Deutsch

Bestellung

Speichern/Drucken

Nichts gefunden?

  

Treffer eingrenzen

  

Abmelden

  
1 von 1
      
* Ihre Aktion  suchen [und] (PICA-Produktionsnummer (PPN)) 508555620
 Felder   EndNote-Format   RIS-Format   BibTex-Format   MARC21-Format 
Bücher
PPN:  
508555620
Titel:  
On African music : techniques, influences, scholarship / Kofi Agawu
Verantwortlich:  
Agawu, Victor Kofi,i1956- [Verfasser]
Erschienen:  
New York : Oxford University Press, [2023]
Umfang:  
xvii, 210 Seiten : Notenbeispiele
Anmerkung:  
Text in englischer Sprache
Introduction -- The minimalist impulse -- Iconicity in musical thought and expression -- Tonality as a colonizing force -- African pianism and the challenge of art music -- Rethinking music theory, with African aid -- Against ethno-theory -- African rhythm studies : A sketch and a critique -- Epilogue
Literaturverzeichnis Seite [189]-206
Weitere Titelhinweise:  
Erscheint auch als Online-Ausgabe: Agawu, Kofi. On African music. - New York : Oxford University Press, 2023. - ISBN 978-0-19-766409-4
ISBN:
978-0-19-766407-0 ; 978-0-19-766406-3 ; 978-0-19-766410-0 ; 978-0-19-766409-4
RVK-Notation:  
 
Mit diesen Schlagwörtern können Sie eine weitere Suche durchführen, indem Sie die gewünschten Checkboxen auswählen und den Button "Schlagwortsuche" anklicken:  
Afrika  Musik  Instrumentaltechnik  Einfluss 
Abstract:  
"Composed over a decade and a half and originally delivered to audiences in Europe, Africa and the US, these lectures celebrate African musical creativity by illuminating selected compositional techniques, key influences, and dominant scholarly themes. Chapters on minimalism, iconicity, tonality as a colonizing force, and African pianism are supplemented by a critique of ethnotheory, a capsule history of African rhythm studies. and an invitation to music theorists to consider whether greater encounter with African music might not enhance the work that they do. Framed as an exercise in postcolonial criticism, the work refers to a large body of recorded music from various parts of Africa, provides close readings of a handful of compositions to supplement the more general appreciative commentary, and engages recurring and controversial talking points in contemporary discourses on African music. Written in clear and accessible prose, these self-standing essays are designed to enhance admiration for the animating structures of African music. - (Verlag)
 
Hinweise zum Inhalt:  
 
 

 
1 von 1