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  • 1
    Buch
    Buch
    Oxford : Oxford University Press
    Sprache: Englisch
    DDC: 780.89
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    Schlagwort(e): Applied ethnomusicology ; Musikethnologie ; Angewandte Musikwissenschaft
    Anmerkung: Includes bibliographical references and index
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  • 2
    ISBN: 1869403215 , 1869403444 , 1869403665
    Sprache: Englisch
    Seiten: 26 cm
    Zusätzliches Material: 3 CDs(digital ; 4 3/4 in.)
    Originaltitel: Nga moteatea, he maramara rere no nga waka maha 〈English & Maori〉
    DDC: 782.421629944200268
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    Schlagwort(e): Folk songs, Maori Texts ; Folk songs, Maori Texts ; Translations into English ; Maori poetry ; Maori poetry Translations into English ; Maori (New Zealand people) Music ; Songs, Maori ; Maori ; Lied
    Anmerkung: Parallel English and Maori text , Includes bibliographical references and index , Half-title: Ngā mōteatea (the songs) a selection of annotated tribal songs of the Maori with English translations , Translated from the Maori , Added t.p. in Maori
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  • 3
    Buch
    Buch
    Bucureşti : Editura Universităţii Nationale de Muzică Bucureşti
    Sprache: Englisch , Altgriechisch
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    Schlagwort(e): Osmanen ; Komposition ; Bibliografie
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  • 4
    Buch
    Buch
    New York, NY : Grove's Dictionaries Inc. | London : Macmillan
    ISBN: 033369189X , 1561592846
    Sprache: Englisch
    Seiten: 29 cm
    Ausgabe: 2. ed.
    DDC: 781.6503
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    Schlagwort(e): Jazz Encyclopedias ; Jazz Bio-bibliography ; Jazz ; Wörterbuch ; Jazz
    Anmerkung: Contents: v. 1 A-fuzz - v. 2 Gabler-Niewood - v. 3 Nightclubs-Zwingenberger , Includes bibliographical references and discography , Previous ed.: published in 2 v. London : Macmillan, 1988 , Erschienen: Vol. 1-3
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  • 5
    Buch
    Buch
    Leiden : Brill
    ISBN: 9004048731
    Sprache: Englisch
    Serie: Orientalia Rheno-traiectina vol. 22
    DDC: 781.7/54
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    Schlagwort(e): Somanatha ; son of Mudgala ; Ragavibodha of Somanatha ; Carnatic music ; History and criticism ; Music ; India ; History and criticism ; Raga
    Anmerkung: Erschienen: 1 - 2
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  • 6
    Buch
    Buch
    London [u.a.] : Oxford Univ. Pr.
    Sprache: Englisch
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    Schlagwort(e): Aufsatzsammlung ; Afrika ; Musik ; Geschichte
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  • 7
    Buch
    Buch
    Calcutta : Ramakrishna Vedanta Math
    Sprache: Englisch
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  • 8
    Sprache: Englisch
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    Schlagwort(e): USA ; Musik ; Unterhaltungsmusik ; Musikmarkt
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  • 9
    ISBN: 9781666932966
    Sprache: Englisch
    Seiten: xiv, 237 Seiten
    Paralleltitel: Online version Loza, Steven Joseph Ethnomusicologist's last lecture
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    Schlagwort(e): Musik ; Musikethnologie ; Philosophie ; Religion ; Globalisierung ; Ethnomusicology ; Music and globalization ; Music / Religious aspects ; Music and philosophy ; Ethnomusicologie ; Musique et mondialisation ; Musique / Aspect religieux ; Musique et philosophie ; ethnomusicology ; Musikethnologie ; Musik ; Globalisierung ; Philosophie ; Religion
    Kurzfassung: "This book critically addresses the conventional practices of studies on music, while taking readers through various global examples of musical expression"--
    Beschreibung / Inhaltsverzeichnis: Thinking Globally : Thoughts and the Ideas of Others on Philosophy, Religion, and Music -- Composers and Ideologies through a World Prism -- The Spirituality of the Blues and Related Sacred Music -- Polarities, Windmills, and the Transcendence of the Universe -- James Newton, Composer of Faith -- Masked Phantoms : Thoughts on Our Research and Scholarship in Ethnomusicology -- Challenges to the Euro-Americentric Ethnomusicological Canon : Alternatives for Graduate Readings, Theory, and Method -- Toward a Theory for Religion as Art : From Merriam to Guadalupe -- Social Justice and My Work as a Music Scholar, Teacher, and Artist -- Free Thoughts
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  • 10
    Buch
    Buch
    Tübingen : Narr Francke Attempto
    ISBN: 9783381108510 , 3381108514
    Sprache: Englisch
    Seiten: 328 Seiten , Illustrationen , 22 cm x 15 cm
    Serie: Schweizer Anglistische Arbeiten Band 150
    Serie: Schweizer anglistische Arbeiten
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als Keller, Thomas Wyndham Lewis and british art rock
    Dissertationsvermerk: Dissertation Universität Zürich 2017
    DDC: 780.082
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    Schlagwort(e): Hochschulschrift ; Lewis, Wyndham 1882-1957 ; Rezeption ; Art Rock
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  • 11
    Buch
    Buch
    Leiden : Brill
    ISBN: 9789004524019
    Sprache: Englisch
    Seiten: xxiv, 457 Seiten , Illustrationen, Karten, Notenbeispiele , 24 cm
    Serie: Handbook of oriental studies = Handbuch der Orientalistik volume 18
    Serie: Section 5, Japan / edited by R. Kersten
    Serie: Handbook of Oriental studies Japan ; volume 18
    Paralleltitel: Erscheint auch als Handbook of Japanese music in the modern era
    DDC: 780.952
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    Schlagwort(e): Music History and criticism 20th century ; Music History and criticism 21st century ; Folk music History and criticism ; Popular music History and criticism ; Music Instruction and study ; Music Western influences ; Japan ; Musik ; Geschichte 1900-2023
    Kurzfassung: "Exploring an array of captivating topics, from hybridized Buddhist music to AI singers, this book introduces Japanese music in the modern era. The twenty-five chapters show how cultural change from the late nineteenth century to the present day has had a profound impact on the Japanese musical landscape, including the recontextualization and transformation of traditional genres, and the widespread adoption of Western musical practices ranging from classical music to hip hop. The contributors offer representative case studies within the themes of Foundations, Heritage, Institutions, and Hybridities, examining both musical styles that originated in earlier times and distinctly localized or Japanized musical forms"--
    Beschreibung / Inhaltsverzeichnis: Introduction. Japanese Music in the Modern Era / Henry Johnson -- Part 1. Foundations. Sacred or Secular? The Dilemma of Theatrical Kagura / Terence Lancashire ; Buddhism and Modern Music in Japan : From Praise Songs to Popular Music / Duncan Reehl ; Reigakusha Gagaku Ensemble : Mediating between Ancient and Contemporary Practice / Naoko Terauchi ; The "Heike Brothers" and the 800-Year Transmission and Reception of Heike Musical Narrative / Haruko Komoda and Alison Tokita ; Eisā : Between the Expression of Okinawan Identity and the Appropriation of Okinawan Culture / Sumi Cho ; Ainu Ways of Being in the Contemporary : Music and Dance as Cultural Practice / Justin R. Hunter -- Part 2. Heritage. Getting into Min'yо̄ : Online and Offline Access to Japanese Folk Song / Felicity Greenland ; Traditional Folk Music in Contemporary Japan : Case Studies of Standardization and Diversification in Tsugaru Shamisen and Folk Song / Gakuto Chiba and Patrick E. Savage ; Naniwa-bushi : A Musical Narrative Born in Modern Japan / Alison Tokita ; An Innovative Conservative : Satsuma-biwa Practice and the Legacy of Fumon Yoshinori / Hugh De Ferranti and Thomas Charles Marshall ; Wondrous Tones : The Transnational Appeal of the Shakuhachi through Time and Space / Christopher Yohmei Blasdel ; Choreographing Sound : Ensemble Taiko Drumming in Modern Japan / Shawn Bender ; Studying the Past to Predict the Future : Yamauchi Reach, a Professional Percussionist in the Twenty-First Century / Jennifer Milioto Matsue
    Beschreibung / Inhaltsverzeichnis: Part 3. Institutions. Learning Musical Instruments in Japanese Schools / David G. Hebert and Kōji Matsunobu ; Yōgaku, Western Music in Japan : Perspectives from Osaka / Junko Iguchi ; Violin Playing and Women in Japanese Music / Ena Kajino ; The Suzuki Method, Yamaha System, and Japanese Traditional Music : A Case Study of Japanese Music Education in the Modern Era / Eria Kubo ; Ryukyuan Uta-sanshin in Modern Japan : The Influence of Government Institutions on Teaching and Performing / Matt Gillan and Mina Endō ; Koto Modernities in the Twenty-First Century / Henry Johnson -- Part 4. Hybridities. Navigating the Past, Embracing the Present : Japanese Compositional Hybridity in Theory and Practice / Marty Regan ; The Innate Hybridity of the Shamisen within Contemporary Music : The Physical, Musical, and Socio-Cultural / Colleen C. Schmuckal ; Rethinking the Evolution of Japanese Music : Kunimoto Takeharu and Katō Kinji's Electric Shamisen / Keisuke Yamada ; Japanese Popular Songs in the Twentieth Century : Adaptation, Hybridity, and Creativity / Minako Waseda ; Misora Hibari in Kōhaku Utagassen : From Modernity to Immortality / Shelley Brunt and Amane Kasai ; Japanese Rap : A History of Style / Noriko Manabe.
    Anmerkung: Serienangabe von der LoC fälschlich als "The history of oriental studies ; volume 18" bezeichnet
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  • 12
    Buch
    Buch
    Hofheim am Taunus : Wolke Verlag | Darmstadt : Jazzinstitut Darmstadt
    ISBN: 9783955930189 , 3955930181
    Sprache: Englisch , Deutsch
    Seiten: 264 Seiten , Illustrationen , 21.5 cm x 15 cm, 600 g
    Ausgabe: Originalausgabe
    Serie: Darmstädter Beiträge zur Jazzforschung 18
    Serie: Darmstädter Beiträge zur Jazzforschung 18
    Serie: Darmstädter Beiträge zur Jazzforschung
    DDC: 780
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    Schlagwort(e): Jazz ; Jazzgeschichte ; Zukunft des Jazz ; Konferenzschrift 28.09.2021-30.09.2023 ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift 2023
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  • 13
    Buch
    Buch
    Cambridge : Cambridge University Press
    ISBN: 9781009420198
    Sprache: Englisch
    Seiten: xv, 415 Seiten , 24 cm
    Serie: Cambridge themes in American literature and culture
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Kurzfassung: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
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  • 14
    ISBN: 9781032431314 , 1032431318 , 9781032431321 , 1032431326
    Sprache: Englisch
    Seiten: XII, 219 Seiten
    Paralleltitel: Online version Ethnomusicology and its intimacies
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    Schlagwort(e): Musikethnologie ; Ethnomusicology ; Intimacy (Psychology) ; Ethnomusicologie ; Intimité ; ethnomusicology ; Ethnomusicology ; Intimacy (Psychology) ; Festschrift ; Festschrift ; Festschrift ; Musikethnologie
    Kurzfassung: "Ethnomusicology and its Intimacies situates intimacy, a concept that encompasses a wide range of often informal social practices and processes for building closeness and relationality, within the ethnomusicological study of music and sound. These scholarly essays reflect on a range of interactions between individuals and communities that deepen connections and associations, and which may be played out relatively briefly or nurtured over time. Three major sections on Performance, Auto/biographical strategies, and Film are each prefaced by an interview with a scholar or practitioner with close knowledge of the subject that links the chapters in that section. Often drawing directly on fieldwork experience in a variety of contexts, authors consider how concepts of intimacy can illuminate the ethnographic study of music, addressing questions such as: how can we understand ethnomusicological and ethnographic research and performance as processes of musically-mediated intimacy? How are the longstanding relationships we develop with others particularly intimated by and through musicking? How do we understand the musically intimate relationships of others and how do these inflect our own musical intimacies? How does music represent, inscribe, constrain or provoke social or personal intimacies in particular contexts? The volume will appeal to all scholars with interests in music and how it is used to construct relationships in different contexts around the world"--
    Beschreibung / Inhaltsverzeichnis: Part I. Musical Intimacy in Performance. Introspection I -- Henry Stobart ; The Intimacy of Interlocking / Paul Berliner ; Spiritual and Emotional Dimensions of Female Lullaby Singing in Afghanistan / Veronica Doubleday ; Afghan Wars and Musical Intimacy / James Kippen -- Part II. Intimate Confessions and Biographical Strategies. Introspection II -- Margaret Sarkassian ; Radio and the Music Confessional / Stephen Cottrell ; Amīr Ḳhusraw Between Balkh and Delhi : The Transnational Legacies of an Indo-Afghan Poet-Musician / William Rees Hofmann ; Meetings With Masterly Musicians : Collaboration, Creation, and Curation in the Pursuit of Ethnomusicological Knowledge / Keith Howard ; Searching for a Voice : An Anatolian Tale / Martin Stokes -- Part III. Filmic Intimacies. Introspection III -- André Singer ; Intimacy in Ethnographic Film: Listening to How to Improve the World by Nguyễn Trinh Thi / Barley Norton ; The Sonic Intimacies of Khosrow Sinai's A Lost Requiem (1983) / Laudan Nooshin ; Intoxicated Intimacies : Drunken Heroes in Greek Popular Film and Song / Dafni Tragaki ; Epilogue. Digital Ethnomusicology in a Socially-Distanced World / Stephen Wilford
    Anmerkung: 2312
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  • 15
    Buch
    Buch
    Cham, Switzerland : palgrave macmillan
    ISBN: 9783031416439
    Sprache: Englisch
    Seiten: xi,266 Seiten , Illustrationen, Notenbeispiele
    Serie: Palgrave studies in music and literature
    Paralleltitel: Erscheint auch als
    DDC: 809
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    Schlagwort(e): Geschichte 1780-2020 ; Comparative Literature ; World Literature ; History of Music ; Global and International Culture ; Cultural History ; Political History ; Comparative literature ; Literature ; Music / History and criticism ; Culture ; Civilization / History ; World politics ; Nationalbewusstsein ; Nationalhymne ; Nationalismus ; Aufsatzsammlung ; Nationalhymne ; Nationalismus ; Nationalbewusstsein ; Geschichte 1780-2020
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  • 16
    ISBN: 9783828849617 , 382884961X
    Sprache: Englisch
    Seiten: 591 Seiten , Notenbeispiele, Illustrationen , 21 cm x 14.8 cm
    Ausgabe: 1. Auflage
    Serie: Musik und Religion Band 2
    Paralleltitel: Erscheint auch als Learning from a Monastic Musician
    Dissertationsvermerk: Dissertation Folkwang Iniversity of the Arts 2022
    DDC: 782.3
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    Schlagwort(e): Kloster Lamayuru ; Rituelles Singen ; Bon-Religion ; Hochschulschrift ; Kloster Lamayuru ; Bon-Religion ; Rituelles Singen
    Anmerkung: Literaturverzeichnis: Seite 505-519
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  • 17
    ISBN: 9783828849228 , 3828849229
    Sprache: Deutsch , Englisch
    Seiten: IX, 189 Seiten , Illustrationen, Notenbeispiele , 21 cm x 14.8 cm
    Serie: Systematische Musikwissenschaft und Musikkulturen der Gegenwart Band 9
    Serie: Systematische Musikwissenschaft und Musikkulturen der Gegenwart
    Paralleltitel: Erscheint auch als Bugert, Thomas Das Jahr der Innovationen im Jazz
    DDC: 780
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    Anmerkung: Literaturverzeichnis Seite 143-170
    URL: Inhaltstext  (lizenzpflichtig)
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  • 18
    ISBN: 9780367488789 , 9780367488796
    Sprache: Englisch
    Seiten: xiii, 240 Seiten , Illustrationen
    Serie: Transnational Studies in Jazz
    Paralleltitel: Erscheint auch als
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  • 19
    ISBN: 9789004531253
    Sprache: Englisch
    Seiten: XXI, 553 Seiten , Illustrationen, Notenbeispiele
    Ausgabe: New edition
    Serie: Handbook of oriental studies = Handbuch der Orientalistik. Section 1, The Near and Middle East volume 177
    Serie: Handbuch der Orientalistik The Near and Middle East
    Paralleltitel: Erscheint auch als Feldman, Walter Music of the Ottoman court
    DDC: 784.0956
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    Schlagwort(e): Dimitrie Cantemir ; Ali Ufkî ; Geschichte 1500-1700 ; Geschichte 1500-1750 ; Hofmusik ; Kunstmusik ; Maqām ; Instrumental music History and criticism 17th century ; Instrumental music History and criticism 18th century ; Peşrevs History and criticism 17th century ; Peşrevs History and criticism 18th century ; Maqām History and criticism 17th century ; Maqām History and criticism 18th century ; Osmanisches Reich ; Türkei
    Kurzfassung: "Between 1600 and 1750 Ottoman Turkish music differentiated itself from an older Persianate art music and developed the genres antecedent to modern Turkish art music. Based on a translation of Demetrius Cantemir's seminal "Book of the Science of Music" from the early eighteenth century, this work is the first to bring together contemporaneous notations, musical treatises, literary sources, travellers' accounts and iconography. These present a synthetic picture of the emergence of Ottoman composed and improvised instrumental music. A detailed comparison of items in the notated Collections of Cantemir and of Bobowski-from fifty years earlier-together with relevant treatises, reveal key aspects of modality, melodic progression and rhythmic structures
    Anmerkung: Part 1. Musicians and Performance. Professionalism and the Music of the Ottoman Court ; Professionalism and the Music of the Ottoman Court ; Dervishes and Turkish Art Music ; Instruments and Instrumentalists ; The Ottoman Cyclical Concert-Formats Fasil and Ayin -- Part 2. Makam. The General Scale of Seventeenth-Century Ottoman Music ; Makam and Terkib ; Melodic Progression ; The Taksim and Modulation -- Part 3. Peşrev and Semai ; The Peşrev/Pishrow ; The Ottoman Peşrev ; Peşrevs and Analyses ; The Seventeenth-Century Persian Peşrev ; Transmission of the Ottoman Peşrev Repertoire ; The Instrumental Semai ; Conclusion
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  • 20
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780197664070 , 9780197664063
    Sprache: Englisch
    Seiten: xvii, 210 Seiten , Notenbeispiele
    Paralleltitel: Erscheint auch als Agawu, Kofi On African music
    DDC: 780.96
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    Schlagwort(e): Music History and criticism ; Music Social aspects ; Music African influences
    Kurzfassung: "Composed over a decade and a half and originally delivered to audiences in Europe, Africa and the US, these lectures celebrate African musical creativity by illuminating selected compositional techniques, key influences, and dominant scholarly themes. Chapters on minimalism, iconicity, tonality as a colonizing force, and African pianism are supplemented by a critique of ethnotheory, a capsule history of African rhythm studies. and an invitation to music theorists to consider whether greater encounter with African music might not enhance the work that they do. Framed as an exercise in postcolonial criticism, the work refers to a large body of recorded music from various parts of Africa, provides close readings of a handful of compositions to supplement the more general appreciative commentary, and engages recurring and controversial talking points in contemporary discourses on African music. Written in clear and accessible prose, these self-standing essays are designed to enhance admiration for the animating structures of African music"--
    Beschreibung / Inhaltsverzeichnis: Introduction -- The minimalist impulse -- Iconicity in musical thought and expression -- Tonality as a colonizing force -- African pianism and the challenge of art music -- Rethinking music theory, with African aid -- Against ethno-theory -- African rhythm studies : A sketch and a critique -- Epilogue.
    Anmerkung: Includes bibliographical references and index
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  • 21
    Buch
    Buch
    New York ; London ; Oxford : Bloomsbury Academic
    ISBN: 9781501373602
    Sprache: Englisch
    Seiten: viii, 169 Seiten , 20 cm
    Serie: Genre: a 33 1/3 series
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte ; Trip Hop ; Trip-hop (Music) / History and criticism ; Trip Hop ; Geschichte
    Kurzfassung: "Guides readers through the genre of trip-hop as the first book on the genre in 20 years, right at a time when trip-hop is making a revival in both underground scenes and popular artists"--
    Beschreibung / Inhaltsverzeichnis: Prologue. Beat Bop -- Trip-Hop -- Dub-Hop -- Lovers Hip-Hop -- Chill Out -- Cut-Up -- Contemplating Jazz -- Abstract Hip-Hop -- Lo-Fi -- Blunted Beats -- Subterranean Abstract Blues -- Black-Hearted Soul -- Exotica -- Hip-Hop Blues -- Canceled Futures
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  • 22
    Buch
    Buch
    Lanham ; Boulder ; New York ; London :Rowman & Littlefield,
    ISBN: 978-1-5381-7172-1
    Sprache: Englisch
    Seiten: xviii, 357 Seiten : , Illustrationen, Porträts ; , 24 cm.
    Paralleltitel: Erscheint auch als
    DDC: 306.48426
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    Schlagwort(e): Geschichte 1970-2022 ; Punk rock music / Political aspects / History ; Punk rock musicians / Interviews ; Punk rock musicians ; Punk Rock. ; Rockmusiker. ; Rockmusikerin. ; Politischer Protest. ; Aktivismus. ; Soziale Bewegung. ; Interview ; History ; Interviews ; Oral histories ; Interview ; Interview ; Interview ; Punk Rock ; Rockmusiker ; Rockmusikerin ; Politischer Protest ; Aktivismus ; Soziale Bewegung ; Geschichte 1970-2022
    Kurzfassung: "This is the most wide-ranging and provocative look at punk rock as a social change movement over the past forty-five years, told through first-hand accounts of roughly 250 musicians and activists. John Malkin brings together punk's most famous figures as well as underground voices, creating a new and insightful history of punk throughout the ages"--
    Beschreibung / Inhaltsverzeichnis: Introduction. What You Think Changes How You Act -- Acknowledgments & Gratitude -- Mixing Punk & Politics : Common Ground For The Revolution -- Do It Yourself : DIY Together -- We Are All Pussy Riot : Punk On The Frontlines, Russia To Myanmar, China To Mexico -- East Berlin Punk : Clandestine Concerts Behind The Berlin Wall -- Music Is That Powerful Tool : Blackfire Navajo Punks -- Tijuana No! : Latin Punk Rock From Peru To Mexico To East L.A. -- Pansy Division : Out Of The Closet Into The Slampit -- Positive Force : Mark Andersen And Fugazi In Washington D.C. -- Fight War Not Wars : Punk Rock, Militarism, And War -- Just Another Gulf War : Punk, U.S. Wars In Iraq And Afghanistan, And 9/ -- America! Fuck Yeah! : Punks Perform For U.S. Soldiers -- Nazi Trumps Fuck Off! : Punk In The Trump Era -- I Am An Anarchist : Anti-Authoritarian Soundtrack -- To Hell With Poverty : Capitalism And Class In Punk Rock -- White Riot : Race And Anti-Racism In Punk -- Equal But Different : Gender & Feminism In Punk -- The Revolution Is Personal : Politics With A Small "P" -- The Revolution Will Be Commodified -- Burn Punk London : Joe Corre' And Extinction Rebellion -- How Revolutionary Has Punk Rock Been? -- Where Is The Revolution Now?
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  • 23
    ISBN: 9780367546311 , 9780367546328
    Sprache: Englisch
    Seiten: xxviii, 415 Seiten , Illustrationen, Notenbeispiele
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Musikalische Analyse ; Musikproduktion ; Schallaufzeichnung ; Popmusik ; Popular music / Analysis, appreciation ; Sound recordings / Production and direction ; Popular music / Analysis, appreciation ; Sound recordings / Production and direction ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikproduktion ; Schallaufzeichnung ; Musikalische Analyse
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  • 24
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501381867
    Sprache: Englisch
    Seiten: 208 Seiten
    Serie: Genre : a 33 1/3 series
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte 1979- ; Dance-Punk ; Dance-Punk ; Geschichte 1979-
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  • 25
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    London : Louder Than War Books
    ISBN: 9781526173201
    Sprache: Englisch
    Seiten: viii, 539 Seiten , Illustrationen
    RVK:
    Schlagwort(e): Sozialgeschichte ; Rockmusik ; Subkultur ; Gothic Rock ; Gothic rock music ; Goth culture (Subculture) ; Goth culture (Subculture) ; Gothic rock music ; Rockmusik ; Gothic Rock ; Subkultur ; Sozialgeschichte
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  • 26
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    Buch
    New York ; London : Routledge
    ISBN: 9781032313757 , 9781032313764
    Sprache: Englisch
    Seiten: xvii, 244 Seiten , Illustrationen
    Serie: SOAS studies in music
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Tempel ; Instrumentalensemble ; Ritual ; Geistliche Musik ; Periya mēḷam ; Spiritualität ; Hinduismus ; Indien ; Periya mēḷam ; Instrumental ensembles / India, South / History and criticism ; Hindu music / India, South / History and criticism ; Hinduism / India, South / Rituals ; Hindu music ; Hindu temples ; Hinduism / Rituals ; Music / Religious aspects / Hinduism ; South India ; Criticism, interpretation, etc ; Indien Süd ; Hinduismus ; Tempel ; Geistliche Musik ; Periya mēḷam ; Instrumentalensemble ; Ritual ; Spiritualität
    Kurzfassung: "Music and Temple Ritual in South India: Performing for Śiva explores the musical practices of the periya mēḷam, a South Indian instrumental temple ensemble of professional musicians. It investigates the role, function and meaning of these practices in a complex, highly formalised ritual of high-caste (Brahmanical) Tamil Hindu temples dedicated to the Pan-Indian god Śiva - an important patron of music since at least the 10th century. The main themes are the meaning of music in Hindu culture and South Indian present-day, and its temple instrumental music and performance, in relation to Hindu ritual, devotion and the worship of divine images, as well as the sacred function of sound, music and performance in Hindu temple ritual practice. The book is much more than a rich and vivid ethnographic description of a local tradition. It also develops a comprehensive and original analytical model, in which music and performance are understood as both situated and creative practices and where the fluid relationship between humans and non-humans, in this case divine beings, is truly taken into consideration"--
    Beschreibung / Inhaltsverzeichnis: Introduction -- Temple Ritual and Image Worship -- Musicians, from Past to Present -- The Repertoire -- Sound, Space and Divine Images -- Musical Time vs. Ritual Time -- Music, Emotion and Devotion -- Conclusion
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  • 27
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    Cambridge, UK ; Hoboken, NJ, USA : Polity
    ISBN: 9781509552030 , 9781509552023
    Sprache: Englisch
    Seiten: vii, 156 Seiten
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Popmusik ; Popmusik
    Kurzfassung: "A highly original account of pop music as a constellation of social practices"--
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 28
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    Buch
    New York : Hachette Books
    ISBN: 9780306828423 , 9780306833960
    Sprache: Englisch
    Seiten: xi, 242 pages , Illustrationen
    Ausgabe: First edition
    Paralleltitel: Erscheint auch als
    DDC: 782.42166
    RVK:
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    Schlagwort(e): Gothic rock music History and criticism ; Goth culture (Subculture) ; Englisch ; Gothic ; Musik ; Literatur
    Kurzfassung: "GOTH is an entertaining and engaging historical memoir of the genre of Goth music and culture, exploring creative giants like The Cure, Siouxsie and the Banshees, Bauhaus, Joy Division, and many more great bands that offered a place of refuge for the misfits of the 80s and ever since. Written by Lol Tolhurst, co-founder of The Cure, this book offers a fascinating deep dive into the movers and shakers of goth with stories and anecdotes from Tolhurst's personal memories as well as the musicians, magicians, and artists, who made it all happen-the people, places, and events that made goth an inevitable and enduring movement. Starting with the Origins of Goth, Tolhurst explores early art and literature that inspired the genre and looks into the work of T.S Eliot, Edgar Allan Poe, Sylvia Plath , Albert Camus and more. He also outlines the path of Gothic Forebears and shows how many musicians played in punk bands before transitioning into goth endeavors. Next, he introduces readers to the "Architects of Darkness "-Bauhaus, Siouxsie and the Banshees, Joy division and The Cure-the godfathers of goth who established the genre's roots. Following these early bands, Tolhurst discusses a group he calls the " Spiritual Alchemists ", consisting of bands like Depeche Mode, Cocteau Twins and more, who helped the darkness expand into the culture . He also tracks the expansion of the genre overseas, from England to New York, Los Angeles, and beyond. Gothic fashion was an important part of the movement as well, and Tolhurst discusses the clothing that accompanied and complemented the music. Finally, Tolhurst examines the legacy of goth music, and shows how its influence can still be seen to this day across music, film, TV, visual arts, social media, and so much more finally concluding "Why Goth matters!""--
    Anmerkung: Includes bibliographical references and index
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  • 29
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    Wien : Hollitzer Verlag
    ISBN: 9783990129807 , 3990129805
    Sprache: Englisch
    Seiten: X, 242 Seiten , 24 cm x 17 cm
    Serie: Beiträge zur Jazzforschung 16
    Serie: Studies in Jazz Research
    Serie: Beiträge zur Jazzforschung
    Paralleltitel: Erscheint auch als
    DDC: 780
    RVK:
    Schlagwort(e): Jazz
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  • 30
    ISBN: 9781032332215 , 9781032332239
    Sprache: Englisch
    Seiten: viii, 154 Seiten
    Serie: Routledge histories of Central and Eastern Europe
    Paralleltitel: Äquivalent
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte ; Nationalhymne ; Ostmitteleuropa ; Südosteuropa ; Ostmitteleuropa ; Südosteuropa ; Nationalhymne ; Geschichte
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  • 31
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    Lanham ; Boulder ; New York ; London : Rowman & Littlefield
    ISBN: 9781538165300
    Sprache: Englisch
    Seiten: xi, 187 Seiten
    Serie: Popular musics matter: Social, political and cultural interventions
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte 1977-1980 ; Elektronische Musik ; Synthesizer ; Popmusik ; Großbritannien ; Electronica (Music) / Great Britain / History and criticism ; Popular music / Great Britain / 1971-1980 / History and criticism ; Synthesizer (Musical instrument) / Great Britain / History ; Electronica (Music) ; Popular music ; Synthesizer (Musical instrument) ; Great Britain ; 1971-1980 ; Criticism, interpretation, etc ; History ; Großbritannien ; Popmusik ; Synthesizer ; Elektronische Musik ; Geschichte 1977-1980
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  • 32
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    Buch
    New York ; London : Routledge
    ISBN: 9781032111209 , 9781032111230 , 9781032431147
    Sprache: Englisch
    Seiten: xvi, 218 Seiten
    Serie: SOAS studies in music
    Paralleltitel: Äquivalent
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte 1980- ; Gedenken ; Lied ; Katastrophe ; Kanada ; Maritime Provinzen ; Disasters / Atlantic Provinces / Songs and music / History and criticism ; Memorialization / Atlantic Provinces / History ; Canada ; Disasters / Songs and music ; Memorialization ; Canada / Atlantic Provinces ; Criticism, interpretation, etc ; History ; Kanada ; Maritime Provinzen ; Lied ; Katastrophe ; Gedenken ; Geschichte 1980-
    Kurzfassung: "Disaster Songs as Intangible Memorials in Atlantic Canada draws on a collection of over 500 Atlantic Canadian songs relating to disasters from 1891 up until the present, and describes the characteristics that define them as intangible memorials. The book demonstrates the relationship between vernacular memorials - informal memorials collectively and spontaneously created from objects and notes by the general public - and disaster songs. Author identifies the features that define vernacular memorials, and applies them to disaster songs: spontaneity; ephemerality; importance of place; motivations and meaning-making; content, as well as the role of media in inspiring and disseminating memorials and songs"--
    Beschreibung / Inhaltsverzeichnis: Preface. Come All Ye -- Introduction -- Formal Memorials, Vernacular Memorials, and Disaster Songs -- Going Down in History : The Story of Disaster Songs -- Locating Meaning : The Place of Disasters in Songs -- Spontaneity & Ephemerality : The Timing of Memorialization -- Social Significance : The Motivation to Create Disaster Songs -- Personal Motivations : Relationships & Grief -- News & Social Media : Inspiring, Informing, and Disseminating Disaster Songs -- Conclusion
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  • 33
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    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501387050 , 9781501387067
    Sprache: Englisch
    Seiten: xi, 354 Seiten , Illustrationen
    Ausgabe: Revised edition
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): The Beatles ; Beatles ; Rock music / Analysis, appreciation ; Rock musicians / England ; Beatles ; Rock musicians ; England ; Biografie ; Biografie ; Biografie ; The Beatles
    Kurzfassung: "A follow-up to the successful 2007 edition, which, despite numerous Beatles-related books published in the intervening years, still stands alone for its chronological, album-by-album analysis of the band's work"--
    Beschreibung / Inhaltsverzeichnis: Prologue : The End -- The Beginning -- A Cellarful of Noise -- And the Band Begins to Play -- Rock and Roll Music -- The Biggest Showbiz Town Ever -- War-Weary -- Yesterday and Today -- Plastic Soul -- The End of the Road -- The Act You've Known for All These Years -- Roll Up for the Mystery Tour -- Whiter Shades of Pale -- Getting Back -- The Dream Is Over -- Epilogue : Long Live the Dream
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  • 34
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    London ; New York, NY : Routledge
    ISBN: 9780367406837
    Sprache: Englisch
    Seiten: 44 Seiten , 22 cm
    Serie: Routledge advances in theatre & performance studies
    Paralleltitel: Äquivalent
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Beyoncé ; Geschichte 2013-2016 ; Afroamerikanische Musik ; Feminismus ; Karriere ; Beyoncé / 1981- / Criticism and interpretation ; Popular music / History and criticism ; African American women in popular culture ; Feminism and music ; Beyoncé / 1981- ; African American women in popular culture ; Feminism and music ; Popular music ; Criticism, interpretation, etc ; Beyoncé 1981- ; Afroamerikanische Musik ; Feminismus ; Karriere ; Geschichte 2013-2016
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  • 35
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    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501389153
    Sprache: Englisch
    Seiten: 176 Seiten , 17 cm
    Serie: 33 1/3 173
    Serie: 33 1/3
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): British Broadcasting Corporation ; Geschichte 1958- ; Elektronische Musik ; Großbritannien ; BBC Radiophonic Workshop / BBC Radiophonic Workshop -- a retrospective ; Television music / Great Britain / History and criticism ; Radio music / Great Britain / History and criticism ; Radio music ; Television music ; Great Britain ; Criticism, interpretation, etc ; Großbritannien ; British Broadcasting Corporation ; Elektronische Musik ; Geschichte 1958-
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  • 36
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    Buch
    Charlottesville ; London : University of Virginia Press
    ISBN: 9780813949826 , 9780813949819
    Sprache: Englisch
    Seiten: x, 276 Seiten , Illustrationen
    Serie: New world studies
    Paralleltitel: Erscheint auch als
    Dissertationsvermerk: Dissertation Princeton University 2023
    DDC: 781.649
    RVK:
    Schlagwort(e): Hip-Hop ; Rapmusiker ; Politischer Protest ; Haiti ; Brasilien ; Kuba ; Rap (Music) / Cuba / History and criticism ; Rap (Music) / Brazil / History and criticism ; Rap (Music) / Haiti / History and criticism ; Rap (Music) / Political aspects / Cuba ; Rap (Music) / Political aspects / Brazil ; Rap (Music) / Political aspects / Haiti ; Rap (Music) ; Rap (Music) / Political aspects ; Brazil ; Cuba ; Haiti ; Criticism, interpretation, etc ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Kuba ; Brasilien ; Haiti ; Rapmusiker ; Hip-Hop ; Politischer Protest
    Kurzfassung: "Drawing on ethnographic fieldwork and an archive of hundreds of songs by more than sixty hip hop artists, this book examines how rap's political messages are adapted and reinterpreted to reflect the unique situations in Cuba, Brazil, and Haiti"
    Anmerkung: Titel auf dem Umschlag: "Break & flow"
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  • 37
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    Durham ; London : Duke University Press
    ISBN: 9781478025047 , 9781478020080
    Sprache: Englisch
    Seiten: XVI, 304 Seiten , Illustrationen, Notenbeispiele , 23 cm
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte 2000-2023 ; Nachtleben ; Elektronische Tanzmusik ; Nähe ; Party ; House ; Berlin ; Paris ; Chicago, Ill. ; Queer studies ; Electronic dance music / Social aspects ; Electronic dance music / Social aspects / Germany / Berlin ; Electronic dance music / Social aspects / Illinois / Chicago ; Electronic dance music / Social aspects / France / Paris ; Music and dance / Social aspects ; Dance / Social aspects ; Sound effects music ; Affect (Psychology) ; Intimacy (Psychology) ; Nightlife ; House music / Social aspects ; Ethnomusicology ; MUSIC / Ethnomusicology ; SOCIAL SCIENCE / LGBTQ Studies / General ; Affect (Psychology) ; Dance / Social aspects ; Ethnomusicology ; Intimacy (Psychology) ; Nightlife ; Sound effects music ; France / Paris ; Germany / Berlin ; Illinois / Chicago ; Chicago, Ill. ; Paris ; Berlin ; Elektronische Tanzmusik ; House ; Nachtleben ; Party ; Nähe ; Geschichte 2000-2023
    Kurzfassung: "Together, Somehow is Luis-Manuel Garcia Mispireta's exploration of "minimal" house and techno parties in Chicago, Paris, and Berlin during the early 2000s. In particular, Garcia Mispireta is interested in the utopic vision of the inclusive dancefloor, and the way that is produced through what he calls stranger-intimacy--the kind of warmth, sharing, and vulnerability between strangers that happens surprisingly often at popular electronic dance music parties. Drawing on fieldwork conducted in these cities, Together, Somehow rethinks intimacy and belonging through dancing crowds and throbbing dancefloors"--
    Beschreibung / Inhaltsverzeichnis: Touch and Intimacy on the Dancefloor -- Sonic Tactility -- Liquidarity -- Thickening Something -- The Sweetness of Coming Undone -- Bouncers, Door Policies, and Embedded Diversity
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  • 38
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    Buch
    New York : Oxford University Press
    ISBN: 9780197635216
    Sprache: Englisch
    Seiten: XII, 203 Seiten , Illustrationen, Notenbeispiele
    Serie: Oxford studies in music theory
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte 1960-1980 ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Dylan, Bob / 1941- ; Mitchell, Joni ; Sainte-Marie, Buffy ; Simon, Paul / 1941- ; Stevens, Cat / 1948- ; Musical meter and rhythm ; Popular music / Analysis, appreciation ; 1961-1980 ; Criticism, interpretation, etc ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Kurzfassung: "It is 1969 and Joni Mitchell is on television, standing empty-handed in the middle of a circular stage that is adorned with psychedelic colors. She is wearing a long, hunter-green dress, surrounded by an audience sitting cross-legged on the floor. She waits for television host Dick Cavett to introduce her next performance. The show is filming on the day after the 1969 Woodstock music festival, an event that Mitchell was initially scheduled to attend but from which she was held back by her management to ensure she could perform on The Dick Cavett Show the next day. The host introduces Mitchell and jokes with her about singing a capella, wondering aloud if someone stole her guitar. The singer laughs politely in response, denies any theft, and then proceeds to her performance, explaining to the audience that she will be singing a "song for America" that she wrote "as a Canadian living in this country." With her hands clasped behind her back, she performs "The Fiddle and the Drum" with no accompaniment, channeling the folk performance tradition on which the song is based. This song about military participation is a rare political statement from Mitchell who, unlike her peers Bob Dylan and Buffy Sainte-Marie, had only released this one "protest song" by 1969. But the song's message was not a particularly risky proclamation. Her anti-war narrative echoed the opinions of the young Cavett Show audience that night, aligning with an established trend of resistance against the war in Vietnam. Similar to the way that Mitchell's song "Woodstock" would eventually capture the spirit of an event she did not attend, "The Fiddle and the Drum" characterizes a popular anti-war sentiment in the public consciousness of the late 1960s"--
    Beschreibung / Inhaltsverzeichnis: The Self Expressive Rhetoric of Flexible Meter -- The Theory of Flexible Meter -- Regular and Reinterpreted Meter -- Self-Expressive Innovations : Lost Meter -- Intensifying "Imperfection" : Ambiguous Meter
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  • 39
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    Buch
    Berlin : Logos Verlag Berlin
    ISBN: 9783832556280
    Sprache: Englisch
    Seiten: xiv, 204 Seiten , Illustrationen
    Serie: Musikkulturen im Fokus Band 3
    Serie: Musikkulturen im Fokus
    Originaltitel: Preserving traditional music in South Asia
    Dissertationsvermerk: Dissertation Freie Universität Berlin 2022
    DDC: 780.8991495
    RVK:
    Schlagwort(e): Gebrauchsmusik ; Volksmusikpflege ; Musikethnologie ; Nepal ; Ethnomusicology ; Nepal ; Traditional Music ; Cultural Preservation ; South Asia ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Nepal ; Volksmusikpflege ; Gebrauchsmusik ; Musikethnologie
    Anmerkung: Titel der Dissertation: Preserving traditional music in South Asia
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  • 40
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    Buch
    Lanham ; Boulder ; New York ; London : Lexington Books
    ISBN: 9781793620392
    Sprache: Englisch
    Seiten: IX, 139 Seiten , Illustrationen, Porträts
    Serie: Critical perspectives on music and society
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte 1980-2022 ; Subkultur ; Techno ; Rave ; Musikwirtschaft ; Electronic dance music / Social aspects / History ; Rave culture ; Rave culture ; History ; Rave ; Techno ; Subkultur ; Musikwirtschaft ; Geschichte 1980-2022
    Kurzfassung: "This text explores how the Electronic Dance Music subculture transitioned from a marginalized deviant subculture to a billion-dollar culture industry, looking at how the culture's success has undermined in-group solidarity and marginalized those who helped pioneer it"--
    Beschreibung / Inhaltsverzeichnis: Introduction -- Phase I : Beginnings (1980s-1995) Phase II : The Rise of the Rave Outlaw (1995-2009) -- Phase III : EDM as Culture Industry (2010-2022) -- Conclusion -- Appendix. The Rave Act
    Anmerkung: Noch nicht erschienen (Stand: 12.05.2023)
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  • 41
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    Buch
    Bristol, UK ; Chicago, USA : Intellect
    ISBN: 9781789388428
    Sprache: Englisch
    Seiten: xxiv, 330 Seiten , Illustrationen , 25,3 cm
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Hip-Hop ; Archivierung ; Hip-hop ; Rap (Music) ; Hip-hop / Archival resources ; Rap (Music) / Archival resources ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Hip-Hop ; Archivierung
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Klappentext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Klappentext  (lizenzpflichtig)
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  • 42
    ISBN: 9783990129807
    Sprache: Englisch
    Seiten: X, 242 Seiten , 24 cm x 17 cm
    Serie: Beiträge zur Jazzforschung 16
    Serie: Beiträge zur Jazzforschung
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte 1880-1930 ; Jazz ; Jazz ; United States ; Mississippi ; jazz history ; Maximilian Hendler ; Beiträge zur Jazzforschung ; Studies in Jazz Research ; Jazz ; Geschichte 1880-1930
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  • 43
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    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501333699
    Sprache: Englisch
    Seiten: XIX, 696 Seiten , 26,2 cm
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.4/8423
    RVK:
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    Schlagwort(e): Jugendkultur ; Musiksoziologie ; Popmusik ; Popular music / Social aspects ; Music and youth ; Youth / Social life and customs ; Counterculture ; Subculture ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Jugendkultur ; Musiksoziologie
    Anmerkung: Description based upon print version of record
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  • 44
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    Buch
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781108837125 , 9781108927680
    Sprache: Englisch
    Seiten: xiii, 308 Seiten , Illustrationen, Karte , 25,2 cm
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte 2000-2022 ; Countrymusic ; Nordamerika ; Country music / History and criticism ; Country music / Social aspects ; Country music ; Country music / Social aspects ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Nordamerika ; Countrymusic ; Geschichte 2000-2022
    Kurzfassung: "In a period in which racism and gender inequity are at the fore of public, political, and scholarly discourse, this collection challenges systems of gatekeeping that have dictated who gets to participate in twenty-first century country music culture. Building on established scholarship, this book examines contemporary issues in country music through feminist, intersectional, and post-colonialist theories, as well as other intertextual and cultural lenses. The authors pose questions about diversity, representation, and identity as they relate to larger concepts of artist and fan communities, stylistic considerations of the genre, and modes of production from a twenty-first century perspective. Addressing and challenging the received narrative about country music culture, this collection delves into the gaps that are inherent in existing approaches that privileged biography and historiography and expands new areas of inquiry relating to contemporary country music identity and culture"--
    Beschreibung / Inhaltsverzeichnis: "She went to Nashville to sing country music" : Gatekeeping and the Country Music Industry / by Paula J. Bishop and Jada Watson -- INDUSTRY. Mailbox Money : Novel Liberation Strategies of a Black Female Country Songwriter / by Alice Randall ; Dixie Chicked : Sony vs. The Chicks and the Regendering of Country Music in the Early Twentieth-Century / by Kristine M. McCusker ; How 360° Deals Homogenized Country Music / by Rachel Skaggs ; A Double-Edged Sword : Industry Data and the Construction of Country Music Narratives / by Jada Watson -- CODES OF CONDUCT. Why Country Music Needs Latina Feminism / by Sophia Enriquez ; Pistol Annies : Country Rebels with Humor / by Stephanie Vander Wel ; From Bros to Gentlemen : The Problem of Consent in Contemporary Country Music / by Phoebe E. Hughes ; Cowboys on a Beach : Summer Country and the Loss of Working-Class Identity / by Jocelyn R. Neal -- AUTHENTICITY. Dolly Parton's Netflix Reimagining : How Her Twenty-First Century "Jolene" Revises Country Music's Authenticity Narrative / by Leigh H. Edwards ; "When Britney [Spears] Ruled the World" : Expanding the Stylistic Boundaries of Nostalgia in Country Music / by Paula J. Bishop ; Rhinestone Revivals : Repurposing the Nudie Suit for the Twenty-first Century / by Janet Aspley ; Country Music Doesn't Have to Suck : Intertextuality, Community, and Bloodshot Records / by Nancy P. Riley -- BOUNDARY WORK. Playing at the Border : Navajo Country Western Music and Border Town Racism / by Kristina Jacobsen ; Country-Loving Mexican Americans: Dual Patriotism and Inevitable Fandom among Mexican American Country Music Lovers / by Nadine Hubbs ; Practices of Genre Surveillance in Country Music: Hearing Racial Politics in Beyonce's and The Chicks' "Daddy Lessons" / by Rebekah Hutten ; "We have a Lot of Work to Do" : Rhiannon Giddens and Country Music's Mixed Roots / by Tracey E. Laird -- Epilogue. Country Music Needs a Revolution / by Rissi Palmer
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  • 45
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    Buch
    Cambridge, United Kingdom ; New York, NY, USA ; Port Melbourne, VIC, Australia : Cambridge University Press
    ISBN: 9781009005272 , 9781316511077
    Sprache: Englisch
    Seiten: XX, 323 Seiten , Illustrationen
    Serie: Cambridge companions to music
    Paralleltitel: Erscheint auch als
    DDC: 781.660943/09047
    RVK:
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    RVK:
    Schlagwort(e): Krautrock ; Krautrock (Music) / History and criticism ; Popular music / Germany / History and criticism ; MUSIC / General ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Krautrock
    Kurzfassung: "Krautrock and its offshoots have had a tremendous impact on musical production and reception in Great Britain and the US since the 1970s. Genres such as indie, post-rock, EDM, and hip-hop have drawn heavily on Krautrock and have connected a music that initially disavowed its European American and African American origins with the lived experience of whites and blacks in the United States and Europe. At the same time, while reaching for an imagined cosmic community, Krautrock, not only by its name, stirs up essentialist notions of national identity and citizenship."
    Anmerkung: Includes index
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  • 46
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780197555194 , 9780197555187
    Sprache: Englisch
    Seiten: X, 181 Seiten , 21 cm
    Serie: Oxford theory in ethnomusicology series
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.4/842
    RVK:
    Schlagwort(e): Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Kurzfassung: "Citizenship is a fantasy of political community without others. How is it faring in today's world of authoritarianism, failed states, and climate crisis? In a world where democratic experiment is, by now, a networked and global proposition? What might we learn from music - and from ethnomusicology? The relationship between the idea of citizenship and music is long-standing, but it has not yet been looked at from a perspective informed by postcolonialism and today's decolonizing debates. The case studies in this volume are, consequently, drawn from across Latin America, Africa, Asia and Europe. Its first chapter locates the current ethnomusicological interest in citizenship in broad critical landscape, focusing on approaches to audience, media, voice and performance. The second surveys a growing body of recent ethnomusicological literature on citizenship, theorized in terms of identity, technocracy, and intimacy. The third comprises case studies developing an approach to citizenship and political subjectivity beyond conventional liberal categories, defined by mobility ('the citizen on his bike'), collectivity ('the citizen in the crowd') and activism ('the citizen in the square'). The conclusion offers an argument about the implications for citizenship studies of today's thinking in ethnomusicology, musicology and sound studies, reflecting on the hardening rhetoric of political belonging in Europe."
    Beschreibung / Inhaltsverzeichnis: Introduction. How Musical is the Citizen? -- Ethnomusicology of Citizenship, Ethnomusicology as Citizenship -- Citizenship Resounding -- Conclusion
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  • 47
    Buch
    Buch
    Rochester, NY : University of Rochester Press
    ISBN: 9781648250637
    Sprache: Englisch
    Seiten: xvi, 252 Seiten , Illustrationen , 23 cm
    Serie: Eastman/Rochester studies in ethnomusicology 13
    Serie: Eastman/Rochester studies in ethnomusicology
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 780.89
    RVK:
    Schlagwort(e): Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Kurzfassung: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Beschreibung / Inhaltsverzeichnis: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Cover  (lizenzpflichtig)
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  • 48
    ISBN: 9783828848221
    Sprache: Englisch
    Seiten: XXVI, 323 Seiten , Illustrationen, Karte, Notenbeispiele , 21 cm x 14.8 cm
    Ausgabe: 1st edition
    Serie: Wissenschaftliche Beiträge aus dem Tectum Verlag Band 19
    Serie: Reihe Musikwissenschaft
    Serie: Wissenschaftliche Beiträge aus dem Tectum Verlag
    Paralleltitel: Erscheint auch als
    DDC: 781.71009669
    RVK:
    Schlagwort(e): Kirchenmusik ; Anbetung ; Christentum ; Musik ; Nigeria ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Nigeria ; Musik ; Christentum ; Anbetung ; Nigeria ; Kirchenmusik
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 49
    Buch
    Buch
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9781032276533 , 9781032276540
    Sprache: Englisch
    Seiten: xvii, 222 Seiten , Illustrationen
    Serie: SOAS studies in music
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 1900- ; Volkslied ; Sephardim ; Spanien ; Folk songs, Ladino / History and criticism ; Folk songs, Ladino ; Criticism, interpretation, etc ; Spanien ; Sephardim ; Volkslied ; Geschichte 1900-
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  • 50
    Buch
    Buch
    London ; New York : Routledge
    ISBN: 9781032321622 , 9781032321660
    Sprache: Englisch
    Seiten: XVIII, 305 Seiten , Illustrationen, Notenbeispiele , 23 cm
    Serie: SOAS studies in music
    Paralleltitel: Äquivalent
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 1900-1950 ; Moderne ; Kunstlied ; Australien ; Ostasien ; Songs / East Asia / 20th century / History and criticism ; Music / East Asia / Western influences ; Modernism (Music) / East Asia ; Songs / Australia / 20th century / History and criticism ; Modernism (Music) ; Music / Western influences ; Songs ; Australia ; East Asia ; 1900-1999 ; Criticism, interpretation, etc ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Ostasien ; Australien ; Kunstlied ; Moderne ; Geschichte 1900-1950
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  • 51
    Buch
    Buch
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781108837057 , 9781108940030
    Sprache: Englisch
    Seiten: xv, 295 Seiten
    Serie: Cambridge companions to music
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Music and transnationalism ; Popular music ; Sound recording industry ; Korea (South) ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; K-Pop ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte
    Kurzfassung: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Beschreibung / Inhaltsverzeichnis: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
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  • 52
    Buch
    Buch
    Rochester, NY : University of Rochester Press
    ISBN: 9781648250323 , 1648250327
    Sprache: Englisch
    Seiten: xxiii, 277 Seiten , Illustrationen, 1 Karte, Notenbeispiele , 23 cm
    Serie: Eastman/Rochester studies in ethnomusicology vol. 14
    Serie: Eastman/Rochester studies in ethnomusicology
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschlechterrolle ; Postkolonialismus ; Darstellende Kunst ; Uganda ; Postkolonialismus ; Darstellende Kunst ; Geschlechterrolle ; Uganda
    Anmerkung: Literaturverzeichnis: Seite 251-268
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  • 53
    ISBN: 9781009272544 , 9781009272544
    Sprache: Englisch
    Seiten: 81 Seiten , 24 cm
    Serie: Cambridge elements: Elements in twenty-first century music practice
    RVK:
    Schlagwort(e): Geschichte 2006- ; Künstlerische Forschung ; Kollaboration ; Ensemble ; Musik ; Aufführung ; Interkulturalität ; Autoethnografie ; Schweden ; Vietnam ; Ethnomusicology / Vietnam ; Ethnomusicology / Cross-cultural studies ; Music / Methods / Cross-cultural studies ; Ethnomusicologie / Viêt-nam ; Ethnomusicologie / Études transculturelles ; Ethnomusicology ; Music ; Vietnam ; Cross-cultural studies ; Vietnam ; Schweden ; Musik ; Ensemble ; Aufführung ; Interkulturalität ; Kollaboration ; Autoethnografie ; Künstlerische Forschung ; Geschichte 2006-
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  • 54
    Buch
    Buch
    Madison : The University of Wisconsin Press
    ISBN: 9780299340308
    Sprache: Englisch
    Seiten: xiii, 201 Seiten
    DDC: 306.484609675112
    RVK:
    RVK:
    Schlagwort(e): Rumba ; Tänzerin ; Geschlechterrolle ; Demokratische Republik Kongo ; Kinshasa
    Anmerkung: Includes bibliographical references
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  • 55
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780199303533 , 9780199303526
    Sprache: Englisch
    Seiten: xii, 221 Seiten
    Serie: Oxford theory in ethnomusicology
    Paralleltitel: Erscheint auch als
    DDC: 780.89
    RVK:
    Schlagwort(e): Musiktheorie ; Musikethnologie ; Ethnomusicology ; Music theory ; Musikethnologie ; Musiktheorie
    Kurzfassung: "Music theory's presence in ethnomusicology comes from the socialization and theorizing of participants in the world's musical practices and of ethnomusicologists themselves. Results of processes of theorizing focused on musical activity differ greatly in scope, make-up, and uses. During the 1960s and 70s ethnomusicologists who formed relationships with music-makers and ritual specialists attempted to interpret their understandings of musical actions. Subsequently ethnomusicologists have studied roles of explicit and implicit theory in communication of musical knowledge, with attention to aural learning and relevant techniques of the body. They have observed the production of music theory in institutions of modern nation-states and have sought out groups and individuals whose theorizing is not constrained by projects of existing institutions. They are assessing the ways in which musical terminologies in diverse languages can be related to general concepts without imposing assumptions of one approach to music theory on all others. That exercise is increasingly recognized as a necessary effort of decolonization: the heritage of ethnomusicology encompasses all the world's music-theoretical practices, and no formulation of Western music theory should be used as a standard against which to judge other ways of theorizing and making use of the results. The best future for ethnomusicological engagement with music theory would expand the situations and media of communication along with the topics and viewpoints in play. This book reviews existing work on music theory by ethnomusicologists and others, highlighting potentially productive insights that could inspire and guide future work"
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  • 56
    ISBN: 9781399618786 , 9781399619332 , 1399618784
    Sprache: Englisch
    Seiten: 374 Seiten , Illustrationen , 31.6 cm x 24.1 cm
    DDC: 780
    RVK:
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  • 57
    ISBN: 9781003043904 , 9780367490034 , 9780367630355
    Sprache: Englisch
    Seiten: XVII, 349 Seiten , Illustrationen
    Serie: Routledge music companions
    Paralleltitel: Äquivalent
    DDC: 780.89
    RVK:
    Schlagwort(e): Ethik ; Musikethnologie ; Forschung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie ; Forschung ; Ethik
    Beschreibung / Inhaltsverzeichnis: Includes bibliograpical references and index
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  • 58
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501383427
    Sprache: Englisch
    Seiten: x, 180 Seiten , 19,8 cm
    Serie: Genre, a 33 1/3 series
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.630968
    RVK:
    Schlagwort(e): Rockmusik ; Geschichte ; Kultur ; Popmusik ; Südafrika ; Popular music / South Africa ; Music reviews & criticism ; Rock & Pop music ; South Africa ; Südafrika ; Popmusik ; Rockmusik ; Kultur ; Geschichte
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  • 59
    ISBN: 9781789387315
    Sprache: Englisch
    Seiten: xviii, 256 Seiten , Illustrationen, Karten, Porträts , 21 cm
    Serie: Global punk
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Demob ; Geschichte 1981-2011 ; Geschichte 1981-2017 ; Musikleben ; Subkultur ; Rezeption ; Punk Rock ; Jugoslawien ; Balkanhalbinsel ; Phillips, Barry / Travel / Former Yugoslave republics ; Demob / No room for you ; Punk rock music / Yugoslavia / History and criticism ; Yugoslavia / Social life and customs ; Former Yugoslav republics / Description and travel ; Erlebnisbericht ; Erlebnisbericht ; Erlebnisbericht ; Erlebnisbericht ; Demob No Room For You ; Rezeption ; Jugoslawien ; Geschichte 1981-2011 ; Balkanhalbinsel ; Punk Rock ; Subkultur ; Musikleben ; Geschichte 1981-2017
    Anmerkung: das r in search ist im Haupttitel spiegelverkehrt dargestellt
    URL: Register  (// Gemischte Register)
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  • 60
    ISBN: 9783955932626 , 3955932621
    Sprache: Englisch , Deutsch
    Seiten: 328 Seiten , Illustrationen , 23.8 cm x 15.8 cm, 400 g
    Ausgabe: Bilingual edition, 1. edition
    DDC: 780.92
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1960-2023 ; Diaspora ; Afroamerikanische Musik ; Neue Musik ; Komponist ; Schwarze ; Europa ; Afrodiaspora ; afrodiasporic musicians ; afrodiasporic composing ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afroamerikanische Musik ; Europa ; Schwarze ; Diaspora ; Komponist ; Neue Musik ; Geschichte 1960-2023
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  • 61
    Buch
    Buch
    Gossenberg : Ostasien Verlag
    ISBN: 9783940527271
    Sprache: Englisch , Chinesisch
    Seiten: 285 Seiten
    Ausgabe: 1. Auflage
    Serie: Bibliothek der Tang und Song 6
    Serie: Bibliothek der Tang und Song
    RVK:
    Schlagwort(e): Zhu, Changwen ; Geschichte 1098 ; Geschichte Anfänge - 1050 ; Qinspiel ; Qin ; Musiker ; China ; Quelle ; China ; Qinspiel ; Musiker ; Geschichte Anfänge - 1050 ; Qin ; Geschichte 1098 ; Zhu, Changwen 1039-1098
    Anmerkung: Zweisprachige Ausgabe/ bilingual edition , Zusatz auf dem Umschlag: Translated and annotated by Luca Pisano , Text englisch und chinesisch
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  • 62
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501346408 , 9781501346415
    Sprache: Englisch
    Seiten: viii, 204 Seiten , 23 cm
    Serie: Alternate takes
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Soziale Ungleichheit ; Frau ; Elektronische Tanzmusik ; Musiksoziologie ; Subkultur ; Musikleben ; Electronic dance music / History and criticism ; Electronic dance music / Social aspects ; Sex role ; Sexism ; Elektronische Tanzmusik ; Subkultur ; Musikleben ; Frau ; Soziale Ungleichheit ; Musiksoziologie
    Kurzfassung: "A candid reevaluation of dance music as an everyday culture that reproduces social inequalities"
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  • 63
    ISBN: 9780190856700
    Sprache: Englisch
    Seiten: xiv, 238 Seiten , Illustrationen
    Paralleltitel: Äquivalent
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Hip-hop dance ; African American aesthetics ; Hip-Hop ; Tanz ; Ästhetik ; Hip-Hop ; Tanz ; Ästhetik
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  • 64
    Buch
    Buch
    New York ; London ; Toronto ; Sydney ; New delhi : Scribner
    ISBN: 9781982195861
    Sprache: Englisch
    Seiten: xxii, 487 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen, Porträts (teilweise farbig) , 24 cm
    Ausgabe: First Scribner hardcover edition
    RVK:
    Schlagwort(e): Harrison, George ; Rock musicians / England / Biography ; Musiciens rock / Angleterre / Biographies ; MUSIC / Genres & Styles / Rock ; Harrison, George / 1943-2001 ; Beatles ; Rock musicians ; England ; Rock musicians / Biography ; Guitarists / Biography ; Biographies ; Biografie ; Harrison, George 1943-2001
    Kurzfassung: "Despite being hailed as one of the best guitarists of his era, George Harrison, particularly in his early decades, battled feelings of inferiority. He was often the butt of jokes from his bandmates owing to his lower-class background and, typically, was allowed to contribute only one or two songs per Beatles album out of the dozens he wrote. Now, acclaimed Beatles biographer Philip Norman examines Harrison through the lens of his numerous self-contradictions. Compared to songwriting luminaries John Lennon and Paul McCartney he was considered a minor talent, yet he composed such masterpieces as "While My Guitar Gently Weeps" and "Here Comes the Sun," and his solo debut album "All Things Must Pass" achieved enormous success, appearing on many lists of the 100 best rock albums ever. Modern music critics place him in the pantheon of sixties guitar gods alongside Eric Clapton, Jimi Hendrix, Keith Richards, and Jimmy Page. Harrison railed against the material world yet wrote the first pop song complaining about income tax. He spent years lovingly restoring his Friar Park estate as a spiritual journey, but quickly mortgaged the property to help rescue a film project that would be widely banned as sacrilegious, Monty Python's Life of Brian. Harrison could be fiercely jealous, but not only did he stay friends with Eric Clapton when Clapton fell in love with Harrison's wife, Pattie Boyd, the two men grew even closer after Clapton walked away with her. Unprecedented in scope and filled with numerous color photos, this rich biography captures George Harrison at his most multi-faceted: devoted friend, loyal son, master guitar player, brilliant songwriter, cocaine addict, serial philanderer, global philanthropist, student of Indian mysticism, self-deprecating comedian, and, ultimately, iconic artist and man beloved by millions"--
    Beschreibung / Inhaltsverzeichnis: Prologue: an unextinguishable last laugh -- Part one. "Take care of him because he's going to be special" -- "He was so much in the background he was like the invisible man" -- Playing just chords was better than not playing at all" -- "From then on, nine-to-five never came back into my thinking" -- "We were like orphans" -- "My first shag was... with Paul and John and Pete Best all watching" -- "The first rock 'n' dole group" -- "It was the best buzz of all time" -- Part two. "I was always rather beastly to George" -- "I had to learn to think like a spy, leaving no trace" -- "The only Beatle glare ever caught on camera" -- "Well, that's it. I'm not a Beatle anymore" -- "The meditation buzz" -- "Please don't think I've gone off my rocket" -- "Don't upset the Hell's Angels" -- "He wanted so much to be a spiritual being" -- "That was minxy of George. He could be very minxy" -- "Beatle George's new pad--turrets and all" -- Part three. "Garbo speaks--Harrison is free" -- "I suppose he is still a person of considerable means" -- "I have to tell you, man, I'm in love with your wife" -- "By the grace of Krishna, you are one of the great men" -- "If people want their money back, they can have it" -- "Introducing George Harrison" -- "Maybe he thought God would just sort of let him off" -- "He was looking at potential debts of around €32 million" -- "Do you want to go on a yacht to the South Pacific and run away for ever?" -- "I'm being murdered in my own house" -- Epilogue: Plaudit from a prince
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  • 65
    ISBN: 9780197536261 , 9780197536254
    Sprache: Englisch
    Seiten: xviii, 220 Seiten , Illustrationen
    DDC: 791.45097309045
    RVK:
    Schlagwort(e): Geschichte 1950-1969 ; Rock 'n' Roll ; Fernsehsendung ; Jugendkultur ; Rassendiskriminierung ; USA
    Anmerkung: Literaturverzeichnis: Seite 205-207
    URL: Cover  (lizenzpflichtig)
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  • 66
    Buch
    Buch
    New York ; London : Routledge
    ISBN: 9780367534141 , 9780367630324
    Sprache: Englisch
    Seiten: xv, 498 Seiten , Illustrationen, Diagramme
    Serie: Routledge music companions
    Paralleltitel: Erscheint auch als
    DDC: 781.6509
    RVK:
    Schlagwort(e): Geschlechtsidentität ; Jazz ; Jazz / History and criticism ; Jazz / Social aspects / History ; Jazz / Historiography ; Jazz / Instruction and study / History ; Gender identity in music ; Women jazz musicians ; Aufsatzsammlung ; Aufsatzsammlung ; Jazz ; Geschlechtsidentität
    Kurzfassung: Part I. Historical Perspectives. "The Frivolous, Scantily Clad 'Jazzing Flapper,' Irresponsible and Undisciplined" : Jazz as a Feminine Domain / Bruce Johnson ; "I've Got the Haitian Blues" : Mamie Desdunes and the Gendered Inflections of the Common Wind / Ben Barson ; Lil Hardin Armstrong and Helen Joyner : The Forgotten Patrons of Jazz / Jeremy Brown ; Queer Aesthetics and the Performing Subject in Jazz in the 1920s / Magdalena Fürnkranz ; Black Against the Stave : Black Modern Girls in British Interwar Jazz / Jessica Chow ; Trumpet Men : Performances of Masculinity in Jazz / Aaron J. Johnson ; Hard Bop Cool Pose : Bebop, the Blues, and Masculinity in the Music of Lee Morgan / Keith Karns ; Toward a Feminist Understanding of Jazz Curatorship / Kara Attrep ; The Girl in the Other Room : Generating New Open Knowledge for the Women of Jazz / M. Cristina Pattuelli and Karen Li-Lun Hwang ; The Rise of Queermisia in Jazz : Medicalization, Legislation, and Its Effects / Chloe Resler ; Constructing a Diverse and Inclusive Jazz Tradition : A Uchronic Narrative / Michael Kahr --
    Kurzfassung: Part II. Identity and Culture. Playing the Part : A Social-Psychological Perspective on Being a Girl in Jazz / Erin L. Wehr ; Gender, Sexuality, and Jazz Saxophone Performance / Yoko Suzuki ; A Clash of Identities : How Aspects of Gender and Identity in Jazz Influence Both the Music and Its Perception / Wolfram Knauer ; "I'm Just One of Them" : Gender in Jazz Competitions / Matthias Heyman ; Gendered Interventions in European Jazz Festival Programming : Keychanges, Stars, and Alternative Networks / Kristin McGee ; Resurrecting Masculinity : Gender, Jazz Timbre, and the Afterlife of Dennis Irwin's Bass / Ken Tianyuan Ge ; Jazz Dance, Gender, and the Commodification of the Moving Body : Examining Patriarchal and White Supremacist Structures in Social and Commercial Jazz Dance Forms / Brandi Coleman ; Women's Access to Professional Jazz : From Limiting Processes to Levers for Transgression / Marie Buscatto ; "It Ain't Who You Are" : Authenticity, Sexuality, and Masculinity in Jazz / Ann Cotterell --
    Kurzfassung: Part III. Society and Education. Oppression and Hope : Students' Perceptions of Gender and Stereotypes in Jazz Appreciation and History / James Reddan ; Picturing Women in Jazz : An Analysis of Three Jazz History Textbooks / Ramsey Castaneda and Amanda Quinlan ; Degendering Jazz Guitar : Reimagining the Past - Realigning the Future / Tom Williams ; "Music Saved My Live" : Jennifer Leitham on Life, Music, and Gender ; Joshua Palkki, Carl Oser, and Jennifer Leitham ; Can E-Flat Be Sexist? Canonical Keys as Marginalizing Practice in Jazz / Wendy Hargreaves and Melissa Forbes ; Inclusive Jazz History Pedagogy / Sonya R. Lawson ; Negotiating Hegemonic Masculinity in Australian Tertiary Jazz Education / Robert Burke and Clare Hall ; Jazzwomen in Higher Education : Experiences, Attitudes, and Personality Traits / Natalie Boeyink ; The Gender Imperative in Jazz : The Role of Intercultural Maturity in Jazz Curricula / Lenora Helm Hammonds ; In Her Own Words : Documenting the Current Realities of Women-in-Jazz / Kiernan Steiner and Alexandra Manfredo ; Call and (Her) Response : Improvisation and the Myth of Absence / Dana Reason --
    Anmerkung: Includes bibliographical references and index
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  • 67
    ISBN: 9780190661960 , 9780190661991
    Sprache: Englisch
    Seiten: xx, 541 Seiten , Illustrationen, Notenbeispiele , 25.5 cm x 18 cm
    Serie: Oxford handbooks
    Paralleltitel: Erscheint auch als The Oxford handbook of music in China and the Chinese diaspora
    DDC: 780.951
    RVK:
    Schlagwort(e): Music History and criticism ; Chinese Music ; History and criticism ; Aufsatzsammlung ; China ; Musik
    Anmerkung: Literaturangaben
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 68
    ISBN: 9780197692684 , 9780197692677
    Sprache: Englisch
    Seiten: xx, 424 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Music for Inclusion and Healing in Schools and Beyond
    DDC: 306.4/8424
    RVK:
    Schlagwort(e): Popular music Social aspects ; Popular music Instruction and study ; Social aspects ; Culturally sustaining pedagogy ; Rap (Music) Moral and ethical aspects ; Music therapy for teenagers ; Hip-hop ; Aufsatzsammlung ; Konferenzschrift
    Kurzfassung: "The chapters that make up this book recognize through examples from research, practice and evaluation of quality with lived experiences that diverse contemporary popular musics can provide useful tools not just for entertainment and fun, but for learning, growth and healing/wellness. Hip hop, techno, grime, drill and suchlike are contemporary genres that have been stigmatized through association with the BAME community. At the same time, however, these musics are typically the listening diet of choice today in our inner cities. These contemporary musics of the inner-city and their associated music-related activities (e.g., deejaying, beat making, mixtape making but also dance, visual art and more) are celebrated and embraced as extraordinarily powerful tools for building and maintaining academic, social, and emotional competencies. These musics are loved and they can open up opportunities for creativities among those who often feel seriously marginalized. In turn, these musics (and activities associated with them) can provided opportunities to engage and/or support those at the social and educational margins. In other words, the musics at the heart of this book have faced exclusionary pressures but they can also work for inclusion when utilized in educational/pedagogical or therapeutic practices. As a whole, the book seeks to account for the power and impact of a set of contemporary popular musics in educational, therapeutic and community contexts, and to ask questions as to just where this power comes from, how we can measure its impact and where the future might lead"--
    Beschreibung / Inhaltsverzeichnis: PART ONE. CURRICULUM AND MUSIC EDUCATION. Beat(s) For Blame: UK Drill Music, 'Race' and Criminal Injustice / Lambros Fatsis ; DJ School UK and Beyond : My Journey As a DJ and DJ Educator / Jim Reiss ; 'Bildung Life' - Holistic Ideals of Hip Hop Education / Johan Söderman ; Technology and the Music Curriculum : Maximising Inclusion, Diversifying Options / Pete Dale ; Musical Futures and Music Technology in Mainstream Music Education / Fran Hannan & Martin Ainscough ; Rethinking the curriculum with Future DJs and Virtuoso / Austen Smart & Scott Smart -- PART TWO. HEALING AND WELLNESS. Power and Connection / Rawz ; Intentional Uses of Music : Hip Hop, Healing, and Empowerment for Youth Self-Care and Community Well-Being / Raphael Travis, Alex Crooke, and Ian Levy ; Becoming a Therapeutic Hip Hop Mentor / Kiran Manley ; Global Inclusion and Healing through Therapeutic Beat Making / Elliot Gann and Alex Crooke ; The Sound Pad Project : Co-Creation of Breakdancing, Dance Education, and an Inclusive Educational Technology / Nathan Geering and Simon Hayhoe ; Using Social Media to Cultivate Connected Learning and Social and Emotional Support through a Hip Hop Based Education Programme / Jabari Evans -- PART THREE. EVALUATION AND IMPACT. The Hip Hopification of Education and its Evaluation / BREIS ; Translating Evaluation and Research into Practice : What Matters for Socially Engaged Arts Programmes in and Beyond Schools? / Pamela Burnard ; Untangling Earphones - Voice and Agency in Participatory Music Impact Evaluation / Douglas Lonie ; Evaluating Young People's Spoken Word : Popular Music Projects / Beate Peter ; Evaluating Well-being Outcomes of the Social Enterprise 'Noise Solution': Digital Approaches to Outcome Capture / Simon Glenister ; Who is Heard and Who Gets to Belong in Hip Hop? The Counterspaces of Women and Gender Minority Rappers in Finland / Inka Rantakallio.
    Anmerkung: Literaturangaben
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  • 69
    Buch
    Buch
    Manchester : Manchester University Press
    ISBN: 9781526168450
    Sprache: Englisch
    Seiten: viii, 365 Seiten , Illustrationen , 24 cm
    Paralleltitel: Erscheint auch als
    DDC: 942.733085
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1979-2023 ; Stadtentwicklung ; Popkultur ; Sport ; Popmusik ; Manchester ; Popular culture / England / Manchester ; Popular music / England / Manchester ; Property / England / Manchester ; Soccer / England / Manchester ; Manchester (England) / History / 20th century ; Manchester (England) / History / 21st century ; Popular culture ; Popular music ; Property ; Soccer ; England / Manchester ; 1900-2099 ; History ; Manchester ; Popmusik ; Popkultur ; Sport ; Stadtentwicklung ; Geschichte 1979-2023
    Kurzfassung: At the end of the 1970s, Manchester seemed to be sliding into the dustbin of history. Today the city is an international destination for culture and sport, and one of the fastest-growing urban regions in Europe. This book gives a first-hand account of what happened in between
    Anmerkung: Maps on lining paper
    URL: Cover  (lizenzpflichtig)
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  • 70
    Buch
    Buch
    Manchester : Manchester University Press
    ISBN: 9781526152237
    Sprache: Englisch
    Seiten: ix, 192 Seiten
    Paralleltitel: Erscheint auch als
    DDC: 781.6609415090
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1975-1985 ; Punk ; Punk Rock ; Belfast ; Punk rock music / Northern Ireland / Belfast / History and criticism ; Punk rock music / Northern Ireland / Belfast / Interviews ; Northern Ireland / History / 1968-1998 ; Northern Ireland / History / 1968-1998 / Interviews ; Belfast ; Punk Rock ; Punk ; Geschichte 1975-1985
    Kurzfassung: Belfast punk and the Troubles is an oral history of the punk scene in Belfast from the mid-1970s to the mid-80s. The book explores what it was like to be a punk in a city shaped by the violence of the Troubles, and how this differed from being a punk elsewhere. It also asks what it means to have been a punk - how punk unravels as a thread throughout the lives of the people interviewed, and what that unravelling means in the context of post-peace-process Northern Ireland. In doing so, it suggests a critical understanding of sectarianism, subjectivity and memory politics in the North, and argues for the importance of placing punk within the segregated structures of everyday life described by the interviewees. Adopting an innovative oral history approach drawing on the work of Luisa Passerini and Alessandro Portelli, the book analyses a small number of oral history interviews with participants in granular detail. Outlining the historical context and the cultural memory of punk, the central chapters each delve into one or two interviews to draw out the affective, imaginative and political ways in which punks and former punks evoke their memories of taking part in the scene. Through this method, it analyses the punk scene as a structure of feeling shaped through the experience of growing up in wartime Belfast. Belfast punk and the Troubles is an intervention in Northern Irish historiography stressing the importance of history from below, and will be compelling reading for historians of Ireland and of punk, as well as those interested in innovative approaches to oral history.
    Anmerkung: Literaturverzeichnis: Seite 179-190
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  • 71
    Buch
    Buch
    Cham : Palgrave Macmillan
    ISBN: 9783031082955 , 9783031082955
    Sprache: Englisch
    Seiten: 190 Seiten
    Serie: Pop Music, Culture and Identity
    Paralleltitel: Erscheint auch als
    RVK:
    Beschreibung / Inhaltsverzeichnis: Includes bibliographical references and index
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  • 72
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501357848 , 9781501357831
    Sprache: Englisch
    Seiten: ix, 146 Seiten , Illustrationen
    Serie: 33 1/3 Europe
    Paralleltitel: Online version Elliott, Richard, 1971 June 28- DJs do guetto
    RVK:
    RVK:
    Schlagwort(e): Geschichte 2006 ; Weltmusik ; Album ; Portugal ; DJs do guetto (2006) ; Electronic dance music / Portugal / Lisbon / History and criticism ; Popular music / Portugal / Lisbon / 2001-2010 / History and criticism ; Black people / Portugal / Lisbon / Music / History and criticism ; Blacks ; Electronic dance music ; Popular music ; Portugal / Lisbon ; 2001-2010 ; Criticism, interpretation, etc ; Portugal ; Weltmusik ; Album ; Geschichte 2006
    Kurzfassung: "Uses the 2006 compilation DJs do Guetto as a central document of Afro-diasporic music in 21st-century Lisbon and as a case study of postcolonial encounters in global popular music"--
    Beschreibung / Inhaltsverzeichnis: Pr001 -- Uprooted Beats -- Close Encounters -- Quinta do Mocho -- Looped Encounters -- The Making and Unmaking of a DJ Crew -- Nobility -- Strange Futurity -- Translation -- An Ending
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  • 73
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501345326 , 9781501389917
    Sprache: Englisch
    Seiten: xiv, 409 Seiten
    Serie: Bloomsbury handbooks
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Musikpolitik ; Popmusik ; Musikwirtschaft ; Popular music / Law and legislation ; Popular music / Political aspects ; Cultural policy ; Music trade ; Music and state ; Cultural policy ; Music and state ; Music trade ; Popular music / Political aspects ; Popmusik ; Musikwirtschaft ; Musikpolitik
    Kurzfassung: "Examines the complex relationships between governments, industries and audiences, offering insight into negotiations within particular industries, nations and regions, where music policy remains at the forefront of wider creative industries policy"--
    Beschreibung / Inhaltsverzeichnis: Introduction. Situating popular music policy / Shane Homan -- Part I. Policy Contexts. Distributing rights and resources : The cultural politics of popular music policy / John Street ; The presence and absence of policy in the digital music industries / Daniel Nordgård ; Property or status? Music and musicians under copyright / Thomas Dillon -- Part II. Policy Sectors. Conceptualising popular music's heritage as an object of policy : Preservation, performance and promotion / Paul Long, Zelmarie Cantillon and Sarah Baker ; Popular music, policy and education / Gareth Dylan Smith and Zack Moir ; Music exports / Shane Homan ; Broadcasting and popular music policy / J. Mark Percival ; Live music infrastructure / Adam Behr -- Part III. National Frameworks. Audible, Visible and Experiential : Reflections on South Korean Popular Music Policy / Soojin Kim ; The Canadian conundrum : Robust policies catching up with the times / Richard Sutherland ; The new Great Leap Forward of China : National and local music policy in Chengdu / Qian Wang ; Australian popular music policy / Sarah Taylor and Shane Homan ; More than dots on maps : Locating live venues in the German music policy framework / Niklas Blömeke, Jan Üblacker, Johannes Krause, Heiko Rühl and Katharina Huseljic ; From national identity to the well-being of future generations : Popular music within devolved Welsh policy-making between 1999-2020 / Luke Thomas and Paul Carr -- Part IV. Contemporary Debates. Ticketing : Why is it a problem? / Michael Waterson ; Gender and popular music policy / Sam de Boise, Maura Edmond and Catherine Strong ; When music becomes datafied : Streaming services and the case of Spotify / Jonas Andersson Schwarz and Sofia Johansson ; Music cities / Sarah Taylor ; Brexit and the UK live music industry / Patrycja Rozbicka, Adam Behr and Craig Hamilton
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  • 74
    Buch
    Buch
    London ; New York ; Paris ; Sydney ; Copenhagen ; Berlin ; Madrid ; Tokyo : Omnibus Press
    ISBN: 9781913172664
    Sprache: Englisch
    Seiten: 259 Seiten, 16 Seiten ungezählte Bildtafeln , Illustrationen
    RVK:
    RVK:
    Schlagwort(e): McGeoch, John ; Geschichte 1955-2004 ; Postpunk ; Gitarrist ; Rockmusiker ; Großbritannien ; McGeoch, John / 1955-2004 ; Guitarists / Great Britain / Biography ; Punk rock musicians / Great Britain / Biography ; Biographies ; Biografie ; Biografie ; McGeoch, John 1955-2004 ; Großbritannien ; Rockmusiker ; Gitarrist ; Postpunk ; Geschichte 1955-2004
    Kurzfassung: "John McGeoch was the unsung hero of the post-punk era. Blazing a trail with some of Britain's biggest bands and most revered artists--Magazine, Siouxsie and the Banshees, The Armory Show and Public Image Ltd--John left an undeniable and indelible mark on music. The Light Pours Out of Me examines John's life and legacy, drawing on original interviews with the likes of Siouxsie Sioux, Howard Devoto, Johnny Marr, Billy Idol, John Frusciante, Keith Levene, Jonny Greenwood, Nick Launay, Ed O'Brien, Peter 'Hooky' Hook and many others. Illustrated with unseen photographs, this moving biography--authorised by the family--celebrates the remarkable guitarists who helped provide the soundtrack to a generation"--Dust jacket
    Beschreibung / Inhaltsverzeichnis: Forewords / Emily McGeoch, Malcolm Garrett, Dave Formula, Paul Morley, Johnny Marr -- Introduction / John McGeoch, taken from the fan information sheet, 'Secondhand daylight' -- Ian : childhood in Scotland and relocating to England -- Friends of mine : moving to Manchester to study fine art, and the first meeting with Howard Devoto -- Secondhand insight : the formation, rise and fall of Magazine -- Strange days : a brief flirtation with the emerging New Romantic movement courtesy of Visage -- Happy house : John leaves Magazine and joins up with Siouxsie and the Banshees -- Waiting for the floods : after his dismissal from the Banshees, John travels to Sweden before forming the post-punk 'supergroup', The Armoury Show -- Brave new world : John joins John Lyndon in Public Image Ltd -- Diamond : John as the family man, and starting up his own group, Pacific -- Heavens inside : John's later years and untimely death -- The anti-hero : tributes to John McGeoch from friends, family, contemporaries and admirers -- Afterword
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  • 75
    Buch
    Buch
    Urbana ; Chicago ; Springfield : University of Illinois Press
    ISBN: 9780252086441 , 9780252044373
    Sprache: Englisch
    Seiten: X, 293 Seiten , Illustrationen, Karten (schwarz-weiß)
    Paralleltitel: Erscheint auch als
    DDC: 306.484229423
    RVK:
    Schlagwort(e): Klang ; Musikethnologie ; Musiksoziologie ; Volksmusik ; Mongolei ; Music / Social aspects / Mongolia ; Music / Social aspects / China / Inner Mongolia ; Music / Mongolia / History and criticism ; Music / China / Inner Mongolia / History and criticism ; Mongols / Music / History and criticism ; Mongols / Music ; Music ; Music / Social aspects ; China / Inner Mongolia ; Mongolia ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Mongolei ; Klang ; Volksmusik ; Mongolei ; Musiksoziologie ; Musikethnologie
    Kurzfassung: "Music cultures today in rural and urban Mongolia and Inner Mongolia emerge from centuries-old pastoralist practices that were reshaped by political movements in the twentieth century. Mongolian Sound Worlds investigates the unique sonic elements, fluid genres, social and spatial performativity, and sounding objects behind new forms of Mongolian music--forms that reflect the nation's past while looking towards its globalized future. Drawing on fieldwork in locations across the Inner Asian region, the contributors report on Mongolia's genres and musical landscapes; instruments like the morin khuur, tovshuur, and Kazakh dombyra; combined fusion band culture; and urban popular music. Their broad range of concerns include nomadic herders' music and instrument building, ethnic boundaries, heritage-making, ideological influences, nationalism, and global circulation. A merger of expert scholarship and eyewitness experience, Mongolian Sound Worlds illuminates a diverse and ever-changing musical culture"--
    Beschreibung / Inhaltsverzeichnis: Introduction. Mongolian Sound Worlds : Opening Snapshots / Sunmin Yoon -- PART ONE. LANDSCAPES AND SOUNDSCAPES. Interlude : Song about the Steppe / Oktyabr and Jennifer C. Post ; Sound, Music, Pastoralism, and Nature in Mongolian Sound Worlds / Jennifer C. Post -- PART TWO. ETHNICITY AND DIVERSITY. Interlude. Musical Journeys in Inner Mongolia and Beyond / Tamir Hargana and Charlotte D'Evelyn ; Music and Ethnic Identity in Inner Mongolia / Charlotte D'Evelyn ; The Politics of Regional and Ethnic Identities in Contemporary Mongolian Urtyn duu / Sunmin Yoon ; Gendered Musicality in the Altai Mountains / Rebekah Plueckhahn -- PART THREE. MATERIAL AND SOCIAL HISTORY. Interlude. Consistency, Patience, and Perseverance : Maintaining the Fiddle-Making Tradition / Bayarsaikhan Badamsuren and Peter K. Marsh ; The Horsehead Fiddle : A Biographical History / Peter Marsh and Charlotte D'Evelyn ; The Tovshuur and Oirad Identity in Mongolia's Western Provinces / Otgonbayar Chuulunbaatar ; Social Lives of the Dombyra and Its Makers in Western Mongolia / Jennifer C. Post -- PART FOUR. HERITAGE AND GLOBALIZATION. Interlude. Everything Has Two Sides : An Interview / Andrew Colwell and D. Tserendavaa ; Chandman' and Beyond : Heritage-making of Mongolian Khöömii in Past and Present / Johanni Curtet ; Mongolian Music, Globalization, and Nomadism / Andrew Colwell ; "We Were Born with Global Ambition" : Continuity, Innovation, and a New Chapter in the Development of Mongolian Popular Music / Peter K. Marsh
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  • 76
    ISBN: 9780197543313
    Sprache: Englisch
    Seiten: xxvi, 660 Seiten , Illustrationen, Porträts (teilweise farbig)
    Ausgabe: Sixth edition
    Paralleltitel: Online version Starr, Larry American popular music
    RVK:
    Schlagwort(e): Geschichte 1760-2022 ; Popmusik ; Nordamerika ; USA ; Popular music / United States / History and criticism ; Popular music ; United States ; Criticism, interpretation, etc ; Nordamerika ; USA ; Popmusik ; Geschichte 1760-2022
    Kurzfassung: "This is an introductory text for undergraduates taking courses in the history of American popular music"--
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  • 77
    Buch
    Buch
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367553845 , 9780367553852
    Sprache: Englisch
    Seiten: 177 Seiten
    Serie: Routledge studies in popular music
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Musikerlebnis ; Euphorie ; Popular music / Social aspects ; Popular music / Social aspects / Australia / Brisbane (Qld.) ; Peak experiences ; Peak experiences ; Popular music / Social aspects ; Queensland / Brisbane ; Musikerlebnis ; Euphorie
    Kurzfassung: "Peak music experiences' are a recurring feature of popular music journalism, biography and fan culture, where they are often credited as pivotal in people's relationships with music and in their lives more generally. Ben Green investigates the phenomenon from a social and cultural perspective, including discussions of peak music experiences as sources of inspiration and influence; as a core motivation for ongoing musical and social activity; the significance of live music experiences; and the key role of peak music experiences in defining and perpetuating music scenes. The book draws from both global media analysis and situated ethnographic research in the dance, hip hop, indie and rock 'n' roll music scenes of Brisbane, Australia, including participant observation and in-depth interviews. These case studies demonstrate the methodological value of peak music experiences as a lens through which to understand individual and collective musical life. The theoretical analysis is interwoven with selected interview data, illuminating the profound and everyday ways that music informs people's lives. The book will therefore be of interest to the interdisciplinary field of popular music studies as well as sociology and cultural studies beyond the study of music"--
    Beschreibung / Inhaltsverzeichnis: Introducing peak music experiences -- Theorising peak music experiences -- Histories of listening : First encounters, gateways and conversion experiences -- Life-changing moments : Experiences of inspiration and influence -- Why music? Peak music experiences as motivation -- Listening together : Peak music experiences and interpersonal relationships -- Live music experiences : Presence and affective space -- Ideal experiences : Scenes, aesthetics and belonging -- Themes and conclusions
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  • 78
    ISBN: 9780197511510
    Sprache: Englisch
    Seiten: xvii, 313 Seiten , Illustrationen, Notenbeispiele
    DDC: 306.48420944
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1700-1800 ; Musik ; Musiker ; Soziale Situation ; Wirtschaftliche Lage ; Frankreich ; Hochschulschrift
    Anmerkung: Literaturverzeichnis Seite 277-295
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  • 79
    ISBN: 9781839981364 , 9781839981333
    Sprache: Englisch
    Seiten: x, 96 Seiten
    Ausgabe: Anna S. Roger, Mathieu Deflem
    Originaltitel: Women in hypermasculine environments (an analysis of gender dynamics in the Heavy Metal subculture, 2015)
    Paralleltitel: Erscheint auch als
    Dissertationsvermerk: Masterarbeit 2015
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Heavy Metal ; Weiblichkeit ; Geschlechterrolle ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Heavy Metal ; Geschlechterrolle ; Weiblichkeit
    Anmerkung: Basiert auf Anna S. Rogers' Masterarbeit "Women in Hypermasculine Environments: An Analysis of Gender Dynamics in the Heavy Metal Subculture" (2015).
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  • 80
    Buch
    Buch
    New York, NY ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501365379 , 9781501365386
    Sprache: Englisch
    Seiten: xx, 239 Seiten
    Serie: Ex:centrics
    Paralleltitel: Online version
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Bowie, David ; Geschichte 2013-2016 ; Bowie, David 1947-2016 ; Geschichte 2013-2016
    Kurzfassung: "In the final year of his life David Bowie achieved his long-time ambition to write and stage a musical. At the same time, he produced his final record, the multi-Grammy award winning Blackstar. In Lazarus, Bowie's protagonist is an alien outsider, stuck on earth and unable to die; he must find within himself the reason, and heroism, to finally be free. 2013's The Next Day, tells stories from the perspectives of a diverse cast of obscure literary characters who are experiencing death in some way. In contrast, Blackstar elegantly invites us to consider what happens when a star dies. In our universe dying stars do not disappear, they transform into new stellar objects, remnants and gravitational forces. When a pop star dies their body of work may live on; with enough critical mass, a remnant legacy may transform an individual into something bigger than what they were: supermassive, god-sized. This book analyzes the words, images, music and sounds of Bowie's final works, critically appraising it as death art that leverages its power from the artist's demise. With Lazarus and Blackstar Bowie assembles an existentialist framework for immortality that echoes David Bowman's journey through the Star Gate in 2001: A Space Odyssey (1968). In Bowie's version, the transformation comes through death's gateway; ascension to a new state of universal being"--
    Beschreibung / Inhaltsverzeichnis: Part 1: Last act -- Lateness -- Remystification -- The next day -- Assemblage -- Part 2: Per ardua ad astra -- Icarus takes his pratfall -- Lazarus -- The next bardo -- Part 3: [Star symbol] -- Black holes, black music, black arts, black hearts, and button eyes -- Chaos and chemistry -- Prodigal sons -- Blackstar theory -- Epilogue: Legacies and voids
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  • 81
    Buch
    Buch
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367229856 , 9781032042374
    Sprache: Englisch
    Seiten: xi, 199 Seiten , Illustrationen
    Serie: SOAS studies in music
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Einfluss ; Musik ; Brauch ; Fest ; Brasilien ; Portugal ; Afrika ; Brasilien Südost ; Fest ; Brauch ; Musik ; Einfluss ; Portugal ; Afrika
    Kurzfassung: "Gold, Festivals, and Music in Southeast Brazil: Sounding Portugueseness is a study of the musical legacy of the 18th century Brazilian gold rush that integrates ethnographic research of the main genres of former mining communities in Brazil -- from liturgical music in the style of European art music to Afro-Brazilian musical expressions. Its content and structure are informed by Norbert Elias' idea of the civilizing process, which is explored regarding its relevance in interpreting sociocultural processes and choreo-musical expressions in the small town Morro Vermelho. The book's innovative feature is its focus on a little-known area to non-Brazilian scholars,and its focus on the colonial and European heritage in Brazil. Morro Vermelho's cultural traditions have received relatively limited attention. The Catholic festival of Our Lady of Nazareth provides a setting for the documentation and analysis of the musical setting and is thus placed at the centre of the discussion. It leads through the vast writings on Brazilian identity and challenges the view on Brazilian-ness as constructed in terms of the mixing of races. Norbert Elias's concept of the "civilizing process" structures the book and is relevant for understanding the cultural sphere of the festival of Our Lady of Nazareth. The book combines discourses of Portugueseness with historical sources and observations from fieldwork and community building in the virtual world. The focus on the music to support social constructions of "Portugueseness" is supported with evidence from diverse data sources: music (literature and fieldwork recordings), original interviews, marketing materials and historical narratives. The combination of archival, ethnographic and bibliographic research methods attempts a seamless narrative. Its approach to fieldwork and frank reflections on the process and relevant issues help to contex++
    Beschreibung / Inhaltsverzeichnis: Festivals and Music as Civilizing Forces in Colonial Minas -- History as Memory, Heritage and Brand in Morro Vermelho -- Sounding the Sacred and Civilized -- Sounding the Afro-Brazilian Resistance -- Conclusion : Sounding Portugueseness in Southeast Brazil
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  • 82
    Buch
    Buch
    London : Routledge
    ISBN: 9780367768393 , 9780367768409
    Sprache: Englisch
    Seiten: xiv, 381 Seiten
    Ausgabe: Fifth edition
    Serie: Routledge key guides
    DDC: 781.6403
    RVK:
    Schlagwort(e): Wörterbuch ; Wörterbuch ; Wörterbuch
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  • 83
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 1496836022 , 9781496836038 , 9781496836021
    Sprache: Englisch
    Seiten: VIII, 153 Seiten
    DDC: 820.99287096
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    Schlagwort(e): Schwarze Frau ; Jazz ; Literatur
    Anmerkung: Bibliography Seite 139-145
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  • 84
    Sprache: Deutsch , Englisch
    Seiten: 687 Seiten , Notenbeispiele, Karten
    Zusätzliches Material: 1 Audio-CD
    Paralleltitel: Erscheint auch als Schröder, Martin, 1983 - Transformationsprozesse innerhalb der traditionellen gälischen Musik Schottlands am Beispiel der Gruppen Runrig und Capercaillie
    Dissertationsvermerk: Dissertation Hochschule für Musik und Theater Rostock 2022
    DDC: 780
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    Schlagwort(e): Hochschulschrift ; Schottland ; Musik ; Runrig ; Capercaillie ; Folk-Rock
    Kurzfassung: Die vorliegende Arbeit beschreibt und analysiert, insbesondere unter Nutzung der musikwissenschaftlichen und kulturtheoretischen Modelle und Theorien Tamara Livingstons und Owe Ronströms, die Ursachen sowie den Verlauf des Revivals gälischer traditioneller Musik in Schottland im 20. Jahrhundert. Der Fokus der Arbeit liegt dabei auf der Musik der Gruppen Runrig und Capercaillie, die, eingebettet in die soziokulturellen und kulturpolitischen Veränderungen der „Gaelic Renaissance“ in den 1970er Jahren, begannen, unter Einfluss angloamerikanischer populärer Musikstile eigene, hybride musikalische Ausdrucksformen zu kreieren.〈ger〉
    Kurzfassung: The present work describes and analyses the causes and the course of the revival of Gaelic traditional music in Scotland in the 20th century, in particular using the musicological and cultural theoretical models by Tamara Livingston and Owe Ronström. The work focuses on the music of the groups Runrig and Capercaillie, both of which, embedded in the sociocultural and cultural-political changes of the “Gaelic Renaissance” in the 1970s and under the influence of Anglo-American popular musical styles, began to create their own hybrid musical forms of expression.〈eng〉
    Anmerkung: GutachterInnen: Hartmut Möller (HMT Rostock) ; Britta Sweers (Universität Bern)
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  • 85
    Buch
    Buch
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783031055546
    Sprache: Englisch
    Seiten: xv, 275 Seiten , Illustrationen
    Serie: Palgrave studies in the history of subcultures and popular music
    Paralleltitel: Erscheint auch als
    Dissertationsvermerk: Dissertation
    DDC: 941
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    Schlagwort(e): Geschichte 1945-1950 ; History of Britain and Ireland ; Modern History ; Cultural History ; Social History ; Music ; Great Britain—History ; History, Modern ; Civilization—History ; Social history ; Music ; Musik ; Subkultur ; Bebop ; London-Soho ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; London-Soho ; Bebop ; Musik ; Subkultur ; Geschichte 1945-1950
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  • 86
    ISBN: 9782503602905
    Sprache: Englisch
    Seiten: xix, 410 Seiten , Illustrationen, Diagramme, Notenbeispiele
    Serie: Specvlvm mvsicae volume 48
    Serie: Speculum musicae
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    Schlagwort(e): Konferenzschrift 2020 ; Konferenzschrift 2020 ; Beethoven, Ludwig van 1770-1827 ; Beethoven, Ludwig van 1770-1827 ; Rezeption ; Europa ; Kulturelle Identität ; Europa
    Anmerkung: "... international online conference "Beethoven the European" ... in Lucca ..., 4-6 December 2020 ..." (Seite xv) , Literaturangaben , Erscheinungsjahr in römischen Zahlen
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  • 87
    Buch
    Buch
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781316514337
    Sprache: Englisch
    Seiten: xvii, 511 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 306.48420973
    RVK:
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    Schlagwort(e): Geschichte 1492-1942 ; Geschichte 1492- ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; Music / Social aspects / United States ; Songs / Social aspects / United States ; Music / Political aspects / United States ; Songs / Political aspects / United States ; Music ; Political aspects ; Music ; Social aspects ; United States ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492- ; USA ; Protestsong ; Geschichte 1492-1942
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  • 88
    Buch
    Buch
    New York : Routledge
    ISBN: 9780367724832 , 9780367724849
    Sprache: Englisch
    Seiten: xv, 378 Seiten , 24 cm
    Serie: Routledge music bibliographies
    Paralleltitel: Erscheint auch als Henry, Clarence Bernard Global jazz
    DDC: 016.78165
    RVK:
    Schlagwort(e): Jazz Bibliography
    Kurzfassung: North America : United States and Canada -- South America/Latin America and Caribbean -- Europe -- Africa and Middle East -- Asia -- Australia, New Zealand, Oceania.
    Kurzfassung: "Global Jazz: A Research and Information Guide is an annotated bibliography that features a broad range of subjects, people, cultures, and geographic regions that focus on interdisciplinary research in jazz studies -- all of which present a body of diverse research of jazz from a global perspective. The selected entries provide a compendium of research on the global impact of Jazz, demonstrating vividly how jazz has expanded and centered in many parts of the world, as well as the ways in which jazz as an African American music tradition has evolved in different social, political, historical, musical, linguistic, and cultural landscapes, as people in other cultures have creatively merged jazz with their own musical traditions to create new and diverse artistic forms. This vast compilation provides evidence for the resourcefulness of adding a new Routledge music bibliography that features bodies of research on the histories, cultures, traditions of jazz beyond borders of the United States. It is comprised of more than 1850 annotated entries about jazz and jazz research from 144 countries, geographic regions and localities"--
    Anmerkung: Includes bibliographical references and indexes
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  • 89
    Sprache: Deutsch , Englisch
    Seiten: iii, 513 Seiten
    Zusätzliches Material: 1 CD-ROM
    Dissertationsvermerk: Dissertation Universität Rostock 2022
    DDC: 780
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    Schlagwort(e): Hochschulschrift ; Nordamerika ; Musikzeitschrift ; Biografie ; Musiker ; Weiblicher Fan ; Geschichte 1960-2017
    Kurzfassung: Wie wird die geschlechtsspezifische Figur des Musik-Groupies in audiovisuellen Medien in Nordamerika erzählt und welche (Selbst-)Deutungen widersprechen ihrer dominanzkulturellen Erzählung? Welche Effekte hatte die Deutung als Groupie speziell für professionelle Akteurinnen der Rockmusik seit den 1960er-Jahren und wie gehen diese damit um? Ausgerichtet zwischen Kultur-, Medien- und Musikforschung wertet die Dissertation mit interpretativ-erzählanalytischen Verfahren und einem medienbiografischen Ansatz Filme, Autobiografien sowie Interviews mit Akteurinnen der Rockmusik aus.〈ger〉
    Anmerkung: GutachterInnen: Prof. Dr. Gesa Mackenthun (Universität Rostock, Institut für Anglistik/Amerikanistik), Prof. Dr. Elizabeth Prommer (Universität Rostock, Institut für Medienforschung), Apl. Prof. Dr. Rolf Großmann (Universität Lüneburg, Institut für Kultur und Ästhetik Digitaler Medien)
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  • 90
    Buch
    Buch
    Urbana : University of Illinois Press
    ISBN: 9780252086335 , 9780252044267
    Sprache: Englisch
    Seiten: x, 268 Seiten , Illustrationen, Fotografien
    Serie: Music in American life
    Paralleltitel: Erscheint auch als
    DDC: 781.642
    RVK:
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    Schlagwort(e): Countrymusic ; Queer-Theorie
    Anmerkung: Diskografie Seite 229-234 , Literaturverzeichnis Seite 235-250
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  • 91
    Buch
    Buch
    New York : Abrams Press
    ISBN: 9781419749698
    Sprache: Englisch
    Seiten: XII, 306 Seiten
    Paralleltitel: Erscheint auch als
    DDC: 782.42164092
    RVK:
    Schlagwort(e): Houston, Whitney ; Houston, Whitney / https://isni.org/isni/000000011478617X ; African American women singers / United States / Biography ; African American singers / United States / Biography ; Singers / United States / Biography ; Chanteuses noires américaines / États-Unis / Biographies ; Chanteurs noirs américains / États-Unis / Biographies ; Chanteurs / États-Unis / Biographies ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / Women ; BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts ; Houston, Whitney ; African American singers ; African American women singers ; United States ; African American women singers / Biography ; African American singers / Biography ; Biography ; Biography ; Biographies ; Biographies ; Biographies ; Biografie ; Biografie ; Biografie ; Houston, Whitney 1963-2012
    Kurzfassung: "A candid exploration of the genius, shame, and celebrity of Whitney Houston a decade after her passing. On February 11, 2012, Whitney Houston was found submerged in the bathtub of her suite at the Beverly Hilton Hotel. In the decade since, the world has mourned her death amid new revelations about her relationship to her Blackness, her sexuality, and her addictions. Didn't We Almost Have It All is author Gerrick Kennedy's exploration of the duality of Whitney's life as both a woman in the spotlight and someone who often had to hide who she was. This is the story of Whitney's life, her whole life, told with both grace and honesty. Long before that fateful day in 2012, Whitney split the world wide open with her voice. Hers was a once-in-a-generation talent forged in Newark, NJ, and blessed with the grace of the church and the wisdom of a long lineage of famous gospel singers.
    Kurzfassung: She redefined 'The Star-Spangled Banner.' She became a box-office powerhouse, a queen of the pop charts, and an international superstar. But all the while, she was forced to rein in who she was amid constant accusations that her music wasn't Black enough, original enough, honest enough. Kennedy deftly peels back the layers of Whitney's complex story to get to the truth at the core of what drove her, what inspired her, and what haunted her. He pulls the narrative apart into the key elements that informed her life--growing up in the famed Drinkard family; the two romantic relationships that shaped the entirety of her adult life, with Robyn Crawford and Bobby Brown; her fraught relationship to her own Blackness and the ways in which she was judged by the Black community; her drug and alcohol addiction; and, finally, the shame that she carried in her heart, which informed every facet of her life.
    Kurzfassung: Drawing on hundreds of sources, Kennedy takes readers back to a world in which someone like Whitney simply could not be, and explains in excruciating detail the ways in which her fame did not and could not protect her. In the time since her passing, the world and the way we view celebrity have changed dramatically. A sweeping look at Whitney's life, Didn't We Almost Have It All contextualizes her struggles against the backdrop of tabloid culture, audience consumption, mental health stigmas, and racial divisions in America. It explores exactly how and why we lost a beloved icon far too soon" --
    Beschreibung / Inhaltsverzeichnis: Didn't We Almost Have It All?: A Meditation on Loss and Memory -- Under His Eye, Blessed Be The Sound: Faith, Gospel, and the Almighty Power of Cissy Houston -- Home: Newark and the Black American Dreams That Birthed Whitney Houston -- Stuff That You Want, Thing That You Need: The Brilliance and Influence of Whitney's Voice -- My Lonely Heart Calls: On Sex, Desire, and Sexuality -- Miss America, The Beautiful: The Burden of the National Anthem and the Politics of Whitney's Blackness -- Bolder, Blacker, Badder: The Sisters with Voices That Transformed Whitney -- Tell The Truth And Shame The Devil: How Trauma, Shame, and Tabloid Culture Broke Whitney -- The Undoing Of Whitney Houston: Virtue, Vice, and a Requiem for Redemption -- Won't They Always Love You?: Reflections on Meaning and Legacy
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  • 92
    Buch
    Buch
    Cambridge, United Kingdom ; New York, NY, USA ; Port Melbourne, VIC, Australia : Cambridge University Press
    ISBN: 9781108421928 , 9781108433068
    Sprache: Englisch
    Seiten: xxiv, 247 Seiten , Notenbeispiele, Karte
    Serie: Cambridge companions to music
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Musik ; Karibik ; Aufsatzsammlung ; Karibik ; Musik
    Anmerkung: Literaturangaben
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  • 93
    Buch
    Buch
    New York, NY : W. W. Norton & Company
    ISBN: 9780393651386
    Sprache: Englisch
    Seiten: xvi, 325 Seiten , Illustrationen, Karten, Notenbeispiel
    Ausgabe: First edition
    Paralleltitel: Erscheint auch als
    RVK:
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    Schlagwort(e): Geschichte ; Nationalhymne ; USA ; Star-spangled banner (Song) ; Patriotic music / United States / History and criticism ; Musique patriotique / États-Unis / Histoire et critique ; MUSIC / History & Criticism ; Star-spangled banner (Song) ; Patriotic music ; United States ; Criticism, interpretation, etc ; USA ; Nationalhymne ; Geschichte
    Kurzfassung: "The fascinating story of America's national anthem and an examination of its powerful meaning today. Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore's Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don't know is the story of how this everyday "broadside ballad," one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation's one and only anthem and today's magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song's use in sports, at times of war, and for political protest, he argues that the anthem's meaning reflects-and is reflected by-the nation's quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key's song is the story of America itself. Each chapter in the book explores a different facet of the anthem's story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key's complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Roseanne Barr at a baseball game to the iconic Whitney Houston version from the 1991 Super Bowl. At every turn, the book goes beyond the events to explore the song's resonance and meaning. From its first lines Key's lyric poses questions: "O say can you see?" "Does that banner yet wave?" Likewise, Clague's O Say Can You Hear? raises important questions about the anthem; what it meant in 1814, what it means to us today, and why it matters."
    Beschreibung / Inhaltsverzeichnis: Prologue -- American Dreams : Francis Scott Key and the Writing of The Star-Spangled Banner -- Origins of a Melody : The Music of The Star- Spangled Banner -- Banner Ballads : The Many Lyrics of The Star- Spangled Banner -- The Banner at War : A Song Sanctified -- Play Ball! : The Banner in Sports -- Singing Citizenship : A Tradition of Dissent -- Nation in Translation : Language and the Politics of Belonging -- The Anthem and Black Lives : An American History -- Performing Patriotism : Musical Style as Social Symbol -- Postlude. Composing Nation
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  • 94
    Buch
    Buch
    New York, NY : Abrams Press
    ISBN: 9781419747946
    Sprache: Englisch
    Seiten: X, 502 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Michael, George ; Michael, George / 1963-2016 ; Singers / Great Britain / Biography ; Gay men / Great Britain / Biography ; Rock musicians / Great Britain / Biography ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / LGBTQ+ ; Michael, George / 1963-2016 ; Gay men ; Rock musicians ; Singers ; Great Britain ; Singers / Biography ; Gay men / Biography ; Rock musicians / Biography ; Biography ; Biographies ; Biographies ; Biografie ; Biografie ; Biografie ; Michael, George 1963-2016
    Kurzfassung: "The definitive biography of George Michael, offering an expansive look at the troubled life of the legendary singer, songwriter, and pop superstar" --
    Kurzfassung: George Michael was an extravagantly gifted, openhearted soul singer whose work was both pained and smolderingly erotic. He was a songwriter of true craft and substance, and his music swept the world, starting in the mid-1980s. His fabricated image--that of a hypermacho sex god--loomed large in the pop culture of his day. It also hid--for a time--the secret he fought against revealing: Michael was gay. Soon his obsession with fame would start to backfire. As one of the industry's most privileged yet tortured men began to self-destruct, the press showed little sympathy. George Michael: A Life explores the compelling story of a superstar whose struggles, as well as his songs, continue to touch fans all over the world. Acclaimed music biographer James Gavin traces Michael's metamorphosis from the shy and awkward Georgios Kyriacos Panayiotou into the swaggering, dominant half of the leading British pop duo of the 1980s Wham!; he then details Michael's sensational solo career and its subsequent unraveling. With deep analysis of the creative process behind Michael's albums, tours, and music videos, as well as interviews with hundreds of his friends and colleagues, George Michael: A Life is a probing, definitive portrait of a pop legend
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  • 95
    Buch
    Buch
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469667249 , 9781469667232
    Sprache: Englisch
    Seiten: 228 Seiten
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
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    Schlagwort(e): Kooperation ; Musik ; Urheberrecht ; Jamaika ; Popular music / Jamaica / History and criticism ; Popular music / Social aspects / Jamaica / History ; Music trade / Jamaica ; Copyright / Music / Jamaica ; Music and race / Jamaica ; Musique populaire / Jamaïque / Histoire et critique ; Musique populaire / Aspect social / Jamaïque / Histoire ; Musique / Industrie / Jamaïque ; Droit d'auteur / Musique / Jamaïque ; Musique et race / Jamaïque ; Copyright / Music ; Music trade ; Popular music ; Popular music / Social aspects ; Jamaica ; Criticism, interpretation, etc ; History ; Jamaika ; Musik ; Kooperation ; Urheberrecht
    Kurzfassung: "In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann reveals, goes beyond cultural concerns. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a postcolonial world, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization"--
    Beschreibung / Inhaltsverzeichnis: Introduction : Community originality and colonial copyright -- Voice of the people : Cultural survival as a musical imperative -- Every night it's something : Exilic authoritiy in the street dance -- Counteractions : Musical conversation against commodification -- Conclusion : New visions from old traditions : autonomy from the commons
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  • 96
    Buch
    Buch
    Newcastle upon Tyne, UK : Cambridge Scholars Publishing
    ISBN: 9781527586222
    Sprache: Englisch
    Seiten: viii, 158 Seiten
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Hass ; Popmusik ; Popmusik ; Hass
    Kurzfassung: "'Love' may be the major theme of the majority of pop songs, but 'hate', including its subcategories malevolence, vengeance, self-loathing, and contempt, run it close. Looking at artists across the history of popular music, and songs ranging from 'Runaround Sue' to 'W.A.P', this book explores the concept of hatred in lyrics, album art, music video, and the music industry itself, asking important questions about misogyny, politics, psychology, and family along the way." (Buchrückseite)
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  • 97
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501370816 , 9781501370809
    Sprache: Englisch
    Seiten: ix, 430 Seiten , Illustrationen
    Ausgabe: Updated and expanded edition
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte ; Progressive Rock ; Progressive rock music / History and criticism ; Rock music / History and criticism ; Progressive rock music ; Rock music ; Criticism, interpretation, etc ; Progressive Rock ; Geschichte
    Kurzfassung: "The original edition of Beyond and Before extends an understanding of "progressive rock" by providing a fuller definition of what progressive rock is, was and can be. Called by Record Collector "the most accomplished critical overview yet" of progressive rock and one of their 2011 books of the year, Beyond and Before moves away from the limited consensus that prog rock is exclusively English in origin and that it was destroyed by the advent of punk in 1976. Instead, by tracing its multiple origins and complex transitions, it argues for the integration of jazz and folk into progressive rock and the extension of prog in Kate Bush, Radiohead, Porcupine Tree and many more. This 10-year anniversary revised edition continues to further unpack definitions of progressive rock and includes a brand new chapter focusing on post-conceptual trends in the 2010s through to the contemporary moment. The new edition discusses the complex creativity of progressive metal and folk in greater depth, as well as new fusions of genre that move across global cultures and that rework the extended form and mission of progressive rock, including in recent pop concept albums. All chapters are revised to keep the process of rethinking progressive rock alive and vibrant as a hybrid, open form"--
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  • 98
    Buch
    Buch
    New York : Columbia University Press
    ISBN: 9780231205931 , 9780231205924
    Sprache: Englisch
    Seiten: 192 Seiten
    Serie: The Columbia oral history series
    Paralleltitel: Erscheint auch als
    DDC: 782.42164092
    RVK:
    Schlagwort(e): Dylan, Bob ; Ballade ; Dylan, Bob / 1941- / Criticism and interpretation ; Dylan, Bob / 1941- / Hard rain's a-gonna fall ; Folk songs / History and criticism ; Ballads / History and criticism ; Music and history ; Lord Randal ; Chansons folkloriques / Histoire et critique ; Ballades / Histoire et critique ; Musique et histoire ; Dylan, Bob / 1941- ; Ballads ; Folk songs ; Music and history ; Criticism, interpretation, etc ; Dylan, Bob 1941- ; Ballade
    Kurzfassung: "Hard Rain is an exploration of how oral culture and the ballad tradition shaped Nobel Laureate Bob Dylan's 1962 classic "A Hard Rain's a-Gonna Fall." The song was written at the apex of the folk music revival and harkens back to the British traditional ballad "Lord Randal" and the 17th-century Italian ballad "Il testemento dell'avvelenato." Its theme is relevant to the post-nuclear nightmares and youth movements of the 1960s, prefiguring contemporary concerns about environmental crisis, racism, and mass migrations. Alessandro Portelli demonstrates how Dylan was able to use the folk tradition of the ballad combined with a modern sensibility to creatively question the meaning and direction of history. Will the future bring liberation or disaster? It is up to us"--
    Beschreibung / Inhaltsverzeichnis: Introduction. Memory, Voice, and the Global Bob Dylan -- Songs of Innocence and Experience -- The text and the voice -- Talking Atomic Blues -- Which way history? -- Appendix. History's lessons unlearned -- Appendix 2. Lyrics
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  • 99
    ISBN: 9781793655639
    Sprache: Englisch
    Seiten: ix, 179 Seiten
    Serie: For the record : Lexington studies in rock and popular music
    DDC: 781.660973
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    Schlagwort(e): Rock 'n' Roll ; Protest ; USA
    Anmerkung: References Seite 159-166
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  • 100
    Buch
    Buch
    Middletown, Connecticut : Wesleyan University Press
    ISBN: 9780819580795 , 9780819580801
    Sprache: Englisch
    Seiten: xiii, 279 Seiten , Illustrationen, Notenbeispiele
    Serie: Music/culture
    Paralleltitel: Äquivalent
    Paralleltitel: Erscheint auch als
    Dissertationsvermerk: Dissertation
    RVK:
    Schlagwort(e): Geschichte 2007-2019 ; Musikleben ; Ethnologie ; Südvietnam ; Music / Vietnam, Southern / History and criticism ; Tài tử / Vietnam, Southern / History and criticism ; Music / Social aspects / Vietnam, Southern ; Music / Performance / Vietnam, Southern ; Musicians / Vietnam, Southern ; Creation (Literary, artistic, etc.) ; Ethnomusicology ; Improvisation (Music) ; Musique / Viêt-nam (Sud) / Histoire et critique ; Ethnomusicologie ; Improvisation (Musique) ; Musique / Aspect social / Viêt-nam (Sud) ; Musique / Exécution / Viêt-nam (Sud) ; Musiciens / Viêt-nam (Sud) ; ethnomusicology ; Creation (Literary, artistic, etc.) ; Ethnomusicology ; Improvisation (Music) ; Music ; Music / Performance ; Music / Social aspects ; Musicians ; Tài tử ; Southern Vietnam ; Criticism, interpretation, etc ; Ethnographies ; Ethnographies ; Études ethnographiques ; Hochschulschrift ; Forschungsbericht ; Hochschulschrift ; Forschungsbericht ; Hochschulschrift ; Forschungsbericht ; Südvietnam ; Musikleben ; Ethnologie ; Geschichte 2007-2019
    Kurzfassung: "Ethnographic study of creativity in traditional southern Vietnamese music in the early twenty-first century"--
    Beschreibung / Inhaltsverzeichnis: Framing contested creativities -- Creativity in ethnomusicology -- The seed of creativity in southern Vietnam -- Portrait of Đờn ca tài tử -- Playing with metaphor -- Developing creativity -- Tradition, still remains -- Creativity in new directions
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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