ISBN:
0585479143
,
9780585479149
Language:
English
Pages:
XXVI, 304 S.
,
Ill.
Edition:
Online-Ausg. Boulder, Colo NetLibrary 2003 E-Books von NetLibrary
Series Statement:
EBSCOhost eBook Collection
Parallel Title:
Erscheint auch als Cui, Shuqin Women through the lens
Keywords:
Motion pictures History.
;
Women in motion pictures.
;
Sex role in motion pictures.
;
Motion pictures History
;
China
;
Cinéma Histoire
;
Chine
;
Femmes au cinéma
;
Rôle selon le sexe au cinéma China
;
Women in motion pictures
;
Sex role in motion pictures
;
Motion pictures History
;
Motion pictures History.
;
Women in motion pictures.
;
Sex role in motion pictures.
;
Cinéma Histoire
;
Chine
;
Femmes au cinéma
;
Motion pictures History
;
China
;
Rôle selon le sexe au cinéma China
;
Sex role in motion pictures
;
Women in motion pictures
;
Motion pictures
;
PERFORMING ARTS ; Film & Video ; Reference
;
History
;
Film
;
Geschlechterrolle
;
Nation
;
China
;
Electronic books.
;
Electronic books
;
Electronic books.
;
Electronic books History
;
China
;
Film
;
Geschlechterrolle
;
Nation
;
Geschichte 1900-2000
;
China
;
Film
;
Geschlechterverhältnis
;
Nationalbewusstsein
Abstract:
Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon
Description / Table of Contents:
Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon
Note:
Includes bibliographical references (p. [287]-297) and index. - Filmography: p. [249]-267
,
Filmography: p. [249]-267
,
Electronic reproduction, Boulder, Colo : NetLibrary, 2003
,
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
URL:
Volltext
(Deutschlandweit zugänglich)
URL:
Volltext
(Deutschlandweit zugänglich)
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