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  • 1
    Book
    Book
    A power stronger than itself : the AACM and American experimental music (2008)
    Chicago, Ill. [u.a.] : Univ. of Chicago Press
    Details
    ISBN: 9780226476964 , 9780226476957 , 0226476960
    Language: English
    Pages: XLVIII, 676 S., [22] Bl. , Ill.
    DDC: 781.6506/077311
    RVK:
    LS 48100
    Keywords: Association for the Advancement of Creative Musicians History ; Association for the Advancement of Creative Musicians ; Geschichte 1900-2000 ; Geschichte 1965-2005 ; Jazz - Histoire et critique ; Musiciens de jazz - Chicago (Ill.) ; Musiciens noirs américains - Illinois (États-Unis) ; Musique expérimentale - États-Unis - 20e siècle ; Geschichte ; African American jazz musicians ; Avant-garde (Music) History and criticism 20th century ; Jazz History and criticism ; Experimentelle Musik ; Jazz ; Jazzmusiker ; USA ; Chicago, Ill. ; Association for the Advancement of Creative Musicians ; Experimentelle Musik ; Geschichte 1965-2005 ; Chicago, Ill. ; Jazz ; Jazzmusiker ; Geschichte 1965-2005
    Abstract: "Founded in 1965 and still active today, the Association for the Advancement of Creative Musicians (AACM) is an American institution with an international reputation. From its working-class roots on the South Side of Chicago, the AACM went on to forge an extensive legacy of cultural and social experimentation, crossing both musical and racial boundaries. The success of individual members and ensembles such as Muhal Richard Abrams, the Art Ensemble of Chicago, and Anthony Braxton has been matched by the enormous influence of the collective itself in inspiring a generation of musical experimentalists. George E. Lewis, who joined the collective as a teenager in 1971, establishes the full importance and vitality of the AACM with this communal history, written with a symphonic sweep that draws on a cross-generational chorus of voices and a rich collection of rare images. Faced with shrinking economic opportunities in Chicago and a segregated music industry, the original members of the AACM found inspiration in the civil rights movement's call for change through self-determination and collective action. These musicians pooled their individual strengths in a new organization powerfully committed to a forward-thinking approach to musical creation and performance. Evolving a range of experimental methods, from invented instruments and unusual musical scores to improvisation and the early use of computers, the AACM challenged the borders separating classical music and jazz. Moving from Chicago to New York to Paris, and from founding member Steve McCall's kitchen table to Carnegie Hall, A Power Stronger Than Itself uncovers a vibrant, multicultural universe and brings to light a major piece of the history of avant-garde music and art"--Publisher's description.
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    HU Berlin
    München BSB
    München UB
    Würzburg UB
    BVB
  • 2
    Online Resource
    Online Resource
    The Oxford handbook of critical improvisation studies; Volume 1 (2013)
    New York : Oxford University Press
    In:  Volume 1
    Details
    ISBN: 9780199983827
    Language: English
    Pages: 1 Online-Ressource (xxiv, 589 Seiten) , Illustrationen
    Series Statement: Oxford handbooks
    Parallel Title: Erscheint auch als The Oxford handbook of critical improvisation studies ; Volume 1
    Angaben zur Quelle: Volume 1
    DDC: 001
    Keywords: Improvisation (Music) ; Creation (Literary, artistic, etc.) ; Improvisation (Music) ; Creation (Literary, artistic, etc.)
    Abstract: Improvisation informs a vast array of human activities, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. These volumes gather scholarship on improvisation from a similarly wide range of perspectives, with contributions from more than 60 scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.
    Note: Includes bibliographical references and index
    DOI: 10.1093/oxfordhb/9780195370935.001.0001
    URL: Volltext
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    MPI Ethno. Forsch.
  • 3
    Online Resource
    Online Resource
    The Oxford handbook of critical improvisation studies; Volume 2 (2013)
    New York : Oxford University Press
    In:  Volume 2
    Details
    ISBN: 9780199983834
    Language: English
    Pages: 1 Online-Ressource (xxiii, 574 Seiten) , Illustrationen
    Series Statement: Oxford handbooks
    Parallel Title: Erscheint auch als The Oxford handbook of critical improvisation studies ; Volume 2
    Angaben zur Quelle: Volume 2
    DDC: 001
    Keywords: Improvisation (Music) ; Creation (Literary, artistic, etc.) ; Improvisation (Music) ; Creation (Literary, artistic, etc.)
    Abstract: Improvisation informs a vast array of human activities, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. These volumes gather scholarship on improvisation from a similarly wide range of perspectives, with contributions from more than 60 scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.
    Note: Enthält: Beiträge aus den Jahren 2013-2016
    DOI: 10.1093/oxfordhb/9780199892921.001.0001
    URL: Volltext
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    MPI Ethno. Forsch.
  • 4
    Book
    Book
    Composing while Black : afrodiasporische Neue Musik heute : afrodiasporic new music today (2023)
    Hofheim am Taunus : Wolke
    Details
    ISBN: 9783955932626 , 3955932621
    Language: English , German
    Pages: 328 Seiten , Illustrationen , 23.8 cm x 15.8 cm, 400 g
    Edition: Bilingual edition, 1. edition
    DDC: 780.92
    RVK:
    LP 19507
    RVK:
    LQ 93308
    RVK:
    LQ 93307
    RVK:
    LS 48000
    Keywords: Geschichte 1960-2023 ; Diaspora ; Afroamerikanische Musik ; Neue Musik ; Komponist ; Schwarze ; Europa ; Afrodiaspora ; afrodiasporic musicians ; afrodiasporic composing ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afroamerikanische Musik ; Europa ; Schwarze ; Diaspora ; Komponist ; Neue Musik ; Geschichte 1960-2023
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    HU Berlin
    München UB
    KOBV
    BVB
  • 5
    Online Resource
    Online Resource
    A power stronger than itself : the AACM and American experimental music (2008)
    Chicago : University of Chicago Press
    Details
    ISBN: 0226477037 , 9780226477039
    Language: English
    Pages: 1 Online-Ressource (xlviii, 676 p., [44] p. of plates)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6506/077311
    RVK:
    LS 48100
    Keywords: Association for the Advancement of Creative Musicians ; Association for the Advancement of Creative Musicians / History ; Association for the Advancement of Creative Musicians History ; Association for the Advancement of Creative Musicians ; 1900 - 1999 ; Geschichte 1900-2000 ; Geschichte 1965-2005 ; MUSIC / Genres & Styles / Jazz ; African American jazz musicians ; Avant-garde (Music) ; Jazz ; Geschichte ; African American jazz musicians ; Avant-garde (Music) History 20th century ; Jazz History and criticism ; Jazz ; Experimentelle Musik ; Jazzmusiker ; USA ; Chicago, Ill. ; Chicago, Ill. ; Jazz ; Jazzmusiker ; Geschichte 1965-2005 ; Association for the Advancement of Creative Musicians ; Experimentelle Musik ; Geschichte 1965-2005
    Note: Includes bibliographical references (p. 601-635), discography (p. 519-523), and index , Foundations and prehistory -- New music, New York -- The development of the experimental band -- Founding the collective -- First fruits -- The AACM takes off -- Americans in Paris -- The AACM's next wave -- The AACM in New York -- The new regime in Chicago -- Into the third decade -- Transition and reflections , "Founded in 1965 and still active today, the Association for the Advancement of Creative Musicians (AACM) is an American institution with an international reputation. From its working-class roots on the South Side of Chicago, the AACM went on to forge an extensive legacy of cultural and social experimentation, crossing both musical and racial boundaries. The success of individual members and ensembles such as Muhal Richard Abrams, the Art Ensemble of Chicago, and Anthony Braxton has been matched by the enormous influence of the collective itself in inspiring a generation of musical experimentalists. George E. Lewis, who joined the collective as a teenager in 1971, establishes the full importance and vitality of the AACM with this communal history, written with a symphonic sweep that draws on a cross-generational chorus of voices and a rich collection of rare images. Faced with shrinking economic opportunities in Chicago and a segregated music industry, the original members of the AACM found inspiration in the civil rights movement's call for change through self-determination and collective action. These musicians pooled their individual strengths in a new organization powerfully committed to a forward-thinking approach to musical creation and performance. Evolving a range of experimental methods, from invented instruments and unusual musical scores to improvisation and the early use of computers, the AACM challenged the borders separating classical music and jazz. Moving from Chicago to New York to Paris, and from founding member Steve McCall's kitchen table to Carnegie Hall, A Power Stronger Than Itself uncovers a vibrant, multicultural universe and brings to light a major piece of the history of avant-garde music and art."--Publisher's description
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BVB
  • 6
    Article
    Article
    Dirt Roads and White Lines: Identity and Place in the Country Sound of the Other California (2005)
    Associated volumes
    In:  Journal of popular culture : JPC : the official publication of the Popular Culture Association, Popular Literature Section (Comparative Literature II) of the Modern Language Association of America and the Popular Section of the Midwest Modern Language Association Vol. 38, No. 5 (2005), p. 855-887
    Details
    ISSN: 0022-3840
    Language: Undetermined
    Titel der Quelle: Journal of popular culture : JPC : the official publication of the Popular Culture Association, Popular Literature Section (Comparative Literature II) of the Modern Language Association of America and the Popular Section of the Midwest Modern Language Association
    Publ. der Quelle: Malden, Mass. [u.a.] : Blackwell Publ
    Angaben zur Quelle: Vol. 38, No. 5 (2005), p. 855-887
    DDC: 390
    Library Location Call Number Volume/Issue/Year Availability
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    Article
    OLC Ethnologie
  • 7
    Online Resource
    Online Resource
    Duellin' values: tension, conflict and contradiction in Country Music / (1991)
    In:  Journal of Popular Culture 24:4(1991), Seite 103-117
    Details
    ISSN: 0022-3840
    Titel der Quelle: Journal of Popular Culture
    Publ. der Quelle: Bowling Green, 1991
    Angaben zur Quelle: 24:4(1991), Seite 103-117
    Keywords: USA ; Volksmusik ; Kontext und Funktion ; Context and Function ; Le contexte et la fonction
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
  • 8
    Online Resource
    Online Resource
    La Pistola y el corazon: Protest and passion in Mexican-American popular music / (1992)
    In:  Journal of Popular Culture 26:1(1992), Seite 51-67
    Details
    ISSN: 0022-3840
    Titel der Quelle: Journal of Popular Culture
    Publ. der Quelle: Bowling Green, 1992
    Angaben zur Quelle: 26:1(1992), Seite 51-67
    Keywords: Volksmusik ; Spanisches, katalanisches und portugiesisches Sprachgebiet, einschließlich der iberoromanischen Sprachgebiete außerhalb von Europa ; Spanish, Catalan, and Portuguese Language Area, including the Hibero-Romance Languages Outside Europe ; Chansons de l'aire hispano- et lusophone y compris catalane et d'outre-mer
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
  • 9
    Online Resource
    Online Resource
    Storm blowing from paradise: social protest and oppositional ideology in popular Hawaiian music / (1991)
    In:  Popular Music 10:1(1991), Seite 53-67
    Details
    ISSN: 0261-1430
    Titel der Quelle: Popular Music
    Publ. der Quelle: Cambridge, 1991
    Angaben zur Quelle: 10:1(1991), Seite 53-67
    Keywords: Hawaii ; Volksmusik ; Historisches Lied, Politisches Lied, Zeitungslied, Bänkelsang ; Historical Song, Political Song, Broadside Ballad, Convivial Song ; Chansons historiques, chansons politiques, chansons de journal, chansons de rue
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
  • 10
    Online Resource
    Online Resource
    Lap dancer or hillbilly deluxe? The cultural constructions of modern country music / (1997)
    In:  Journal of Popular Culture 31:3(1997), Seite 163-173
    Details
    ISSN: 0022-3840
    Titel der Quelle: Journal of Popular Culture
    Publ. der Quelle: Bowling Green, 1997
    Angaben zur Quelle: 31:3(1997), Seite 163-173
    Keywords: Country Music ; Tanz ; Dance ; La danse
    URL: Volltext  (kostenfrei)
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    Online Resource
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