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  • MPI Ethno. Forsch.  (79)
  • Würzburg UB  (20)
  • Online Resource  (98)
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  • Film  (98)
  • General works  (98)
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  • 1
    Online Resource
    Online Resource
    The Routledge Companion to History and the Moving Image (2024)
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    Details
    ISBN: 9781003263234 , 9781032203317 , 9781032203324
    Language: Undetermined
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als The Routledge companion to history and the moving image
    Parallel Title: Erscheint auch als The Routledge companion to history and the moving image
    Parallel Title: Erscheint auch als Hughes-Warrington, Marnie The Routledge Companion to History and the Moving Image
    RVK:
    AP 45000
    Keywords: Humanities ; General & world history ; Social & cultural history ; Film theory & criticism ; Film: styles & genres ; Historiography ; Television ; General and world history ; Social and cultural history ; Film history, theory or criticism ; Film: styles and genres ; History ; Communications; Television; Historiography; Media history; Cinema; Historical films; Media studies; Digital screen culture; Film ; Aufsatzsammlung ; Film ; Geschichte
    Abstract: Klappentext: The Routledge Companion to History and the Moving Image takes an interdisciplinary approach to understanding history in moving images. It engages this popular and dynamic field that has evolved rapidly from film and television to digital streaming into the age of user-created content. The volume addresses moving image history through a theoretical lens; modes and genres; representation, race, and identity; and evolving forms and formats. It brings together a range of scholars from across the globe who specialize in film and media studies, cultural studies, history, philosophy of history, and education. Together, the chapters provide a necessary contemporary analysis that covers new developments and questions that arise from the shift to digital screen culture. The book examines technological and ethical concerns stemming from today's media landscape, but it also considers the artificial construction of the boundaries between professional expertise and amateur production. Each contributor?s unique approach highlights the necessity of engaging with moving images for the academic discipline of history. The collection, written for a global audience, offers accessible discussions of historiography and a compelling resource for advanced undergraduates and postgraduates in history, film and media studies, and communications.
    Note: English
    URL: teilw. kostenfrei
    URL: https://www.routledge.com/The-Routledge-Companion-to-History-and-the-Moving-Image/Hughes-Warrington-Nelson-Treacey/p/book/9781032203317
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  • 2
    Online Resource
    Online Resource
    Die Berliner Schule im globalen Kontext : ein transnationales Arthouse-Kino (2023)
    Bielefeld : transcript
    Details
    ISBN: 9783839452486 , 3839452481
    Language: German
    Pages: 1 Online-Ressource (415 p.)
    Series Statement: Film
    Uniform Title: The Berlin school and its global contexts
    Parallel Title: Erscheint auch als Abel, Marco Die Berliner Schule im globalen Kontext
    DDC: 791.430943
    RVK:
    AP 44910
    Keywords: Motion pictures History ; Motion pictures German influences ; New wave films ; Cinéma - Allemagne - Berlin - Histoire ; Cinéma - Influence allemande ; Nouvelle Vague (Cinéma) - Allemagne - Berlin ; SOCIAL SCIENCE / Media Studies ; Motion pictures ; Motion pictures - German influences ; New wave films ; Arthouse-Kino ; Berliner Schule ; Deutsches Kino ; Filmemacher ; Filmkritik ; Filmtheorie ; Gegenwartskino ; Globales Kino ; Globalisierung ; Medienwissenschaft ; Nachwende-Kino ; New Wave ; History ; Germany - Berlin ; Berliner Schule ; Berliner Schule 2018 ; Deutschland ; Film ; New wave ; Deutschland ; Film ; Geschichte 1970 - ; Deutschland ; Film ; Globalisierung ; Filmkritik ; Filmtheorie ; Film ; Moderne
    Abstract: Die Berliner Schule gilt als die wichtigste Strömung im deutschen Kino seit den 1970er Jahren. Gleichzeitig kann sie als wesentlicher Teil der globalen New-Wave-Filme verstanden werden, die an den traditionellen Rändern des Weltkinos angesiedelt sind. In 15 Essays setzen die Beiträger*innen des Bandes die Berliner Schule mit Beispielen des globalen Kinos in Verbindung - vom Nahen Osten über Südostasien bis Nordamerika - und laden dazu ein, sie als zentralen Aspekt des Nachwende-Kinos in einem transnationalen Licht zu betrachten. Damit liefern sie zum ersten Mal eine systematische Untersuchung dieser Gattung und stellen sie als eine der wichtigsten Entwicklungen des gegenwärtigen Arthouse-Kinos heraus
    Description / Table of Contents: Cover -- Inhalt -- Danksagungen -- Danksagung für die englische Edition -- Danksagung für die deutsche Edition -- Einleitung: Die Berliner Schule und darüber hinaus -- »Die Berliner Schule«: Gemeinsamkeiten und Unterschiede -- Die Gefahren des »guten Objekts« -- Die seltsamen Reisen des Kunstkinos: Institutionelle Eigenschaften und ästhetische Herangehensweisen -- Die anhaltende, nagende dynamische Kraft des Begriffs der Nation und des »nationalen« Kinos: Angela Schanelecs Film Der traumhafte Weg (2016) -- Ein reiches Mosaik des zeitgenössischen globalen Kunstkinos -- Literaturverzeichnis
    Description / Table of Contents: 1 Die Berliner Schule und Filme von Frauen -- Die Entstehung von Medienkonglomeraten und die zeitgenössische Film- und Fernsehkultur von Frauen -- Die Berliner Schule, der Neoliberalismus und das Frauenkino -- Zeitgenössische Filmproduktionen von Frauen: Materielle Interventionen und Affinitäten -- Die Situationstragödie: Formale und thematische Verwandtschaften in zeitgenössischen Filmen von Frauen -- englishLiteraturverzeichnis -- 2 Gender, Genre und die (Un-)Möglichkeit der romantischen Liebe -- Eine unmögliche Liebe: Blue Valentine -- Neue Liebesversuche: Alle anderen
    Description / Table of Contents: Schlussfolgerung: Hin zu einem postromantischen Affekt -- englishLiteraturverzeichnis -- 3 Reflexionen über das Gegenkino und (nicht-)nationale Strategien -- I. -- II. -- III. -- englishLiteraturverzeichnis -- 4 »Das Leben ist voller schwieriger Entscheidungen« -- Zwei Kinos -- Lucy -- Wendy and Lucy -- Schlussfolgerung -- englishLiteraturverzeichnis -- 5 Kino als Digest, Kino als Verdauung -- englishLiteraturverzeichnis -- 6 Daheim gibt es nicht -- englishLiteraturverzeichnis -- 7 Die Kräfte des Milieus -- Milieu als Medium -- Die Pathologien professioneller Beobachter
    Description / Table of Contents: Strategien der Inszenierung -- Die Politik des Milieus -- Literaturverzeichnis -- 8 Neue Globale Wellen -- Literaturverzeichnis -- 9 Gegabelte Zeit -- Köhler und Apichatpong über »politischen Film« -- Apichatpongs geteilte/gefaltete Zeit -- Zeitliche Brüche: Blissfully Yours und Tropical Malady -- Der Raum bei Köhler und Apichatpong: »Primitive« und Montag kommen die Fenster -- Doppelte Zeit: Syndromes, Uncle Boonmee und Schlafkrankheit -- Geschichte ist eine Schlafkrankheit -- englishLiteraturverzeichnis -- 10 Jenseits von Berlin -- I. -- II. -- III. -- IV. -- englishLiteraturverzeichnis
    Description / Table of Contents: 11 Die Politik der Berliner Schule und darüber hinaus -- Hunger: Die trägen Grenzen des gewalttätigen Widerstandes -- Innere Sicherheit: Neoliberale Trägheit von Terroristenkindern und jugendlichen McJobbern -- Falscher Bekenner (2005): Verlangsamung und prekäre Anerkennung -- Epilog -- Literaturverzeichnis -- 12 Bilder des Laufens in den Filmen von Benjamin Heisenberg -- Der ursprüngliche Läufer: Antoine Doinel -- Heisenberg'sche Relationen -- Räuber oder Läufer? -- englishLiteraturverzeichnis -- 13 Von früh an Gespenster
    Note: Description based upon print version of record , Das geteilte Nachleben der Industriewirtschaft und ihrer prekären Solidaritäten
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  • 3
    Online Resource
    Online Resource
    Rassismus im Film (2023)
    [Erscheinungsort nicht ermittelbar] : Schüren Verlag
    Details
    ISBN: 9783741002250 , 9783741004483
    Language: Undetermined
    Pages: 1 Online-Ressource (296 p.)
    Series Statement: Marburger Schriften zur Medienforschung
    Parallel Title: Erscheint auch als Rassismus im Film
    RVK:
    AP 50000
    Keywords: Film guides & reviews ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Rassendiskriminierung ; Film
    Abstract: Seit dem Mord an George Floyd durch den Polizeieingriff in den Vereinigten Staaten im Mai 2020 und der daraus erwachsenen (Social Media-)Bewegung #blacklivesmatter hat auch die Beschäftigung mit den verschiedenen Formen von Rassismus in Deutschland zugenommen. Konnte der Begriff vor wenigen Jahren in wissenschaftlichen wie öffentlichen Diskursen weitgehend nur schwierig oder selten genutzt werden, hat er sich inzwischen hierzulande auch als Gegenbegriff zur globalen Wirkmächtigkeit rechter Ideologien, die besonders Identitätskategorien zur Legitimation mörderischer Gewalt heranziehen, sowie im Kontext globaler Diversifizierungsmaßnahmen im Diskursmainstream durchgesetzt. Dieser Erfolg des Begriffs lässt auch die filmischen Produktionen zu Themen von Menschenfeindlichkeit, die auf Repräsentationskategorien basieren, in einem neuen Licht erscheinen. Filme zu Themen des Rassismus versuchen, Aufklärungsarbeit im Sinne anti-rassistischer Praxis zu leisten, während beispielsweise propagandistische Videos rechter und dschihadistischer Kreise zur (re-)produktiven Verhandlung von Rassismus beitragen. Andererseits lassen sich Filme, die scheinbar nichts mit Rassismus zu tun haben, bei einem genaueren analytischen Blick sehr wohl als Verstärkungs-, Reproduktions- oder Verschleierungsakteure von Rassismen verstehen. So sind Filme immer schon im Sinne von (Un-)Sichtbarkeitsmaschinen dazu geeignet, soziale Verhältnisse zu veräußerlichen und so ungedachte Zusammenhänge zu denken. In dieser argumentativen Bi-Perspektivität – Sichtbarwerden der Rassismusdiskurse und Filme als Sichtbarkeitsmedien sozialer Verhältnisse – geht der vorliegende Sammelband Diskursformen des Rassismus, seiner Filmkulturen und Möglichkeiten des (anti-rassistischen) Widerstands besonders/aber nicht nur im deutschsprachigen Kontext nach. Daran schließen sich folgende Fragen an: Wie sieht der Zusammenhang von (fiktionalen) Filmen und Formen des Rassismus in Film-kulturen aus? Wie gehen fiktionale Formate mit Antisemitismus, Rechtsradikalismus, antimuslimischem Rassismus, Antiziganismus und whiteness um? Und wie versuchen aktuelle (auch experimentelle) filmische Formate, Rassismus entgegenzutreten? Im Zentrum des Sammelbandes stehen die Filme und ihre Geschichten selbst. Ziel ist es, das Erkenntnispotential von Filmen in der Auseinandersetzung mit Rassismus zu befragen: Was genau am Rassismus machen die Filme sichtbar? Wie lassen sich mögliche historische Entwicklungen narrativer audiovisueller Diskursformen (für den deutschsprachigen Kontext) darstellen? Wie verändern sich in diesen Entwicklungen die Auseinandersetzungen mit jenen rassistischen Formen? Und grundsätzlich: Wie stehen Film und Rassismus zueinander? Die Beiträge des Sammelbands explorieren so diverse Erscheinungsformen des Rassistischen: Umweltrassismus, Antisemitismus, Rassismus gegen Schwarze Menschen, Anti-Zig*anismus, anti-muslimischer Rassismus, Rassismus und Gender, rechtsextremer Rassismus in Deutschland und filmische Erinnerungskultur, Afropolitanismus und Rassismus, Rassismus ohne Rassen*/Rassismus gegen Migrant:innen. Beiträge von Ömer Alkin , Julia Bee, Julia Dittmann , Irina Gradinari , Hilde Hoffmann , Kien Nghi Ha Hauke Lehmann, Radmila Mladenova,, Tobias Nagl , Burrhus Njanjo und Alena Strohmaier
    Note: German
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  • 4
    Online Resource
    Online Resource
    The Mediatization of the O.J. Simpson Case : From Reality Television to Filmic Adaptation (2023)
    Bielefeld : transcript Verlag
    Details
    ISBN: 9783839466247 , 9783837666243 , 9783732866243
    Language: Undetermined
    Pages: 1 Online-Ressource (270 p.)
    Series Statement: Edition Medienwissenschaft
    Parallel Title: Erscheint auch als Neubauer, Tatjana, 1989 - The Mediatization of the O.J. Simpson Case. From Reality Television to Filmic Adaptation
    Parallel Title: Erscheint auch als Neubauer, Tatjana, 1989 - The mediatization of the O.J. Simpson case
    Parallel Title: Erscheint auch als Neubauer, Tatjana, 1989 - The mediatization of the O.J. Simpson case
    Parallel Title: Erscheint auch als Neubauer, Tatjana, 1989 - The mediatization of the O.J. Simpson case
    RVK:
    AP 14050
    Keywords: Television ; TV & society ; Cultural studies ; Simpson, Orenthal J. 1947-2024 ; Gerichtsberichterstattung ; Reality-TV ; Sensationsjournalismus ; Film ; Geschichte 1994-2016
    Abstract: F. Scott Fitzgerald once said: "Show me a hero, and I'll write you a tragedy." In the 1990s, nobody fell deeper than O.J. Simpson. Once considered a national treasure, the athlete was accused of brutally slaying his ex-wife Nicole Brown and her friend Ronald Goldman on June 12, 1994. Within days, the media and public developed an unprecedented obsession with the story, turning a murder investigation and trial into a sensationalized reality show. Tatjana Neubauer examines the mediatization, deliberate manipulation, and the simplification of popular criminal trials for profit on television. She demonstrates that TV conflated legal proceedings into entertainment programming by commodifying events, people, and places.
    Note: English
    URL: kostenfrei
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  • 5
    Online Resource
    Online Resource
    Entfesselte Körper : ästhetische Reflexionen zum modernen Menschen im frühen russischen Film (2023)
    Marburg : Schüren
    Details
    ISBN: 9783741003486
    Language: German
    Pages: 1 Online-Ressource (326 Seiten) , Illustrationen
    Series Statement: Zürcher Filmstudien Band 46
    Parallel Title: Erscheint auch als Wanner, Clea Entfesselte Körper
    Dissertation note: Dissertation Universität Basel 2020
    RVK:
    AP 44957
    Keywords: Film guides & reviews ; Hochschulschrift ; Russland ; Film ; Körper ; Tanz ; Geschichte 1908-1918 ; Russland ; Film ; Tanz ; Neuer Mensch ; Filmästhetik ; Geschichte 1913-1918
    Abstract: With its new media possibilities, film at the beginning of the 20th century brought increased intensity to the perception of body representations. It now showed the body in an aesthetic tension of authenticity, alienation, fetishization and ephemerality and at the same time created media and aesthetic constellations which combined numerous (theoretical) considerations and artistic articulations of a crisis-ridden modernity Visions of a new man – especially a new woman – were omnipresent. Using a broad spectrum of cinematic artefacts and historical materials, the book examines the first decade of narrative cinema, 1908-1918 in the late Tsarist Empire, how cinema specifically modeled cinematic concepts of physicality and thus significantly the idea of ​​the human being in Russian modernity, a cultural culture characterized by transmediality Epoch, co-designed. Accordingly, in the study, practices from theater and dance as well as cultural, artistic and literary discourses, such as from the avant-garde or symbolism, are intertwined with developments in film aesthetics and film theory
    Abstract: Mit seinen neuen medialen Möglichkeiten brachte der Film zu Beginn des 20. Jahrhunderts eine gesteigerte Intensität in die Wahrnehmung von Körperrepräsentationen. Er zeigte den Körper nun in einer ästhetischen Spannung von Authentizität, Verfremdung, Fetischisierung und Flüchtigkeit und schuf zugleich mediale und ästhetische Konstellationen, an die sich zahlreiche (theoretische) Überlegungen und künstlerische Artikulationen einer krisenhaften Moderne banden. Visionen von einem Neuen Menschen – insbesondere einer Neuen Frau – waren allgegenwärtig. Anhand eines breiten Spektrums filmischer Artefakte und historischer Materialien untersucht das Buch zur ersten Dekade des Erzählkinos, 1908-1918 im ausgehenden Zarenreich, wie das Kino spezifisch filmische Konzepte von Körperlichkeit modellierte und somit maßgeblich die Vorstellung vom Menschen in der russischen Moderne, einer transmedial geprägten kulturellen Epoche, mitgestaltete. Entsprechend werden in der Studie Praktiken aus Theater und Tanz sowie kulturelle, künstlerische und literarische Diskurse, etwa aus der Avantgarde oder dem Symbolismus, mit filmästhetischen und filmtheoretischen Entwicklungen verschränkt
    Note: German
    DOI: 10.23799/9783741003486
    URL: kostenfrei
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    URL: Inhaltsverzeichnis
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  • 6
    Online Resource
    Online Resource
    Kamera-Ethnographie : ethnographische Forschung im Modus des Zeigens. Programmatik und Praxis (2023)
    Bielefeld : transcript
    Details
    ISBN: 9783839435311 , 9783732835317
    Language: German
    Pages: 1 Online-Ressource (278 Seiten) , Illustrationen
    Series Statement: Locating media Band 13
    Series Statement: Locating media
    Parallel Title: Erscheint auch als Mohn, Bina Elisabeth, 1956 - Kamera-Ethnographie
    DDC: 302.2343
    RVK:
    AP 56400
    RVK:
    LC 95000
    Keywords: Electronic books. ; Visuelle Ethnologie ; Forschungsmethode ; Film
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    URL: http://www.transcript-verlag.de/978-3-8376-3531-7
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    URL: http://www.transcript-verlag.de/978-3-8376-3531-7
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    URL: http://www.transcript-verlag.de/978-3-8376-3531-7
    URL: Volltext  (kostenfrei)
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    URL: Cover  (lizenzpflichtig)
    URL: kostenfrei
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    URL: http://www.transcript-verlag.de/978-3-8376-3531-7
    URL: lizenzpflichtig
    URL: https://doi.org/10.1515/9783839435311
    URL: Open Access
    URL: Cover
    URL: Click here to view book
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    Frobenius-Institut
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    MPI Ethno. Forsch.
    GRASSI Mus. Leipzig
  • 7
    Online Resource
    Online Resource
    Neo-Victorian Things : Re-imagining Nineteenth-Century Material Cultures in Literature and Film (2022)
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783031062018
    Language: English
    Pages: 1 Online-Ressource(XIII, 233 p.)
    Edition: 1st ed. 2022.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    AP 52600
    RVK:
    HG 434
    Keywords: Literature, Modern—19th century. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Motion pictures. ; Aufsatzsammlung ; Englisch ; Roman ; Sachkultur ; Geschichte 1837-1901 ; Rezeption ; Fernsehspiel ; Großbritannien ; Neuseeland ; Film ; USA ; Geschichte 1980-2022
    Abstract: 1. Introduction: Stuff and Things: Introducing Neo-Victorian Materialities -- 2. Objects and Memorabilia in Deborah Lutz’s The Brontë Cabinet: Three Lives in Nine Objects -- 3. “Around the Mizzenpole”: Charles Johnson’s Middle Passage and African Americanizing the Neo-Victorian-at-sea -- 4. Touching, Writing, Collecting: Opium Paraphernalia and Neo-Victorian Material Culture -- 5. An Instrumental Thing: Pianos Extending and Becoming Postcolonial Bodies in Jane Campion’s The Piano and Daniel Mason’s The Piano Tuner -- 6. “Wilful Phantoms”: Haunted Dress, Memory, and Agentic Materiality in Colm Tóibín’s The Master -- 7. The Thing About Haunted Houses: In The Turn of the Screw, The Innocents and The Haunting of Hill House -- 8. There’s Something in the Tea: Murder and Materiality in Dark Angel -- 9. Criminal Things: Sherlock Holmes’ Details of Detection and Their Neo-Victorian Revisions -- 10. The Sleight of Hand: Appearance and Disappearance of Things in Neo-Victorian Magic.
    Abstract: Neo-Victorian Things: Re-Imagining Nineteenth-Century Material Cultures in Literature and Film is the first volume to focus solely on the replication, reconstruction, and re-presentation of Victorian things. It investigates the role of materiality in contemporary returns to the past as a means of assessing the function of things in remembering, revisioning, and/or reimagining the nineteenth century. Examining iterations of material culture in literature, film and popular television series, this volume offers a reconsideration of nineteenth-century things and the neo-Victorian cultural forms that they have inspired, animated, and even haunted. By turning to new and relatively underexplored strands of neo-Victorian materiality—including opium paraphernalia, slave ships, clothing, and biographical objects—and interrogating the critical role such objects play in reconstructing the past, this volume offers ways of thinking about how mis/apprehensions of material culture in the nineteenth century continue to shape our present understanding of things.
    DOI: 10.1007/978-3-031-06201-8
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  • 8
    Online Resource
    Online Resource
    Performative Figures of Queer Masculinity : A Media History of Film and Cinema in Germany Until 1945 (2022)
    Stuttgart : J.B. Metzler | Stuttgart : Imprint: Palgrave Macmillan
    Details
    ISBN: 9783476058881
    Language: English
    Pages: 1 Online-Ressource(XIII, 528 p. 43 illus.)
    Edition: 1st ed. 2022.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    AP 44910
    Keywords: Motion pictures—History. ; Queer theory. ; Performing arts. ; Theater. ; Ethnology—Europe. ; Culture. ; Motion pictures. ; Deutschland ; Film ; Homosexualität ; Männlichkeit ; Geschichte Anfänge - 1945
    Abstract: Chapter 1. Introduction -- Chapter 2. Empire/Germany: Film and Cinema, Gender and Sexuality -- Chapter 3. Weimar Republic/Germany: Film and Cinema, Gender and Sexuality -- Chapter 4. National Socialism/Germany: Film and Cinema, Gender and Sexuality -- Chatper 5. Concluding Remarks.-.
    Abstract: The work in media cultural history is a German history of cinema and film from the 1890s to 1945 with a focus on queer masculinity. Using media studies approaches, the study shows how film as a new medium is constituted through performative re-enactments of spectacular elements from the entertainment and knowledge cultures of the 19th century. In it, bodies, desires and identities are constantly remodelled through the formation of difference. Therefore, male queerness here does not mean the representation of male homosexuality. Rather, it is the dynamic result of complex medial processes, in connection with affects and (self-)cognitions on and off screen. This book is a translation of an original German 1st edition Performative Figuren queerer Männlichkeit by Christiane König, published by J.B.Metzler, imprint of Springer-Verlag GmbH Germany, part of Springer Nature in 2020. The translation was done with the help of artificial intelligence (machine translation by the service DeepL.com). The author (with the friendly support of Megan Hanson) has subsequently revised the text further in an endeavour to refine the work stylistically. Springer Nature works continuously to further the development of tools for the production of books and on the related technologies to support authors.
    DOI: 10.1007/978-3-476-05888-1
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    BSZ
    MPI Ethno. Forsch.
  • 9
    Online Resource
    Online Resource
    Pandemie im Film : Religiöse und ästhetische Transformationen in der Populärkultur (2022)
    Wiesbaden : Springer Fachmedien Wiesbaden | Wiesbaden : Imprint: Springer VS
    Details
    ISBN: 9783658381271
    Language: German
    Pages: 1 Online-Ressource(XII, 183 S. 23 Abb. in Farbe.)
    Edition: 1st ed. 2022.
    Series Statement: pop.religion: lebensstil – kultur – theologie
    Parallel Title: Erscheint auch als Pandemie im Film
    RVK:
    AP 50300
    Keywords: Motion pictures. ; Television broadcasting. ; Religion and sociology. ; Mass media. ; Aufsatzsammlung ; Pandemie ; Film ; Fernsehserie
    Abstract: Untersucht wird die theologische und ästhetische Bearbeitung der Pandemien in dystopischen und Science-Fiction-Filmen sowie Serien. Zwischen Verschwörungstheorien, der Sicht als Strafe Gottes und der fatalistischen Annahme eines "notwenigen Übels" changieren die Erklärungsmodelle im Film wie auch in der gesellschaftlichen Wirklichkeit. Filme bieten dabei stellvertretend narrative Lösungsmodelle an. Die Katastrophe wird auf diese Weise dem beängstigenden Alltag für kurze Zeit enthoben, was eine der Reflexion zuträgliche Distanz ermöglicht. Exemplarisch wird ein sich wandelndes Rollen-, Gesellschafts- und Gottesbild aufgezeigt, das zu religionspädagogischen Reflexionen anregt. Die Herausgebenden Dr. Inge Kirsner ist als apl. Professorin für Praktische Theologie/Religionspädagogik am Institut für Evangelische Theologie der Universität Paderborn sowie als Hochschulpfarrerin in Tübingen tätig. Dr. Harald Schroeter-Wittke ist Professor für Didaktik der Evangelischen Religionslehre mit Kirchengeschichte am Institut für Evangelische Theologie der Universität Paderborn.
    DOI: 10.1007/978-3-658-38127-1
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  • 10
    Online Resource
    Online Resource
    Francoist Repression and Incarceration in Contemporary Spanish Culture : Justice through Memory (2022)
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    Details
    ISBN: 9783031133923
    Language: English
    Pages: 1 Online-Ressource (XIX, 335 p. 8 illus)
    Edition: 1st ed. 2022
    Series Statement: Palgrave Studies in Cultural Heritage and Conflict
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.094
    RVK:
    AP 59737
    RVK:
    IP 14900
    Keywords: Geschichte 1998-2018 ; European Culture ; Regional Cultural Studies ; Cultural Heritage ; Ethnology—Europe ; Culture ; Ethnology ; Cultural property ; Spanisch ; Unterdrückung ; Roman ; Galicisch ; Film ; Franquismus ; Spanien ; Spanisch ; Galicisch ; Roman ; Spanien ; Film ; Unterdrückung ; Franquismus ; Geschichte 1998-2018
    DOI: 10.1007/978-3-031-13392-3
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1007/978-3-031-13392-3
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1007/978-3-031-13392-3
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  • 11
    Online Resource
    Online Resource
    Europe in Upheaval : Identity in Politics, Literature and Film (2022)
    Stuttgart : J.B. Metzler | Stuttgart : Palgrave Macmillan
    Details
    ISBN: 9783476058836
    Language: English
    Pages: 1 Online-Ressource (IX, 180 p. 11 illus. in color)
    Edition: 1st ed. 2022
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.094
    RVK:
    AP 59706
    RVK:
    EC 5410
    RVK:
    MK 5000
    Keywords: Geschichte 1982-2019 ; European Culture ; Ethnology—Europe ; Culture ; Politik ; Politische Identität ; Europa ; Literatur ; Film ; Europäische Integration ; Europa ; Konferenzschrift 2018 ; Konferenzschrift 2018 ; Konferenzschrift 2018 ; Literatur ; Film ; Europa ; Geschichte 1982-2019 ; Europa ; Politik ; Europäische Integration ; Politische Identität
    DOI: 10.1007/978-3-476-05883-6
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1007/978-3-476-05883-6
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1007/978-3-476-05883-6
    URL: Inhaltsverzeichnis
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  • 12
    Online Resource
    Online Resource
    Virtual Realities : Case Studies in Immersion and Phenomenology (2021)
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    Details
    ISBN: 9783030825478
    Language: English
    Pages: 1 Online-Ressource (XIII, 213 p. 35 illus., 34 illus. in color)
    Edition: 1st ed. 2021
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.46
    RVK:
    AP 15950
    RVK:
    MS 7965
    RVK:
    ST 323
    Keywords: Culture and Technology ; Film/TV Technology ; Media and Communication ; Digital/New Media ; Culture ; Technology ; Motion pictures ; Communication ; Digital media ; Neue Medien ; Technologie ; Film ; Virtuelle Realität ; Kommunikation ; Kultur ; Virtuelle Realität ; Kultur ; Technologie ; Film ; Kommunikation ; Neue Medien
    DOI: 10.1007/978-3-030-82547-8
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1007/978-3-030-82547-8
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1007/978-3-030-82547-8
    URL: Inhaltsverzeichnis
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  • 13
    Online Resource
    Online Resource
    Films of Arab Loutfi and Heiny Srour : studies in Palestine solidarity cinema (2021)
    Cham : Springer International Publishing | Cham : Palgrave Pivot
    Details
    ISBN: 9783030853549
    Language: English
    Pages: 1 Online-Ressource (xiii, 107 Seiten) , Illustrationen
    Edition: 1st ed. 2021
    Series Statement: Palgrave studies in Arab cinema
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.0956
    RVK:
    AP 59769
    Keywords: Srour Heiny ; Lotfi, Arab ; Middle Eastern Culture ; Global Cinema and TV. ; Film History ; Culture and Gender ; Film/TV Industry ; Ethnology—Middle East  ; Motion pictures ; Motion pictures—History ; Culture ; Gender ; Film ; Lotfi, Arab 1953- ; Srour Heiny 1945- ; Film
    DOI: 10.1007/978-3-030-85354-9
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1007/978-3-030-85354-9
    URL: Inhaltsverzeichnis
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1007/978-3-030-85354-9
    URL: Inhaltsverzeichnis
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  • 14
    Online Resource
    Online Resource
    LGBTQ Activism in Turkey During 2010s : queer talkback (2021)
    Cham : Palgrave Macmillan
    Details
    ISBN: 9783030690977
    Language: English
    Pages: 1 Online-Ressource (xv, 169 Seiten)
    Edition: 1st ed. 2021
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.0956
    RVK:
    AP 19666
    RVK:
    MS 3010
    Keywords: Geschichte 2010-2020 ; Middle Eastern Culture ; Queer Studies ; Media and Communication ; Ethnology—Middle East  ; Motion pictures ; Queer theory ; Communication ; Medien ; Queer-Theorie ; Sexuelle Orientierung ; Kommunikation ; Minderheit ; Film ; Mittlerer Osten ; Türkei ; Mittlerer Osten ; Türkei ; Film ; Medien ; Sexuelle Orientierung ; Minderheit ; Queer-Theorie ; Kommunikation ; Geschichte 2010-2020
    DOI: 10.1007/978-3-030-69097-7
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1007/978-3-030-69097-7
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1007/978-3-030-69097-7
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  • 15
    Online Resource
    Online Resource
    The Oxford handbook of queer cinema (2021)
    New York, NY, United States of America : Oxford University Press
    Details
    ISBN: 9780190878023 , 9780190878009 , 9780190878016
    Language: English
    Pages: 1 Online-Ressource (xvi, 844 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.766
    RVK:
    AP 47950
    Keywords: Homosexualität ; Film ; Sexual minorities in mass media ; Sexual minorities in motion pictures ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Film ; Homosexualität
    Abstract: 'The Oxford Handbook of Queer Cinema' encompasses more than a century of filmmaking, film criticism and film reception, looking at the ways in which the idea of 'queer cinema' has expanded as a descriptor for a global arts practice
    DOI: 10.1093/oxfordhb/9780190877996.001.0001
    URL: Volltext
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: http://dx.doi.org/10.1093/oxfordhb/9780190877996.001.0001
    URL: lizenzpflichtig
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Volltext  (lizenzpflichtig)
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  • 16
    Online Resource
    Online Resource
    Hysterical methodologies in the arts : rising in revolt (2021)
    Cham : Palgrave Macmillan
    Details
    ISBN: 9783030663605
    Language: English
    Pages: 1 Online-Ressource (xxvi, 380 Seiten) , Illustrationen
    Edition: 1st ed. 2021
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.01
    RVK:
    AP 50300
    RVK:
    EC 2430
    RVK:
    EC 5410
    RVK:
    LH 65020
    Keywords: Cultural Theory ; Culture and Gender ; Popular Culture ; Cultural Studies ; Queer Theory ; Culture—Study and teaching ; Culture ; Gender ; Popular Culture ; Cultural studies ; Queer theory ; Hysterie ; Film ; Psychose ; Kunst ; Literatur ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Kunst ; Literatur ; Film ; Psychose ; Hysterie
    DOI: 10.1007/978-3-030-66360-5
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1007/978-3-030-66360-5
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1007/978-3-030-66360-5
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  • 17
    Online Resource
    Online Resource
    German cinema in the age of Neoliberalism (2021)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048551958 , 9048551951
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Film culture in transition
    Parallel Title: Erscheint auch als BAER, HESTER GERMAN CINEMA IN THE AGE OF NEOLIBERALISM
    DDC: 791.430943
    RVK:
    AP 44910
    Keywords: Motion pictures History and criticism ; Neoliberalism in motion pictures ; Motion pictures ; Criticism, interpretation, etc ; Germany ; Deutschland ; Film ; Filmproduktion ; Geschichte 1980-2010 ; Deutschland ; Film ; Filmproduktion ; Deutsche Film AG
    Note: Includes bibliographical references and index
    URL: kostenfrei
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  • 18
    Online Resource
    Online Resource
    Danish Mothers On-Screen (2021)
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    Details
    ISBN: 9783030885793
    Language: English
    Pages: 1 Online-Ressource (XI, 207 p)
    Edition: 1st ed. 2021
    Series Statement: Palgrave Studies in (Re)Presenting Gender
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.23
    RVK:
    AP 59723
    Keywords: Media and Communication ; European Cinema and TV. ; Popular Culture ; Cultural Studies ; Communication ; Motion pictures—European influences ; Popular Culture ; Cultural studies ; Mutter ; Fernsehen ; Film ; Dänemark ; Dänemark ; Film ; Fernsehen ; Mutter
    DOI: 10.1007/978-3-030-88579-3
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1007/978-3-030-88579-3
    URL: Inhaltsverzeichnis
    URL: Ausführliche Beschreibung
    URL: https://doi.org/10.1007/978-3-030-88579-3
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 19
    Online Resource
    Online Resource
    Handbuch Filmsoziologie (2021)
    Wiesbaden : Springer VS
    Details
    ISBN: 9783658107291 , 9783658107819
    Language: German
    Pages: 1 Online-Ressource (XIV, 1481 Seiten) , Illustrationen
    Series Statement: Springer reference
    Parallel Title: Erscheint auch als
    DDC: 302.23
    RVK:
    AP 45700
    Keywords: Media Sociology ; Theatre and Performance Arts ; Mass media ; Performing arts ; Theater ; Film ; Soziologie ; Aufsatzsammlung ; Einführung ; Aufsatzsammlung ; Einführung ; Aufsatzsammlung ; Einführung ; Film ; Soziologie
    DOI: 10.1007/978-3-658-10729-1
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
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    Bayreuth UB
  • 20
    Online Resource
    Online Resource
    Genre und Race : Mediale Interdependenzen von Ästhetik und Politik (2021)
    Wiesbaden : Springer VS
    Details
    ISBN: 9783658321871
    Language: German
    Pages: 1 Online-Ressource (VI, 344 Seiten) , Illustrationen
    Series Statement: Neue Perspektiven der Medienästhetik
    Parallel Title: Erscheint auch als
    DDC: 306.01
    RVK:
    AP 14150
    RVK:
    AP 45400
    RVK:
    AP 47000
    Keywords: Cultural Theory ; Cultural Anthropology ; Culture and Gender ; Genre ; Media Sociology ; Culture—Study and teaching ; Ethnology ; Culture ; Gender ; Film genres ; Mass media ; Communication ; Rasse ; Rasse ; Filmgenre ; Film ; Konferenzschrift 2018 ; Konferenzschrift 2018 ; Electronic books. ; Konferenzschrift 2018 ; Rasse ; Film ; Filmgenre ; Rasse
    DOI: 10.1007/978-3-658-32187-1
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Click here to view book
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 21
    Online Resource
    Online Resource
    Interkulturelle Räume im Spielfilm : eine filmgeographische Analyse am Beispiel von New York City (2021)
    Wiesbaden : Springer Spektrum
    Details
    ISBN: 9783658357603
    Language: German
    Pages: 1 Online-Ressource (XXXIV, 456 Seiten) , Illustrationen
    Series Statement: Perspektiven der Humangeographie
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Johannes Gutenberg-Universität Mainz
    DDC: 304.2
    RVK:
    AP 50300
    RVK:
    RU 20559
    Keywords: Environmental Social Sciences ; Film Studies ; Environmental sciences—Social aspects ; Motion pictures ; New York ; Multikulturelle Gesellschaft ; Interkulturalität ; Kulturkontakt ; Sozialgeografie ; Film ; Stadtsoziologie ; Filmanalyse ; USA ; New York, NY ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Multikulturelle Gesellschaft ; Stadtsoziologie ; Sozialgeografie ; Film ; Filmanalyse ; New York, NY ; USA ; Film ; New York ; Kulturkontakt ; Interkulturalität
    DOI: 10.1007/978-3-658-35760-3
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 22
    Online Resource
    Online Resource
    Methoden der Filmsoziologie : exemplarische Analysen am Beispiel des Films CAPOTE (2005) (2021)
    Wiesbaden : Springer VS
    Details
    ISBN: 9783658349271
    Language: German
    Pages: 1 Online-Ressource (VI, 252 Seiten) , Illustrationen
    Series Statement: Film und Bewegtbild in Kultur und Gesellschaft
    Parallel Title: Erscheint auch als
    DDC: 302.23
    RVK:
    AP 45700
    RVK:
    MS 7960
    Keywords: Clarke, Gerald ; Media Sociology ; Film Studies ; Audio-Visual Culture ; Sociology of Culture ; Visual Culture ; Mass media ; Motion pictures ; Culture ; Culture—Study and teaching ; Film ; Soziologie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Clarke, Gerald 1937- Capote ; Film ; Soziologie
    DOI: 10.1007/978-3-658-34927-1
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 23
    Online Resource
    Online Resource
    Methoden der Filmsoziologie : Exemplarische Analysen am Beispiel des Films CAPOTE (2005) (2021)
    Wiesbaden : Springer Fachmedien Wiesbaden | Cham : Springer International Publishing AG
    Details
    ISBN: 9783658349271 , 3658349271
    Language: German
    Pages: 1 Online-Ressource (VI, 252 Seiten) , 36 Abb., 30 Abb. in Farbe.
    Edition: 1st ed. 2021
    Series Statement: Film und Bewegtbild in Kultur und Gesellschaft
    Parallel Title: Erscheint auch als Methoden der Filmsoziologie
    DDC: 302.23
    RVK:
    AP 45700
    Keywords: Clarke, Gerald ; Film ; Soziologie ; Mass media ; Motion pictures ; Culture ; Culture—Study and teaching ; Media Sociology ; Film Studies ; Audio-Visual Culture ; Sociology of Culture ; Visual Culture ; Aufsatzsammlung ; Aufsatzsammlung
    DOI: 10.1007/978-3-658-34927-1
    URL: https://doi.org/10.1007/978-3-658-34927-1
    URL: Inhaltsverzeichnis
    URL: Ausführliche Beschreibung
    URL: https://doi.org/10.1007/978-3-658-34927-1
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  • 24
    Online Resource
    Online Resource
    Revisiting and revising the Fifties in contemporary US popular culture : self-reflexivity, melodrama, and nostalgia in film and television (2020)
    Berlin : J.B. Metzler
    Details
    ISBN: 9783662618745
    Language: English
    Pages: 1 Online-Ressource (VIII, 229 p. 1 illus)
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Leipzig 2019
    DDC: 306
    RVK:
    AP 59783
    Keywords: Mad Men ; Geschichte 1950-1960 ; Geschichte 2000-2020 ; Popular Culture ; American Culture ; Cultural Studies ; Popular Culture ; United States—Study and teaching ; Cultural studies ; USA ; Fernsehsendung ; Geschlechterrolle ; Fernsehen ; Film ; Massenkultur ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Massenkultur ; Mad Men ; Geschlechterrolle ; Fernsehen ; Film ; USA ; Geschichte 1950-1960 ; USA ; Film ; Fernsehsendung ; Geschichte 2000-2020
    DOI: 10.1007/978-3-662-61874-5
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 25
    Online Resource
    Online Resource
    Künstlerische Verfahren des Films aus psychologischer Sicht : Zum Wirkungspotenzial des Spielfilms (2020)
    Wiesbaden : Springer Fachmedien Wiesbaden | Wiesbaden : Imprint: Springer VS
    Details
    ISBN: 9783658320522
    Language: German
    Pages: 1 Online-Ressource(XII, 653 S.)
    Edition: 1st ed. 2020
    Series Statement: Film, Fernsehen, Medienkultur, Schriftenreihe der Filmuniversität Babelsberg KONRAD WOLF
    Series Statement: Springer eBook Collection
    Parallel Title: Erscheint auch als Wuss, Peter, 1940 - Künstlerische Verfahren des Films aus psychologischer Sicht
    RVK:
    AP 45600
    RVK:
    AP 45400
    Keywords: Motion pictures. ; Popular Culture. ; Mass media. ; Communication. ; Film ; Rezeptionsästhetik ; Psychologie ; Filmtheorie
    Abstract: Einführung in eine unübliche Betrachtung der Siebenten Kunst -- Umdenken in Ästhetik und Kunstwissenschaften -- Kognitionspsychologische Beschreibung filmischer Strukturen -- Filmisches Erzählen und seine kognitive Modellierung -- Zur Anwendung des Narrationsmodells -- Konflikt und Problemlösung -- Das Konflikt-Diskrepanz-Modell der Kino-Emotionen -- Figur und Vorstellung -- Narrative Spannung und Suspense -- Filmgenres -- Prinzip Hoffnung: Kino-Träume und ihre Utopie-Funktion -- Spiel in Realität, Filmhandlung und Erlebensprozess -- Spezifik des Mediums -- Zum Realitätseffekt des Spielfilms -- Gestaltungsmittel Bild, Ton und Montage unter dem Rezeptionsaspekt der Aufmerksamkeit -- Bild: Kamerablick und Aufmerksamkeit -- Montage und Aufmerksamkeits-Steuerung -- Über Wirkungsbesonderheiten der Plansequenz -- Stil als Priming -- Zusammenfassung. .
    Abstract: Gestaltungsweisen des Spielfilms werden danach befragt, welche ästhetische Funktion ihnen im Erlebensprozess des Zuschauers zukommen mag und wie man diese aus der Perspektive der Psychologie objektivierbar machen kann. Künstlerische Verfahren mit ihren differenzierten gestalterischen Lösungen im Bereich des Erzählens, der Konfliktdarstellung, Kameraführung und Montage, doch auch im Hinblick auf Medienspezifik, Stil und Genre, erfahren hierbei eine psychologische Interpretation, was zu Hypothesen hinführt, die eine empirische Erforschung der kognitiven, emotiven und imaginativen Wirkungsdimension des Films gestatten. Da bei dieser transdisziplinären Untersuchung, die sich explizit dem künstlerischen Ausdruckspotenzial des Mediums stellt, stets von einer Betrachtung konkreter Werke ausgegangen wird, ergeben sich für den Filminteressierten neben psychologisch fundierten Erklärungen zur Funktion bewährter Darstellungsweisen zahlreiche Einblicke in die Wirkungsstrategien innovativer Ausdrucksformen, die sich bisher der Analyse entzogen. Besonders gilt dies für künstlerische Verfahren, die seit Anbruch der Kino-Moderne vom europäischen Autorenfilm zur Anwendung gebracht werden und wichtige Erlebnisgehalte unterhalb der Bewusstheitsschwelle vermitteln bzw. Emotionen und Vorstellungen des Publikums auf neuartige Weise beeinflussen. Der Autor Dr. sc. Peter Wuss ist Professor emeritus der Filmuniversität Babelsberg Konrad Wolf. Er schrieb zahlreiche Fachaufsätze zur Ästhetik, Geschichte und Psychologie des Films und fünf Bücher, darunter Die Tiefenstruktur des Filmkunstwerks (1986; 1990), Filmanalyse und Psychologie (1993; 1990) sowie Cinematic Narration and its Psychological Impact: Functions of Cognition, Emotion and Play (2009). .
    DOI: 10.1007/978-3-658-32052-2
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  • 26
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    Handbuch Filmsoziologie (2019)
    Wiesbaden : Springer Fachmedien
    Details
    ISBN: 9783658109479
    Language: German
    Pages: 1 Online-Ressource
    Edition: Living reference work, continuously updated edition
    Series Statement: Springer Reference Sozialwissenschaften
    Parallel Title: Erscheint auch als
    DDC: 302.23
    RVK:
    AP 45700
    Keywords: Media Research ; Media Sociology ; Performing Arts ; Performing arts ; Film ; Soziologie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Film ; Soziologie
    DOI: 10.1007/978-3-658-10947-9
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    München UB
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  • 27
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    Zur Morphologie und Rezeptionsästhetik des anthropomorphen Bösen im Spielfilm : Die acht Facetten des Bösen (2019)
    Wiesbaden : Springer Fachmedien Wiesbaden | Imprint: Springer
    Details
    ISBN: 9783658249809
    Language: German
    Pages: 1 Online-Ressource (XXIII, 290 S. 1 Abb)
    Parallel Title: Erscheint auch als Hamdi Bek, Nadia Zur Morphologie und Rezeptionsästhetik des anthropomorphen Bösen im Spielfilm
    DDC: 155.2
    RVK:
    AP 45600
    Keywords: Consciousness ; Eclectic psychotherapy ; Motion pictures and television ; Film ; Rezeptionsästhetik ; Bösewicht ; Das Böse ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Das Böse ; Bösewicht ; Film ; Rezeptionsästhetik
    DOI: 10.1007/978-3-658-24980-9
    URL: https://doi.org/10.1007/978-3-658-24980-9
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    HU Berlin
    München UB
    Würzburg UB
    Regensburg UB
    KOBV
    BVB
    HBZ
    Bayreuth UB
  • 28
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    The Oxford handbook of Canadian cinema (2019)
    New York, NY, United States of America : Oxford University Press
    Details
    ISBN: 9780190229122 , 9780190229115 , 9780190933159
    Language: English
    Pages: 1 Online-Ressource (xxii, 483 Seiten) , Illustrationen
    Series Statement: Oxford handbooks online
    Series Statement: Literature
    Parallel Title: Erscheint auch als The Oxford handbook of Canadian cinema
    DDC: 791.430971
    RVK:
    AP 44982
    RVK:
    AP 59482
    RVK:
    AP 59782
    Keywords: Motion pictures History ; Motion pictures, Canadian History and criticism ; Film ; Kanada ; Motion pictures ; Canada ; History ; Motion pictures, Canadian ; History and criticism ; Aufsatzsammlung ; Kanada ; Film ; Kanada ; Film ; Geschichte
    Abstract: The Oxford Handbook of Canadian Cinema offers an overview of the current state of thinking around Canadian cinema. The volume was conceived to register the variety of voices expressing themselves within Canadian cinema with special attention paid to Indigenous, Quebecois, and diasporic identities. Canadian cinema increasingly finds its place within a broad conception of "screen cultures", which extend into the divergent realms of small-scale artistic experimentation and large-scale public spectacle. Insofar as these realms have played a vital role in establishing Canada's presence within international screen culture, they are given special emphasis here. Rather than a straight historical account of cinema in Canada, this Oxford Handbook looks at the technological complexes, geographical spaces, and identity formations in which that cinema has emerged and developed.
    DOI: 10.1093/oxfordhb/9780190229108.001.0001
    URL: Volltext
    URL: Volltext
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  • 29
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    Inventing cinema : machines, gestures and media history (2019)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048550463
    Language: English
    Pages: 1 Online-Ressource (267 Seiten)
    Series Statement: Cinema and technology
    Uniform Title: Inventer le cinéma. Épistémologie : problèmes, machines
    Parallel Title: Erscheint auch als Turquety, Benoît Inventing cinema
    DDC: 791
    RVK:
    AP 55300
    Keywords: Film ; Medien
    Abstract: With machines mediating most of our cultural practices, and innovations, obsolescence and revivals constantly transforming our relation with images and sounds, media feel more unstable than ever. But was there ever a "stable" moment in media history? 'Inventing Cinema' proposes to approach this question through an archaeology and an epistemology of media machines. The archaeology analyses them as archives of users' gestures, as well as of modes of perception. The epistemology reconstructs the problems that the machines' designers and users have strived to solve, and the network of concepts they have elaborated to understand these problems. Drawing on the philosophy of technology and anthropology, 'Inventing Cinema' argues that networks of gestures, problems, perception and concepts are inscribed in vision machines, from the camera obscura to the stereoscope, the Cinématographe, and digital cinema. The invention of cinema is ultimately seen as an ongoing process irreducible to a single moment in history
    Note: Enthält Bibliografie und Index
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  • 30
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    Scorsese and religion (2019)
    Leiden : Brill
    Details
    ISBN: 9789004411401
    Language: English
    Pages: 1 Online-Ressource (XIII, 321 Seiten) , Illustrationen
    Series Statement: Studies in religion and the arts 15
    Parallel Title: Erscheint auch als Scorsese and religion
    DDC: 791
    RVK:
    AP 51315
    Keywords: Aufsatzsammlung ; Scorsese, Martin 1942- ; Film ; Religion
    Abstract: Scorsese and Religion' concerns the religious vision of the great American filmmaker Martin Scorsese. Not only will this volume explore the foundation of Scorsese's interest in religion - namely, his relation to the Catholic Church - but it will also highlight the religious breadth of Scorsese's corpus. Ultimately, this book demonstrates that Scorsese's cinematic "re-presentation" of reality brings together various religious influences (Catholicism, existentialism, Buddhism, etc.) and topics such as violence, morality, nihilism, and so on. The overarching claim is that Scorsese, who indeed once claimed that his "whole life" had been "movies and religion," cannot be properly understood without reflecting on the ways in which his religious interests are expressed in and through his art
    URL: kostenfrei
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    URL: Klappentext
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  • 31
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    Filmtheorie : eine Einführung (2019)
    Berlin : J.B. Metzler
    Details
    ISBN: 9783476046345
    Language: German
    Pages: 1 Online-Ressource (VIII, 326 Seiten)
    Series Statement: Springer eBooks
    Series Statement: J.B. Metzler Humanities
    Parallel Title: Erscheint auch als Bonnemann, Jens, 1970 - Filmtheorie
    RVK:
    AP 45100
    Keywords: Screen Studies ; Motion pictures and television ; Lehrbuch ; Filmtheorie ; Ästhetik ; Film ; Interpretation
    Abstract: Einleitung -- 1. Die filmische Mimesis von Bewusstseinsformen -- 2. Wiederentdeckung der Physiognomie von Mensch und Welt -- 3. Montage als (nicht nur) filmisches Grundprinzip der Kunst -- 4. Das technische Defizit des Filmbilds und künstlerisches Potenzial -- 5. Filmischer Realismus 1 -- 6. Filmischer Realismus 2 -- 7. Filmische Bedeutungsgenese -- 8. Die Taxonomie der Filmbilder -- 9. Gewöhnliche, philosophische und filmische Weltanschauung -- 10. Neoformalismus -- 11. Leibliche Filmwahrnehmung -- 12. Anhang: Literaturverzeichnis, Personenregister
    Abstract: Diese Einführung bietet einen Überblick über die wichtigsten Positionen der Filmtheorie von ihren Anfängen bis in die Gegenwart und schlägt einen Bogen von Hugo Münsterberg bis zu Vivian Sobchack. Die einzelnen Filmtheorien werden in chronologischer Reihenfolge vorgestellt, wobei ihre Hauptthesen, ihr Argumentationsaufbau wie auch ihre wechselseitigen Einflüsse und Abgrenzungen rekonstruiert werden. Inwiefern diese Ansätze dazu dienen können, das Verständnis von Filmen zu vertiefen, wird an konkreten Filmbeispielen gezeigt. Ein weiterer roter Faden innerhalb des Buchs ist der Vergleich mit Theorieangeboten aus der Bildtheorie und der philosophischen Ästhetik. Damit werden die jeweiligen Theoretiker in einen umfassenderen geistesgeschichtlichen Traditionsrahmen eingeordnet
    Note: Literaturangaben
    DOI: 10.1007/978-3-476-04634-5
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  • 32
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    Einführung in die Filmdidaktik : Kino, Fernsehen, Video, Internet (2019)
    Stuttgart : J.B. Metzler Verlag
    Details
    ISBN: 9783476047656
    Language: German
    Pages: 1 Online-Ressource (VIII, 293 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 301
    RVK:
    DP 2580
    RVK:
    DW 4100
    RVK:
    AP 46400
    Keywords: Cultural and Media Studies, general ; Culture-Study and teaching ; Unterricht ; Film ; Mediendidaktik ; Einführung ; Lehrbuch ; Einführung ; Lehrbuch ; Lehrbuch ; Einführung ; Lehrbuch ; Einführung ; Mediendidaktik ; Film ; Film ; Unterricht
    DOI: 10.1007/978-3-476-04765-6
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 33
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    Medieval saints and modern screens : divine visions as cinematic experience (2018)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048532179
    Language: English
    Pages: 1 Online-Ressource (304 Seiten)
    Series Statement: Knowledge communities
    Uniform Title: Screening sanctity: modern visual theory and divine visions in thirteenth-century female saints’ lives from the Low Countries
    Dissertation note: Dissertation University College London (UCL) 2014
    DDC: 791.43/682
    RVK:
    AP 50300
    RVK:
    BO 1840
    Keywords: Saints in motion pictures ; Middle Ages in motion pictures ; Hagiography ; Motion pictures History 20th century ; Motion pictures History 21st century ; History ; History ; Electronic books ; Hochschulschrift ; Heiligenbild ; Vision ; Mystik ; Visuelle Wahrnehmung ; Film
    Abstract: The thirteenth-century Latin hagiographic works known as the "Holy Women of Liège" corpus presents biographies filled with dramatic visions of God and intense physical unions with Christ. The texts that make up the collection demonstrate the problematic division of body and soul in the period and also reveal the potential of text to transmit visual experiences. This book explores those qualities of the texts using the latest developments in film theory, taking up such topics as the relationship of film to mortality, embodied spectatorship, celebrity studies, and digital environments
    URL: Volltext  (View this content on Open Research Library)
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  • 34
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    The enemy in contemporary film (2018)
    Berlin : De Gruyter
    Details
    ISBN: 9783110591217 , 9783110590036
    Language: English
    Pages: 1 Online-Ressource (VII, 413 Seiten) , Illustrationen
    Series Statement: Culture & Conflict volume 12
    Parallel Title: Erscheint auch als The enemy in contemporary film
    DDC: 791.43653
    RVK:
    AP 50300
    Keywords: Enemies in motion pictures ; Aufsatzsammlung ; Feind ; Film ; Geschichte 1970-2017
    Abstract: "The Enemy in Contemporary Film analyses the (de-) and (re)constructions of enemy images in international film since the 1970s. Contexts and conceptions range from military conflict to dictatorship, collaboration, the war on drugs and ethno-cultural groups as 'enemy'. In particular, the essays collected in this volume concentrate on the impact which filmically mediated images of the 'enemy' have had on national cultural memories"--
    Abstract: New enemies, new cold wars: reimagining occupation and military conflict in Norway / Gunnar Iversen -- A murky business: the post-Soviet enemy / Angela Brintlinger -- Of monsters and men: forms of evil in war films / Holger Pözsch -- The domestic enemy in British TV documentaries on the Iraq War / Janet Harris -- Britains Muslims as the enemy within in contemporary British Cinema / Maryam Jameela -- (Re)Framing the disembodied public enemy: the war on drugs in contemporary narrative screen media / Florian Zappe -- From Ivan to Andreij: The Red Army in German Film and TV / Petra Rau -- Enemies within: reimagining the fallen women of World War II in Finnish contemporary documentary / Niina Oisalo -- The collaborator as enemy during the French Occupation in (auto-)biographical and post-memory cinema / Caroline Perret -- False idyll: Siris L'Ennemi intime / Noah McLaughlin -- Femme, je ne vous aime pas : The Enemy Within in Joachim Lafosses A perdre la raison / Marcelline Block -- The past as enemy in Argentine cinema, 1983-2000 / Mario Ranalletti -- Who attacked whom? the year 1981 in twenty-first century Polish feature films / Maria Kobielska -- Redefining the enemy in contemporary Australian Anzac cinema / Daniel Reynaud -- The fading of enemy images in contemporary Latvian cinema / Andrejs Plakans and Vita Zelc̆e -- Looking for an invisible enemy in Israeli film / Francesca de Lucia -- Bonds across borders: a fictional enemy in motion on the Israeli screen / Miri Talmon -- Bosnia beyond good and evil: (de)constructing the enemy in Western and post-Yugoslav films about the 1992-1995 War / Stephen Harper -- Forbidden bonding at the time of the war on terror: the enemy as friend in Camp X-Ray and Boys of Abu Ghraib / Martin Löschnigg -- Lost pasts and unseen enemies: the Pacific War in recent Japanese films / Jonathan Rayner
    URL: kostenfrei
    URL: https://www.degruyter.com/doc/cover/9783110589924.jpg
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    URL: Unbekannt
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  • 35
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    Special Effects in der Wahrnehmung des Publikums : Beiträge zur Wirkungsästhetik und Rezeption transfilmischer Effekte (2017)
    Wiesbaden : Springer VS
    Details
    ISBN: 9783531942124
    Language: German
    Pages: Online-Ressource (VI, 283 S. 31 Abb., 26 Abb. in Farbe, online resource)
    Series Statement: Film, Fernsehen, Medienkultur, Schriftenreihe der Hochschule für Film und Fernsehen "Konrad Wolf
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. Special Effects in der Wahrnehmung des Publikums
    RVK:
    AP 56900
    Keywords: Social sciences ; Sociology ; Cultural studies ; Religion and culture ; Communication ; Mass media ; Social Sciences ; Social sciences ; Sociology ; Cultural studies ; Religion and culture ; Communication ; Mass media ; Aufsatzsammlung ; Spezialeffekt ; Film ; Computerspiel ; Rezeption ; Rezeptionsästhetik
    Abstract: Die film- und medienwissenschaftliche Diskussion zum Thema Special Effects wird bisher von Fragen nach der Produktionsweise und technischen Realisierbarkeit dominiert. Im Rahmen einer derart technik- und produktionszentrierten Herangehensweise an das Phänomen bleibt das Verständnis der kulturellen Bedeutung von Special Effects in Film, Fernsehen und digitalen Unterhaltungsmedien auf die Ebene der industriellen Möglichkeitsbedingungen ästhetischer Erfahrung reduziert. Selten wird in diesem Zusammenhang danach gefragt, welche „Effekte“ die Verwendung von Special Effects im individuellen Wahrnehmungsakt herstellen und was sie in den Augen des Publikums tatsächlich so „speziell“ erscheinen lässt. Der Sammelband korrigiert die Vernachlässigung dieser Fragen, indem er theoretische Grundlagentexte zu einer Wirkungsästhetik der Special Effects versammelt und mit konkreten Fallstudien zur kulturellen Wahrnehmung und empirischen Publikumsrezeption in verschiedenen Mediengattungen vom Kinofilm bis hin zu Internet-Videos und Computerspielen verbindet. Der Inhalt Theoretische Grundlagen.- Analysen und Fallstudien Die Zielgruppen Dozierende und Studierende der Filmwissenschaft Fachpublikum aus der Medienwissenschaft und der Filmproduktion Der Herausgeber Dr. Michael Wedel ist Professor für Mediengeschichte im digitalen Zeitalter an der Filmuniversität Babelsberg KONRAD WOLF
    Abstract: Theoretische Grundlagen: Méliès/Metz. Zur Theorie des Filmtricks.-Der ultimative Trip. Special Effects und kaleidoskopische Wahrnehmung -- Wahre Lügen. Perzeptiver Realimus, digitale Bilder und die Filmtheorie -- Kombinieren. Über Spezialeffekte zur Frage, was (digitaler) Film ist -- Wag the Film. Wirkstrategien computergestützter Bildmanipulation im Kinofilm -- Zeigen und Verbergen. Der doppelte Gestus digitaler Visual Effects -- Staunen - Faszination - Bewunderung. Zum emotionalen Erleben von Special Effects im Spielfilm -- Multiple Welten. Zur Attraktivität visueller Effekte für ein globales Publikum -- Analysen und Fallstudien: Der Mythos des Bonnie-and-Clyde-Schocks.Über Funktion und Rezeption von Zeitlupensequenzen -- Die Verortung des Zuschauers.Die akustische Dimension der Splitscreen -- Special Effects, Science Fiction und Publikumsreaktionen auf 2001: A Space Odyssey -- Click and Snap. Special Effects als Meta-Politik des Komischen -- Computervisualisierte Figuren als filmische Innovation -- Die Publikumsakzeptanz von Digital 3D.-Effekteinsatz im Fanfilm.-In-Sight the Game. Involvierungsprozesse und Visual Effects in Computerspielen
    DOI: 10.1007/978-3-531-94212-4
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  • 36
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    Hitchcock's appetites : the corpulent plots of desire and dread (2016)
    New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc | The Hague : OAPEN Foundation
    Details
    ISBN: 9781501311628 , 9781501311635
    Language: English
    Pages: 1 Online-Ressource (viii, 198 Seiten)
    Edition: [The Hague] OAPEN
    Series Statement: Knowledge Unlatched Round 2
    Series Statement: Media and communications
    Parallel Title: Print version McKittrick, Casey Hitchcock's Appetites : The Corpulent Plots of Desire and Dread
    DDC: 791.4302/33092#23
    RVK:
    AP 51170
    Keywords: Electronic books ; Electronic books ; Hitchcock, Alfred 1899-1980 ; Körpergewicht ; Film
    Abstract: Title Page -- Copyright Page -- Contents -- Acknowledgments -- Introduction -- Why appetites? -- Why Hitchcock? -- Hitchcock studies and fat studies: An interdisciplinary repulsion? -- Hitchcock, f eminism, and e mbodiment -- How Hitchcock ' s body matters -- The genius of tall, thin, and handsome -- Chapter 1 Hitchcock ' s Hollywood diet -- The makings of a media giant -- The arrival of the " 300-Pound Prophet " -- Selznick ' s fat commodity -- Chapter 2 The Hitchcock cameo: Fat self-fashioning and cinematic belonging
    Abstract: " The Real Me (The Thin One) " : Another origin story of the cameo -- The (Meso) textual play of the cameo: Blackmail, Shadow of a Doubt, Lifeboat, Stage Fright -- A typology of the Hitchcock cameo -- Chapter 3 The pleasures and pangs of Hitchcockian consumption -- Screening the revolting body -- The poetics of potables -- " Drink It Down " : An Hitchcockian imperative -- Lactose and intolerance: The poisonous meanings of milk -- Hitchcockian consumption and the carnivalesque -- Food, sex, murder: The Hitchcockian trinity of pleasure -- Hitchcock and the signifying food chain
    Abstract: Chapter 4 Appetite and temporality in Rear Window : Another aspect of voyeurism -- An eye for a stomach: The instructive case of Miss Torso -- Framing the Eat, Drink, and Be Merry Girl -- The problem of fit: Imagining change, growth, and proportion -- When seeing is not believing -- " I want no part of her " : Women and the comedy of corporeal errors -- Time, change, and ambivalence -- Chapter 5 Childhood and the challenge of fat masculinity -- " You ' ll outgrow it " : Hitchcock ' s youth -- Suffer little children : Hitchcock and cinematic childhood
    Abstract: Loss, danger, absence: The semiotics of Hitchcock ' s filmic children -- The Wrong Man and the appetites of Cain and Abel -- Chapter 6 Hitchcock and the queer lens of fatness -- Hitchcock and the fat closet -- A sense of sex: Queer romance in Hitchcock ' s cinema -- Cinematic vicarity: Surrogate versus prosthetic identification -- The Tickles: Subjectivities without bodies -- Epilogue -- Notes -- Introduction -- Chapter 1 -- Chapter 2 -- Chapter 3 -- Chapter 4 -- Chapter 5 -- Chapter 6 -- Enhanced Filmography -- Bibliography -- Index
    Note: Der Titel ist Teil des Projekts Knowledge Unlatched, Round2 Pre-Unlatch
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  • 37
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    Kommunikative Konstruktion von Zukunftsängsten : Imaginationen zukünftiger Identitäten im dystopischen Spielfilm (2016)
    Wiesbaden : Springer VS
    Details
    ISBN: 9783658109547
    Language: German
    Pages: 1 Online Ressource (XIV, 675 Seiten) , Illustrationen
    Uniform Title: Imaginationen zukünftiger Identitäten im dystopischen Spielfilm
    Dissertation note: Dissertation Berlin Technische Universität 2011
    DDC: 302.23
    RVK:
    AP 46700
    Keywords: Geschichte 1970-2011 ; Social sciences ; Mass media ; Communication ; Social sciences in mass media ; Sociology ; Social Sciences ; Media Sociology ; Knowledge - Discourse ; Massenmedien ; Sozialwissenschaften ; Wissen ; Film ; Zukunftsangst ; Soziologie ; Zukunftsangst ; Anti-Utopie ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Anti-Utopie ; Film ; Zukunftsangst ; Soziologie ; Anti-Utopie ; Film ; Zukunftsangst ; Geschichte 1970-2011
    DOI: 10.1007/978-3-658-10954-7
    URL: Volltext
    URL: Inhaltsverzeichnis
    URL: Abstract
    URL: Volltext
    URL: Inhaltsverzeichnis
    URL: Abstract
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  • 38
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    Border crossing : Russian literature into film (2016)
    Edinburgh : Edinburgh University Press
    Details
    ISBN: 9781474411448 , 9781474411431
    Language: English
    Pages: 1 Online-Ressource (xi, 298 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Adaptation: Russian Text into Film (Veranstaltung : 2013 : Columbus, Ohio) Border crossing
    RVK:
    AP 47600
    RVK:
    KK 1035
    Keywords: Emigration and immigration in motion pictures ; Russian literature Film adaptations ; Emigration and immigration in literature ; Film adaptations ; Film theory & criticism ; Konferenzschrift 2013 ; Electronic books ; Russisch ; Literatur ; Film
    Abstract: Each time a border is crossed there are cultural, political, and social issues to be considered. Applying the metaphor of the 'border crossing' from one temporal or spatial territory into another, Border Crossing: Russian Literature into Film examines the way classic Russian texts have been altered to suit new cinematic environments. In these essays, international scholars examine how political and economic circumstances, from a shifting Soviet political landscape to the perceived demands of American and European markets, have played a crucial role in dictating how filmmakers transpose their cinematic hypertext into a new environment. Rather than focus on the degree of accuracy or fidelity with which these films address their originating texts, this innovative collection explores the role of ideological, political, and other cultural pressures that can affect the transformation of literary narratives into cinematic offerings
    Abstract: Machine generated contents note: -- 1. -- Across the Russian Border / -- Thomas Leitch -- 2. -- Dostoevskii's "White Nights": The Dreamer Goes Abroad / -- Ronald Meyer -- 3. -- On Not Showing Dostoevskii's Work: Robert Bresson's Pickpocket / -- Olga Peters Hasty -- 4. -- Stealing the Scene: Crime as Confession in Robert Bresson's Pickpocket / -- S. Ceilidh Orr -- 5. -- The Eye-deology of Trauma: Killing Anna Karenina Softly / -- Yuri Leving -- 6. -- "A Vicious Circle": Karen Shakhnazarov's Ward no. 6 / -- Alexander Burry -- 7. -- A Slap in the Face of American Taste: Transporting He Who Gets Slapped to American Audiences / -- Frederick H. White -- 8. -- Against Adaptation? The Strange Case of (Pod) Poruchik Kizhe / -- Alastair Renfrew -- 9. -- Chasing the Wealth: The Americanization of Il'f and Petrov's The Twelve Chairs / -- Robert Mulcahy -- 10. -- Fassbinder's Nabokov -- From Text to Action: Repressed Homosexuality, Provocative Jewishness, and Anti-German Sentiment / -- Dennis Ioffe -- 11. -- "The Soviet Abroad (That We Lost)": The Fate of Vasilii Aksenov's Cult Novel A Starry Ticket on Paper and on Screen / -- Otto Boele
    URL: OAPEN Library: download the publication
    URL: OAPEN Library: description of the publication
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
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  • 39
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    Film und Kino : die Faszination der laufenden Bilder (2016)
    Wiesbaden : Springer VS
    Details
    ISBN: 9783658090869
    Language: German
    Pages: 1 Online-Ressource (100 Seiten)
    Edition: Springer eBook Collection. Humanities, Social Science
    Series Statement: Medienwissen kompakt
    DDC: 302.2
    RVK:
    AP 46700
    RVK:
    AP 45000
    RVK:
    AP 43450
    Keywords: Social sciences ; Performing arts ; Einführung ; Einführung ; Einführung ; Film ; Kommunikationswissenschaft ; Filmtheorie ; Filmanalyse
    Abstract: Warum geht so eine Faszination vom Kino und den Filmen, die dort gezeigt werden, aus? Kann das Kino seine Wirkkraft behalten, in einer Zeit des Medienwandels durch Digitalisierung und Globalisierung, in der es möglich ist, Filme auf viele Weisen zu sehen: vom Minibildschirm des Handys bis zum Riesen-HD-Fernseher im Wohnzimmer? Dieser Band präsentiert eine kompakte Darstellung der verschiedensten Aspekte von Film und Kino aus einer kommunikationswissenschaftlichen Perspektive und er erklärt damit die Faszination, die von Kino ausgeht, und welche Mechanismen dazu führen.  Der Inhalt Kinogeschichte.- Filmindustrie.- Filmtheorie und Filmanalyse.- Kinopublikum und Filmrezeption.- Die Zukunft des Kinos. Die Zielgruppen Journalisten Pädagogen Schüler der Oberstufe/Abiturienten Studienanfänger Die Autorin Dr. Elizabeth Prommer ist Professorin für Kommunikations- und Medienwissenschaft an der Universität Rostock und Direktorin des Instituts für Medienforschung
    Description / Table of Contents: EinleitungKinogeschichte -- Filmindustrie -- Filmtheorie und Filmanalyse -- Kinopublikum und Filmrezeption -- Ausblick: Die Zukunft des Kinos.
    DOI: 10.1007/978-3-658-09086-9
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext
    URL: Inhaltsverzeichnis
    URL: Abstract
    URL: Volltext
    URL: Inhaltsverzeichnis
    URL: Abstract
    URL: Volltext
    URL: Inhaltsverzeichnis
    URL: Abstract
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    München UB
    Würzburg UB
    Regensburg UB
    GBV
    KOBV
    BVB
    Bayreuth UB
  • 40
    Online Resource
    Online Resource
    Filmstile (2016)
    Wiesbaden : Springer VS
    Details
    ISBN: 9783531190808
    Language: German
    Pages: 1 Online-Ressource (VII, 435 Seiten) , Illustrationen
    Series Statement: Film, Fernsehen, Neue Medien
    Parallel Title: Erscheint auch als
    DDC: 302.23
    RVK:
    AP 44400
    RVK:
    AP 42800
    RVK:
    AP 54000
    Keywords: Geschichte ; Social sciences ; Performing arts ; Communication ; Sociology ; Mass media ; Social Sciences ; Media Research ; Performing Arts ; Massenmedien ; Sozialwissenschaften ; Stil ; Filmgenre ; Film ; Lehrbuch ; Lehrbuch ; Lehrbuch ; Film ; Filmgenre ; Geschichte ; Film ; Stil
    DOI: 10.1007/978-3-531-19080-8
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Inhaltsverzeichnis
    URL: Abstract
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Inhaltsverzeichnis
    URL: Abstract
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Inhaltsverzeichnis
    URL: Abstract
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    München UB
    Würzburg UB
    Regensburg UB
    KOBV
    BVB
    Bayreuth UB
  • 41
    Online Resource
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    Ghosts - or the (nearly) invisible : spectral phenomena in literature and the media (2016)
    Frankfurt am Main : Peter Lang Edition | Berlin : Knowledge Unlatched
    Details
    ISBN: 9783653059625 , 3653059623
    Language: English
    Pages: 1 Online-Ressource (169 Seiten)
    Series Statement: Approaches to literary phantasy volume 9
    Series Statement: Approaches to literary phantasy
    Parallel Title: Erscheint auch als Ghosts -- or the (nearly) invisible
    RVK:
    AP 53900
    RVK:
    AP 53500
    RVK:
    HG 674
    RVK:
    EC 6805
    Keywords: Supernatural in literature ; Ghosts in literature ; Ghosts in motion pictures ; Future life in literature ; Ghosts ; Ghost stories History and criticism ; Konferenzschrift 2015 ; Electronic books ; Geister ; Gespenst ; Literatur ; Film
    Abstract: This collection of articles looks at ghost stories ranging from the Middle Ages to contemporary movies from different perspectives, both interdisciplinary and international. Spectral phenomena from Antarctic literature to Haitian Voodoo, Russian poetry to Irish novels are discussed in relation to their places in history and the media.
    DOI: 10.3726/978-3-653-05962-5
    URL: View this content on Open Research Library
    URL: kostenfrei
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    MPI Ethno. Forsch.
  • 42
    Online Resource
    Online Resource
    The Oxford handbook of screendance studies (2016)
    Oxford : Oxford University Press
    Details
    ISBN: 9780199338634
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als
    DDC: 791.43/6
    RVK:
    AP 52500
    RVK:
    LR 54550
    Keywords: Dance in motion pictures, television, etc ; Dance in motion pictures, television, etc ; Tanz ; Film ; Video ; Performance
    Abstract: The Oxford Handbook of Screendance Studies offers a scholarly overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema, and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation. Each essay discusses and reframes current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed include politics of the body; agency, race, and gender in screendance; the relationship of choreography to image; constructs of space and time; dance and interactive and digital technology; and production and curatorial practice.
    DOI: 10.1093/oxfordhb/9780199981601.001.0001
    URL: Volltext
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  • 43
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    Extreme cinema : affective strategies in transnational media (2016)
    Edinburgh : Edinburgh University Press
    Details
    ISBN: 9781474402910
    Language: English
    Parallel Title: Erscheint auch als Kerner, Aaron, 1972 - Extreme cinema
    DDC: 791.43/655
    RVK:
    AP 47950
    RVK:
    AP 47970
    RVK:
    AP 50300
    RVK:
    AP 53950
    Keywords: Violence in motion pictures ; Sex in motion pictures ; Motion pictures History ; Film ; Gewalt ; Erotik
    URL: kostenfrei
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  • 44
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    Transactions with the World : Ecocriticism and the Environmental Sensibility of New Hollywood (2016)
    New York : Berghahn Books | [Berlin] : BiblioLabs
    Details
    ISBN: 9781789204681 , 9781789204643
    Language: English
    Pages: 1 Online-Ressource
    DDC: 791.436
    RVK:
    AP 44984
    RVK:
    AP 50300
    RVK:
    NK 1300
    RVK:
    NK 4940
    Keywords: Geschichte 1967-1976 ; Film ; Umwelt ; Ecocriticism ; Los Angeles- Hollywood ; Electronic books
    Abstract: In their bold experimentation and bracing engagement with culture and politics, the "New Hollywood" films of the late 1960s and early 1970s are justly celebrated contributions to American cinematic history. Relatively unexplored, however, has been the profound environmental sensibility that characterized movies such as The Wild Bunch, Chinatown, and Nashville. This brisk and engaging study explores how many hallmarks of New Hollywood filmmaking, such as the increased reliance on location shooting and the rejection of American self-mythologizing, made the era such a vividly "grounded" cinematic moment. Synthesizing a range of narrative, aesthetic, and ecocritical theories, it offers a genuinely fresh perspective on one of the most studied periods in film history
    URL: kostenfrei
    URL: Volltext  (View this content on Open Research Library)
    URL: View this content on Open Research Library
    URL: Cover  (Thumbnail cover image)
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    MPI Ethno. Forsch.
  • 45
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    The State of Post-Cinema : Tracing the Moving Image in the Age of Digital Dissemination (2016)
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    Details
    ISBN: 9781137529398
    Language: English
    Pages: 1 Online-Ressource (XVII, 233 p. 15 illus. in color)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    AP 46500
    Keywords: Culture Study and teaching ; Motion pictures ; Motion pictures. ; Mittlerer Osten ; Nordafrika ; Film ; Kultur ; Produktpiraterie
    Abstract: This book approaches the topic of the state of post-cinema from a new direction. The authors explore how film has left the cinema as a fixed site and institution and now appears ubiquitous - in the museum and on the street, on planes and cars and new digital communication platforms of various kinds. The authors investigate how film has become more than cinema, no longer a medium that is based on the photochemical recording and replay of movement. Most often, the state of post-cinema is conceptualized from the "high end" of the most advanced technology; discussions usually focus on performance capture and digital 3-D, 4-K projection and industrial light & magic. Here, the authors' approach is focused on the "low-end" of the circulation of filmic images. This includes informal networks of exchange and transaction, such as p2p-networks, video platforms, so called “piracy” with a special focus on the Middle East and North Africa, where political and social transformations make new forms of circulation and presentation particularly visible
    Abstract: Acknowledgments -- Introduction -- Like Water: On the Reconfigurations of the Cinema in the Age of Digital Networks (Malte Hagener, Vinzenz Hediger, Alena Strohmaier) -- I. Informal Economies: Promises and Threats of Dissemination Technologies -- Venice to Go: Digital Circulation and the Value of Cultural In/difference in Film (Vinzenz Hediger) -- Arab Storytelling in the Digital Age: From Musalsalat to Web Drama? (Alexandra Buccianti) -- Mapping the Circulation of Films by Women Filmmakers with Maghrebi Funding (Patricia Caillé) -- II. Informal Networks: National-Regional-Global Nexus -- The Good Pirates: Moroccan Cinema in the Age of Digital Reproduction (Jamal Bahmad) -- Watching the Forbidden: Reception of Banned Films in Iran (Zeydabadi-Nejad) -- Why Sories Matter: Jafar Panahi and the Contours of Cinema (Alena Strohmaier) -- Informal Translation, Post-Cinema and Global Media Flows (Tessa Dwyer and Ramon Lobato) -- III. Informal Aesthetics: Reshaping Cine-Cultures -- Post-Cinematic Distribution Flows. Alternative Content, Sports Films and the (In)stability of the Multiplex Market (Florian Hoof) -- Distributing Moving Image Art After Digitization (Erika Balsom) -- Cinephilia and Film Culture in the Age of Digital Networks (Malte Hagener) -- The Secret Lives of Images (Marc Siegel) -- Interview with Kevin B. Lee -- Index
    DOI: 10.1057/978-1-137-52939-8
    URL: Volltext
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  • 46
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    Investigating Italy's Past through Historical Crime Fiction, Films, and TV Series : Murder in the Age of Chaos (2016)
    New York : Palgrave Macmillan US
    Details
    ISBN: 9781349949083
    Language: English
    Pages: 1 Online-Ressource (VII, 270 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Italian and Italian American Studies
    Parallel Title: Printed edition
    RVK:
    AP 44939
    RVK:
    IV 3286
    RVK:
    IV 3304
    Keywords: Literature ; Motion pictures European influences ; Literature, Modern 20th century ; European literature ; European literature. ; Motion pictures—European influences. ; Literature, Modern—20th century. ; Italienisch ; Kriminalroman ; Film ; Fernsehserie ; Italien ; Geschichte
    Abstract: This book is the first monograph in English that comprehensively examines the ways in which Italian historical crime novels, TV series, and films have become a means to intervene in the social and political changes of the country. This study explores the ways in which fictional representations of the past mirror contemporaneous anxieties within Italian society in the work of writers such as Leonardo Sciascia, Andrea Camilleri, Carlo Lucarelli, Francesco Guccini, Loriano Macchiavelli, Marcello Fois, Maurizio De Giovanni, and Giancarlo De Cataldo; film directors such as Elio Petri, Pietro Germi, Michele Placido, and Damiano Damiani; and TV series such as the “Commissario De Luca” series, the “Commissario Nardone” series, and “Romanzo criminale-The series.” Providing the most wide-ranging examination of this sub-genre in Italy, Barbara Pezzotti places works set in the Risorgimento, WWII, and the Years of Lead in the larger social and political context of contemporary Italy. “With this book, Pezzotti further cements her reputation as the foremost expert on the intersection of place, history, and national identity in Italian crime fiction. Essential reading.” (Robert Rushing, Associate Professor of Comparative Literature, University of Illinois, Urbana-Champaign, USA) “Pezzotti’s fine book presents an authoritative overview of recent Italian crime fiction. Lucidly written and compellingly interdisciplinary, this book emphasises the capacity of crime fiction to fill in the gaps left by historians, and the power and relevance of cultural responses to a contested and difficult past.” (Philip Cooke, Professor of Italian History and Culture, University of Strathclyde, UK) "Pezzotti's fascinating study shows how crime fiction has been used to probe and question Italy's historical open wounds and unresolved legacies. The Risorgimento, Fascism and the war, and the anni di piombo are each carefully illuminated in turn through the lens and intelligent eye of the contemporary giallo." (Robert S. C Gordon, Serena Professor of Italian, University of Cambridge, UK)
    Abstract: Introduction -- The Foundation of the State: Giallo and the Risorgimento -- The Giallo and the Black: The Representation of Fascism and WWII between Revisionism and Criticism -- The Giallo and Terrorism: the Years of Lead and the Conspiracy Novel -- Conclusion
    DOI: 10.1057/978-1-349-94908-3
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
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    BSZ
    MPI Ethno. Forsch.
  • 47
    Online Resource
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    Hollywood in Crisis or: The Collapse of the Real (2016)
    Cham : Springer International Publishing
    Details
    ISBN: 9783319404813
    Language: English
    Pages: 1 Online-Ressource (XI, 116 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    AP 59784
    Keywords: Culture Study and teaching ; United States Study and teaching ; Communication ; Motion pictures United States ; Motion pictures ; Film genres ; Culture Study and teaching ; United States Study and teaching ; Communication ; Motion pictures United States ; Motion pictures ; Film genres ; Film ; Filmwirtschaft ; Krise ; USA
    Abstract: This book discusses the collapse and transformation of the Hollywood movie machine in the twenty-first century, and the concomitant social collapse being felt in nearly every aspect of society. Winston Wheeler Dixon examines key works in cinema from the era of late-stage capitalists, analyzing Hollywood films and the current wave of cinema developed outside of the Hollywood system alike. Dixon illustrates how movies and television programs across these spaces have adopted, reflected, and generated a society in crisis, and with it, a crisis for the cinematic industry itself. Wheeler Winston Dixon is James Ryan Professor of Film Studies, Coordinator of the Film Studies Program, and Professor of English at the University of Nebraska, Lincoln, USA
    DOI: 10.1007/978-3-319-40481-3
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 48
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    Queer Girls, Temporality and Screen Media : Not ‘Just a Phase’ (2016)
    London : Palgrave Macmillan UK
    Details
    ISBN: 9781137555984
    Language: English
    Pages: 1 Online-Ressource (X, 192 p. 20 illus., 1 illus. in color)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    AP 53925
    Keywords: Culture Study and teaching ; Sex (Psychology) ; Gender expression ; Gender identity ; Communication ; Motion pictures ; Motion picture acting ; Sociology ; Culture Study and teaching ; Communication ; Motion pictures ; Motion picture acting ; Sociology ; Sex (Psychology) ; Gender expression ; Gender identity ; Film ; Fernsehserie ; Lesbische Orientierung
    Abstract: This critical analysis of contemporary film, television and video, examines how queer girls have become more regular onscreen in recent years, why this occurs, why it is problematic, and how some screen texts have responded. It wasn't until 1987 that one of teen television’s first queer girls appeared on the Canadian series Degrassi Junior High. It took more than a decade for same-sex attracted female characters to regularly appear on Western television, and a further decade for this to regularly occur within teen-oriented programming. Nowadays, queer girls are the major characters in mainstream television series as well as the protagonists and love interests in both short and feature length films around the globe. However, these characters are dominantly represented through storylines emphasizing their sexuality as ‘a passing phase.’ In this critical analysis of contemporary film, television and video, Whitney Monaghan explores how this occurs, why it is problematic, and how some screen texts have responded
    DOI: 10.1057/978-1-137-55598-4
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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    MPI Ethno. Forsch.
  • 49
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    Traveling in French Cinema (2016)
    London : Palgrave Macmillan UK
    Details
    ISBN: 9781137553546
    Language: English
    Pages: 1 Online-Ressource (256 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    AP 50300
    RVK:
    AP 53970
    RVK:
    AP 59435
    RVK:
    IH 2000
    Keywords: Culture Study and teaching ; Communication ; Motion pictures and television ; Motion pictures History ; Arts ; Motion pictures—European influences. ; Culture Study and teaching ; Communication ; Motion pictures and television ; Motion pictures History ; Arts ; Frankreich ; Film ; Reise
    Abstract: Travel narratives abound in French cinema since the 1980s. This study delineates recurrent travel tropes in films such as departures and returns, the chase, the escape, nomadic wandering, interior voyages, the unlikely travel, rituals, pilgrimages, migrants' narratives and emergencies, women's travel, and healing narratives
    DOI: 10.1057/9781137553546
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext
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  • 50
    Online Resource
    Online Resource
    Disruptive Feminisms: Raced, Gendered, and Classed Bodies in Film (2016)
    New York : Palgrave Macmillan US
    Details
    ISBN: 9781137595478
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Springer eBook Collection
    Series Statement: History
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    AP 51800
    RVK:
    AP 52800
    Keywords: Science ; Motion pictures and television. ; Sociology. ; Feminist theory. ; Motion pictures—History. ; Cultural studies. ; Science ; Film ; Körper ; Feminismus
    Abstract: Disruptive Feminisms provides a revolutionary new approach to feminism as a disruptive force. By examining various films and filmmakers who are not so obviously read as feminist or Marxist, Gwendolyn Foster showcases their ability to disrupt and effectively challenge everything from class and racism, as well as sexism, ageism, and homophobia
    Note: Description based upon print version of record
    DOI: 10.1007/978-1-137-59547-8
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext
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  • 51
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    Film and the Ethical Imagination (2016)
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    Details
    ISBN: 9781137583741
    Language: English
    Pages: 1 Online-Ressource (XIII, 260 p. 12 illus., 11 illus. in color)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    AP 53800
    Keywords: Culture Study and teaching ; Motion pictures. ; Motion pictures Great Britain ; Ethics ; Motion pictures ; Ethics. ; Motion pictures—Great Britain. ; Film ; Ethik ; Visualisierung
    Abstract: This book provides a comprehensive, critical overview of the turn to ethics in literature, film, and visual culture. It discusses the concept of a biovisual ethics, offering a new theory of the relation between film and ethics based on the premise that images are capable of generating their own ethical content. This ethics operates hermeneutically and materializes in cinema’s unique power to show us other modes of being. The author considers a wealth of contemporary art films and documentaries that embody ethical issues through the very form of the text. The ethical imagination generated by films such as The Nine Muses, Post Tenebras Lux, Amour, and Nostalgia For the Light is crucially defined by openness, uncertainty, opacity, and the refusal of hegemonic practices of visual representation
    Abstract: Introduction -- Part I: Ethics -- From an ethics of transgression to a general ethics of form -- Optics as an Ethics -- The Return of Ethics in Literary Studies -- Screen Ethics before the Ethical Turn -- The Ethical Turn in Film and Visual Culture: From Content to Form -- The Responsibility of Forms -- Six Theses on the Ethical Imagination -- Part II: Imagination -- Ethical Intimacy and the Cinematic Face -- Slow Cinema and the Ethics of Duration -- The Ethics of Dying -- A Cinema of Gestures -- Ethics, Politics and the Question of Form -- The Ethical Image Between Fiction and Politics -- The Ethics of Matter and Memory -- Bioscreens -- Film Visions, Planetary Ethics --
    DOI: 10.1057/978-1-137-58374-1
    URL: Volltext
    URL: lizenzpflichtig
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  • 52
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    Jack the Ripper in Film and Culture : Top Hat, Gladstone Bag and Fog (2016)
    London : Palgrave Macmillan UK
    Details
    ISBN: 9781137599995
    Language: English
    Pages: 1 Online-Ressource (X, 211 p)
    Series Statement: Crime Files
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    HL 1091
    RVK:
    AP 50300
    RVK:
    HL 1101
    Keywords: Literature ; Motion pictures History ; Civilization History ; Comparative literature ; Literature History and criticism ; Technology in literature ; Literature ; Motion pictures History ; Civilization History ; Comparative literature ; Literature History and criticism ; Technology in literature ; Jack the Ripper ; Rezeption ; Film ; Kultur
    Abstract: In 1888 the name Jack the Ripper entered public consciousness with the brutal murders of women in the East End of London. The murderer was never caught, yet film and television depicts a killer with a recognisable costume, motive and persona. This book examines the origins of the screen presentation of the four key elements associated with the murders -Jack the Ripper, the victims, the detective and Whitechapel. Nineteenth-century history, art and literature, psychoanalytical theories of Freud and Jung and feminist film theory are all used to deconstruct the representation of Jack the Ripper on screen
    DOI: 10.1057/978-1-137-59999-5
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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    MPI Ethno. Forsch.
  • 53
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    Politische Theorie im Film (2016)
    Wiesbaden : Springer VS
    Details
    ISBN: 9783658072063
    Language: German
    Pages: Online-Ressource (XII, 313 S. 25 Abb, online resource)
    Edition: 1. Aufl. 2016
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. Politische Theorie im Film
    RVK:
    AP 47000
    Keywords: Political science ; Political Science and International Relations ; Industrial management ; Political theory ; International relations ; Political science ; Industrial management ; Political theory ; International relations ; Internationale Beziehungen ; Politische Philosophie ; Politische Soziologie ; Politische Theorie ; Aufsatzsammlung ; Film ; Fernsehsendung ; Politik
    Abstract: Theorien der Politischen Soziologie -- Theorien der Internationalen Beziehungen -- Theorien der Politischen Philosophie.
    Abstract: Realitäten und Fiktionen sind in Filmen oftmals eng miteinander verknüpft. Auch vermitteln Serien und Filme zahlreiche Sichtweisen über die Welt und transportieren politische Botschaften. Bisweilen geschieht dies unbewusst für uns, manchmal auch sehr direkt, weshalb sich ein Blick auf das Medium Film durch eine politiktheoretische Brille lohnt. Der Sammelband verbindet Aufsätze von Politikwissenschaftler_innen, die ihren Forschungsbereich in Filmen und Serien erblicken und dies mit uns teilen. Verbindendes Grundthema der Aufsätze sind die Fragen, wie Erkenntnis über die Welt möglich ist und was für uns Utopie bedeutet. Diese Themen werden im Rahmen dieses Sammelbandes anhand von unterschiedlichen Theorien und Diskursen der Politischen Soziologie, der Internationalen Beziehungen, der Politischen Philosophie, sowie durch Erkenntnistheorie durch zahlreiche Beispiele aus Fernsehen und Kino beleuchtet. Der Inhalt Theorien der Politischen Soziologie • Theorien der Internationalen Beziehungen • Theorien der Politischen Philosophie Die Zielgruppen Politik-, Kultur- und Filmwissenschaftler_innen Der Herausgeber Dr. Ulrich Hamenstädt ist wissenschaftlicher Mitarbeiter am Institut für Politikwissenschaft der Westfälischen Wilhelms-Universität Münster.
    Description / Table of Contents: Theorien der Politischen SoziologieTheorien der Internationalen Beziehungen -- Theorien der Politischen Philosophie.
    Note: Description based upon print version of record
    DOI: 10.1007/978-3-658-07206-3
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  • 54
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    Post-Conflict Performance, Film and Visual Arts : Cities of Memory (2016)
    London : Palgrave Macmillan UK
    Details
    ISBN: 9781137439550
    Language: English
    Pages: 1 Online-Ressource (XX, 314 p. 24 illus. in color)
    Series Statement: Contemporary Performance InterActions
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als Post-conflict performance, film and visual arts
    RVK:
    LC 95000
    RVK:
    AP 52800
    Keywords: Culture Study and teaching ; Performing arts ; Historiography ; Culture Study and teaching ; Performing arts ; Historiography ; Postwar reconstruction Social aspects ; War and civilization ; War in art ; Europa ; Naher Osten ; Afrika ; Stadt ; Nachkriegszeit ; Film ; Kollektives Gedächtnis
    Abstract: Drawing on a range of cities and conflicts from Europe, Africa and the Middle East, the collection explores the post-conflict condition as it is lived and expressed in modern cities such as Berlin, Belfast, Bilbao, Beirut, Derry, Skopje, Sarajevo, Tunis, Johannesburg and Harare. Post-Conflict Performance, Film and Visual Arts: Cities of Memory investigates how the memory of conflict can be inscribed in historical monuments, human bodies and hermeneutic acts of mapping, traversing, representing, and performing the city. Several essays explore the relations between memory, history and urban space; where memory is located and how it is narrated, as well as various aspects of embodied memory; testimonial memory; traumatic memory; counter-memory; false memory; post-memory. Other essays examine the representations of post-war cities and how cultural imaginations relate to the politics of reconstruction in places devastated by protracted urban warfare. Post-Conflict Performance, Film and Visual Arts: Cities of Memory offers a comparative survey of the complex and often controversial encounters between public art, political memory and commemoration in divided societies, as well as offering insights into the political and ethical difficulties of balancing the dynamics of forgetting and remembering
    DOI: 10.1057/978-1-137-43955-0
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  • 55
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    International Cinema and the Girl : Local Issues, Transnational Contexts (2016)
    New York : Palgrave Macmillan US
    Details
    ISBN: 9781137388926
    Language: English
    Pages: 1 Online-Ressource (X, 219 p)
    Series Statement: Global Cinema
    Series Statement: Springer eBook Collection
    Series Statement: History
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    AP 50300
    Keywords: Science ; Motion pictures—History. ; Motion pictures and television. ; Social groups. ; Family. ; Sociology. ; Civilization—History. ; Childhood. ; Adolescence. ; Science ; Film ; Mädchen ; Junge Frau
    Abstract: From the precocious charms of Shirley Temple to the box-office behemoth Frozen and its two young female leads, Anna and Elsa, the girl has long been a figure of fascination for cinema. The symbol of (imagined) childhood innocence, the site of intrigue and nostalgia for adults, a metaphor for the precarious nature of subjectivity itself, the girl is caught between infancy and adulthood, between objectification and power. She speaks to many strands of interest for film studies: feminist questions of cinematic representation of female subjects; historical accounts of shifting images of girls and childhood in the cinema; and philosophical engagements with the possibilities for the subject in film. This collection considers the specificity of girls' experiences and their cinematic articulation through a multicultural feminist lens which cuts across the divides of popular/art-house, Western/non Western, and north/south. Drawing on examples from North and South America, Asia, Africa, and Europe, the contributors bring a new understanding of the global/local nature of girlhood and its relation to contemporary phenomena such as post-feminism, neoliberalism and queer subcultures. Containing work by established and emerging scholars, this volume explodes the narrow post-feminist canon and expands existing geographical, ethnic and historical accounts of cinematic cultures and girlhood.From the precocious charms of Shirley Temple to the box-office behemoth Frozen and its two young female leads, Anna and Elsa, the girl has long been a figure of fascination for cinema. The symbol of (imagined) childhood innocence, the site of intrigue and nostalgia for adults, a metaphor for the precarious nature of subjectivity itself, the girl is caught between infancy and adulthood, between objectification and power. She speaks to many strands of interest for film studies: feminist questions of cinematic representation of female subjects; historical accounts of shifting images of girls and childhood in the cinema; and philosophical engagements with the possibilities for the subject in film. This collection considers the specificity of girls' experiences and their cinematic articulation through a multicultural feminist lens which cuts across the divides of popular/art-house, Western/non Western, and north/south. Drawing on examples from North and South America, Asia, Africa, and Europe, the contributors bring a new understanding of the global/local nature of girlhood and its relation t
    DOI: 10.1057/9781137388926
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    Filmstile (2016)
    Wiesbaden : Springer Fachmedien Wiesbaden | Cham : Springer International Publishing AG
    Details
    ISBN: 9783531190808 , 3531190806
    Language: German
    Pages: 1 Online-Ressource (VII, 435 Seiten) , 163 Abb., 21 Abb. in Farbe.
    Edition: 1st ed. 2016
    Series Statement: Film, Fernsehen, Neue Medien
    Parallel Title: Erscheint auch als Hesse, Christoph Filmstile
    DDC: 302.23
    RVK:
    AP 42800
    RVK:
    AP 44400
    RVK:
    AP 54000
    Keywords: Geschichte ; Film ; Filmgenre ; Stil ; Mass media ; Performing arts ; Theater ; Media Sociology ; Theatre and Performance Arts
    DOI: 10.1007/978-3-531-19080-8
    URL: https://doi.org/10.1007/978-3-531-19080-8
    URL: Inhaltsverzeichnis
    URL: Ausführliche Beschreibung
    URL: http://dx.doi.org/10.1007/978-3-531-19080-8
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  • 57
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    Screening the sixties : Hollywood cinema and the politics of memory (2016)
    London : Palgrave Macmillan
    Details
    ISBN: 9781137496331
    Language: English
    Pages: 1 Online-Ressource (xxviii, 289 Seiten) , Illustrationen
    Parallel Title: Print version Gruner, Oliver Screening the Sixties : Hollywood Cinema and the Politics of Memory
    Parallel Title: Erscheint auch als Gruner, Oliver Screening the sixties
    DDC: 301
    RVK:
    AP 44984
    Keywords: Motion pictures ; Motion pictures United States ; History ; Politics in motion pictures 20th century ; Electronic books ; Motion pictures ; Nineteen sixties ; Politics in motion pictures ; Electronic books ; Los Angeles- Hollywood ; Film ; Politik ; USA ; Geschichte 1960-1974
    Abstract: Acknowledgements -- Contents -- List of Figures -- Introduction -- Welcome to the Sixties -- Notes -- Chapter 1: Mourning the Age of Aquarius -- 'Where Do I Go?' Writing the Sixties in the 1970s -- Out of Time: Coming Home from Script to Screen -- A New Dawn: Hair from Script to Screen -- Lights Out on the Counterculture: The Rose from Script to Screen -- Coda: The End of the Sixties? -- Notes -- Chapter 2: Bringing Them All Back Home -- 'The Only Marxist I Ever Met with a Hairdryer': Into the 1980s with The Big Chill -- Tracks of Their Tears: The Big Chill from Script to Screen
    Abstract: 'Go Out There and Make a Difference': Running on Empty, Field of Dreams and Sneakers -- Dancing to Beethoven: Running on Empty from Script to Screen -- 'The Man Is Very Sick': Field of Dreams from Script to Screen -- Reawakening the Sixties: Sneakers from Script to Screen -- Coda: 'We All Died. Some of Us Just Came Back' -- Notes -- CHAPTER 3: Go Away and Find Yourself -- Backlash and Beyond: Writing Dirty Dancing -- 'There Are a Lot of Things About Me That Aren't What You Thought': Dirty Dancing from Script to Screen -- From the 'City of Hate' to a New Frontier: Writing Love Field
    Abstract: The First Lady: Love Field from Script to Screen -- Coda: All the Way with JFK? -- Notes -- Chapter 4: Something's Happening Here -- What Rough Beast?: Oliver Stone and the Sixties -- The Ceremony Begins: The Doors from Script to Screen -- 'That's All I Have to Say About That': Writing Forrest Gump -- Forrest Gump from Script to Screen -- Coda: On the Eve of Destruction -- Notes -- Chapter 5: Come Together -- Marching with Dr King: Remember the Titans Remembers the Sixties -- A Race Man and a Family Man: Remember the Titans from Script to Screen
    Abstract: 'A Call to Arms for Liberal America': Bobby and Across the Universe -- Bobby and Across the Universe from Script to Screen -- Coda: And in the End -- Notes -- Chapter 6: A Change Has Come -- A New Civil Rights Sixties -- Breaking with the Past: The Help and The Butler from Script to Screen -- Coda: Revisiting the Sixties -- Notes -- Chapter 7: More Funk In The Trunk -- Notes -- Bibliography -- Scripts Consulted -- Index
    Note: Description based upon print version of record
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  • 58
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    Finnish Cinema : A Transnational Enterprise (2016)
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    Details
    ISBN: 9781137576514
    Language: English
    Pages: 1 Online-Ressource (XXI, 285 p. 40 illus., 9 illus. in color)
    Series Statement: Palgrave European Film and Media Studies
    Parallel Title: Erscheint auch als
    DDC: 302.23
    RVK:
    AP 44927
    RVK:
    AP 59727
    Keywords: Geschichte ; Culture Study and teaching ; Communication ; Motion pictures European influences ; Motion pictures History ; Filmwirtschaft ; Film ; Finnland ; Aufsatzsammlung ; Aufsatzsammlung ; Finnland ; Film ; Filmwirtschaft ; Geschichte
    DOI: 10.1057/978-1-137-57651-4
    URL: http://dx.doi.org/10.1057/978-1-137-57651-4
    URL: Inhaltsverzeichnis
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 59
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    Paradoxical Japaneseness : Cultural Representation in 21st Century Japanese Cinema (2016)
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    Details
    ISBN: 9781137551603
    Language: English
    Pages: 1 Online-Ressource (XIII, 224 p. 10 illus)
    Parallel Title: Erscheint auch als
    DDC: 306.095
    RVK:
    AP 59763
    Keywords: Geschichte 2001-2010 ; Culture Study and teaching ; Ethnology Asia ; Motion pictures Asia ; Film genres ; Interkulturalität ; Filmmarkt ; Globalisierung ; Kulturelle Identität ; Film ; Filmproduktion ; Japan ; Japan ; Film ; Kulturelle Identität ; Interkulturalität ; Geschichte 2001-2010 ; Japan ; Filmproduktion ; Filmmarkt ; Globalisierung
    DOI: 10.1057/978-1-137-55160-3
    URL: http://dx.doi.org/10.1057/978-1-137-55160-3
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Inhaltsverzeichnis
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  • 60
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    Screening European Heritage : Creating and Consuming History on Film (2016)
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    Details
    ISBN: 9781137522801
    Language: English
    Pages: 1 Online-Ressource (XXXIV, 290 p. 29 illus. in color)
    Series Statement: Palgrave European Film and Media Studies
    Parallel Title: Erscheint auch als
    DDC: 302.23
    RVK:
    AP 52600
    Keywords: Geschichte ; Culture Study and teaching ; Communication ; Motion pictures European influences ; History ; Film ; Kulturerbe ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; Kulturerbe ; Film ; Geschichte
    DOI: 10.1057/978-1-137-52280-1
    URL: http://dx.doi.org/10.1057/978-1-137-52280-1
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 61
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    Classical Hollywood und kontinentale Philosophie (2015)
    Wiesbaden : Springer Fachmedien Wiesbaden
    Details
    ISBN: 9783658066208
    Language: German
    Pages: VII, 229 S.
    Series Statement: Neue Perspektiven der Medienästhetik
    Parallel Title: Erscheint auch als
    DDC: 302.23
    RVK:
    AP 59483
    Keywords: Social sciences ; Film ; Philosophie ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Film ; Philosophie
    DOI: 10.1007/978-3-658-06620-8
    URL: http://dx.doi.org/10.1007/978-3-658-06620-8
    URL: Inhaltstext
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    URL: Inhaltsverzeichnis
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    München UB
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    KOBV
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  • 62
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    The Oxford handbook of Japanese cinema (2014)
    Oxford [u.a.] : Oxford Univ. Press
    Details
    ISBN: 9780199983971
    Language: English
    Pages: XII, 483 S. , Ill., graph. Darst. , 26 cm
    Edition: Online-Ausg. Online-Ressource
    Series Statement: Oxford handbooks online
    Series Statement: Literature
    Parallel Title: Druckausg.: The Oxford handbook of Japanese cinema
    DDC: 791.409
    RVK:
    AP 59763
    Keywords: Motion pictures / Japan Motion picture industry / Japan ; Motion picture industry ; Motion pictures ; Motion picture industry / Japan ; Motion pictures / Japan ; Japan / In motion pictures / Japan ; Motion pictures ; Motion picture industry ; Motion pictures ; Japan ; Motion picture industry ; Japan ; Japan ; In motion pictures ; Japan In motion pictures ; Aufsatzsammlung ; Japan ; Film ; Geschichte
    Abstract: This text provides a multifaceted single-volume account of Japanese cinema. It addresses productive debates about what Japanese cinema is, where Japanese cinema is, as well as what and where Japanese cinema studies is, at the so-called period of crisis of national boundary under globalization and the so-called period of crisis of cinema under digitalization.
    DOI: 10.1093/oxfordhb/9780199731664.001.0001
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  • 63
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    Sex scene : media and the sexual revolution (2014)
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780822376804
    Language: English
    Pages: 1 Online-Ressource (x, 470 Seiten) , Illustrationen
    DDC: 302.230973
    RVK:
    AP 14000
    RVK:
    MS 2900
    RVK:
    MS 1235
    Keywords: Sexualität ; Massenmedien ; Film ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books. ; Aufsatzsammlung
    Abstract: Sex Scene suggests that what we have come to understand as the sexual revolution of the late 1960s and early 1970s was actually a media revolution. In lively essays, the contributors examine a range of mass media-film and television, recorded sound, and publishing-that provide evidence of the circulation of sex in the public sphere, from the mainstream to the fringe. They discuss art films such as I am Curious (Yellow), mainstream movies including Midnight Cowboy, sexploitation films such as Mantis in Lace, the emergence of erotic film festivals and of gay pornography, the use of multimedia in sex education, and the sexual innuendo of The Love Boat. Scholars of cultural studies, history, and media studies, the contributors bring shared concerns to their diverse topics. They highlight the increasingly fluid divide between public and private, the rise of consumer and therapeutic cultures, and the relationship between identity politics and individual rights. The provocative surveys and case studies in this nuanced cultural history reframe the "sexual revolution" as the mass sexualization of our mediated world.Contributors. Joseph Lam Duong, Jeffrey Escoffier, Kevin M. Flanagan, Elena Gorfinkel, Raymond J. Haberski Jr., Joan Hawkins, Kevin Heffernan, Eithne Johnson, Arthur Knight, Elana Levine, Christie Milliken, Eric Schaefer, Jeffrey Sconce, Jacob Smith, Leigh Ann Wheeler, Linda Williams.
    Note: Literaturverzeichnis: Seite 435-450 , Description based on publisher supplied metadata and other sources
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    URL: De Gruyter
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    URL: Digitalia English
    URL: EBSCOhost
    URL: eDuke
    URL: JSTOR
    URL: Project MUSE
    URL: Scholars Portal
    URL: https://doi.org/10.1215/9780822376804
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  • 64
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    Agency and Media Reception : Experiencing Video Games, Film, and Television (2014)
    Wiesbaden : Springer Fachmedien Wiesbaden
    Details
    ISBN: 9783658046736
    Language: English
    Pages: Online-Ressource (X, 250 p. 5 illus., 1 illus. in color, online resource)
    Series Statement: Film, Fernsehen, Medienkultur, Schriftenreihe der Hochschule für Film und Fernsehen "Konrad Wolf
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. Eichner, Susanne Agency and media reception
    RVK:
    AP 13550
    RVK:
    AP 17120
    Keywords: Social sciences ; Social Sciences ; Social sciences ; Film ; Fernsehsendung ; Videospiel ; Rezeption ; Handlung
    Abstract: What happens to our sense of agency, our general ability to perform actions in our lifeworlds, in the course of media reception and appropriation? Whilst considering media communication as a special form of social action, this work reconsiders the key concepts of social action theory, pragmatism, communication theory, as well as film, game, and television theory. It thus integrates agency as the key to understanding ‘doing media’ and at the same time conceptualizes agency as a specific mode of involvement across media boundaries. This approach amalgamates miscellaneous ideas and conceptions such as interactivity, participation, cognitive control, play or empowerment and applies the theoretical considerations on the basis of textual analyses of the films Inception and The Proposal, the TV shows Lost and I’m a Celebrity and the video games Grand Theft Auto IV, and The Walking Dead. Contents -Agency Interdisciplinary -Interactivity and Play -From Media Use to Doing Media -Agency as a Mode of Involvement -Levels and Points of Agency -Textuality and Agency - Exemplary Analyses -The Quality of Agency in the Media Target Groups -Researchers and students of Media Studies in general, game studies, film studies, and television studies The Author Dr. Susanne Eichner is lecturer at the Academy of Film and Television, Potsdam-Babelsberg (Hochschule für Film und Fernsehen “Konrad Wolf”) in the department of Media Studies
    Description / Table of Contents: Agency InterdisciplinaryInteractivity and Play -- From Media Use to Doing Media -- Agency as a Mode of Involvement -- Levels and Points of Agency -- Textuality and Agency - Exemplary Analyses -- The Quality of Agency in the Media.
    Note: Description based upon print version of record
    DOI: 10.1007/978-3-658-04673-6
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    The Oxford handbook of Chinese cinemas (2013)
    Oxford : Oxford University Press
    Details
    ISBN: 9780199983315
    Language: English
    Pages: 1 Online-Ressource (xvii, 709 Seiten) , Illustrationen
    Series Statement: Oxford handbooks online
    Series Statement: Literature
    Series Statement: Oxford handbooks of literature
    Parallel Title: Erscheint auch als The Oxford handbook of Chinese cinemas
    DDC: 791.409
    RVK:
    AP 44962
    Keywords: Motion pictures ; Motion pictures ; Motion pictures ; Motion pictures ; China ; Motion pictures ; Taiwan ; Motion pictures ; China ; Hong Kong ; Motion pictures ; China ; Motion pictures ; Taiwan ; Motion pictures ; China ; Hong Kong ; Aufsatzsammlung ; China ; Hongkong ; Taiwan ; Film ; Geschichte ; Film ; Geschichte ; Hongkong ; Film ; Geschichte ; Taiwan ; Film ; Geschichte
    Abstract: What does it mean for a cinematic work to be 'Chinese'? Does it refer specifically to a work's subject, or does it also reflect considerations of language, ethnicity, nationality, ideology, or political orientation? Such questions make any single approach to a vast field like 'Chinese cinema' difficult at best. Accordingly, The Oxford Handbook of Chinese Cinemas situates the term more broadly among various different phases, genres, and distinct national configurations.
    Description / Table of Contents: Includes bibliographical references and index
    DOI: 10.1093/oxfordhb/9780199765607.001.0001
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    Ancient worlds in film and television : gender and politics (2013)
    Leiden : Brill
    Details
    ISBN: 9789004241923
    Language: English
    Pages: 1 Online-Ressource (340 Seiten) , Illustrationen
    Series Statement: Metaforms: studies in the reception of classical antiquity
    RVK:
    AP 52600
    RVK:
    LG 9200
    RVK:
    AP 50300
    Keywords: Historical films History and criticism ; Civilization, Ancient, in motion pictures ; Civilization, Ancient, on television ; Sex role in motion pictures ; Politics in motion pictures ; Motion pictures and history ; Television and history ; Social sciences ; Social Science / Media Studies ; Electronic books ; Konferenzschrift ; Antike ; Rezeption ; Film
    Abstract: Preliminary Material -- Introduction /Almut-Barbara Renger and Jon Solomon -- Ben-Hur and Gladiator: Manifest Destiny and the Contradictions of American Empire /Jon Solomon -- Muscles and Morals: Spartacus, Ancient Hero of Modern Times /Thomas Späth and Margrit Tröhler -- With Your Shield or On It: The Gender of Heroism in Zack Snyder’s 300 and Rudoph Maté’s The 300 Spartans /Thorsten Beigel -- “This is Sparta!”: Discourse, Gender, and the Orient in Zack Snyder’s 300 /Jeroen Lauwers , Marieke Dhont and Xanne Huybrecht -- “Everybook-body Loves a Muscle Boi”: Homos, Heroes, and Foes in Post-9/11 Spoofs of the 300 Spartans /Ralph J. Poole -- The Womanizing of Mark Antony: Virile Ruthlessness and Redemptive Cross-Dressing in Rome, Season Two /Margaret M. Toscano -- Cleopatra’s Venus /Elisabeth Bronfen -- Over His Dead Body: Male Friendship in Homer’s Iliad and Wolfgang Petersen’s Troy (2004) /Andreas Krass -- Models of Masculinities in Troy: Achilles, Hector and Their Female Partners /Celina Proch and Michael Kleu -- “Include me out” – Odysseus on the Margins of European Genre Cinema: Le Mépris, Ulisse, L’Odissea /Christian Pischel -- Between Mythical and Rational Worlds: Medea by Pier Paolo Pasolini /Lada Stevanović -- “Universal’s Religious Bigotry Against Hinduism”: Gender Norms and Hindu Authority in the Global Media Debate on Representing the Hindu God Krishna in Xena: Warrior Princess /Xenia Zeiler -- Ancient Women’s Cults and Rituals in Grand Narratives on Screen: From Walt Disney’s Snow White to Olga Malea’s Doughnuts with Honey /Svetlana Slapšak -- Pandora-Eve-Ava: Albert Lewin’s Making of a “Secret Goddess” /Almut-Barbara Renger -- Phryne Paves the Way for the Wirtschaftswunder: Visions of Guilt and “Purity” Fed by Ancient Greece, Christian Narrative, and Contemporary History /Barbara Schrödl -- The New Israeli Film Beruriah: Between Rashi and Talmud, between Antiquity and Modernity, between Feminism and Religion /Tal Ilan -- Index.
    Abstract: More than a century ago, filmmakers made their primary focus innovative and widely promulgated visions of antiquity, creating a profound effect on the critical, popular, and scholarly reception of antiquity. In this volume, scholars from a variety of countries and varying academic disciplines have addressed film’s way of using the field of Classical Reception to investigate, contemplate, and develop hypotheses about present-day culture, society, and politics, with a particular emphasis on gender and gender roles, their relationship to one another, and how filmic constructions of masculinity and femininity shape and are shaped by interacting economic, political, and ideological practices
    Note: Includes bibliographical references and index
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    Nazi soundscapes : sound, technology and urban space in Germany, 1933-1945 (2012)
    Amsterdam : Amsterdam Univ. Press
    Details
    ISBN: 9789089644268 , 9089644261 , 9789048516322 (Sekundärausgabe) , 9789048516339 (Sekundärausgabe)
    Language: English
    Pages: 272 S. , Ill., map
    Edition: Online-Ausg. [The Hague] OAPEN Online-Ressource ISBN 9789048516322 pdf
    Edition: ISBN 9789048516339 ePub
    Edition: [Online-Ausg.]
    DDC: 303.375
    RVK:
    AP 17340
    RVK:
    AP 19100
    RVK:
    NQ 2270
    Keywords: Geschichte 1933-1945 ; Massenkultur ; Großveranstaltung ; Propaganda ; Drittes Reich ; Stadt ; Geräusch ; Unterhaltungsindustrie ; Massenmedien ; Nationalsozialismus ; Hörfunk ; Film ; Audiotechnik ; Deutschland ; Düsseldorf ; Online-Publikation ; Electronic books
    Abstract: Following the formation of the German National Socialist Party in the 1920s, various forms of sound (popular music, voice, noise and silence) and media technology (radio and loudspeaker systems) were configured as useful to the party's political programme. Focusing on the urban "soundscape" of Düsseldorf, the author makes a persuasive case for investigating such sound events and technological devices in their specific contexts of production and reception. Nazi Soundscapes identifies strategies for controlling space and reworking identity patterns, but also the ongoing difficulties in manipulating mediated sounds and the spaces of listening reception, whether in the home, workplace, the cinema, public rituals or with wartime siren systems. The study revises visualist notions of social control, and reveals the disciplinary functions of listening (as eavesdropping) as well as the sonic dimensions to exclusion and violence during Nazism. An essential title for everyone interested in the links between German political culture, audiovisual media and urban history, Nazi Soundscapes provides a fascinating analysis of the cultural significance of sound between the 1920s and early 1940s. Click "http://soundclips.humanities.uva.nl/"〉here for the sound clips discussed in the book.
    Note: Literaturverz. S. 217 - 253 , Online-Ausg.:
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    URL: https://doi.org/10.1515/9789048516322
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  • 68
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    Audiences : defining and researching screen entertainment reception (2012)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048515059 , 904851505X
    Language: English
    Pages: 1 Online-Ressource (332 Seiten) , Illustrations
    Series Statement: The key debates ; 3
    DDC: 302.2343
    RVK:
    AP 17000
    Keywords: Motion picture audiences ; PSYCHOLOGY Social Psychology ; PERFORMING ARTS Film & Video ; General ; The arts ; Film, TV and radio ; Films, cinema ; Film theory and criticism ; Motion picture audiences ; Motion pictures ; Film
    Abstract: "This timely volume engages with one of the most important shifts in recent film studies: the turn away from text-based analysis towards the viewer. Historically, this marks a return to early interest in the effect of film on the audience by psychoanalysts and psychologists, which was overtaken by concern with the 'effects' of film, linked to calls for censorship and moral panics rather than to understanding the mental and behavioral world of the spectator. Early cinema history has revealed the diversity of film-viewing habits, while traditional 'box office' studies, which treated the audience initially as a homogeneous market, have been replaced by the study of individual consumers and their motivations. Latterly, there has been a marked turn towards more sophisticated economic and sociological analysis of attendance data. And as the film experience fragments across multiple formats, the perceptual and cognitive experience of the individual viewer (who is also an auditor) has become increasingly accessible. With contributions from Gregory Waller, John Sedgwick and Martin Barker, this work spans the spectrum of contemporary audience studies, revealing work being done on local, non-theatrical and live digital transmission audiences, and on the relative attraction of large-scale, domestic and mobile platforms."--Publisher's website.
    Note: Includes bibliographical references (pages 279-298) and indexes
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  • 69
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    Culture of Class : Radio and Cinema in the Making of a Divided Argentina, 1920-1946 (2012)
    Durham : Duke University Press | Baltimore, Md. : Project MUSE
    Details
    ISBN: 9780822395331
    Language: English
    Pages: 1 Online-Ressource
    DDC: 305.50982
    RVK:
    AP 34050
    Keywords: Geschichte 1920-1946 ; Film ; Hörfunk ; Argentinien ; Electronic books ; Electronic books ; Electronic books. ; History. ; Electronic books ; Electronic books
    Abstract: Major change came to Argentina during the first decades of the twentieth century. Following the mass influx of European immigrants to the country during the beginning of the century, a truly national culture was produced through mass media, facilitating the assimilation of immigrants and their descendants. New forms of media emerged, such as radio and cinema, as did new forms of entertainment, such as tango songs, films, and radio theater. Yet despite the unifying effect of popular culture, the nation remained divided, and, if anything, more so in 1950 than in 1910. This book argues that the key to understanding this paradox lies in a reassessment of the mass culture of the 1920s and 1930s. With a focus on film and radio in and around Buenos Aires, the locus of production as well as much of the market consumption, Karush shows how integration and class fractures occurred simultaneously in a short span of the country's history. He brings together the usually separated subjects of radio and cinema to show how they can combine to gauge a larger cultural and political environment and shed light on class distinctions. The book contributes to an ongoing discussion of the relationship between power and mass culture. It will be of interest to scholars of cultural history and urban studies and those interested in Latin American history and culture.
    Note: Includes bibliographical references (p. [251]-268) and index , Description based on print version record
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  • 70
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    Soldiers' stories : military women in cinema and television since World War II (2011)
    Durham : Duke University Press | Berlin : Knowledge Unlatched
    Details
    ISBN: 9780822393351 , 0822393352
    Language: English
    Pages: 1 Online-Ressource (xiv, 313 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Tasker, Yvonne, 1964 - Soldiers' stories
    RVK:
    AP 52700
    Keywords: Film ; Militär ; Frau ; Soldatin
    Abstract: From Skirts Ahoy! to M*A*S*H, Private Benjamin, G.I. Jane, and JAG, films and television shows have grappled with the notion that military women are contradictory figures, unable to be both effective soldiers and appropriately feminine. In Soldiers' Stories, the author traces this perceived paradox across genres including musicals, screwball comedies, and action thrillers. She explains how, during the WWII, women were portrayed as auxiliaries, temporary necessities of "total war." Later, nursing, with its connotations of feminine care, offered a solution to the "gender problem." From the 1940s through the 1970s, musicals, romances, and comedies exploited the humorous potential of the gender role-reversal that the military woman was taken to represent. Since the 1970s, female soldiers have appeared most often in thrillers and legal and crime dramas, cast as isolated figures, sometimes victimized and sometimes heroic. Soldiers' Stories is a comprehensive analysis of representations of military women in film and TV since the 1940s. Throughout, the author relates female soldiers' provocative presence to contemporaneous political and cultural debates and to the ways that women's labor and bodies are understood and valued
    Abstract: From Skirts Ahoy! to M*A*S*H, Private Benjamin, G.I. Jane, and JAG, films and television shows have grappled with the notion that military women are contradictory figures, unable to be both effective soldiers and appropriately feminine. In Soldiers' Stories, the author traces this perceived paradox across genres including musicals, screwball comedies, and action thrillers. She explains how, during the WWII, women were portrayed as auxiliaries, temporary necessities of "total war." Later, nursing, with its connotations of feminine care, offered a solution to the "gender problem." From the 1940s through the 1970s, musicals, romances, and comedies exploited the humorous potential of the gender role-reversal that the military woman was taken to represent. Since the 1970s, female soldiers have appeared most often in thrillers and legal and crime dramas, cast as isolated figures, sometimes victimized and sometimes heroic. Soldiers' Stories is a comprehensive analysis of representations of military women in film and TV since the 1940s. Throughout, the author relates female soldiers' provocative presence to contemporaneous political and cultural debates and to the ways that women's labor and bodies are understood and valued.
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  • 71
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    A Foreign Affair : Billy Wilder's American Films (2011)
    New York : Berghahn Books
    Details
    ISBN: 9780857450661 , 0857450662
    Language: English
    Pages: 1 Online-Ressource (206 pages)
    Series Statement: Film Europa
    Parallel Title: Gemünden, Gerd, 1959 - A foreign affair
    Parallel Title: Print version Gemünden, Gerd A Foreign Affair : Billy Wilder's American Films
    RVK:
    AP 51390
    Keywords: Wilder, Billy Criticism and interpretation ; Wilder, Billy ; Wilder, Billy ; PERFORMING ARTS ; Reference ; PERFORMING ARTS ; Film & Video ; History & Criticism ; Music, Dance, Drama & Film ; Film ; Criticism, interpretation, etc ; Electronic books ; Double indemnity ; Sunset Boulevard ; Some like it hot ; The apartment ; Wilder, Billy 1906-2002 ; USA ; Film ; Geschichte 1944-1970 ; Double indemnity ; Sunset Boulevard ; Some like it hot ; The apartment
    Abstract: With six Academy Awards, four entries on the American Film Institute's list of 100 greatest American movies, and more titles on the National Historic Register of classic films deemed worthy of preservation than any other director, Billy Wilder counts as one of the most accomplished filmmakers ever to work in Hollywood. Yet how American is Billy Wilder, the Jewish émigré from Central Europe? This book underscores this complex issue, unpacking underlying contradictions where previous commentators routinely smoothed them out. Wilder emerges as an artist with roots in sensationalist journalism
    Abstract: With six Academy Awards, four entries on the American Film Institute's list of 100 greatest American movies, and more titles on the National Historic Register of classic films deemed worthy of preservation than any other director, Billy Wilder counts as one of the most accomplished filmmakers ever to work in Hollywood. Yet how American is Billy Wilder, the Jewish émigré from Central Europe? This book underscores this complex issue, unpacking underlying contradictions where previous commentators routinely smoothed them out. Wilder emerges as an artist with roots in sensationalist journalism
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  • 72
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    The New Woman International: Representations in Photography and Film from the 1870s through the 1960s (2011)
    [s.l.] : University of Michigan Press
    Details
    ISBN: 9780472071043 , 9780472051045
    Language: English
    Pages: 1 Online-Ressource
    DDC: 305.4209182/109034
    RVK:
    AP 52000
    RVK:
    AP 95700
    RVK:
    LI 41215
    RVK:
    MS 3000
    RVK:
    MS 3150
    Keywords: Geschichte 1870-1970 ; Women / History ; Photography of women / History ; Feminism / History ; Women. Feminism ; Frau ; Geschichte ; Women History ; Photography of women History ; Feminism History ; Fotografie ; Frau ; Film ; Fotografie ; Film ; Frau ; Geschichte 1870-1970
    Note: English
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  • 73
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    The apartment plot : urban living in American film and popular culture, 1945 to 1975 (2010)
    Durham : Duke University Press
    Details
    ISBN: 9780822392989
    Language: English
    Pages: 1 Online-Ressource (342 Seiten)
    Parallel Title: Erscheint auch als Wojcik, Pamela Robertson The apartment plot
    Parallel Title: Erscheint auch als Wojcik, Pamela Robertson The apartment plot
    DDC: 791.43/658209732
    RVK:
    HU 1691
    RVK:
    AP 44983
    Keywords: City and town life in motion pictures ; Apartments in motion pictures ; Motion pictures History 20th century ; Performing arts ; Performing Arts / Film / History & Criticism ; City and town life in motion pictures ; Apartments in motion pictures ; Motion pictures ; United States ; History ; 20th century ; Electronic books ; USA ; Film ; Wohnung ; Geschichte 1945-1975
    Abstract: Rethinking the significance of films including Pillow Talk, Rear Window, and The Seven Year Itch, Pamela Robertson Wojcik examines the popularity of the "apartment plot," her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV shows, Broadway plays, literature, and comic strips, from The Honeymooners and The Mary Tyler Moore Show to Subways are for Sleeping and Apartment 3-G. By identifying the apartment plot as a film genre, Wojcik reveals affinities between movies generally viewed as belonging to such distinct genres as film noir, romantic comedy, and melodrama. She analyzes the apartment plot as part of a mid-twentieth-century urban discourse, showing how it offers a vision of home centered on values of community, visibility, contact, mobility, impermanence, and porousness that contrasts with views of home as private, stable, and family-based
    Description / Table of Contents: Introduction: a philosophy of urbanism -- A primer in urbanism : Rear Window's archetypal apartment plot -- "We like our apartment" : the playboy indoors -- The great reprieve : modernity, femininity, and the apartment -- The suburbs in the city : the housewife and the apartment -- Movin' on up : the African american apartment.
    Note: Includes bibliographical references (p. [289] - 302) and index
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  • 74
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    Crash : cinema and the politics of speed and stasis (2010)
    Durham, NC : Duke University Press
    Details
    ISBN: 9780822392767
    Language: English
    Pages: 1 Online-Ressource (320 Seiten)
    Parallel Title: Erscheint auch als Beckman, Karen Redrobe, 1971 - Crash
    DDC: 791.43/6
    RVK:
    AP 50300
    Keywords: Car-chase films History and criticism ; Motion pictures Plots, themes, etc ; Motion pictures History ; Performing arts ; Performing Arts / Film / History & Criticism ; Electronic books ; Film ; Zusammenstoß ; Film ; Personenkraftwagen ; Zusammenstoß
    Abstract: Artists, writers, and filmmakers from Andy Warhol and J. G. Ballard to Alejandro González Iñárritu and Ousmane Sembène have repeatedly used representations of immobilized and crashed cars to wrestle with the conundrums of modernity. In Crash, Karen Beckman argues that representations of the crash parallel the encounter of film with other media, and that these collisions between media offer useful ways to think about alterity, politics, and desire. Examining the significance of automobile collisions in film genres including the "cinema of attractions," slapstick comedies, and industrial-safety movies, Beckman reveals how the car crash gives visual form to fantasies and anxieties regarding speed and stasis, risk and safety, immunity and contamination, and impermeability and penetration
    Description / Table of Contents: "Jerky nearness" : spectatorship, mobility, and collision in early cinema -- Car wreckers and home lovers : the automobile in silent slapstick -- Doing death over : industrial-safety films, accidental-motion studies, and the involuntary crash test dummy -- Disaster time, the Kennedy assassination, and Andy Warhol's Since (1966/2002) -- Film falls apart : Crash, Semen, and Pop -- Crash aesthetics : Amores perros and the dream of cinematic mobility -- The afterlife of Weekend, or, the university found on a scrapheap.
    Note: Includes bibliographical references (p. [275] - 288) and index
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    Filmrezeption und Filmaneignung : Eine qualitativ-rekonstruktive Studie über Praktiken der Rezeption bei Jugendlichen (2010)
    Wiesbaden : VS Verlag für Sozialwissenschaften
    Details
    ISBN: 9783531921242
    Language: German
    Pages: Online-Ressource (297S. 4 Abb, digital)
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Buchausg. u.d.T. Geimer, Alexander, 1977 - Filmrezeption und Filmaneignung
    DDC: 301
    RVK:
    AP 57800
    Keywords: Sociology ; Social Sciences, general ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Film ; Rezeption ; Jugend ; Wissenssoziologie ; Praxeologie
    DOI: 10.1007/978-3-531-92124-2
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    Würzburg UB
    Regensburg UB
    BSZ
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    Bayreuth UB
  • 76
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    Narrating Violence in Post-9/11 Action Cinema : Terrorist Narratives, Cinematic Narration, and Referentiality (2010)
    Wiesbaden : VS Verlag für Sozialwissenschaften / GWV Fachverlage GmbH, Wiesbaden
    Details
    ISBN: 9783531926025
    Language: English
    Pages: Online-Ressource (130p, digital)
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Buchausg. u.d.T. Jung, Berenike Narrating violence in Post-9/11 action cinema
    RVK:
    AP 50300
    Keywords: Social sciences ; Sociology ; Social Sciences ; Social sciences ; Sociology ; Social sciences ; Sociology ; Elfter September ; Terrorismus ; Film ; Erzähltechnik ; Gewaltdarstellung ; Filmästhetik ; Children of Men ; V for vendetta ; Munich ; Film ; Interpretation ; Elfter September ; Terrorismus ; Film ; Erzähltechnik ; Gewaltdarstellung ; Filmästhetik ; Children of Men ; V for vendetta ; Munich ; Film ; Interpretation
    Abstract: Berenike Jung studied Comparative Literature, Cinema, and North American Studies in Berlin, New York, and Paris. She works as a journalist and author with a focus on film and media.
    Abstract: This work discusses the way in which action movies have responded to the visual and narrative challenge of depicting terrorist violence after 9/11, when the spectacular representation of terrorist violence - and by extension the consumers of these imagers - was considered as complicit behaviour. If terrorism is theatre, who goes to see the show? A close-reading of exemplary movies (V for Vendetta, Munich, and Children of Men) concentrates on three key aspects: How is terrorist violence justified, especially in comparison to other forms of violence? How is the audience implicitly positioned? And finally, what is the role and scope of the films- visual short-cuts, iconic real images such as those from the Abu Ghraib prison? The results reaffirm popular movies' power of working through traumatic events as well as their capacity to articulate a valid political critique. Instead of inventing or preceding real acts of violence, cinema can document, witness, and encourage the spectator to explore unorthodox viewing positions and moral dilemma. This interdisciplinary work is addressed to students of Philosophy, the Humanities, Cinema, American, or Cultural Studies as well as to the interested public.
    Description / Table of Contents: Geleitwort; Deutsche Zusammenfassung; Table of Contents; 1 Introduction; 1.1 Methodology; 1.1.1 Just War Theory; 1.1.2 Narrative Discourse; 2 The Films; 2.1 Narrating Violence in V for Vendetta; 2.1.1 Types of Violence; 2.1.1.1 A Vendetta : Vigilantism; 2.1.1.2 Terrorism: Just Revolution and Tyrannicide; 2.1.1.3 Torture; 2.1.2 Cinematic Narration; 2.1.2.1 Visualizing Violence: The Spectacular; 2.1.2.2 Alterations in Focalization; 2.1.2.3 Heroes and Enemies; 2.1.3 Narrative Challenges; 2.1.3.1 References: Post-9/11 Politics; 2.1.3.2 Responding to 9/11: Charges against Cinema
    Description / Table of Contents: 2.1.4 Résumé for V for Vendetta2.2 Narrating Violence in Munich; 2.2.1 Types of Violence; 2.2.1.1 Terrorism and the Media; 2.2.1.2 Targeted Killings: The Response; 2.2.2 Cinematic Narration; 2.2.2.1 Flashbacks: Visualizing Violence with Latency; 2.2.2.2 Point of View: Heroes and Enemies; 2.2.2.3 Docudrama; 2.2.3 Narrative Challenges; 2.2.3.1 9/11: Depicting Images of Atrocity; 2.2.3.2 The Media and the Response to 9/11; 2.2.4 Résumé for Munich; 2.3 Narrating Violence in Children of Men; 2.3.1 Types of Violence; 2.3.1.1 Terrorism: The Fishes; 2.3.1.2 War; 2.3.1.3 A Biological Threat
    Description / Table of Contents: 2.3.2 Cinematic Narration2.3.2.1 Visualizing Violence: The Long Take; 2.3.2.2 The Spectacular vs the Long Take; 2.3.2.3 External Focalization and the Subjective Camera; 2.3.2.4 Disrupting Cinematic Codes; 2.3.2.5 Characters and Character Relations; 2.3.3 Narrative Challenges; 2.3.3.1 References to Post-9/11 Politics; 2.3.3.2 Engaging with 9/11: Iconic Images and The Media; 2.3.4 Résumé for Children of Men; 3 Conclusion; Bibliography
    Note: Includes bibliographical references (p. [121]-130)
    DOI: 10.1007/978-3-531-92602-5
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    The un-Americans : Jews, the blacklist, and stoolpigeon culture (2009)
    Durham, NC : Duke University Press
    Details
    ISBN: 9780822390848
    Language: English
    Pages: 1 Online-Ressource (306 Seiten)
    Series Statement: Series Q
    Parallel Title: Erscheint auch als Litvak, Joseph The un-Americans
    DDC: 305.892/407309045
    RVK:
    AP 59783
    RVK:
    NY 4900
    Keywords: Jews in the motion picture industry ; Jews Politics and government 20th century ; Antisemitism History 20th century ; Performing arts ; USA ; Juden ; Filmwirtschaft ; Politik ; Antisemitismus ; Geschichte 1900-2000 ; Performing Arts / Film / History & Criticism ; United States Ethnic relations ; Political aspects ; Jews in the motion picture industry ; United States ; Jews ; United States ; Politics and government ; 20th century ; Antisemitism ; United States ; History ; 20th century ; United States ; Ethnic relations ; Political aspects ; Electronic books ; Electronic books ; Electronic books ; Electronic books ; History. ; History ; Electronic books ; USA ; Film ; Judenbild ; USA ; Antisemitismus ; Geschichte 1900-2000
    Abstract: In a bold rethinking of the Hollywood blacklist and McCarthyite America, Joseph Litvak reveals a political regime that did not end with the 1950s or even with the Cold War: a regime of compulsory sycophancy, in which the good citizen is an informer, ready to denounce anyone who will not play the part of the earnest, patriotic American. While many scholars have noted the anti-Semitism underlying the House Un-American Activities Committee's (HUAC's) anti-Communism, Litvak draws on the work of Theodor W. Adorno, Hannah Arendt, Alain Badiou, and Max Horkheimer to show how the committee conflated Jewishness with what he calls "comic cosmopolitanism," an intolerably seductive happiness, centered in Hollywood and New York, in show business and intellectual circles. He maintains that HUAC took the comic irreverence of the "uncooperative" witnesses as a crime against an American identity based on self-repudiation and the willingness to "name names"
    Description / Table of Contents: Sycoanalysis : an introduction -- Jew envy -- Petrified laughter : Jews in pictures, 1947 -- Collaborators : Schulberg, Kazan, and a face in the crowd -- Comicosmopolitanism : behind television -- Bringing down the house : the blacklist musical -- Coda : cosmopolitan states.
    Note: Includes bibliographical references and index
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    URL: https://doi.org/10.1215/9780822390848
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  • 78
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    Crowd scenes : movies and mass politics (2008)
    New York : Fordham University Press | Berlin : Knowledge Unlatched
    Details
    ISBN: 0823280780 , 9780823280780
    Language: English
    Pages: 1 Online-Ressource (vii, 161 pages) , illustrations, charts, figures, tables
    Edition: Also issued in print and PDF version
    Parallel Title: Print version Crowd Scenes, Movies and Mass Politics
    DDC: 791.456552
    RVK:
    AP 51800
    Keywords: Film ; Motion pictures Political aspects ; Crowds in motion pictures ; Electronic books ; Electronic books ; Film ; Massenszene
    Abstract: The movies and the masses erupted on the world stage together. In a few decades around the turn of the twentieth century, millions of persons who rarely could afford a night at the theater and had never voted in an election became regular paying customers at movie palaces and proud members of new political parties. The question of how to represent these new masses fascinated and plagued politicians and filmmakers alike. Michael Tratner examines the representations of masses?the crowd scenes?in Hollywood films from The Birth of a Nation through such popular love stories as Gone with the Wind, The Sound of Music, and Dr. Zhivago. He then contrasts these with similar scenes in early Soviet and Nazi films. What emerges is a political debate being carried out in filmic style. In both sets of films, the crowd is represented as a seething cauldron of emotions
    Abstract: Movies and the history of crowd psychology -- Collective spectatorship -- Constructing public institutions and private sexuality : The birth of a nation and Intolerance -- The passion of mass politics in the most popular love stories -- Loving the crowd : transformations of gender in early Soviet and Nazi films -- From love of the state to the state of love : Fritz Lang's move from Weimar to Hollywood
    Note: Includes bibliographical references and indexes , Also issued in print and PDF version. , In English
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
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    The Oxford handbook of film and media studies (2008)
    New York : Oxford University Press
    Details
    ISBN: 9780199940370
    Language: English
    Pages: 1 Online-Ressource (xii, 628 Seiten) , Illustrationen
    Series Statement: Oxford handbooks online
    Series Statement: Literature
    Parallel Title: Erscheint auch als Kolker, Robert Phillip, 1940 - The Oxford handbook of film and media studies
    DDC: 791.43
    RVK:
    AP 13550
    Keywords: Filmtheorie ; Medientheorie ; Digitale Medien ; Globalisierung ; Film ; Filmästhetik ; Massenmedien ; Motion pictures ; Mass media ; Interactive multimedia ; Interactive multimedia ; Mass media ; Motion pictures ; Motion pictures ; Mass media ; Interactive multimedia ; Aufsatzsammlung ; Filmwissenschaft ; Medienwissenschaft
    Abstract: This reference work provides a single-volume source of original scholarship on the intersection of film and media studies. Some essays survey particular issues, such as the changing concept of 'realism' in film. Others look at current media practices with special attention to new media
    Note: Series title from jacket. - Includes bibliographical references and index. - Print version record , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
    DOI: 10.1093/oxfordhb/9780195175967.001.0001
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  • 80
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    Stalinism and Soviet cinema (2006)
    London ; New York : Routledge
    Details
    ISBN: 9781315003078 , 9781136128288
    Language: English
    Pages: 1 Online-Ressource (XVII, 277 S.)
    Series Statement: Soviet cinema
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.23/43/0947 20
    RVK:
    AP 44950
    RVK:
    KK 1035
    Keywords: Stalin, Joseph, 1879-1953 -- Influence ; Geschichte 1930-1990 ; Film ; Politik ; Motion pictures -- Political aspects -- Soviet Union ; Communism and motion pictures ; Motion picture industry -- Soviet Union ; Politik ; Stalinismus ; Film ; Personenkult ; Geschichte ; Sowjetunion ; Sowjetunion ; Aufsatzsammlung ; Film ; Aufsatzsammlung ; Film ; Sowjetunion ; Politik ; Geschichte ; Stalinismus ; Personenkult ; Sowjetunion ; Film ; Sowjetunion ; Film ; Stalinismus ; Geschichte ; Sowjetunion ; Film ; Geschichte 1930-1990
    Note: Includes bibliographical references (p. [228]-267) and index
    DOI: 10.4324/9781315003078
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    Würzburg UB
    BVB
  • 81
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    Cinema at the end of empire : a politics of transition in Britain and India (2006)
    Durham : Duke UniversityPress
    Details
    ISBN: 9780822337805
    Language: English
    Pages: 1 Online-Ressource (xiv, 318 Seiten) , Illustrationen
    Series Statement: Knowledge Unlatched Backlist Collection 2016
    Series Statement: Media & Communications
    Parallel Title: Erscheint auch als Jaikumar, Prija, 1967 - Cinema at the end of empire
    DDC: 384.80954
    RVK:
    AP 59765
    Keywords: Motion picture industry India ; History ; Motion picture industry Great Britain ; History ; Motion pictures, British India ; Großbritannien ; Kolonialismus ; Film ; Indien ; Geschichte 1927-1947 ; Indien ; Film ; Kolonie
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  • 82
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    European cinema : face to face with Hollywood (2005)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789053565940
    Language: English
    Pages: 1 Online-Ressource (563 Seiten) , Illustrationen
    Series Statement: Film culture in transition
    Parallel Title: Erscheint auch als Elsaesser, Thomas, 1943 - 2019 European cinema
    RVK:
    AP 59706
    Keywords: History (General) ; Communication. Mass media ; Social sciences (General) ; History (General) ; Social sciences (General) ; Communication. Mass media ; Film, TV & radio ; History ; Society & culture: general ; Europa ; Film ; USA ; Europa ; Film
    Abstract: In the face of renewed competition from Hollywood since the early 1980s and the challenges posed to Europe's national cinemas by the fall of the Wall in 1989, independent filmmaking in Europe has begun to re-invent itself. European Cinema: Face to Face with Hollywood re-assesses the different debates and presents a broader framework for understanding the forces at work since the 1960s. These include the interface of "world cinema" and the rise of Asian cinemas, the importance of the international film festival circuit, the role of television, as well as the changing aesthetics of auteur cinema. New audiences have different allegiances, and new technologies enable networks to reshape identities, but European cinema still has an important function in setting critical and creative agendas, even as its economic and institutional bases are in transition.
    Note: Literaturangaben
    DOI: 10.5117/9789053565940
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  • 83
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    Shooting the family : transnational media and intercultural values (2005)
    Amsterdam : Amsterdam Univ. Press
    Details
    ISBN: 905356750X , 9789053567500
    Language: English
    Pages: 224 p.
    Edition: Online-Ausg. The Hague OAPEN Online-Ressource [Online-Ausg.]
    DDC: 302.23
    RVK:
    AP 34000
    RVK:
    MS 1900
    RVK:
    LB 48000
    Keywords: Familie ; Multikulturelle Gesellschaft ; Film ; Fernsehfilm ; Audiovisuelle Medien ; Familie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Do contemporary movements of migration and the ever-increasing abundance of audiovisual media correspond to - or even cause - shifts in the defenition of both the bourgeois nuclear family and the tribal extended family? In Shooting the Family, twelve authors investigate the transfigured role of the family in a transnational world in which intercultural values are negotiated through mass media like film and television, as well as through particularistic media like home movies and videos. "Shooting the Family" has a double meaning. On the one hand, this book claims that the family is under pressure from the forces of globalization and migration; it is the family that risks being shot to pieces. On the other hand, family matters of all kinds, including family values, are increasingly being constructed and refigured in a mediated form. The audiovisual family has become an important medium for intercultural affairs - this is a family that is being re-established as a place of security and comfort in times of upheaval; it is the family shot by cameras that register and simultaneously create new family values.
    Note: Online-Ausg.:
    URL: kostenfrei
    URL: Inhaltsverzeichnis
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: kostenfrei
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    URL: Cover
    URL: https://www.cambridge.org/core/product/identifier/9789048505401/type/BOOK
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    München BSB
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
    MPI Ethno. Forsch.
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    Outlaw masters of Japanese film (2005)
    London : I.B. Tauris
    Details
    ISBN: 1423729064 , 1845110900 , 9781845110864 , 1845110862 , 9781845110901 , 9781423729068
    Language: English
    Pages: IX, 262 S. , Ill. , 25 cm
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2005 E-Books von NetLibrary
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Print version Outlaw masters of Japanese film
    Parallel Title: Druckausg. u.d.T. Desjardins, Chris Outlaw masters of japanese film
    RVK:
    AP 44963
    Keywords: Motion pictures History. ; Motion picture producers and directors Biography. ; Motion picture producers and directors Interviews. ; Motion pictures History ; Japan ; Motion picture producers and directors Biography ; Japan ; Motion picture producers and directors Interviews ; Japan ; Motion picture producers and directors Interviews ; Motion picture producers and directors Biography ; Motion pictures History ; Motion pictures History. ; Motion picture producers and directors Biography. ; Motion picture producers and directors Interviews. ; Motion pictures Japan ; History ; Motion picture producers and directors Japan ; Biography ; Motion picture producers and directors Japan ; Interviews ; Motion pictures History ; Japan ; Motion picture producers and directors Biography ; Japan ; Motion picture producers and directors Interviews ; Japan ; Japan ; Regisseur ; Filmgeschichte ; Filmwissenschaften ; Bandit ; Film ; Filmregisseur ; Outlaw ; Japan ; Electronic books ; Electronic books. ; Electronic books. ; Electronic books Biography ; History ; Interviews ; Japan ; Filmregisseur ; Outlaw ; Bandit ; Film ; Japan ; Filmregisseur ; Outlaw ; Bandit ; Film
    Note: Includes bibliographical references (p. 256-257) and index. - Includes filmographies , Includes filmographies , Electronic reproduction, Boulder, Colo : NetLibrary, 2005
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  • 85
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    Hitchcock's motifs (2005)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1280958162 , 1423746295 , 9053567739 , 9048505453 , 9053567720 , 9781280958168 , 9781423746294 , 9789053567739 , 9789048505456 , 9789053567722
    Language: English
    Pages: 1 Online-Ressource (490 pages) , illustrations
    Edition: Online-Ausg.
    Series Statement: Film culture in transition
    Parallel Title: Print version Walker, Michael Hitchcock's motifs
    RVK:
    AP 51170
    Keywords: Hitchcock, Alfred Criticism and interpretation ; Hitchcock, Alfred Criticism and interpretation ; Motion pictures Plots, themes, etc ; Motion pictures Plots, themes, etc ; Hitchcock, Alfred ; The arts ; Film, TV and radio ; Films, cinema ; Individual film directors, film-makers ; PERFORMING ARTS ; Film & Video ; Direction & Production ; PERFORMING ARTS ; Film & Video ; General ; Motion pictures ; Plots, themes, etc ; Music, Dance, Drama & Film ; Film ; Criticism, interpretation, etc ; Electronic book
    Abstract: Hitchcock's work through his recurring motifs
    Description / Table of Contents: Part I. Hitchcock, Motifs and Melodrama. Introduction -- Three motifs. Home movies -- Cigarette case/lighter -- Milk -- Melodrama and Hitchcock's motifs -- An elaborated motif: the Bed Scene in Rebecca and Marnie -- A melodramatic motif: hands -- Diagrammatic representations -- Overview of the key motifs -- Part II. The Key Motifs. BED SCENE -- Couples and beds -- Beds and the police -- BLONDES AND BRUNETTES -- CAMEO APPEARANCES -- Cameos and the police -- CHILDREN -- Children's cameos -- Family members -- Children and violence -- Children and the police -- CONFINED SPACES -- Bathrooms and washrooms -- Confinement and concealment -- Cages and bars: fears of imprisonment -- Washrooms and the police -- THE CORPSE -- The heroines -- The heroes -- The villains -- Corpses and the police -- DOGS AND CATS -- Dogs and the police -- DOUBLES -- Doubles and the police -- ENDINGS AND THE POLICE -- ENTRY THROUGH A WINDOW -- Entry through a window and the police -- EXHIBITIONISM / VOYEURISM / THE LOOK -- EXHIBITIONISM / VOYEURISM -- SPY FILMS / THE LOOK -- Exhibitionism, voyeurism and the police -- FOOD AND MEALS -- Food and marriage -- Food and sex -- Food and murder -- Food and guilt -- Chickens and eggs -- Table talk and fascism -- Food and the police -- GUILTAND CONFESSION -- Catholic overtones -- Guilt and Hitchcock's villains -- Transference of guilt -- Guilt, confession and the police -- HANDCUFFS AND BONDAGE -- HANDS -- Male hands/female hands -- Held wrists -- Damaged hands -- Holding hands -- Hands and the police -- HEIGHTS AND FALLING -- Heights, falling and the police -- HOMOSEXUALITY -- Critical positions -- Gay undercurrents -- Espionage and the look -- Ivor Novello -- Homosexuality and the police -- JEWELLERY -- Greed -- Status -- Female desire -- Female beauty/male power -- Male murderousness -- Jewellery and the police -- KEYS AND HANDBAGS -- KEYS -- Keys and handbags -- HANDBAGS -- Handbags and keys -- Keys, handbags and the police -- LIGHT(S) -- Vampires and blinding -- Murder and homosexuality -- Lights and the police -- THE MACGUFFIN -- The MacGuffin and the police -- MOTHERS AND HOUSES -- Mothers and the police -- PORTRAITS, PAINTINGS AND PAINTERS -- PORTRAITS -- PAINTINGS -- Modern art -- PAINTERS -- Portraits, paintings and the police -- PUBLIC DISTURBANCES -- Public disturbances and the police -- SPECTACLES -- Spectacles and the police -- STAIRCASES -- Hitchcockian levels -- Political variations -- Sinister staircases -- Freudian overtones -- Couples and staircases -- Staircases and the police -- TRAINS AND BOATS / PLANES AND BUSES -- TRAINS -- BOATS -- PLANES -- BUSES -- Trains and boats and the police -- WATER AND RAIN -- WATER -- RAIN -- Water and the police -- Appendix I: TV Episodes. BED SCENE -- CHILDREN -- CONFINED SPACES -- THE CORPSE -- DOUBLES -- FOOD AND MURDER / ENDINGS AND THE POLICE -- LIGHTS -- BOATS -- Appendix II: Articles on Hitchcock's motifs -- Appendix III: Definitions. Diegesis -- Point-of-view editing.
    Note: Includes bibliographical references (pages 421-429), filmography (p. 431-462) , and index , English
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    City of darkness, city of light : émigré filmmakers in Paris 1929-1939 (2004)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 0585498180
    Language: English
    Pages: 253 S. , Ill. , 24 cm
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2004 E-Books von NetLibrary
    Series Statement: Film culture in transition
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Druckausg. u.d.T. Phillips, Alastair, 1963 - City of darkness, city of light
    DDC: 791.43/0944361
    RVK:
    AP 44911
    Keywords: Motion picture producers and directors ; Germans ; Motion picture producers and directors ; Germans ; Motion picture producers and directors France ; Paris ; Germans France ; Paris ; Deutsche ; Exil ; Filmregisseur ; Filmschaffender ; Paris ; Electronic books ; Electronic books. ; Electronic books. ; Aufsatzsammlung ; Paris ; Deutsche ; Filmschaffender ; Filmregisseur ; Exil ; Geschichte 1929-1939 ; Frankreich ; Film
    Note: Includes bibliographical references (p. [221]-241) and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2004
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  • 87
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    Film and community: Britain and France : from La R̀egle du jeu to Room at the top (2004)
    London [u.a.] : Tauris
    Details
    ISBN: 9781417583669 , 1417583665 , 9780857712646 , 0857712640 , 1282528939 , 9781282528932
    Language: English
    Pages: XI, 252 S.
    Edition: Electronic reproduction, Boulder, Colo : NetLibrary, 2005
    Series Statement: Cinema and Society
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Druckausg. u.d.T. Butler, Margaret Film and community: Britain and France ; from La R̀egle du jeu to Room at the top
    RVK:
    AP 44930
    RVK:
    AP 44935
    Keywords: Motion pictures Great Britain ; History ; Motion pictures France ; History ; War Films Great Britain ; War Films France ; Motion pictures Great Britain ; History ; Motion pictures France ; History ; World War, 1939-1945 Motion pictures and the war ; War Films Great Britain ; War Films France ; World War, 1939-1945 Motion pictures and the war ; Motion pictures History ; France ; Motion pictures History ; Great Britain ; War films Great Britain ; War films France ; Guerre mondiale, 1939-1945 Cinéma et guerre ; Guerre mondiale, 1939-1945 Grande-Bretagne ; Guerre mondiale, 1939-1945 France ; Cinéma Aspect social ; Grande-Bretagne ; Cinéma Aspect social ; France ; Motion pictures France ; History ; Motion pictures Great Britain ; History ; War Films France ; War Films Great Britain ; World War, 1939-1945 Motion pictures and the war ; World War, 1939-1945 Great Britain ; World War, 1939-1945 France ; Motion pictures Social aspects ; Great Britain ; Motion pictures Social aspects ; France ; Electronic books ; Electronic books ; Großbritannien ; Film ; Geschichte ; Frankreich ; Film ; Geschichte
    Abstract: Britain and France and the concept of "community" -- Film industries at war : projecting "community" -- Countryside and city, Paysage et patrie at war -- Countryside, city, and region in post-war film -- Cinema of the return : acceptance and alienation -- Women in Britain : "returned" or renewed? -- "Liberation" and Les femmes françaises
    Abstract: Relations between France and Britain have always been uneasy and ambivalent. But in cinema the WWII changed all that for a time. Although the two countries' wartime fortunes differed, post-war both were busy reintegrating returning servicemen and prisoners of war, and accomodating the changed aspirations of women. Margaret Butler examines these subjects and more in her comparative study of the cinemas of Britain and France during and after the war. Using the concept of continuity, she shows how cinema dealt directly with ideas of belonging and alienation, inclusion and exclusion, unity and div
    Note: Includes bibliographical references and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2005 , Electronic reproduction, Boulder, Colo : NetLibrary, 2005
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  • 88
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    The new German cinema : music, history, and the matter of style (2004)
    Berkeley : University of California Press
    Details
    ISBN: 1417520027 , 9781417520022 , 9780520937154 , 0520937155 , 0520228952 , 9780520228955
    Language: English
    Pages: VIII, 323 S. , Ill. , 24 cm
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2004 E-Books von NetLibrary
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Print version New German cinema
    RVK:
    AP 44910
    RVK:
    AP 59711
    Keywords: Motion picture music Germany ; History and criticism ; Motion pictures ; Motion picture music History and criticism. ; Motion pictures Germany ; Motion picture music History and criticism ; Germany ; Germany ; Motion pictures ; Motion picture music History and criticism ; Motion picture music History and criticism ; Motion pictures ; Motion pictures ; Motion picture music History and criticism. ; Motion Pictures as Topic ; PERFORMING ARTS ; Film & Video ; Reference ; PERFORMING ARTS ; Film & Video ; General ; Motion picture music ; Motion pictures ; Criticism, interpretation, etc ; Filmmusik ; Filmästhetik ; Neuer deutscher Film ; Germany ; Germany ; Electronic books. ; Electronic books. ; Electronic books Criticism, interpretation, etc ; Neuer deutscher Film ; Filmmusik ; Geschichtsdarstellung ; Geschichte ; Deutschland ; Film ; Geschichte 1965-1990
    Abstract: Introduction: "strategies of remembrance" -- Mourning, melancholia, and "new German melodrama" -- Modernism's aftershocks: Peer Raben's film music for Fassbinder -- Kluge's assault on history: trauma, testimony, and difference in the patriot -- Undoing act 5: history, bodies, and operatic remains: Kluge's the power of emotion -- Restaging history with fantasy: body, camp, and sound in the films of Treut, Ottinger, and Von Praunheim -- Introjecting kitsch: Werner Schroeter, music, and alterity
    Description / Table of Contents: Introduction: "strategies of remembrance" -- Mourning, melancholia, and "new German melodrama" -- Modernism's aftershocks: Peer Raben's film music for Fassbinder -- Kluge's assault on history: trauma, testimony, and difference in the patriot -- Undoing act 5: history, bodies, and operatic remains: Kluge's the power of emotion -- Restaging history with fantasy: body, camp, and sound in the films of Treut, Ottinger, and Von Praunheim -- Introjecting kitsch: Werner Schroeter, music, and alterity
    Description / Table of Contents: Introduction: "strategies of remembrance"Mourning, melancholia, and "new German melodrama" -- Modernism's aftershocks: Peer Raben's film music for Fassbinder -- Kluge's assault on history: trauma, testimony, and difference in the patriot -- Undoing act 5: history, bodies, and operatic remains: Kluge's the power of emotion -- Restaging history with fantasy: body, camp, and sound in the films of Treut, Ottinger, and Von Praunheim -- Introjecting kitsch: Werner Schroeter, music, and alterity.
    Note: Includes bibliographical references and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2004
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  • 89
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    The last great American picture show : New Hollywood cinema in the 1970s (2004)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1417521724 , 9053566317 , 9053564934 , 904850368X , 9781417521722 , 9789053566312 , 9789053564936 , 9789048503681
    Language: English
    Pages: 1 Online-Ressource (1 volume)
    Edition: [S.l.] HathiTrust Digital Library Electronic reproduction
    Series Statement: Film culture in transition
    Parallel Title: Print version Last great American picture show
    Parallel Title: Erscheint auch als The last great American picture show
    RVK:
    AP 44981
    RVK:
    AP 44983
    Keywords: Motion pictures History ; Motion pictures History ; Electronic books ; The arts ; Film, TV and radio ; PERFORMING ARTS ; Film & Video ; Reference ; PERFORMING ARTS ; Film & Video ; General ; Motion pictures ; Filmkunst ; Films ; Filmindustrie ; Cinéma ; États-Unis ; 1960-1990 ; Histoire et critique ; United States ; History ; Aufsatzsammlung ; Los Angeles- Hollywood ; Film ; Geschichte 1967-1976 ; USA ; Geschichte 1970-1980 ; Film
    Abstract: Annotation, The French Connection, The Last Picture Show, M.A.S.H., Harold and Maude--these are only a few of the iconic films made in the United States during the 1970s. Originally considered a "lost generation," the 1970s are increasingly recognized as a crucial turning point in American filmmaking, and many films from the era have resurfaced from oblivion to become a reference for new directorial talents. The Last Great American Picture Show explores this pivotal era in American film history with a collection of essays by scholars and writers that firmly situates the decade as the time of the emergence of "New Hollywood." Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashy, Robert Altman, and James Tobac: these legendary directors developed innovative techniques, gritty aesthetics, and a modern sensibility in American film. Here, contributors compellingly argue that the cinema of today's major directors--Steven Spielberg, James Cameron, Quentin Tarantino, Ridley Scott, Robert Zemeckis--could not have come into existence without the groundbreaking works produced by the directors of the 1970s. A wholly engaging and long-overdue investigation of this important era in American film, The Last Great American Picture Show reveals how the films of the 1970s transformed the American social consciousness and influenced filmmaking worldwide
    Abstract: The impure cinema : new Hollywood 1967-1976 / Alexander Horwath -- "The last good time we ever had" : remembering the new Hollywood cinema / Noel King -- American auteur cinema : the last -- or first -- great picture show / Thomas Elsaesser -- The decade when movies mattered / David Thomson -- A walking contradiction (partly truth and partly fiction) / Alexander Horwath -- The exploitation generation, or how marginal movies came in from the cold / Maitland McDonagh -- New Hollywood and the sixties melting pot / Jonathan Rosenbaum -- Dinosaurs in the age of the cinemobile / Richard T. Jameson -- "The cylinders were whispering my name" : the films of Monte Hellman / Kent Jones -- Nashville contra Jaws, or "The imagination of disaster" revisited / J. Hoberman -- For Wanda / Bérénice Reynaud -- Everybody knows this is nowhere : the uneasy ride of Hollywood and rock / Howard Hampton -- Auteurism and war-teurism : Terrence Malick's war movie / Dana Polan -- The pathos of failure : American films in the 1970s : notes on the unmotivated hero / Thomas Elsaesser -- Trapped in the affection image : Hollywood's post-traumatic cycle (1970-1976) / Christian Keathley --Grim fascination : Fingers, James Toback and 1970s American cinema / Adrian Martin -- Allegories of post-Fordism in 1970s new Hollywood : countercultural combat films and conspiracy thrillers as genre recycling / Drehli Robnik
    Note: Includes bibliographical references (pages 359-370) and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , English
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    Representing religion in world cinema : filmmaking, mythmaking, culture making (2003)
    New York [u.a.] : Palgrave Macmillan
    Details
    ISBN: 9781137100344
    Language: English
    Pages: 1 Online-Ressource (XI, 272 p)
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Series Statement: Religion, culture, critique 2
    Parallel Title: Erscheint auch als Representing religion in world cinema
    RVK:
    LC 13000
    RVK:
    AP 50300
    RVK:
    EC 2410
    Keywords: Culture Study and teaching ; Religion ; Communication ; Motion pictures History ; Philosophy ; Aufsatzsammlung ; Film ; Religion ; Film ; Religion
    Abstract: Religious traditions have provided a seemingly endless supply of subject matter for film, from the Ten Commandments to the Mahabharata . At the same time, film production has engendered new religious practices and has altered existing ones, from the cult following of The Rocky Horror Picture Show to the 2001 Australian census in which 70,000 people indicated their religion to be 'Jedi Knight'. Representing Religion in World Cinema begins with these mutual transformations as the contributors query the two-way interrelations between film and religion across cinemas of the world. Cross-cultural and interdisciplinary by nature, this collection by an international group of scholars draws on work from religious studies, film studies, and anthropology, as well as theoretical impulses in performance, gender, ethnicity, colonialism, and postcolonialism
    DOI: 10.1007/978-1-137-10034-4
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    The cinematic imagination : Indian popular films as social history (2003)
    New Brunswick, N.J : Rutgers University Press
    Details
    ISBN: 9780813535289 , 081353528X
    Language: English
    Pages: Online-Ressource
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Druckausg. Virdi, Jyotika, 1962 - The cinematic imagination
    RVK:
    AP 44965
    RVK:
    AP 59765
    Keywords: Motion pictures Social aspects ; Motion pictures ; Motion pictures ; Motion pictures Social aspects ; Motion pictures India ; Motion pictures Social aspects ; India ; Motion pictures ; Motion pictures Social aspects ; Motion pictures Social aspects ; India ; India ; Filmkunst ; Films ; Sociale aspecten ; Nation ; Motiv ; Film ; Indien ; Film ; Gesellschaft ; Indien ; Geschichte 1947-2000 ; Film ; Gesellschaft ; Indien ; Geschichte ; Film ; Motiv ; Nation ; Indien ; Film ; Sozialgeschichte ; Indien ; 1950-2002 ; PERFORMING ARTS ; Film & Video ; Reference ; Motion pictures ; Motion pictures ; Social aspects ; Motion pictures India ; Motion pictures Social aspects ; India ; Film ; Sozialgeschichte ; Indien ; Film ; Sozialgeschichte ; 1950-2002 ; India ; Indien ; Electronic books ; Electronic book ; Electronic books. ; Electronic books ; Indien ; Film ; Sozialgeschichte ; Indien ; Film ; Sozialgeschichte ; Indien ; Film ; Sozialgeschichte
    Abstract: Nation and its discontents. The nation, in theory ; The creative ImagiNation ; Theorizing national cinema ; Nation and its embodiments ; Pleasure and terror of the feminine. -- The idealized woman. Fixing the figure of the woman ; Woman, community, nation ; The "social butterfly." -- Heroes and villains: narrating the nation. Masculinity ; Heroes and villains ; Sons and mothers. -- Heroines, romance, and social history. Reading resistance ; Contesting the Laxman Rekha ; Film/star text: reading social change. -- The sexed body. Filmic love ; Victims to vigilantes ; Rape and the rape threat ; The sexed body and specular pleasure ; Double-speak about the body ; Unsettled scores. -- Re-reading romance. Transgressions of "true love" ; Reinstating "family values" ; Romantic love and the culture of consumption ; The end of the Nehruvian Era
    Description / Table of Contents: ""Contents""; ""Preface""; ""Acknowledgments""; ""Introduction""; ""Chapter 1: Nation and Its Discontents""; ""Chapter 2: The Idealized Woman""; ""Chapter 3: Heroes and Villains: Narrating the Nation""; ""Chapter 4: Heroines, Romance, and Social History""; ""Chapter 5: The Sexed Body""; ""Chapter 6: Re-reading Romance""; ""Conclusion""; ""Notes""; ""Index""
    Description / Table of Contents: Nation and its discontents. The nation, in theory ; The creative ImagiNation ; Theorizing national cinema ; Nation and its embodiments ; Pleasure and terror of the feminine. -- The idealized woman. Fixing the figure of the woman ; Woman, community, nation ; The "social butterfly." -- Heroes and villains: narrating the nation. Masculinity ; Heroes and villains ; Sons and mothers. -- Heroines, romance, and social history. Reading resistance ; Contesting the Laxman Rekha ; Film/star text: reading social change. -- The sexed body. Filmic love ; Victims to vigilantes ; Rape and the rape threat ; The sexed body and specular pleasure ; Double-speak about the body ; Unsettled scores. -- Re-reading romance. Transgressions of "true love" ; Reinstating "family values" ; Romantic love and the culture of consumption ; The end of the Nehruvian Era
    Description / Table of Contents: Nation and its discontents. The nation, in theory ; The creative ImagiNation ; Theorizing national cinema ; Nation and its embodiments ; Pleasure and terror of the feminine.The idealized woman. Fixing the figure of the woman ; Woman, community, nation ; The "social butterfly." -- Heroes and villains: narrating the nation. Masculinity ; Heroes and villains ; Sons and mothers. -- Heroines, romance, and social history. Reading resistance ; Contesting the Laxman Rekha ; Film/star text: reading social change. -- The sexed body. Filmic love ; Victims to vigilantes ; Rape and the rape threat ; The sexed body and specular pleasure ; Double-speak about the body ; Unsettled scores. -- Re-reading romance. Transgressions of "true love" ; Reinstating "family values" ; Romantic love and the culture of consumption ; The end of the Nehruvian Era.
    Note: Includes bibliographical references and index
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  • 92
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    The new Brazilian cinema (2003)
    London : I.B. Tauris in association with the Centre for Brazilian Studies, University of Oxford
    Details
    ISBN: 1417519797 , 9781417519798 , 1860648789 , 9781860648786 , 1860649289 , 9781860649288
    Language: English
    Pages: XXVI, 296 S. , Ill. , 22 cm
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2004 E-Books von NetLibrary
    Edition: New York In the United States of America distributed by Palgrave Macmillan
    Series Statement: EBSCOhost eBook Collection
    RVK:
    AP 59789
    Keywords: Motion pictures Congresses ; Brazil ; Cinéma Congrès ; Brésil ; Brazil ; Brasilien ; Motion pictures Congresses. ; Motion pictures Brazil ; History ; Utopias in motion pictures ; Motion pictures History ; Brazil ; Motion pictures Brazil ; Brasilien ; Electronic books. ; Electronic books Conference proceedings ; Konferenzschrift ; Brasilien ; Brasilien ; Film
    Abstract: A new policy for Brazilian cinema / José Álvaro Moisés -- The cinema that Brazil deserves / Carlos Diegues -- Brazilian cinema in the 1990s : the unexpected encounter and the resentful character / Ismail Xavier -- Humility, guilt and narcissism turned inside out in Brazil's film revival / Fernão Pessoa Ramos -- Chronically unfeasible : the political film in a depoliticized world / João Luiz Vieira -- It's all Brazil / Amir Labaki -- A cinema of conversation - Eduardo Coutinho's Santo Forte and Babilônia 2000 / Verónica Ferreira Dias -- The sertão and the favela in contemporary Brazilian film / Ivana Bentes -- The sertão in the Brazilian imaginary at the end of the millennium / Luiz Zanin Oricchio -- Death on the beach - the recycled utopia of Midnight / Lúcia Nagib -- Nelson Rodrigues in the 1990s : two recent screen adaptations / Stephanie Dennison -- An oblique gaze : irony and humour in Helvécio Ratton's Love & Co / Maria Esther Maciel -- Cabral and the Indian....
    Description / Table of Contents: A new policy for Brazilian cinema / José Álvaro Moisés -- The cinema that Brazil deserves / Carlos Diegues -- Brazilian cinema in the 1990s : the unexpected encounter and the resentful character / Ismail Xavier -- Humility, guilt and narcissism turned inside out in Brazil's film revival / Fernão Pessoa Ramos -- Chronically unfeasible : the political film in a depoliticized world / João Luiz Vieira -- It's all Brazil / Amir Labaki -- A cinema of conversation - Eduardo Coutinho's Santo Forte and Babilônia 2000 / Verónica Ferreira Dias -- The sertão and the favela in contemporary Brazilian film / Ivana Bentes -- The sertão in the Brazilian imaginary at the end of the millennium / Luiz Zanin Oricchio -- Death on the beach - the recycled utopia of Midnight / Lúcia Nagib -- Nelson Rodrigues in the 1990s : two recent screen adaptations / Stephanie Dennison -- An oblique gaze : irony and humour in Helvécio Ratton's Love & Co / Maria Esther Maciel -- Cabral and the Indians : filmic representations of Brazil's 500 years / Robert Stam -- For all and traditions of popular musical comedy / Lisa Shaw -- ImagiNation / José Carlos Avellar -- Then and now : cinema as history in the light of new media and new technologies / Laura Mulvey
    Note: Based on a conference on contemporary Brazilian cinema organized by the Centre for Brazilian Studies and held at Wadham College, Oxford in June 2000. - Includes bibliographical references and index , Includes bibliographical references and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2004 , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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    Women through the lens : gender and nation in a century of Chinese cinema (2003)
    Honolulu : University of Hawaiʿi Press
    Details
    ISBN: 0585479143 , 9780585479149
    Language: English
    Pages: XXVI, 304 S. , Ill.
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2003 E-Books von NetLibrary
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Erscheint auch als Cui, Shuqin Women through the lens
    RVK:
    AP 59761
    Keywords: Motion pictures History. ; Women in motion pictures. ; Sex role in motion pictures. ; Motion pictures History ; China ; Cinéma Histoire ; Chine ; Femmes au cinéma ; Rôle selon le sexe au cinéma China ; Women in motion pictures ; Sex role in motion pictures ; Motion pictures History ; Motion pictures History. ; Women in motion pictures. ; Sex role in motion pictures. ; Cinéma Histoire ; Chine ; Femmes au cinéma ; Motion pictures History ; China ; Rôle selon le sexe au cinéma China ; Sex role in motion pictures ; Women in motion pictures ; Motion pictures ; PERFORMING ARTS ; Film & Video ; Reference ; History ; Film ; Geschlechterrolle ; Nation ; China ; Electronic books. ; Electronic books ; Electronic books. ; Electronic books History ; China ; Film ; Geschlechterrolle ; Nation ; Geschichte 1900-2000 ; China ; Film ; Geschlechterverhältnis ; Nationalbewusstsein
    Abstract: Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon
    Description / Table of Contents: Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon
    Note: Includes bibliographical references (p. [287]-297) and index. - Filmography: p. [249]-267 , Filmography: p. [249]-267 , Electronic reproduction, Boulder, Colo : NetLibrary, 2003 , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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    British cinema of the 1950s : a celebration (2003)
    Manchester : Manchester University Press
    Details
    ISBN: 141757643X , 9781417576432
    Language: English
    Pages: XI, 236 S. , 23 cm
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2005 E-Books von NetLibrary
    Edition: New York Distributed exclusively in the U.S.A. by Palgrave
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Erscheint auch als British cinema of the 1950s
    Parallel Title: Druckausg. u.d.T. British cinema of the 1950s
    RVK:
    AP 44930
    Keywords: Motion pictures History ; Great Britain ; Motion pictures History. ; Motion pictures History. ; Motion pictures History ; Motion pictures Great Britain ; History ; Motion pictures History ; Great Britain ; Great Britain ; Großbritannien ; Motion pictures History ; Great Britain ; PERFORMING ARTS ; Film & Video ; Reference ; PERFORMING ARTS ; Film & Video ; History & Criticism ; Motion pictures ; Aufsatzsammlung ; Films ; History ; Film ; Great Britain ; Großbritannien ; Electronic books ; Electronic books. ; Electronic book ; Electronic books. ; Electronic books History ; Aufsatzsammlung ; Großbritannien ; Film ; Geschichte 1950-1960 ; Großbritannien ; Film ; Geschichte 1950-1960
    Abstract: Celebrating British cinema of the 1950s / Ian MacKillop and Neil Sinyard -- Raymond Durgnat and A mirror for England / Robert Murphy -- Lindsay Anderson : Sequence and the rise of auteurism in 1950s Britain / Erik Hedling -- National snapshots : fixing the past in English war films / Fred Inglis -- Film and the Festival of Britain / Sarah Easen -- The national health : Pat Jackson's White corridors / Charles Barr -- The long shadow : Robert Hamer after Ealing / Philip Kemp -- 'If they want culture, they pay' : consumerism and alienation in 1950s comedies / Dave Rolinson -- Boys, ballet and begonias : The Spanish gardener and its analogues / Alison Platt -- Intimate stranger : the early British films of Joseph Losey / Neil Sinyard -- Women of twilight / Kerry Kidd -- Yield to the night / Melanie Williams -- From script to screen : Serious charge and film censorship / Tony Aldgate -- Housewife's choice : Woman in a dressing gown / Melanie Williams -- Too theatrical by half? T....
    Description / Table of Contents: Celebrating British cinema of the 1950s / Ian MacKillop and Neil Sinyard -- Raymond Durgnat and A mirror for England / Robert Murphy -- Lindsay Anderson : Sequence and the rise of auteurism in 1950s Britain / Erik Hedling -- National snapshots : fixing the past in English war films / Fred Inglis -- Film and the Festival of Britain / Sarah Easen -- The national health : Pat Jackson's White corridors / Charles Barr -- The long shadow : Robert Hamer after Ealing / Philip Kemp -- 'If they want culture, they pay' : consumerism and alienation in 1950s comedies / Dave Rolinson -- Boys, ballet and begonias : The Spanish gardener and its analogues / Alison Platt -- Intimate stranger : the early British films of Joseph Losey / Neil Sinyard -- Women of twilight / Kerry Kidd -- Yield to the night / Melanie Williams -- From script to screen : Serious charge and film censorship / Tony Aldgate -- Housewife's choice : Woman in a dressing gown / Melanie Williams -- Too theatrical by half? The admirable Crichton and Look back in anger / Stephen Lacey -- A tale of two cities and the Cold War / Robert Giddings -- Value for money : Baker and Berman, and Tempean films / Brian McFarlane -- Adaptable Terence Rattigan : Separate tables, separate entities? / Dominic Shellard -- Archiving the 1950s / Bryony Dixon -- Being a film reviewer in the 1950s / Isabel Quigly -- Michael Redgrave and The Mountebank's tale / Corin Redgrave
    Note: Includes bibliographical references and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2005 , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 95
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    The dark mirror : German cinema between Hitler and Hollywood (2002)
    Berkeley : University of California Press
    Details
    ISBN: 0585466238 , 9780585466231 , 0520233115 , 9780520233119 , 9780520936355 , 0520936353 , 0520233107 , 9780520233102
    Language: English
    Pages: XII, 322 S. , Ill. , 24 cm
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2003 E-Books von NetLibrary
    Series Statement: Weimar and now 32
    Series Statement: EBSCOhost eBook Collection
    Series Statement: Weimar and now
    Parallel Title: Print version Dark mirror
    RVK:
    AP 44910
    Keywords: Motion pictures Germany ; History ; Motion picture producers and directors Germany ; Biography ; Motion pictures History. ; Motion picture producers and directors Biography. ; Germans ; Cinéma Histoire. ; Producteurs et réalisateurs de cinéma Biographies. ; Allemands ; Germans California ; Los Angeles ; Motion picture producers and directors Biography ; Germany ; Motion pictures History ; Germany ; Cinéma Histoire ; Allemagne ; Producteurs et réalisateurs de cinéma Biographies ; Allemagne ; Allemands Californie ; Los Angeles ; California ; Los Angeles ; Germany ; Motion pictures History ; Motion picture producers and directors Biography ; Germans ; Germans ; Motion picture producers and directors Biography ; Motion pictures History ; Motion pictures History. ; Motion picture producers and directors Biography. ; Germans ; Cinéma Histoire. ; Producteurs et réalisateurs de cinéma Biographies. ; Allemands ; Motion picture producers and directors Germany ; PERFORMING ARTS ; Film & Video ; Reference ; Germans ; Motion picture producers and directors ; Motion pictures ; Music, Dance, Drama & Film ; Film ; Biographies ; History ; California ; Los Angeles ; Germany ; Electronic books. ; Electronic books ; Electronic books. ; Electronic books Biography ; History ; USA ; Film ; Nationalsozialismus ; Geschichte 1933-1955 ; Deutschland ; Film ; USA ; Geschichte 1933-1955 ; Berlin ; Film ; Geschichte 1933-1939 ; Los Angeles- Hollywood ; Exil ; Deutsche ; Filmschaffender ; Geschichte 1939-1955
    Abstract: "Lutz Koepnick analyzes the complicated relationship between two cinemas--Hollywood's and Nazi Germany's--in this theoretically and politically incisive study. The Dark Mirror examines the split course of German popular film from the early 1930s until the mid 1950s, showing how Nazi filmmakers appropriated Hollywood conventions and how German film exiles reworked German cultural material in their efforts to find a working base in the Hollywood studio system. Through detailed readings of specific films, Koepnick provides a vivid sense of the give and take between German and American cinema." http://www.loc.gov/catdir/description/ucal042/2001007068.html
    Abstract: Introduction: The Dark Mirror -- pt. 1. Hollywood in Berlin, 1933-1939. Ch. 1. Sounds of Silence: Nazi Cinema and the Quest for a National Culture Industry. Ch. 2. Incorporating the Underground: Curtis Bernhardt's The Tunnel. Ch. 3. Engendering Mass Culture: Zarah Leander and the Economy of Desire. Ch. 4. Siegfried Rides Again: Nazi Westerns and Modernity -- pt. 2. Berlin in Hollywood, 1939-1955. Ch. 5. Wagner at Warner's: German Sounds and Hollywood Studio Visions. Ch. 6. Berlin Noir: Robert Siodmak's Hollywood. Ch. 7. Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism. Ch. 8. Isolde Resurrected: Curtis Bernhardt's Interrupted Melody -- Epilogue: "Talking about Germany
    Description / Table of Contents: Introduction: The Dark Mirrorpt. 1. Hollywood in Berlin, 1933-1939. Ch. 1. Sounds of Silence: Nazi Cinema and the Quest for a National Culture Industry. Ch. 2. Incorporating the Underground: Curtis Bernhardt's The Tunnel. Ch. 3. Engendering Mass Culture: Zarah Leander and the Economy of Desire. Ch. 4. Siegfried Rides Again: Nazi Westerns and Modernity -- pt. 2. Berlin in Hollywood, 1939-1955. Ch. 5. Wagner at Warner's: German Sounds and Hollywood Studio Visions. Ch. 6. Berlin Noir: Robert Siodmak's Hollywood. Ch. 7. Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism. Ch. 8. Isolde Resurrected: Curtis Bernhardt's Interrupted Melody -- Epilogue: "Talking about Germany."
    Note: Includes bibliographical references (p. 273-307) and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2003
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    French cinema : a student's guide (2002)
    London : Arnold
    Details
    ISBN: 0585497095 , 9780585497099
    Language: English
    Pages: vi, 212 p , ill , 24 cm
    Edition: Boulder, Colo NetLibrary 2004 Online-Ressource E-Books von NetLibrary
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Print version French cinema
    DDC: 791.430944
    RVK:
    AP 59735
    RVK:
    IH 2000
    Keywords: Motion pictures History. ; Motion pictures History ; France ; France ; Motion pictures History ; Motion pictures History. ; Film ; Geschichte ; Frankreich ; Electronic books. ; Electronic books. ; Electronic books History ; Frankreich ; Film ; Geschichte ; Frankreich ; Film ; Geschichte
    Note: Includes bibliographical references (p. 199-208) and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2004
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 97
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    The triumph of the ordinary : depictions of daily life in the East German cinema, 1949-1989 (2002)
    Chapel Hill, NC [u.a.] : Univ. of North Carolina Press
    Details
    ISBN: 0807861456 , 9780807861455
    Language: English
    Pages: Online-Ressource
    Series Statement: EBSCOhost eBook Collection
    Dissertation note: Zugl: Stanford, Univ., Diss.
    DDC: 791.4309431
    RVK:
    AP 44918
    Keywords: Motion pictures Germany East ; History ; Motion pictures History ; Motion pictures History ; Germany (East) ; Motion pictures History ; Germany (East) ; Deutschland ; Film ; Alltag ; Geschichte
    Abstract: This work confronts the question of whether movies in the Eastern Bloc were propaganda or secretly veiled dissent. From the late 1960s East German films focused on everyday life, it could be said that filmmakers presented a static image to show an East Germany that accepted the GDR as it was
    Description / Table of Contents: Contents; Acknowledgments; Abbreviations; Introduction: Back to the Future; 1. Conquering the Past and Constructing the Future: The DEFA Film Studio and the Contours of East German Cultural Policy, 1946-1956; 2. The Discovery of the Ordinary: Berlin-Ecke Schönhauser and the Twentieth Congress of the CPSU; 3. A Case of Love Confused?: Slatan Dudow's Verwirrung der Liebe as a Meditation on Art and Industry; 4. Straddling the Wall: Socialist Realism Meets the Nouvelle Vague in Der geteilte Himmel; 5. The Eleventh Plenum and Das Kaninchen bin ich
    Description / Table of Contents: 6. A Dream Deferred?: Spur der Steine and the Aftermath of the Eleventh Plenum7. The Triumph of the Ordinary: East German Alltag Films of the 1970s; Conclusion; Epilogue: Arrested Alltag?: East German Film from the Biermann Affair to DEFA's Final Dissolution, 1976-1993; Notes; Selected Bibliography; Selected Filmography; Index;
    Description / Table of Contents: 6. A Dream Deferred?: Spur der Steine and the Aftermath of the Eleventh Plenum7. The Triumph of the Ordinary: East German Alltag Films of the 1970s; Conclusion; Epilogue: Arrested Alltag?: East German Film from the Biermann Affair to DEFA's Final Dissolution, 1976-1993; Notes; Selected Bibliography; Selected Filmography; Index;
    Note: Includes bibliographical references and index
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    Film Front Weimar : Representations of the First World War in German Films from the Weimar Period (1919-1933) (2002)
    [Erscheinungsort nicht ermittelbar] : Amsterdam University Press
    Details
    ISBN: 9789053565988
    Language: English
    Pages: 1 Online-Ressource (332 p.)
    RVK:
    AP 44910
    RVK:
    AP 52700
    Keywords: Film, TV & radio ; History ; Society & culture: general ; Electronic books ; Film
    Abstract: This first book-length study shows how Germany tried to reconcile the horrendous experiences of the FirstWorld War through the films made in 1919-1933. Drawing on the analysis of twenty-five such films, and covering a wide range of documentaries as well as feature films on the reasons for the outbreak of the war, life at the front,war at sea and the home front, the author sketches out the historical and cultural context, including reviews and censors' reports, in which these films were made and viewed
    Abstract: De Republiek van Weimar staat vooral bekend als een aanloop naar het nazi-tijdperk en als een vernieuwende periode waarin jazz, Bauhaus en expressionistische films de dominante cultuur verdrongen. Minder bekend is de manier waarop Duitsland omging met de nasleep van de Eerste Wereldoorlog. Filmfront Weimar beschrijft hoe Duitsland de ingrijpende ervaring van de oorlog verwerkte in oorlogsfilms uit de periode 1919-1933. Uit een analyse van vijfentwintig films rijst het beeld op van de manier waarop Duitsland zich het oorlogsverleden wilde herinneren. Een beschouwing van de talrijke filmkritieken, censuurverslagen en historiografie geven de lezer bovendien zicht op de context waarin deze films werden bekeken en beoordeeld. Niet eerder zijn deze veelal onbekende films zo grondig onderzocht. De thematische hoofdstukken besteden behalve aan oorlogsdocumentaires aandacht aan films over de oorzaken van de oorlog, het frontleven, de zee-oorlog en het thuisfront
    Note: English
    URL: OAPEN Library: download the publication
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