B3Kat (1/1)
On African music
techniques, influences, scholarshipVerfasser: Agawu, Victor Kofi <1956-> (DE-588)1014121655
978-0-19-766407-0; 978-0-19-766406-3
Schlagwörter: Afrika ; Musik ; Instrumentaltechnik ; Einfluss
Buch
(Services, Fernleihe und weitere eXtras)
Bestand im BVB:
Bestand im KOBV:
Fach:
Letzte Änderung: 25.09.2023
MARC-Felder:
Bestand im KOBV:
- Universitätsbibliothek der Humboldt-Universität zu Berlin (Sigel: 11)
- Universitätsbibliothek der Freien Universität Berlin (Sigel: 188)
Fach:
- Musikwissenschaft
Permalink:
https://gateway-bayern.de/BV048979194
Letzte Änderung: 25.09.2023
Titel: | On African music |
---|---|
Untertitel: | techniques, influences, scholarship |
Von: | Kofi Agawu |
ISBN: | 978-0-19-766407-0 |
Preis/Einband: | pbk |
ISBN: | 978-0-19-766406-3 |
Preis/Einband: | hbk |
Erscheinungsort: | New York, NY |
Verlag: | Oxford University Press |
Erscheinungsjahr: | [2023] |
Umfang: | xvii, 210 Seiten |
Details: | Notenbeispiele |
Fußnote : | Includes bibliographical references and index |
Abstract: | "Composed over a decade and a half and originally delivered to audiences in Europe, Africa and the US, these lectures celebrate African musical creativity by illuminating selected compositional techniques, key influences, and dominant scholarly themes. Chapters on minimalism, iconicity, tonality as a colonizing force, and African pianism are supplemented by a critique of ethnotheory, a capsule history of African rhythm studies. and an invitation to music theorists to consider whether greater encounter with African music might not enhance the work that they do. Framed as an exercise in postcolonial criticism, the work refers to a large body of recorded music from various parts of Africa, provides close readings of a handful of compositions to supplement the more general appreciative commentary, and engages recurring and controversial talking points in contemporary discourses on African music. Written in clear and accessible prose, these self-standing essays are designed to enhance admiration for the animating structures of African music"-- |
Sprache: | eng |
RVK-Notation: | LS 46000 |
RVK-Notation: | LS 76000 |
Angaben zum Inhalt: | Introduction -- The minimalist impulse -- Iconicity in musical thought and expression -- Tonality as a colonizing force -- African pianism and the challenge of art music -- Rethinking music theory, with African aid -- Against ethno-theory -- African rhythm studies : A sketch and a critique -- Epilogue |
Andere Ausgabe: | Erscheint auch als |
_Bemerkung: | Online-Ausgabe, EPUB |
_ISBN: | 978-0-19-766409-4 |
Andere Ausgabe: | Erscheint auch als |
_Bemerkung: | Online-Ausgabe |
_ISBN: | 978-0-19-766410-0 |
_ID der anderen Ausgabe: | (DE-604)BV049306165 |
Thema (Schlagwort): | Afrika; Musik; Instrumentaltechnik; Einfluss |
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100 | 1 | |a Agawu, Victor Kofi |d 1956- |e Verfasser |0 (DE-588)1014121655 |4 aut | |
245 | 1 | 0 | |a On African music |b techniques, influences, scholarship |c Kofi Agawu |
264 | 1 | |a New York, NY |b Oxford University Press |c [2023] | |
300 | |a xvii, 210 Seiten |b Notenbeispiele | ||
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500 | |a Includes bibliographical references and index | ||
505 | 8 | |a Introduction -- The minimalist impulse -- Iconicity in musical thought and expression -- Tonality as a colonizing force -- African pianism and the challenge of art music -- Rethinking music theory, with African aid -- Against ethno-theory -- African rhythm studies : A sketch and a critique -- Epilogue | |
520 | 3 | |a "Composed over a decade and a half and originally delivered to audiences in Europe, Africa and the US, these lectures celebrate African musical creativity by illuminating selected compositional techniques, key influences, and dominant scholarly themes. Chapters on minimalism, iconicity, tonality as a colonizing force, and African pianism are supplemented by a critique of ethnotheory, a capsule history of African rhythm studies. and an invitation to music theorists to consider whether greater encounter with African music might not enhance the work that they do. Framed as an exercise in postcolonial criticism, the work refers to a large body of recorded music from various parts of Africa, provides close readings of a handful of compositions to supplement the more general appreciative commentary, and engages recurring and controversial talking points in contemporary discourses on African music. Written in clear and accessible prose, these self-standing essays are designed to enhance admiration for the animating structures of African music"-- | |
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