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  • München BSB  (1,535)
  • USA  (1,535)
  • General works  (799)
  • Musicology  (748)
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Material
Language
Years
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Book
    Book
    Jazz and American culture (2024)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781009420198
    Language: English
    Pages: xv, 415 Seiten , 24 cm
    Series Statement: Cambridge themes in American literature and culture
    Parallel Title: Erscheint auch als
    DDC: 781.650973
    RVK:
    LS 48200
    RVK:
    HU 1121
    RVK:
    HU 1520
    RVK:
    HU 1691
    RVK:
    HV 11400
    RVK:
    HV 15200
    RVK:
    HV 17000
    Keywords: Geschichte ; Kulturleben ; Jazz ; Öffentlichkeit ; USA ; Jazz / History and criticism ; Influence (Literary, artistic, etc.) / History / 20th century ; Jazz / Social aspects / United States ; Jazz / Political aspects / United States ; Music and literature / History ; Influence (Literary, artistic, etc.) ; Jazz ; Jazz / Political aspects ; Jazz / Social aspects ; Music and literature ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Jazz ; Kulturleben ; Öffentlichkeit ; Geschichte
    Abstract: "Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks."
    URL: Inhaltsverzeichnis
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  • 2
    Book
    Book
    Times a-changin' : flexible meter as self-expression in singer-songwriter music (2023)
    New York : Oxford University Press
    Details
    ISBN: 9780197635216
    Language: English
    Pages: XII, 203 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als
    RVK:
    LS 48620
    Keywords: Geschichte 1960-1980 ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Dylan, Bob / 1941- ; Mitchell, Joni ; Sainte-Marie, Buffy ; Simon, Paul / 1941- ; Stevens, Cat / 1948- ; Musical meter and rhythm ; Popular music / Analysis, appreciation ; 1961-1980 ; Criticism, interpretation, etc ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Abstract: "It is 1969 and Joni Mitchell is on television, standing empty-handed in the middle of a circular stage that is adorned with psychedelic colors. She is wearing a long, hunter-green dress, surrounded by an audience sitting cross-legged on the floor. She waits for television host Dick Cavett to introduce her next performance. The show is filming on the day after the 1969 Woodstock music festival, an event that Mitchell was initially scheduled to attend but from which she was held back by her management to ensure she could perform on The Dick Cavett Show the next day. The host introduces Mitchell and jokes with her about singing a capella, wondering aloud if someone stole her guitar. The singer laughs politely in response, denies any theft, and then proceeds to her performance, explaining to the audience that she will be singing a "song for America" that she wrote "as a Canadian living in this country." With her hands clasped behind her back, she performs "The Fiddle and the Drum" with no accompaniment, channeling the folk performance tradition on which the song is based. This song about military participation is a rare political statement from Mitchell who, unlike her peers Bob Dylan and Buffy Sainte-Marie, had only released this one "protest song" by 1969. But the song's message was not a particularly risky proclamation. Her anti-war narrative echoed the opinions of the young Cavett Show audience that night, aligning with an established trend of resistance against the war in Vietnam. Similar to the way that Mitchell's song "Woodstock" would eventually capture the spirit of an event she did not attend, "The Fiddle and the Drum" characterizes a popular anti-war sentiment in the public consciousness of the late 1960s"--
    Description / Table of Contents: The Self Expressive Rhetoric of Flexible Meter -- The Theory of Flexible Meter -- Regular and Reinterpreted Meter -- Self-Expressive Innovations : Lost Meter -- Intensifying "Imperfection" : Ambiguous Meter
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 3
    Online Resource
    Online Resource
    Times a-changin' : flexible meter as self-expression in singer-songwriter music (2023)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197635247
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford studies in music theory
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.421641226
    RVK:
    LS 48620
    Keywords: Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Geschichte 1960-1980 ; Music / ukslc ; Music / thema ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Abstract: How did emerging singer-songwriters in the 1960s and 1970s develop traditions for musical self-expression? This book takes a new listen to the music of beloved songwriters Joni Mitchell, Bob Dylan, Buffy Sainte-Marie, Paul Simon, and Cat Stevens to show how they used malleable metric settings as an important part of their self-expressive toolkit in performance
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780197635216.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    Book
    Book
    Intimate entanglements in the ethnography of performance : race, gender, vulnerability (2023)
    Rochester, NY : University of Rochester Press
    Details
    ISBN: 9781648250637
    Language: English
    Pages: xvi, 252 Seiten , Illustrationen , 23 cm
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Series Statement: Eastman/Rochester studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    LS 48010
    Keywords: Kritik ; Rasse ; Musik ; Schwarze ; USA ; Afrika ; Ethnomusicology ; Music / Performance / Social aspects ; Intimacy (Psychology) ; Africans / Music / History and criticism ; African Americans / Music / History and criticism ; Music / United States / History and criticism ; Music / Africa / History and criticism ; Music and race ; African Americans / Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Africa ; United States ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afrika ; USA ; Schwarze ; Musik ; Rasse ; Kritik
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Description / Table of Contents: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk
    URL: Inhaltsverzeichnis
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 5
    Image
    Image
    Afrofuturism : a history of black futures (2023)
    Washington, DC : Smithsonian Books
    Details
    ISBN: 9781588347404
    Language: English
    Pages: 216 Seiten , 26 cm
    DDC: 305.896073
    RVK:
    LB 53465
    RVK:
    MK 2700
    RVK:
    AP 14000
    Keywords: Geschichte ; Popkultur ; Afrofuturismus ; Person of Color ; Schwarze ; USA ; Afrofuturism ; African American arts ; Black people in art ; Outer space / In art ; Black people in popular culture / United States ; National Museum of African American History and Culture (U.S.) / Catalogs ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; USA ; Schwarze ; Afrofuturismus ; Person of Color ; Popkultur ; Geschichte
    Abstract: "This illustrated companion book to an upcoming Smithsonian exhibition explores the power of Afrofuturism to reclaim the past and reimagine Black futures"
    Description / Table of Contents: Foreword / Kevin Young -- Introduction / Kevin M. Strait -- Afrofuturism as Space and Being / Ytasha L. Womack -- Interstellar / Tiffany E. Barber -- Black women change the face of spaceflight / Matthew Shindell -- I came to Africa on a spaceship / Ytasha L. Womack -- Notes from the cosmic underground : a history of the Afrofuturist movement and the changing world order / Reynaldo Anderson -- We are the stars : Black speculative narratives and the history of the future / John Jennings -- W.E.B. Du Bois : documenting the present, reinterpreting the past, and imagining the future / William S. Pretzer -- There's a reason / N. K. Jemisin -- Dialogues in space : Octavia Butler and Samuel Delany / Herb Boyd -- Black Panther : an escape to Utopia / Herb Boyd -- Black joy as resistance / Ariana Curtis
    Note: Includes bibliographical references and index
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    HU Berlin
    München BSB
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    KOBV
    BVB
    Bayreuth UB
  • 6
    Online Resource
    Online Resource
    Fight the power : law and policy through hip-hop songs (2022)
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    Details
    ISBN: 9781009019804
    Language: English
    Pages: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84249
    RVK:
    LS 48650
    Keywords: Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Abstract: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Note: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    DOI: 10.1017/9781009019804
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1017/9781009019804
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    BVB
  • 7
    Book
    Book
    Fight the power : law and policy through hip hop songs (2022)
    Cambridge, United Kingdom : Cambridge University Press
    Details
    ISBN: 9781316519974 , 9781009011532
    Language: English
    Pages: xi, 324 Seiten , Diagramme
    Parallel Title: Erscheint auch als Fight the power
    DDC: 306.4/84249
    RVK:
    LS 48650
    Keywords: Rap (Music) Political aspects ; African Americans Political activity ; African Americans Social conditions ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Rap ; Musiksoziologie
    Abstract: From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby.
    Abstract: "Paul Butler considers NWA's 1988 song, "Fuck tha Police," as an invitation to think about putting the police on trial for crimes against African Americans. It examines the resonance of "Fuck tha Police" over time, up to and including the George Floyd inspired protests. It will also use the song to analyze how civilians should feel about cops in a democracy. Are they a positive good, as many white people might suggest, a necessary evil, as some people of color might suggest, or an unnecessary evil, as suggested by the "defund the police" movement? Butler also will explore the meaning of the trial metaphor in the song - what would it mean for African Americans to put the police on trial? What would be the crime and the appropriate punishment?"--
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
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  • 8
    Book
    Book
    Queer voices in hip hop : cultures, communities, and contemporary performance (2022)
    Ann Arbor : University of Michigan Press
    Details
    ISBN: 9780472055685 , 9780472075683
    Language: English
    Pages: xi, 151 Seiten , 23 cm
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als
    RVK:
    LS 48650
    Keywords: Geschlechtsidentität ; Hip-Hop ; Rapmusiker ; LGBT ; Geschlechterforschung ; USA ; Rap (Music) / History and criticism ; Hip-hop / History and criticism ; Gay musicians / United States ; Lesbian musicians / United States ; Transgender musicians / United States ; African American gays ; African American lesbians ; African American bisexuals ; African American transgender people ; Gender-nonconforming people / United States ; Queer musicology ; Gender identity in music ; Queer theory ; USA ; Rapmusiker ; Rapmusiker ; Hip-Hop ; LGBT ; Geschlechtsidentität ; Geschlechterforschung
    Abstract: "Notions of hip hop authenticity, as expressed both within hip hop communities and in the larger American culture, rely on the construction of the rapper as a Black, masculine, heterosexual, cisgender man who enacts a narrative of struggle and success. In Queer Voices in Hip Hop, Lauron Kehrer turns our attention to openly queer and trans rappers and positions them within a longer Black queer musical lineage. Combining musical, textual, and visual analysis with reception history, this book reclaims queer involvement in hip hop by tracing the genre's beginnings within Black and Latinx queer music-making practices and spaces, demonstrating that queer and trans rappers draw on Ballroom and other cultural expressions particular to queer and trans communities of color in their work in order to articulate their subject positions. By centering the performances of openly queer and trans artists of color, Queer Voices in Hip Hop reclaims their work as essential to the development and persistence of hip hop in the United States as it tells the story of the of hip hop's queer roots"
    Description / Table of Contents: Introduction. "I don't have any secrets I need kept anymore": Out in hip-hop -- Hip-hop's queer roots: Disco, house, and early hip-hop -- Queer articulations in ballroom rap -- "The bro code"" Black queer women and female masculinity in rap -- "Nice for what": New Orleans bounce and disembodied queer voices in the mainstream -- Outro. "Call me by your name": Demarginalizing queer hip-hop
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
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  • 9
    Book
    Book
    Folk music : a Bob Dylan biography in seven songs (2022)
    New Haven, CT : Yale University Press
    Details
    ISBN: 9780300255317
    Language: English
    Pages: 273 Seiten , Illustrationen, Porträts
    Parallel Title: Erscheint auch als
    DDC: 782.42164
    RVK:
    LS 48040
    Keywords: Dylan, Bob ; Folksong ; USA ; Dylan, Bob / 1941- / Songs and music ; Folk music / United States / History and criticism ; MUSIC / Genres & Styles / Folk & Traditional ; Biografie ; Biografie ; Biografie ; Dylan, Bob 1941- ; USA ; Folksong
    Abstract: Across seven decades, Bob Dylan has been the first singer of American song. As a writer and performer, he has rewritten the national songbook in a way that comes from his own vision and yet can feel as if it belongs to anyone who might listen.0 In Folk Music, Greil Marcus tells Dylan's story through seven of his most transformative songs. Marcus's point of departure is Dylan's ability to "see myself in others." Like Dylan's songs, this book is a work of implicit patriotism and creative skepticism. It illuminates Dylan's continuing presence and relevance through his empathy-his imaginative identification with other people. This is not only a deeply felt telling of the life and times of Bob Dylan, but a rich history of American folk songs and the new life they were given as Dylan sat down to write his own
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
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  • 10
    Book
    Book
    From Twitter to Capitol Hill : far-right authoritarian populist discourses, social media and critical pedagogy (2022)
    Leiden ; Boston : Brill
    Details
    ISBN: 9789004428300 , 9789004428317
    Language: English
    Pages: XX, 169 Seiten
    Series Statement: Critical media literacies series volume 10
    Series Statement: Critical media literacies series
    Parallel Title: Erscheint auch als
    DDC: 303.48/40973
    RVK:
    HD 472
    RVK:
    MG 70150
    RVK:
    AP 19830
    RVK:
    AP 15992
    RVK:
    AP 15965
    Keywords: Social Media ; Rechtsradikalismus ; USA ; Right-wing extremists / United States ; Social media / Political aspects / United States ; Communication in politics / United States ; Populism / United States ; Authoritarianism / United States ; United States / Politics and government / 2017-2021 ; USA ; Rechtsradikalismus ; Social Media
    Abstract: "What does the backlash against Critical Race Theory, the Capitol insurrection, Trumpism, Twitter, and neo-Nazis have in common? This book delves deep into conservative social media and far-right extremist platforms to understand the revival and proliferation of far-right authoritarian populist discourses after Trump's ascent to power. After the January 6th Capitol insurrection and the role social media have played in normalizing and promoting far-right populist authoritarianism, there is a renewed interest to study digital discursive aggression. Inspired by Critical Theory, Panayota Gounari masterfully uses Critical Discourse Studies to analyze social media data and articulate a discursive, pedagogical and historical project."
    Note: Includes bibliographical references and index
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    Regensburg UB
    BSZ
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  • 11
    Book
    Book
    American popular music : from minstrelsy to MP3 (2022)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780197543313
    Language: English
    Pages: xxvi, 660 Seiten , Illustrationen, Porträts (teilweise farbig)
    Edition: Sixth edition
    Parallel Title: Online version Starr, Larry American popular music
    RVK:
    LS 48050
    Keywords: Geschichte 1760-2022 ; Popmusik ; Nordamerika ; USA ; Popular music / United States / History and criticism ; Popular music ; United States ; Criticism, interpretation, etc ; Nordamerika ; USA ; Popmusik ; Geschichte 1760-2022
    Abstract: "This is an introductory text for undergraduates taking courses in the history of American popular music"--
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
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    HBZ
  • 12
    Online Resource
    Online Resource
    American song and struggle from Columbus to World War II : a cultural history (2022)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781009086769
    Language: English
    Pages: 1 Online-Ressource (xviii, 511 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 784.4/973
    RVK:
    HR 1761
    RVK:
    LS 21520
    RVK:
    LS 22525
    Keywords: Geschichte 1492-1942 ; Geschichte 1492- ; Folk music / United States / History and criticism ; Folk songs / United States / History and criticism ; Protest songs / United States / History and criticism ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; USA ; Protestsong ; Geschichte 1492-1942 ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492-
    Abstract: Long before anyone ever heard of 'protest music', people in America were singing about their struggles. They sang for justice and fairness, food and shelter, and equality and freedom; they sang to be acknowledged. Sometimes they also sang to oppress. This book uncovers the history of these people and their songs, from the moment Columbus made fateful landfall to the start of the Second World War, when 'protest music' emerged as an identifiable brand. Cutting across musical genres, Will Kaufman recovers the passionate voices of America itself. We encounter songs of the mainland and the conquered territories of Hawai'i, Cuba, Puerto Rico, and the Philippines; we hear Indigenous songs, immigrant songs and Klan songs, minstrel songs and symphonies, songs of the heard and the unheard, songs of the celebrated and the anonymous, of the righteous and the despicable. This magisterial book shows that all these songs are woven into the very fabric of American history
    Note: Title from publisher's bibliographic system (viewed on 29 Jul 2022)
    DOI: 10.1017/9781009086769
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1017/9781009086769
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  • 13
    Book
    Book
    American song and struggle from Columbus to World War II : a cultural history (2022)
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    Details
    ISBN: 9781316514337
    Language: English
    Pages: xvii, 511 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.48420973
    RVK:
    LS 21520
    RVK:
    HR 1761
    Keywords: Geschichte 1492-1942 ; Geschichte 1492- ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; Music / Social aspects / United States ; Songs / Social aspects / United States ; Music / Political aspects / United States ; Songs / Political aspects / United States ; Music ; Political aspects ; Music ; Social aspects ; United States ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492- ; USA ; Protestsong ; Geschichte 1492-1942
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  • 14
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    Rock and roll, social protest, and authenticity : historical, philosophical, and cultural explorations (2022)
    Lanham : Lexington Books
    Details
    ISBN: 9781793655639
    Language: English
    Pages: ix, 179 Seiten
    Series Statement: For the record : Lexington studies in rock and popular music
    DDC: 781.660973
    RVK:
    LC 87610
    RVK:
    LS 48050
    Keywords: Rock 'n' Roll ; Protest ; USA
    Note: References Seite 159-166
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  • 15
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    Alan Lomax, the South, and the American Folk Music Revival, 1933-1969 (2022)
    Berlin : Peter Lang
    Details
    ISBN: 9783631867723 , 3631867727
    Language: English
    Pages: 447 Seiten , Illustrationen , 21 cm x 14.8 cm, 646 g
    Series Statement: American Culture Vol. 16
    Parallel Title: Erscheint auch als
    RVK:
    LS 48610
    Keywords: Lomax, Alan ; Geschichte 1935-1968 ; Folk music ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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    URL: http://deposit.dnb.de/cgi-bin/dokserv?id=4b83f07214664c028a3357692805ba89&prov=M&dok_var=1&dok_ext=htm
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  • 16
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    The history of trans representation in American television and film genres (2022)
    Cham, Switzerland : Palgrave Macmillan
    Details
    ISBN: 9783030977955 , 9783030977924
    Language: English
    Pages: xii, 293 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 302.23
    RVK:
    AP 34000
    RVK:
    AP 47950
    RVK:
    AP 50300
    Keywords: Geschichte 1960-2020 ; Media and Gender ; American Film and TV. ; Gender Studies ; Gender identity in mass media ; Motion pictures, American ; Sex ; Transgender ; Fernsehserie ; Film ; USA ; USA ; Film ; Fernsehserie ; Transgender ; Geschichte 1960-2020
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  • 17
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    American sport in the shadow of a pandemic : communicative insights (2022)
    New York : Peter Lang
    Details
    ISBN: 9781433191916 , 1433191911
    Language: English
    Pages: xxiv, 317 Seiten , 23 cm, 488 g
    Series Statement: Communication, sport, and society vol. 5
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als American Sport in the Shadow of a Pandemic
    DDC: 306.4830973
    RVK:
    AP 14000
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; COVID-19 ; Pandemie ; Sport ; Medien ; Sportberichterstattung
    Note: Literaturangaben
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    URL: Inhaltstext
    URL: https://www.peterlang.com/view/product/100575?format=PBK
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    URL: https://www.peterlang.com/view/product/100575?format=PBK
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  • 18
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    O say can you hear? : a cultural biography of The Star-spangled banner (2022)
    New York, NY : W. W. Norton & Company
    Details
    ISBN: 9780393651386
    Language: English
    Pages: xvi, 325 Seiten , Illustrationen, Karten, Notenbeispiel
    Edition: First edition
    Parallel Title: Erscheint auch als
    RVK:
    HD 475
    RVK:
    LS 21400
    Keywords: Geschichte ; Nationalhymne ; USA ; Star-spangled banner (Song) ; Patriotic music / United States / History and criticism ; Musique patriotique / États-Unis / Histoire et critique ; MUSIC / History & Criticism ; Star-spangled banner (Song) ; Patriotic music ; United States ; Criticism, interpretation, etc ; USA ; Nationalhymne ; Geschichte
    Abstract: "The fascinating story of America's national anthem and an examination of its powerful meaning today. Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore's Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don't know is the story of how this everyday "broadside ballad," one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation's one and only anthem and today's magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song's use in sports, at times of war, and for political protest, he argues that the anthem's meaning reflects-and is reflected by-the nation's quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key's song is the story of America itself. Each chapter in the book explores a different facet of the anthem's story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key's complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Roseanne Barr at a baseball game to the iconic Whitney Houston version from the 1991 Super Bowl. At every turn, the book goes beyond the events to explore the song's resonance and meaning. From its first lines Key's lyric poses questions: "O say can you see?" "Does that banner yet wave?" Likewise, Clague's O Say Can You Hear? raises important questions about the anthem; what it meant in 1814, what it means to us today, and why it matters."
    Description / Table of Contents: Prologue -- American Dreams : Francis Scott Key and the Writing of The Star-Spangled Banner -- Origins of a Melody : The Music of The Star- Spangled Banner -- Banner Ballads : The Many Lyrics of The Star- Spangled Banner -- The Banner at War : A Song Sanctified -- Play Ball! : The Banner in Sports -- Singing Citizenship : A Tradition of Dissent -- Nation in Translation : Language and the Politics of Belonging -- The Anthem and Black Lives : An American History -- Performing Patriotism : Musical Style as Social Symbol -- Postlude. Composing Nation
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  • 19
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    Black ephemera : the crisis and challenge of the musical archive (2022)
    New York : New York University Press
    Details
    ISBN: 9781479806904 , 9781479806881
    Language: English
    Pages: 225 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48050
    Keywords: Digitalisierung ; Archivierung ; Musik ; Globalisierung ; Schwarze ; USA ; African Americans / Music / History and criticism ; Popular music / United States / History and criticism ; Sound recording industry / United States ; African Americans / Archival resources ; African Americans / Music ; Popular music ; Sound recording industry ; United States ; USA ; Schwarze ; Musik ; Globalisierung ; Archivierung ; Digitalisierung
    Abstract: "Black Ephemera explores the crisis and the challenge of the Black Musical archive in a moment when Black American culture has become a global import, yet the cultural DNA of that culture is becoming obscured in the transformation from analog to digital"--
    Description / Table of Contents: Introduction : The crisis and the challenge of the archive -- Love in the Stax : Death, loss and resurrection in Post-King Memphis -- "I got the blues of a fallen teardrop" : Erasure, trauma and a sonic archive of Black women -- "Promise that you will [tweet] about me" : Black death in the digital era -- 'I'll be a bridge" : Black interiority, Black invention and the American Songbook -- Decamping Wakanda : The archive as maroon -- Coda : Writing and living with Black ephemera
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  • 20
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    Who hears here? : on Black music, pasts and present (2022)
    Oakland : University of California Press
    Details
    ISBN: 9780520281844 , 9780520281837
    Language: English
    Pages: xvii, 287 Seiten
    Series Statement: Phono
    DDC: 780.8996073
    RVK:
    LS 48650
    Keywords: Schwarze ; Afroamerikanische Musik ; Ethnische Identität ; USA
    Note: Includes bibliographical references and index
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  • 21
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    U.S. American culture as popular culture (2022)
    Heidelberg, Neckar : Universitätsverlag Winter GmbH Heidelberg
    Details
    ISBN: 9783825349271
    Language: English
    Pages: 563 Seiten , Illustrationen , 21 cm x 13.5 cm
    Series Statement: American Studies - a monograph series volume 318
    Series Statement: American Studies - a monograph series
    Parallel Title: Erscheint auch als
    DDC: 306.0973
    RVK:
    HV 15800
    RVK:
    AP 59783
    RVK:
    AP 39383
    RVK:
    HD 470
    RVK:
    HU 1691
    RVK:
    HV 17000
    Keywords: Popular culture studies ; Popkultur ; Massenkultur ; USA ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; Konferenzschrift 2019 ; USA ; Massenkultur ; Popkultur ; USA ; Popkultur
    Note: S.20: "This volume would not exist without the conference 'U.S.-American Culture as Popular Culture' (...) took place from June 13-15,2019 at the University of Hamburg."
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    URL: https://www.winter-verlag.de/de/detail/978-3-8253-4927-1/Boeger_ea_Eds_U_S_Culture_as_Popular_Culture/
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    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: https://www.winter-verlag.de/de/detail/978-3-8253-4927-1/Boeger_ea_Eds_U_S_Culture_as_Popular_Culture/
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  • 22
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    Rock and roll, desegregation movements, and racism in the post-Civil Rights era : an "integrated effort" (2022)
    Lanham ; Boulder ; New York ; London : Lexington Books
    Details
    ISBN: 9781793613851
    Language: English
    Pages: x, 363 Seiten
    Parallel Title: Online version Fowler, Beth (Beth Nicole) Rock and roll, desegregation movements, and racism in the post-civil rights era
    DDC: 781.6609730904
    RVK:
    LS 48630
    Keywords: Geschichte 1946-1964 ; Bürgerrechtsbewegung ; Rock 'n' Roll ; USA ; Rock music / United States / To 1961 / History and criticism ; Rock music / United States / 1961-1970 / History and criticism ; Rhythm and blues music / History and criticism ; Music and race / United States / History / 20th century ; Segregation / United States / History / 20th century ; Rock (Musique) / États-Unis / 1961-1970 / Histoire et critique ; Musique et race / États-Unis / Histoire / 20e siècle ; Ségrégation / États-Unis / Histoire / 20e siècle ; Rock (Musique) / États-Unis / Jusqu'à 1961 / Histoire et critique ; Music and race ; Rhythm and blues music ; Rock music ; Segregation ; United States ; To 1999 ; Criticism, interpretation, etc ; History ; Hochschulschrift ; Hochschulschrift ; USA ; Rock 'n' Roll ; Bürgerrechtsbewegung ; Geschichte 1946-1964
    Abstract: "This book uses archival research and analyses of musical performances and original oral histories to explore the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era"--
    Description / Table of Contents: Introduction. "A Subtle Defiance in the Songs" -- Shufflin' 'Til the Break of Dawn," 1946-1953 -- "If It's a Hit, It's a Hit," 1954-1956 -- "A Teen Ager in Love," 1957-1960 -- "They'd All Be Dancing Together," 1961-1964 -- "A Drummer With a Totally Different Beat," The Post-Civil Rights Era
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  • 23
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    The folk : music, modernity, and the political imagination (2021)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520383739 , 9780520383746
    Language: English
    Pages: xiv, 258 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.48422
    RVK:
    LR 56606
    RVK:
    LR 57726
    RVK:
    LS 48610
    RVK:
    LQ 89306
    Keywords: Folk music ; Politik ; USA
    Note: Literaturverzeichnis Seite 225-258
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  • 24
    Online Resource
    Online Resource
    Interkulturelle Räume im Spielfilm : eine filmgeographische Analyse am Beispiel von New York City (2021)
    Wiesbaden : Springer Spektrum
    Details
    ISBN: 9783658357603
    Language: German
    Pages: 1 Online-Ressource (XXXIV, 456 Seiten) , Illustrationen
    Series Statement: Perspektiven der Humangeographie
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Johannes Gutenberg-Universität Mainz
    DDC: 304.2
    RVK:
    AP 50300
    RVK:
    RU 20559
    Keywords: Environmental Social Sciences ; Film Studies ; Environmental sciences—Social aspects ; Motion pictures ; New York ; Multikulturelle Gesellschaft ; Interkulturalität ; Kulturkontakt ; Sozialgeografie ; Film ; Stadtsoziologie ; Filmanalyse ; USA ; New York, NY ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Multikulturelle Gesellschaft ; Stadtsoziologie ; Sozialgeografie ; Film ; Filmanalyse ; New York, NY ; USA ; Film ; New York ; Kulturkontakt ; Interkulturalität
    DOI: 10.1007/978-3-658-35760-3
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 25
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    Rap w służbie narodu : Nacjonalizm i kultura popularna (2021)
    Warszawa : Wydawnictwo Naukowe SCHOLAR
    Details
    ISBN: 9788366470101
    Language: Polish
    Pages: 281 Seiten , 24 cm
    Edition: Wydanie pierwsze
    RVK:
    KP 5430
    RVK:
    LS 48650
    Keywords: Geschichte 1980-2019 ; Popkultur ; Rap ; Soziale Identität ; Nationalismus ; Nationalismus ; USA ; Polen ; Hip-hop / wpływ ; Hip-hop / Polska ; Tożsamość społeczna ; Komunikacja międzykulturowa ; Muzyka rap / aspekt polityczny / Polska ; Muzyka rap / aspekt polityczny / Stany Zjednoczone ; Polen ; USA ; Rap ; Popkultur ; Nationalismus ; Nationalismus ; Soziale Identität ; Geschichte 1980-2019
    Note: Literaturverzeichnis Seite 246-271 , Text polnisch
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    URL: Register // Personenregister
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    URL: Register // Personenregister
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  • 26
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    Crossing bar lines : the politics and practices of Black musical space (2021)
    Jackson : University Press of Mississippi
    Details
    ISBN: 9781496832115 , 9781496832108
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele, Porträt
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48100
    Keywords: Geschichte 2005-2019 ; Ethnische Identität ; Schwarze ; Improvisation ; Jazz ; Sänger ; USA ; Jazz / 2001-2010 / History and criticism ; Jazz / 2011-2020 / History and criticism ; Jazz / Political aspects / United States / History / 21st century ; African Americans / Music / 21st century / History and criticism ; African Americans / Music ; Jazz ; United States ; 2000-2099 ; Criticism, interpretation, etc ; History ; USA ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; Geschichte 2005-2019
    Abstract: "In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today"--
    Description / Table of Contents: Foreword / Robin D. G. Kelley -- Introduction. Entering a theory of black musical space -- Terence Blanchard and the politics of breathing -- Billy Higgins in the zone : brushwork, breath, and imagination -- The social science music of Terri Lyne Carrington -- Ambrose Akinmusire's satchel of origami -- Unified fragmentation : Andrew Hill's street theory of black musical space -- Epilogue. The sonic archive of black spatiality
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  • 27
    Online Resource
    Online Resource
    Listening to the Lomax archive : the sonic rhetorics of African American folksong in the 1930s (2021)
    Ann Arbor, Michigan : University of Michigan Press
    Details
    ISBN: 9780472902446 , 047290244X
    Language: English
    Pages: 1 Online-Ressource (XVII, 240 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.4216213073
    RVK:
    LS 21000
    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings--including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton--contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element--a sonic rhetoric--for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power of folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes' archive and other repositories of historicized sound. Throughout Listening to the Lomax Archive, there are a number of audio resources for readers to listen to, including songs, oral histories, and radio program excerpts. Each resource is marked with a k&in the text. Visit https://doi.org/10.3998/mpub.9871097#resources to access this audio content
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  • 28
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    Photo-essays about Asian American women in Life magazine 1936 to 1965 : hidden narratives and breaking stereotypes (2021)
    Lanham : Lexington Books
    Details
    ISBN: 9781793613073
    Language: English
    Pages: xxv, 129 Seiten , Illustrationen
    DDC: 305.48895073
    RVK:
    AP 25080
    Keywords: Asiatin ; Illustrierte ; Frauenbild ; Stereotyp ; USA
    Note: Literaturverzeichnis Seite 115-119
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  • 29
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    Liner notes for the revolution : the intellectual life of black feminist sound (2021)
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    Details
    ISBN: 9780674052819
    Language: English
    Pages: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
    RVK:
    HD 370
    RVK:
    LS 48015
    Keywords: Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Abstract: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Note: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HBZ
    Bayreuth UB
  • 30
    Book
    Book
    Soundtrack to a movement : African American Islam, jazz, and black internationalism (2021)
    New York : New York University Press
    Details
    ISBN: 9781479806768 , 9781479871032
    Language: English
    Pages: 247 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
    LR 57747
    RVK:
    LS 48100
    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Schwarze ; Islam ; Jazz ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa.
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 31
    Online Resource
    Online Resource
    Soundtrack to a movement : African American Islam, jazz, and Black internationalism (2021)
    New York : New York University Press
    Details
    ISBN: 9781479849697 , 9781479800360
    Language: English
    Pages: 1 Online-Ressource (247 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
    RVK:
    LR 57747
    RVK:
    LS 48100
    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Islam ; Jazz ; Schwarze ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa
    DOI: 10.18574/9781479849697
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 32
    Book
    Book
    Tear down the walls : white radicalism and black power in 1960s rock (2021)
    Chicago ; London : The University of Chicago Press
    Details
    ISBN: 9780226768212 , 9780226768182
    Language: English
    Pages: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421661592
    RVK:
    LS 48635
    Keywords: Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Abstract: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Description / Table of Contents: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Note: Includes bibliographical references and index
    URL: Rezension
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Rezension
    URL: Rezension
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Rezension
    URL: Rezension
    URL: Inhaltsverzeichnis
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  • 33
    Book
    Book
    Listening to the Lomax Archive : the sonic rhetorics of African American folksong in the 1930s (2021)
    Ann Arbor : University of Michigan Press
    Details
    ISBN: 9780472038558
    Language: English
    Pages: XVII, 240 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    LS 21000
    Keywords: Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; Lomax, Alan / 1915-2002 ; African Americans / Music / History and criticism ; Folk songs, English / United States / History and criticism ; Folk songs, English / United States / Texts / History and criticism ; African American prisoners / Songs and music / History and criticism ; United States / History / 1933-1945 ; Lomax, Alan / 1915-2002 ; Lomax, John A. / Jr / (John Avery) / 1907-1974 ; African Americans / Music ; Folk songs, English ; United States ; 1933-1945 ; Criticism, interpretation, etc ; History ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African-American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings-including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton-contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Jonathan W. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element-a sonic rhetoric-for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings (including the reconstitution of prevailing stereotypes about African American identity) even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes archive and other repositories of historicized sound
    URL: Inhaltsverzeichnis
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  • 34
    Online Resource
    Online Resource
    The stuff of spectatorship : material cultures of film and television (2021)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520971820
    Language: English
    Pages: 1 Online-Resource (xiii, 338 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.230973
    RVK:
    AP 57600
    Keywords: Geschichte 1970- ; Geschichte 1970-2021 ; SOCIAL SCIENCE / Media Studies / bisacsh ; Motion pictures Social aspects ; Zuschauer ; Fernsehen ; Sachkultur ; Film ; USA ; USA ; Film ; Fernsehen ; Sachkultur ; Zuschauer ; Geschichte 1970- ; Film ; Fernsehen ; Sachkultur ; Zuschauer ; Geschichte 1970-2021
    Abstract: Film and television create worlds, but they are also of a world, a world that is made up of stuff, to which humans attach meaning. Think of the last time you watched a movie: the chair you sat in, the snacks you ate, the people around you, maybe the beer or joint you consumed to help you unwind-all this stuff shaped your experience of media and its influence on you. The material culture around film and television changes how we make sense of their content, not to mention the very concepts of the mediums. Focusing on material cultures of film and television reception, The Stuff of Spectatorship argues that the things we share space with and consume as we consume television and film influence the meaning we gather from them. This book examines the roles that six different material cultures have played in film and television culture since the 1970s-including video marketing, branded merchandise, drugs and alcohol, and even gun violence-and shows how objects considered peripheral to film and television culture are in fact central to its past and future
    DOI: 10.1525/9780520971820
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 35
    Online Resource
    Online Resource
    Liner notes for the revolution : the intellectual life of black feminist sound (2021)
    Cambridge, Massachuesetts ; London, England : Harvard University Press
    Details
    ISBN: 9780674258808 , 9780674258815
    Language: English
    Pages: 1 Online-Ressource (viii, 598 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 780.82/0973
    RVK:
    LS 48015
    RVK:
    HD 474
    Keywords: Geschichte ; SOCIAL SCIENCE / Popular Culture ; African American feminists ; African American women musicians ; African American women Intellectual life ; African American women Music ; History and criticism ; Musical criticism History ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; USA ; Afroamerikanische Musik ; Feminismus ; Musikkritik ; Geschichte
    Abstract: An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music-and who should rightly tell it-Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals
    DOI: 10.4159/9780674258808
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 36
    Online Resource
    Online Resource
    The things of others : ethnographies, histories, and other artefacts (2020)
    Leiden : Brill
    Details
    ISBN: 9789004429307
    Language: English
    Pages: 1 Online-Ressource (xvi, 756 Seiten)
    Series Statement: Caribbean series volume 37
    Series Statement: Caribbean series
    Parallel Title: Erscheint auch als
    DDC: 305.89607
    RVK:
    AP 14500
    RVK:
    LB 36465
    Keywords: Geschichte 1930-1939 ; Ethnische Identität ; Geschichtsschreibung ; Schwarze ; USA ; Brasilien ; Kuba ; Blacks / America / Historiography ; Blacks / America / History / Sources ; Blacks / Study and teaching ; Ethnology / Methodology ; Ethnology / America / History / 20th century ; Anthropologists / America / Biography ; USA ; Brasilien ; Kuba ; Schwarze ; Geschichtsschreibung ; Ethnische Identität ; Geschichte 1930-1939
    Abstract: "The Things of Others: Ethnographies, Histories, and Other Artefacts deals with the things mainly, but not only, mobilized by anthropologists in order to produce knowledge about the African American, the Afro-Brazilian and the Afro-Cuban during the 1930s. However, the book's goal is not to dig up evidence of the creation of an epistemology of knowledge and its transnational connections. The research on which this book is based suggests that the artefacts created in fieldwork, offices, libraries, laboratories, museums, and other places and experiences - beyond the important fact that these places and situations involved actors other than the anthropologists themselves - have been different things during their troubled existence. The book seeks to make these differences apparent, highlighting rather than concealing the relationships between partial modes of making and being 'Afro' as a subject of science. If the artefacts created in a variety of situations have been different things, we should ask what sort of things they were and how the actors involved in their creation sought to make them meaningful. The book foregrounds these discontinuous and ever-changing contours"--
    Description / Table of Contents: Introduction: In/out the archives -- Unrestricted gifts -- Becoming brujo -- On laundresses, sergeants, and assistants : the arts of the forgetting -- Janus -- Tracings -- Paper voyages -- Ruth's books : creating additional lives -- Many words do not fill a basket -- Transformed things
    DOI: 10.1163/9789004429307
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
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    URL: DOI
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 37
    Online Resource
    Online Resource
    The meaning of soul : Black music and resilience since the 1960s (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478012245 , 1478012242
    Language: English
    Pages: 1 Online-Ressource (x, 217 pages)
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    DDC: 781.644
    RVK:
    LS 48640
    Keywords: Geschichte 1960- ; Soul music / History and criticism ; Soul musicians ; African Americans / Music / History and criticism ; Music and race / History / 20th century / United States ; Popular music / History and criticism / United States ; Resilienz ; Afroamerikanische Musik ; Ethnische Identität ; Soulmusiker ; USA ; USA ; Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; Resilienz ; Geschichte 1960-
    Abstract: From soul to post-soul : a literary and musical history -- We shall overcome, shelter, and veil : soul covers -- Rescripted relations : soul ad-libs -- Emergent interiors : soul falsettos -- Never catch me : false endings from soul to post-soul -- Conclusion. "I'm tired of Marvin asking me what's going on" : soul legacies and the work of Afropresentism
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9781478012245
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1515/9781478012245
    URL: https://www.degruyter.com/isbn/9781478012245
    URL: Cover
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    Bayreuth UB
  • 38
    Online Resource
    Online Resource
    Virtual pedophilia : sex offender profiling and U.S. security culture (2020)
    Durham ; London : Duke University Press
    Details
    ISBN: 9781478009153
    Language: English
    Pages: 1 Online-Ressource (viii, 278 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.77
    RVK:
    AP 14000
    RVK:
    MG 10150
    Keywords: SOCIAL SCIENCE / Gender Studies ; Computer crimes Investigation ; Internet and children Social aspects ; Mass media and crime ; Online sexual predators ; Pedophilia in mass media Social aspects ; Pedophilia Social aspects ; Sex offenders ; Pädophilie ; Massenmedien ; Sexualtäter ; USA ; USA ; Pädophilie ; Sexualtäter ; Massenmedien
    Abstract: In Virtual Pedophilia Gillian Harkins traces how by the end of the twentieth century the pedophile as a social outcast evolved into its contemporary appearance as a virtually normal white male. The pedophile's alleged racial and gender normativity was treated as an exception to dominant racialized modes of criminal or diagnostic profiling. The pedophile was instead profiled as a virtual figure, a potential threat made visible only when information was transformed into predictive image. The virtual pedophile was everywhere and nowhere, slipping through day-to-day life undetected until people learned how to arm themselves with the right combination of visually predictive information. Drawing on television, movies, and documentaries such as Law and Order: SVU, To Catch a Predator, Mystic River, and Capturing the Friedmans, Harkins shows how diverse U.S. audiences have been conscripted and trained to be lay detectives who should always be on the lookout for the pedophile as virtual predator. In this way, the perceived threat of the pedophile legitimated increased surveillance and ramped-up legal strictures that expanded the security apparatus of the carceral state
    DOI: 10.1515/9781478009153
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: https://doi.org/10.1515/9781478009153
    URL: https://www.degruyter.com/isbn/9781478009153
    URL: Cover
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  • 39
    Online Resource
    Online Resource
    Information Activism : a queer history of lesbian media technologies (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478009337
    Language: English
    Pages: 1 Online-Ressource (xi, 290 Seiten)
    Series Statement: Sign, Storage, Transmission
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.76/63
    RVK:
    AN 91083
    RVK:
    AN 91300
    RVK:
    MS 2870
    Keywords: Lesbian Herstory Archives ; Geschichte 1970-2020 ; SOCIAL SCIENCE / Media Studies ; Archival materials Digitization ; Social aspects ; Archives Social aspects ; Digital media Social aspects ; Lesbian feminism Archival resources ; Lesbians Archival resources ; Queer theory ; Medien ; Queer-Theorie ; Soziale Bewegung ; Lesbe ; Kommunikation ; Feminismus ; USA ; Hochschulschrift ; Hochschulschrift ; Aufsatzsammlung ; USA ; Lesbe ; Feminismus ; Soziale Bewegung ; Medien ; Kommunikation ; Queer-Theorie ; Geschichte 1970-2020 ; Lesbian Herstory Archives
    Abstract: For decades, lesbian feminists across the United States and Canada have created information to build movements and survive in a world that doesn't want them. InInformation Activism Cait McKinney traces how these women developed communication networks, databases, and digital archives that formed the foundation for their work. Often learning on-the-fly and using everything from index cards to computers, these activists brought people and their visions of justice together to organize, store, and provide access to information. Focusing on the transition from paper to digital-based archival techniques from the 1970s to the present, McKinney shows how media technologies animate the collective and unspectacular labor that sustains social movements, including their antiracist and trans-inclusive endeavors. By bringing sexuality studies to bear on media history, McKinney demonstrates how groups with precarious access to control over information create their own innovative and resourceful techniques for generating and sharing knowledge
    DOI: 10.1515/9781478009337
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: https://doi.org/10.1515/9781478009337
    URL: https://www.degruyter.com/isbn/9781478009337
    URL: Cover
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  • 40
    Online Resource
    Online Resource
    Distributed Blackness : African American cybercultures (2020)
    New York, NY : New York University Press
    Details
    ISBN: 9781479811908
    Language: English
    Pages: 1 Online-Ressource (271 Seiten) , Illustrationen
    Series Statement: Critical Cultural Communication Band 9
    Series Statement: Critical Cultural Communication
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.23089/96073
    RVK:
    AP 14350
    RVK:
    AP 15950
    Keywords: Man Crush Monday ; Western technoculture ; Woman Crush Wednesday ; appropriate technology use;Black culture;Black cyberculture;Black digital practice;Black discursive identity;Black identity;Black kairos;Black memetic subculture;Black online identity;Black pathos;Black respectability politics;Black technocultural matrix;black technoculture;Black Twitter;call-out culture;colored people time;critical discourse analysis;critical race theory;critical technocultural discourse analysis;ctda;digital practice;discourse analysis;dogmatic digital practice;double consciousness;information studies ; interiority ; internet studies ; intersectionality ; invention ; libidinal economy ; memes ; mobile phones ; modernity ; networked counterpublics ; online community ; online identity ; post-present ; race and the digital ; racial battle fatigue ; racial enactment ; racial formation ; ratchet digital practice ; reflexive digital practice ; respectability as hygiene ; rhetorical frame ; satellite counterpublic ; science and technology studies ; social network ; sociality ; technoculture ; weak tie racism ; SOCIAL SCIENCE / Black Studies (Global) ; African Americans and mass media ; African Americans Communication ; African Americans Intellectual life 21st century ; Internet Social aspects ; Online social networks ; Schwarze ; Identität ; Internet ; Computerunterstützte Kommunikation ; USA ; Electronic books. ; USA ; Internet ; Identität ; Schwarze ; Computerunterstützte Kommunikation
    Abstract: An explanation of the digital practices of the black Internet From BlackPlanet to #BlackGirlMagic, Distributed Blackness places blackness at the very center of internet culture. André Brock Jr. claims issues of race and ethnicity as inextricable from and formative of contemporary digital culture in the United States. Distributed Blackness analyzes a host of platforms and practices (from Black Twitter to Instagram, YouTube, and app development) to trace how digital media have reconfigured the meanings and performances of African American identity. Brock moves beyond widely circulated deficit models of respectability, bringing together discourse analysis with a close reading of technological interfaces to develop nuanced arguments about how "blackness" gets worked out in various technological domains. As Brock demonstrates, there’s nothing niche or subcultural about expressions of blackness on social media: internet use and practice now set the terms for what constitutes normative participation. Drawing on critical race theory, linguistics, rhetoric, information studies, and science and technology studies, Brock tabs between black-dominated technologies, websites, and social media to build a set of black beliefs about technology. In explaining black relationships with and alongside technology, Brock centers the unique joy and sense of community in being black online now
    DOI: 10.18574/9781479811908
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: De Gruyter
    URL: EBSCOhost
    URL: NYU scholarship online
    URL: VLeBooks
    URL: https://doi.org/10.18574/nyu/9781479820375.001.0001
    URL: De Gruyter, Cover
    URL: De Gruyter, Cover
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  • 41
    Online Resource
    Online Resource
    The American way of music : wie Pop und Rock die Welt eroberten (2020)
    Stuttgart : Franz Steiner Verlag
    Details
    ISBN: 9783515125932
    Language: German
    Pages: 1 Online-Ressource (519 Seiten) , Diagramme
    Series Statement: Studien zur Alltags- und Kulturgeschichte Band 33
    Series Statement: Studien zur Alltags- und Kulturgeschichte
    Parallel Title: Erscheint auch als
    DDC: 781.6409
    RVK:
    LS 48070
    RVK:
    NK 4940
    Keywords: Geschichte ; Geschichte 1945-2020 ; Musikmarkt ; Unterhaltungsmusik ; Internationalisierung ; Musikwirtschaft ; Rockmusik ; Globalisierung ; Amerikanisierung ; Popmusik ; USA ; Wirtschaftsgeschichte ; Musikfilm ; Tonträgerindustrie ; MTV ; Kulturgeschichte ; Globalisierung ; Disco ; Hip-Hop ; Rockmusik ; Jazz ; Musikindustrie ; Popmusik ; Musikkultur ; EDM ; Techno ; Musikmarkt ; amerikanische Geschichte ; USA ; Unterhaltungsmusik ; Musikmarkt ; Amerikanisierung ; Geschichte ; USA ; Popmusik ; Rockmusik ; Musikwirtschaft ; Internationalisierung ; Globalisierung ; Geschichte 1945-2020
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
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  • 42
    Book
    Book
    Sounds from the other side : Afro-South Asian collaborations in Black popular music (2020)
    Minneapolis ; London : University of Minnesota Press
    Details
    ISBN: 9781517910037 , 9781517910044
    Language: English
    Pages: 192 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    LS 48050
    Keywords: Geschichte 1960-2020 ; Afroamerikanische Musik ; Kulturkontakt ; Musik ; USA ; Südasien ; African Americans / Music / History and criticism ; Popular music / United States / South Asian influences ; Popular music / United States / History and criticism ; African Americans / Music ; Popular music ; United States ; Criticism, interpretation, etc ; USA ; Afroamerikanische Musik ; Südasien ; Musik ; Kulturkontakt ; Geschichte 1960-2020
    Abstract: "A sixty-year history of Afro-South Asian musical collaborations"--
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
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    HU Berlin
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    Bayreuth UB
  • 43
    Book
    Book
    The meaning of soul : black music and resilience since the 1960s (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478009597 , 9781478008699
    Language: English
    Pages: x, 217 Seiten
    Series Statement: Refiguring American music
    DDC: 781.644
    RVK:
    LS 48640
    Keywords: Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; USA
    URL: Inhaltsverzeichnis
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  • 44
    Book
    Book
    Sex Revolts : Gender, Rock und Rebellion (2020)
    Mainz : Ventil
    Details
    ISBN: 9783955751104 , 3955751104
    Language: German
    Pages: 469 Seiten
    Edition: 1. Auflage
    Uniform Title: The Sex Revolts
    RVK:
    LS 48000
    RVK:
    LR 56600
    Keywords: Rockmusikerin ; Frauenkunst ; Geschlechterrolle ; Geschlechterstereotyp ; USA
    Note: Literaturverzeichnis Seite 459-463
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 45
    Book
    Book
    Sittin' in : jazz clubs of the 1940s and 1950s (2020)
    New York, NY : Harper Design, an imprint of Harper Collins Publishers
    Details
    ISBN: 9780062914705
    Language: English
    Pages: 256 Seiten
    RVK:
    LS 48100
    Keywords: Geschichte 1940-1960 ; Musiklokal ; Musikleben ; Jazz ; USA ; Jazz / United States / 1931-1940 ; Jazz / United States / 1941-1950 ; Nightclubs / United States / History / 20th century ; Jazz musicians / Interviews ; Jazz / Social aspects ; Jazz ; Jazz musicians ; Jazz / Social aspects ; Nightclubs ; United States ; 1900-1999 ; History ; Interviews ; Bildband ; Bildband ; Bildband ; USA ; Jazz ; Musiklokal ; Musikleben ; Geschichte 1940-1960
    Abstract: "Sittin' in brings to public view for the first time a rare collection of more than two hundred souvenir photographs and memorabilia from the most renowned jazz nightclubs in America in the 1940s and 1950s. In an era of segregation and Jim Crow laws, jazz nightclubs across the country were among the first places where Black and white people mixed in audiences and onstage. These remarkable images, detailed histories of each club, and first-person testimonies from those who performed and visited these seminal venues are your ticket inside an extraordinary world that gave root to change and greater personal expression, both musically and socially."--Back cover
    Description / Table of Contents: The East Coast. New York City ; Atlantic City ; Washington D.C. ; Boston -- The Midwest. Cleveland ; Detroit ; Chicago ; Kansas City ; St. Louis -- The West Coast. Los Angeles ; San Francisco
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 46
    Book
    Book
    Fashioning Indie : popular fashion, music and gender (2020)
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts
    Details
    ISBN: 9781350126329
    Language: English
    Pages: xii, 210 Seiten , 15 Illustrationen
    Series Statement: Dress cultures
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48635
    RVK:
    LQ 84008
    Keywords: Geschichte 1980-2018 ; Punk ; Indie-Pop ; Subkultur ; Mode ; USA ; Großbritannien ; 21st century history: from c 2000 - ; Punk, New Wave & Indie ; Fashion & beauty industries ; Popular culture ; SOCIAL SCIENCE / Popular Culture ; SOCIAL SCIENCE / Gender Studies ; BUSINESS & ECONOMICS / Industries / Fashion & Textile Industry ; Fashion - Social aspects - History - 21st century ; Indie culture ; Popular culture - History - 21st century ; Großbritannien ; USA ; Indie-Pop ; Punk ; Mode ; Subkultur ; Geschichte 1980-2018
    Description / Table of Contents: List of Illustrations; Introduction; Chapter 1: From subculture to hot look: The evolution of indie; Chapter 2: Skinny boys and Parisian runways: The commodification of indie authenticity; Chapter 3: Wellies, fringe and individual style: The commercial rise of festival fashion; Chapter 4: Prints, paints and crop tops: The emergence of Afro-diasporic festival fashion ; Chapter 5: Beyond Retro and the pop ragtrade; Conclusion; Notes; Bibliography; Index
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  • 47
    Book
    Book
    Misogyny and media in the age of Trump (2020)
    Lanham ; Boulder ; New York ; London : Lexington Books
    Details
    ISBN: 9781793606181 , 9781793606204
    Language: English
    Pages: xviii, 388 Seiten
    Series Statement: Communicating gender
    Parallel Title: Erscheint auch als
    DDC: 305.42
    RVK:
    AP 15950
    Keywords: Trump, Donald ; Frauenfeindlichkeit ; Medien ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Trump, Donald 1946- ; USA ; Frauenfeindlichkeit ; Medien
    URL: Inhaltsverzeichnis
    URL: Klappentext
    URL: Inhaltsverzeichnis
    URL: Klappentext
    URL: Inhaltsverzeichnis
    URL: Klappentext
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  • 48
    Book
    Book
    Science under fire : challenges to scientific authority in modern America (2020)
    Cambridge, Massachusetts : London, England
    Details
    ISBN: 9780674987913
    Language: English
    Pages: 356 Seiten
    DDC: 303.48/30973
    RVK:
    MG 70930
    RVK:
    AK 20800
    Keywords: Science Social aspects 20th century ; History ; Science Social aspects 21st century ; History ; Science Political aspects 20th century ; History ; Science Political aspects 21st century ; History ; Science Moral and ethical aspects 20th century ; History ; Science Moral and ethical aspects 21st century ; History ; Political culture ; Truthfulness and falsehood Political aspects ; USA ; Wissenschaft ; Gesellschaft ; Diskurs ; Geschichte 1920-2020
    Abstract: Introduction: Science by association -- Making modern minds -- Resisting the modern -- A scientific state -- Science and human behavior -- Facts and values -- Two cultures -- A new right -- Cross-fertilization -- A new left -- Skepticism instantiated -- Beyond universalism -- Conclusion: Scientific authority in pieces?
    Abstract: "Americans today are often skeptical of scientific authority. Many conservatives dismiss climate change and Darwinism as liberal fictions, arguing that "tenured radicals" have coopted the sciences and other disciplines. Some progressives, especially in the universities, worry that science's celebration of objectivity and neutrality masks its attachment to Eurocentric and patriarchal values. As we grapple with the implications of climate change and revolutions in fields from biotechnology to robotics to computing, it is crucial to understand how scientific authority functions-and where it has run up against political and cultural barriers. Science under Fire reconstructs a century of battles over the cultural implications of science in the United States. Andrew Jewett reveals a persistent current of criticism which maintains that scientists have injected faulty social philosophies into the nation's bloodstream under the cover of neutrality. This charge of corruption has taken many forms and appeared among critics with a wide range of social, political, and theological views, but common to all is the argument that an ideologically compromised science has produced an array of social ills. Jewett shows that this suspicion of science has been a major force in American politics and culture by tracking its development, varied expressions, and potent consequences since the 1920s. Looking at today's battles over science, Jewett argues that citizens and leaders must steer a course between, on the one hand, the naïve image of science as a pristine, value-neutral form of knowledge, and, on the other, the assumption that scientists' claims are merely ideologies masquerading as truths"--
    Note: Index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 49
    Book
    Book
    Groove theory : the blues foundation of funk (2020)
    Jackson : University Press of Mississippi
    Details
    ISBN: 9781496830609 , 9781496830524
    Language: English
    Pages: 272 Seiten , Illustrationen
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    HD 475
    RVK:
    LS 48640
    Keywords: Davis, Betty ; Scott-Heron, Gil ; Khan, Chaka ; Geschichte 1970-1979 ; Soul ; Funk ; Blues ; USA ; Funk (Music) / History and criticism ; Funk (Music) ; Criticism, interpretation, etc ; USA ; Funk ; Blues ; Soul ; Geschichte 1970-1979 ; Khan, Chaka 1953- ; Scott-Heron, Gil 1949-2011 ; Davis, Betty 1945-2022 ; Funk
    Abstract: "Tony Bolden presents an innovative history of funk music focused on the performers, regarding them as intellectuals who fashioned a new aesthetic. Utilizing musicology, literary studies, performance studies, and African American intellectual history, Bolden explores what it means for music, or any cultural artifact, to be funky. Multitudes of African American musicians and dancers created aesthetic frameworks with artistic principles and cultural politics that proved transformative. Bolden approaches the study of funk and black musicians by examining aesthetics, poetics, cultural history, and intellectual history. The study traces the concept of funk from early blues culture to a metamorphosis into a full-fledged artistic framework and a named musical genre in the 1970s, and thereby Bolden presents an alternative reading of the blues tradition. In part one of this two-part book, Bolden undertakes a theoretical examination of the development of funk and the historical conditions in which black artists reimagined their music. In part two, he provides historical and biographical studies of key funk artists, all of whom transfigured elements of blues tradition into new styles and visions. Funk artists, like their blues relatives, tended to contest and contextualize racialized notions of blackness, sexualized notions of gender, and bourgeois notions of artistic value. Funk artists displayed contempt for the status quo and conveyed alternative stylistic concepts and social perspectives through multimedia expression. Bolden argues that on this road to cultural recognition, funk accentuated many of the qualities of black expression that had been stigmatized throughout much of American history"--
    Note: Intro , Groove theory: liner notes on funk aesthetics , Blue funk: the ugly beauty of stank , Sly Stone and the gospel of funk -- , Songbird: Chaka Khan as funk queen , Funky bluesology: Gil Scott-Heron as black organic intellectual , The kinkiness of turquoise: Betty Davis's liberated funk-rock
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 50
    Book
    Book
    The blackface minstrel show in mass media : 20th century performances on radio, records, film and television (2020)
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    Details
    ISBN: 9781476676760
    Language: English
    Pages: vii, 282 Seiten , Illustrationen , 26 cm
    Parallel Title: Erscheint auch als
    DDC: 305.8096/073
    RVK:
    AP 15965
    Keywords: Geschichte 1830-1960 ; Minstrel show ; Massenmedien ; Blackfacing ; USA ; Minstrel shows in mass media ; Blackface in mass media ; African Americans in mass media ; Mass media / United States / History / 20th century ; USA ; Massenmedien ; Minstrel show ; Blackfacing ; Geschichte 1830-1960
    Abstract: The origins of Blackface Minstrelsy -- The Minstrel Show on records -- The Minstrel Show on radio -- The Minstrel Show in Motion Pictures -- The Minstrel Show on Television -- Epilogue and Conclusions -- Appendix 1. Prominent Minstrel Troupes Active after 1890 -- Appendix 2. Discography of Minstrel Recordings -- Appendix 3. Early Recording Artists with Minstrel Experience
    Abstract: "The minstrel show occupies a complex and controversial space in the history of American popular culture. While it is seen as a relic of America's deeply shameful and racist past, it also provided the first vehicle by which African-Americans were able to enter the entertainment world. This book investigates the often ignored 20th century history of minstrelsy as it entered the age of mass media, addressing such minstrel stars as Al Jolson, Bing Crosby, and Mickey Rooney. Tracing the history of minstrelsy through to its abrupt end in the 1950s, this book is a chronicle of "modern" minstrelsy and America's rapidly changing values"
    Note: Includes bibliographical references, discography, and index
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  • 51
    Book
    Book
    Hillbilly maidens, okies, and cowgirls : women's country music, 1930-1960 (2020)
    Urbana : University of Illinois Press
    Details
    ISBN: 9780252084959 , 9780252043086
    Language: English
    Pages: xi, 250 Seiten
    Series Statement: Music in American life
    Parallel Title: Erscheint auch als Vander Wel, Stephanie, 1969- Hillbilly maidens, okies, and cowgirls
    RVK:
    LS 48610
    Keywords: Wells, Kitty ; Montana, Patsy ; Maddox, Rose ; Lulu Belle ; WLS (Radio station : Chicago, Ill ; Geschichte 1930-1960 ; Countrymusic ; Musiker ; Frau ; Country music History and criticism 1951-1960 ; Women country musicians ; Radio and music History 20th century ; Country music History and criticism To 1951 ; USA
    Note: Literaturverzeichnis: Seiten [225]-237
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 52
    Book
    Book
    Media stereotypes : from ageism to xenophobia (2020)
    New York ; Bern ; Berlin : Peter Lang
    Details
    ISBN: 9781433166679 , 9781433166686
    Language: English
    Pages: viii, 296 Seiten , Illustration , 22.5 cm x 15 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 303.3/85
    RVK:
    AP 13550
    Keywords: Massenmedien ; Stereotyp ; USA ; Ageism ; Andrew ; Billings ; Erika ; From ; Hendrix ; Media ; Parrott ; Scott ; Stereotypes ; Xenophobia ; Stereotypes (Social psychology) in mass media ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Massenmedien ; Stereotyp
    Abstract: "When we think about the "pictures in our heads" that media create and perpetuate, what images are we truly referencing? Issues of media stereotypes and representation (both past and present) are crucial to advancing media literacy. Media Stereotypes: From Ageism to Xenophobia becomes one-stop shopping for synthesizing what we know within the composite of stereotyping research in the United States. Utilizing a cast of top American scholars with deep roots in asking stereotype-based questions, this book is essential reading for those wishing to understand what we know about past and present media representations as well as those wishing to take the baton and continue to advance media stereotyping research in the future"--
    URL: Inhaltstext
    URL: https://www.peterlang.com/view/product/94564?format=PBK
    URL: Inhaltstext
    URL: https://www.peterlang.com/view/product/94564?format=PBK
    URL: Inhaltstext
    URL: Unbekannt
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: https://www.peterlang.com/view/product/94564?format=PBK
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  • 53
    Online Resource
    Online Resource
    The content of our caricature : African American comic art and political belonging (2020)
    New York, NY : New York University Press
    Details
    ISBN: 9781479813636
    Language: English
    Pages: 1 Online-Ressource (245 Seiten, 8 ungezählte Seiten Tafeln) , Illustrationen
    Series Statement: Postmillennial Pop Band 25
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.800973022/2
    RVK:
    AP 88916
    RVK:
    HR 1728
    RVK:
    LC 84610
    RVK:
    LC 94610
    Keywords: Geschichte ; Aaron McGruder;African American Art;African American cartoonists;African American children;African American Soldiers;African Americans;Black Aesthetics;Black Body;black liberation;black masculinity;Black Panther;Black superheroes ; Brumsic Brandon Jr ; Captain America ; Civil Rights Movement ; Comics ; Hermeneutic ; Ho Che Anderson ; Icon ; Jennifer Cruté ; Kyle Baker ; Larry Fuller ; Martin Luther King Jr ; Nat Turner ; Ollie Harrington ; R Crumb ; Richard Grass Green ; Thomas Nast ; U.S. comics ; Violence ; World War II. ; citizenship ; editorial cartoons ; equal opportunity humor ; infantile citizenship ; offensive humor ; racial melancholia ; slavery ; stereotype ; underground comix ; visual culture ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; African Americans Caricatures and cartoons ; Belonging (Social psychology) in art ; Belonging (Social psychology) ; Racism in cartoons ; Zugehörigkeit ; Comic ; Subkultur ; Karikatur ; Schwarze ; USA ; USA ; Schwarze ; Karikatur ; Zugehörigkeit ; Geschichte ; USA ; Schwarze ; Comic ; Subkultur
    Abstract: Traces the history of racial caricature and the ways that Black cartoonists have turned this visual grammar on its headRevealing the long aesthetic tradition of African American cartoonists who have made use of racist caricature as a black diasporic art practice, Rebecca Wanzo demonstrates how these artists have resisted histories of visual imperialism and their legacies. Moving beyond binaries of positive and negative representation, many black cartoonists have used caricatures to criticize constructions of ideal citizenship in the United States, as well as the alienation of African Americans from such imaginaries. The Content of Our Caricature urges readers to recognize how the wide circulation of comic and cartoon art contributes to a common language of both national belonging and exclusion in the United States.Historically, white artists have rendered white caricatures as virtuous representations of American identity, while their caricatures of African Americans are excluded from these kinds of idealized discourses. Employing a rich illustration program of color and black-and-white reproductions, Wanzo explores the works of artists such as Sam Milai, Larry Fuller, Richard "Grass" Green, Brumsic Brandon Jr., Jennifer Cruté, Aaron McGruder, Kyle Baker, Ollie Harrington, and George Herriman, all of whom negotiate and navigate this troublesome history of caricature. The Content of Our Caricature arrives at a gateway to understanding how a visual grammar of citizenship, and hence American identity itself, has been constructed
    DOI: 10.18574/9781479813636
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://www.degruyter.com/isbn/9781479813636
    URL: Cover
    URL: lizenzpflichtig
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  • 54
    Image
    Image
    Punk, Post Punk, New Wave : onstage, backstage, in your face, 1978-1991 (2020)
    New York : Abrams
    Details
    ISBN: 9781419748547
    Language: English
    Pages: 236 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    LS 48030
    RVK:
    LS 48645
    Keywords: Grecco, Michael ; Geschichte 1978-1991 ; Rockmusiker ; Rockgruppe ; Musikleben ; Porträtfotografie ; Fotografie ; Rockmusiker ; Punk Rock ; USA ; Punk rock musicians / United States / History / 20th century / Pictorial works ; Punk rock music / United States / History / 20th century / Pictorial works ; Punk rock music ; Punk rock musicians ; United States ; 1900-1999 ; Illustrated works ; Bildband ; USA ; Rockmusiker ; Rockgruppe ; Punk Rock ; Musikleben ; Porträtfotografie ; Geschichte 1978-1991 ; Grecco, Michael 1958- ; USA ; Fotografie ; Punk Rock ; Rockmusiker ; Geschichte 1978-1991
    Abstract: "Photographer and filmmaker Michael Grecco was in the thick of things, documenting the club scene in places like Boston and New York as punk rock morphed into the post-punk and new wave movements that dominated from the late '70s to the early '90s. From the Cramps to Dead Kennedys, Talking Heads, Human Sexual Response, Elvis Costello, Joan Jett, the Ramones, and many others, Grecco captured in black and white and color the raw energy, sweat, and antics that characterized the alternative music of the time. In addition to concert photography, he shot album covers and promotional pieces that round out his impressively extensive photo collection. Presented here for the first time are images of the clubs and bands as they evolve into the icons that they have become today."--Back cover
    Note: Includes index
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  • 55
    Online Resource
    Online Resource
    Musical salon culture in the long nineteenth century (2019)
    Woodbridge, Suffolk, UK : The Boydell Press
    Details
    ISBN: 9781787445345
    Language: English
    Pages: 1 Online-Ressource (xviii, 284 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 306.4842
    RVK:
    LP 19505
    RVK:
    LR 54440
    RVK:
    LR 54445
    Keywords: Geschichte 1800-1960 ; Music / Social aspects / History / 19th century ; Music / Social aspects / History / 20th century ; Salons / Europe / History / 19th century ; Salons / United States / History / 20th century ; Music in the home / Social aspects / History / 19th century ; Music in the home / Social aspects / History / 20th century ; Soziokultur ; Salonmusik ; Europe / Intellectual life / 19th century ; United States / Intellectual life / 20th century ; USA ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; USA ; Salonmusik ; Soziokultur ; Geschichte 1800-1960
    Abstract: This collection explores the idea of music in the salon during the long nineteenth century, both as a socio-cultural phenomenon, and as a source of artistic innovation and exchange. Drawing on a wide range of scholarly approaches, this book uses the idea of the salon as a springboard to examine issues such as gender, religion, biography and performance; to explore the ways in which the salon was represented in different media; and to showcase the heterogeneity of the salon through a selection of case studies. It offers fresh considerations of familiar salons in large cultural centres, as well as insights into lesser-known salons in both Europe and the United States. Bringing together an international group of scholars, the collection underscores the enduring impact of the European musical salon
    Note: Introduction - Anja Bunzel and Natasha Loges -- - Johanna Kinkel's Social Life in Berlin (1836-39) : Reflections on Historiographical Sources - Anja Bunzel -- - Accidental Aesthetics in the Salon : Amateurism and the Romantic Fragment in the Lied Sketches of Bettina von Arnim - Jennifer Ronyak -- - Salon Culture in the Circle of Joseph Joachim, or, Composing Inwardness : C. J. Arnold's "Quartettabend bei Bettina von Arnim" Reconsidered - Katharina Uhde and R. Larry Todd -- - Reading, Singing, Becoming : The M adchenlieder of Paul Heyse and Johannes Brahms - Natasha Loges -- - Fridays with Malla : Musical Repertoire in the Swedish Salon of Malla Silfverstolpe - Kirsten Santos Rutschman -- - Observing Musical Salon Culture in England c. 1800 through the Lens of the Caricature - Maren Bagge and Clemens Kreutzfeldt -- - The Salon Singer as Subject of Satire during the July Monarchy - Mary Anne Garnett -- - The Instruments of the Vienna Biedermeier Salon : Diversity in Design, Sound, and Technology - Beatrix Darmst adter -- - Offenbach and the Representation of the Salon - P eter Boz o -- - Affordances of the Piano : A Cinematic Representation of the Victorian Salon - Harry White -- - 'Der Mensch ist zur Geselligkeit geboren' : Salon Culture, Night Thoughts, and a Schubert Song - Susan Youens -- - Traditions, Preferences and Musical Taste in the Staegemann-Olfers Salon in Nineteenth-Century Berlin - Petra Wilhelmy-Dollinger -- - Josephine Lang and the Salon in Southern Germany - Harald Krebs -- - Jessie Hillebrand and Musical Life in 1870s Florence - Michael Uhde -- - An Invitation to 309 Beacon Street : Clara Kathleen Rogers and her Boston Salon - Katie A. Callam -- - "Too Much Playing Four Hands!" : Ernst von Dohn anyi's European Salon in the United States of the 1950s - Veronika Kusz
    DOI: 10.1017/9781787445345
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://www.cambridge.org/core/product/identifier/9781787445345/type/BOOK
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 56
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    Jodelmania : von den Alpen nach Amerika und darüber hinaus (2019)
    München : Kunstmann
    Associated volumes
    Details
    ISBN: 9783956143267 , 3956143264
    Language: German
    Pages: 317 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    LS 22050
    Keywords: Geschichte ; Jodeln ; USA ; Österreich ; Bayern ; Wagner ; Christoph Wagner ; Jodelmania ; Jodeln ; Tradition ; Alpenraum ; Volksmusik ; Folklore ; Alpen ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Bayern ; Österreich ; USA ; Jodeln ; Geschichte
    Note: Rezensiert in: Neue Zeitschrift für Musik 180 (2019), Heft 5, Seite 77 (Anna Schürmer)
    URL: Inhaltstext
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    URL: Rezension
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    Destructive desires : rhythm and blues culture and the politics of racial equality (2019)
    New Brunswick : Rutgers University Press
    Details
    ISBN: 9781978803596 , 9781978803589
    Language: English
    Pages: xiii, 246 Seiten , Illustrationen , 23 cm
    DDC: 306.484243
    RVK:
    LS 48500
    Keywords: Geschichte 1970- ; Schwarze ; Rhythm and Blues ; Identität ; Sexualität ; Neoliberalismus ; USA
    Abstract: Despite rhythm and blues culture’s undeniable role in molding, reflecting, and reshaping black cultural production, consciousness, and politics, it has yet to receive the serious scholarly examination it deserves. Destructive Desires corrects this omission by analyzing how post-Civil Rights era rhythm and blues culture articulates competing and conflicting political, social, familial, and economic desires within and for African American communities. As an important form of black cultural production, rhythm and blues music helps us to understand black political and cultural desires and longings in light of neo-liberalism’s increased codification in America’s racial politics and policies since the 1970s. Robert J. Patterson provides a thorough analysis of four artists—Kenneth “Babyface” Edmonds, Adina Howard, Whitney Houston, and Toni Braxton—to examine black cultural longings by demonstrating how our reading of specific moments in their lives, careers, and performances serve as metacommentaries for broader issues in black culture and politics.
    Note: Literaturverzeichnis: Seite 225-236
    URL: Inhaltsverzeichnis
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  • 58
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    Race and cultural practice in popular culture (2019)
    New Brunswick : Rutgers University Press
    Details
    ISBN: 9781978801318 , 9781978801301
    Language: English
    Pages: xii, 294 Seiten
    DDC: 305.8
    RVK:
    LB 48610
    RVK:
    AP 50300
    Keywords: Race in mass media ; Mass media and culture ; Popular culture ; Massenkultur ; Pop-Kultur ; Film ; Hörfunksendung ; Fernsehsendung ; Literatur ; Musik ; Volkskunst ; Ethnizität ; Ethnische Gruppe ; Identität ; Identitätsentwicklung ; Bewusstsein ; Beispiel ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Massenmedien ; Massenkultur ; Rasse
    Abstract: "Race and Cultural Practice in Popular Culture is an innovative work in which contributors freshly approach the concept of race as a social factor made concrete in popular forms, such as film, television, and music. They collectively push past the reaffirmation of static conceptions of identity, authenticity, or conventional interpretations of stereotypes and bridge the intertextual gap between theories of community enactment and cultural representation. The book also draws together and melds otherwise isolated academic theories and methodologies (case studies, critical readings, and ethnographies, for example) in order to focus on race as an ideological reality and a process that continues to impact lives despite allegations that we live in a post-racial America. The collection is separated into three parts: Visualizing Race (Representational Media), Sounding Race (Soundscape), and Racialization in Place (Theory), each of which takes into account visual, audio, and geographic sites of racial representations respectively. Popular culture forms examined include TV shows such as Orange is the New Black and Breaking Bad, artists such as Shakira and Nicki Minaj, and more"--
    Abstract: Inhaltsverzeichnis: Re-imagining critical approaches to folklore and popular culture / Domino Renee Perez and Rachel Gonzalez-Martin -- A thousand 'Lines of Flight': collective individuation and racial identity in Netflix's Orange Is the New Black and Sense8 / Ruth Y. Hsu -- Performing Cherokee masculinity in The Doe Boy / Channette Romero -- Truth, justice, and the Mexican way: Lucha Libre, film, and nationalism in Mexico / James Wilkey -- Native American irony: survivance and the subversion of ethnography / Gerald Vizenor -- (Re)imagining indigenous popular culture / Mintzi Auanda Martinez-Rivera -- My tongue is divided into two / Olivia Cadaval -- Performing nation diva style in Lila Downs and Hadad's La Tequilera / K. Angelique Dwyer -- (Dis)identifying with Shakira's 'Global Body': a path towards rhythmic affiliations beyond the dichotomous nation/diaspora / Daniela Gutierrez Lopez -- Voicing the occult in Chicana/o culture and hybridity: prayers and the Cholo-Goth aesthetic / Jose G. Anguiano -- Ugly brown bodies: queering desire in Machete / Nicole Guidotti-Hernandez -- "Bitch, how'd you make it this far?": strategic enactments of white femininity in The Walking Dead / Jaime Guzman and Raisa Alvarado Uchima -- Bridge and tunnel: transcultural border crossings in The Bridge and Sicario / Marcel Brousseau -- Red land, white power, blue sky: settler colonialism and indigeneity in Breaking Bad / James H. Cox
    Note: Ressource lag 2018 vor , Includes bibliographical references and index
    URL: https://www.rutgersuniversitypress.org/race-and-cultural-practice-in-popular-culture/9781978801301
    URL: https://www.rutgersuniversitypress.org/race-and-cultural-practice-in-popular-culture/9781978801301
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 59
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    #Identity : hashtagging race, gender, sexuality, and nation (2019)
    Ann Arbor : University of Michigan Press
    Details
    ISBN: 9780472074150 , 9780472054152
    Language: English
    Pages: ix, 365 Seiten , Illustrationen, Diagramme , 23 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.30285
    RVK:
    AP 15945
    RVK:
    MS 3300
    RVK:
    MS 7965
    Keywords: Mass media and minorities / United States ; Group identity / United States ; Online social networks / Political aspects / United States ; Social Media ; Minderheit ; Massenmedien ; Politische Berichterstattung ; Online-Community ; Gruppenidentität ; Twitter ; Neue Medien ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Gruppenidentität ; Massenmedien ; Minderheit ; Neue Medien ; Online-Community ; Politische Berichterstattung ; Social Media ; Twitter
    Description / Table of Contents: Introduction: The Hashtags We've Been Forced to Remember / Abigail De Kosnik and Keith P. Feldman -- 1. Is Twitter a Stage?: Theories of Social Media Platforms as Performance Spaces / Abigail De Kosnik -- Part I: Black Twitter Futures. 2. #Onfleek: Authorship, Interpellation, and the Black Femme Prowess of Black Twitter / Malika Imhotep -- 3. "You Ok Sis?": Black Vernacular, Community Formation, and the Innate Tensions of the Hashtag / Paige Johnson -- 4. #Sandrabland's Mystery: a Transmedia Story of Police Brutality / Aaminah Norris and Nalya Rodriguez -- 5. Creating and Imagining Black Futures Through Afrofuturism / Grace Gipson -- 6. Ferguson Blues: a Conversation With Rev. Osagyefo Sekou -- Part II: Mediated Intersections. 7. Confused Cats and Postfeminist Performance / Lyndsey Ogle -- 8. #Whyistayed: Virtual Survivor-Centered Spaces for Transformation and Abolishing Partner Violence / Julia Havard --
    Description / Table of Contents: 9. #Gentrification, Cultural Erasure, and the (Im)Possibilities of Digital Queer Gestures / José Ramón Lizárraga and Arturo Cortéz -- 10. Hashtag Television: On-Screen Branding, Second-Screen Viewing, and Emerging Modes of Television Audience Interaction / Renée Pastel -- Part III: Disavowals. 11. Hashtag Rhetoric: #alllivesmatter and the Production of Post-Racial Affect / Kyle Booten -- 12. #Cancelcolbert: Popular Outrage, Divo Citizenship, and Digital Political Performativity / Abigail De Kosnik -- 13. #Nohomo: Homophobic Twitter Hashtags, Straight Masculinity, and Networks of Queer Disavowal / Bonnie Ruberg -- Part IV: Twitter International. 14. "Is Twitter For Celebrities Only?": A Qualitative Study of Twitter Use in India / Neha Kumar -- 15. Reterritorializing Twitter: African Moments, 2010-2015 / Reginold A. Royston and Krystal Strong -- 16. #Ifafricawasabar: Participation on Twitter across African Borders / Naveena Karusala, Trevor Perrier, and Neha Kumar --
    Description / Table of Contents: 17. Beyond Hashtags: Black Twitter and Building Solidarity across Borders / Kimberly McNair -- Part V: Notes From the Color of New Media -- 18. The Color of New Media Enters Trumplandia; 19. The Color of New Media Responds To UC Berkeley's "Free Speech Week"
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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    Where truth lies : digital culture and documentary media after 9/11 (2019)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520300934
    Language: English
    Pages: xvi, 227 Seiten , Illustrationen, Karte
    Parallel Title: Erscheint auch als
    DDC: 302.2310973
    RVK:
    AP 14000
    Keywords: Geschichte 2000-2099 ; Digital media / Political aspects / United States / 21st century ; Documentary mass media / United States / 21st century ; Mass media / Objectivity / United States / 21st century ; Online social networks / Political aspects / 21st century ; Dokumentarfilm ; Politik ; Massenkommunikation ; Soziale Unterstützung ; Falschmeldung ; Neue Medien ; USA ; USA ; Neue Medien ; Soziale Unterstützung ; Massenkommunikation ; Geschichte 2000-2099 ; Neue Medien ; Dokumentarfilm ; Politik ; Falschmeldung
    Note: Erscheint auch als Open Access bei De Gruyter
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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    URL: Volltext  (kostenfrei)
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    Jewish religious music in nineteenth-century America : restoring the synagogue soundtrack (2019)
    Bloomington, Indiana : Indiana University Press
    Details
    ISBN: 9780253040213 , 9780253040206
    Language: English
    Pages: xiii, 309 Seiten , Illustrationen, Notenbeispiele
    DDC: 781.76/0097309034
    RVK:
    NY 4900
    RVK:
    LS 33260
    Keywords: Geschichte 1800-1900 ; Juden ; Synagoge ; Geistliche Musik ; Kirchenmusikpflege ; USA
    Abstract: Early strata : of choirs and reform through the mid-nineteenth century -- The sound of German Jewry : hymnals and singing societies in Wilhelm Fischer's zemirot -- Yisrael -- Bildungsmusik : G.M. Cohen, B'nai B'rith, and the voices of American Jewish cultivation -- Musical populists : G.S. Ensel, Simon Hecht, and the quest for the singing congregation -- The 1866 Sulzerfeier : the Viennese model and the grandeur of the urban worship -- A new cantor, a new repertoire : zimrath yah -- The path to the union hymnal -- Conclusion : restoring the soundtrack of Jewish life in nineteenth-century America
    Note: Works cited Seite 277-293
    URL: Klappentext
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  • 62
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    Girls, moral panic and news media : troublesome bodies (2019)
    New York ; London : Routledge, Taylor & Francis Group
    Details
    ISBN: 9780429243509 , 9780429513220 , 9780429520082 , 9780429516658
    Language: English
    Pages: 1 Online-Ressource (x, 130 Seiten)
    Series Statement: Routledge research in gender, sexuality, and media
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.23082/0973
    RVK:
    AP 14150
    RVK:
    MG 70150
    RVK:
    MS 3010
    RVK:
    MS 7850
    Keywords: Problem ; Geschichte 1920-2010 ; Mass media and girls / United States ; Girls in mass media ; Girls / United States / Public opinion ; Moral panics / United States ; Human body / Social aspects / United States ; Mass media and public opinion / United States ; Konstruktion ; Körper ; Pubertät ; Journalismus ; Mädchen ; USA ; USA ; Mädchen ; Körper ; Pubertät ; Journalismus ; Konstruktion ; Problem ; Geschichte 1920-2010
    Abstract: Mazzarella examines the representational politics behind journalistic constructions of US girls and girlhood through a series of contemporary in-depth case studies which work to document a wider cultural moral panic about the troublesome nature of girls' bodies. The public concern and media fascination with youth so evident in the United States today is a century-old phenomenon. From the flappers of the 1920s to the bobbysoxers of the 1950s, from the hippies of the 1960s and on to the ever-present pregnant teens, this fascination has played out in the media and has consistently focused on (primarily White, middle-class, heterosexual) girls. A growing body of research has revealed the manner in which journalistic practice constructs such girls as problems. Girls, Moral Panic, and News Media takes a broad look at U.S. news media constructions of girls, girlhoods, and girl's bodies/sexualities through a series of contemporary in-depth case studies including news coverage of the 2008 Gloucester (MA) High School "pregnancy pact," teen gun control activist Emma Gonzlez, and the sexualization of "early puberty." In general, the news media constructs girls' bodies as troublesome and in need of adult surveillance and policing. These case studies document a cultural obsession with girls' bodies--an obsession that often approaches moral panic. This book will be key reading for researchers and instructors in the rapidly growing international and interdisciplinary field of Girls' Studies, and scholars of Media Studies, Cultural Studies, Gender Studies, Communication and Journalism.
    DOI: 10.4324/9780429243509
    URL: Volltext  (URL des Erstveröffentlichers)
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    Beyond hashtags : racial politics and black digital networks (2019)
    New York : New York University Press
    Details
    ISBN: 9781479813056 , 9781479892464
    Language: English
    Pages: vii, 270 Seiten
    Series Statement: Critical cultural communication
    Dissertation note: Dissertation Indiana University 2012
    DDC: 302.2308996073
    RVK:
    MS 3530
    RVK:
    AP 15965
    Keywords: African Americans and mass media ; African American mass media ; Race in mass media ; Massenkommunikation ; Rassenpolitik ; Schwarze ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Schwarze ; Massenkommunikation ; Rassenpolitik ; USA
    URL: Inhaltsverzeichnis
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    City songs and American life, 1900-1950 (2019)
    Rochester, NY : University of Rochester Press
    Details
    ISBN: 9781580469524
    Language: English
    Pages: xi, 303 Seiten , Illustrationen , 24 cm
    DDC: 782.421640973091732
    RVK:
    LS 48050
    Keywords: Geistesgeschichte 1900-1950 ; Unterhaltungsmusik ; Song ; Stadt ; USA
    Note: Literaturverzeichnis: Seite [297]-303
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    Which side are you on? : 20th century American history in 100 protest songs (2019)
    New York : Oxford University Press
    Details
    ISBN: 9780190660307
    Language: English
    Pages: xvii, 242 Seiten , Illustrationen
    DDC: 782.4215920973
    RVK:
    LS 21520
    Keywords: Geschichte 1900-2000 ; Protestsong ; USA
    Note: Literaturverzeichnis Seite 215-218
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    Barriers down : how American power and free-flow policies shaped global media (2019)
    New York ; Chichester, West Sussex : Columbia University Press
    Details
    ISBN: 9780231182164
    Language: English
    Pages: 296 Seiten , Illustrationen, Karten, Diagramme , 24 cm
    Uniform Title: The free flow of information (media, human rights, and U.S. global power, 1945-1984, 2014)
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Yale University 2014
    DDC: 302.2309045
    RVK:
    AP 19830
    Keywords: Communication, International ; Mass media / Political aspects ; Mass media and culture / United States ; Mass media / United States ; Neue Weltinformations- und Kommunikationsordnung ; Massenkommunikation ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Neue Weltinformations- und Kommunikationsordnung ; Massenkommunikation
    Abstract: "Freedom of information is a principle commonly associated with the United States' First Amendment traditions or digital-era technology boosters. Barriers Down reveals its unexpected origins in political, economic, and cultural battles over analog media in the postwar period. Diana Lemberg traces how the United States shaped media around the world after 1945 under the banner of the "free flow of information," showing how the push for global media access acted as a vehicle for American power. She considers debates over civil liberties and censorship in Nazi Germany, the Soviet Union, and elsewhere alongside Americans' efforts to circumvent foreign regulatory systems in the quest to expand markets and bring their ideas to new publics. Lemberg shows how in the decades following World War II American free-flow policies reshaped the world's information landscape, though not always as intended. Through burgeoning information diplomacy and development aid, Washington diffused new media ranging from television and satellite broadcasting to global English. But these actions also spurred overseas actors to articulate alternative understandings of information freedom and of how information flows might be regulated. Bridging the historiographies of the United States in the world, human rights, decolonization and development, and media and technology, Barriers Down excavates the analog roots of digital-age debates over the politics and ethics of transnational information flows"--
    Description / Table of Contents: Introduction : liberalizing missions -- Inventing freedom of information in the 1940s United States -- Quantifying and qualifying freedom of information during the early Cold War -- Information flows and the conundrum of multilingualism -- Capacity as freedom during the development decade -- Satellites and the end of sovereignty -- Cultural turns in the international arena -- "A global First Amendment war" : freedom of information on the verge of the neoliberal era -- Epilogue : free flow bytes back?
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    Five years ahead of my time : garage rock from the 1950s to the present (2019)
    London : Reaktion Books
    Details
    ISBN: 9781789140651
    Language: English
    Pages: 220 Seiten , Illustrationen, Portraits
    Series Statement: Reverb
    RVK:
    LS 48635
    RVK:
    LS 48645
    Keywords: Geschichte 1950- ; Garage rock music / History and criticism ; Punk rock music / History and criticism ; Punk Rock ; USA ; USA ; Punk Rock ; Geschichte 1950-
    Abstract: Five Years Ahead of My Time: Garage Rock from the 1950s to the Present tells of an explosive musical phenomenon whose continuing influence on popular culture is dramatic and deep. The tale begins in 1950s America, when classic rock 'n' roll was reaching middle age and teenage musicians kept its primal rawness going with rough-hewn instrumentals. In the mid-1960s, the Beatles and the British Invasion conquered America, and soon every neighbourhood had its own garage band. Groups like the Sonics and 13th Floor Elevators burned brightly but briefly, only to be rediscovered by a new generation of connoisseurs in the 1970s. Numerous compilation albums followed, spearheaded by Lenny Kaye's seminal Nuggets, which resulted in garage rock's rebirth across the world during the 1980s and '90s. Be it the White Stripes or the Black Keys, bands have consistently found inspiration in the simplicity and energy of garage rock. It is a revitalizing force, looking back to the past to forge the future. And this, for the first time, is its story
    URL: Inhaltsverzeichnis
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    Extremist propaganda in social media : a threat to homeland security (2019)
    Boca Raton, FL : CRC Press, Taylor & Francis Group
    Details
    ISBN: 1138493678 , 9781138493674
    Language: English
    Pages: xxiii, 210 Seiten
    Parallel Title: Erscheint auch als
    DDC: 302.23/1
    RVK:
    AP 17340
    RVK:
    MD 8460
    RVK:
    AP 15950
    Keywords: Propaganda ; Massenmedien ; Populismus ; Social Media ; Radikalismus ; Innere Sicherheit ; USA
    Note: A framework to analyze the impact of social media propaganda on intolerance, extremism, and radicalization in society -- Social media propaganda and the political electoral process -- Government institutional response to social media propaganda, extremism, and radicalization -- Military response to social media propaganda driven extremism, and radicalization -- The impact of social media extremist propaganda on law enforcement -- The corporate extremist propaganda machine -- Extremist propaganda and recruitment targeting youth -- Electronic aggression or free speech -- Countering extremist anti-science propaganda -- Observations on the distribution of extremist propaganda -- Ten reasons why propaganda works
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Klappentext
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Klappentext
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  • 69
    Online Resource
    Online Resource
    Popular Viennese electronic music, 1990-2015 : a cultural history (2019)
    London : Routledge, Taylor and Francis Group
    Details
    ISBN: 9781351862622
    Language: English
    Pages: 1 Online-Ressource (248 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.484
    RVK:
    AE 68302
    RVK:
    AE 68305
    RVK:
    HU 1010
    RVK:
    MP 1000
    RVK:
    NC 1938
    Keywords: Geschichte 1960-2000 ; Popular music / Social aspects ; Kultur ; USA ; USA ; Kultur ; Geschichte 1960-2000
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  • 70
    Book
    Book
    Read, write, rhyme institute : educators, entertainers, and entrepreneurs engaging in Hip-Hop discourse (2019)
    New York : Peter Lang
    Details
    ISBN: 9781433161131 , 1433161133
    Language: English
    Pages: 175 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84249
    RVK:
    LS 48650
    Keywords: Hip-Hop ; Subkultur ; USA
    URL: Inhaltstext
    URL: https://www.peterlang.com/view/product/92261?format=HC
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 71
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    Book
    Hollywood and the baby boom : a social history (2019)
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    Details
    ISBN: 9781501331497 , 9781501353901
    Language: English
    Pages: viii, 334 Seiten , Illustrationen, 1 Diagramm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.23430973
    RVK:
    AP 44984
    Keywords: Geschichte 1950-2015 ; Motion pictures Social aspects ; Baby boom generation ; Motion picture audiences ; Publikum ; Geburtenstarker Jahrgang ; Gesellschaftsleben ; Kino ; Film ; USA ; USA ; Film ; Kino ; Geburtenstarker Jahrgang ; Publikum ; Gesellschaftsleben ; Geschichte 1950-2015
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 72
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    Book
    Verbotene Lieder : 10 Geschichten von 5 Kontinenten (2019)
    Hamburg : Edition Nautilus
    Details
    ISBN: 9783960541882
    Language: German
    Pages: 238 Seiten , Illustrationen , 24 cm, 422 g
    Edition: Deutsche Erstausgabe
    Uniform Title: Forbudte sanger
    DDC: 782.421592
    RVK:
    EC 6214
    RVK:
    LS 48000
    Keywords: Zensur ; Protestsong ; Popmusik ; Billie Holiday ; Chile ; England ; Frankfurter Buchmesse ; Gastland ; Israel ; Kate Bush ; Libanon ; Mexiko ; Musik ; Norwegen ; Punk Gebet ; Pussy Riot ; Reise ; Russland ; Strange Fruit ; Sänger ; USA ; Unsongs ; Victor Jara ; Vietnam ; Zensur ; Popmusik ; Protestsong ; Zensur
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 73
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    One nation, two realities : dueling facts in American democracy (2019)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190677176
    Language: English
    Pages: xvi, 340 Seiten , Illustrationen
    DDC: 306.20973
    RVK:
    AP 14050
    Keywords: Communication in politics ; Facts (Philosophy) Political aspects ; Public opinion Political aspects ; Political psychology ; United States Politics and government 21st century ; Public opinion ; Faktizität ; Meinungsbildung ; Parteipolitik ; Polarisierung ; Politische Kommunikation ; USA ; Öffentlichkeit
    Note: Includes bibliographical references
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 74
    Online Resource
    Online Resource
    The Divo and the Duce : promoting film stardom and political leadership in 1920s America (2019)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520972179
    Language: English
    Pages: 1 Online-Ressource (xv, 309 Seiten) , Illustrationen
    Series Statement: Cinema cultures in contact 1
    Series Statement: Cinema cultures in contact
    Parallel Title: Erscheint auch als
    DDC: 305.52
    RVK:
    AP 44983
    RVK:
    AP 46800
    RVK:
    AP 46900
    Keywords: Valentino, Rudolph ; Mussolini, Benito ; Mussolini, Benito ; Valentino, Rudolph ; Geschichte 1920-1930 ; Publicity History 20th century ; Mass media and publicity ; Communication in politics ; Celebrities in mass media ; Motion picture industry History 20th century ; Öffentlichkeitsarbeit ; Politische Kommunikation ; Massenmedien ; Filmwirtschaft ; Starkult ; USA ; Electronic books. ; Electronic books. ; History. ; History ; Valentino, Rudolph 1895-1926 ; Mussolini, Benito 1883-1945 ; USA ; Massenmedien ; Öffentlichkeitsarbeit ; Politische Kommunikation ; Starkult ; Filmwirtschaft ; Geschichte 1920-1930
    Note: Includes bibliographical references and index
    DOI: 10.1515/9780520972179
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: JSTOR
    URL: OAPEN
    URL: https://doi.org/10.1525/luminos.62
    URL: Open Access
    URL: De Gruyter, Cover
    URL: OAPEN  (Creative Commons License)
    URL: DOAB Directory of Open Access Books
    URL: http://whel-primo.hosted.exlibrisgroup.com/openurl/44WHELF_ABW/44WHELF_ABW_services?u.ignore_date_coverage=true&rft.mms_id=9912285461102418
    URL: http://library.oapen.org/handle/20.500.12657/25825
    URL: https://library.oapen.org/handle/20.500.12657/25825
    URL: Click here to view book
    URL: kostenfrei
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
    URL: kostenfrei
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    MPI Ethno. Forsch.
  • 75
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    Book
    Engineering der Freiheit : eine kleine Geschichte der bürgerlichen Propaganda in den USA des 20. Jahrhunderts (2018)
    Münster : Westfälisches Dampfboot
    Details
    ISBN: 9783896912817 , 389691281X
    Language: German
    Pages: 177 Seiten , 21 cm
    Edition: 1. Auflage
    DDC: 303.3750973
    RVK:
    AP 17200
    RVK:
    AP 17250
    RVK:
    NQ 5315
    Keywords: Geschichte 1900-2000 ; Propaganda ; Bürgerliche Gesellschaft ; USA ; Massenüberzeugung ; Propaganda ; USA ; USA ; Bürgerliche Gesellschaft ; Propaganda ; Geschichte 1900-2000
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 76
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    Book
    Jazz Core : Jazz musicians, Jazz catalogues, years of Jazz (2018)
    Rottweil : Forest Publishing
    Details
    ISBN: 9783000558504
    Language: German , English
    Pages: 1091 Seiten
    Edition: 1. Auflage
    DDC: 780
    RVK:
    LS 48200
    RVK:
    LP 12100
    Keywords: Wörterbuch ; Verzeichnis ; Biografie ; Verzeichnis ; Biografie ; Verzeichnis ; Biografie ; Wörterbuch ; Verzeichnis ; Diskografie ; USA ; Jazz ; Jazzmusiker
    Abstract: Das vorliegende Buch bietet eine ausführliche Einführung in die Welt des Jazz. Es umfasst die Themen: Jazzmusiker, Jazzkomponisten, Aufnahmestudios, Jazzproduzenten und auch die Geschichte des Jazz, gegliedert nach Jazzdekaden. Hier finden der langjährige Jazzliebhaber und auch der junge Leser umfangreiche Informationen über Jazz, aufgebaut wie ein Wörterbuch.
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: https://d-nb.info/1162362499/04
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  • 77
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    Freedom farmers : agricultural resistance and the black freedom movement (2018)
    Chapel Hill : The University of North Carolina Press
    Details
    ISBN: 9781469643694 , 9781469663890
    Language: English
    Pages: xviii, 189 Seiten , Illustrationen
    Series Statement: Justice, power, and politics
    Parallel Title: Erscheint auch als
    DDC: 305.896/073
    RVK:
    AR 20140
    Keywords: Hamer, Fannie Lou ; Freedom Farms Corporation (Sunflower County, Miss.) ; North Bolivar County Farm Cooperative (Mound Bayou, Miss.) ; Federation of Southern Cooperatives ; Detroit Black Community Food Security Network ; Geschichte ; African Americans Agriculture ; History ; African Americans Social conditions ; History ; African Americans Political activity ; History ; Agriculture, Cooperative History ; Food sovereignty ; Food supply Political aspects ; History ; Black lives matter movement ; Bürgerrechtsbewegung ; Schwarze ; Genossenschaft ; Landwirtschaft ; USA ; Hamer, Fannie Lou 1917-1977 ; USA ; Schwarze ; Landwirtschaft ; Genossenschaft ; Bürgerrechtsbewegung ; Geschichte
    Abstract: "Expands the historical narrative of the black freedom struggle to embrace the work, roles, and contributions of southern black farmers and the organizations they formed. Whereas existing scholarship generally views agriculture as a site of oppression and exploitation of black people, this book reveals agriculture as a site of resistance and provides a historical foundation that adds meaning and context to current conversations around the resurgence of food justice/sovereignty movements in urban spaces like Detroit, Chicago, Milwaukee, New York City, and New Orleans"...
    Note: Includes bibliographical references and index , Hier auch später erschienene, unveränderte Nachdrucke
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  • 78
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    Book
    Glam rock : music in sound and vision (2018)
    Lanham ; Boulder ; New York ; London : Rowman & Littlefield
    Details
    ISBN: 9781442271470
    Language: English
    Pages: xli, 193 Seiten
    Series Statement: Tempo: a Rowman & Littlefield music series on rock, pop, and culture
    Parallel Title: Erscheint auch als Philo, Simon, 1966- author Glam rock
    DDC: 781.66
    RVK:
    LS 48635
    Keywords: Geschichte 1970- ; Glam rock History and criticism ; Popkultur ; Glitter Rock ; USA ; Großbritannien ; Großbritannien ; USA ; Glitter Rock ; Popkultur ; Geschichte 1970-
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 79
    Online Resource
    Online Resource
    Drumming Asian America : taiko, performance, and cultural politics (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 978-0-199374-05-2
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 786.908995073
    RVK:
    LS 27320
    Keywords: Taiko ; Taiko (Drum ensemble) / United States ; Music / Social aspects / United States ; Asian American musicians ; Asiaten ; Musik ; Kulturpolitik ; Einfluss ; Soziale Funktion ; Identität ; Performance ; Taiko ; USA ; Asien ; Hochschulschrift ; Hochschulschrift ; USA ; Taiko ; USA ; Musik ; Asien ; Einfluss ; USA ; Asiaten ; Taiko ; Performance ; Soziale Funktion ; Identität ; Kulturpolitik
    Abstract: With its dynamic choreographies and booming drumbeats, taiko has gained worldwide popularity since its emergence in 1950s Japan. Harnessed by Japanese Americans in the late 1960s, taiko's sonic largesse and buoyant energy challenged stereotypical images of Asians in America as either model minorities or sinister foreigners. While the majority of North American taiko players are Asian American, more than four hundred groups now exist across the United States and Canada, and these groups are comprised of people from a variety of racial and ethnic identities. Using ethnographic and historical approaches combined with performance description and analysis, this text explores the connections between taiko and Asian American cultural politics at the intersections of race, gender, and sexuality
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780199374014.001.0001
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
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  • 80
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    Book
    Lead Belly, Woody Guthrie, Bob Dylan and American folk outlaw performance (2018)
    London ; New York : Routledge, Taylor & Francis Group
    Details
    ISBN: 9781472484420
    Language: English
    Pages: 231 Seiten
    Edition: First published
    Series Statement: Outlaws in literature, history, and culture 3
    Series Statement: Outlaws in literature, history, and culture
    Parallel Title: Erscheint auch als Carpenter, Damian A. author Lead Belly, Woody Guthrie, Bob Dylan and American folk outlaw performance
    DDC: 781.64092/273
    RVK:
    LS 48610
    Keywords: Leadbelly ; Guthrie, Woody ; Dylan, Bob ; Geschichte ; Folk songs History and criticism ; Outlawas in music ; Folk music ; USA ; USA ; Folk music ; Geschichte
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 81
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    Book
    American sabor : Latinos y latinas en la música popular estadounidense = American sabor : Latinos and latinas in US popular music (2018)
    Seattle ; London : University of Washington Press
    Details
    ISBN: 9780295742625 , 9780295742618
    Language: English , Spanish
    Pages: 352 Seiten , Illustrationen, Karten
    Parallel Title: Erscheint auch als
    DDC: 781.64089/68073
    RVK:
    LS 48050
    Keywords: Geschichte 1940-2017 ; Popular music Latin American influences ; Popmusik ; Rezeption ; Musik ; Lateinamerika ; USA ; USA ; Popmusik ; Rezeption ; Lateinamerika ; Musik ; Geschichte 1940-2017
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 82
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    Book
    Dolly Parton, gender, and country music (2018)
    Bloomington : Indiana University Press
    Details
    ISBN: 9780253031549 , 9780253031556
    Language: English
    Pages: xii, 265 Seiten
    Parallel Title: Erscheint auch als Edwards, Leigh H., 1970- author Dolly Parton, gender, and country music
    DDC: 782.421642092
    RVK:
    LS 48040
    RVK:
    LS 48610
    RVK:
    MS 3010
    RVK:
    LR 56617
    RVK:
    LR 56618
    Keywords: Parton, Dolly ; Parton, Dolly ; Geschichte 1946- ; Women country musicians ; Geschlechterrolle ; Country-Musikerin ; USA ; Parton, Dolly 1946- ; USA ; Country-Musikerin ; Geschlechterrolle ; Geschichte 1946-
    Note: Includes bibliographical references (pages 237-249) and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 83
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    Book
    The incomparable Hildegarde : the sexuality, style and image of an entertainment icon (2018)
    Jefferson, North Carolina : McFarland & Company
    Details
    ISBN: 9781476667706
    Language: English
    Pages: ix, 196 Seiten , Illustrationen
    DDC: 782.42164092
    RVK:
    LS 48040
    Keywords: Hildegarde ; Hildegarde ; Geschichte 1906-2005 ; Singers Biography ; Pianistin ; Kabarett ; Sängerin ; USA ; Biografie ; Biografie ; Biografie ; Hildegarde 1906-2005 ; USA ; Sängerin ; Pianistin ; Kabarett ; Geschichte 1906-2005
    Abstract: "The Incomparable Hildegarde (1906-2005) lived a life of glamour and excitement. She began her career as a pianist in Milwaukee's silent movie theaters. Her name and style became synonymous with high-class entertainment at venues like the Persian Room at the Plaza Hotel. This first biography of Hildegarde Sill covers her 70-year career"...
    Note: Includes bibliographical references and index
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  • 84
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    Book
    The honky tonk on the left : progressive thought in country music (2018)
    Amherst : University of Massachusetts Press
    Details
    ISBN: 9781625343383 , 9781625343376
    Language: English
    Pages: vi, 308 Seiten
    Series Statement: American popular music
    Parallel Title: Erscheint auch als Honky tonk on the left
    DDC: 781.642/1599
    RVK:
    LS 48610
    Keywords: Geschichte ; Country music Political aspects ; Progressivism (United States politics) ; Country music History and criticism ; Einflussnahme ; Countrymusic ; Country-Musiker ; Politik ; Progressismus ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Country-Musiker ; Countrymusic ; Progressismus ; Politik ; Einflussnahme ; Geschichte
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 85
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    Afrofuturism and black sound studies : culture, technology, and things to come (2018)
    Cham : Palgrave Macmillan
    Details
    ISBN: 3319660403 , 9783319660400
    Language: English
    Pages: viii, 241 Seiten , 21 cm x 14.8 cm
    Series Statement: Palgrave studies in sound
    DDC: 300
    RVK:
    LS 48050
    RVK:
    LR 56660
    Keywords: Schwarze ; Musik ; Technologie ; USA
    Note: Literaturverzeichnis Seite 225-233
    URL: Inhaltstext
    URL: http://www.springer.com/
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  • 86
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    Same-sex marriage and social media : how online networks accelerated the marriage equality movement (2018)
    New York : Routledge
    Details
    ISBN: 9781138894839 , 9781138894853
    Language: English
    Pages: viii, 177 Seiten , Illustrationen , 24 cm
    DDC: 306.8480973
    RVK:
    AP 19830
    Keywords: Gleichgeschlechtliche Ehe ; Social Media ; USA
    Note: Literaturangaben
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 87
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    Drumming Asian America : taiko, performance, and cultural politics (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780199374014 , 9780199374021
    Language: English
    Pages: xviii, 177 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Ahlgren, Angela K., author Drumming Asian America
    DDC: 786.908995073
    RVK:
    LS 27320
    Keywords: Taiko ; Taiko (Drum ensemble) ; Music Social aspects ; Asian American musicians ; Soziale Funktion ; Asiaten ; Identität ; Musik ; Einfluss ; Taiko ; Kulturpolitik ; Performance ; Asien ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Asiaten ; Taiko ; Performance ; Soziale Funktion ; Identität ; Kulturpolitik ; USA ; Musik ; Asien ; Einfluss ; USA ; Taiko
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 88
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    The jazz bubble : neoclassical jazz in neoliberal culture (2018)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520279377 , 9780520279384
    Language: English
    Pages: xii, 282 Seiten , Illustrationen
    DDC: 306.484250973
    RVK:
    LS 48200
    Keywords: Verve Jazz Masters ; Geschichte 1956- ; Jazz ; Musikwirtschaft ; Neoliberalismus ; USA
    Note: "Roth Family Foundation music in America imprint."
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 89
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    Race, gender, and image repair theory : how digital media change the landscape (2018)
    Lanham : Lexington Books
    Details
    ISBN: 9781498568616
    Language: English
    Pages: viii, 231 Seiten
    DDC: 302.231
    RVK:
    AP 15950
    RVK:
    MS 1235
    Keywords: Neue Medien ; Ethnische Identität ; Geschlechterrolle ; Massenmedien ; USA
    Note: Literaturangaben Seite 203-223 und Index
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  • 90
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    This radical land : a natural history of American dissent (2018)
    Chicago : The University of Chicago Press
    Details
    ISBN: 9780226336145
    Language: English
    Pages: 318 Seiten , Illustrationen
    DDC: 304.20973
    RVK:
    AR 12600
    RVK:
    NP 6030
    Keywords: Thoreau, Henry David ; Sherman, William T. ; Geschichte 1800-1899 ; Ökologische Bewegung ; Antikapitalismus ; Abolitionismus ; USA
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 91
    Online Resource
    Online Resource
    Making radio : early radio production and the rise of modern sound culture (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190497149
    Language: English
    Parallel Title: Erscheint auch als
    DDC: 302.23440973
    RVK:
    AP 33283
    RVK:
    MS 7960
    Keywords: Geschichte 1920-1929 ; Radio broadcasting / United States / History / 20th century ; Radio broadcasting / Aesthetics ; Radio broadcasting / Social aspects / United States / History / 20th century ; Mass media / Technological innovations / United States / History / 20th century ; Popular culture / United States / History / 20th century ; Klangkunst ; Hörfunksendung ; Ästhetik ; Hörfunk ; USA ; USA ; Hörfunksendung ; Hörfunk ; Klangkunst ; Ästhetik ; Geschichte 1920-1929
    Abstract: The opening decades of the twentieth century witnessed a profound transformation in the history of modern sound media, with workers in US film, radio, and record industries developing pioneering production methods and performance styles tailored to emerging technologies of electric sound reproduction that directly shaped dominant forms and experiences of modern sound culture. Focusing on broadcasting's initial expansion period during the 1920s, 'Making Radio' explores the forms of creative labor pursued for the medium before the better-known network era of the 1930s and 1940s, assessing their role in shaping radio's own identity and identifying affinities with parallel practices pursued for conversion-era film and phonography
    Description / Table of Contents: Includes bibliographical references and index
    Note: Previously issued in print: 2018
    DOI: 10.1093/oso/9780190497118.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
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    München BSB
  • 92
    Book
    Book
    We are the nerds : the birth and tumultuous life of Reddit, the internet's culture laboratory (2018)
    New York ; Boston : Hachette Books
    Details
    ISBN: 9780316435376
    Language: English
    Pages: xiii, 492 Seiten, 8 ungezählte Seiten Bildtafeln
    Edition: First edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.30285
    RVK:
    AP 15965
    Keywords: Reddit (Firm) ; Reddit ; Geschichte ; Online social networks ; Online chat groups ; Internet Social aspects ; Einfluss ; Soziales Netzwerk ; Politik ; Gesellschaft ; USA ; USA ; Soziales Netzwerk ; Einfluss ; Gesellschaft ; Politik ; Reddit ; Geschichte
    Note: Includes bibliographical references
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 93
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    Book
    Music wars : money, politics, and race in the construction of rock and roll culture, 1940-1960 (2018)
    Lanham : Lexington Books
    Details
    ISBN: 9781498575874
    Language: English
    Pages: xxii, 193 Seiten , Bibliography Seite 173-181
    DDC: 306.484240973
    RVK:
    LS 48630
    Keywords: Geschichte 1940-1960 ; Unterhaltungsmusik ; Rock 'n' Roll ; Musikwirtschaft ; Rassismus ; USA ; Hochschulschrift ; Hochschulschrift
    Note: Forthcoming publication , Includes bibliographical references and index.
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 94
    Book
    Book
    American film and society since 1945 (2018)
    Santa Barbara, California : Praeger
    Details
    ISBN: 9781440833212 , 9781440859458
    Language: English
    Pages: X, 363 Seiten , Illustrationen
    Edition: Fifth edition
    DDC: 302.23430973
    RVK:
    AP 44983
    RVK:
    AP 46700
    Keywords: Geschichte 1945-2017 ; Film ; Gesellschaft ; USA
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    München BSB
    Regensburg UB
    HeBIS
    BVB
  • 95
    Book
    Book
    I got something to say : gender, race, and social consciousness in rap music (2018)
    Cham, Switzerland : palgrave macmillan
    Details
    ISBN: 9783319904535
    Language: English
    Pages: xi, 240 Seiten
    Parallel Title: Erscheint auch als
    DDC: 201.7
    RVK:
    LS 48650
    Keywords: Geschichte ; Social Sciences ; Sociology of Culture ; Cultural Studies ; Music ; African American Culture ; Culture and Gender ; Men's Studies ; Social sciences ; African Americans ; Music ; Cultural studies ; Religion and culture ; Musikalische Analyse ; Geschlechterrolle ; Rap ; Soziale Funktion ; USA ; USA ; Rap ; Soziale Funktion ; Geschlechterrolle ; Musikalische Analyse ; Geschichte
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    München BSB
    BVB
  • 96
    Book
    Book
    Magnificent obsession : the outrageous history of film buffs, collectors, scholars, and fanatics (2018)
    Jackson : University Press of Mississippi
    Details
    ISBN: 9781496810533
    Language: English
    Pages: XII, 248 Seiten , Illustrationen, Portraits
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.23/43
    RVK:
    AP 44400
    Keywords: Geschichte ; Motion picture audiences ; Fans (Persons) ; Motion pictures Collectors and collecting ; Motion pictures Study and teaching ; Sammler ; Film ; Fan ; USA ; USA ; Film ; Fan ; Sammler ; Geschichte
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 97
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    Book
    The case of the sexy Jewess : dance, gender, and Jewish joke-work in US pop culture (2018)
    New York : Oxford University Press
    Details
    ISBN: 9780190624200 , 9780190624194
    Language: English
    Pages: xi, 207 pages , illustrations , 25 cm
    DDC: 305.48/8924
    RVK:
    AP 78883
    RVK:
    MS 3010
    Keywords: Angel, Joanna Appreciation ; Black swan (Motion picture : 2010) ; Jews in popular culture ; Jewish women comedians History ; Jewish women Humor ; Stand-up comedy Social aspects ; Jewish women in popular culture ; Jewish women Social life and customs ; United States Ethnic relations ; USA ; Jüdin ; Pop-Kultur ; Komikerin
    Abstract: Nice girls gone blue: neo-burlesque nostalgia and the downwardly mobile -- Hello, gorgeous and the historical lens: how funny girls became sexy -- Comic glory (and guilt): the appropriative license of Jewish female comedy -- Black swan, white nose: Jewish horror and ballet birds by any other name -- Punk porn princess Joanna Angel and the rise of Jewess raunch -- At the edge and in your face
    Note: Includes bibliographical references (pages 189-196) and index , Buchhöhe der Paperback-Ausgabe: 24 cm
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 98
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    The devil's music : how Christians inspired, condemned, and embraced rock 'n' roll (2018)
    Cambridge, Massachusetts : Harvard University Press
    Details
    ISBN: 9780674980846
    Language: English
    Pages: 337 Seiten , Illustrationen , 24 cm
    DDC: 306.484260973
    RVK:
    LV 78630
    Keywords: Geschichte 1950-2016 ; Rock music Religious aspects ; Christianity ; Rock music History and criticism ; Rock music History and criticism ; Christian rock music History and criticism ; Fundamentalism History ; Christ ; Rock 'n' Roll ; Fundamentalismus ; USA ; USA ; Christ ; Fundamentalismus ; Rock 'n' Roll ; Geschichte 1950-2016
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 99
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    Book
    Double negative : the black image and popular culture (2018)
    Durham : Duke University Press
    Details
    ISBN: 9781478000419 , 9781478000549
    Language: English
    Pages: xii, 236 Seiten , Illustrationen
    DDC: 305.896073
    RVK:
    AP 19830
    Keywords: Massenkultur ; Schwarze ; USA
    Note: Literaturverzeichnis Seite 211-218
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
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  • 100
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    Making radio : early radio production and the rise of modern sound culture (2018)
    New York : Oxford University Press
    Details
    ISBN: 9780190497118
    Language: English
    Pages: ix, 240 Seiten , Illustrationen
    DDC: 302.23440973
    RVK:
    MS 7960
    RVK:
    AP 33283
    Keywords: Geschichte 1920-1929 ; Hörfunksendung ; Hörfunk ; Klangkunst ; Ästhetik ; USA
    Note: Literaturverzeichnis: Seite 213-224
    URL: Inhaltsverzeichnis
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030324661&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    Regensburg UB
    BSZ
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    BVB
    HBZ
    Bayreuth UB
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