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* Ihre Aktion:   suchen [und] (PICA Prod.-Nr. [PPN]) 1847581374
 Felder   ISBD   MARC21 (FL_924)   Citavi, Referencemanager (RIS)   Endnote Tagged Format   BibTex-Format   RDF-Format 
Bücher, Karten, Noten
 
K10plusPPN: 
1847581374     Zitierlink
Titel: 
On African music : techniques, influences, scholarship / Kofi Agawu
Autorin/Autor: 
Agawu, Victor Kofi, 1956- [Verfasserin/Verfasser] info info
Erschienen: 
New York, NY : Oxford University Press, [2023]
Umfang: 
xvii, 210 Seiten : Notenbeispiele
Sprache(n): 
Englisch
Angaben zum Inhalt: 
Introduction -- The minimalist impulse -- Iconicity in musical thought and expression -- Tonality as a colonizing force -- African pianism and the challenge of art music -- Rethinking music theory, with African aid -- Against ethno-theory -- African rhythm studies : A sketch and a critique -- Epilogue.
Anmerkung: 
Includes bibliographical references and index
2309
Bibliogr. Zusammenhang: 
Erscheint auch als: Agawu, Kofi : On African music. - New York, NY : Oxford University Press, 2023 (Online-Ausgabe)
ISBN: 
978-0-19-766407-0 (paperback); 978-0-19-766406-3 (hardcover)
978-0-19-766409-4 (ISBN der parallelen Ausgabe im Fernzugriff)
LoC-Nr.: 
2023004756
Sonstige Nummern: 
OCoLC: 1381797951     see Worldcat


RVK-Notation: 
Sachgebiete: 
Sonstige Schlagwörter: 
Inhaltliche
Zusammenfassung: 
"Composed over a decade and a half and originally delivered to audiences in Europe, Africa and the US, these lectures celebrate African musical creativity by illuminating selected compositional techniques, key influences, and dominant scholarly themes. Chapters on minimalism, iconicity, tonality as a colonizing force, and African pianism are supplemented by a critique of ethnotheory, a capsule history of African rhythm studies. and an invitation to music theorists to consider whether greater encounter with African music might not enhance the work that they do. Framed as an exercise in postcolonial criticism, the work refers to a large body of recorded music from various parts of Africa, provides close readings of a handful of compositions to supplement the more general appreciative commentary, and engages recurring and controversial talking points in contemporary discourses on African music. Written in clear and accessible prose, these self-standing essays are designed to enhance admiration for the animating structures of African music"--


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