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  • 1
    ISBN: 9780367553845 , 9780367553852
    Language: English
    Pages: xi, 177 Seiten
    Series Statement: Routledge studies in popular music
    Parallel Title: Erscheint auch als Green, Ben Peak music experiences
    DDC: 306.4/8424
    Keywords: Popular music Social aspects ; Popular music Social aspects ; Peak experiences
    Abstract: Introducing peak music experiences -- Theorising peak music experiences -- Histories of listening : First encounters, gateways and conversion experiences -- Life-changing moments : Experiences of inspiration and influence -- Why music? Peak music experiences as motivation -- Listening together : Peak music experiences and interpersonal relationships -- Live music experiences : Presence and affective space -- Ideal experiences : Scenes, aesthetics and belonging -- Themes and conclusions.
    Abstract: "Peak music experiences' are a recurring feature of popular music journalism, biography and fan culture, where they are often credited as pivotal in people's relationships with music and in their lives more generally. Ben Green investigates the phenomenon from a social and cultural perspective, including discussions of peak music experiences as sources of inspiration and influence; as a core motivation for ongoing musical and social activity; the significance of live music experiences; and the key role of peak music experiences in defining and perpetuating music scenes. The book draws from both global media analysis and situated ethnographic research in the dance, hip hop, indie and rock 'n' roll music scenes of Brisbane, Australia, including participant observation and in-depth interviews. These case studies demonstrate the methodological value of peak music experiences as a lens through which to understand individual and collective musical life. The theoretical analysis is interwoven with selected interview data, illuminating the profound and everyday ways that music informs people's lives. The book will therefore be of interest to the interdisciplinary field of popular music studies as well as sociology and cultural studies beyond the study of music"--
    Note: Includes bibliographical references and index
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  • 2
    ISBN: 9780367553852
    Language: English
    Pages: 178 Seiten
    Series Statement: Routledge Studies in Popular Music
    DDC: 306.48424
    Keywords: Cognition & cognitive psychology ; Kognitive Psychologie ; MUSIC / General ; MUSIC / Genres & Styles / Pop Vocal ; MUSIC / History & Criticism ; Popular culture ; Populäre Kultur ; Rock & Pop music ; SOCIAL SCIENCE / Sociology / General ; Unterhaltungsmusik, Popmusik
    Abstract: Ben Green investigates the phenomenon of peak music experiences from a social and cultural perspective, including discussions on it as sources of inspiration; as a core motivation for ongoing musical and social activity; the significance of live music experiences; and the key role of peak music experiences in defining music scenes
    Description / Table of Contents: Chapter 1: Introducing peak music experiencesChapter 2: Theorising peak music experiencesChapter 3: Histories of listening: First encounters, gateways and conversion experiencesChapter 4: Life-changing moments: Experiences of inspiration and influenceChapter 5: Why music? Peak music experiences as motivationChapter 6: Listening together: Peak music experiences and interpersonal relationshipsChapter 7: Live music experiences: Presence and affective spaceChapter 8: Ideal experiences: Scenes, aesthetics and belongingChapter 9: Themes and conclusions: Peak music experiences and new perspectivesAppendix 1: Interview participantsReferences
    URL: Cover  (lizenzpflichtig)
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  • 3
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367553845 , 9780367553852
    Language: English
    Pages: 177 Seiten
    Series Statement: Routledge studies in popular music
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Musikerlebnis ; Euphorie ; Popular music / Social aspects ; Popular music / Social aspects / Australia / Brisbane (Qld.) ; Peak experiences ; Peak experiences ; Popular music / Social aspects ; Queensland / Brisbane ; Musikerlebnis ; Euphorie
    Abstract: "Peak music experiences' are a recurring feature of popular music journalism, biography and fan culture, where they are often credited as pivotal in people's relationships with music and in their lives more generally. Ben Green investigates the phenomenon from a social and cultural perspective, including discussions of peak music experiences as sources of inspiration and influence; as a core motivation for ongoing musical and social activity; the significance of live music experiences; and the key role of peak music experiences in defining and perpetuating music scenes. The book draws from both global media analysis and situated ethnographic research in the dance, hip hop, indie and rock 'n' roll music scenes of Brisbane, Australia, including participant observation and in-depth interviews. These case studies demonstrate the methodological value of peak music experiences as a lens through which to understand individual and collective musical life. The theoretical analysis is interwoven with selected interview data, illuminating the profound and everyday ways that music informs people's lives. The book will therefore be of interest to the interdisciplinary field of popular music studies as well as sociology and cultural studies beyond the study of music"--
    Description / Table of Contents: Introducing peak music experiences -- Theorising peak music experiences -- Histories of listening : First encounters, gateways and conversion experiences -- Life-changing moments : Experiences of inspiration and influence -- Why music? Peak music experiences as motivation -- Listening together : Peak music experiences and interpersonal relationships -- Live music experiences : Presence and affective space -- Ideal experiences : Scenes, aesthetics and belonging -- Themes and conclusions
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  • 4
    Language: English
    Pages: 1 Online-Ressource (xiv, 223 Seiten) : , Illustrationen, Diagramme, Karten.
    Series Statement: Strong ideas series
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    RVK:
    Keywords: Smart City. ; Automatisierungssystem. ; Futurologie. ; Nachhaltigkeit. ; Sicherheit und Ordnung. ; Technologiemanagement. ; Verkehrsregelung. ; Stadtplanung. ; Techniksoziologie. ; Smart City ; Automatisierungssystem ; Futurologie ; Nachhaltigkeit ; Sicherheit und Ordnung ; Technologiemanagement ; Verkehrsregelung ; Stadtplanung ; Techniksoziologie
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    ISBN: 9783031086151
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Pop music, culture and identity
    Parallel Title: Erscheint auch als Popular music scenes
    DDC: 306.48424
    RVK:
    Keywords: Popular music Social aspects
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  • 6
    ISBN: 9780262039673
    Language: English
    Pages: xiv, 223 Seiten
    Series Statement: Strong ideas
    Parallel Title: Erscheint auch als Green, Ben The smart enough city
    DDC: 307.76
    RVK:
    Keywords: Smart cities ; Smart City ; Stadtplanung ; Techniksoziologie
    Note: Enthält bibliographische Angaben (Seiten 191-214) sowie Index
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  • 7
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783031086151
    Language: English
    Pages: 1 Online-Ressource (XXXI, 253 p. 12 illus., 9 illus. in color)
    Edition: 1st ed. 2023
    Series Statement: Pop Music, Culture and Identity
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63
    RVK:
    RVK:
    Keywords: Popular Music ; Music ; Regional Cultural Studies ; Popular music ; Music ; Ethnology ; Culture ; Regionalkultur ; Musikleben ; Unterhaltungsmusik ; Landleben ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik ; Musikleben ; Regionalkultur ; Landleben
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 8
    ISBN: 9780262352246 , 0262352249
    Language: English
    Pages: 1 Online-Ressource (240 Seiten) , Illustrationen
    Series Statement: Strong ideas
    Parallel Title: Erscheint auch als Green, Ben The smart enough city
    RVK:
    Keywords: Smart cities ; Smart cities ; Electronic books ; Smart City ; Stadtplanung ; Techniksoziologie
    Abstract: Intro; Contents; Foreword; Acknowledgments; 1 The Smart City: A New Era on the Horizon; 2 The Livable City: The Limits and Dangers of New Technology; 3 The Democratic City: The Social Determinants of Technology's Impacts; 4 The Just City: Machine Learning's Social and Political Foundations; 5 The Responsible City: Avoiding Technology's Undemocratic Social Contracts; 6 The Innovative City: The Relationship between Technical and Nontechnical Change in City Government; 7 The Smart Enough City: Lessons from the Past and a Framework for the Future; Notes; References; Index
    Abstract: Why technology is not an end in itself, and how cities can be "smart enough," using technology to promote democracy and equity. Smart cities, where technology is used to solve every problem, are hailed as futuristic urban utopias. We are promised that apps, algorithms, and artificial intelligence will relieve congestion, restore democracy, prevent crime, and improve public services. In The Smart Enough City, Ben Green warns against seeing the city only through the lens of technology; taking an exclusively technical view of urban life will lead to cities that appear smart but under the surface are rife with injustice and inequality. He proposes instead that cities strive to be "smart enough": to embrace technology as a powerful tool when used in conjunction with other forms of social change--but not to value technology as an end in itself. In a technology-centric smart city, self-driving cars have the run of downtown and force out pedestrians, civic engagement is limited to requesting services through an app, police use algorithms to justify and perpetuate racist practices, and governments and private companies surveil public space to control behavior. Green describes smart city efforts gone wrong but also smart enough alternatives, attainable with the help of technology but not reducible to technology: a livable city, a democratic city, a just city, a responsible city, and an innovative city. By recognizing the complexity of urban life rather than merely seeing the city as something to optimize, these Smart Enough Cities successfully incorporate technology into a holistic vision of justice and equity
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 9
    ISBN: 9783031086144 , 3031086147
    Language: English
    Pages: XXXI, 253 Seiten , Illustrationen , 21 cm
    Series Statement: Pop music, culture and identity
    Parallel Title: Erscheint auch als Popular music scenes
    DDC: 306.48424
    RVK:
    Keywords: Popular music Social aspects
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  • 10
    ISBN: 9783031086151
    Language: English
    Pages: 1 online resource (267 pages)
    Series Statement: Pop Music, Culture and Identity Series
    Parallel Title: Erscheint auch als
    DDC: 306.48424
    Keywords: Electronic books
    Abstract: Intro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- List of Tables -- Introduction: Popular Music Scenes in a Regional and Rural Context -- References -- Part I: People and Place -- Chapter 1: Music at the End of the Land: Reflections on the Pembrokeshire Music Network -- The Blurred Canvas: Pembrokeshire's 'Embedded' and 'Parallel' Scenes -- The Present: The Ephemeral Essence of the Network -- Conclusions -- References -- Chapter 2: Diamonds in the Backyard: Migrant Youth and Hip Hop in Australian Regional Towns -- Background and Methodology -- Regional Settings of Migrant Youth Belonging -- Hip Hop as a Space of Belonging: Juggling Contradictions, Connecting Cultural Worlds -- Regional Places for Hip Hop -- Music Pathways of Regional Migrant Youth -- Conclusion -- References -- Chapter 3: From the City to the Bush: An Autoethnographic Reflection on Australia's Urban and Rural Music Scenes -- Some Definitions -- The Autoethnographic Approach and My Insider/Outsider Perspective -- Emergent Themes -- Resources -- What Is Professional? -- The Performer/Educator Nexus and Diversification -- The Value of Music and Musicians -- Going Bush, What Did It Mean and Am I Still Relevant? -- Sense of Place and Identity in the Bush -- Concluding Thoughts, Limitations and Future Directions -- References -- Part II: Technology and Distribution -- Chapter 4: Sounds and Peripheral Places: Trajectory and Portrait of the Rock Scene in Tâmega (Portugal) Over the Last Decade -- Disturbing the Scene -- Methodological Approach -- Sound Check in the Countryside: Regional and Rural Music Scenes -- Big Dreams Without Traditional Stages -- Conclusion -- References -- Chapter 5: Indian Electronic Dance Music Festivals as Spaces of Play in Regional Settings: Understanding Situated and Digital Electronic Dance Music Performances.
    Note: Description based on publisher supplied metadata and other sources
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