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  • 1
    Online Resource
    Online Resource
    New Brunswick, NJ : Rutgers University Press
    ISBN: 9780813570679
    Language: English
    Pages: 1 Online-Ressource (248 p)
    Series Statement: Asian American Studies Today
    Parallel Title: Print version Park Nelson, Kim Invisible Asians : Korean American Adoptees, Asian American Experiences, and Racial Exceptionalism
    DDC: 305.8957073
    Keywords: Electronic books
    Abstract: In Invisible Asians, Kim Park Nelson analyzes the processes by which Korean American adoptees have been rendered racially invisible, and how that invisibility facilitates their treatment as exceptional subjects within the context of American race relations and in government policies, including immigration law. Park Nelson connects this invisibility to the ambiguous racial positioning of Asian Americans in American culture, and explores the implications of invisibility for Korean adoptees as they navigate race, culture, and nationality
    Abstract: Series -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Note on Text -- Introduction. A History of Korean American Adoption in Print -- Chapter 1. A Korean American Adoption Ethnography. Method, Theory, and Experience -- Chapter 2. "Eligible Alien Orphan". The Cold War Korean Adoptee -- Chapter 3. Adoption Research Discourse and the Rise of Transnational Ad -- Chapter 4. An Adoptee for Every Lake. Multiculturalism, Minnesota, and the Korean Transracial Adoptee
    Abstract: Chapter 5. Adoptees as White Koreans. Identity, Racial Visibility, and the Politics of Passing among Korean American Adoptees -- Chapter 6. Uri Nara, Our Country. Korean American Adoptees in the Global Age -- Conclusion. The Ends of Korean Adoption -- Notes -- Bibliography -- Index -- About the Author
    Note: Description based upon print version of record
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  • 2
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    ISBN: 9781032203317 , 9781032203324
    Language: Undetermined
    Pages: 1 Online-Ressource (19 p.)
    Keywords: Humanities ; Historiography ; General & world history ; Social & cultural history ; Film theory & criticism ; Film: styles & genres ; Television
    Abstract: Frank Ankersmit tells historians of their mission: “You can approximate objectivity only as long as you sincerely despair of approximating it.” It follows that it is incumbent upon anyone who represents the past to enter that struggle. Whether by keyboard or camera, historians who do not probe and question their suppositions may seek to represent the past, but they do not make history. A prime question for historiophoty is to ask what this struggle looks and sounds like projected off the page. This chapter considers the cinepoetics of historical objectivity through a model of moving images that rewinds the clock to the emergence of film on screens and traces a new path for cinema through to a digital reimagining of what Tom Gunning calls the “cinema of attractions.” It explores the documentary methods of narration and reenactment in Sam Green’s Live Documentary practice and analyzes the methods by which filmmakers become cine-historians through articulating the historians’ dilemma by audiovisual means in the creation of moving history of shared experience and public spectacle
    Note: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    ISBN: 9781003263234 , 9781032203317 , 9781032203324
    Language: Undetermined
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als The Routledge companion to history and the moving image
    Parallel Title: Erscheint auch als The Routledge companion to history and the moving image
    Parallel Title: Erscheint auch als Hughes-Warrington, Marnie The Routledge Companion to History and the Moving Image
    Keywords: Humanities ; General & world history ; Social & cultural history ; Film theory & criticism ; Film: styles & genres ; Historiography ; Television ; General and world history ; Social and cultural history ; Film history, theory or criticism ; Film: styles and genres ; History ; Communications; Television; Historiography; Media history; Cinema; Historical films; Media studies; Digital screen culture; Film ; Aufsatzsammlung ; Film ; Geschichte
    Abstract: Klappentext: The Routledge Companion to History and the Moving Image takes an interdisciplinary approach to understanding history in moving images. It engages this popular and dynamic field that has evolved rapidly from film and television to digital streaming into the age of user-created content. The volume addresses moving image history through a theoretical lens; modes and genres; representation, race, and identity; and evolving forms and formats. It brings together a range of scholars from across the globe who specialize in film and media studies, cultural studies, history, philosophy of history, and education. Together, the chapters provide a necessary contemporary analysis that covers new developments and questions that arise from the shift to digital screen culture. The book examines technological and ethical concerns stemming from today's media landscape, but it also considers the artificial construction of the boundaries between professional expertise and amateur production. Each contributor?s unique approach highlights the necessity of engaging with moving images for the academic discipline of history. The collection, written for a global audience, offers accessible discussions of historiography and a compelling resource for advanced undergraduates and postgraduates in history, film and media studies, and communications.
    Note: English
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