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  • 1
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : University of California Press
    Language: English
    Pages: 1 Online-Ressource
    Keywords: Media studies ; Humanities
    Abstract: In the climate of isolationism, nativism, democratic expansion of civic rights, and consumerism that America experienced after the First World War, Italian-born movie star Rudolph Valentino and Italy’s dictator, Benito Mussolini, became surprisingly appealing emblems of authoritarian male power. Drawing on extensive research in the United States and Italy, Bertellini’s work shows how the political and erotic popularity of Valentino, the Divo, and Mussolini, the Duce, was not just the result of spontaneous popular enthusiasm. Instead, Bertellini argues, it also depended on the efforts of public opinion managers, including publicists, journalists, and even ambassadors. As such, the fame of the Divo and the Duce reveals both the converging publicity work undertaken in Hollywood and Washington since the Great War and the extent to which their foreignness was put to work in managing postwar anxieties about democratic governance. Beyond the democratic celebrations of the Jazz Age, this promotion of charismatic masculinity, while short-lived, inaugurated the now-familiar convergence of popular celebrity and political authority
    Note: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    ISBN: 9780520301368
    Language: English
    Pages: xv, 309 Seiten , Illustrationen
    Series Statement: Cinema cultures in contact 1
    Series Statement: Cinema cultures in contact
    Parallel Title: Erscheint auch als Bertellini, Giorgio, 1967- author Divo and the Duce
    DDC: 305.5/2
    Keywords: Valentino, Rudolph ; Mussolini, Benito ; Publicity History 20th century ; Mass media and publicity ; Communication in politics ; Celebrities in mass media ; Motion picture industry History 20th century ; Valentino, Rudolph 1895-1926 ; Mussolini, Benito 1883-1945 ; USA ; Massenmedien ; Öffentlichkeitsarbeit ; Politische Kommunikation ; Starkult ; Filmwirtschaft ; Geschichte 1920-1930
    Abstract: "In the post-World War I American climate of isolationism, nativism, democratic expansion of civic rights, and consumerism, Italian-born star Rodolfo Valentino and Italy's dictator Benito Mussolini became surprising paragons of authoritarian male power and mass appeal. Drawing on extensive research in the United States and Italy, Giorgio Bertellini's work shows how their popularity, both political and erotic, largely depended on the efforts of public opinion managers, including publicists, journalists, and even ambassadors. Beyond the democratic celebrations of the Jazz Age, the promotion of their charismatic masculinity, while short-lived, inaugurated the now-familiar convergence of popular celebrity and political authority"--Provided by publisher
    Abstract: Introduction : "Nothing like going to an authority" -- Popular sovereignty, public opinion, and the presidency -- Cultural nationalism and democracy's opinion leaders -- Wartime film stardom and global leadership -- The divo, new style heavy -- The ballyhooed art of governing romance -- Stunts and plebiscites -- Promoting a romantic biography -- National leader, international actor -- Conclusions
    Note: Includes bibliographical references and index
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  • 3
    Online Resource
    Online Resource
    Berkeley, CA : University of California Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780520972179
    Language: English
    Pages: 1 Online-Ressource (352 p.)
    Series Statement: Cinema Cultures in Contact 1
    DDC: 305.5/2
    RVK:
    RVK:
    RVK:
    Keywords: Valentino, Rudolph ; Mussolini, Benito ; Geschichte 1920-1930 ; Öffentlichkeitsarbeit ; Massenmedien ; Politische Kommunikation ; Starkult ; Filmwirtschaft ; USA ; Electronic books
    Abstract: A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In the post-World War I American climate of isolationism, nativism, democratic expansion of civic rights, and consumerism, Italian-born star Rodolfo Valentino and Italy's dictator Benito Mussolini became surprising paragons of authoritarian male power and mass appeal. Drawing on extensive archival research in the United States and Italy, Giorgio Bertellini's work shows how their popularity, both political and erotic, largely depended on the efforts of public opinion managers, including publicists, journalists, and even ambassadors. Beyond the democratic celebrations of the Jazz Age, the promotion of their charismatic masculinity through spectacle and press coverage inaugurated the now-familiar convergence of popular celebrity and political authority. This is the first volume in the new Cinema Cultures in Contact series, coedited by Giorgio Bertellini, Richard Abel, and Matthew Solomon. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)-a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries. Learn more at the TOME website, available at: openmonographs.org.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 4
    Online Resource
    Online Resource
    Oakland : University of California Press
    ISBN: 9780520301368
    Language: English
    Pages: 1 Online-Ressource (329 p.)
    Keywords: History ; Media studies
    Abstract: In the climate of isolationism, nativism, democratic expansion of civic rights, and consumerism that America experienced after the First World War, Italian-born movie star Rudolph Valentino and Italy’s dictator, Benito Mussolini, became surprisingly appealing emblems of authoritarian male power. Drawing on extensive research in the United States and Italy, Bertellini’s work shows how the political and erotic popularity of Valentino, the Divo, and Mussolini, the Duce, was not just the result of spontaneous popular enthusiasm. Instead, Bertellini argues, it also depended on the efforts of public opinion managers, including publicists, journalists, and even ambassadors. As such, the fame of the Divo and the Duce reveals both the converging publicity work undertaken in Hollywood and Washington since the Great War and the extent to which their foreignness was put to work in managing postwar anxieties about democratic governance. Beyond the democratic celebrations of the Jazz Age, this promotion of charismatic masculinity, while short-lived, inaugurated the now-familiar convergence of popular celebrity and political authority
    Note: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
    Online Resource
    Online Resource
    Oakland, California : University of California Press
    ISBN: 9780520972179
    Language: English
    Pages: 1 Online-Ressource (xv, 309 Seiten) , Illustrationen
    Series Statement: Cinema cultures in contact 1
    Series Statement: Cinema cultures in contact
    Parallel Title: Erscheint auch als
    DDC: 305.52
    RVK:
    RVK:
    RVK:
    Keywords: Valentino, Rudolph ; Mussolini, Benito ; Mussolini, Benito ; Valentino, Rudolph ; Geschichte 1920-1930 ; Publicity History 20th century ; Mass media and publicity ; Communication in politics ; Celebrities in mass media ; Motion picture industry History 20th century ; Öffentlichkeitsarbeit ; Politische Kommunikation ; Massenmedien ; Filmwirtschaft ; Starkult ; USA ; Electronic books. ; Electronic books. ; History. ; History ; Valentino, Rudolph 1895-1926 ; Mussolini, Benito 1883-1945 ; USA ; Massenmedien ; Öffentlichkeitsarbeit ; Politische Kommunikation ; Starkult ; Filmwirtschaft ; Geschichte 1920-1930
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: JSTOR
    URL: OAPEN
    URL: OAPEN  (Creative Commons License)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 6
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : University of California Press
    ISBN: 9780520972179
    Language: English
    Pages: 1 Online-Ressource
    Keywords: Media studies ; Humanities
    Abstract: In the climate of isolationism, nativism, democratic expansion of civic rights, and consumerism that America experienced after the First World War, Italian-born movie star Rudolph Valentino and Italy’s dictator, Benito Mussolini, became surprisingly appealing emblems of authoritarian male power. Drawing on extensive research in the United States and Italy, Bertellini’s work shows how the political and erotic popularity of Valentino, the Divo, and Mussolini, the Duce, was not just the result of spontaneous popular enthusiasm. Instead, Bertellini argues, it also depended on the efforts of public opinion managers, including publicists, journalists, and even ambassadors. As such, the fame of the Divo and the Duce reveals both the converging publicity work undertaken in Hollywood and Washington since the Great War and the extent to which their foreignness was put to work in managing postwar anxieties about democratic governance. Beyond the democratic celebrations of the Jazz Age, this promotion of charismatic masculinity, while short-lived, inaugurated the now-familiar convergence of popular celebrity and political authority
    Note: English
    Library Location Call Number Volume/Issue/Year Availability
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