinder Chadha's I'm British but-- and the musical mediation of sonic and visual identities / Nabeel Zuberi -- Class swings : music, race, and social mobility in Broken strings / Adam Knee -- Borrowing black masculinity : the role of Johnny Hartman in The bridges of Madison County / Krin Gabbard -- "It ain't necessarily so that it ain't necessarily so" : African American recordings of Porgy and Bess as film and cultural criticism / Arthur Knight -- "Hollywood has taken on a new color" : the Yiddish blackface of Samuel Goldwyn's Porgy and Bess / Jonathan Gill -- Picturizing American cinema : Hindi film songs and the last days of genre / Corey K. Creekmur -- Popular songs and comic allusion in contemporary cinema / Jeff Smith -- The girl and the phonograph, or the vamp and the machine revisited / Pamela Robertson Wojcik.
    Note: Includes bibliographical references (p. [455]-473) and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 4
    ISBN: 9781978828551
    Language: English
    Pages: 1 online resource (251 pages)
    Parallel Title: Erscheint auch als
    DDC: 306.81/53
    Keywords: Electronic books ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    ISBN: 9781478021308
    Language: English
    Pages: 1 Online-Ressource (vii, 340 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Media crossroads
    DDC: 302.23
    Keywords: Space and time in mass media ; Mass media ; Gender identity in mass media ; Space perception ; Identity (Psychology) and mass media ; Women's studies ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Film ; Neue Medien ; Raum
    Abstract: Intersections and/in Space / Paula J. Massood, Angel Daniel Matos, and Pamela Robertson Wojcik -- Digital Intersections -- "Where Do Aliens Pee?": Bathroom Selfies, Trans Activism, and Reimagining Spaces / Nicole Erin Morse -- The Queerness of Space and the Body in Nintendo's The Legend of Zelda Series / Angel Daniel Matos -- The Digital Flaneuse: Exploring Intersectional Identities and Spaces through Walking Simulators / Matthew Thomas Payne and John Vanderhoef -- Cinematic Urban Intersections -- Blurring Boundaries, Exploring Intersections: Form, Genre, and Space in Shirley Clarke's The Connection / Paula J. Massood -- Crossing Boundaries: Cinematic Cruising in Eloy de la Iglesia's La semana del asesino -- (1972) / Jacqueline Sheean -- Encounters and Embeddedness: The Urban Cinema of Ramin Bahrani / Amy Corbin -- Perpetual Motion: Mobility, Precarity, and Slow Death Cinema / Pamela Robertson Wojcik -- Urbanism and Gentrification -- Senior Citizens Under Siege: Number Our Days (1976) and Gray Power Activism in Venice / Joshua Glick -- Music City Makeover: The Televisual Tourism of Nashville / Noelle Griffis -- Portland at the Intersection: Gentrification and the Whitening of the City in Portlandia's Hipster Wonderland / Elizabeth Patton -- Criminal Properties: Real Estate and the Upwardly Mobile Gangster / Erica Stein -- Race, Place, and Space -- Dressing the Part: Black Maids, White Stars in the Dressing Room / Desiree J. Garcia -- "I Do Not Know that I Find Myself Anywhere": The British Heritage Film and Spaces of -- Intersectionality in Amma Asante's Belle (2014) / Sarah Louise Smyth -- Queerness, Race, and Class in the Mid-Century Suburb Film Crime of Passion (1957) / Merrill Schleier -- Fair Play: Race, Class and Recreation in Black Media Culture / Peter C. Kunze -- Style and/as Intersectionality -- The Toxic Intertwining of Small Town Lives in Happy Valley -- Ina Rae Hark -- Tattooed Light and Embodied Design: Intersectional Surfaces in Moana / Kirsten Moana Thompson -- Vaguely Visible: Intersectional Politics in Bertrand Bonello's Nocturama (2016) / Malini Guha.
    Abstract: "Media Crossroads is an anthology that examines space and place in film, television, video games, and other media via critical intersectional lenses and other interpretive strategies. The eighteen essays in this volume draw from and build upon research on gender and space across numerous disciplines and situate such studies in conversation with research on sexuality, race, ethnicity, age, class, ability, and other domains of identity as they relate to space. The contributors not only consider the way screens produce intersections between and among various identities through spectatorship, play, and social media, but they also focus on how representations of space in film and media address matters of oppression, discrimination, privilege, and inequity"--
    Note: Literaturverzeichnis: Seiten 303-328
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 6
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Duke University Press
    ISBN: 9780822392989
    Language: English
    Pages: 1 Online-Ressource
    Keywords: Film theory & criticism
    Abstract: Rethinking the significance of films including Pillow Talk, Rear Window, and The Seven Year Itch, Pamela Robertson Wojcik examines the popularity of the “apartment plot,” her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV shows, Broadway plays, literature, and comic strips, from The Honeymooners and The Mary Tyler Moore Show to Subways are for Sleeping and Apartment 3-G. By identifying the apartment plot as a film genre, Wojcik reveals affinities between movies generally viewed as belonging to such distinct genres as film noir, romantic comedy, and melodrama. She analyzes the apartment plot as part of a mid-twentieth-century urban discourse, showing how it offers a vision of home centered on values of community, visibility, contact, mobility, impermanence, and porousness that contrasts with views of home as private, stable, and family-based
    Note: English
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  • 7
    ISBN: 9780822392989
    Language: English
    Pages: 1 Online-Ressource (342 Seiten)
    Parallel Title: Erscheint auch als Wojcik, Pamela Robertson The apartment plot
    Parallel Title: Erscheint auch als Wojcik, Pamela Robertson The apartment plot
    DDC: 791.43/658209732
    RVK:
    RVK:
    Keywords: City and town life in motion pictures ; Apartments in motion pictures ; Motion pictures History 20th century ; Performing arts ; Performing Arts / Film / History & Criticism ; City and town life in motion pictures ; Apartments in motion pictures ; Motion pictures ; United States ; History ; 20th century ; Electronic books ; USA ; Film ; Wohnung ; Geschichte 1945-1975
    Abstract: Rethinking the significance of films including Pillow Talk, Rear Window, and The Seven Year Itch, Pamela Robertson Wojcik examines the popularity of the "apartment plot," her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV shows, Broadway plays, literature, and comic strips, from The Honeymooners and The Mary Tyler Moore Show to Subways are for Sleeping and Apartment 3-G. By identifying the apartment plot as a film genre, Wojcik reveals affinities between movies generally viewed as belonging to such distinct genres as film noir, romantic comedy, and melodrama. She analyzes the apartment plot as part of a mid-twentieth-century urban discourse, showing how it offers a vision of home centered on values of community, visibility, contact, mobility, impermanence, and porousness that contrasts with views of home as private, stable, and family-based
    Description / Table of Contents: Introduction: a philosophy of urbanism -- A primer in urbanism : Rear Window's archetypal apartment plot -- "We like our apartment" : the playboy indoors -- The great reprieve : modernity, femininity, and the apartment -- The suburbs in the city : the housewife and the apartment -- Movin' on up : the African american apartment.
    Note: Includes bibliographical references (p. [289] - 302) and index
    URL: Volltext  (View this content on Open Research Library)
    URL: Cover  (Thumbnail cover image)
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