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  • 1
    Article
    Article
    Associated volumes
    In:  Ethnomusicology forum Vol. 24, No. 3 (2015), p. 473-475
    ISSN: 1741-1912
    Language: English
    Titel der Quelle: Ethnomusicology forum
    Publ. der Quelle: Abingdon, Oxon : Routledge, Taylor & Francis Group
    Angaben zur Quelle: Vol. 24, No. 3 (2015), p. 473-475
    DDC: 390
    Note: Copyright: © 2015, Britta Sweers 2015
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  • 2
    Language: German , English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als Schröder, Martin, 1983 - Transformationsprozesse innerhalb der traditionellen gälischen Musik Schottlands am Beispiel der Gruppen Runrig und Capercaillie
    Dissertation note: Dissertation Hochschule für Musik und Theater Rostock 2022
    DDC: 780
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    Keywords: Hochschulschrift ; Schottland ; Musik ; Runrig ; Capercaillie ; Folk-Rock
    Abstract: Die vorliegende Arbeit beschreibt und analysiert unter Nutzung musikwissenschaftlicher und kulturtheoretischer Modelle und Theorien die Ursachen sowie den Verlauf des Revivals gälischer traditioneller Musik in Schottland im 20. Jahrhundert. Der Fokus der Arbeit liegt dabei auf der Musik der Gruppen Runrig und Capercaillie, die, eingebettet in die soziokulturellen und kulturpolitischen Veränderungen der „Gaelic Renaissance“ in den 1970er Jahren, begannen, unter Einfluss angloamerikanischer populärer Musikstile eigene, hybride musikalische Ausdrucksformen zu kreieren.〈ger〉
    Abstract: The present work describes and analyses the causes and the course of the revival of Gaelic traditional music in Scotland in the 20th century, in particular using the musicological and cultural theoretical models by Tamara Livingston and Owe Ronström. The work focuses on the music of the groups Runrig and Capercaillie, both of which, embedded in the sociocultural and cultural-political changes of the “Gaelic Renaissance” in the 1970s and under the influence of Anglo-American popular musical styles, began to create their own hybrid musical forms of expression.〈eng〉
    Note: GutachterInnen: Hartmut Möller (Hochschule für Musik und Theater Rostock) ; Britta Sweers (Universität Bern)
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  • 3
    Language: German , English
    Pages: 687 Seiten , Notenbeispiele, Karten
    Additional Material: 1 Audio-CD
    Parallel Title: Erscheint auch als Schröder, Martin, 1983 - Transformationsprozesse innerhalb der traditionellen gälischen Musik Schottlands am Beispiel der Gruppen Runrig und Capercaillie
    Dissertation note: Dissertation Hochschule für Musik und Theater Rostock 2022
    DDC: 780
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    Keywords: Hochschulschrift ; Schottland ; Musik ; Runrig ; Capercaillie ; Folk-Rock
    Abstract: Die vorliegende Arbeit beschreibt und analysiert, insbesondere unter Nutzung der musikwissenschaftlichen und kulturtheoretischen Modelle und Theorien Tamara Livingstons und Owe Ronströms, die Ursachen sowie den Verlauf des Revivals gälischer traditioneller Musik in Schottland im 20. Jahrhundert. Der Fokus der Arbeit liegt dabei auf der Musik der Gruppen Runrig und Capercaillie, die, eingebettet in die soziokulturellen und kulturpolitischen Veränderungen der „Gaelic Renaissance“ in den 1970er Jahren, begannen, unter Einfluss angloamerikanischer populärer Musikstile eigene, hybride musikalische Ausdrucksformen zu kreieren.〈ger〉
    Abstract: The present work describes and analyses the causes and the course of the revival of Gaelic traditional music in Scotland in the 20th century, in particular using the musicological and cultural theoretical models by Tamara Livingston and Owe Ronström. The work focuses on the music of the groups Runrig and Capercaillie, both of which, embedded in the sociocultural and cultural-political changes of the “Gaelic Renaissance” in the 1970s and under the influence of Anglo-American popular musical styles, began to create their own hybrid musical forms of expression.〈eng〉
    Note: GutachterInnen: Hartmut Möller (HMT Rostock) ; Britta Sweers (Universität Bern)
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  • 4
    Language: English
    Pages: VII, 490 Bl. , Ill.
    Edition: Mikrofiche-Ausg. 6 Mikrofiches
    Dissertation note: Hamburg, Univ., Diss., 1999
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    Keywords: Hochschulschrift ; England ; Folk-Rock
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  • 5
    Language: English
    Pages: 490 Bl.
    Edition: Mikrofiche-Ausg. 2000 6 Mikrofiches : 24x [Mikrofiche-Ausg.]
    Dissertation note: Hamburg, Univ., Diss., 1999
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    Keywords: Folk-Rock ; Großbritannien ; Mikroform
    Note: Mikrofiche-Ausg.:
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  • 6
    Online Resource
    Online Resource
    New York ; : Oxford University Press
    ISBN: 9780199864348
    Language: English
    Pages: 1 online resource (viii, 333 p., [8] p. of plates) , ill., ports.
    Parallel Title: Erscheint auch als
    DDC: 781.6221024
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    Keywords: Folk rock music History and criticism ; Großbritannien ; Folk-Rock
    Abstract: Britta Sweers chronicles the history of the genre and explores its cultural implications. She characterizes electric folk as both a result of the American folk revival of the early 1960s and a reaction against the dominance of American pop music abroad.
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 7
    ISBN: 3861357399
    Language: English
    Pages: 183 S , Ill., Notenbeisp , 227 mm x 152 mm, 340 gr.
    Series Statement: The world of music 46.2004,1
    Series Statement: The world of music
    DDC: 780
    Keywords: Aufsatzsammlung ; Großbritannien ; Musikleben ; Geschichte ; Großbritannien ; Volksmusikpflege
    Abstract: Contents: Articles Britta Sweers: Preface: Contemporary British Music Traditions * Ian Russel: Sacred and Secular: Identity, Style, and Performance in Two singing Traditions from the Pennines * Jonathan P.J. stock: Ordering Performance, Leading People: Structurin an English Folk Music Session * Katy Radford: Red, White, blue, and Orange: An Exploration of Historically Bound Allegiances through Loyalist Song * Tina K. Ramnarine: Imperial Legacies and the Politics of Musical Creativity * Laura Leante: Shaping Diasporic Sounds: Identity as Meaning in Bhangra * Book Reviews (Tina K. Ramnarine, ed.) Sean Williams: Michael Tenzer, Gamelan gong Kebyar: The Art of Twentieth-Century Balinese Music * Vic Gammon: Kay Kaufmann, Soundscapes: Exploring Music in a Changing World * Keith Howard: Mark C. van Tongeren, Overtone Singing: Physics and Metaphysics of Harmonics in East and West * Britta Sweers: Meirion Hughes, the English Musical Renaissance and the Press 1850-1914: Watchmen of Music * CD Reviews (Gregory F. Barz, ed.) Banning Eyre: Starry Nights in Western Sahara * Hiromi Lorraine Sakata: Anthology of World Music: Afghanistan * Anne Morrison Spinney: The Distant Native Voice: America's Other Musical Heritage - Jackson Berkey, Native American Ambiences * Sanubar Baghirova: Anthology of World Music: The Music of Azerbaijan * Jonathan Ritter: Music and Ritual of the Peruvian Andes * Karen A. Peters: Bulgaria: Songs from Nedelino: Tradition of the Rhodopes * Susan Hurley-Glowa: The Alan Lomax Collection Sampler * Yanni Afendoulis: Armenie: Benik Abovian & Zaven Azibekian * Jonathan Shannon: Sufi Chanting from Syria: Dhikr Qadiri Khalwati of the Zawiya Hilaliya, Aleppo-Syria, Muhammad Qadri Dalal: Unwonted Maqamat * Jeffrey W. Sheehan: Wade in the Water: African American Sacred Music Traditions, vols. 1-4 * Gregory Barz: Uganda and other African Nations - Feasts of the Savanna: A Musical Journey Through East and West Africa * About the Contributors
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  • 8
    ISBN: 9781781797594 , 9781781797587
    Language: English
    Pages: xii, 321 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Transcultural music studies
    Parallel Title: Erscheint auch als
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    Keywords: Immaterielles Kulturerbe ; Kulturgüterschutz ; Musikethnologie ; Unesco / Intangible Cultural Heritage Section ; Ethnomusicology ; Cultural property / Protection ; Intangible property / Protection ; Cultural property / Protection ; Ethnomusicology ; Konferenzschrift 2013 ; Musikethnologie ; Immaterielles Kulturerbe ; Kulturgüterschutz
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  • 9
    ISBN: 9781781797594 , 9781781797587
    Language: English
    Pages: xii, 321 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Transcultural music studies
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Immaterielles Kulturerbe ; Kulturgüterschutz ; Musikethnologie ; Unesco / Intangible Cultural Heritage Section ; Ethnomusicology ; Cultural property / Protection ; Intangible property / Protection ; Cultural property / Protection ; Ethnomusicology ; Konferenzschrift 2013 ; Konferenzschrift 2013 ; Musikethnologie ; Immaterielles Kulturerbe ; Kulturgüterschutz
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