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  • Musicology  (349)
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  • 1
    Book
    Book
    Hofheim am Taunus : Wolke Verlag | Darmstadt : Jazzinstitut Darmstadt
    ISBN: 9783955930189 , 3955930181
    Language: English , German
    Pages: 264 Seiten , Illustrationen , 21.5 cm x 15 cm, 600 g
    Edition: Originalausgabe
    Series Statement: Darmstädter Beiträge zur Jazzforschung 18
    Series Statement: Darmstädter Beiträge zur Jazzforschung 18
    Series Statement: Darmstädter Beiträge zur Jazzforschung
    DDC: 780
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    Keywords: Jazz ; Jazzgeschichte ; Zukunft des Jazz ; Konferenzschrift 28.09.2021-30.09.2023 ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift 2023
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  • 2
    ISBN: 9783658351809 , 3658351802
    Language: English
    Pages: xiii, 106 Seiten , Illustrationen, Diagramme , 21.0 cm x 14.8 cm
    Series Statement: Edition Würth Chair of Cultural Production
    Uniform Title: Nicht-Besucherforschung
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Non-Visitor Research
    DDC: 306.0943
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    Keywords: audience development ; out reach ; strategisches Management ; Non-Visitor Research ; Visitor Research ; Cultural Education ; Cultural Management ; audience development ; Cultural Policy ; out reach ; Cultural Organization ; strategic management ; Aufsatzsammlung ; Deutschland ; Kulturelle Einrichtung ; Benutzerforschung ; Publikum ; Motivation ; Kulturmanagement
    URL: Unbekannt  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 3
    ISBN: 9788183155014
    Language: English , Hindi , Sanskrit
    Pages: xv, 330 Seiten , 23 cm
    Edition: First edition
    DDC: 780.954
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    Keywords: Music Congresses History and criticism ; Music and literature Congresses ; Music Congresses Social aspects ; Music therapy Congresses ; Aesthetics, Indic Congresses ; Aesthetics ; Music ; Music and literature ; Music Social aspects ; Music therapy ; India ; Konferenzschrift ; Conference papers and proceedings ; Criticism, interpretation, etc
    Abstract: Es handelt sich um Beiträge der zweitägigen nationalen e-Konferenz vom 28. und 29. Januar 2022 über Musikästhetik und ihren Einfluss auf die Menschheit, organisiert von der Musikabteilung des Dr. L.D. Balkhande College of Arts and Commerce, Pauni, Maharashtra.
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  • 4
    ISBN: 9780198866183
    Language: English
    Pages: xv, 364 Seiten , Illustrationen
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 781.66094309047
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    Keywords: Geschichte 1970-1990 ; Punk rock music / Social aspects / Germany (West) ; Punk rock music / Social aspects / Germany (East) ; Punk culture / Germany (East) / History ; Punk culture / Germany (West) / History ; Punk ; Punk Rock ; Deutschland ; Deutschland ; Deutschland ; Deutschland ; Punk Rock ; Punk ; Geschichte 1970-1990
    Abstract: 'Culture from the Slums' explores the history of punk rock in East and West Germany during the 1970s and 1980s, examining how youths mobilized music to build alternative communities and identities during the Cold War, and detailing how punk became the site of historical change on both sides of the Iron Curtain
    Note: Includes bibliographical references, discography and index
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  • 5
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780191897801
    Language: English
    Pages: 1 Online-Ressource (xv, 364 Seiten) , Illustrationen
    Edition: First edition
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.66094309047
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    Keywords: Geschichte 1970-1990 ; Punk rock music / Social aspects / Germany (West) ; Punk rock music / Social aspects / Germany (East) ; Punk culture / Germany (East) / History ; Punk culture / Germany (West) / History ; Punk ; Punk Rock ; Deutschland ; Deutschland ; Deutschland ; Deutschland ; Punk Rock ; Punk ; Geschichte 1970-1990
    Abstract: 'Culture from the Slums' explores the history of punk rock in East and West Germany during the 1970s and 1980s, examining how youths mobilized music to build alternative communities and identities during the Cold War, and detailing how punk became the site of historical change on both sides of the Iron Curtain
    Note: This edition also issued in print: 2022. - Includes bibliographical references, discography and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 6
    Online Resource
    Online Resource
    Wien : Hollitzer Wissenschaftsverlag
    ISBN: 9783990128114
    Language: German , English , Hebrew , Japanese
    Pages: 1 Online-Ressource (181 Seiten) , Illustrationen, Porträts, Notenbeispiele
    Parallel Title: Erscheint auch als Schwab, Andrea, 1958 - Jüdische Komponistinnen
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    Keywords: Electronic books ; Biografie ; Biografie ; Jüdin ; Komponistin ; Geschichte 1832-1992 ; Deutschland ; Österreich ; Komponistin ; Jüdin ; Geschichte 1832-1992
    Abstract: frontcover -- PRINT_Jüdische Komponistinnen LAYOUT.pdf -- backcover.
    Note: Vorwort auf englisch und deutsch , Text auf deutsch, Zusammenfassungen auf englisch, hebräisch und japanisch
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  • 7
    ISBN: 978-88-8109-522-3
    Language: English , French
    Pages: XXIX, 329 Seiten : , Illustrationen ; , 24 cm.
    Series Statement: Quaderni clementiani 5
    Series Statement: Quaderni clementiani
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    Keywords: Reicha, Anton / 1770-1836 ; Reicha, Anton ; Music / France / 19th century / History and criticism ; Music / Europe / 19th century / History and criticism ; Konferenzschrift ; 1770-1836 Reicha, Anton
    Note: Includes bibliographical references and index , Texts in English and French; abstracts in English
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  • 8
    ISBN: 9780197517598
    Language: English
    Pages: 1 Online-Ressource (272 Seiten)
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 780.89
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    Keywords: Ethnomusicology ; Wissenschaftsethik ; Kolonialismus ; Musikethnologie ; Entwicklungsländer ; Westliche Welt ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Kolonialismus ; Wissenschaftsethik
    Abstract: For decades, ethnomusicologists across the world have considered how to affect positive change for the communities they work with. Through illuminating case studies and reflections by a diverse array of scholars and practitioners, 'Transforming Ethnomusicology' aims to both expand dialogues about social engagement within ethnomusicology and, at the same time, transform how we understand ethnomusicology as a discipline. This second volume takes as a point of departure the recognition that colonial and environmental damages are grounded in historical and institutional failures to respect the land and its peoples
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 9
    ISBN: 9783830943969 , 3830943962
    Language: English
    Pages: 190 Seiten , 23.5 cm x 16.5 cm
    Series Statement: Freiburger Studien zur Kulturanthropologie Band 4
    Parallel Title: Erscheint auch als
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    Keywords: Islam ; Jugendkultur ; Identität ; Musik ; Muslim ; Unterhaltungsmusik ; Religiöse Identität ; Pop-Kultur ; Massenkultur ; Jugend ; Deutschland ; Indonesien ; Großbritannien ; Ägypten ; Marokko
    Note: Literaturangaben
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  • 10
    Online Resource
    Online Resource
    Münster : Waxmann | Stuttgart : UTB GmbH
    ISBN: 9783830993964
    Language: English
    Pages: 1 Online-Ressource (190 p.)
    Edition: 1st, New ed.
    Series Statement: Freiburger Studien zur Kulturanthropologie 4
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    Keywords: Islam ; Jugendkultur ; Identität ; Musik ; Muslim ; Unterhaltungsmusik ; Religiöse Identität ; Pop-Kultur ; Massenkultur ; Jugend ; Young Muslims ; Popular Music ; Sabyan Gambus ; Indonesia ; 2019 Indonesian Presidential Elections ; Female Performance ; Egyptian Music ; Mahraganāt ; Asylum House ; Hip Hop ; Morocco ; German Rap ; Metal ; Tunisia ; Political Islam ; Hijab ; Spiritualität und Religion ; Volksmusik und populäre Musikkulturen ; Deutschland ; Indonesien ; Großbritannien ; Ägypten ; Marokko
    Abstract: Music has the universal power to move individuals, peoples and societies. Music is one of the most important signifiers of cultural change. It is also most significant for youth movements and youth cultures. While Islam has a historically and traditionally rich culture of music, religious controversy on the topic of music is still ongoing. However, young Muslims in today’s globalised world seek pop cultural tools such as music, and particularly hip hop music, as way of exploring and expressing their manifold identities, whilst challenging Islamophobia, stigma and racism on the one hand and traditional and religious challenges on the other hand. In this volume, following an international conference with the same title, scholars and young academics from a variety of disciplines seek to explore and highlight the phenomena surrounding the two, somewhat artificially separated, realms of music and religion. The contributions not only look into different genres of music, from Tunisian metal over German female hip hop to Egyptian folk, but take the reader on a journey from continent to countries to cities and rural areas and thus give space and time to a widely neglected area of research: that of Muslim popular culture and young Muslims.
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  • 11
    Book
    Book
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9780815391784 , 9780815391777
    Language: English
    Pages: xii, 236 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
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    Keywords: Geschichte ; Unterhaltungsmusik ; Deutschland ; Popular music / Germany / History and criticism ; Popular music / Social aspects / Germany / History ; Popular music / Political aspects / Germany / History ; Popular music ; Popular music / Political aspects ; Popular music / Social aspects ; Germany ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Unterhaltungsmusik ; Geschichte
    Abstract: "Made in Germany: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary German popular music. Each essay, written by a leading scholar of German music, covers the major figures, styles, and social contexts of pop music in Germany and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Germany, followed by essays organized into thematic sections: Historical Spotlights; Globally German; Also "Made in Germany"; Explicitly German; and Reluctantly German"--
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  • 12
    ISBN: 9780197517642
    Language: English
    Pages: 1 Online-Ressource (280 Seiten) , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 780.89
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    Keywords: Ethnomusicology ; Ethnomusicology / Methodology ; Wissenschaftsethik ; Musikethnologie ; Westliche Welt ; Entwicklungsländer ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Wissenschaftsethik
    Abstract: This two-volume collection transforms our understanding of the discipline of ethnomusicology by exploring how ethnomusicologists can contribute to positive social and environmental change within institutional frameworks. The first volume focuses on ethical practice and collaboration and offers strategies for promoting institutional and methodological change
    Note: Also issued in print: 2021. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 13
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197533000
    Language: English
    Pages: 1 Online-Ressource (644 pages) , Illustrations (black and white).
    Series Statement: Oxford scholarship online
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    Keywords: Geschichte 1945-1989 ; Juden ; Musiker ; Musikleben ; Jews Music ; History and criticism ; Music History and criticism 20th century ; Deutschland
    Abstract: By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. 'Transcending Dystopia' tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Tina Fruhauf provides a kaleidoscopic panorama of musical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 14
    ISBN: 9780197532997
    Language: English
    Pages: 1 Online-Ressource (513 Seiten) , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 780.8992404309045
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    Keywords: Geschichte 1945-1989 ; Jews / Germany / Music / History and criticism ; Music / Germany / 20th century / History and criticism ; Juden ; Musikleben ; Musiker ; Deutschland ; Deutschland ; Musiker ; Juden ; Geschichte 1945-1989 ; Deutschland ; Musikleben ; Juden ; Geschichte 1945-1989
    Abstract: By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. 'Transcending Dystopia' tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Tina Fruhauf provides a kaleidoscopic panorama of musical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 15
    Online Resource
    Online Resource
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 1351200798 , 9781351200790
    Language: English
    Pages: 1 Online-Ressource (xii, 236 Seiten) , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
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    Keywords: Geschichte ; Unterhaltungsmusik ; Deutschland ; Popular music / Germany / History and criticism ; Popular music / Social aspects / Germany / History ; Popular music / Political aspects / Germany / History ; Popular music ; Popular music / Political aspects ; Popular music / Social aspects ; Germany ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Unterhaltungsmusik ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Inhaltsverzeichnis  (URL des Erstveröffentlichers)
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  • 16
    Online Resource
    Online Resource
    Oxford : Oxford University Press USA - OSO
    ISBN: 9780197532997
    Language: English
    Pages: 1 online resource (645 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Frühauf, Tina, 1972 - Transcending dystopia
    DDC: 780.8992404309045
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    Keywords: Jews-Germany-Music-History and criticism ; Music-Germany-20th century-History and criticism ; Jews Music ; History and criticism ; Music History and criticism 20th century ; Electronic books ; Deutschland ; Musiker ; Juden ; Musikleben ; Geschichte 1945-1989
    Abstract: Transcending Dystopia tells the story of the remarkable revival of Jewish music in postwar and Cold War Germany. Covering a wide spectrum of musical activities and geographies across the country, this book provides a panoramic view on how music contributed to transformations within and beyond Jewish communities after the Holocaust.
    Abstract: cover -- Transcending Dystopia -- Copyright -- Dedication -- Contents -- Acknowledgments -- Prologue: Moving Toward Silence -- On Transliteration and Translation, Spelling, and Names -- Abbreviations -- Introduction: Against All Odds-The Jewish Gemeinde as Sonic Community in an Age of Mobility -- Part 1 -- 1 In the Midst of Rubble: Rebuilding a Musical Life in Berlin -- 2 Out of the Depths: The Case of Munich and the South -- 3 Communal Encounters: Frankfurt am Main and the North -- 4 Remnants in the Soviet and French Zones and Beyond -- 5 Remembering the Holocaust: Mourning and Celebration -- 6 Disseminating Survival: Jews, Music, and the Media -- 7 The End of Dystopia? -- Part II -- 8 Returning and Leaving: Frankfurt in Flux -- 9 Rebuilding with or without Organ -- 10 Cantors on the Move -- 11 Regenerating a Choral Music Culture -- 12 Music in Social Life -- Part III -- 13 Dystopia under Communism: Communities in the Crossfire of Politics -- 14 Werner Sander and the Formation of the Leipziger Synagogalchor -- 15 Facing Cultural Stagnation: Musical Life after Sander -- 16 "Making Antifascist Politics Visible": Jewish Heritage Music and Cold War Politics -- 17 The Leipziger Synagogalchor in the Service of State Propaganda -- 18 Jewish Culture in Public Diplomacy, Memory Politics, and the Curious Case of Halle -- 19 Projecting Utopia: Jewish Heritage Music Abroad -- 20 The Politics of Commemoration and Reorientation -- Part IV -- 21 The Establishment of the Jüdische Gemeinde von Groß-​Berlin -- 22 The Anniversary Year of 1971 and the Dawn of Détente -- 23 The Rise of the Jüdische Gemeinde zu Berlin -- 24 Deterioration and Recovery: The Jüdische Gemeinde Berlin, Hauptstadt der DDR -- 25 Toward a New Communal Future: Parallel Sound Worlds and Rapprochement -- Notes -- Bibliography -- Index -- oso-9780197532973_BM.pdf.
    Note: Description based on publisher supplied metadata and other sources
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  • 17
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226740485
    Language: English
    Pages: 1 Online-Ressource (360 pages) , Illustrations (black and white).
    Series Statement: New material histories of music
    Series Statement: Chicago scholarship online
    DDC: 780.721
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    Keywords: Humboldt, Wilhelm von ; Geschichte 1891-1961 ; Kolonialismus ; Kulturvergleich ; Vergleichende Musikwissenschaft ; Mediävistik ; Mission ; Musik ; Rezeption ; Vergleichende Sprachwissenschaft ; Musicology History 20th century ; Mission music History and criticism ; Missions History 20th century ; Ethnomusicology History ; Musicologists ; Music History and criticism 15th century ; Medievalism ; Music Social aspects ; Music and youth History 20th century ; Afrika ; Deutschland ; Deutsches Sprachgebiet
    Abstract: This innovative book reassesses the history of musicology, unearthing the field's twentieth-century German and global roots. In the process, Anna Maria Busse Berger exposes previously unseen historical relationships such as those between the modern rediscovery of medieval music, the rise of communal singing, and the ways in which African music intersected with missionary work in the German colonial period. Ultimately, Busse Berger offers a monumental new account of the early twentieth-century music culture in Germany and East Africa.
    Note: Previously issued in print: 2020 , Includes bibliographical references and index
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  • 18
    Online Resource
    Online Resource
    Ithaca : Cornell University Press
    ISBN: 9781501759857
    Language: English
    Pages: 1 Online-Ressource (368 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.48428
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    Keywords: Geschichte 1870-1990 ; Musicians, Black Germany ; History ; 20th century ; Musicians, Black Austria ; History ; 20th century ; Musicians, Black Germany ; History ; 19th century ; Schwarze ; Musiker ; Österreich ; Deutschland ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
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  • 19
    ISBN: 9783844078947 , 3844078940
    Language: English
    Pages: V, 160 Seiten , Illustrationen
    Series Statement: Grazer Beiträge zur Ethnomusikologie Band 27
    Series Statement: Grazer Beiträge zur Ethnomusikologie
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    Keywords: Musikästhetik ; Musikethnologie ; Musikästhetik ; Ethnomusikologie ; Ethnomusicology ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Musikethnologie ; Musikethnologie ; Musikästhetik
    Note: Beiträge des Symposiums "Ethnoaesthetics of Music. Concepts, Criteria , Case Studies" (02.05.2019-04.05.2019, Graz)
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  • 20
    ISBN: 9780197517567 , 9780197517550
    Language: English
    Pages: viii, 260 Seiten , Illustrationen, Diagramme, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 2
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    Keywords: Kolonialismus ; Musikethnologie ; Wissenschaftsethik ; Westliche Welt ; Entwicklungsländer ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Kolonialismus ; Wissenschaftsethik
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  • 21
    ISBN: 9780197517611 , 9780197517604
    Language: English
    Pages: viii, 272 Seiten , Illustrationen, Porträts
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 1
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    Keywords: Musikethnologie ; Wissenschaftsethik ; Westliche Welt ; Entwicklungsländer ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Wissenschaftsethik
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  • 22
    ISBN: 9783962332730 , 3962332731
    Language: German , English
    Pages: 271 Seiten , Illustrationen, Notenbeispiele , 24 cm x 16,5 cm
    Series Statement: Musikwissenschaftliche Schriften der Hochschule für Musik und Theater München Band 16
    Parallel Title: Erscheint auch als Jüdische Musik im süddeutschen Raum
    DDC: 780.899240434
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    Keywords: Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Süddeutschland ; Juden ; Musik ; Geschichte
    Abstract: Dieser Band kartiert die jüdische Musik Süddeutschlands im 19. und 20. Jahrhundert: als einen Raum, der jüdische Musikgeschichte produziert, beherbergt und bewahrt; als einen gemeinsamen Raum von Juden und Nicht-Juden mit der möglichen Kultur des Zusammenflusses; und als einen Raum der Ausgrenzung und Verfolgung. Diese Räume - teils symbolisch, abstrakt, metaphorisch, teils konkret und inszeniert - erschließen sich in acht Kapiteln: zur Topografie jüdischen Musiklebens im NS-Staat in München, zum Leben und Wirken von Jakob Schönberg und Richard Fuchs im Kontext jüdischer Kunstmusik, zu den musikalischen Praktiken der jüdischen Gemeinden in Bamberg und Binswangen, zu den Aktivitäten des Esslinger Cantors Mayer Levi, zur Verlagerung süddeutscher und österreichischer jüdischer Musiker und ihrem Wirken in Ferramonti di Tarsia und nicht zuletzt zu Paul Ben-Haims sozialem und intellektuellem Umfeld vor und kurz nach der Emigration.
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  • 23
    ISBN: 9780197532973
    Language: English
    Pages: xxiii, 613 Seiten , Illustrationen , 243 mm
    Parallel Title: Erscheint auch als
    DDC: 780.8992404309045
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    Keywords: Geschichte 1945-1989 ; Musikleben ; Musiker ; Juden ; Deutschland ; Deutschland ; Musiker ; Juden ; Geschichte 1945-1989 ; Deutschland ; Musikleben ; Juden ; Geschichte 1945-1989
    Abstract: By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. Transcending Dystopia tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Author Tina Frühauf provides a kaleidoscopic panorama ofmusical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust.Drawing on newly unearthed sources from archives and private collections, this book covers a wide spectrum of musical activity-from its role in commemorations and community events to synagogue concerts and its presence on the radio-across the divided Germany until the Fall of the Wall in 1989. Frühauf's use of mobility as a conceptual framework reveals the myriad ways in which the reemergence of Jewish music in Germany was shaped by cultural transfer and exchange that often relied on thecirculation of musicians, their ideas, and practices within and between communities. By illuminating the centrality of mobility to Jewish experiences and highlighting how postwar Jewish musical practices in Germany were defined by politics that reached across national borders to the United States andIsrael, this pioneering study makes a major contribution to our understanding of Jewish life and culture in a transnational context
    URL: Rezension  (H-Soz-Kult)
    URL: Rezension  (H-Soz-Kult)
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  • 24
    ISBN: 9781501759840
    Language: English
    Pages: xiii, 351 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Thurman, Kira Singing like Germans
    Parallel Title: Erscheint auch als Thurman, Kira Singing like Germans
    DDC: 306.4/8428
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    Keywords: Musicians, Black History 20th century ; Musicians, Black History 20th century ; Musicians, Black History 19th century ; Musicians, Black History 19th century ; African American musicians History 20th century ; African American musicians History 20th century ; African American musicians History 19th century ; African American musicians History 19th century ; Music Social aspects ; History ; Music Social aspects ; History ; Music Political aspects ; History ; Music Political aspects ; History ; Music and race ; Deutschland ; Musiker ; Amerika ; Schwarze ; Geschichte 1870-1961 ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
    Abstract: How Beethoven Came to Black America -- African American Intellectual and Musical Migration to Central Europe, 1870-1914 -- The Sonic Color Line Belts the World : Constructing Race and Music in Central Europe, 1870-1914 -- Blackness and Classical Music in the Age of the Black Horror on the Rhine Campaign -- Singing Lieder, Hearing Race : Debating Blackness, Whiteness, and German Music in Interwar Central Europe -- "A Negro Who Sings German Lieder Jeopardizes German Culture" : Black Musicians under the Shadow of Nazism -- "And I Thought They Were A Decadent Race" : Denazification, the Cold War, and (African) American Involvement in Postwar West German Musical Life -- Breaking with the Past : Race, Gender, and Opera after 1945 -- Singing in the Promised Land : Black Musicians in the German Democratic Republic -- Conclusion : "What Should a Negro Do with Beethoven?!".
    Abstract: "This book examines the history of Black musicians in Germany and Austria in the nineteenth and twentieth centuries"--
    Note: Includes bibliographical references and index
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  • 25
    ISBN: 0349701288 , 9780349701288
    Language: English
    Pages: IX, 363 Seiten , Illustrationen
    DDC: 306.109431
    RVK:
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    Keywords: Geschichte ; Jugendkultur ; Punk Rock ; Deutschland
    Note: Bibliography Seite 361 - 363 , Originally published: Chapel Hill: Algonquin Books of Chapel Hill, 2018.
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  • 26
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367664510
    Language: English
    Pages: xiv, 250 Seiten
    Edition: First issued in paperback
    Series Statement: Routledge advances in sociology
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Kulturvergleich ; Unabhängigkeit ; Underground ; Musikleben ; Underground music / History and criticism ; Underground music / Social aspects ; Underground music ; Criticism, interpretation, etc ; Konferenzschrift ; Aufsatzsammlung ; Musikleben ; Underground ; Unabhängigkeit ; Kulturvergleich
    Note: "This book is primarily an outcome of the KISMIF ("Keep it Simple Make it Fast") conference, an international event dedicated to the study and discussion of DIY (do-it-yourself) cultural scenes in a global context." - Acknowledgements
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  • 27
    Online Resource
    Online Resource
    New York : Cambridge University Press
    ISBN: 9781108645638 , 9781108486187 , 9781108731928
    Language: English
    Pages: 1 online resource (xxviii, 315 pages) , digital, PDF file(s).
    Series Statement: New studies in European history
    Parallel Title: Erscheint auch als Kaldewey, Helma, 1962 - A people's music
    DDC: 781.650943/1
    RVK:
    RVK:
    RVK:
    Keywords: Jazz History and criticism 20th century ; Music and state History 20th century ; Jazz Political aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Jazz History and criticism ; Jazz ; Germany ; 20th century ; History and criticism ; Music and state ; Germany ; History ; 20th century ; Jazz ; Political aspects ; Germany ; History ; 20th century ; Jazz ; Social aspects ; Germany ; History ; 20th century ; Jazz ; Germany (East) ; History and criticism ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1918-1945 ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1945-1990
    Abstract: A People's Music presents the first full history of jazz in East Germany, drawing on new and previously unexamined sources and vivid eyewitness accounts. Helma Kaldewey chronicles the experiences of jazz musicians, fans, and advocates, and charts the numerous policies state socialism issued to manage this dynamic art form. Offering a radical revision of scholarly views of jazz as a musical genre of dissent, this vivid and authoritative study marks developments in the production, performance, and reception of jazz decade by decade, from the GDR's beginning in the 1940s to its end in 1990, examining how members of the jazz scene were engaged with (and were sometimes complicit with) state officials and agencies throughout the Cold War. From postwar rebuilding, to Stalinism and partition, to détente, Ostpolitik, and glasnost, and finally to its acceptance as a national art form, Kaldewey reveals just how many lives jazz has lived.
    Note: Title from publisher's bibliographic system (viewed on 18 Dec 2019)
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  • 28
    ISBN: 9788893593977
    Language: Italian , English
    Pages: VII, 257 Seiten , Illustrationen , 21 cm
    Series Statement: Biblioteca di studi americani 35
    Series Statement: Studi americani / Biblioteca
    DDC: 782
    RVK:
    Keywords: Konferenzschrift ; Dylan, Bob 1941-
    Note: Proceedings of a conference held in Rome, Italy, October 29-31, 2018 , Bob Dylan (1941-), singer and song-writer , Includes bibliographical references and index , Contributions in English and Italian
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  • 29
    ISBN: 9781350139534 , 9781350034389
    Language: English
    Pages: XI, 289 Seiten
    Edition: Paperback edition
    DDC: 781.660943515
    RVK:
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    Keywords: Geschichte 1956-1969 ; Rockmusik ; Rock 'n' Roll ; Deutschland ; Sankt Pauli
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  • 30
    ISBN: 9780755601974
    Language: English
    Pages: XVI, 240 Seiten , Illustrationen
    Edition: Paperback edition
    Series Statement: Library of World War II studies 1
    Series Statement: Library of World War II studies
    DDC: 940.5488
    RVK:
    RVK:
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    Keywords: World War, 1939-1945 Propaganda ; Radio in propaganda History 20th century ; Radio in propaganda History 20th century ; Jazz Social aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Radio broadcasting History 20th century ; Radio broadcasting History 20th century ; World War (1939-1945) ; Jazz ; Social aspects ; Propaganda ; Radio broadcasting ; Radio in propaganda ; Germany ; Great Britain ; History ; Deutschland ; Großbritannien ; USA ; Jazz ; Propaganda ; Soziale Situation ; Geschichte 1939-1945
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  • 31
    Book
    Book
    London : Rowman & Littlefield International
    ISBN: 9781786615961
    Language: English
    Pages: ix, 277 Seiten , Illustrationen
    Edition: Paperback edition
    Series Statement: Popular musics matter: social, political and cultural interventions
    DDC: 306.484240943
    RVK:
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    Keywords: Deutschland ; Unterhaltungsmusik ; Nationalbewusstsein ; Kulturelle Identität ; Geschichte 1949-1989 ; Deutschland ; Unterhaltungsmusik ; Nationalbewusstsein ; Kulturelle Identität ; Geschichte 1990-2016
    Abstract: This book argues for the importance of popular music in negotiations of national identity, and Germanness in particular. By discussing diverse musical genres and commercially and critically successful songs at the heights of their cultural relevance throughout seventy years of post-war German history, Soundtracking Germany describes how popular music can function as a language for “writing” national narratives. Running chronologically, all chapters historically contextualize and critically discuss the cultural relevance of the respective genre before moving into a close reading of one particularly relevant and appellative case study that reveals specific interrelations between popular music and constructions of Germanness. Close readings of these sonic national narratives in different moments of national transformations reveal changes in the narrative rhetoric as this book explores how Germanness is performatively constructed, challenged, and reaffirmed throughout the course of seventy years.
    Note: Literaturverzeichnis: Seite 235-262 , Enthält ein Register
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  • 32
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781108486187
    Language: English
    Pages: xxviii, 315 Seiten , Illustrationen
    Series Statement: New studies in European history
    Parallel Title: Erscheint auch als Kaldewey, Helma, - 1962- A people's music
    DDC: 781.650943/1
    RVK:
    RVK:
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    Keywords: Jazz ; Germany (East) ; History and criticism ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1918-1945 ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1945-1990
    Abstract: A People's Music presents the first full history of jazz in East Germany, drawing on new and previously unexamined sources and vivid eyewitness accounts. Helma Kaldewey chronicles the experiences of jazz musicians, fans, and advocates, and charts the numerous policies state socialism issued to manage this dynamic art form. Offering a radical revision of scholarly views of jazz as a musical genre of dissent, this vivid and authoritative study marks developments in the production, performance, and reception of jazz decade by decade, from the GDR's beginning in the 1940s to its end in 1990, examining how members of the jazz scene were engaged with (and were sometimes complicit with) state officials and agencies throughout the Cold War. From postwar rebuilding, to Stalinism and partition, to détente, Ostpolitik, and glasnost, and finally to its acceptance as a national art form, Kaldewey reveals just how many lives jazz has lived.
    Note: Literaturverzeichnis: Seite 291-302. - Register
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  • 33
    ISBN: 9781350114807 , 1350114804
    Language: English
    Pages: viii, 203 Seiten , Illustrationen , 25 cm
    Parallel Title: Erscheint auch als Fay, Brendan Classical music in Weimar Germany
    DDC: 306.4842094309042
    RVK:
    Keywords: Musikleben ; Klassische Musik ; Musikästhetik ; Traditionalismus ; Fortschrittlichkeit ; Deutschland ; Deutschland ; Musikleben ; Klassische Musik ; Musikästhetik ; Traditionalismus ; Fortschrittlichkeit ; Geschichte 1918-1933
    Abstract: Zusammenfassung: "From Hitler's notorious fondness for Wagner's operas to classical music's role in fuelling German chauvinism in the era of the world wars, many observers have pointed to a distinct relationship between German culture and reactionary politics. In Classical Music in Weimar Germany, Brendan Fay challenges this paradigm by reassessing the relationship between conservative musical culture and German politics. Drawing upon a range of archival sources, concert reviews and satirical cartoons, Fay maps the complex path of classical music culture from Weimar to Nazi Germany--a trajectory that was more crooked, uneven, or broken than straight. Through an examination of topics as varied as radio and race to nationalism, this book demonstrates the diversity of competing aesthetic, philosophical and political ideals held by German music critics that were a hallmark of Weimar Germany. Rather than seeing the cultural conservatism of this period as a natural prelude for the violence and destruction later unleashed by Nazism, this fascinating book sheds new light on traditional culture and its relationship to the rise of Nazism in twentieth-century Germany."--Publisher's description from cover
    Note: Includes bibliographical references (pages [184]-197) and index
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  • 34
    ISBN: 9783955931186
    Language: English
    Pages: 255 Seiten , Illustrationen
    DDC: 781.6550943
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    Keywords: Geschichte 1950-1975 ; Jazz ; Experimentelle Musik ; Deutschland
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  • 35
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781108776233
    Language: English
    Pages: 1 Online-Ressource (346 Seiten)
    Edition: First published
    Series Statement: New Studies in European History
    Parallel Title: Erscheint auch als
    DDC: 781.650943/1
    RVK:
    RVK:
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    Keywords: Jazz History and criticism 20th century ; Music and state History 20th century ; Jazz Political aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Jazz History and criticism ; Electronic books ; Electronic books ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1918-1945 ; Deutschland ; Jazz ; Kulturpolitik
    Abstract: Chronicles the history of jazz over the complete lifespan of East Germany, from 1945 to 1990, for the first time.
    Note: Description based on publisher supplied metadata and other sources
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  • 36
    ISBN: 9783861356547 , 3861356546
    Language: German , Turkish , English
    Pages: 368 Seiten , Illustrationen, Karte, Noten , 24 cm x 17 cm, 780 g
    Series Statement: Intercultural music studies 23
    Series Statement: Intercultural music studies
    DDC: 780.89
    RVK:
    RVK:
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    Keywords: Geschichte 1930-2020 ; Interkulturalität ; Musik ; Vielfalt ; Kulturaustausch ; Migration ; Türkei ; Deutschland ; Weltmusik ; Traditionelle Musik ; China ; Musikkultur ; Ethnomusikologie ; Gegenwartsmusik ; Musikpraxis ; Konferenzschrift Humboldt-Universität 08.10.2014-11.10.2014 ; Konferenzschrift Humboldt-Universität 08.10.2014-11.10.2014 ; Konferenzschrift Humboldt-Universität 08.10.2014-11.10.2014 ; Konferenzschrift Humboldt-Universität 08.10.2014-11.10.2014 ; Deutschland ; Türkei ; Musik ; Migration ; Kulturaustausch ; Interkulturalität ; Vielfalt ; Geschichte 1930-2020
    Note: Aus der Einleitung: "Die in diesem Band versammelten Beiträge gehen aus dem Symposium 'Transfer und Diversität. Musik und transkulturelle Praxis: Deitschland – Türkei' hervor, das am 08.-11. Oktober 2014 an der Humboldt-Universität zu Berlin in Kooperation mit dem Center for Advanced Studies in Music (MIAM) der Technischen Universität Istanbul (ITÜ) veranstaltet wurde." , Beiträge teilweise deutsch, teilweise türkisch, Zusammenfassungen englisch
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  • 37
    ISBN: 9783837646672 , 383764667X
    Language: English
    Pages: 214 Seiten , 22.5 cm x 14.8 cm, 318 g
    Series Statement: Music and sound culture Volume 35
    Series Statement: Musik und Klangkultur
    Parallel Title: Erscheint auch als Music practices across borders
    Parallel Title: Erscheint auch als Music practices across borders
    Parallel Title: Erscheint auch als Music Practices Across Borders
    DDC: 306.4842
    RVK:
    Keywords: Music and globalization ; Emigration and immigration Social aspects ; Global Musik ; Kulturaustausch ; Internationale kulturelle Zusammenarbeit ; Kulturprojekt ; Kulturindustrie ; Transnationale Beziehungen ; Künstler ; Netzwerk (institutionell/sozial) ; Rezeption ; Evaluation ; Migrationsforschung ; Länderbezogene Beiträge ; Global Music ; Cultural exchange ; International cultural cooperation ; Cultural projects ; Cultural industries ; transnational relations ; Artists ; Networks (institutional/social) ; reception ; Evaluation ; migration research ; Country related contents ; Internet Kenia ; Festspiele ; Interethnische Beziehungen ; Argentinien ; Diaspora ; Italiener ; Jahrhundert 19. ; Europa ; Afrika ; Brasilien ; Deutschland ; Internationaler Vergleich/Ländervergleich ; Internet Kenya ; Pageants ; Interethnic relations ; Argentina ; Diaspora ; Italians ; Century 19th ; Europe ; Africa ; Brazil ; Germany ; International/country comparison ; Konferenzschrift ; Aufsatzsammlung ; Globalisierung ; Internationale Migration ; Kulturkontakt ; Weltmusik ; Interkulturalität
    Note: Literaturangaben , Seite 8: [...] we organized a conference at the University of Duisburg-Essen in June 2018, entitled (E)valuating Transnational Music Practices: Space, Diversity, and Exchange [...]
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  • 38
    Online Resource
    Online Resource
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9781351850339
    Language: English
    Pages: 1 Online-Ressource (xiv, 250 Seiten) , Illustrationen
    Series Statement: Routledge advances in sociology
    Parallel Title: Erscheint auch als DIY cultures and underground music scenes
    RVK:
    RVK:
    Keywords: Musikleben ; Kulturvergleich ; Unabhängigkeit ; Underground ; Konferenzschrift ; Musikleben ; Underground ; Unabhängigkeit ; Kulturvergleich
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  • 39
    ISBN: 9783837650587 , 3837650588
    Language: German , English
    Pages: 308 Seiten , Illustrationen, Diagramme , 22.5 cm x 14.8 cm, 486 g
    Series Statement: Beiträge zur Popularmusikforschung 45
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Erscheint auch als (Dis-)orienting sounds - machtkritische Perspektiven auf populäre Musik
    DDC: 781.6301
    RVK:
    Keywords: Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Unterhaltungsmusik ; Macht ; Intersektionalität ; Unterhaltungsmusik ; Musikerziehung ; Unterhaltungsmusik ; Forschung ; Musikwissenschaft ; Popmusik
    Note: Literaturangaben , Beiträge teilweise in Deutsch, teilweise in Englisch
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  • 40
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780415786980
    Language: English
    Pages: xiv, 250 Seiten , Illustrationen
    Series Statement: Routledge advances in sociology
    Parallel Title: Erscheint auch als
    DDC: 781.66
    RVK:
    RVK:
    Keywords: Unabhängigkeit ; Musikleben ; Kulturvergleich ; Underground ; Underground music / History and criticism ; Underground music / Social aspects ; Underground music ; Criticism, interpretation, etc ; Konferenzschrift ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift ; Musikleben ; Underground ; Unabhängigkeit ; Kulturvergleich
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  • 41
    ISBN: 3839446678 , 9783839446676
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Musik und Klangkultur 35
    RVK:
    Keywords: Music ; Musicology ; Ethnomusicology ; SOCIAL SCIENCE / General ; MUSIC / History & Criticism ; Music ; Musicology ; Ethnomusicology ; Electronic books ; Konferenzschrift ; Aufsatzsammlung
    Abstract: Frontmatter --Content --Introduction-Music practices across borders /Peres da Silva, Glaucia / Hondros, Konstantin --Valuation in a reversed economy /Fryberger, Annelies --Culture, creativity and practice /Wafula, Mukasa Situma --"Come and expose yourself to the fantastic music from around the world" /Lell, Peter --From desire for recognition to desire for independence /Le Coz, Sandrine --The invention of African art music /Riva, Nepomuk --Contemplating musical life in Tunisia under the French protectorate-the society and challenges /El Kahla, Alla --The construction of an Italian diasporic identity in the city of Buenos Aires at the turn of the 19th century /Anabel González, Daniela --Brazilian grooves and cultured clichés /Boy Bystron, Janco / Santana, Chico --About the authors
    Abstract: Reconnecting migration studies and the theory of valuation, this collection offers an interdisciplinary approach to the study of transnational music practices. Music is here approached as a practice not confined by audibility - rather, it is "seen" when the YouTube video is clicked, "felt" when the subwoofer vibrates, and "smelled" when the festival crowd dances: practices make music emerge in concrete situations constituted by people, objects, techniques, meanings, and emotions. Through these practices, values are created and shared which connect a way of music-making with objects and places of experiencing music unconfined by borders of any kind
    Note: In English
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  • 42
    Language: German , English
    Pages: 1 Blu-Ray-Disc (circa 123 min) , farbig, Dolby digital 2.0, PAL, Regionalcode 2 , 12 cm, in Behältnis 19 x 14 x 1 cm
    Additional Material: 1 Beiheft
    RVK:
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    Keywords: Gundermann, Gerhard ; Liedermacher ; Deutschland ; Blu-Ray-Disc ; Film ; Biografie ; DVD-Video
    Note: Bonus: Entfernte Szenen, Outtakes, Teaser, Trailer, Interviews mit Andreas Dresen und Alexander Scheer, Autiokommentar von Andreas Dresen und Laila Stieler, "Trauriges Lied vom sonst immer lachenden Flugzeug" von Andreas Höfer, Pandora Trailershow , Bildformat: 2.35:1 (Cinemascope) , Tonformat: DTS-HD 5.1/DTS-HD 2.0 , Spielfilm. Deutschland. 2018 , Sprache: Deutsch, deutsche Fassung für Sehbehinderte. Untertitel: Englisch, deutsche Untertitel für Hörgeschädigte
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  • 43
    ISBN: 9781789200324
    Language: English
    Pages: xii, 307 Seiten , Illustrationen
    Series Statement: Spektrum / publications of the German Studies Association volume 18
    Series Statement: Spektrum
    DDC: 780.9430904
    RVK:
    Keywords: Music Social aspects ; History ; 20th century ; Germany ; Music History and criticism ; 20th century ; Germany ; National characteristics, German ; Music German influences ; Aufsatzsammlung ; Deutschland ; Musik ; Gesellschaft ; Nationalbewusstsein ; Geschichte 1900-2000 ; Deutsches Sprachgebiet ; Musik ; Musikleben ; Nationalbewusstsein ; Geschichte 1900- ; Deutsches Sprachgebiet ; Musiksoziologie ; Geschichte 1900-2019
    Abstract: "The German in the concert hall" : concert-going and belonging in the early twentieth century / Hansjakob Ziemer -- "Music made in Hamburg" : how one city's music scene helped make rock and roll the lingua franca of youth / Julia Sneeringer -- "With every inconceivable finesse, excess and good music" : sex, affect, and techno at Snax Club in Berlin / Luis-Manuel Garcia -- Bruckner, Munich, and the Longue Duree of musical listening between the imperial and post- war eras / Neil Gregor -- Female musicians and "Jewish" music in the Jewish Kulturbund in Bavaria, 1934-1938 / Dana Smith -- Pride of place : the 1963 rebuilding of the Munich Nationaltheater / Emily Richmond Pollock -- Was ist Japanisch? Wagnerism and dreams of nationhood in modern Japan / Brooke McCorkle -- Hubert Parry, Germany, and the "North" Thomas Irvine -- Between musicology and mythology at the Stunde Null : Austria's 950th "birthday" and the 50th anniversary of Bruckner's death / Lap-Kwan Kam -- Hearing the Nazi Past in the German Democratic Republic : antifascist fantasies, acoustic realities, and haunted memories in Georg Katzer's Aide-memoire (1983) / Martha Sprigge -- Sprockets + Autobahn : Kraftwerk parodies, German electronic music, and retro dreams in Amerika / Sean Nye.
    Abstract: Zusammenfassung: "For many centuries, Germany has enjoyed a reputation as the 'land of music'. But just how was this reputation established and transformed over time, and to what extent was it produced within or outside of Germany? Through case studies that range from Bruckner to the Beatles and from symphonies to dance-club music, this volume looks at how German musicians and their audiences responded to the most significant developments of the twentieth century, including mass media, technological advances, fascism, and war on an unprecedented scale"--(Provided by publisher.)
    Note: Literaturangaben
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  • 44
    ISBN: 9783960984498 , 3960984499
    Language: English
    Pages: 445 Seiten , Illustrationen , 31.5 cm x 24 cm
    DDC: 700
    RVK:
    Keywords: World Black and African Festival of Arts and Culture ; Quelle ; Konferenzschrift ; Quelle ; Konferenzschrift ; Quelle ; Konferenzschrift ; World Black and African Festival of Arts and Culture 2 Lagos 1977
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  • 45
    ISBN: 9783205232865 , 3205232860
    Language: English
    Pages: 285 Seiten , Illustrationen
    Series Statement: Musik Traditionen Bd. 1
    Series Statement: Music traditions
    Parallel Title: Erscheint auch als Ethnomusicology matters
    DDC: 780.89
    RVK:
    Keywords: Aufsatzsammlung ; Konferenzschrift ; Musikethnologie ; Kulturerbe ; Musikethnologie
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  • 46
    ISBN: 9783946114611
    Language: German , Chinese , English
    Pages: xi, 248 Seiten , Illustrationen, Notenbeispiele , 23 cm x 15 cm, 360 g
    Edition: 1. Auflage
    Series Statement: Deutsche Ostasienstudien 29
    Series Statement: Deutsche Ostasienstudien
    DDC: 780.95
    RVK:
    RVK:
    Keywords: Kulturerbe ; Forschung ; Restaurierung ; Musik ; Sammlung ; Musikinstrument ; Ostasien ; Konferenzschrift GRASSI Museum für Völkerkunde 28.10.2016-29.10.2016 ; Hochschulschrift ; Hochschulschrift ; Konferenzschrift 2016 ; Konferenzschrift GRASSI Museum für Völkerkunde 28.10.2016-29.10.2016 ; Hochschulschrift ; Hochschulschrift ; Konferenzschrift 2016 ; Konferenzschrift ; Konferenzschrift GRASSI Museum für Völkerkunde 28.10.2016-29.10.2016 ; Hochschulschrift ; Ostasien ; Musik ; Musikinstrument ; Sammlung ; Forschung ; Restaurierung ; Kulturerbe
    Note: Das vorliegende Buch ist das Ergebnis einer internationale Konferenz, die am 28. und 29. Oktober 2016 am GRASSI Museum für Völkerkunde zu Leipzig stattfand. Das Thema der Konferenz lautete: "Discovery, Research, and Presentation: Die Ostasische Musik und ihre Musikinstrumente in den Sammlungen von Museen." - aus der Einleitung , Abstracts Seite [239]-244 , Deutscher, chinesischer und englischer Text , Zusammenfassung jeweils in englischer Sprache
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  • 47
    ISBN: 9780197266564
    Language: English
    Pages: xvi, 408 Seiten
    Edition: First edition
    Series Statement: Proceedings of the British Academy 223
    DDC: 781
    RVK:
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    Keywords: Geschichte ; Musik ; Kulturaustausch ; Westliche Welt ; Seidenstraße ; Orient ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift
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  • 48
    ISBN: 9781789201932 , 1789201934
    Language: English
    Pages: xvi, 320 Seiten , Illustrationen
    Uniform Title: Ein Klang - zwei Welten
    Parallel Title: Übersetzung von Rauhut, Michael, 1963 - Ein Klang - zwei Welten
    Parallel Title: Erscheint auch als Rauhut, Michael, 1963- author One sound, two worlds
    DDC: 781.6430943
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    Keywords: Blues (Music) History and criticism ; Blues (Music) History and criticism ; Deutschland ; Blues ; Geschichte 1945-1990 ; Deutschland ; Blues ; Geschichte 1945-1990
    Note: Quellen- und Literaturverzeichnis: Seite 266-310. - Register
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  • 49
    ISBN: 9783205232872
    Language: English , English , German
    Pages: 1 Online-Ressource (286 Seiten)
    Series Statement: Music Traditions Vol. 1
    Parallel Title: Erscheint auch als Ethnomusicology matters
    DDC: 780
    RVK:
    Keywords: Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift 28.09.2017-30.09.2017 ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Musikethnologie ; Kulturerbe ; Musikethnologie
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  • 50
    ISBN: 9783896466709
    Language: English , German
    Pages: XXII, 284 Seiten , Illustrationen, Diagramme, Karten, Notenbeispiele
    Series Statement: Studien zur Musikarchäologie / Deutsches Archäologische Institut, Orient-Abteilung 11, Buch
    Series Statement: Orient-Archäologie Band 40, Buch
    Series Statement: Studien zur Musikarchäologie
    Series Statement: Orient-Archäologie
    RVK:
    Keywords: Konferenzschrift ; Konferenzschrift
    Note: Parallel als CD-ROM erschienen , Vorwort und "In memorian Ellen Hickmann" deutsch und englisch, Beiträge englisch mit deutscher Zusammenfassung
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  • 51
    ISBN: 9783896466709
    Language: English , German
    Pages: 1 CD-ROM
    Series Statement: Studien zur Musikarchäologie / Deutsches Archäologische Institut, Orient-Abteilung 11, CD-ROM
    Series Statement: Orient-Archäologie Band 40, CD-ROM
    Series Statement: Studien zur Musikarchäologie
    Series Statement: Orient-Archäologie
    RVK:
    Keywords: Konferenzschrift ; CD-ROM ; Konferenzschrift ; CD-ROM
    Note: Parallel als Buchausgabe erschienen , Vorwort und "In memorian Ellen Hickmann" deutsch und englisch, Beiträge englisch mit deutscher Zusammenfassung
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  • 52
    ISBN: 9781350114838 , 9781350114821 , 9781350114814
    Language: English
    Pages: 1 Online-Ressource (viii, 208 pages) , illustrations
    Edition: First edition
    Edition: London Bloomsbury Publishing
    Parallel Title: Erscheint auch als Fay, Brendan Classical music in Weimar Germany
    Parallel Title: Erscheint auch als Fay, Brendan Classical music in Weimar Germany
    DDC: 306.4842094309042
    RVK:
    Keywords: National socialism and music History 20th century ; National socialism and music ; Musikleben ; Klassische Musik ; Musikästhetik ; Traditionalismus ; Fortschrittlichkeit ; Deutschland ; Deutschland ; Klassische Musik ; Konservativismus ; Politik ; Weimarer Republik ; Geschichte 1918-1933 ; Deutschland ; Kulturpolitik ; Medien ; Musiksoziologie ; Geschichte 1918-1933
    Abstract: "From Hitler's notorious fondness for Wagner's operas to classical music's role in fuelling German chauvinism in the era of the world wars, many observers have pointed to a distinct relationship between German culture and reactionary politics. In Classical Music in Weimar Germany, Brendan Fay challenges this paradigm by reassessing the relationship between conservative musical culture and German politics. Drawing upon a range of archival sources, concert reviews and satirical cartoons, Fay maps the complex path of classical music culture from Weimar to Nazi Germany-a trajectory that was more crooked, uneven, or broken than straight. Through an examination of topics as varied as radio and race to nationalism, this book demonstrates the diversity of competing aesthetic, philosophical and political ideals held by German music critics that were a hallmark of Weimar Germany. Rather than seeing the cultural conservatism of this period as a natural prelude for the violence and destruction later unleashed by Nazism, this fascinating book sheds new light on traditional culture and its relationship to the rise of Nazism in 20th-century Germany."--Bloomsbury Publishing
    Abstract: List of Figures Acknowledgements Introduction: German Music and the Nazi Past 1. (Re)Composing the Nation: Music, War, and the German Inflation, 1918-1924 2. Radios and Records: Image and Reality in Weimar Technology 3. Internationalism, Nationalism and the Case of Hans Joachim Moser 4. Wagner under Weimar 5. Judging Performance, Performing Judgments: Race and Performance in Weimar Germany Epilogue: Rethinking Tradition Bibliography Index.
    Note: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily , Includes bibliographical references (pages 184-197) and index
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  • 53
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource (328 Seiten)
    Series Statement: Popular music
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als Popular Music and Public Diplomacy (Veranstaltung : 2015 : Dortmund) Popular music and public diplomacy
    RVK:
    Keywords: International relations and culture ; Music and diplomacy ; Music ; Popular music Political aspects ; history ; Politics ; Music ; Cultural History ; History of the 20th Century ; Popular Culture ; Musicology ; Pop Music ; International Relations ; Diplomacy ; MUSIC / History & Criticism ; Konferenzschrift ; Konferenzschrift ; Unterhaltungsmusik ; Public Diplomacy ; Geschichte ; Musik ; Kulturveranstaltung ; Interdisziplinarität ; Transnationalisierung
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries
    Abstract: Frontmatter -- Table of Contents -- Acknowledgements -- Popular Music and Public Diplomacy / Dunkel, Mario / Nitzsche, Sina A. -- Part I: Competition and Collaboration -- Music in Transnational Transfers and International Competitions / Nathaus, Klaus -- The Paradoxes of Cultural and Music Diplomacy in a Federal Country / Mazzola, Alessandro -- Dervish on the Eurovision Stage / Şahin, Nevin Ş -- Part II: Infiltration and Appropriation -- Between Propaganda and Public Diplomacy / Ritter, Rüdiger -- "Liberated from Serfdom" / Feustle, Maristella -- A Musical Inquisition? / Ignácz, Ádám -- Part III: Education and Promotion -- Dancing in Chains / Bayles, Martha -- Becoming a Blue-Collar Musical Diplomat / Brown, Nicholas Alexander -- Music Trade in the Slipstream of Cultural Diplomacy / Kube, Sven -- National Flamencoism / Díaz, Carlos Sanz / Morales Tamaral, José Manuel -- Part IV: Representation and Participation -- The Ethics and Politics of Empathy in US Hip-Hop Diplomacy / Salois, Kendra -- Popular Musicking and the Politics of Spectatorship at the United Nations / Ball, James R. -- From Sons of Gastarbeita to Songs of Gastarbeiter / Nieden, Gesa zur -- Public Diplomacy and Decision-Making in the Eurovision Song Contest / Vuletic, Dean -- List of Contributors -- Index
    Note: Open Access , Mode of access: Internet via World Wide Web.
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 54
    Book
    Book
    Wiesbaden :Springer VS,
    ISBN: 978-3-658-22278-9
    Language: English
    Pages: VII, 158 Seiten : , Notenbeispiele ; , 21 cm x 14.8 cm.
    Series Statement: Musik und Gesellschaft
    Parallel Title: Erscheint auch als
    DDC: 306.4842
    RVK:
    RVK:
    Keywords: Musiksoziologie. ; Konferenzschrift 2015 ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift 2015 ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Musiksoziologie
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  • 55
    ISBN: 9783981786538
    Language: English
    Pages: 317 Seiten , Illustrationen
    Series Statement: Sounding heritage volume 4
    Series Statement: Sounding heritage
    Parallel Title: Erscheint auch als Jazzforschung heute
    DDC: 781.65072
    RVK:
    Keywords: Konferenzschrift 09.2018 ; Aufsatzsammlung ; Konferenzschrift 09.2018 ; Aufsatzsammlung ; Konferenzschrift 09.2018 ; Aufsatzsammlung ; Konferenzschrift 09.2018 ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift 09.2018 ; Aufsatzsammlung ; Jazzforschung ; Jazz ; Jazzforschung
    Note: "Das vorliegende Buch versammelt die Beiträge einer Tagung zur Jazzforschung im deutschsprachigen Raum, die im September 2018 in Weimar stattgefunden hat." - Einleitung , Beiträge teilweise deutsch, teilweise englisch
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  • 56
    ISBN: 978-3-8309-3722-7 , 3-8309-3722-9
    Language: German , English
    Pages: 221 Seiten : , Illustrationen, Diagramme ; , 21 cm x 14.8 cm.
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Musiktherapie. ; Pädagogik. ; Musiktherapie ; Deutschland ; Schweiz ; Österreich ; Norwegen ; Großbritannien ; Schule ; Kindergarten ; Therapie ; Musikschule ; psychische Gesundheit ; Gewaltprävention ; Musik ; Trommeln ; Flüchtlinge ; Migration ; Sonderschule ; Inklusion ; Soziale Arbeit ; Schulpädagogik ; Bildung und Erziehung ; Pädagogik ; Aufsatzsammlung ; Musiktherapie ; Pädagogik
    Abstract: Musiktherapie in pädagogische Settings zu integrieren ist kein neues, aber aufgrund der gesundheits-und bildungspolitischen Lage ein hochaktuelles Thema. Zeit also, den gegenwärtigen Stand der Praxis, Theorie und Forschung näher zu beleuchten. Das vorliegende Buch bietet einen interdisziplinären und internationalen Einblick in die Themenfelder rund um Musiktherapie in Schule, Musikschule und Kindergarten. Quelle: Klappentext.
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  • 57
    Online Resource
    Online Resource
    London : Rowman & Littlefield International | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9781786606235
    Language: English
    Pages: 1 Online-Ressource (ix, 277 Seiten) , Illustrationen
    Series Statement: Popular musics matter: social, political and cultural interventions
    DDC: 781.640943
    RVK:
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    Keywords: Geschichte 1945-2016 ; Unterhaltungsmusik ; Nationalbewusstsein ; Kulturelle Identität ; Identität ; Deutschland ; Deutschland ; Hochschulschrift
    Note: Bibliographie: Seite 235-262
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 58
    ISBN: 9783823617525 , 3823617524
    Language: German , English , French
    Pages: 442 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Alta musica Band 34
    Series Statement: Alta musica
    DDC: 784.8
    RVK:
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    Keywords: Konferenzschrift 2016 ; Konferenzschrift ; Blas- und Bläsermusik ; Blas- und Bläsermusik
    Note: Im Vorwort wird auf die 22. Internationale Forschungskonferenz der IGEB hingewiesen , Beiträge teilweise deutsch, teilweise englisch, teilweise französisch
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  • 59
    ISBN: 9781138058835 , 1138058831
    Language: English
    Pages: xxii, 480 Seiten , Illustrationen, Notenbeispiele, Diagramme, Karten,
    Series Statement: SOAS musicology series
    Series Statement: An Ashgate book
    DDC: 780.9
    RVK:
    RVK:
    Keywords: Music History and criticism ; Music History and criticism ; Music Western influences ; Music History and criticism ; Enlightenment ; Music History and criticism ; Music History and criticism ; Asia ; Music Western influences ; Asia ; Music History and criticism ; America ; Enlightenment ; Enlightenment ; Music ; Music Western influences ; America ; Asia ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Amerika ; Asien ; Musik ; Kulturkontakt ; Geschichte ; Westliche Welt ; Kulturvergleich ; Kulturanthropologie ; Weltgeschichte
    Abstract: Introduction. Notes and queries on global music history / Martin Stokes -- Enlightenment. Ancient Greeks, world music and early modern constructions of Western European identity / David R. M. Irving ; Analytical encounters : global music criticism and enlightenment ethnomusicology / Estelle Joubert ; Musical thought in the global enlightenments / Philip V. Bohlman -- East Asia. Voice and song in early encounters between Latins, Mongols and Persians, c.1250-c.1350 / Jason Stoessel ; The transformation of the world : silk road musics, cross-cultural approaches and contemporary metaphors / Max Peter Baumann ; Music education in modern Japanese society / Rinko Fujita ; The (musical) imaginarium of Konishi Yasuharu, or how to make Western music Japanese / Oliver Seibt ; European music outside Europe : musical entangling and intercrossing in the case of Korea's modern history / Jin-Ah Kim ; Korean music : definitions and practices / Keith Howard ; East Asia in a global historical perspective : approaches and challenges / Nicola Spakowski -- South and South-east Asia. Heavy metal bamboo : how archaic bamboo instruments became modern in Bandung, Indonesia / Henry Spiller ; Cultural autonomy and the Indian exception : debating the aesthetics of Indian classical music in early 20th-century Calcutta / Matthew Pritchard ; Orientalism and beyond : Tagore, Foulds and cross-cultural exchanges between Indian and Western musicians / Suddhaseel Sen -- America. Why did indians sing? The appropriation of European musical practices by South-American natives in the Jesuit reducciones / Leonardo J. Waisman ; The global mission in the music of Jesuit drama / Tomasz Jez ; From abandoned huts to maps of the pampas : the topos of the huella and the representation of landscape in Argentine art music / Melanie Plesch ; Minor mode and the Andes : the pentatonic scale as topic and the musical representation of Peru / Julio Mendívil ; The rending call of the poor and forsaken street crier : the political and expressive dimension of a topic in Silvestre Revueltas's early works / Roberto Kolb-Neuhaus ; Passion and disappointment : waltz and danza topics in a Venezuelan musical nationalism masterpiece / Juan Francisco Sans ; Festivals, violins and global music histories : examples from the Caribbean and Canada / Tina K. Ramnarine
    Note: Includes bibliographical references and index , Introduction. Notes and queries on 'global music history' , Enlightenment. Ancient Greeks, world music, and early modern constructions of Western European identity , Analytical encounters : global music criticism and enlightenment ethnomusicology , Musical thought in the global enlightenments , East Asia. Voice and song in early encounters between Latins, Mongols, and Persians, ca. 1250-ca. 1350 , The transformation of the world' : silk road musics, cross-cultural approaches, and contemporary metaphors , Music education in modern Japanese society , The (musical) imaginarium of Konishi Yasuharu, or how to make Western music Japanese , 'European music' outside Europe? : musical entangling and intercrossing in the case of Korea's modern history , Korean music : definitions and practices , East Asia in a global historical perspective : approaches and challenges , South and South-east Asia. Heavy metal bamboo : how archaic bamboo instruments became modern in Bandung, Indonesia , Cultural autonomy and the 'Indian exception' : debating the aesthetics of Indian classical music in early 20th-century Calcutta , Orientalism and beyond : Tagore, Foulds and cross-cultural exchanges between Indian and Western musicians , America. Why did Indians sing? The appropriation of European musical practices by South-American natives in the Jesuit reducciones , The global mission in the music of Jesuit drama , From 'abandoned huts' to 'maps of the pampas' : the topos of the huella and the representation of landscape in Argentine art music , 'Minor mode and the Andes' : the pentatonic scale as topic and the musical representation of Peru , 'The rending call of the poor and forsaken street crier' : the political and expressive dimension of a topic in Silvestre Revueltas's early works , Passion and disappointment : waltz and danza topics in a Venezuelan musical nationalism masterpiece , Festivals, violins and global music histories : examples from the Caribbean and Canada
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  • 60
    Online Resource
    Online Resource
    Albany : State University of New York Press
    ISBN: 9781438469881
    Language: English
    Pages: 1 Online-Ressource (228 pages)
    Series Statement: SUNY Series, Philosophy and Race
    Series Statement: SUNY Series, Philosophy and Race Ser.
    Parallel Title: Erscheint auch als Thompson, Mark Christian, 1970 - Anti-music
    DDC: 781.6508996073043
    RVK:
    Keywords: Philosophy, German-20th century ; Jazz-Germany-20th century-History and criticism ; Blacks-Race identity-Germany-History-20th century ; Electronic books ; Deutschland ; Afroamerikanische Musik ; Jazz ; Kulturpolitik ; Geschichte 1919-1939 ; Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Abstract: Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Chapter One The Jazz Paradox -- I. Bloch's Blacks -- II. Jonny's Jimmy -- III. Parodic Primitivism -- IV. Nazi Neger -- Chapter Two The Jazz Machine -- I. The Jazz Machine -- II. The Principle of Looking -- III. Jazz Vulgarity -- IV. The Astaire Automaton -- Chapter Three The Monkey's Trick -- I. The Monkey's Trick -- II. The Track of the Divine -- III. Jazzman Mozart -- Chapter Four The Music of Fascism -- I. Jazz at War -- II. That Ol' Wagnerian Rag -- III. Slave to Jazz -- IV. Sacrificial Jazz -- Chapter Five Jazz-Heinis -- I. The Inner Crisis -- II. The Nazi Princess -- III. Stop, Thief -- IV. The White-Face Minstrel -- Conclusion -- Notes -- Bibliography -- Index
    URL: Volltext  (lizenzpflichtig)
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  • 61
    Language: English
    Pages: Online-Ressource
    Dissertation note: Dissertation Dortmund, Technische Universität 2019
    RVK:
    Keywords: Hip-Hop ; Hip-hop ; Rap (Music) ; Deutschland ; USA ; Hip-hop ; Transculturation ; Bilingualism ; Multilingualism ; Aesthetic experience ; Transatlantic and transnational American studies ; Hochschulschrift ; Hochschulschrift ; USA ; Hip-Hop ; Deutschland
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  • 62
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9781138363069 , 9781472479624
    Language: English
    Pages: xvii, 320 Seiten , Illustrationen
    Edition: First issued in paperback
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
    RVK:
    RVK:
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    Keywords: Popular music History and criticism ; Unterhaltungsmusik ; Musiksoziologie ; Deutsch ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutsch ; Unterhaltungsmusik ; Musiksoziologie
    Abstract: In this book, native popular musicologists focus on their own popular music cultures from Germany, Austria and Switzerland for the first time: from subcultural to mainstream phenomena; from the 1950s to contemporary acts. Starting with an introduction and two chapters on the histories of German popular music and its study, the volume then concentrates on focused, detailed and yet concise close readings from different perspectives (including particular historical East and West German perspectives), mostly focusing on the music and its protagonists. Moreover, these analyses deal with very original specific genres such as Schlager and Krautrock as well as transcultural genres such as Punk or Hip Hop. There are additional chapters on characteristically German developments within music media, journalism and the music industry. The book will contribute to a better understanding of German, Austrian and Swiss popular music, and will interconnect international and especially Anglo-American studies with German approaches. The book, as a consequence, will show close connections between global and local popular music cultures and diverse traditions of study.
    Abstract: Michael Ahlers has studied music education, German, and musicology. He worked as an editor and ran a company for music production. His PhD was on human-machine interfaces in music production software. He is Professor of Music Education and Popular Music at the Leuphana University of Luneburg, Germany. His main research is on empirical music pedagogy, creativity and improvisation, as well as popular music studies. Christoph Jacke has studied communication and media, politics, and English. He has worked as a music journalist. He is Professor of Theory, Aesthetics and History of Popular Music, and Director of the BA and MA programme in Popular Music and Media at the Department of Music at the University of Paderborn, Germany. His research focus is on media, culture and communications theory, cultural studies, celebrity studies and popular music studies.
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  • 63
    ISBN: 978-3-8309-3872-9
    Language: German , English
    Pages: 322 Seiten : , Illustrationen, Diagramme
    Additional Material: 1 Korrigenda-Blatt
    Series Statement: Musikpädagogische Forschung Band 39
    Series Statement: Musikpädagogische Forschung
    DDC: 780.71
    RVK:
    RVK:
    Keywords: Musikerziehung. ; Forschung. ; Inklusive Pädagogik. ; Inklusion ; Interaktion. ; Musizieren. ; Konferenzschrift 2017 ; Konferenzschrift ; Musikerziehung ; Forschung ; Inklusive Pädagogik ; Inklusion ; Interaktion ; Musizieren
    Note: Beiträge überwiegend deutsch, teilweise englisch
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  • 64
    Book
    Book
    Hofheim : Wolke
    ISBN: 9783955930158 , 3955930157
    Language: English , German
    Pages: 287 Seiten , Illustrationen , 22 cm
    Edition: Originalausgabe
    Series Statement: Darmstädter Beiträge zur Jazzforschung Vol. 15
    Series Statement: Darmstädter Beiträge zur Jazzforschung
    DDC: 781.6509
    RVK:
    Keywords: Geschichte ; Jazz ; Musikgeschichtsschreibung ; Jazz Jahre Jazz ; Jazz without Heroes ; Konferenzschrift 2017 ; Konferenzschrift ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Konferenzschrift ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Jazz ; Musikgeschichtsschreibung ; Geschichte
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  • 65
    ISBN: 9780755601974 , 9781784538583
    Language: English
    Pages: XVI, 240 Seiten , Illustrationen , 22 cm
    Series Statement: Library of World War II studies 1
    Series Statement: Library of World War II studies
    DDC: 940.5488
    RVK:
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    Keywords: World War, 1939-1945 Propaganda ; Radio in propaganda History 20th century ; Radio in propaganda History 20th century ; Jazz Social aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Radio broadcasting History 20th century ; Radio broadcasting History 20th century ; World War (1939-1945) ; Jazz ; Social aspects ; Propaganda ; Radio broadcasting ; Radio in propaganda ; Germany ; Great Britain ; History ; Jazz ; Jazz ; Propaganda ; Radio broadcasting ; Radio broadcasting ; Radio broadcasting ; Radio in propaganda ; Radio in propaganda ; World War, 1939-1945 ; Germany ; Great Britain ; World War (1939-1945) ; History ; 1900-1999 ; Deutschland ; Großbritannien ; USA ; Jazz ; Propaganda ; Soziale Situation ; Geschichte 1939-1945 ; Jazz ; Zweiter Weltkrieg ; Kultur ; Geschichte
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 66
    ISBN: 9783826063411 , 3826063414
    Language: English
    Pages: 464 Seiten , Illustrationen , 23.5 cm x 15.5 cm, 830 g
    DDC: 809.933578
    RVK:
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    Keywords: Konferenzschrift ; Konferenzschrift 2014 ; Konferenzschrift ; Konferenzschrift 2014 ; Jazz ; Literatur ; Geschichte 1914-2014 ; Jazz ; Geschichte 1913-2014
    Note: Literaturangaben
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  • 67
    ISBN: 9781501314124 , 9781501314087
    Language: English
    Pages: ix, 179 Seiten , Illustrationen
    Edition: Paperback edition
    DDC: 781.660943
    RVK:
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    Keywords: Geschichte ; Punk Rock ; Subkultur ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturverzeichnis Seite [171]-173 , Originally published: 2016
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  • 68
    ISBN: 9781438469874 , 9781438469867
    Language: English
    Pages: xxvi, 200 Seiten , Illustrationen , 23 cm
    Series Statement: SUNY series, philosophy and race
    Parallel Title: Erscheint auch als
    DDC: 781.65089/96073043
    RVK:
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    Keywords: Geschichte 1918-1939 ; Philosophy, German 20th century ; Jazz History and criticism 20th century ; Blacks Race identity 20th century ; History ; Jazz ; Schwarze ; Nationalsozialismus ; Ethnische Identität ; Afroamerikanische Musik ; Deutschland ; Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Abstract: Anti-Music examines the critical, literary, and political responses to African American jazz music in interwar Germany. During this time, jazz was the subject of overt political debate between left-wing and right-wing interests: for the left, jazz marked the death knell of authoritarian Prussian society; for the right, jazz was complicit as an American import threatening the chaos of modernization and mass politics. This conflict was resolved in the early 1930s as the left abandoned jazz in the face of Nazi victory, having come to see the music in collusion with the totalitarian culture industry. Mark Christian Thompson recounts the story of this intellectual trajectory and describes how jazz came to be associated with repressive, virulently racist fascism in Germany. By examining writings by Hermann Hesse, Bertolt Brecht, T.W. Adorno, and Klaus Mann, and archival photographs and images, Thompson brings together debates in German, African American, and jazz studies, and charts a new path for addressing antiblack racism in cultural criticism and theory. - Mark Christian Thompson is Professor of English at Johns Hopkins University and the author of Black Fascisms: African American Literature and Culture between the Wars and Kafka’s Blues: Figurations of Racial Blackness in the Construction of an Aesthetic. (Klappentext)
    Note: Includes bibliographical references and index
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  • 69
    Book
    Book
    London ; New York : Rowman & Littlefield International
    ISBN: 9781786606228
    Language: English
    Pages: ix, 277 Seiten , Illustrationen
    Series Statement: Popular musics matter: social, political and cultural interventions
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University of Amsterdam 2016
    DDC: 781.640943
    RVK:
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    Keywords: Geschichte 1945-2016 ; Unterhaltungsmusik ; Identität ; Nationalbewusstsein ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Identität ; Nationalbewusstsein ; Unterhaltungsmusik ; Geschichte 1945-2016
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  • 70
    Online Resource
    Online Resource
    Berlin, [Germany] ; Boston, [Massachusetts] : De Gruyter
    ISSN: ISSN 2193-9659
    Language: English
    Pages: 1 online resource (276 pages)
    Series Statement: Companions to Contemporary German Culture Volume 6
    Parallel Title: Erscheint auch als German pop music : a companion
    DDC: 781.640943
    RVK:
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    Keywords: Sozialgeschichte ; Popular music History and criticism ; Musikalischer Stil ; Popmusik ; Deutschland ; Deutschland ; Aufsatzsammlung ; Deutschland ; Popmusik ; Musikalischer Stil ; Sozialgeschichte
    Note: Description based on print version record
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  • 71
    Book
    Book
    Toronto : University of Toronto Press
    ISBN: 1487500688 , 1487520484 , 9781487500689 , 9781487520489
    Language: English
    Pages: xii, 402 Seiten , Illustrationen
    Series Statement: German and European studies 26
    Series Statement: German and European studies
    DDC: 780.943
    RVK:
    Keywords: Music Social aspects ; Music History and criticism ; Music ; Germany ; Criticism, interpretation, etc ; Bibliografie ; Deutschland ; Musik ; Gesellschaft ; Nationalbewusstsein ; Geschichte 1800-1914
    Abstract: "In The Necessity of Music, Celia Applegate explores the many ways that Germans thought about and made music from the eighteenth- to twentieth-centuries. Rather than focus on familiar stories of composers and their work Applegate illuminates the myriad ways in which music is integral to German social life. Musical life reflected the polycentric nature of German social and political life, even while it provided many opportunities to experience what was common among Germans. Musical activities also allowed Germans, whether professional musicians, dedicated amateurs, or simply listeners, to participate in European culture. Applegate's original and fascinating analysis of Mendelssohn, Schumann, Brahms, Wagner, and military music enables the reader to understand music through the experiences of listeners, performers, and institutions. The necessity of music demonstrates that playing, experiencing, and interpreting music was a powerful factor that shaped German collective life."--
    Abstract: Part I. Places -- How German is it? -- Music in place -- Musical itinerancy in a world of nations -- Music at the fairs -- Part II. People -- Mendelssohn on the road -- A.B. Marx's cosmopolitan nationalism -- Schumann's German nation -- The musical worlds of Brahm's Hamburg -- Part III. Public and private -- What difference does a nation make? -- Men with trombones -- Women's Wagner -- Hausmusik in the Third Reich -- To be or not to be Wagnerian in Leni Riefenstahl's films -- Saving music
    Note: Auch als Online-Ausgabe erschienen
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  • 72
    ISBN: 9780571346639
    Language: English
    Pages: XIII, 495 Seiten , Illustrationen
    Edition: Paperback edition
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    Keywords: Geschichte 1960-1980 ; Rock music / Germany / 1961-1970 / History and criticism ; Rock music / Germany / 1971-1980 / History and criticism ; Rock groups / Germany / History ; Geschichte ; Rockmusik ; Krautrock ; Deutschland ; Deutschland ; Deutschland ; Rockmusik ; Krautrock ; Geschichte 1960-1980
    Abstract: West Germany following the Second World War was a country in shock: estranged from its recent history, and adrift from the rest of Europe. But this disorientating landscape proved fertile ground for a generation of musicians who, from the 1960s onwards, would develop the experimental and various sounds that became known as Krautrock. Eschewing the Anglo-American jazz/blues tradition, they took their inspiration from elsewhere: the mysticism of the East; the fractured classicism of Stockhausen; the pneumatic repetition of industry and the dense forests of the Rhineland; the endless winding of Autobahns. Faust, Neu!, Cluster, Ash Ra Tempel, Amon Duul II, Can and Kraftwerk. These may not all be household names, but the influence of their ruminative, expansive compositions upon Western popular music is incalculable. These groups were key to the development of postpunk, electronica and ambient music. Without them Bowie would not have made his Berlin trilogy, Talking Heads would have been a straight-ahead rock band, and the Pet Shop Boys would have a completely different stage act. Future Days is an in-depth study of this meditative, sometimes abstract, often very beautiful music and the groups that made it, throwing light on the social and political context that informed them. It's an indispensable book for those wanting to understand how much of today's music came about, and to discover a wealth of highly influential and pioneering musicians
    Note: Literaturverz. S. 469 - 495
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  • 73
    Online Resource
    Online Resource
    Berlin : De Gruyter
    ISBN: 9783110425727 , 9783110423549
    Language: English
    Pages: 1 Online-Ressource (VI, 270 Seiten)
    Series Statement: Companions to contemporary German culture volume 6
    Series Statement: Companions to contemporary German culture
    Parallel Title: Erscheint auch als German pop music
    DDC: 781.640943
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    Keywords: Popmusik ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Popmusik
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 74
    ISBN: 9783830935049 , 3830935048
    Language: German , English
    Pages: 387 Seiten , Illustrationen
    Series Statement: Populäre Kultur und Musik Band 20
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    DDC: 780
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    Keywords: Deutsches Volksliedarchiv ; Geschichte 1914-2014 ; Kulturaustausch ; Unterhaltungsmusik ; Rezeption ; USA ; Deutschland ; Amerika ; USA ; Deutschland ; 20. Jahrhundert ; 21. Jahrhundert ; Kulturaustausch ; Amerikarezeption ; Unterhaltungskultur ; Unterhaltungsmusik ; Jazz ; Jazzrezeption ; Soul ; Amerikanisierung ; Amerikanismus ; afroamerikanische Musik ; Musical ; Hair ; Hippie-Bewegung ; Popmusik ; Gangsta-Rap ; Volksmusik und populäre Musikkulturen ; Festschrift ; Konferenzschrift 2014 ; Festschrift ; Konferenzschrift 2014 ; Festschrift ; Konferenzschrift 2014 ; USA ; Unterhaltungsmusik ; Rezeption ; Deutschland ; Kulturaustausch ; Geschichte 1914-2014 ; Deutsches Volksliedarchiv ; USA ; Deutschland ; Unterhaltungsmusik ; Rezeption ; Geschichte 1914-2014
    Note: Beiträge überwiegend deutsch, teilweise englisch
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  • 75
    Book
    Book
    Berlin : De Gruyter
    ISBN: 3110425718 , 9783110425710
    Language: English
    Pages: VI, 270 Seiten , 230 mm x 155 mm
    Series Statement: Companions to contemporary German culture Volume 6
    Parallel Title: Online-Ausg.
    DDC: 781.640943
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    Keywords: Geschichte 1945-2016 ; Popmusik ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturverzeichnis: Seite [257]-262
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  • 76
    ISBN: 3830935048 , 9783830935049
    Language: German , English
    Pages: 387 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: Populäre Kultur und Musik Band 20
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als Amerika-Euphorie – Amerika-Hysterie
    DDC: 306.484240943
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    Keywords: Weimarer Republik ; Akkulturation ; Kulturübertragung ; Musik ; Jazz ; Pop-Kultur ; Unterhaltung ; Amerikanismus ; Antiamerikanismus ; Soziokultureller Wandel ; USA ; Deutschland ; Deutschland ; Deutschland ; Festschrift ; Konferenzschrift 13.11.2014-15.11.2014 ; Festschrift ; Konferenzschrift 13.11.2014-15.11.2014 ; USA ; Unterhaltungsmusik ; Rezeption ; Deutschland ; Kulturaustausch ; Geschichte 1914-2014
    Abstract: Mit vielleicht keinem zweiten Land verbindet die Deutschen eine so reichhaltige und wechselvolle Geschichte wie mit den Vereinigten Staaten von Amerika. Maßgeblich hierfür waren neben den weltpolitischen Verwerfungen des 20. und 21. Jahrhunderts stets die kulturellen Güter, allen voran die Musik. In Zeiten der Weimarer Republik etwa floss der Jazz unaufhaltsam in die deutsche Unterhaltungskultur ein und begeisterte Publikum und Künstler gleichermaßen, gleichzeitig repräsentierten die USA für konservative Kreise einen libertär-demokratischen Geist, dem eine ‚zersetzende‘ Wirkung auf die deutsche Gesellschaft unterstellt wurde. Die ambivalente Beziehung der Deutschen gegenüber den USA setzte sich nach dem Zweiten Weltkrieg fort: Ob als ‚Befreier‘ und Verbündete oder als ‚imperialistischer Feindesstaat‘ – je nach politischer Gesinnung und kultureller Zugehörigkeit konnte man in den USA und ihrer Kultur die Verheißung schlechthin oder den ultimativen Dämon erkennen. Euphorie und Hysterie bildeten gewissermaßen den roten Faden in der Amerikarezeption der Deutschen.
    Note: Enthält Literaturangaben , ""Amerika-Euphorie – Amerika-Hysterie. Populäre Musik made in USA in der Wahrnehmung der Deutschen 1914-2012" ist der Titel, unter dem dieses Vorhaben in einer Jubiläumstagung seinen Ausgang nahm und nunmehr im vorliegenden Band seinen Abschluss findet." (Seite 10) , Beiträge überwiegend deutsch, 2 Beiträge englisch
    URL: Cover
    URL: Rezension  (H-Soz-Kult)
    URL: Cover
    URL: Rezension  (H-Soz-Kult)
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  • 77
    ISBN: 9788861631502
    Language: English
    Pages: 277 Seiten , Illustrationen, Faksimiles, Notenbeispiele , 24 cm
    Series Statement: Intersezioni musicali book IM05
    DDC: 780
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    Keywords: Geschichte ; Ethnomusicology ; Musicology ; Interkulturalität ; Soziale Identität ; Musikleben ; Musikethnologie ; Musikwissenschaft ; Neapel ; Salento ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Musikethnologie ; Musikwissenschaft ; Interkulturalität ; Geschichte ; Neapel ; Salento ; Musikleben ; Soziale Identität ; Geschichte
    Note: Revised and selected papers presented at three seminars held at the Istituto interculturale di studi musicali comparati, Fondazione Giorgio Cini, Venice, Italy, 2013, January 30-31, 2014, and 2015, and one other essay. - Includes bibliographical references
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  • 78
    ISBN: 9780472053407 , 9780472073405
    Language: English
    Pages: XI, 311 Seiten , Illustrationen
    Series Statement: Social history, popular culture, and politics in Germany
    Parallel Title: Erscheint auch als
    DDC: 306.4/8425094309042
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    Keywords: Geschichte 1900-2000 ; Geschichte 1918-1933 ; Geschichte 1921-1930 ; Geschichte ; Gesellschaft ; Jazz Social aspects 20th century ; History ; Jazz History and criticism 1921-1930 ; Music and race ; Ethnische Identität ; Soziale Funktion ; Kulturleben ; Jazz ; Schwarze ; Deutschland ; Germany Civilization ; American influences ; Deutschland ; Deutschland ; Schwarze ; Jazz ; Kulturleben ; Ethnische Identität ; Soziale Funktion ; Geschichte 1918-1933 ; Deutschland ; Jazz ; Geschichte 1921-1930
    Note: Includes bibliographical references and index
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  • 79
    ISBN: 9783658177393
    Language: English
    Pages: 298 Seiten , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: Systematische Musikwissenschaft
    Series Statement: Springer Research
    Parallel Title: Erscheint auch als
    DDC: 780
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    Keywords: Culture / Study and teaching ; Music ; Cultural studies ; Mass media ; Communication ; Social sciences in mass media ; Cultural and Media Studies ; Cultural Studies ; Media Sociology ; Massenmedien ; Musik ; Musiksoziologie ; Unterhaltungsmusik ; Kulturvergleich ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift 2017 ; Unterhaltungsmusik ; Musiksoziologie ; Kulturvergleich
    Note: This volume presents selected contributions to the 19th edition of the biannual conference of the International Association for the Study of Popular Music, held in Kassel, Germany, from June 26-30, 2017
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  • 80
    ISBN: 9783837638561 , 3837638561
    Language: German , English
    Pages: 309 Seiten , Illustrationen , 23 cm, 393 g
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    DDC: 780
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    Keywords: Unterhaltungsmusik ; Popmusik ; Rezeption ; Deutschland ; Aufsatzsammlung ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 2015
    Note: Beiträge größtenteils deutsch, teilweise englisch
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  • 81
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press | The Hague : OAPEN Foundation
    ISBN: 9780472122660
    Language: English
    Pages: 1 Online-Ressource (xi, 311 Seiten) , Illustrationen
    Series Statement: Social history, popular culture, and politics in Germany
    DDC: 306.4/8425094309042
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    Keywords: Kultur ; Jazz ; Modernität ; Ethnische Beziehungen ; Deutschland ; Electronic books ; Criticism, interpretation, etc ; History ; Electronic book ; Electronic book ; Criticism, interpretation, etc. ; History ; Electronic books.
    URL: Volltext  (Kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: JSTOR
    URL: OAPEN
    URL: OAPEN
    URL: Image  (Thumbnail cover image)
    URL: FULL  ((Currently Only Available on Campus))
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 82
    ISBN: 9783826060854 , 3826060857
    Language: English , German
    Pages: 321 Seiten , 23.5 cm x 15.5 cm
    Series Statement: Eichstätter Europastudien Band 5
    Series Statement: Eichstätter Europastudien
    DDC: 420
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    Keywords: Kriegslied ; Friede ; Lied ; Konferenzschrift 19.06.2015-20.06.2015 ; Konferenzschrift 19.06.2015-20.06.2015 ; Konferenzbeitrag ; Historische Darstellung ; Aufsatzsammlung ; Konferenzschrift ; Konferenzbeitrag ; Historische Darstellung ; Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Konferenzschrift 19.06.2015-20.06.2015 ; Kriegslied ; Friede ; Lied
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  • 83
    ISBN: 9783956501722 , 3956501721
    Language: English
    Pages: 314 Seiten , Illustrationen, Notenbeispiele , 24 cm x 17 cm, 808 g
    Series Statement: Istanbuler Texte und Studien Band 36
    Series Statement: Istanbuler Texte und Studien
    DDC: 780
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    Keywords: Rhythmus ; Kunstmusik ; Mittlerer Osten ; Art Music ; Middle East ; Rhythmic Cycles ; Konferenzschrift 2014 ; Konferenzschrift 2014 ; Konferenzschrift ; Konferenzschrift 2014 ; Konferenzschrift ; Konferenzschrift 2014 ; Konferenzschrift 2014 ; Konferenzschrift 2014 ; Konferenzschrift ; Mittlerer Osten ; Kunstmusik ; Rhythmus
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  • 84
    ISBN: 9781501314117
    Language: English
    Pages: 1 online resource (193 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Beyond no future
    DDC: 306.10943
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    Keywords: Punk rock music Social aspects ; Punk rock music History and criticism ; Punk rock music ; Germany ; Social aspects ; Punk rock music ; Germany ; History and criticism ; Electronic books ; Electronic books ; Deutschland ; Punk Rock ; Subkultur ; Geschichte ; Deutschland ; Punk ; Soziale Funktion ; Jugendkultur ; Subkultur
    Abstract: Cover -- Contents -- List of Figures -- Notes on Contributors -- Acknowledgments -- Mirko M. Hall, Seth Howes, and Cyrus M. Shahan -- Dennis Borghardt -- Matthew Sikarskie -- Peter Brandes -- Seth Howes -- Karen Fournier -- Melanie Eis and Fabian Eckert -- Cyrus M. Shahan -- Mirko M. Hall -- Mirko M. Hall, Seth Howes, and Cyrus M. Shahan -- Select Bibliography -- Index
    Note: Includes bibliographical references and index. Description based on print version record
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  • 85
    Book
    Book
    Darmstadt : Jazzinstitut | Hofheim : Wolke
    ISBN: 3955930149 , 9783955930141
    Language: English , German
    Pages: 308 Seiten , Illustrationen, Notenbeispiele , 21.4 cm x 15 cm
    Series Statement: Darmstädter Beiträge zur Jazzforschung Band 14
    Series Statement: Darmstädter Beiträge zur Jazzforschung
    DDC: 781.65081
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    Keywords: Konferenzschrift ; Konferenzschrift ; Jazz ; Geschlechterrolle ; Jazz ; Geschlechtsidentität
    Note: Register: Seiten 303-308 , Texte deutsch oder englisch
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  • 86
    ISBN: 9789004314986
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Intersections 43
    Series Statement: Intersections
    Parallel Title: Erscheint auch als Identities, Intertextuality and Performance in Song Culture (2012 : Amsterdam) Identity, intertextuality, and performance in early modern song culture
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    Keywords: Vocal music History and criticism 16th century ; Vocal music History and criticism 17th century ; Vocal music History and criticism 18th century ; Vocal music History and criticism 19th century ; Music Social aspects 16th century ; History ; Music Social aspects 17th century ; History ; Music Social aspects 18th century ; History ; Music Social aspects 19th century ; History ; Autograph albums History 16th century ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Vokalmusik ; Volkslied ; Liederbuch ; Geschichte 1450-1850
    Abstract: Preliminary Material -- 1 Introduction /Louis Peter Grijp and Dieuwke van der Poel -- 2 Local and Religious Identity in Swedish Popular Hymn Singing during the Seventeenth and Eighteenth Centuries /Ingrid Åkesson -- 3 Performing Pietism in the Peatlands: Songs in the Manuscript Miscellany of a Village Schoolmaster in the Dutch Republic between 1750 and 1800 /Nelleke Moser -- 4 Guilielmus Bolognino’s Den Gheestelijcken Leeuwercker: The Collected Songs of a Counter-Reformation Champion /Hubert Meeus and Tine de Koninck -- 5 Songs and Identities: Handwritten Secular Songbooks in German-Speaking Areas of the Fifteenth and Sixteenth Centuries /Franz-Josef Holznagel -- 6 ‘Social Networking is in Our dna’: Women’s Alba Amicorum as Places to Build and Affirm Group Identities /Sophie Reinders -- 7 The Many Shades of Love: Possessors and Inscribers of Sixteenth-Century Women’s Alba /Clara Strijbosch -- 8 Exploring Love’s Options: Song and Youth Culture in the Sixteenth Century Netherlands /Dieuwke van der Poel -- 9 Oppositional Political Identity in the Song Culture of the Vormärz and the 1848 Revolution in Germany /David Robb -- 10 The Perils of Performance: From Political Songs to National Airs in Romantic-Era Wales (1790–1820) /Mary-Ann Constantine -- 11 Folksongs, Conflicts and Social Protest in Early Modern France /Éva Guillorel -- 12 “Fortune My Foe”: The Circulation of an English Super-Tune /Christopher Marsh -- 13 Samuel Pepys and the Making of Ballad Publics /Patricia Fumerton -- 14 Slave Orchestras and Rainbow Balls: Colonial Culture and Creolisation at the Cape of Good Hope, 1750–1838 /Anne Marieke van der Wal -- Index Nominum.
    Abstract: Singing together is a tried and true method of establishing and maintaining a group’s identity. Identity, Intertextuality, and Performance in Early Modern Song Culture for the first time explores comparatively the dynamic process of group formation through the production and appropriation of songs in various European countries and regions. Drawing on oral, handwritten and printed sources, with examples ranging from 1450 to 1850, the authors investigate intertextual patterns, borrowing of melodies, and performance practices as these manifested themselves in a broad spectrum of genres including ballads, popular songs, hymns and political songs. The volume intends to be a point of departure for further comparative studies in European song culture. Contributors are: Ingrid Åkesson, Mary-Ann Constantine, Patricia Fumerton, Louis Peter Grijp, Éva Guillorel, Franz-Josef Holznagel, Tine de Koninck, Christopher Marsh, Hubert Meeus, Nelleke Moser, Dieuwke van der Poel, Sophie Reinders, David Robb, Clara Strijbosch, and Anne Marieke van der Wal
    Note: Includes bibliographical references and index
    URL: DOI
    URL: DOI
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  • 87
    Online Resource
    Online Resource
    Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften
    ISBN: 9783653065794
    Language: English
    Pages: 1 Online-Ressource (310 Seiten) , 10 ill
    Edition: 1st, New ed
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1950-2015 ; Geschichte ; Sozialistischer Realismus ; Ideologie ; Ästhetik ; Sozialismus ; Jazz ; Postmoderne ; Jazzmusiker ; Gesellschaft ; Osteuropa ; Europa ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Osteuropa ; Jazz ; Sozialismus ; Gesellschaft ; Postmoderne ; Ideologie ; Ästhetik ; Geschichte 1950-2015 ; Europa ; Jazz ; Jazzmusiker ; Sozialistischer Realismus ; Postmoderne ; Geschichte
    Description / Table of Contents: In the 20th century, jazz was an important artistic form. Depending on the particular European country, jazz music carried different social, political and aesthetic meanings. It brought challenges in the areas of racial issues, the politics of the Cold War between East and West, and in the exploration of boundaries of artistic freedom. In socialist Czechoslovakia, Yugoslavia, Hungary and Poland, the situation began to change after 1956 and then 1968, when the ideologists shifted from the aesthetics of socialist realism to postmodernism. In Western countries such as France and Italy, jazz transformed from a modern to a postmodern period. This volume deals with the impact of these changes on the career development of jazz musicians - even beyond 1989 - in terms of various phenomena such as emigration, child prodigies, multiculturalism, multi-genre approaches, or female jazz musicians
    Note: Online resource; title from title screen (viewed June 10, 2019)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 88
    Book
    Book
    New York : Bloomsbury Academic
    ISBN: 9781501314087 , 9781501314124
    Language: English
    Pages: ix, 179 Seiten , Illustrationen
    Edition: First published
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.660943
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    Keywords: Geschichte ; Gesellschaft ; Punk rock music Social aspects ; Punk rock music History and criticism ; Subkultur ; Punk Rock ; Deutschland ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Punk Rock ; Subkultur ; Geschichte
    Note: Includes bibliographical references and index
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  • 89
    Online Resource
    Online Resource
    Berlin/Boston : De Gruyter | Ann Arbor, Michigan : ProQuest
    ISBN: 9783110425727
    Language: English
    Pages: 1 Online-Ressource (276 pages)
    Series Statement: Companions to Contemporary German Culture v.6
    DDC: 781.64094299999999
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    Keywords: Geschichte 1945-2016 ; Popmusik ; Deutschland ; Aufsatzsammlung
    Abstract: The series offers lively, comprehensive accounts of contemporary German culture written by experts and designed for advanced student readers and scholars alike. Both in monographs and closely-defined edited collections, it aims to introduce major authors, thinkers, filmmakers, literary topics, genres and landmark individual works, focusing on the period since 1989 but reaching back, where appropriate, to the vital hinterland of the 1970s.
    Note: Description based on publisher supplied metadata and other sources
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  • 90
    ISBN: 9781472424792
    Language: English
    Pages: xx, 282 Seiten , Illustrationen, Diagramme, Notenbeispiele , 24 cm
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als Heavy metal, gender and sexuality
    DDC: 781.66081
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    Keywords: Heavy metal music History and criticism ; Gender identity in music ; Sex in music ; Aufsatzsammlung ; Konferenzschrift ; Heavy Metal ; Geschlechterrolle ; Geschlechtsidentität
    Abstract: Heavy metal culture : a case of limited diversity in gender and sexuality? Playing with gender in the key of metal / Deena Weinstein ; "Coming out" : realising the possibilities of metal / Keith Kahn-Harris ; Metal, masculinity, and the queer subject / Amber R. Clifford-Napoleone -- Solo metal masculinities. Living history : the guitar virtuoso and composer Steve Vai / Michael Custodis ; "Never say die!" : Ozzy Osbourne as a male role model / Dietmar Elflein ; Placing gender : Alice Cooper's Motor City move / Sarah Gerk -- Extended critical metal masculinities. Wild side : self-styling and the aesthetics of metal in the music videos of Mötley Crüe / Mollie Ables ; "Body Count's in the house" : challenging the US working-class metal-hero / Thorsten Hindrichs -- The monstrous male and myths of masculinity in heavy metal / Niall Scott -- Interlude. Female metal singers : a panel discussion with Sabina Classen, Britta Görtz, Angela Gossow and Doro Pesch / Sarah Chaker and Florian Heesch -- Dialogues and intermediaries. What is "male" about black and death metal music? : an empirical approach / Sarah Chaker ; "Girls like metal, too!" : female reader's engagement with the masculinist culture of the tabloid metal magazine / Andy R. Brown ; "This isn't over 'til I say it's over!" : narratives of male frustration in deathcore and beyond / Marcus Erbe -- Relocating violence in thrash metal lyrics : the Tori Amos cover of Slayer's Raining blood / Luc Bellemare ; Liquid identity : love, heavy metal and the dynamics of gender in animé soundtracks / Maria Grajdian -- Global and local perspectives. Heavy, death and doom metal in Brazil : a study on the creation and maintenance of stylistic boundaries within metal bands / Hugo Ribeiro ; Brutal masculinity in Osaka's extreme-metal scene / Rosemary Overell ; Race and gender in globalized and postmodern metal / Magnus Nilsson
    Description / Table of Contents: Heavy metal culture : a case of limited diversity in gender and sexuality? Playing with gender in the key of metal / Deena Weinstein ; "Coming out" : realising the possibilities of metal / Keith Kahn-Harris ; Metal, masculinity, and the queer subject / Amber R. Clifford-NapoleoneSolo metal masculinities. Living history : the guitar virtuoso and composer Steve Vai / Michael Custodis ; "Never say die!" : Ozzy Osbourne as a male role model / Dietmar Elflein ; Placing gender : Alice Cooper's Motor City move / Sarah Gerk -- Extended critical metal masculinities. Wild side : self-styling and the aesthetics of metal in the music videos of Mötley Crüe / Mollie Ables ; "Body Count's in the house" : challenging the US working-class metal-hero / Thorsten Hindrichs -- The monstrous male and myths of masculinity in heavy metal / Niall Scott -- Interlude. Female metal singers : a panel discussion with Sabina Classen, Britta Görtz, Angela Gossow and Doro Pesch / Sarah Chaker and Florian Heesch -- Dialogues and intermediaries. What is "male" about black and death metal music? : an empirical approach / Sarah Chaker ; "Girls like metal, too!" : female reader's engagement with the masculinist culture of the tabloid metal magazine / Andy R. Brown ; "This isn't over 'til I say it's over!" : narratives of male frustration in deathcore and beyond / Marcus Erbe -- Relocating violence in thrash metal lyrics : the Tori Amos cover of Slayer's Raining blood / Luc Bellemare ; Liquid identity : love, heavy metal and the dynamics of gender in animé soundtracks / Maria Grajdian -- Global and local perspectives. Heavy, death and doom metal in Brazil : a study on the creation and maintenance of stylistic boundaries within metal bands / Hugo Ribeiro ; Brutal masculinity in Osaka's extreme-metal scene / Rosemary Overell ; Race and gender in globalized and postmodern metal / Magnus Nilsson.
    Note: Literaturangaben
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  • 91
    ISBN: 9789004314986
    Language: English
    Pages: 1 online resource (397 pages) , illustrations, photographs.
    Series Statement: Intersections Volume 43
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Identities, Intertextuality and Performance in Song Culture (2012 : Amsterdam) Identity, intertextuality, and performance in early modern song culture
    DDC: 782.0094
    RVK:
    RVK:
    Keywords: Autograph albums History 16th century ; Music Social aspects 16th century ; History ; Music Social aspects 17th century ; History ; Music Social aspects 18th century ; History ; Music Social aspects 19th century ; History ; Vocal music History and criticism 16th century ; Vocal music History and criticism 17th century ; Vocal music History and criticism 18th century ; Vocal music History and criticism 19th century ; Vocal music ; Europe ; 16th century ; History and criticism ; Vocal music ; Europe ; 17th century ; History and criticism ; Vocal music ; Europe ; 18th century ; History and criticism ; Vocal music ; Europe ; 19th century ; History and criticism ; Music ; Social aspects ; Europe ; History ; 16th century ; Music ; Social aspects ; Europe ; History ; 17th century ; Music ; Social aspects ; Europe ; History ; 18th century ; Music ; Social aspects ; Europe ; History ; 19th century ; Autograph albums ; Netherlands ; History ; 16th century ; Electronic books ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift Identity, intertextuality, and performance in early modern song culture 17.10.2012-19.10.2012 ; Vokalmusik ; Volkslied ; Liederbuch ; Geschichte 1450-1850
    Abstract: Contents -- Acknowledgements -- Notes on the Editors -- Notes on the Contributors -- List of Illustrations -- Chapter 1 Introduction -- Chapter 2 Local and Religious Identity in Swedish Popular Hymn Singing during the Seventeenth and Eighteenth Centuries -- Chapter 3 Performing Pietism in the Peatlands: Songs in the Manuscript Miscellany of a Village Schoolmaster in the Dutch Republic between 1750 and 1800 -- Chapter 4 Guilielmus Bolognino's Den Gheestelijcken Leeuwercker: The Collected Songs of a Counter-Reformation Champion -- Chapter 5 Songs and Identities: Handwritten Secular Songbooks in German-Speaking Areas of the Fifteenth and Sixteenth Centuries -- Chapter 6 'Social Networking is in Our Dna': Women's Alba Amicorum as Places to Build and Affirm Group Identities -- Chapter 7 The Many Shades of Love: Possessors and Inscribers of Sixteenth-Century Women's Alba -- Chapter 8 Exploring Love's Options: Song and Youth Culture in the Sixteenth Century Netherlands -- Chapter 9 Oppositional Political Identity in the Song Culture of the Vormärz and the 1848 Revolution in Germany -- Chapter 10 The Perils of Performance: From Political Songs to National Airs in Romantic-Era Wales (1790-1820) -- Chapter 11 Folksongs, Conflicts and Social Protest in Early Modern France -- chapter 12 "Fortune My Foe": The Circulation of an English Super-Tune -- Chapter 13 Samuel Pepys and the Making of Ballad Publics -- Chapter 14 Slave Orchestras and Rainbow Balls: Colonial Culture and Creolisation at the Cape of Good Hope, 1750-1838 -- Index Nominum
    Note: Includes bibliographical references at the end of each chapters and index. Description based on print version record
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  • 92
    ISBN: 9781472468086
    Language: English
    Pages: xx, 180 Seiten
    Additional Information: Rezensiert in Großmann, Sonja Christine [Mikkonen Simo, Suutari Pekka
    DDC: 303.4824701713
    RVK:
    Keywords: Geschichte 1930-1981 ; Ost-West-Konflikt ; Musik ; Künste ; Kulturaustausch ; Diplomatische Beziehungen ; Konferenzschrift ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift
    Note: Literaturverzeichnis: Seite [161]-174
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  • 93
    ISBN: 9789004314979
    Language: English
    Pages: XIX, 377 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Intersections volume 43
    Series Statement: Intersections
    DDC: 782.0094
    RVK:
    Keywords: Geschichte 1400-1850 ; Musik ; Gesang ; Volkslied ; Musikpflege ; Liederbuch ; Identität ; Konferenzschrift Identity, intertextuality, and performance in early modern song culture 17.10.2012-19.10.2012 ; Konferenzschrift Identity, intertextuality, and performance in early modern song culture 17.10.2012-19.10.2012 ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift Identity, intertextuality, and performance in early modern song culture 17.10.2012-19.10.2012 ; Gesang ; Musik ; Volkslied ; Liederbuch ; Musikpflege ; Identität ; Geschichte 1400-1850
    Note: Most of the articles developed from papers given at the conference "Identities, Intertextuality, and Performance in Song Culture", held in Amsterdam, October 2012
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  • 94
    Online Resource
    Online Resource
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9781315600208
    Language: English
    Pages: 1 Online-Ressource (338 Seiten) , Illustrationen
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
    RVK:
    RVK:
    RVK:
    Keywords: Popular music History and criticism ; Unterhaltungsmusik ; Musiksoziologie ; Deutsch ; Deutschland ; Aufsatzsammlung ; Deutsch ; Unterhaltungsmusik ; Musiksoziologie
    Abstract: In this book, native popular musicologists focus on their own popular music cultures from Germany, Austria and Switzerland for the first time: from subcultural to mainstream phenomena; from the 1950s to contemporary acts. Starting with an introduction and two chapters on the histories of German popular music and its study, the volume then concentrates on focused, detailed and yet concise close readings from different perspectives (including particular historical East and West German perspectives), mostly focusing on the music and its protagonists. Moreover, these analyses deal with very original specific genres such as Schlager and Krautrock as well as transcultural genres such as Punk or Hip Hop. There are additional chapters on characteristically German developments within music media, journalism and the music industry. The book will contribute to a better understanding of German, Austrian and Swiss popular music, and will interconnect international and especially Anglo-American studies with German approaches. The book, as a consequence, will show close connections between global and local popular music cultures and diverse traditions of study.
    Abstract: Michael Ahlers has studied music education, German, and musicology. He worked as an editor and ran a company for music production. His PhD was on human-machine interfaces in music production software. He is Professor of Music Education and Popular Music at the Leuphana University of Luneburg, Germany. His main research is on empirical music pedagogy, creativity and improvisation, as well as popular music studies. Christoph Jacke has studied communication and media, politics, and English. He has worked as a music journalist. He is Professor of Theory, Aesthetics and History of Popular Music, and Director of the BA and MA programme in Popular Music and Media at the Department of Music at the University of Paderborn, Germany. His research focus is on media, culture and communications theory, cultural studies, celebrity studies and popular music studies.
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  • 95
    AV-Medium
    AV-Medium
    Berlin : Verlag für Wissenschaft und Bildung
    ISBN: 9783861356509 , 3861356503
    Language: English
    Pages: 232 Seiten , Illustrationen , 24 cm, 550 g
    Additional Material: 1 DVD-Video
    Series Statement: Intercultural music studies 19
    RVK:
    Keywords: Musikpflege ; Unterhaltungsmusik ; Musikleben ; Taarab ; Tansania ; Konferenzschrift
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  • 96
    ISBN: 9783956507038 , 9783956502057
    Language: English
    Pages: 1 Online-Ressource (270 Seiten) , Illustrationen
    Edition: 1. Auflage
    Series Statement: Istanbuler Texte und Studien Band 33
    Series Statement: Istanbuler Texte und Studien (IST) 33
    Series Statement: Nomos eLibrary
    Series Statement: Open Access
    Series Statement: Istanbuler Texte und Studien
    Parallel Title: Erscheint auch als Writing the history of “Ottoman Music”
    RVK:
    Keywords: Osmanisches Reich ; Türkei ; Musikgeschichte ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Osmanisches Reich ; Musik ; Geschichte ; Musikwissenschaft
    Abstract: Martin Greve: Introduction Bülent Aksoy: Preliminary Notes on the Possibility (or Impossibility) of Writing Ottoman Musical History Ralf Martin Jäger: Concepts of Western and Ottoman Music History Ruhi Ayangil: Thoughts and Suggestions on Writing Turkish Music History Ersu Pekin: Neither Dates nor Sources: A Methodological Problem in Writing the History of Ottoman Music Nilgün Dogrusöz: From Anatolian Edvâr (Musical Theory Book) Writers to Abdülbâkî Nâsir Dede: An Evaluation of the History of Ottoman/Turkish Music Theory Walter Feldman: The Musical “Renaissance” of Late Seventeenth Century Ottoman Turkey: Reflections on the Musical Materials of Ali Ufkî Bey (ca. 1610-1675), Hâfiz Post (d. 1694) and the “Marâghî” Repertoire Kyriakos Kalaitzidis: Post-Byzantine Musical Manuscripts as Sources for Oriental Secular Music: The Case of Petros Peloponnesios (1740-1778) and the Music of the Otto-man Court Gönül Paçaci: Changes in the Field of Turkish Music during the Late Ottoman/Early Republican Era Arzu Öztürkmen: The Quest for “National Music”: A Historical-Ethnographic Survey of New Approaches to Folk Music Research Okan Murat Öztürk: An Effective Means for Representing the Unity of Opposites: The Development of Ideology Concerning Folk Music in Turkey in the Context of Nationalism and Ethnic Identity Süley-man Senel: Ottoman Türkü Fikret Karakaya: Do Early Notation Collections Represent the Music of their Times? Sehvar Besiroglu: Demetrius Cantemir and the Music of his Time: The Concept of Authenticity and Types of Performance Andreas Haug: Reconstructing Western “Monophonic” Music Recep Uslu: Is an Echo of Seljuk Music Audible? A Methodological Research
    Note: The articles contained in this volume were originally presented at the confer-ence “Writing the History of ‘Ottoman Music’” / “‘Osmanlı Musikisi’ Tarihini Yazmak”, held at the State Conservatory for Turkish Music (Turk Musikisi Devlet Konservatuvari) of the Technical University Istanbul (ITÜ) in Istanbul, 25-26 November 2011, organized in cooperation with the Orient-Institut Istanbul
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  • 97
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press
    ISBN: 9780472122219
    Language: English
    Pages: 1 Online-Ressource (237 Seiten) , Illustrationen
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als Adelt, Ulrich, 1972 - Krautrock
    RVK:
    Keywords: 1971-1980 ; Krautrock (Music) History and criticism ; Rock music History and criticism 1971-1980 ; Krautrock (Musique) - Histoire et critique ; Rock (Musique) - Allemagne (Ouest) - 1971-1980 - Histoire et critique ; MUSIC - Instruction & Study - Theory ; MUSIC - General ; Krautrock (Music) ; Rock music ; Criticism, interpretation, etc ; Germany (West) ; Deutschland ; Krautrock ; Geschichte 1970-1980
    Note: Literaturverzeichnis: Seite 217-225. - Index
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  • 98
    Book
    Book
    München : Allitera Verlag
    ISBN: 9783869068435
    Language: German , English
    Pages: 228 Seiten , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: Musik, Kontexte, Perspektiven Band 7
    Series Statement: Musik, Kontexte, Perspektiven
    RVK:
    Keywords: Progressive Rock ; Konferenzschrift 23.11.2011-24.11.2011 ; Konferenzschrift 23.11.2011-24.11.2011 ; Konferenzschrift ; Konferenzschrift 23.11.2011-24.11.2011 ; Progressive Rock
    Note: Beiträge teilweise deutsch, teilweise englisch
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  • 99
    Book
    Book
    Frankfurt am Main : Lang, Peter
    ISBN: 9783631671733 , 3631671733
    Language: English
    Pages: 308 Seiten , Illustrationen
    Series Statement: Jazz under state socialism vol. 5
    Series Statement: Jazz under state socialism
    DDC: 900
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte ; Geschichte 1950-2015 ; Ästhetik ; Jazz ; Sozialistischer Realismus ; Ideologie ; Postmoderne ; Sozialismus ; Gesellschaft ; Jazzmusiker ; Europa ; Osteuropa ; Jazz ; Postmodernism ; Realism ; Ritter ; Socialist ; from ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Osteuropa ; Jazz ; Sozialismus ; Gesellschaft ; Postmoderne ; Ideologie ; Ästhetik ; Geschichte 1950-2015 ; Europa ; Jazz ; Jazzmusiker ; Sozialistischer Realismus ; Postmoderne ; Geschichte
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  • 100
    Book
    Book
    Frankfurt am Main : Peter Lang Edition
    ISBN: 9783631664094 , 3631664095
    Language: English
    Pages: 227 Seiten , 22 cm
    Series Statement: Jazz under state socialism Vol. 4
    Series Statement: Jazz
    DDC: 781.650947/09045
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Jazz Political aspects ; Jazz Political aspects ; Jazz Political aspects ; Jazz Political aspects ; Socialism and music ; Communism and music ; Konferenzschrift ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Ostblock ; Jazz ; Geschichte
    Abstract: Jazz in stat socialism : a playground of refusal? / Rèudiger Ritter -- 1956 : A turning point for the jazz scenes in the GDR and Poland / Christian Schmidt-Rost -- From 'Jazz in Poland' to 'Polish jazz' / Marta Domurat-Linde -- Jazz musicians in post-war Poland / Igor Pietraszewski -- Individualists, traditionalists, revolutionaries, or opportunists? The political and social constellations of jazz in Hungary during the 1950s-1960s / Gergîo Havadi -- The jazz section : disintegration through jazz / Peter Motyécka -- Negotiated spaces : jazz in Moscow after the thaw / Rèudiger Ritter -- "Swing club" and the meaning of jazz in Estonia in the late 1940s / Heli Reimann
    Note: Literaturangaben , Introduction , Jazz in state socialism - a playground of refusal? , 1956 - a turning point for the jazz scenes in the GDR and Poland , From 'Jazz in Poland' to 'Polish jazz' , Jazz musicians in post-war Poland , Individualists, traditionalists, revolutionaries, or opportunists? : the political and social constellations of jazz in Hungary during the 1950s-1960s , The jazz section : disintegration through jazz , Negotiated spaces : jazz in Moscow after the thaw , "Swing Club" and the meaning of jazz in Estonia in the late 1940s
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