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  • Englisch  (3.017)
  • Biografie  (1.101)
  • Konferenzschrift  (888)
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  • 1
    ISSN: 0170-9704
    Sprache: Englisch
    Erscheinungsverlauf: 1.1969(1972) -
    Vorheriger Titel: Proceedings of the ... conference of the International Society for the Study of Time
    DDC: 650
    RVK:
    Schlagwort(e): Monografische Reihe ; Konferenzschrift ; Zeit ; Zeitwahrnehmung
    Anmerkung: Ab 5.1986 als Schriftenreihe
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Zeitschrift/Serie
    Zeitschrift/Serie
    London : Equinox Publ. | Umina ; 1.1992/94 - 8.2006/08; 9.2008,1; 10.2009 -
    ISSN: 1038-2909 , 1836-0343 , 1836-0343
    Sprache: Englisch
    Erscheinungsverlauf: 1.1992/94 - 8.2006/08; 9.2008,1; 10.2009 -
    Paralleltitel: Erscheint auch als Perfect beat
    DDC: 780
    RVK:
    Schlagwort(e): Zeitschrift ; Popmusik ; Kultur ; Zeitschrift
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  • 3
    Buch
    Buch
    [London] : Rogan House
    Sprache: Englisch
    RVK:
    Schlagwort(e): Biografie
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  • 4
    Online-Ressource
    Online-Ressource
    Berlin, Heidelberg : Springer Berlin Heidelberg | Cham : Springer International Publishing AG
    ISBN: 9783662672525 , 3662672529
    Sprache: Englisch
    Seiten: 1 Online-Ressource (X, 173 Seiten) , 9 illus. in color.
    Ausgabe: 1st ed. 2024
    Paralleltitel: Erscheint auch als Berlich, Sebastian Who You Think I Am?
    DDC: 302.2
    RVK:
    Schlagwort(e): Popmusik ; Maske ; Communication ; Culture Study and teaching ; Popular Culture ; Clothing and dress Social aspects ; Human body in popular culture ; Popular music ; Media and Communication ; Cultural Studies ; Popular Culture ; Fashion and the Body ; Pop and Rock
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    Buch
    Buch
    Berlin : Palgrave Macmillan
    ISBN: 9783662672518 , 3662672510
    Sprache: Englisch
    Seiten: x, 173 Seiten , Illustrationen , 20.3 cm x 12.7 cm
    Paralleltitel: Erscheint auch als
    DDC: 306.48424
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    Schlagwort(e): Popmusik ; Maske
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  • 6
    ISBN: 9783662668726
    Sprache: Englisch
    Seiten: 1 Online-Ressource (viii, 346 Seiten) , Diagramme
    Originaltitel: Pandemien und Ethik
    Paralleltitel: Erscheint auch als Pandemics and ethics
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Medical laws and legislation. ; Medical Ethics. ; Epidemiology. ; Aufsatzsammlung ; Deutschland ; COVID-19 ; Pandemie ; Ethik
    Kurzfassung: Introduction Editors -- Historical Background Prof. Klaus Bergdolt (Cologne, Germany) -- Public Health & Pandemics Prof. Georg Marckmann (Munich, Germany) -- Solidarity and Social Justice Prof. Alena Buyx (Munich)/ Prof. Barbara Prainsack (Vienna, Austria) -- Public Health/Justice Prof. Eckhard Nagel (Bayreuth) -- Resource Allocation Prof. Harald Schmidt (Penn, USA) -- Restriction of Fundamental Rights (for P.H.) Prof. Stefan Rixen (Bayreuth) -- Public Health Surveillance PD Corinna Klingler (Berlin) -- Digital Medicine (AI, Apps etc. ) Prof. Timo Minssen, Dr. Sara Gerke (Harvard) -- Data Protection/Medical Law Prof. Christiane Wendehorst (Vienna) -- Vulnerability PD Lutz Bergemann (Berlin)/Dr. Annette Rogge (Kiel) -- Gender Aspects Prof. Anita Rieder, Dr.Elena Jirovsky (Vienna). - Global Health Prof. Walter Bruchhausen (Bonn) -- Rights and duties of physicians and nurses Prof. Otmar Kloiber, Secretary General, World Medical Association (Geneva)/Dr. Annabel Seebohm (Brussels) -- Research ethics Prof. Daniel Strech (Berlin) (with Alice Faust.-. Stefanie Weigold and Lana Saksone, Berlin) -- Public Awareness/Infodemic (PubliCo project) Prof. Nikola Biller (Zurich), Tim Nguyen (WHO, Geneva) -- Vaccination Programs/Vaccines etc. Prof. Christiane Druml (Vienna) -- Religion, Pandemics and Medical Ethics Prof. Ulrich Körtner (Vienna) -- Protection of the Elderly Prof. Hans-Jörg Ehni (Tübingen) -- (optional additions depending on scope/meetings) -- Ethics Consultation/Measures Clinical Ethics Prof. Andreas Frewer (Erlangen-Nuremberg) -- [Research Ethics] PD Andreas Reis (Geneva) -- [Covid-19 and People with Dementia] Prof. Martina Schmidhuber (Graz).
    Kurzfassung: Pandemics such as Covid-19, Ebola, SARS, and influenza, as well as the necessary measures for their research, prevention, and treatment, raise a number of ethical issues that confront science, the medical profession, and health policy. This overview volume, written by renowned experts from medicine, the humanities, and the social sciences, addresses the central ethical issues in pandemics. Focusing on the disciplines of philosophy, public health, bioethics, and law, the book discusses issues of resource allocation, triage, and research, as well as restrictions on freedom, rights and duties of health professionals, and ethical aspects of digital medicine in crises. The volume is intended to serve as a handbook and to provide physicians as well as nurses, politicians and interested laypersons with valuable advice on how to deal with the difficult moral problems of epidemics and pandemics. With expert contributions by Steffen Augsberg (Giessen), Klaus Bergdolt (Cologne), Nikola Biller-Andorno (Zurich), Walter Bruchhausen (Bonn), Christiane Druml (Vienna), Hans-Jörg Ehni (Tuebingen), Alice Faust (Berlin), Sophia Forster (Erlangen-Nuremberg), Andreas Frewer (Erlangen-Nuremberg), Sara Gerke (Boston/Cambridge), Patrik Hummel (Eindhoven), Elena Jirovsky-Platter (Vienna), Katharina Kieslich (Vienna), Otmar Kloiber (Ferney-Voltaire), Ulrich H. J. Körtner (Vienna), Eva Kuhn (Bonn), Georg Marckmann (Munich), Timo Minssen (Copenhagen), Tim Nguyen (Geneva), Barbara Prainsack (Vienna), Andreas Reis (Geneva), Anita Rieder (Vienna), Stephan Rixen (Bayreuth), Lana Saksone (Berlin), Martina Schmidhuber (Graz), Harald Schmidt (Philadelphia), Annabel Seebohm (Brussels), Daniel Strech (Berlin), Sebastian Wäscher (Zurich), Hans-Werner Wahl (Heidelberg), Stefanie Weigold (Berlin), and Lena Woydack (Berlin). The translation was done with the help of artificial intelligence. A subsequent human revision was done primarily in terms of content. .
    Anmerkung: Literaturangaben
    URL: Volltext  (lizenzpflichtig)
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  • 7
    ISBN: 9783031153358
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XI, 96 p. 16 illus., 15 illus. in color.)
    Ausgabe: 1st ed. 2023.
    Serie: SpringerBriefs in Criminology
    Paralleltitel: Erscheint auch als IMPRODOVA Domestic violence and COVID-19
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    Schlagwort(e): Criminology. ; Public health. ; Österreich ; Finnland ; Frankreich ; Deutschland ; Ungarn ; Portugal ; Schottland ; Slowenien ; COVID-19 ; Ausgangssperre ; Häusliche Gewalt
    Kurzfassung: Chapter 1. Introduction -- Chapter 2. Comparative trends of domestic violence -- Chapter 3. Human factors of domestic violence affected by Covid-19 -- Chapter 4. Country reports: development and response to DV in eight member states -- Chapter 5. Key findings, best practices, and recommendations.
    Kurzfassung: This brief maps the available data augmented by expert interviews on the impact of the Covid-19 measures on DV in eight European Member States during the first lock-down. The volume addresses an on-going situation, additionally complicated by renewed lockdown restrictions during autumn and early winter 2020. It assesses the assumptions of an imminent wave of domestic violence against reliable data from crime statistics, surveys, and various institutions responding to domestic violence. Collecting partner country reports from Austria, Finland, France, Germany, Hungary, Portugal, Scotland and Slovenia, it demonstrates the effects that lockdown measures starting March 2020 had on reported DV incidents. It considers the differences between each country with respect to policing, legal systems, social and cultural factors and highlights best practices to prevent conditions resulting from Covid-19 lockdown undermining victims’ security and frontline responders’ capacities to provide services and prevent domestic violence.
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  • 8
    ISBN: 9783658389604
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XIV, 499 Seiten) , Illustrationen
    Serie: Organization, management and crime - Organisation, Management und Kriminalität
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als Organizational crime
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    Schlagwort(e): Organisierte Kriminalität ; Wirtschaftskriminalität ; Korruption ; Compliance-Management ; Prävention ; Kriminalitätsbekämpfung ; Brasilien ; China ; USA ; Deutschland ; Criminology. ; Organized crime. ; Social medicine. ; Administrative law. ; Criminal behavior. ; Aufsatzsammlung ; Organisiertes Verbrechen ; Unternehmen ; Wirtschaft ; Medizin ; Studie
    Kurzfassung: How to Explain and Fight Organizational Crime -- How to Analyze Organizational Crime -- The Development of the German Criminal Regulations against Corruption in the Public Sector -- The Development of German Criminal Law against Corruption in the Private Sector -- German Corruption Cases Reflected in Criminal Files -- Compliance, Integrity, and Prevention in the Corporate Sector -- Limits of Formal Regulation -- Experimental Corruption Research in Germany -- The German Organ Transplant Scandal -- Decision-making Processes of Physicians after the Organ Donation Scandal in Germany -- In Search of Organizational Crime in the U.S -- Formal Rules and Institutional Increments in Brazil -- Organizational Crime in Brazil -- The Anti-corruption Mindset of Brazilian Law Enforcers -- New Laws and Law Enforcement to Fight against Bribery in China -- Detected Cases of Bribery in China -- Companies as Responsible Actors and Corporate Citizens -- The Puzzling Resilience of Organizational Wrongdoing.
    Kurzfassung: This book presents the results of an international comparative study on the causes of rule deviation in business and medical organizations. Based on document and interview analyses as well as experiments, the discrepancy between (state) regulations and organizational practice is elaborated and discussed in an interdisciplinary perspective. On the basis of the distinction between organizational and individual deviance, it could be shown across national boundaries that the unwritten rules of the organization make a decisive contribution in explaining organizational wrongdoing, as well as their containment. Implications for effective prevention derived from this are also pointed out. The Editors Prof. Dr. Markus Pohlmann is Professor of Sociology at the Max-Weber-Institute for Sociology at Heidelberg University. Prof. Dr. Dr. h.c. Gerhard Dannecker is Senior Professor of Criminal Law and Criminal Procedure at the Institute for German, European and International Criminal Law and Law of Criminal Procedure, Heidelberg University, Germany. Prof. i.R. Dr. Dieter Dölling is Professor i. R. of Criminal Law and Criminology at the Institute of Criminology, Heidelberg University, Germany. Prof. Dr. Dieter Hermann is Professor of Criminology at the Institute of Criminology, Heidelberg University, Germany. Dr. Kristina Höly is Postdoctoral Researcher at the Max-Weber-Institute for Sociology, Heidelberg University, Germany. Maria Eugenia Trombini is Ph.D. candidate at the Max-Weber-Institute for Sociology, Heidelberg University, Germany. Prof. em. Subrata K. Mitra, Ph.D. (Rochester), is Professor emeritus of Political Science at the South Asia Institute, Heidelberg University, Germany and Adjunct Professor at Dublin City University, Ireland.
    URL: Volltext  (lizenzpflichtig)
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  • 9
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501387050 , 9781501387067
    Sprache: Englisch
    Seiten: xi, 354 Seiten , Illustrationen
    Ausgabe: Revised edition
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): The Beatles ; Beatles ; Rock music / Analysis, appreciation ; Rock musicians / England ; Beatles ; Rock musicians ; England ; Biografie ; Biografie ; Biografie ; The Beatles
    Kurzfassung: "A follow-up to the successful 2007 edition, which, despite numerous Beatles-related books published in the intervening years, still stands alone for its chronological, album-by-album analysis of the band's work"--
    Beschreibung / Inhaltsverzeichnis: Prologue : The End -- The Beginning -- A Cellarful of Noise -- And the Band Begins to Play -- Rock and Roll Music -- The Biggest Showbiz Town Ever -- War-Weary -- Yesterday and Today -- Plastic Soul -- The End of the Road -- The Act You've Known for All These Years -- Roll Up for the Mystery Tour -- Whiter Shades of Pale -- Getting Back -- The Dream Is Over -- Epilogue : Long Live the Dream
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  • 10
    Buch
    Buch
    Manchester : Manchester University Press
    ISBN: 9781526168450
    Sprache: Englisch
    Seiten: viii, 365 Seiten , Illustrationen , 24 cm
    Paralleltitel: Erscheint auch als
    DDC: 942.733085
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    Schlagwort(e): Geschichte 1979-2023 ; Stadtentwicklung ; Popkultur ; Popmusik ; Sport ; Manchester ; Popular culture / England / Manchester ; Popular music / England / Manchester ; Property / England / Manchester ; Soccer / England / Manchester ; Manchester (England) / History / 20th century ; Manchester (England) / History / 21st century ; Popular culture ; Popular music ; Property ; Soccer ; England / Manchester ; 1900-2099 ; History ; History ; Manchester ; Popmusik ; Popkultur ; Sport ; Stadtentwicklung ; Geschichte 1979-2023
    Kurzfassung: At the end of the 1970s, Manchester seemed to be sliding into the dustbin of history. Today the city is an international destination for culture and sport, and one of the fastest-growing urban regions in Europe. This book gives a first-hand account of what happened in between
    Anmerkung: Maps on lining paper
    URL: Cover
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  • 11
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501383427
    Sprache: Englisch
    Seiten: x, 180 Seiten , 19,8 cm
    Serie: Genre, a 33 1/3 series
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.630968
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    Schlagwort(e): Rockmusik ; Kultur ; Popmusik ; Geschichte ; Südafrika ; Popular music / South Africa ; Music reviews & criticism ; Rock & Pop music ; South Africa ; Südafrika ; Popmusik ; Rockmusik ; Kultur ; Geschichte
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  • 12
    Buch
    Buch
    New York ; London ; Toronto ; Sydney ; New delhi : Scribner
    ISBN: 9781982195861
    Sprache: Englisch
    Seiten: xxii, 487 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen, Porträts (teilweise farbig) , 24 cm
    Ausgabe: First Scribner hardcover edition
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    Schlagwort(e): Harrison, George ; Rock musicians / England / Biography ; Musiciens rock / Angleterre / Biographies ; MUSIC / Genres & Styles / Rock ; Harrison, George / 1943-2001 ; Beatles ; Rock musicians ; England ; Rock musicians / Biography ; Guitarists / Biography ; Biographies ; Biografie ; Biografie ; Biographies ; Biografie ; Harrison, George 1943-2001
    Kurzfassung: "Despite being hailed as one of the best guitarists of his era, George Harrison, particularly in his early decades, battled feelings of inferiority. He was often the butt of jokes from his bandmates owing to his lower-class background and, typically, was allowed to contribute only one or two songs per Beatles album out of the dozens he wrote. Now, acclaimed Beatles biographer Philip Norman examines Harrison through the lens of his numerous self-contradictions. Compared to songwriting luminaries John Lennon and Paul McCartney he was considered a minor talent, yet he composed such masterpieces as "While My Guitar Gently Weeps" and "Here Comes the Sun," and his solo debut album "All Things Must Pass" achieved enormous success, appearing on many lists of the 100 best rock albums ever. Modern music critics place him in the pantheon of sixties guitar gods alongside Eric Clapton, Jimi Hendrix, Keith Richards, and Jimmy Page. Harrison railed against the material world yet wrote the first pop song complaining about income tax. He spent years lovingly restoring his Friar Park estate as a spiritual journey, but quickly mortgaged the property to help rescue a film project that would be widely banned as sacrilegious, Monty Python's Life of Brian. Harrison could be fiercely jealous, but not only did he stay friends with Eric Clapton when Clapton fell in love with Harrison's wife, Pattie Boyd, the two men grew even closer after Clapton walked away with her. Unprecedented in scope and filled with numerous color photos, this rich biography captures George Harrison at his most multi-faceted: devoted friend, loyal son, master guitar player, brilliant songwriter, cocaine addict, serial philanderer, global philanthropist, student of Indian mysticism, self-deprecating comedian, and, ultimately, iconic artist and man beloved by millions"--
    Beschreibung / Inhaltsverzeichnis: Prologue: an unextinguishable last laugh -- Part one. "Take care of him because he's going to be special" -- "He was so much in the background he was like the invisible man" -- Playing just chords was better than not playing at all" -- "From then on, nine-to-five never came back into my thinking" -- "We were like orphans" -- "My first shag was... with Paul and John and Pete Best all watching" -- "The first rock 'n' dole group" -- "It was the best buzz of all time" -- Part two. "I was always rather beastly to George" -- "I had to learn to think like a spy, leaving no trace" -- "The only Beatle glare ever caught on camera" -- "Well, that's it. I'm not a Beatle anymore" -- "The meditation buzz" -- "Please don't think I've gone off my rocket" -- "Don't upset the Hell's Angels" -- "He wanted so much to be a spiritual being" -- "That was minxy of George. He could be very minxy" -- "Beatle George's new pad--turrets and all" -- Part three. "Garbo speaks--Harrison is free" -- "I suppose he is still a person of considerable means" -- "I have to tell you, man, I'm in love with your wife" -- "By the grace of Krishna, you are one of the great men" -- "If people want their money back, they can have it" -- "Introducing George Harrison" -- "Maybe he thought God would just sort of let him off" -- "He was looking at potential debts of around €32 million" -- "Do you want to go on a yacht to the South Pacific and run away for ever?" -- "I'm being murdered in my own house" -- Epilogue: Plaudit from a prince
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  • 13
    Buch
    Buch
    Berlin : Palgrave Macmillan
    ISBN: 9783662672518
    Sprache: Englisch
    Seiten: x, 173 Seiten , Illustrationen
    Ausgabe: 1st edition 2024
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    Schlagwort(e): Popmusik ; Maske
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  • 14
    Buch
    Buch
    London : Gallery Books UK
    ISBN: 9781398522527
    Sprache: Englisch
    Seiten: 277 Seiten
    DDC: 782.42164092
    RVK:
    Schlagwort(e): Spears, Britney ; Biografie
    Kurzfassung: The Woman in Me is a brave and astonishingly moving story about freedom, fame, motherhood, survival, faith, and hope. In June 2021, the whole world was listening as Britney Spears spoke in open court. The impact of sharing her voice-her truth-was undeniable, and it changed the course of her life and the lives of countless others. The Woman in Me reveals for the first time her incredible journey-and the strength at the core of one of the greatest performers in pop music history. Written with remarkable candor and humor, Spears's groundbreaking book illuminates the enduring power of music and love-and the importance of a woman telling her own story, on her own terms, at last.
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  • 15
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031204517
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XI, 271 p. 3 illus., 2 illus. in color.)
    Ausgabe: 1st ed. 2023.
    Serie: Palgrave Studies in Prisons and Penology
    Paralleltitel: Erscheint auch als Body searches and imprisonment (2022 : Leuven) Body searches and imprisonment
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Human body—Social aspects. ; Law—Europe. ; Corrections. ; Punishment. ; Criminology. ; Human rights. ; Critical criminology. ; Human body ; Law ; Konferenzschrift ; Strafrecht ; Strafvollzug ; Durchsuchung
    Kurzfassung: Chapter 1. Body searches as contested control measures -- Chapter 2. The imposition of power through touch: A sensory criminology approach to understanding body searches -- Chapter 3. Searching, ‘state of security’ and the structuration of prison security -- Chapter 4. Strip searches: A risky practice that needs to be monitored -- Chapter 5. Strip searches through the lens of the prohibition of inhuman and degrading treatment in European human rights law -- Chapter 6. Body searches and vulnerable groups: Women and LGBTQI+ people in prison -- Chapter 7. Body searches in Belgian prisons: dignity, security and denial -- Chapter 8. Body searches in French prisons: Dignity and security on a roller coaster -- Chapter 9. Stripping the self away: security, control, and punishment in the practice of strip searches in Spanish prisons -- Chapter 10. Gendered punishment and protest in a context of conflict: Strip searching in Northern Ireland -- Chapter 11. “There’s a tech for that”: balancing dignity and security in carceral settings through alternative technology devices -- Chapter 12. What future for body searches in prisons?.
    Kurzfassung: This book explores and addresses body search practices in prison environments from different angles (criminology, sociology, human rights and law) and discusses such practices in different national contexts within Europe. Body searches are widely used in prison systems across the globe: they are perceived as indispensable to prevent forbidden substances, weapons or communication devices from entering the prison. However, these are also invasive and potentially degrading control techniques. It should not come as a surprise, then, that body searches are deeply contested security measures and that they have been widely debated and regulated. What makes theses control measures problematic in a prison context? How do these practices come to be regulated in an international and European context? How are rules translated into national law? To what extent are laws and rules respected, bent, circumvented and denied? And what does the future hold for body searches? Tom Daems is Professor of Criminology at the Leuven Institute of Criminology (LINC), KU Leuven, Belgium. At LINC, he coordinates the research line on ‘Punishment and Control’. Daems has published widely on punishment and prisons, in particular from a European perspective. With Palgrave, he previously published Electronic Monitoring: Tagging Offenders in a Culture of Surveillance (2020) and Europe in Prisons: Assessing the Impact of European Institutions on National Prison Systems (2017, co-edited with Luc Robert). .
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  • 16
    ISBN: 9780367546311 , 9780367546328
    Sprache: Englisch
    Seiten: xxviii, 415 Seiten , Illustrationen, Notenbeispiele
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Musikproduktion ; Popmusik ; Schallaufzeichnung ; Musikalische Analyse ; Popular music / Analysis, appreciation ; Sound recordings / Production and direction ; Popular music / Analysis, appreciation ; Sound recordings / Production and direction ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikproduktion ; Schallaufzeichnung ; Musikalische Analyse
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  • 17
    Buch
    Buch
    Lanham ; Boulder ; New York ; London : Rowman & Littlefield
    ISBN: 9781538165300
    Sprache: Englisch
    Seiten: xi, 187 Seiten
    Serie: Popular musics matter: Social, political and cultural interventions
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte 1977-1980 ; Synthesizer ; Elektronische Musik ; Popmusik ; Großbritannien ; Electronica (Music) / Great Britain / History and criticism ; Popular music / Great Britain / 1971-1980 / History and criticism ; Synthesizer (Musical instrument) / Great Britain / History ; Electronica (Music) ; Popular music ; Synthesizer (Musical instrument) ; Great Britain ; 1971-1980 ; Criticism, interpretation, etc ; History ; Criticism, interpretation, etc ; History ; Großbritannien ; Popmusik ; Synthesizer ; Elektronische Musik ; Geschichte 1977-1980
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  • 18
    ISBN: 9783412527815
    Sprache: Englisch
    Seiten: 467 Seiten , Illustrationen
    Originaltitel: Geschichtskultur durch Restitution? Ein Kunst-Historikerstreit
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    Schlagwort(e): Herkunft ; Postkolonialismus ; Geschichtsbewusstsein ; Kulturpolitik ; Kolonialismus ; Außereuropäische Kunst ; Exponat ; Restitution ; Deutschland ; Aufsatzsammlung ; Restitution ; Deutschland ; Kulturpolitik ; Postkolonialismus ; Außereuropäische Kunst ; Exponat ; Herkunft ; Kolonialismus ; Restitution ; Geschichtsbewusstsein
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  • 19
    ISBN: 9789464900422
    Sprache: Englisch
    Seiten: 56 Seiten , Illustrationen
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    Schlagwort(e): Rihanna ; Biografie ; Rihanna 1988- ; Biografie
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  • 20
    Online-Ressource
    Online-Ressource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781108938075
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xv, 295 Seiten)
    Serie: Cambridge companions to music
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.63095195
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    RVK:
    Schlagwort(e): Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Popular music ; Sound recording industry ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte ; K-Pop
    Kurzfassung: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Beschreibung / Inhaltsverzeichnis: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 21
    Buch
    Buch
    New York : Bloomsbury Academic
    ISBN: 9781501368509
    Sprache: Englisch
    Seiten: ix, 159 Seiten , Illustrationen
    DDC: 306.48424
    RVK:
    RVK:
    Schlagwort(e): Popmusik ; Feminismus ; Geschlechterrolle
    Anmerkung: Literaturverzeichnis Seite 147-157
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  • 22
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780197635216
    Sprache: Englisch
    Seiten: XII, 203 Seiten , Illustrationen, Notenbeispiele
    Serie: Oxford studies in music theory
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 1960-1980 ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Dylan, Bob / 1941- ; Mitchell, Joni ; Sainte-Marie, Buffy ; Simon, Paul / 1941- ; Stevens, Cat / 1948- ; Musical meter and rhythm ; Popular music / Analysis, appreciation ; 1961-1980 ; Criticism, interpretation, etc ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Kurzfassung: "It is 1969 and Joni Mitchell is on television, standing empty-handed in the middle of a circular stage that is adorned with psychedelic colors. She is wearing a long, hunter-green dress, surrounded by an audience sitting cross-legged on the floor. She waits for television host Dick Cavett to introduce her next performance. The show is filming on the day after the 1969 Woodstock music festival, an event that Mitchell was initially scheduled to attend but from which she was held back by her management to ensure she could perform on The Dick Cavett Show the next day. The host introduces Mitchell and jokes with her about singing a capella, wondering aloud if someone stole her guitar. The singer laughs politely in response, denies any theft, and then proceeds to her performance, explaining to the audience that she will be singing a "song for America" that she wrote "as a Canadian living in this country." With her hands clasped behind her back, she performs "The Fiddle and the Drum" with no accompaniment, channeling the folk performance tradition on which the song is based. This song about military participation is a rare political statement from Mitchell who, unlike her peers Bob Dylan and Buffy Sainte-Marie, had only released this one "protest song" by 1969. But the song's message was not a particularly risky proclamation. Her anti-war narrative echoed the opinions of the young Cavett Show audience that night, aligning with an established trend of resistance against the war in Vietnam. Similar to the way that Mitchell's song "Woodstock" would eventually capture the spirit of an event she did not attend, "The Fiddle and the Drum" characterizes a popular anti-war sentiment in the public consciousness of the late 1960s"--
    Beschreibung / Inhaltsverzeichnis: The Self Expressive Rhetoric of Flexible Meter -- The Theory of Flexible Meter -- Regular and Reinterpreted Meter -- Self-Expressive Innovations : Lost Meter -- Intensifying "Imperfection" : Ambiguous Meter
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  • 23
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780197635247
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen
    Serie: Oxford studies in music theory
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 782.421641226
    RVK:
    Schlagwort(e): Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Geschichte 1960-1980 ; Music / ukslc ; Music / thema ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Kurzfassung: How did emerging singer-songwriters in the 1960s and 1970s develop traditions for musical self-expression? This book takes a new listen to the music of beloved songwriters Joni Mitchell, Bob Dylan, Buffy Sainte-Marie, Paul Simon, and Cat Stevens to show how they used malleable metric settings as an important part of their self-expressive toolkit in performance
    Anmerkung: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 24
    ISBN: 9780197692684 , 9780197692677
    Sprache: Englisch
    Seiten: xx, 424 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Music for Inclusion and Healing in Schools and Beyond
    DDC: 306.4/8424
    RVK:
    Schlagwort(e): Popular music Social aspects ; Popular music Instruction and study ; Social aspects ; Culturally sustaining pedagogy ; Rap (Music) Moral and ethical aspects ; Music therapy for teenagers ; Hip-hop ; Aufsatzsammlung ; Konferenzschrift 2023 ; Musikerziehung ; Musiktherapie ; Popmusik
    Kurzfassung: "The chapters that make up this book recognize through examples from research, practice and evaluation of quality with lived experiences that diverse contemporary popular musics can provide useful tools not just for entertainment and fun, but for learning, growth and healing/wellness. Hip hop, techno, grime, drill and suchlike are contemporary genres that have been stigmatized through association with the BAME community. At the same time, however, these musics are typically the listening diet of choice today in our inner cities. These contemporary musics of the inner-city and their associated music-related activities (e.g., deejaying, beat making, mixtape making but also dance, visual art and more) are celebrated and embraced as extraordinarily powerful tools for building and maintaining academic, social, and emotional competencies. These musics are loved and they can open up opportunities for creativities among those who often feel seriously marginalized. In turn, these musics (and activities associated with them) can provided opportunities to engage and/or support those at the social and educational margins. In other words, the musics at the heart of this book have faced exclusionary pressures but they can also work for inclusion when utilized in educational/pedagogical or therapeutic practices. As a whole, the book seeks to account for the power and impact of a set of contemporary popular musics in educational, therapeutic and community contexts, and to ask questions as to just where this power comes from, how we can measure its impact and where the future might lead"--
    Beschreibung / Inhaltsverzeichnis: PART ONE. CURRICULUM AND MUSIC EDUCATION. Beat(s) For Blame: UK Drill Music, 'Race' and Criminal Injustice / Lambros Fatsis ; DJ School UK and Beyond : My Journey As a DJ and DJ Educator / Jim Reiss ; 'Bildung Life' - Holistic Ideals of Hip Hop Education / Johan Söderman ; Technology and the Music Curriculum : Maximising Inclusion, Diversifying Options / Pete Dale ; Musical Futures and Music Technology in Mainstream Music Education / Fran Hannan & Martin Ainscough ; Rethinking the curriculum with Future DJs and Virtuoso / Austen Smart & Scott Smart -- PART TWO. HEALING AND WELLNESS. Power and Connection / Rawz ; Intentional Uses of Music : Hip Hop, Healing, and Empowerment for Youth Self-Care and Community Well-Being / Raphael Travis, Alex Crooke, and Ian Levy ; Becoming a Therapeutic Hip Hop Mentor / Kiran Manley ; Global Inclusion and Healing through Therapeutic Beat Making / Elliot Gann and Alex Crooke ; The Sound Pad Project : Co-Creation of Breakdancing, Dance Education, and an Inclusive Educational Technology / Nathan Geering and Simon Hayhoe ; Using Social Media to Cultivate Connected Learning and Social and Emotional Support through a Hip Hop Based Education Programme / Jabari Evans -- PART THREE. EVALUATION AND IMPACT. The Hip Hopification of Education and its Evaluation / BREIS ; Translating Evaluation and Research into Practice : What Matters for Socially Engaged Arts Programmes in and Beyond Schools? / Pamela Burnard ; Untangling Earphones - Voice and Agency in Participatory Music Impact Evaluation / Douglas Lonie ; Evaluating Young People's Spoken Word : Popular Music Projects / Beate Peter ; Evaluating Well-being Outcomes of the Social Enterprise 'Noise Solution': Digital Approaches to Outcome Capture / Simon Glenister ; Who is Heard and Who Gets to Belong in Hip Hop? The Counterspaces of Women and Gender Minority Rappers in Finland / Inka Rantakallio.
    Anmerkung: Literaturangaben
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  • 25
    Buch
    Buch
    Cambridge, United Kingdom ; New York, NY :Cambridge University Press,
    ISBN: 978-1-108-83705-7 , 978-1-108-94003-0
    Sprache: Englisch
    Seiten: xv, 295 Seiten.
    Serie: Cambridge companions to music
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    Schlagwort(e): Korea (South) ; Geschichte ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Popular music ; Sound recording industry ; K-Pop ; Popmusik. ; Musikleben. ; Musikbranche. ; Korea. ; Aufsatzsammlung ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; K-Pop ; Popmusik ; Musikleben ; Musikbranche ; Geschichte
    Kurzfassung: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Beschreibung / Inhaltsverzeichnis: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
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  • 26
    Buch
    Buch
    London : Routledge, Taylor & Francis Group
    ISBN: 9781032408927 , 9781032408941
    Sprache: Englisch
    Seiten: x, 159 Seiten
    Serie: Routledge studies in social and political thought
    DDC: 301.092
    RVK:
    RVK:
    Schlagwort(e): Weber, Max Political and social views ; Political sociology History ; Nationalism History ; Liberalism History ; Geschichtsschreibung, Historiographie ; Gesellschaft und Kultur, allgemein ; Historiography ; Nationalism ; Nationalismus ; SOC026040 ; SOCIAL SCIENCE / Sociology / General ; Social & political philosophy ; Social theory ; Society & culture: general ; Soziale und politische Philosophie ; Sozialtheorie ; Weber, Max 1864-1920 ; Deutschland ; Nationalismus ; Politische Soziologie
    Kurzfassung: "This book shows how Max Weber's perceptions of the social and political world he inhabited in Wilhelmine Germany were characterized by a nationalist commitment which coloured practically every aspect of his thought, including his social scientific writings and the formulations they expound. Exploring the consequences of Weber's ardent nationalism in a manner seldom acknowledged in existing scholarship, it considers the alignment of his commitment to liberalism and democracy with his devotion to the ideal of the German people as an ethno-racial community supported by a power-state, with the purpose of realizing the national interest of future generations of Germans. Through an analysis of a range of texts, the author contends that Weber's liberalism is not based on universalistic principles and that Weber considered the liberty he espoused to play an important role in securing the position of a political elite trained in parliamentary institutions, which are used to shape the citizenry in the pursuit of a patriotic commitment to an expansionist, imperial state. It will therefore appeal to scholars with interests in the history of sociology and classical social theory"--
    Beschreibung / Inhaltsverzeichnis: Introduction: an irrepressible political thread1. Politics as violence 2. Race as a political project3. Citizenship and its military basis4. A calling for political educationConclusion: lessons, sociological and political
    Anmerkung: Includes bibliographical references and index
    URL: Cover
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  • 27
    ISBN: 9781108420006
    Sprache: Englisch
    Seiten: xxiv, 539 Seiten , Illustrationen, Diagramme
    Serie: Treaty implementation for sustainable development
    Paralleltitel: Erscheint auch als Cites as a tool for sustainable development
    RVK:
    Schlagwort(e): Convention on International Trade in Endangered Species of Wild Fauna and Flora ; Endangered species Law and legislation ; Wildlife conservation Law and legislation ; Wildlife conservation (International law) ; Plant conservation Law and legislation ; Plant conservation (International law) ; Wild animal trade Law and legislation ; Sustainable development Law and legislation ; LAW / Environmental ; Konferenzschrift ; Aufsatzsammlung ; Bedrohte Tiere ; Rote Liste ; Pflanzenschutz ; Artenschutz ; Nachhaltigkeit
    Kurzfassung: "Endangered species conservation is a critical challenge for sustainable development. Although serious attempts are being made to reverse current trends, many species and their crucial habitats continue to be degraded and lost at alarming rates. Various international agreements, notably the venerable Convention on International Trade in Endangered Species of Flora and Fauna (CITES), have aimed to regulate trade in listed species through the development of national frameworks and international collaborative measures. In spite of these initiatives, the implementation of international regulations remains a challenge for developing countries, especially for countries with limited scientific, human, technical and financial capacity and resources"--
    Beschreibung / Inhaltsverzeichnis: Origins, evolution, and contribution of CITES to achieving sustainable development / John E. Scanlon, Marcos Regis Silva, and Marceil Yeater -- Protected species, global commodities, and law for sustainable development / Marie-Claire Cordonier Segger, Jorge Cabrera, Blessing Ajayi, and Andrew Wardell -- Shifting the burden of wildlife protection : the role of extra-territorial jurisdiction in implementing CITES / Lydia Slobodian -- Analysing CITES trade measures / D. Andrew Wardell and Markus W Gehring -- CAFTA-DR environmental submission process as a public participation alternative and a way to protect CITES-listed species / Jorge Cabera Medaglia, Laura Elizondo García, and Clarissa Castillo -- Power, profits, and policy : a reality check on CITES and the Prunus Africana Bark Trade / Anthony B Cunningham and Terry Sunderland --The inclusion of the scalloped hammerhead shark (Sphyrna lewini) in appendix II of CITES / Jorge Cabera Medaglia, Laura Elizondo García, and Clarissa Castillo -- Understanding markets to conserve CITES-listed species / Daniel W.S. Challender and Douglas C. MacMillan -- Criminal prosecution and enforcement challenges in CITES / Peter Stoett -- Sustainable enterprise development : protection of endangered species in Omo and other potential biosphere reserves / Adeshola Olatunde Adepoju, Oyelowo Oyetayo, Kambai Collina, and Falemara Babajide -- Biodiversity MEAs matrix in India : synergies, implementation status, and future challenges / Ajay Kumar Saxena -- Tanzania's fight against illegal ivory trade : law-enforcement failures and non compliance with international environmental laws / Alex Kisingo -- The impact of CITES COP 12 2002 decision on mahogany on Peru's timber trade / Carlos Soria -- Strengthening CITES compliance : improving the management of resources preservation and cross-border wildlife trade in China / Haifeng Deng -- How to reverse the fallacy of command-and-control in combatting illegal trade of exotic pets in Brazil / Karen Alvarenga de Oliveira -- Lessons on sustainable development and challenges to illegal trade : the case of Chilean Larch / Miguel Saldivia -- The return of the Markhor : why CITES matters / Tanya Rosen and Stefan Michel -- New technologies for effective biodiversity governance : lessons from Orangutans in Indonesia / Denis Ruysschaert -- Regulation of import of hunting trophies of exotic species into India by framing a lookalike policy to conserve indigenous wild fauna / Tarun Kathula -- Legislation for the control of the timber trade in the Democratic Republic of Congo and the Congo basin / Erick Kassongo -- Sustaining the global frankincense trade through CITES : governance challenges and complexities / Stephen Johnson, Anjanette DeCarlo, Frans Bongers, and Anthony B Cunningham -- Sustaining commercial marine fisheries for this generation and future generations using CITES appendix I and II for trade traceability / Anastasia Telesetsky -- CITES as a tool for monitoring and adaptive management / Annecoos Wiersema -- Linking global processes : institutional interplay and the global sustainable development agenda / Casey Stevens -- Trade and zoonotic diseases / Patricia Farnese -- The interface of CITES, the CBD, and the Nagoya Protocol : mutually supportive implementation at the national level freedom / Kai Phillips and Frederic Perron-Welch -- The Convention on Biological Diversity (1992) and other biodiversity conservation regimes : looking through the lens of synergy and an ethical shift / Ngozi Finette Stewart -- New directions for law and policy on sustainable development in the context of CITES and endangered species / Marie-Claire Cordonier Segger, D. Andrew Wardell, and Alexandra R Harrington.
    Anmerkung: Includes bibliographical references and index
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  • 28
    Buch
    Buch
    Cambridge, UK ; Hoboken, NJ, USA : Polity
    ISBN: 9781509552030 , 9781509552023
    Sprache: Englisch
    Seiten: vii, 156 Seiten
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Popmusik ; Popmusik
    Kurzfassung: "A highly original account of pop music as a constellation of social practices"--
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  • 29
    Online-Ressource
    Online-Ressource
    Rochester, NY : University of Rochester Press
    ISBN: 9781580467377
    Sprache: Englisch
    Seiten: 1 Online-Ressource (221 Seiten)
    Serie: Eastman/Rochester studies in ethnomusicology
    Paralleltitel: Erscheint auch als
    DDC: 781.6309591
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1900-2011 ; Popular music / Burma / History and criticism ; Popular music / Social aspects / Burma ; Music trade / Burma ; Popular music / Censorship / Burma ; Zensur ; Musikwirtschaft ; Popmusik ; Birma ; Birma ; Popmusik ; Musikwirtschaft ; Zensur ; Geschichte 1900-2011
    Kurzfassung: Burma's Pop Music Industry is the first book to explore the contemporary pop music industry in a country that is little known or understood in the West. Based on years of fieldwork in Burma/Myanmar, Heather MacLachlan's work explores the ways in which aspiring musical artists are forging a place within the highly repressive social and political context that is Burma today. It deals sensitively with issues such as negotiating local and global styles,performance contexts and practices, and, more importantly, with ethical issues such as the anonymity of informants and the place of Western ethnomusicologists in countries outside the West. Drawn from interviews conducted from 2007 through 2009 with Burmese composers, performers, producers, concert promoters, journalists, recording engineers, radio station employees, music teachers, and censors in Yangon -- Burma's largest city and the locus of all pop music production -- Burma's Pop Music Industry represents a significant contribution both to popular music studies and to Southeast Asian studies
    Anmerkung: Title from publisher's bibliographic system (viewed on 10 Feb 2023) , The creators of Burmese pop music -- The sound of Burmese pop songs -- Learning music in Burma today -- Six facets of the Burmese pop music industry -- Musicians and the censors : the negotiation of power -- Conclusion : the significance of the Burmese perspective
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 30
    ISBN: 9783412527839
    Sprache: Englisch
    Seiten: 1 Online-Ressource (469 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Exponat ; Postkolonialismus ; Geschichtsbewusstsein ; Außereuropäische Kunst ; Kolonialismus ; Restitution ; Kulturpolitik ; Herkunft ; Deutschland ; Stolen Art ; Provenance Research ; Colonial Heritage ; Colonial Art ; Colonial Cultural Objects ; Humboldt-Forum ; Art Theft ; Aufsatzsammlung ; Deutschland ; Kulturpolitik ; Postkolonialismus ; Außereuropäische Kunst ; Exponat ; Herkunft ; Kolonialismus ; Restitution ; Geschichtsbewusstsein
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis  (URL des Erstveröffentlichers)
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  • 31
    Buch
    Buch
    London : Faber and Faber Limited
    ISBN: 0571372198 , 9780571372195 , 9780571320257 , 0571320252
    Sprache: Englisch
    Seiten: xx, 636 Seiten , 24 cm
    Paralleltitel: Erscheint auch als
    DDC: 782.42164
    RVK:
    Schlagwort(e): Geschichte 1900-1980 ; Popmusik ; Popular music History and criticism ; Musique populaire Histoire et critique ; Popular music ; Criticism, interpretation, etc
    Anmerkung: Quellen- und Literaturverzeichnis Seite [595]-603
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  • 32
    ISBN: 9789811919916
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XV, 304 pages) , Illustrations
    Paralleltitel: Erscheint auch als Perspectives on cooperative law
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): International law. ; Trade regulation. ; Law and economics. ; Private international law. ; Conflict of laws. ; Comparative law. ; Commercial law. ; Cooperative societies ; Law and legislation ; Festschriften ; Festschrift ; Biografie ; Henry̋, Hagen 1951- ; Genossenschaftsrecht
    Kurzfassung: Historical Developments in Cooperative Law -- Specificities and Essence of Cooperatives -- Cooperative Law and Sustainable Development -- Cooperatives’ Activities and Governance -- Conclusions.
    Kurzfassung: This book contributes to the development of literature on cooperative law while paying tribute to Hagen Henrÿ’s significant impact on this field at a global scale. Hagen Henrÿ is one of the most influential scholars in the field of cooperative law. His primary contribution has been in the area of public international cooperative law. His other areas of scientific interest include development law and comparative law. This honorary volume is focused on two main axes -- the essence of cooperatives as well as their activities and their governance. The contributions throw light on how these two axes are addressed by cooperative legislation across countries, regions and continents. In the varied perspectives that the contributions put together, both a theoretical and practical approach, the authors address central, current and crucial issues for the development of cooperative law. The book is a great resource for researcher scholars, as well as policy makers and industry players interested in the topic.
    URL: Cover
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  • 33
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783030908270
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XI, 236 p.)
    Ausgabe: 1st ed. 2022.
    Serie: Critical Criminological Perspectives
    Serie: Springer eBook Collection
    Paralleltitel: Erscheint auch als Hodgson, Jodie Gender, power and restorative justice
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    Schlagwort(e): Critical criminology. ; Law and the social sciences. ; Juvenile delinquents. ; Social policy. ; Sex. ; Corrections. ; Punishment. ; Hochschulschrift ; Konferenzschrift ; Stigmatisierung ; Geschlechterrolle ; Patriarchat ; Täter-Opfer-Ausgleich ; Mädchen
    Kurzfassung: Chapter 1: Introduction -- Chapter 2: Girls and Youth Justice -- Chapter 3: An Explanation of Gender, Shame and Stigma Power -- Chapter 4: Restorative Justice with Girls Who Offend: Conflicting Perspectives and Alternative Narratives to Dominant discourses -- Chapter 5: Restorative Justice Shame and Stigma: Compounding Structural Inequalities in Relation to Gender -- Chapter 6: Deconstructing Dominant Discourse: Conceptualising Restorative Justice through a Gendered Lens -- Chapter 7: Towards a ‘Girl-Wise’ Penology -- Chapter 8: Conclusion.
    Kurzfassung: This book ties restorative justice into the exercise of patriarchal power. It is focused on the individual narratives of 15 girls and young women who have participated in a victim-offender restorative justice (RJ) conference and the perspectives of youth justice practitioners. Gender, Power and Restorative Justice expands feminist engagement with RJ by focusing critical attention on the importance of the social construction of gender, the exercise of power, shame, stigma, muting and resistance to girls’ experiences of RJ conferencing. Drawing upon recent developments to the sociology of stigma and feminist perspectives on shame, the book contends that RJ conferencing can produce harmful implications for girls and young women who participate. Ultimately it is argued that anti-carceral, social policy alternatives, underpinned by feminist praxis, should replace a youth justice jurisprudence for girls. This book will be of particular use and interest to those studying modules on criminology, youth justice, criminal justice and social work courses. Jodie Hodgson is a lecturer in Criminology at Manchester Metropolitan University, UK. Jodie has previously worked as a lecturer at Leeds Beckett University and the University of Liverpool. She completed her PhD at Liverpool John Moores University. Her research interests are situated within the areas of youth justice, feminism and critical criminology.
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  • 34
    Buch
    Buch
    New Haven, CT : Yale University Press
    ISBN: 9780300255317
    Sprache: Englisch
    Seiten: 273 Seiten , Illustrationen, Porträts
    Paralleltitel: Erscheint auch als
    DDC: 782.42164
    RVK:
    Schlagwort(e): Dylan, Bob ; Folksong ; USA ; Dylan, Bob / 1941- / Songs and music ; Folk music / United States / History and criticism ; MUSIC / Genres & Styles / Folk & Traditional ; Biografie ; Biografie ; Biografie ; Biografie ; Dylan, Bob 1941- ; USA ; Folksong
    Kurzfassung: Across seven decades, Bob Dylan has been the first singer of American song. As a writer and performer, he has rewritten the national songbook in a way that comes from his own vision and yet can feel as if it belongs to anyone who might listen.0 In Folk Music, Greil Marcus tells Dylan's story through seven of his most transformative songs. Marcus's point of departure is Dylan's ability to "see myself in others." Like Dylan's songs, this book is a work of implicit patriotism and creative skepticism. It illuminates Dylan's continuing presence and relevance through his empathy-his imaginative identification with other people. This is not only a deeply felt telling of the life and times of Bob Dylan, but a rich history of American folk songs and the new life they were given as Dylan sat down to write his own
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  • 35
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    Manchester : Manchester University Press
    ISBN: 9781526148988
    Sprache: Englisch
    Seiten: xiii, 295 Seiten , Illustrationen
    RVK:
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    Schlagwort(e): Strummer, Joe ; The Clash ; Soziale Funktion ; Punk Rock ; Politischer Protest ; Strummer, Joe / Criticism and interpretation ; Clash (Musical group) ; Punk rock music / Political aspects / Great Britain ; Punk rock music / History and criticism ; Biografie ; Biografie ; Biografie ; Strummer, Joe 1952-2002 ; The Clash ; Punk Rock ; Politischer Protest ; Soziale Funktion
    Kurzfassung: "Joe Strummer was one of the twentieth century's iconic rock 'n' roll rebels. As frontperson, spokesperson and chief lyricist for The Clash, he played a major role in politicising a generation through some of the most powerful protest songs of the era, songs like 'White Riot', 'English Civil War' and 'London Calling'. At the heart of this protest was the struggle for social justice and equality. The punk rock politics of Joe Strummer examines Strummer's beliefs on a range of issues - including socialism, alienation, exploitation, multiculturalism and humanism - analysing their credibility, influence and impact, and asking where they came from and how they developed over time. Drawing on Strummer's lyrics, various interviews and bootleg recordings, as well as interviews with those he inspired, The punk rock politics of Joe Strummer takes the reader on a journey through the political influences and motivations that defined one of the UK's greatest punk icons." --
    Beschreibung / Inhaltsverzeichnis: Studying Strummer : issues and approach -- Perceptions of Strummer's politics -- Strummer's politics and philosophical perspectives -- Rebel rock and its ramifications -- Rocking against the rich -- Advocate not activist -- Straying from socialism -- Strummer's influence : secondary sources -- Follower testimony
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  • 36
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501345326 , 9781501389917
    Sprache: Englisch
    Seiten: XIV, 409 Seiten
    Serie: Bloomsbury handbooks
    Paralleltitel: Online version Handbook of popular music policy
    RVK:
    Schlagwort(e): Popmusik ; Musikwirtschaft ; Musikpolitik ; Popmusik ; Musikwirtschaft ; Musikpolitik
    Kurzfassung: "Examines the complex relationships between governments, industries and audiences, offering insight into negotiations within particular industries, nations and regions, where music policy remains at the forefront of wider creative industries policy"--
    Beschreibung / Inhaltsverzeichnis: Introduction. Situating popular music policy / Shane Homan -- Part I. Policy Contexts. Distributing rights and resources : The cultural politics of popular music policy / John Street ; The presence and absence of policy in the digital music industries / Daniel Nordgård ; Property or status? Music and musicians under copyright / Thomas Dillon -- Part II. Policy Sectors. Conceptualising popular music's heritage as an object of policy : Preservation, performance and promotion / Paul Long, Zelmarie Cantillon and Sarah Baker ; Popular music, policy and education / Gareth Dylan Smith and Zack Moir ; Music exports / Shane Homan ; Broadcasting and popular music policy / J. Mark Percival ; Live music infrastructure / Adam Behr -- Part III. National Frameworks. Audible, Visible and Experiential : Reflections on South Korean Popular Music Policy / Soojin Kim ; The Canadian conundrum : Robust policies catching up with the times / Richard Sutherland ; The new Great Leap Forward of China : National and local music policy in Chengdu / Qian Wang ; Australian popular music policy / Sarah Taylor and Shane Homan ; More than dots on maps : Locating live venues in the German music policy framework / Niklas Blömeke, Jan Üblacker, Johannes Krause, Heiko Rühl and Katharina Huseljic ; From national identity to the well-being of future generations : Popular music within devolved Welsh policy-making between 1999-2020 / Luke Thomas and Paul Carr -- Part IV. Contemporary Debates. Ticketing : Why is it a problem? / Michael Waterson ; Gender and popular music policy / Sam de Boise, Maura Edmond and Catherine Strong ; When music becomes datafied : Streaming services and the case of Spotify / Jonas Andersson Schwarz and Sofia Johansson ; Music cities / Sarah Taylor ; Brexit and the UK live music industry / Patrycja Rozbicka, Adam Behr and Craig Hamilton
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  • 37
    ISBN: 9781009208536
    Sprache: Englisch
    Seiten: xiv, 355 Seiten
    Serie: ASIL studies in international legal theory
    RVK:
    Schlagwort(e): Government liability (International law) Congresses ; Tort liability of international agencies Congresses ; Conference papers and proceedings ; Konferenzschrift ; Völkerrecht ; Verantwortlichkeit
    Kurzfassung: "International responsibility law today is in great need of theorizing, or, at least, that is the present volume's argument. This introduction sets the stage for that argument. It unfolds in four steps: first, it clarifies the reasons that led to putting this collection of essays together and explains what it hopes to achieve; second, it introduces the main theoretical challenges addressed in the volume; third, it provides some information about how the book is organized; and, finally, it sketches out the content of its successive chapters and their articulation"
    Anmerkung: Includes papers presented as a "conference that was initially meant to be held in Paris ... and eventually was turned, like so many others around that time, into an online webinar in June 2021"--ECIP preface
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  • 38
    Buch
    Buch
    Newcastle upon Tyne, UK : Cambridge Scholars Publishing
    ISBN: 9781527586222
    Sprache: Englisch
    Seiten: viii, 158 Seiten
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Hass ; Popmusik ; Popmusik ; Hass
    Kurzfassung: "'Love' may be the major theme of the majority of pop songs, but 'hate', including its subcategories malevolence, vengeance, self-loathing, and contempt, run it close. Looking at artists across the history of popular music, and songs ranging from 'Runaround Sue' to 'W.A.P', this book explores the concept of hatred in lyrics, album art, music video, and the music industry itself, asking important questions about misogyny, politics, psychology, and family along the way." (Buchrückseite)
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  • 39
    Online-Ressource
    Online-Ressource
    New York : Bloomsbury Academic & Professional
    ISBN: 9781501336300
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 394 Seiten)
    Serie: Bloomsbury Handbooks Series
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Popmusik ; Ort ; Electronic books ; Aufsatzsammlung ; Popmusik ; Ort
    Kurzfassung: Cover -- Contents -- List of contributors -- Introduction Geoff Stahl and J. Mark Percival -- Section I Theory and method -- 1 Music, space, place and non-place Geoff Stahl -- 2 Rhythmanalysis and circulation Will Straw -- 3 Global, local, regional and translocal: Towards a relational approach to scale in popular music Hyunjoon Shin and Keewoong Lee -- 4 Sociological perspectives on music and place Andy Bennett -- 5 Ethnomusicology and place Kimberly Cannady -- 6 Political economies of urban music Shane Homan -- 7 Sensobiographic walking and ethnographic approach of the Finnish school of soundscape studies Helmi Järviluoma -- Section II Space, place and consumption -- 8 At home with Sinatra Keir Keightley -- 9 Music radio J. Mark Percival -- 10 The record shop Nabeel Zuberi -- 11 The nightclub Hillegonda C Rietveld -- 12 The live venue Robert Kronenburg -- 13 Mobile listening cultures Raphaël Nowak -- Section III Space, place, production andperformance -- 14 In the city: Glasgow Martin Cloonan -- 15 Bedroom production Emília Barna -- 16 The studio Ruth Dockwray -- 17 The virtual studio Martin K. Koszolko -- 18 The space of the record: Something happening somewhere Simon Zagorski-Thomas -- 19 The live gig Sam Whiting -- Section IV Cities, suburbs, nations and beyond -- 20 Suburban breakout: Nomadic reverie in British pop Andrew Branch -- 21 Sounding South African township life Kathryn Olsen -- 22 Funk: A musical symbol of Rio de Janeiro's favelas Vincenzo Cambria -- 23 Postcolonial noise: How did French rap (re)invent 'the banlieue'? Christina Horvath -- 24 Music and the nation Melanie Schiller -- 25 Transnational music Simone Krüger Bridge -- Section V Selling, celebrating, representing spaceand place -- 26 Music, heritage and place Catherine Strong -- 27 Music and tourism Leonieke Bolderman -- 28 Festivals Chris Anderton.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 40
    Online-Ressource
    Online-Ressource
    Newcastle-upon-Tyne : Cambridge Scholars Publishing | Ann Arbor, Michigan : ProQuest
    ISBN: 9781527581234
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Ausgabe: 2nd Edition
    Paralleltitel: Erscheint auch als Abecassis, Michaël An Anthology of French and Francophone Singers, from a to Z, 2nd Edition
    DDC: 782.420944
    RVK:
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    Schlagwort(e): Geschichte ; Sänger ; Sängerin ; Französisches Sprachgebiet ; Biografie ; Electronic books
    Kurzfassung: French song is a vector of cultural, social, and stylistic values. Throughout the world, songs in the French language are used in the teaching of French: professors incorporate songs into the curriculum in order to illustrate differences of register and linguistic variation, as well as to raise lexical or grammatical questions. Every musical form has had an impact on the linguistic practices of our society. As a form of popular expression, song is a genre that has, in recent years, become the focus of serious academic scholarship and criticism. However, few linguists have paid attention to Fre
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  • 41
    ISBN: 9780429284526
    Sprache: Englisch
    Seiten: 1 Online-Ressource (ix, 223 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
    RVK:
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    Schlagwort(e): Electronic books ; Aufsatzsammlung ; Popmusik ; Politik ; Geschichte 2000-
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 42
    ISBN: 9783031131226
    Sprache: Englisch
    Seiten: xxiv, 474 Seiten
    Ausgabe: corrected publication 2023
    Serie: Palgrave handbooks in German idealism
    Paralleltitel: Erscheint auch als
    DDC: 001.094309033
    RVK:
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    Schlagwort(e): Hegel, Georg Wilhelm Friedrich ; Schelling, Friedrich Wilhelm Joseph von ; Ideengeschichte ; Deutscher Idealismus ; Feministische Philosophie ; Konferenzschrift
    Anmerkung: Literaturverzeichnis Seite 433-457, Index Seite 459-474
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  • 43
    Online-Ressource
    Online-Ressource
    Berlin : Springer
    ISBN: 9783662660898
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiii, 338 Seiten) , Illustrationen
    Serie: Springer textbooks in law
    Originaltitel: Ökonomische Analyse des öffentlichen Rechts
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als Rodi, Michael, 1958 - Economic analysis of public law
    RVK:
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    Schlagwort(e): Public law . ; Law and economics. ; Lehrbuch ; Deutschland ; Öffentliches Recht ; Ökonomische Theorie des Rechts
    Kurzfassung: Part 1 Basic Principles -- 1 Key Questions in an Economic Analysis of Public Law -- Studying Law from Outside the Legal Field: The Purpose and Perspective of an Economic Analysis of Law -- Theoretical Concepts -- 2 State—Constitution—Democracy -- Principles of an Institutional Economics of the State and Constitution -- Constitutional Theory of Democracy (Contract Theories) -- Tasks of the State -- State Structure (Specifically Federalism) -- Open Statehood -- 3 Economic Theory of Institutions and Organisations -- Basic Principles -- Key Problems in Organisational Economics -- Types of Organisations -- 4 Theory of State Decision-making -- Decision-makers -- Regulation -- Part 2 Focus Areas -- 5 Public Finance -- National Budget -- Government Spending -- Government Revenue -- Public Finances Under Federalism -- 6 Public Economic Law -- Basic Principles -- State and Competition -- Economic Regulation -- International Economic Relations and the Global Economic Constitution -- 7 Environmental Economics -- Principles of Environmental Economics -- Environmental Policy Measures -- Instrument Variety and Instrument Mix -- International Aspects of Environmental Policy.
    Kurzfassung: This textbook analyses from an economic perspective the phenomena of public law, the constitution, the democratic and political process, federalism, NGOs, administration and state decisions. It also examines selected fields of administrative law, including finance and tax law, public economic law and environmental law. Although the book uses examples from different legal orders, it maintains a focus on continental European law, as it aims to advance the law and economics approach in Europe.
    Anmerkung: Translated and edited version of the German language edition: "Ökonomische Analyse des Öffentlichen Rechts" by Michael Rodi, Springer-Verlag Berlin Heidelberg 2014
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 44
    Buch
    Buch
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783031189999
    Sprache: Englisch
    Seiten: xvi, 459 Seiten , Illustrationen, Notenbeispiele
    Paralleltitel: Erscheint auch als
    DDC: 302
    RVK:
    Schlagwort(e): Social Psychology ; Popular Music ; Media Psychology ; Theory of Music ; Social psychology ; Popular music ; Psychology ; Mass Media ; Music theory ; Popmusik ; Musikwahrnehmung ; Sozialpsychologie ; Ohrwurm ; Musikalische Form ; Popmusik ; Ohrwurm ; Musikwahrnehmung ; Musikalische Form ; Sozialpsychologie
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  • 45
    Buch
    Buch
    Oxford : Oxford University Press
    ISBN: 9780198866183
    Sprache: Englisch
    Seiten: xv, 364 Seiten , Illustrationen
    Ausgabe: First edition
    Paralleltitel: Erscheint auch als
    DDC: 781.66094309047
    RVK:
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    Schlagwort(e): Geschichte 1970-1990 ; Punk rock music / Social aspects / Germany (West) ; Punk rock music / Social aspects / Germany (East) ; Punk culture / Germany (East) / History ; Punk culture / Germany (West) / History ; Punk ; Punk Rock ; Deutschland ; Deutschland ; Deutschland ; Deutschland ; Punk Rock ; Punk ; Geschichte 1970-1990
    Kurzfassung: 'Culture from the Slums' explores the history of punk rock in East and West Germany during the 1970s and 1980s, examining how youths mobilized music to build alternative communities and identities during the Cold War, and detailing how punk became the site of historical change on both sides of the Iron Curtain
    Anmerkung: Includes bibliographical references, discography and index
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  • 46
    Buch
    Buch
    New York, NY : Abrams Press
    ISBN: 9781419747946
    Sprache: Englisch
    Seiten: X, 502 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Michael, George ; Michael, George / 1963-2016 ; Singers / Great Britain / Biography ; Gay men / Great Britain / Biography ; Rock musicians / Great Britain / Biography ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / LGBTQ+ ; Michael, George / 1963-2016 ; Gay men ; Rock musicians ; Singers ; Great Britain ; Singers / Biography ; Gay men / Biography ; Rock musicians / Biography ; Biography ; Biographies ; Biographies ; Biografie ; Biografie ; Biography ; Biographies ; Biografie ; Michael, George 1963-2016
    Kurzfassung: "The definitive biography of George Michael, offering an expansive look at the troubled life of the legendary singer, songwriter, and pop superstar" --
    Kurzfassung: George Michael was an extravagantly gifted, openhearted soul singer whose work was both pained and smolderingly erotic. He was a songwriter of true craft and substance, and his music swept the world, starting in the mid-1980s. His fabricated image--that of a hypermacho sex god--loomed large in the pop culture of his day. It also hid--for a time--the secret he fought against revealing: Michael was gay. Soon his obsession with fame would start to backfire. As one of the industry's most privileged yet tortured men began to self-destruct, the press showed little sympathy. George Michael: A Life explores the compelling story of a superstar whose struggles, as well as his songs, continue to touch fans all over the world. Acclaimed music biographer James Gavin traces Michael's metamorphosis from the shy and awkward Georgios Kyriacos Panayiotou into the swaggering, dominant half of the leading British pop duo of the 1980s Wham!; he then details Michael's sensational solo career and its subsequent unraveling. With deep analysis of the creative process behind Michael's albums, tours, and music videos, as well as interviews with hundreds of his friends and colleagues, George Michael: A Life is a probing, definitive portrait of a pop legend
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  • 47
    ISBN: 9780190938802 , 9780190938796
    Sprache: Englisch
    Seiten: 232 Seiten
    DDC: 781.64
    RVK:
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    Schlagwort(e): Geschichte 2000- ; Musik ; Popmusik ; Geschlechterforschung
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  • 48
    ISBN: 9781913172336
    Sprache: Englisch
    Seiten: xiii, 514 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    RVK:
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    Schlagwort(e): Geschichte 1978-1983 ; Elektronische Musik ; Musikwahrnehmung ; Popmusik ; Musikleben ; Popmusik ; Elektronische Musik ; Musikwahrnehmung ; Musikleben ; Geschichte 1978-1983
    Kurzfassung: Intro -- Title Page -- Dedication -- Acknowledgements -- Introduction -- Contents -- Inspiration 1977 -- Revolution 1978 &amp -- 1979 -- 1978 -- 1978.1 Sex Pistols / The Future / The Human League / The New Musick / Devo / David Bowie / Tubeway Army / Ultravox! -- 1978.2 Kraftwerk / Devo / Brian Eno / Japan -- 1978.3 The Normal / Cabaret Voltaire / Throbbing Gristle / Orchestral Manoeuvres In The Dark / The Human League / Suicide / Joy Division / Robert Rental / Thomas Leer -- 1978.4 Ultravox / Tubeway Army / Japan / Throbbing Gristle -- 1979 -- 1979.1 Simple Minds / Joy Division / Cabaret Voltaire / Billy's / Blitz / Orchestral Manoeuvres In The Dark / Robert Rental &amp -- The Normal / Mute Records / Fad Gadget / Silicon Teens / Telex / Tubeway Army / Japan / Sparks / M / Buggles -- 1979.2 The Human League / The Men / Tubeway Army / Joy Division / Devo / Orchestral Manoeuvres In The Dark / Gary Numan -- 1979.3 Cabaret Voltaire / The Human League / Gary Numan / Musician's Union / Ultravox / Visage / Simple Minds -- Transition 1980 &amp -- 1981 -- 1980 -- 1980.1 John Foxx / Ultravox / Gareth Jones / Japan / Orchestral Manoeuvres In The Dark / The Human League / Johnny Logan / Telex / Joy Division -- 1980.2 Blitz / Mick Jagger / David Bowie / Musicians' Union / The Face / i-D / The Gentry / Spandau Ballet / Visage / Ultravox -- 1980.3 The Human League / Joy Division / The Independent Charts / Cabaret Voltaire / Deutsch Amerikanische Freundschaft / Silicon Teens / Fad Gadget / Gary Numan / Robert Palmer / Simple Minds -- 1981 -- 1981.1 Ultravox / Spandau Ballet / Visage / Landscape / Duran Duran / MTV -- 1981.2 Some Bizzare / Stevo / Depeche Mode / Soft Cell / Orchestral Manoeuvres In The Dark / Laurie Anderson / Blancmange -- 1981.3 The Human League / British Electric Foundation / Heaven 17 / Martin Rushent / Hot Gossip.
    Anmerkung: Verfasser des Vorwort vom Schutzumschlag entnommen
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  • 49
    ISBN: 9780197543313
    Sprache: Englisch
    Seiten: xxvi, 660 Seiten , Illustrationen, Porträts (teilweise farbig)
    Ausgabe: Sixth edition
    Paralleltitel: Online version Starr, Larry American popular music
    RVK:
    Schlagwort(e): Geschichte 1760-2022 ; Popmusik ; USA ; Nordamerika ; Criticism, interpretation, etc ; Nordamerika ; USA ; Popmusik ; Geschichte 1760-2022
    Kurzfassung: "This is an introductory text for undergraduates taking courses in the history of American popular music"--
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  • 50
    Buch
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    New York, NY ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501357275 , 9781501387715
    Sprache: Englisch
    Seiten: xii, 242 Seiten , Diagramme (schwarz-weiß)
    RVK:
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    Schlagwort(e): Geschichte 1970-2020 ; Musikjournalismus ; Popmusik ; Musical criticism ; Popular music / History and criticism ; Popular music / Social aspects ; Mass media and music ; Mass media / Moral and ethical aspects ; Mass media and music ; Popular music ; Popular music in motion pictures ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Criticism, interpretation, etc ; Aufsatzsammlung ; Popmusik ; Musikjournalismus ; Geschichte 1970-2020
    Kurzfassung: "The historical significance of music-makers, music scenes, and music genres has long been mediated through academic and popular press publications such as magazines, films, and television documentaries. Media Narratives in Popular Music examines these various publications and questions how and why they are constructed. It considers the typically linear narratives that are based on simplifications, exaggerations, and omissions and the histories they construct - an approach that leads to totalizing official histories that reduce otherwise messy narratives to one-dimensional interpretations of a heroic and celebratory nature. This book questions the basis on which these mediated histories are constructed, highlights other, hidden, histories that have otherwise been neglected, and explores a range of topics including consumerism, the production pressure behind documentaries, punk fanzines, Rolling Stones covers, and more."--
    Beschreibung / Inhaltsverzeichnis: Introduction Chris Anderton and Martin James (Solent University, UK) -- SECTION 1 Narratives of Identity -- 1. Hidden in Plain Sight : Stories of Gender, Generation and Political Economy on the Northern Soul Scene Sarah Raine (Edinburgh Napier University, UK) and Tim Wall (Birmingham City University, UK) -- 2. Paid My Dues : Key Debates in the 1970s Feminist Music Press Ann-Marie Hanlon (Dundalk Institute of Technology, Ireland) -- 3. They re Not In It Like The Man Dem : How Gendered Narratives Contradict Patriarchal Discourse in Electronic Dance Music Julia Toppin (University of Hertfordshire, UK) -- 4. From Islam to Yeezies : How Consumerism Replaced Knowledge in the Media Narratives of Post-9/11 Hip-Hop Martin James (Solent University, UK) -- SECTION 2. Narratives of Genre -- 5. Exiles in Madison Square Garden : Critical Reception and Journalistic Narratives of Progressive Rock in Melody Maker Magazine, 1971 1976 Chris Anderton (Solent University, UK) --
    Beschreibung / Inhaltsverzeichnis: 6. Alternative Before Alternative : The Pre-Punk History of a 90s Genre Theo Cateforis (Syracuse University, USA) -- 7. Never Mind the B... , Here's Three Minutes of Prog Andy Bennett (Griffith University, Australia) -- 8. "There's a Crack in the Union Jack" -- Questioning National Identity in the Britpop Years : The Britpop Counter-Narrative Johnny Hopkins (Solent University, UK) -- SECTION 3. Narratives Constructed -- 9. Compromised Histories : The Impact of Production Pressures on the Construction of Historical Narratives in Popular Music Documentaries Sarah Baker (Griffith University, Australia), Lauren Istvandity (University of the Sunshine Coast, Australia), Zelmarie Cantillon (Western Sydney University, Australia) and Shane Homan (Monash University, Australia) -- 10. When a History of Gender Representation Meets the Nostalgic Storytelling of Hot Press Magazine Yvonne Kiely (Kiely Management, USA) --
    Beschreibung / Inhaltsverzeichnis: 11. Punk Fanzines, Subcultural Consecration, and Hidden Female Histories in Early British Punk Karen Fournier (University of Michigan, USA) -- 12. Tales from the Turntables : "Narrating" and "Narrativizing" the "First Club DJ" Maren Hancock (York University, UK) -- Index
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  • 51
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    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501336287
    Sprache: Englisch
    Seiten: XIV, 394 Seiten
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Popmusik ; Ort ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Ort
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  • 52
    Buch
    Buch
    London ; New York ; Paris ; Sydney ; Copenhagen ; Berlin ; Madrid ; Tokyo : Omnibus Press
    ISBN: 9781913172664
    Sprache: Englisch
    Seiten: 259 Seiten, 16 Seiten ungezählte Bildtafeln , Illustrationen
    RVK:
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    Schlagwort(e): McGeoch, John ; Geschichte 1955-2004 ; Postpunk ; Gitarrist ; Rockmusiker ; Großbritannien ; McGeoch, John / 1955-2004 ; Guitarists / Great Britain / Biography ; Punk rock musicians / Great Britain / Biography ; Biographies ; Biografie ; Biografie ; Biographies ; Biografie ; McGeoch, John 1955-2004 ; Großbritannien ; Rockmusiker ; Gitarrist ; Postpunk ; Geschichte 1955-2004
    Kurzfassung: "John McGeoch was the unsung hero of the post-punk era. Blazing a trail with some of Britain's biggest bands and most revered artists--Magazine, Siouxsie and the Banshees, The Armory Show and Public Image Ltd--John left an undeniable and indelible mark on music. The Light Pours Out of Me examines John's life and legacy, drawing on original interviews with the likes of Siouxsie Sioux, Howard Devoto, Johnny Marr, Billy Idol, John Frusciante, Keith Levene, Jonny Greenwood, Nick Launay, Ed O'Brien, Peter 'Hooky' Hook and many others. Illustrated with unseen photographs, this moving biography--authorised by the family--celebrates the remarkable guitarists who helped provide the soundtrack to a generation"--Dust jacket
    Beschreibung / Inhaltsverzeichnis: Forewords / Emily McGeoch, Malcolm Garrett, Dave Formula, Paul Morley, Johnny Marr -- Introduction / John McGeoch, taken from the fan information sheet, 'Secondhand daylight' -- Ian : childhood in Scotland and relocating to England -- Friends of mine : moving to Manchester to study fine art, and the first meeting with Howard Devoto -- Secondhand insight : the formation, rise and fall of Magazine -- Strange days : a brief flirtation with the emerging New Romantic movement courtesy of Visage -- Happy house : John leaves Magazine and joins up with Siouxsie and the Banshees -- Waiting for the floods : after his dismissal from the Banshees, John travels to Sweden before forming the post-punk 'supergroup', The Armoury Show -- Brave new world : John joins John Lyndon in Public Image Ltd -- Diamond : John as the family man, and starting up his own group, Pacific -- Heavens inside : John's later years and untimely death -- The anti-hero : tributes to John McGeoch from friends, family, contemporaries and admirers -- Afterword
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  • 53
    Buch
    Buch
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501368417 , 9781501368400
    Sprache: Englisch
    Seiten: VIII, 277 Seiten , Illustrationen , 24 cm
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte 1950-2020 ; Hit ; Popmusik ; Popular music / History and criticism ; One-hit wonders ; Musique populaire / Histoire et critique ; One-hit wonders ; Popular music ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Criticism, interpretation, etc ; Aufsatzsammlung ; Popmusik ; Hit ; Geschichte 1950-2020
    Kurzfassung: "Catchy, memorable, irritating, or simply ubiquitous, one-hit wonders capture something of the mood of a time. This collection provides a series of short, sharp chapters focusing on one-hit wonders from the 1950s to the present day, offering a capsule history of popular music tastes and ruminations on the mechanics of fame." --
    Kurzfassung: "A chronicle of changing popular music styles and tastes as exemplified by "one-hit wonders" - focusing on the mainstream, on common musical currency, and on the often maligned"--
    Beschreibung / Inhaltsverzeichnis: Introduction / Sarah Hill -- Buchanan & Goodman, 'The Flying Saucer' (1956) / Paul Carr -- The Kingsmen, 'Louie Louie' (1963) / Samuel Murray -- ? and the Mysterians, '96 Tears' (1966) / Adam Behr -- The Easybeats, 'Friday on My Mind' (1966) / Dai Griffiths -- Norman Greenbaum, 'Spirit in the Sky' (1969) / Philip Auslander -- The Archies, 'Sugar Sugar' (1969) / Jon Stewart -- Serge Gainsbourg, 'Je t'aime (moi non plus)' (1969) / Philippe Gonin -- Blue Swede, 'Hooked On a Feeling' (1971) / Sarah Hill, with Bengt Palmers -- Wild Cherry, 'Play That Funky Music' (1976) / Robert Fink -- Althea and Donna, 'Uptown Top Ranking' (1977) / Paul Long -- Plastic Bertrand, 'Ça Plane Pour Moi' (1977) / Patrick McGuinness -- Nick Gilder, 'Hot Child in the City' (1978) / Richard Parfitt -- The Vapors, 'Turning Japanese' (1980) / Abigail Gardner -- Aneka, 'Japanese Boy' (1981) / Richard Elliott -- Toni Basil, 'Mickey' (1981) / Tim Anderson -- Trio, 'Da Da Da' (1981) / Tim Quirk -- Nena, '99 Luftballons' (1982) / Melanie Schiller -- The Grateful Dead, 'Touch of Grey' (1987) / Tom Irvine -- A View from the Ground: Being a One-Hit Wonder / Mike Jones -- A View from the Desk : Product Management / Sarah Hill, talking with a guy in a suit -- Shakespear's Sister, 'Stay' (1992) / Áine Mangaoang -- OMC, 'How Bizarre' (1996) / Geoff Stahl -- Butthole Surfers, 'Pepper' (1996) / Gina Arnold -- Chumbawamba, 'Tubthumping' (1998) / Matt Grimes -- Meredith Brooks, 'Bitch' (1997) / Asya Draganova -- New Radicals, 'You Get What You Give' (1998) / Jon Gower -- Las Ketchup, 'Aserejé' (2002) / Eulalia Febrer Coll -- Gotye, 'Somebody That I Used to Know' (2011) / Ellis Jones
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  • 54
    ISBN: 9780374139940
    Sprache: Englisch
    Seiten: XVI, 458 Seiten , Illustrationen, Karten
    Ausgabe: First edition
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    Schlagwort(e): J Dilla ; J Dilla / 1974-2006 ; J Dilla / 1974-2006 / Criticism and interpretation ; Sound recording executives and producers / United States / Biography ; Rap (Music) / Production and direction / History ; Rap (Music) / History and criticism ; Musical meter and rhythm ; Musique / Mesure et rythme ; MUSIC / History & Criticism ; J Dilla / 1974-2006 ; Musical meter and rhythm ; Rap (Music) ; Sound recording executives and producers ; United States ; Biography ; Biographies ; Criticism, interpretation, etc ; History ; Biographies ; Music criticism and reviews ; Biographies ; Comptes rendus de musique ; Biografie ; Biografie ; Biography ; Biographies ; Criticism, interpretation, etc ; History ; Music criticism and reviews ; Comptes rendus de musique ; Biografie ; J Dilla 1974-2006
    Kurzfassung: "Equal parts musicology, biography, and cultural history, Dilla Time chronicles the invention of a new kind of beat by the most underappreciated musical genius of our time"--
    Kurzfassung: J Dilla wasn't known to mainstream audiences: in his lifetime he never had a pop hit. Since his death he has been revered by jazz musicians and rap icons for a new kind of musical time-feel that he created on a drum machine, which changed the way "traditional" musicians play. Charnas chronicles the life of James DeWitt Yancey, from a childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death; and follows the people who kept him and his ideas alive. Along the way Charnas rewinds the histories of American rhythms, a story of Black culture in America and of what happens when human and machine times are synthesized into something new. -- adapted from jacket
    Beschreibung / Inhaltsverzeichnis: Wrong -- Straight Time / Swing Time -- Play Jay -- Machine Time -- Dee Jay -- Sample Time -- Jay Dee -- Dilla Time -- Partners -- Pay Jay -- Warp Time -- J Dilla -- Zealots -- Micro Time -- Descendants / Disciples -- Fragments
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  • 55
    Buch
    Buch
    New York, NY : Pegasus Books
    ISBN: 9781639362073
    Sprache: Englisch
    Seiten: 388 Seiten, 16 ungezählte Blätter Tafeln , Illustrationen, Porträts
    Ausgabe: First Pegasus Books cloth edition
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): The Rolling Stones ; Geschichte 1962-2022 ; Rolling Stones ; Rolling Stones / History ; Rock musicians / England / Biography ; Rolling Stones ; Rock musicians ; England ; Biographies ; History ; Biographies ; Biografie ; Biografie ; The Rolling Stones ; Geschichte 1962-2022
    Kurzfassung: "An acclaimed rock and roll journalist evokes the legacy of The Rolling Stones--iconic, granitic, commercially unstoppable as a collective; and fascinating, contradictory, and occasionally disturbing as individuals. As Lesley-Ann Jones writes, the Rolling Stones are 'still roaming the globe like rusty tanks without a war to go to. Jumping, jacking, flashing, posturing, these septuagenarian caricatures with faces that might have been microwaved but coming on like eternal thirty-year-olds.' On 12th July 1962, the Rollin' Stones performed their first-ever gig at London's Marquee jazz club. Down the line, a 'g' was added, a spark was lit and their destiny was sealed. No going back. These five white British kids set out to play the music of black America. They honed a style that bled bluesy undertones into dark insinuations of women, sex, and drugs. Denounced as 'corruptors of youth' and 'messengers of the devil,' they created some of the most thrilling music ever recorded. Now their sound and attitude seem louder and more influential than ever. Elvis is dead and the Beatles are over, but Jagger and Richards bestride the world. The Stones may be gathering moss, but on they roll. Yet how did the ultimate anti-establishment misfits become the global brand we know today? Who were the casualties, and what are the forgotten legacies? Can the artist ever be truly divisible from the art? Lesley-Ann Jones's new history tracks this contradictory, disturbing, granitic and unstoppable band through hope, glory and exile, into the juggernaut years and beyond into rock's ongoing reckoning...where the Stones seem more at odds than ever with the values and heritage against which they have always rebelled. Good, bad, and often ugly, here are the Rolling Stones as never seen before"--
    Beschreibung / Inhaltsverzeichnis: Karma -- Joner -- Mick'n'keef -- Drum'n'bass -- Hustlers -- Heyday -- Reaction -- Marianne -- Anita -- Redlands -- Mouche -- Christopher Robin -- Altamont -- Exile -- Crisis -- Juggernaut -- Mandy -- Cliodhna -- Resonance -- So long -- Roots -- Out of timeline -- Stones women -- Chapter notes -- Quote, unquote -- Select bibliography -- Acknowledgements -- Index
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  • 56
    ISBN: 9783848777310 , 3848777312
    Sprache: Englisch
    Seiten: 206 Seiten , 1 Diagramm , 22.7 cm x 15.3 cm
    Ausgabe: 1st edition
    Paralleltitel: Erscheint auch als Culture and law
    DDC: 344.4304197
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    Schlagwort(e): Konferenzschrift 2020 ; Deutschland ; Frankreich ; Schweiz ; England ; Indien ; Japan ; Tod ; Sterbehilfe ; Sterbebegleitung ; Rechtsvergleich
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  • 57
    ISBN: 9783848779666 , 9781509945979
    Sprache: Englisch
    Seiten: 310 Seiten , Diagramme , 22.7 cm x 15.3 cm
    Ausgabe: 1st edition
    Serie: Leipziger Schriften zum Völkerrecht, Europarecht und ausländischen öffentlichen Recht volume 24
    Serie: Leipziger Schriften zum Völkerrecht, Europarecht und ausländischen öffentlichen Recht
    Paralleltitel: Erscheint auch als International Summerschool (1. : 2019 : Leipzig) Theory and practice of the European Convention on Human Rights
    DDC: 341.48094
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    Schlagwort(e): Konferenzschrift 2019 ; Menschenrecht ; Rechtsschutz ; Europäische Menschenrechtskonvention 1950 November 4 ; Europäischer Gerichtshof für Menschenrechte ; Rechtsprechung ; Aserbaidschan ; Russland ; Ukraine ; Faires Verfahren ; Europäische Menschenrechtskonvention 1950 November 4 ; Deutschland ; Kosovo ; Menschenrecht ; Drittland ; Europäische Menschenrechtskonvention 1950 November 4
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  • 58
    Online-Ressource
    Online-Ressource
    London ; New York :Routledge, Taylor & Francis Group,
    ISBN: 9781003168751
    Sprache: Englisch
    Seiten: 1 Online-Ressource (397 Seiten).
    Ausgabe: Fifth edition
    Serie: Routledge key guides
    Originaltitel: Key concepts in popular music
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.6403
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    Schlagwort(e): Popular music Encyclopedias ; Popmusik. ; Unterhaltungsmusik. ; Wörterbuch ; Popmusik ; Unterhaltungsmusik
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  • 59
    Online-Ressource
    Online-Ressource
    Bielefeld :transcript Verlag,
    ISBN: 978-3-8394-5851-8
    Sprache: Englisch
    Seiten: 1 Online-Ressource (208 pages).
    Serie: Studien zur Popularmusik
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Gender Studies ; Gender ; Music ; Musicology ; Pop Music ; MUSIC / History & Criticism ; Popmusik. ; Sound. ; Gesang. ; Musikwahrnehmung. ; Sexismus. ; Feminismus. ; Musikalische Analyse. ; Geschlechterforschung. ; Hochschulschrift ; Popmusik ; Sound ; Gesang ; Musikwahrnehmung ; Sexismus ; Feminismus ; Musikalische Analyse ; Popmusik ; Sound ; Gesang ; Musikwahrnehmung ; Geschlechterforschung
    Kurzfassung: If pictures can be sexist, can analyzing sound reveal sexism, too? Where is the language to discuss sexism in music? L.J. Müller tackles these important questions in their 2018 German book titled Sound und Sexismus, which was awarded the IASPM 2019 book prize. Analyzing the voices of Kurt Cobain, Kate Bush, Björk and others, Müller demonstrates how gender is performed vocally and interacts with gendered aspects of embodiment and affect. The book is written from a strongly positioned and personal feminist perspective and is appealing to readers from various backgrounds - singers, producers, music lovers, as well as academics and anyone with an interest in feminist takes on pop culture
    Anmerkung: Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2022) , In English
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 60
    ISBN: 978-0-5713-6218-9
    Sprache: Englisch
    Seiten: xiii, 372 Seiten ; , 24 cm.
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Tutti, Cosey Fanni / https://isni.org/isni/0000000059402232 ; Derbyshire, Delia / 1937-2001 / https://isni.org/isni/0000000077928000 ; Kempe, Margery / approximately 1373- / https://isni.org/isni/0000000118044659 ; Kempe, Margery / approximately 1373- ; Tutti, Cosey Fanni ; Derbyshire, Delia ; Margery ; Women and the arts ; Women in the music trade ; Creative ability in women ; Künste. ; Kreativität. ; Biografie ; 1951- Tutti, Cosey Fanni ; 1937-2001 Derbyshire, Delia ; Kempe 1373-1439 Margery ; Künste ; Kreativität
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  • 61
    ISBN: 978-3-8376-5851-4 , 3-8376-5851-1
    Sprache: Englisch
    Seiten: 205 Seiten.
    Serie: Popular music
    Originaltitel: Sound und Sexismus
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Popmusik. ; Sound. ; Gesang. ; Musikwahrnehmung. ; Sexismus. ; Feminismus. ; Musikalische Analyse. ; Geschlechterforschung. ; Hochschulschrift ; Popmusik ; Sound ; Gesang ; Musikwahrnehmung ; Sexismus ; Feminismus ; Musikalische Analyse ; Popmusik ; Sound ; Gesang ; Musikwahrnehmung ; Geschlechterforschung
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  • 62
    ISBN: 9788183155014
    Sprache: Englisch
    Seiten: xv, 330 Seiten , 23 cm
    Ausgabe: First edition
    DDC: 780.954
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    Schlagwort(e): Music Congresses History and criticism ; Music and literature Congresses ; Music Congresses Social aspects ; Music therapy Congresses ; Aesthetics, Indic Congresses ; Aesthetics ; Music ; Music and literature ; Music Social aspects ; Music therapy ; India ; Konferenzschrift ; Conference papers and proceedings ; Criticism, interpretation, etc
    Kurzfassung: Es handelt sich um Beiträge der zweitägigen nationalen e-Konferenz vom 28. und 29. Januar 2022 über Musikästhetik und ihren Einfluss auf die Menschheit, organisiert von der Musikabteilung des Dr. L.D. Balkhande College of Arts and Commerce, Pauni, Maharashtra.
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  • 63
    ISBN: 9781032149011 , 9781032149028
    Sprache: Englisch
    Seiten: xvii, 124 Seiten
    Paralleltitel: Äquivalent
    Paralleltitel: Äquivalent
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    Schlagwort(e): Geschichte 1920- ; Generationskonflikt ; Sozialer Wandel ; Popmusik ; Korea ; Korea ; Popmusik ; Generationskonflikt ; Sozialer Wandel ; Geschichte 1920-
    Kurzfassung: You Call That Music?!: Korean Popular Music Through the Generations provides a critical overview of the history of Korean popular music from 1920 to the 2000s from the perspective of cultural history. First published in Korean in 2017 by one of the best-known critics, Lee Young-Mee, this book is a timely and much-needed source of information on Korean popular music of the past hundred years. Through this English translation, readers are able to make meaningful connections between specific forms of Korean popular music of various periods and the contemporaneous Korean social and political circumstances. Structured around the central theme of generational conflict, the book provides readers with an accessible way to engage with Korea’s social history and a greater understanding of how specific musical works, genres and styles fit into that history. Its strong narrative force helps illuminate the connections between modern Korean social history and the particular trends of musical production and their reception through the decades.You Call That Music?! is an invaluable resource for those researching and studying Korean popular music specifically as well as Korea’s cultural and social history
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  • 64
    ISBN: 9783658351809 , 3658351802
    Sprache: Englisch
    Seiten: xiii, 106 Seiten , Illustrationen, Diagramme , 21.0 cm x 14.8 cm
    Serie: Edition Würth Chair of Cultural Production
    Originaltitel: Nicht-Besucherforschung
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als Non-Visitor Research
    DDC: 306.0943
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    Schlagwort(e): Kultursektor ; Zielgruppe ; Verhalten ; Kulturmanagement ; audience development ; out reach ; strategisches Management ; Non-Visitor Research ; Visitor Research ; Cultural Education ; Cultural Management ; audience development ; Cultural Policy ; out reach ; Cultural Organization ; strategic management ; Aufsatzsammlung ; Deutschland ; Kulturelle Einrichtung ; Benutzerforschung ; Publikum ; Motivation ; Kulturmanagement
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  • 65
    Buch
    Buch
    New York : Abrams Press
    ISBN: 9781419749698
    Sprache: Englisch
    Seiten: XII, 306 Seiten
    Paralleltitel: Erscheint auch als
    DDC: 782.42164092
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    Schlagwort(e): Houston, Whitney ; Houston, Whitney / https://isni.org/isni/000000011478617X ; African American women singers / United States / Biography ; African American singers / United States / Biography ; Singers / United States / Biography ; Chanteuses noires américaines / États-Unis / Biographies ; Chanteurs noirs américains / États-Unis / Biographies ; Chanteurs / États-Unis / Biographies ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / Women ; BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts ; Houston, Whitney ; African American singers ; African American women singers ; United States ; African American women singers / Biography ; African American singers / Biography ; Biography ; Biography ; Biographies ; Biographies ; Biographies ; Biografie ; Biografie ; Biografie ; Biography ; Biographies ; Biografie ; Biography ; Biographies ; Houston, Whitney 1963-2012
    Kurzfassung: "A candid exploration of the genius, shame, and celebrity of Whitney Houston a decade after her passing. On February 11, 2012, Whitney Houston was found submerged in the bathtub of her suite at the Beverly Hilton Hotel. In the decade since, the world has mourned her death amid new revelations about her relationship to her Blackness, her sexuality, and her addictions. Didn't We Almost Have It All is author Gerrick Kennedy's exploration of the duality of Whitney's life as both a woman in the spotlight and someone who often had to hide who she was. This is the story of Whitney's life, her whole life, told with both grace and honesty. Long before that fateful day in 2012, Whitney split the world wide open with her voice. Hers was a once-in-a-generation talent forged in Newark, NJ, and blessed with the grace of the church and the wisdom of a long lineage of famous gospel singers.
    Kurzfassung: She redefined 'The Star-Spangled Banner.' She became a box-office powerhouse, a queen of the pop charts, and an international superstar. But all the while, she was forced to rein in who she was amid constant accusations that her music wasn't Black enough, original enough, honest enough. Kennedy deftly peels back the layers of Whitney's complex story to get to the truth at the core of what drove her, what inspired her, and what haunted her. He pulls the narrative apart into the key elements that informed her life--growing up in the famed Drinkard family; the two romantic relationships that shaped the entirety of her adult life, with Robyn Crawford and Bobby Brown; her fraught relationship to her own Blackness and the ways in which she was judged by the Black community; her drug and alcohol addiction; and, finally, the shame that she carried in her heart, which informed every facet of her life.
    Kurzfassung: Drawing on hundreds of sources, Kennedy takes readers back to a world in which someone like Whitney simply could not be, and explains in excruciating detail the ways in which her fame did not and could not protect her. In the time since her passing, the world and the way we view celebrity have changed dramatically. A sweeping look at Whitney's life, Didn't We Almost Have It All contextualizes her struggles against the backdrop of tabloid culture, audience consumption, mental health stigmas, and racial divisions in America. It explores exactly how and why we lost a beloved icon far too soon" --
    Beschreibung / Inhaltsverzeichnis: Didn't We Almost Have It All?: A Meditation on Loss and Memory -- Under His Eye, Blessed Be The Sound: Faith, Gospel, and the Almighty Power of Cissy Houston -- Home: Newark and the Black American Dreams That Birthed Whitney Houston -- Stuff That You Want, Thing That You Need: The Brilliance and Influence of Whitney's Voice -- My Lonely Heart Calls: On Sex, Desire, and Sexuality -- Miss America, The Beautiful: The Burden of the National Anthem and the Politics of Whitney's Blackness -- Bolder, Blacker, Badder: The Sisters with Voices That Transformed Whitney -- Tell The Truth And Shame The Devil: How Trauma, Shame, and Tabloid Culture Broke Whitney -- The Undoing Of Whitney Houston: Virtue, Vice, and a Requiem for Redemption -- Won't They Always Love You?: Reflections on Meaning and Legacy
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  • 66
    Buch
    Buch
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030924614
    Sprache: Englisch
    Seiten: XI, 202 Seiten , Illustrationen
    Serie: Pop music, culture and identity
    Paralleltitel: Erscheint auch als
    DDC: 781.63
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    Schlagwort(e): Popular Music ; Gender Studies ; Queer Studies ; Theatre and Performance Arts ; Popular music ; Sex ; Queer theory ; Performing arts ; Theater ; Technologie ; Popmusik ; Musikproduktion ; Musikwirtschaft ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikproduktion ; Technologie ; Musikwirtschaft
    URL: Cover
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  • 67
    Online-Ressource
    Online-Ressource
    Oxford : Oxford University Press
    ISBN: 9780191897801
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xv, 364 Seiten) , Illustrationen
    Ausgabe: First edition
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 781.66094309047
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    Schlagwort(e): Geschichte 1970-1990 ; Punk rock music / Social aspects / Germany (West) ; Punk rock music / Social aspects / Germany (East) ; Punk culture / Germany (East) / History ; Punk culture / Germany (West) / History ; Punk Rock ; Punk ; Deutschland ; Deutschland ; Deutschland ; Deutschland ; Punk Rock ; Punk ; Geschichte 1970-1990
    Kurzfassung: 'Culture from the Slums' explores the history of punk rock in East and West Germany during the 1970s and 1980s, examining how youths mobilized music to build alternative communities and identities during the Cold War, and detailing how punk became the site of historical change on both sides of the Iron Curtain
    Anmerkung: This edition also issued in print: 2022. - Includes bibliographical references, discography and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 68
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030924621
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XI, 202 p. 2 illus)
    Ausgabe: 1st ed. 2022
    Serie: Pop Music, Culture and Identity
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.63
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    Schlagwort(e): Popular Music ; Gender Studies ; Queer Studies ; Theatre and Performance Arts ; Popular music ; Sex ; Queer theory ; Performing arts ; Theater ; Technologie ; Musikproduktion ; Musikwirtschaft ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikproduktion ; Technologie ; Musikwirtschaft
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 69
    Online-Ressource
    Online-Ressource
    Cham, Switzerland : palgrave macmillan
    ISBN: 9783031190001
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvi, 459 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 302
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    Schlagwort(e): Social Psychology ; Popular Music ; Media Psychology ; Theory of Music ; Social psychology ; Popular music ; Psychology ; Mass Media ; Music theory ; Musikwahrnehmung ; Ohrwurm ; Sozialpsychologie ; Musikalische Form ; Popmusik ; Popmusik ; Ohrwurm ; Musikwahrnehmung ; Musikalische Form ; Sozialpsychologie
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 70
    ISBN: 9781501363696
    Sprache: Englisch
    Seiten: xi, 232 Seiten , Illustrationen
    DDC: 782.42164092
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    Schlagwort(e): Dylan, Bob ; Geschichte 2000-2018 ; Popmusik ; Lyrik ; Performance ; Spätwerk
    Anmerkung: Literaturangaben
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  • 71
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478014393 , 9781478013471
    Sprache: Englisch
    Seiten: 132 Seiten , 1 Illustration
    Serie: Singles
    DDC: 782.42166092
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    Schlagwort(e): Popmusik ; USA
    Anmerkung: Bibliography Seite 125-126
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  • 72
    Online-Ressource
    Online-Ressource
    Ithaca : Cornell University Press
    ISBN: 9781501759857
    Sprache: Englisch
    Seiten: 1 Online-Ressource (368 Seiten)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.48428
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    Schlagwort(e): Geschichte 1870-1990 ; Musicians, Black Germany ; History ; 20th century ; Musicians, Black Austria ; History ; 20th century ; Musicians, Black Germany ; History ; 19th century ; Schwarze ; Musiker ; Österreich ; Deutschland ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
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  • 73
    Online-Ressource
    Online-Ressource
    Durham ; London : Duke University Press
    ISBN: 9781478013143
    Sprache: Englisch
    Seiten: 1 Online-Ressource (304 Seiten)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.63095/0904
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    Schlagwort(e): Geschichte 1950-1980 ; HISTORY / Asia / General ; Cold War ; Music Social aspects ; Music History and criticism 20th century ; Music History and criticism ; Popular music Political aspects ; Popular music History and criticism ; Popmusik ; Asien ; Asien ; Popmusik ; Geschichte 1950-1980
    Kurzfassung: In Sound Alignments, a transnational group of scholars explores the myriad forms of popular music that circulated across Asia during the Cold War. Challenging the conventional alignments and periodizations of Western cultural histories of the Cold War, they trace the routes of popular music, examining how it took on new meanings and significance as it traveled across Asia, from India to Indonesia, Hong Kong to South Korea, China to Japan. From studies of how popular musical styles from the Americas and Europe were adapted to meet local exigencies to how socialist-bloc and nonaligned Cold War organizations facilitated the circulation of popular music throughout the region, the contributors outline how music forged and challenged alliances, revolutions, and countercultures. They also show how the Cold War's legacy shapes contemporary culture, particularly in the ways 1990s and 2000s J-pop and K-pop are rooted in American attempts to foster economic exchange in East Asia in the 1960s.Throughout, Sound Alignments demonstrates that the experiences of the Cold War in Asia were as diverse and dynamic as the music heard and performed in it.Contributors. Marié Abe, Michael K. Bourdaghs, Paola Iovene, Nisha Kommattam, Jennifer Lindsay, Kaley Mason, Anna Schultz, Hyunjoon Shin, C. J. W.-L. Wee, Hon-Lun (Helan) Yang, Christine R. Yano, Qian Zhang
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 74
    ISBN: 9781478021391
    Sprache: Englisch
    Seiten: 1 Online-Ressource (552 p.)
    Serie: Refiguring American Music : 25
    DDC: 782.421640973
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    Schlagwort(e): Volksmusik ; Popmusik ; USA ; Electronic books
    Kurzfassung: In Songbooks, critic and scholar Eric Weisbard offers a critical guide to books on American popular music from William Billings's 1770 New-England Psalm-Singer to Jay-Z's 2010 memoir Decoded. Drawing on his background editing the Village Voice music section, coediting the Journal of Popular Music Studies, and organizing the Pop Conference, Weisbard connects American music writing from memoirs, biographies, and song compilations to blues novels, magazine essays, and academic studies. The authors of these works are as diverse as the music itself: women, people of color, queer writers, self-educated scholars, poets, musicians, and elites discarding their social norms. Whether analyzing books on Louis Armstrong, the Beatles, and Madonna; the novels of Theodore Dreiser, Gayl Jones, and Jennifer Egan; or varying takes on blackface minstrelsy, Weisbard charts an alternative history of American music as told through its writing. As Weisbard demonstrates, the most enduring work pursues questions that linger across time period and genre-cultural studies in the form of notes on the fly, on sounds that never cease to change meaning.
    URL: Cover
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
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  • 75
    Bild
    Bild
    London ; New York : Omnibus Press
    ISBN: 9781913172305
    Sprache: Englisch
    Seiten: 288 Seiten , Illustrationen, Portraits (teilweise farbig) , 31 cm
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    Schlagwort(e): Geschichte 1977-1986 ; Popmusik ; Rockmusik ; Musikjournalismus ; Großbritannien ; Popular music / 1971-1980 / History and criticism ; Popular music / 1981-1990 / History and criticism ; Rock music / 1971-1980 / History and criticism ; Rock music / 1981-1990 / History and criticism ; Fan magazines / Great Britain ; Jamming! ; Quelle ; Quelle ; Quelle ; Großbritannien ; Rockmusik ; Popmusik ; Musikjournalismus ; Geschichte 1977-1986
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  • 76
    ISBN: 9780197532973
    Sprache: Englisch
    Seiten: xxiii, 613 Seiten , Illustrationen , 243 mm
    Paralleltitel: Erscheint auch als
    DDC: 780.8992404309045
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    Schlagwort(e): Geschichte 1945-1989 ; Musikleben ; Musiker ; Juden ; Deutschland ; Deutschland ; Musiker ; Juden ; Geschichte 1945-1989 ; Deutschland ; Musikleben ; Juden ; Geschichte 1945-1989
    Kurzfassung: By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. Transcending Dystopia tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Author Tina Frühauf provides a kaleidoscopic panorama ofmusical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust.Drawing on newly unearthed sources from archives and private collections, this book covers a wide spectrum of musical activity-from its role in commemorations and community events to synagogue concerts and its presence on the radio-across the divided Germany until the Fall of the Wall in 1989. Frühauf's use of mobility as a conceptual framework reveals the myriad ways in which the reemergence of Jewish music in Germany was shaped by cultural transfer and exchange that often relied on thecirculation of musicians, their ideas, and practices within and between communities. By illuminating the centrality of mobility to Jewish experiences and highlighting how postwar Jewish musical practices in Germany were defined by politics that reached across national borders to the United States andIsrael, this pioneering study makes a major contribution to our understanding of Jewish life and culture in a transnational context
    URL: Rezension  (H-Soz-Kult)
    URL: Rezension  (H-Soz-Kult)
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  • 77
    Online-Ressource
    Online-Ressource
    Münster : Waxmann | Stuttgart : UTB GmbH
    ISBN: 9783830993964
    Sprache: Englisch
    Seiten: 1 Online-Ressource (190 p.)
    Ausgabe: 1st, New ed.
    Serie: Freiburger Studien zur Kulturanthropologie 4
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    Schlagwort(e): Islam ; Jugendkultur ; Identität ; Musik ; Muslim ; Unterhaltungsmusik ; Religiöse Identität ; Pop-Kultur ; Massenkultur ; Jugend ; Young Muslims ; Popular Music ; Sabyan Gambus ; Indonesia ; 2019 Indonesian Presidential Elections ; Female Performance ; Egyptian Music ; Mahraganāt ; Asylum House ; Hip Hop ; Morocco ; German Rap ; Metal ; Tunisia ; Political Islam ; Hijab ; Spiritualität und Religion ; Volksmusik und populäre Musikkulturen ; Deutschland ; Indonesien ; Großbritannien ; Ägypten ; Marokko
    Kurzfassung: Music has the universal power to move individuals, peoples and societies. Music is one of the most important signifiers of cultural change. It is also most significant for youth movements and youth cultures. While Islam has a historically and traditionally rich culture of music, religious controversy on the topic of music is still ongoing. However, young Muslims in today’s globalised world seek pop cultural tools such as music, and particularly hip hop music, as way of exploring and expressing their manifold identities, whilst challenging Islamophobia, stigma and racism on the one hand and traditional and religious challenges on the other hand. In this volume, following an international conference with the same title, scholars and young academics from a variety of disciplines seek to explore and highlight the phenomena surrounding the two, somewhat artificially separated, realms of music and religion. The contributions not only look into different genres of music, from Tunisian metal over German female hip hop to Egyptian folk, but take the reader on a journey from continent to countries to cities and rural areas and thus give space and time to a widely neglected area of research: that of Muslim popular culture and young Muslims.
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  • 78
    Buch
    Buch
    Münster : Waxmann
    ISBN: 9783830943969 , 3830943962
    Sprache: Englisch
    Seiten: 190 Seiten , 23.5 cm x 16.5 cm
    Serie: Freiburger Studien zur Kulturanthropologie Band 4
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Islam ; Jugendkultur ; Identität ; Musik ; Muslim ; Unterhaltungsmusik ; Religiöse Identität ; Pop-Kultur ; Massenkultur ; Jugend ; Deutschland ; Indonesien ; Großbritannien ; Ägypten ; Marokko
    Anmerkung: Literaturangaben
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  • 79
    ISBN: 978-0-19-751761-1 , 978-0-19-751760-4
    Sprache: Englisch
    Seiten: viii, 272 Seiten : , Illustrationen, Porträts.
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Musikethnologie. ; Wissenschaftsethik. ; Westliche Welt. ; Entwicklungsländer. ; Konferenzschrift ; Musikethnologie ; Wissenschaftsethik
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  • 80
    ISBN: 978-0-19-751756-7 , 978-0-19-751755-0
    Sprache: Englisch
    Seiten: viii, 260 Seiten : , Illustrationen, Diagramme, Karten.
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Musikethnologie. ; Kolonialismus. ; Wissenschaftsethik. ; Westliche Welt. ; Entwicklungsländer. ; Konferenzschrift ; Musikethnologie ; Kolonialismus ; Wissenschaftsethik
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  • 81
    Buch
    Buch
    New York : Abrams Image
    ISBN: 9781419751431 , 1419751433
    Sprache: Englisch
    Seiten: 351 Seiten , 24 cm
    DDC: 782.421640973
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    Schlagwort(e): Popular music History and criticism ; African Americans Music ; History and criticism ; MUSIC / History & Criticism ; Popular music ; African Americans ; Comptes rendus de musique ; USA ; Popmusik ; Afroamerikanische Musik ; Geschichte 1971-2021
    Kurzfassung: "Focusing on the years 1971 to the present, Questlove finds the hidden connections in the American tapestry, whether investigating how the blaxploitation era reshaped Black identity or considering the way disco took an assembly-line approach to Black genius. And these critical inquiries are complemented by his own memories as a music fan, and the way his appetite for pop culture taught him about America. A history of the last half-century and an intimate conversation with one of music's most influential and original voices, Music Is History is a singular look at contemporary America"--
    Anmerkung: Includes discography (pages 324-333) and indexes , 1971: Stretched on history's wheel , 1972: Music is the message , 1973: Past is prologue, and protest , 1974 :Cool like that , 1975: The POV lane , 1976: Having two parties , 1977: Future to the back , 1978: Disco tech , 1979: An idea runs wild , 1980: Teach the children , 1981: Inside outside leave me alone , 1982: History by the numbers , 1983: Why does everybody have a bomb? , 1984: File under , 1985: Long for yesterday , 1986: And you don't stop , 1987: Greatness expectations , 1988: Taste! How low can you go? , 1989: Seeds of change , 1990: Return of the impressed , 1991: Furious styles , 1992: Echo park , 1993: X marks the spot , 1994: In the sun I feel as one , 1995: Present, tense , 1996: You've got me feeling emotions , 1997: Moving like you're standing still , 1998: Fair and unfair use , 1999: Things fall apart , 2000: Things come together , 2001: The bad minus , 2002-Present: Our twenty-first century.
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  • 82
    ISBN: 9780822966371
    Sprache: Englisch
    Seiten: ix, 286 Seiten , Illustrationen
    Serie: Science and culture in the nineteenth century 2
    Serie: Science and culture in the nineteenth century
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    Schlagwort(e): Newton, Isaac ; Brewster, David ; Newton Sir ; Isaac ; 1642-1727 ; Brewster Sir ; David ; 1781-1868 ; Brewster, David - 1781-1868 ; Newton, Isaac - 1642-1727 ; 1800-1899 ; Physicists Biography ; Science Historiography ; Scientists Biography ; History and criticism ; Science Great Britain ; History ; 17th century ; Historiography ; Biography as a literary form ; Physicists ; Intellectual life ; Science - Historiography ; Biographies ; Biographies ; Biographies ; Great Britain Intellectual life 19th century ; Great Britain Intellectual life ; 19th century ; Grande-Bretagne - Vie intellectuelle - 19e siècle ; Great Britain ; Biography as a literary form ; Brewster, David, Sir, 1781-1868 ; Great Britain - Intellectual life - 19th century ; Newton, Isaac, Sir, 1642-1727 ; Science - Great Britain - History - 17th century - Historiography ; Scientists - Biography - History and criticism ; Biography ; Newton, Isaac 1643-1727 ; Biografie ; Newton, Isaac 1643-1727 ; Rezeption
    Anmerkung: Literaturverz. S. 253 - 274
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  • 83
    Online-Ressource
    Online-Ressource
    New York : Bloomsbury Academic & Professional | Ann Arbor, Michigan : ProQuest
    ISBN: 9781501368912
    Sprache: Englisch
    Seiten: 1 Online-Ressource (275 pages)
    DDC: 781.63074
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    Schlagwort(e): Popmusik ; Museum ; Kommerzialisierung ; Neoliberalismus ; Electronic books
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 84
    Buch
    Buch
    New York : Grove Press
    ISBN: 9780802127129 , 0802127126 , 9780802159854 , 0802159850
    Sprache: Englisch
    Seiten: xviii, 364 Seiten, 16 ungezählte Seiten , Illustrationen , 24 cm
    Ausgabe: First edition
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    Schlagwort(e): Jones, Rickie Lee ; Jones, Rickie Lee ; Jones, Rickie Lee ; Women rock musicians Biography ; Women singers Biography ; Rock musicians Biography ; Singers Biography ; Musiciennes rock Biographies ; Chanteuses Biographies ; Musiciens rock Biographies ; Chanteurs Biographies ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / Women ; MUSIC / Genres & Styles / Jazz ; Rock musicians ; Singers ; Women rock musicians ; Women singers ; United States ; Biografie ; collective biographies ; Autobiographies ; Biographies
    Kurzfassung: "A tender and intimate memoir by one of the most remarkable, trailblazing, and tenacious women in music, the two-time Grammy Award-winning "premiere song-stylist and songwriter of her generation" (New Yorker), Rickie Lee Jones. Have you met Ms. Jones? One weekend night on primetime television, a then-unknown singer and vital part of the burgeoning Los Angeles jazz pop scene skyrocketed to fame overnight after a now- iconic performance on Saturday Night Live. The year was 1979, the song "Chuck E's in Love," and the singer, donning her trademark red beret, was the soon-to-be-pronounced "Duchess of Coolsville" (Time), Rickie Lee Jones. Last Chance Texaco is the first-ever no-holds-barred account of the life of one of rock's hardest working women, in her own words. With candor and lyricism Rickie Lee Jones takes us on the journey of her exceptional life: from her nomadic childhood as the granddaughter of vaudevillian performers, to her father's abandonment of the family and her years as a teenage runaway, her beginnings at LA's Troubadour club, to her tumultuous relationship with Tom Waits, her battle with drugs, and longevity as a woman in rock and roll. These are never-before-told stories of the girl in "the raspberry beret," a songwriter who has inspired American culture for decades
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke , Includes discography (pages 361-364)
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  • 85
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780197532997
    Sprache: Englisch
    Seiten: 1 Online-Ressource (513 Seiten) , Illustrationen
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 780.8992404309045
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    Schlagwort(e): Geschichte 1945-1989 ; Jews / Germany / Music / History and criticism ; Music / Germany / 20th century / History and criticism ; Juden ; Musikleben ; Musiker ; Deutschland ; Deutschland ; Musiker ; Juden ; Geschichte 1945-1989 ; Deutschland ; Musikleben ; Juden ; Geschichte 1945-1989
    Kurzfassung: By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. 'Transcending Dystopia' tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Tina Fruhauf provides a kaleidoscopic panorama of musical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 86
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478014089 , 9781478011941
    Sprache: Englisch
    Seiten: xxii, 552 Seiten , Illustrationen
    Serie: Refiguring American music
    DDC: 782.421640973
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    Schlagwort(e): Volksmusik ; Popmusik ; USA
    Anmerkung: Literaturverzeichnis Seite 446-512
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  • 87
    ISBN: 9781793639004 , 9781793638984
    Sprache: Englisch
    Seiten: ix, 161 Seiten , Illustrationen
    Serie: Music, culture, and identity in Latin America
    DDC: 306.484226872064
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    Schlagwort(e): Unterhaltungsmusik ; Popmusik ; Tex Mex Music ; USA ; Mexiko
    Anmerkung: Bibliography Seite 143-155
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  • 88
    Online-Ressource
    Online-Ressource
    Oxford : Oxford University Press USA - OSO
    ISBN: 9780197532997
    Sprache: Englisch
    Seiten: 1 online resource (645 pages)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als Frühauf, Tina, 1972 - Transcending dystopia
    DDC: 780.8992404309045
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    Schlagwort(e): Jews-Germany-Music-History and criticism ; Music-Germany-20th century-History and criticism ; Jews Music ; History and criticism ; Music History and criticism 20th century ; Electronic books ; Deutschland ; Musiker ; Juden ; Musikleben ; Geschichte 1945-1989
    Kurzfassung: Transcending Dystopia tells the story of the remarkable revival of Jewish music in postwar and Cold War Germany. Covering a wide spectrum of musical activities and geographies across the country, this book provides a panoramic view on how music contributed to transformations within and beyond Jewish communities after the Holocaust.
    Kurzfassung: cover -- Transcending Dystopia -- Copyright -- Dedication -- Contents -- Acknowledgments -- Prologue: Moving Toward Silence -- On Transliteration and Translation, Spelling, and Names -- Abbreviations -- Introduction: Against All Odds-The Jewish Gemeinde as Sonic Community in an Age of Mobility -- Part 1 -- 1 In the Midst of Rubble: Rebuilding a Musical Life in Berlin -- 2 Out of the Depths: The Case of Munich and the South -- 3 Communal Encounters: Frankfurt am Main and the North -- 4 Remnants in the Soviet and French Zones and Beyond -- 5 Remembering the Holocaust: Mourning and Celebration -- 6 Disseminating Survival: Jews, Music, and the Media -- 7 The End of Dystopia? -- Part II -- 8 Returning and Leaving: Frankfurt in Flux -- 9 Rebuilding with or without Organ -- 10 Cantors on the Move -- 11 Regenerating a Choral Music Culture -- 12 Music in Social Life -- Part III -- 13 Dystopia under Communism: Communities in the Crossfire of Politics -- 14 Werner Sander and the Formation of the Leipziger Synagogalchor -- 15 Facing Cultural Stagnation: Musical Life after Sander -- 16 "Making Antifascist Politics Visible": Jewish Heritage Music and Cold War Politics -- 17 The Leipziger Synagogalchor in the Service of State Propaganda -- 18 Jewish Culture in Public Diplomacy, Memory Politics, and the Curious Case of Halle -- 19 Projecting Utopia: Jewish Heritage Music Abroad -- 20 The Politics of Commemoration and Reorientation -- Part IV -- 21 The Establishment of the Jüdische Gemeinde von Groß-​Berlin -- 22 The Anniversary Year of 1971 and the Dawn of Détente -- 23 The Rise of the Jüdische Gemeinde zu Berlin -- 24 Deterioration and Recovery: The Jüdische Gemeinde Berlin, Hauptstadt der DDR -- 25 Toward a New Communal Future: Parallel Sound Worlds and Rapprochement -- Notes -- Bibliography -- Index -- oso-9780197532973_BM.pdf.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 89
    Buch
    Buch
    München : Beck | Oxford, United Kingdom : Hart | Baden-Baden : Nomos
    Dazugehörige Bände/Artikel
    ISBN: 9783406743894 , 9781509948734 , 9783848769216
    Sprache: Englisch
    Seiten: XXX, 565 Seiten
    Paralleltitel: Erscheint auch als Climate change litigation
    DDC: 344.4046
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    Schlagwort(e): EU-Umweltrecht ; Internationales Umweltrecht ; Klimawandel ; Umweltbelastung ; Umwelthaftung ; Verfahrensrecht ; Welt ; Climatic changes Law and legislation ; Handbuch ; Aufsatzsammlung ; Europäische Union ; Mitgliedsstaaten ; USA ; Kanada ; Brasilien ; Australien ; Klimaschutz ; Umwelthaftung ; Rechtsschutz ; Deutschland ; Klimaschutz ; Umwelthaftung ; Klimaänderung ; Auswirkung ; Prozessrecht ; Umweltrecht
    Anmerkung: Enthält 23 Beiträge , Hier auch später erschienene, unveränderte Nachdrucke
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  • 90
    Online-Ressource
    Online-Ressource
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780231549295
    Sprache: Englisch
    Seiten: 1 Online-Ressource , 10-15 film stills
    Ausgabe: 2021
    Serie: Short Cuts
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    Schlagwort(e): Geschichte ; Popmusik ; Musical ; Musikfilm ; Motion pictures and music ; Musical films History and criticism ; Popular music Social aspects ; History ; PERFORMING ARTS / Theater / Broadway & Musicals ; USA
    Kurzfassung: After Hollywood and Tin Pan Alley's iron grip on the movie musical began to slip in the face of pop's cultural dominance, many believed that the musical genre entered a terminal decline and finally wore itself out by the 1980s. Though the industrial model of the musical was disrupted by the emergence of pop, the Hollywood musical has not gone extinct. Many Hollywood productions from the 1960s to the present have revisited the forms and conventions of the classic musical-except instead of drawing from showtunes and jazz standards, they employ the styles and iconography of pop.Alberto Mira offers a new account of how pop music revolutionized the Hollywood musical. He shows that while the Hollywood system ceased producing large-scale traditional musicals, different pop strains-disco, rock 'n' roll, doo-wop, glam, and hip-hop-renewed the genre, giving it a new life. While the classical musical presented a world light on conflict, defined by theatricality and where effortless talent can shine through, the introduction of pop spurred musicals to address contemporary social and political conditions. Mira traces the emergence of a new set of themes-such as the painful hard work depicted in Dirty Dancing (1987); the double-edged fandom of Velvet Goldmine (1998); and the racial politics of Dreamgirls (2006)-to explore why the Hollywood musical has found renewed relevance.
    Anmerkung: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)
    URL: Cover
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  • 91
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478021698
    Sprache: Englisch
    Seiten: 1 Online-Ressource (140 p.)
    Serie: Singles
    DDC: 782.42166092
    RVK:
    Schlagwort(e): Popmusik ; USA
    Kurzfassung: Jonathan Richman and the Modern Lovers' 1972 song "Roadrunner" captures the freedom and wonder of cruising down the highway late at night with the radio on. Although the song circles Boston's beltway, its significance reaches far beyond Richman's deceptively simple declarations of love for modern moonlight, the made world, and rock & roll. In Roadrunner, cultural theorist and poet Joshua Clover charts both the song's emotional power and its elaborate history, tracing its place in popular music from Chuck Berry to M.I.A. He also locates "Roadrunner" at the intersection of car culture, industrialization, consumption, mobility, and politics. Like the song itself, Clover tells a story about a particular time and place-the American era that rock & roll signifies-that becomes a story about love and the modern world.
    URL: Cover
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  • 92
    Buch
    Buch
    New York : Wallflower
    ISBN: 9780231191234
    Sprache: Englisch
    Seiten: viii, 149 Seiten , Illustrationen , 22 cm
    Serie: Short cuts : introductions to film studies
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte ; Popmusik ; Musical ; Musikfilm ; USA ; Musical films / United States / History and criticism ; Popular music / Social aspects / United States / History ; Motion pictures and music ; Musical films ; Popular music / Social aspects ; United States ; Criticism, interpretation, etc ; History
    Anmerkung: Bibliography Seite 137-142
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  • 93
    Online-Ressource
    Online-Ressource
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501368929
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    Schlagwort(e): Museum ; Popmusik ; Kommerzialisierung ; Neoliberalismus ; Popular music / Museums / Social aspects ; Popmusik ; Museum ; Kommerzialisierung ; Neoliberalismus
    Kurzfassung: "An examination of the popular music museum and its relationship to commercialism and neoliberalism"--
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 94
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780197517598
    Sprache: Englisch
    Seiten: 1 Online-Ressource (272 Seiten)
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 780.89
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Ethnomusicology ; Wissenschaftsethik ; Kolonialismus ; Musikethnologie ; Entwicklungsländer ; Westliche Welt ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Kolonialismus ; Wissenschaftsethik
    Kurzfassung: For decades, ethnomusicologists across the world have considered how to affect positive change for the communities they work with. Through illuminating case studies and reflections by a diverse array of scholars and practitioners, 'Transforming Ethnomusicology' aims to both expand dialogues about social engagement within ethnomusicology and, at the same time, transform how we understand ethnomusicology as a discipline. This second volume takes as a point of departure the recognition that colonial and environmental damages are grounded in historical and institutional failures to respect the land and its peoples
    Anmerkung: Also issued in print: 2021. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 95
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478010678 , 9781478011798
    Sprache: Englisch
    Seiten: vi, 295 Seiten , Illustrationen, Karten
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Geschichte 1950-1980 ; Popmusik ; Asien ; Popular music / Asia / History and criticism ; Popular music / Political aspects / Asia ; Cold War ; Music / Asia / History and criticism ; Music / 20th century / History and criticism ; Music / Social aspects / Asia ; Music ; Music / Social aspects ; Popular music ; Popular music / Political aspects ; Asia ; 1900-1999 ; Criticism, interpretation, etc ; Criticism, interpretation, etc ; Asien ; Popmusik ; Geschichte 1950-1980
    Kurzfassung: "The contributors to Sound Alignments explore the myriad forms of popular music that circulated across Asia under the uneven Cold War situation of the 1950s, 1960s and beyond. Geographically, the regions covered stretch from India to Indonesia, Hong Kong, China, South Korea, Okinawa, and Japan. The genres of music explored include various forms of pop, rock, folk, and "yellow music," as well as traditional musics of Asia. Because the Cold War meant radically different things depending on location and time, it is examined from multiple perspectives: socialist internationalism, the nonaligned movement, and the anti-communist developmentalist and capitalist blocs"--
    Beschreibung / Inhaltsverzeichnis: Musical travels of the Coconut Isles and the socialist popular / Jennifer Lindsay -- Vehicles of progress : the Kerala rikshawala at the intersection of communism and social realism / Nisha Kommattam -- East Asian pop music and an incomplete regional contemporary / C. J. W.-L. Wee -- Searching for youth, the people (Minjung), and "another" West while living through anti-communist Cold War politics : South Korean "folk song" in the 1970s / Hyunjoon Shin -- Cosmopolitanism, vernacular cosmopolitanism, and sound alignments : covers and Cantonese cover songs in 1960s Hong Kong / Hon-Lun Yang -- Sonic imaginaries of Okinawa : Daiku Tetsuhiro's cosmopolitan "paradise" / Marié Abe -- Translated fronts : popular songs of socialist cosmopolitanism in Cold War India / Anna Schultz -- Yellow music criticism during China's anti-rightist movement / Qian Zhang -- Afterword: Asia's soundings of the Cold War / Christine R. Yano
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  • 96
    ISBN: 9780815391777 , 9780815391784
    Sprache: Englisch
    Seiten: xii, 236 Seiten , Illustrationen
    Serie: Routledge global popular music series
    Paralleltitel: Erscheint auch als Made in Germany
    Paralleltitel: Erscheint auch als Made in Germany
    DDC: 781.640943
    RVK:
    Schlagwort(e): Popular music History and criticism ; Popular music Social aspects ; History ; Popular music Political aspects ; History ; Musikethnologie ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Deutschland ; Unterhaltungsmusik ; Geschichte 1900-2021 ; Deutschland ; Unterhaltungsmusik ; Rockmusik ; Popmusik
    Kurzfassung: Introduction. Deutschland - Echt jetzt? German Popular Music's Complicated Relationship with German Identity / Oliver Seibt, Martin Ringsmut, and David-Emil Wickström ; Interview : Rocking the Academy? Two Cold-War Careers and the Emergence of Popular Music Studies and Higher Popular Music Education in Germany / An Interview with Peter Wicke and Udo Dahmen / David-Emil Wickström -- Historical Spotlights. Transnational Networks and Intermedial Interfaces in German Popular Music, 1900-1939 / Caroline Stahrenberg ; Nazis and Quiet Sounds : Popular Music, Simulated Normality, and Cultural Niches in the Terror Regime, 1933-45 / Jens Gerrit Papenburg ; Conflicting Identities : The Meaning and Significance of Popular Music in the GDR / Michael Rauhut ; 'Party on the Death Strip' - Reflections on an Historical Turning Point ; Susanne Binas-Preisendörfer -- Globally German. The Krauts Are Coming : Electronic Music and Rock in the 1970s / Ulrich Adelt ; German Metal Attack : Power Metal in and from Germany / Jan-Peter Herbst ; German Longings : A Dialogue on the Promises and Dangers of National Stereotypes / Melanie Schiller and Jeroen de Kloet -- Also "Made in Germany". Peepl rock : Post-Soviet Popular Music in Germany / David-Emil Wickström ; Made in Almanya : The Birth of Turkish Rap / Thomas Solomon ; G.I. Blues and German Schlager : The Politics of Popular Music in Germany during the Cold War / Bodo Mrozek ; Explicitly German. Neue Deutsche Welle : Tactical Affirmation as a Strategy of Subversion / Barbara Hornberger ; "One Day You Will Wish We'd Only Played Music" : Some Remarks on Recent Developments of Germany's RechtsRock Scene / Thorsten Hindrichs ; Hallo Blumenau , bom dia Brasil! German Music Beyond Germany / Julio Mendívil -- Reluctantly German. "Meine Lieder sind anders" : Hildegard Knef and the Idea(l) of German Chanson / René Michaelsen ; How Munich and Frankfurt Brought (Electronic) Dance Music to the Top of the International Charts with Eurodisco and Eurodance - and Why Germany Was Not Involved / Heiko Wandler ; Japonisme 2.0 : German visual-kei Fans, Tokio Hotel, and the Popular Music Genre That Must Not Exist / Oliver Seibt -- Coda. The Germaican Connection - German Reggae Abroad / Martin Ringsmut ; Interview : Standing Up Against Discrimination and Exclusion : An Interview with Kutlu Yurtseven (Microphone Mafia) / Monika E. Schoop.
    Kurzfassung: "Made in Germany: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary German popular music. Each essay, written by a leading scholar of German music, covers the major figures, styles, and social contexts of pop music in Germany and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Germany, followed by essays organized into thematic sections: Historical Spotlights; Globally German; Also "Made in Germany"; Explicitly German; and Reluctantly German"--
    Anmerkung: Literaturangaben
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  • 97
    ISBN: 9781501313370
    Sprache: Englisch
    Seiten: vii, 273 Seiten
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Popmusik ; Das Monströse ; Männlichkeit ; Popular music / Social aspects ; Masculinity in music ; Monsters ; Masculinity in music ; Monsters ; Popular music / Social aspects ; Popmusik ; Männlichkeit ; Das Monströse
    Kurzfassung: "Through a series of case studies, Scary Monsters examines masculinity in popular music culture from the perspective of research into monstrosity"--
    Beschreibung / Inhaltsverzeichnis: Introduction / Jon Hackett -- A Night at the Opera : Updating The Phantom / Mark Duffett -- His Muscles Still Bulged Like Iron Bands' : King Kong and the Promotion of Lead Belly / Mark Duffett -- Colonel Parker and the Art of Commercial Exploitation : The Manager as Monster / Mark Duffett -- The Platformed Prometheus : Frankenstein and Glam Rock / Jon Hackett -- The Case of Mark Chapman : Extreme Fandom as Monstrosity? / Mark Duffett -- Exhuming the Gravediggaz : Gothic Hip Hop and Monster Capital / Jon Hackett -- Masculinity on Trial : Noir Désir and Perverse Narcissism / Jon Hackett -- 'Jingle Jangle Man' : Jimmy Savile, Paedophilia and the Music Industry / Mark Duffett
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  • 98
    ISBN: 9783844078947 , 3844078940
    Sprache: Englisch
    Seiten: V, 160 Seiten , Illustrationen
    Serie: Grazer Beiträge zur Ethnomusikologie Band 27
    Serie: Grazer Beiträge zur Ethnomusikologie
    RVK:
    RVK:
    Schlagwort(e): Musikästhetik ; Musikethnologie ; Musikästhetik ; Ethnomusikologie ; Ethnomusicology ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Musikethnologie ; Musikethnologie ; Musikästhetik
    Anmerkung: Beiträge des Symposiums "Ethnoaesthetics of Music. Concepts, Criteria , Case Studies" (02.05.2019-04.05.2019, Graz)
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  • 99
    Buch
    Buch
    Jackson : University Press of Mississippi
    ISBN: 9781496837288 , 9781496837271
    Sprache: Englisch
    Seiten: xvii, 232 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.64
    RVK:
    RVK:
    Schlagwort(e): Lyrics ; Englisch ; Popmusik ; Lyrik ; Blues ; Blues ; Popmusik ; Lyrics ; Englisch ; Lyrik
    Kurzfassung: Poetic Song Verse: Blues-Based Popular Music and Poetry invokes and critiques the relationship between blues-based popular music and poetry in the twentieth and twenty-first centuries. The volume is anchored in music from the 1960s, when a concentration of artists transformed modes of popular music from entertainment to art-that-entertains.
    Kurzfassung: Musician Mike Mattison and literary historian Ernest Suarez synthesize a wide range of writing about blues and rock-biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies-to examine the development of a relatively new literary genre dubbed by the authors as "poetic song verse." They argue that poetic song verse was nurtured in the fifties and early sixties by the blues and in Beat coffee houses, and matured in the mid-to-late sixties in the art of Bob Dylan, the Beatles, the Rolling Stones, the Doors, Jimi Hendrix, Joni Mitchell, Leonard Cohen, Gil Scott-Heron, Van Morrison, and others who used voice, instrumentation, arrangement, and production to foreground semantically textured, often allusive, and evocative lyrics that resembled and engaged poetry.Among the questions asked in Poetic Song Verse are: What, exactly,
    Kurzfassung: is this new genre? What were its origins? And how has it developed? How do we study and assess it? To answer these questions, Mattison and Suarez engage in an extended discussion of the roots of the relationship between blues-based music and poetry and address how it developed into a distinct literary genre. Unlocking the combination of richly textured lyrics wedded to marc:recorded music reveals a dynamism at the core of poetic song verse that can often go unrealized in what often has been considered merely popular entertainment. This volume balances historical details and analysis of particular songs with accessibility to create a lively, intelligent, and cohesive narrative that provides scholars, teachers, students, music influencers, and devoted fans with an overarching perspective on the poetic power and blues roots of this new literary genre
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  • 100
    Buch
    Buch
    Newcastle upon Tyne, UK : Cambridge Scholars Publishing
    ISBN: 9781527561649
    Sprache: Englisch
    Seiten: x, 187 Seiten , Illustrationen, Notenbeispiele, Tabellen
    RVK:
    Schlagwort(e): Popmusik ; Musikproduktion ; Audiovisuelle Medien ; Musikwirtschaft ; Soziale Identität ; Popular music / Social aspects ; Popular music / Psychological aspects ; Music and identity politics ; Music and identity politics ; Popular music / Psychological aspects ; Popular music / Social aspects ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikwirtschaft ; Audiovisuelle Medien ; Musikproduktion ; Soziale Identität
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