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  • 1
    Online Resource
    Online Resource
    Where Truth Lies (2019)
    [Erscheinungsort nicht ermittelbar] : University of California Press | The Hague : OAPEN Foundation
    Details
    Language: English
    Pages: 1 Online-Ressource (248 pages)
    DDC: 302.2310973
    Abstract: This boldly original book traces the evolution of documentary film and photography as they migrated onto digital platforms during the first decades of the twenty-first century. Kris Fallon examines the emergence of several key media forms-social networking and crowdsourcing, video games and virtual environments, big data and data visualization-and demonstrates the formative influence of political conflict and the documentary film tradition on their evolution and cultural integration. Focusing on particular moments of political rupture, Fallon argues that ideological rifts inspired the adoption and adaptation of newly available technologies to encourage social mobilization and political action, a function performed for much of the previous century by independent documentary film. Positioning documentary film and digital media side by side in the political sphere, Fallon asserts that "truth" now lies in a new set of media forms and discursive practices that implicitly shape the documentation of everything from widespread cultural spectacles like wars and presidential elections to more invisible or isolated phenomena like the Abu Ghraib torture scandal or the "fake news" debates of 2016."Looking at a unique and intriguing set of 'hybrid media,' Fallon convincingly makes a claim about a change in the form of new media, one linking politics, aesthetics, and technology." ALEXANDRA JUHASZ, Brooklyn College, CUNY"Where Truth Lies does the difficult and much-needed work of unpacking how the documentary impulse is shifting in the digital age, both through the profound influence of digital aesthetics and computational thinking and through the ways traditional documentary is infusing digital expression." JENNIFER MALKOWSKI, author of Dying in Full Detail: Mortality and Digital DocumentaryKRIS FALLON is Assistant Professor of Cinema and Digital Media at the University of California, Davis
    URL: kostenfrei
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  • 2
    Book
    Book
    Where truth lies : digital culture and documentary media after 9/11 (2019)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520300934
    Language: English
    Pages: xvi, 227 Seiten , Illustrationen, Karte
    Parallel Title: Erscheint auch als
    DDC: 302.2310973
    RVK:
    AP 14000
    Keywords: Geschichte 2000-2099 ; Digital media / Political aspects / United States / 21st century ; Documentary mass media / United States / 21st century ; Mass media / Objectivity / United States / 21st century ; Online social networks / Political aspects / 21st century ; Dokumentarfilm ; Politik ; Massenkommunikation ; Soziale Unterstützung ; Falschmeldung ; Neue Medien ; USA ; USA ; Neue Medien ; Soziale Unterstützung ; Massenkommunikation ; Geschichte 2000-2099 ; Neue Medien ; Dokumentarfilm ; Politik ; Falschmeldung
    Note: Erscheint auch als Open Access bei De Gruyter
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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    URL: Volltext  (kostenfrei)
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  • 3
    Online Resource
    Online Resource
    Where truth lies : digital culture and documentary media after 9/11 (2019)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520972117 , 0520972112
    Language: English
    Pages: 1 Online-Ressource (1 online resource)
    Parallel Title: Erscheint auch als
    Keywords: Digital media Political aspects 21st century ; Documentary mass media 21st century ; Mass media Objectivity 21st century ; Online social networks Political aspects 21st century ; Films, cinema ; Media studies ; Politics & government ; PERFORMING ARTS / Film / Genres / Documentary ; Digital media ; Political aspects ; Documentary mass media ; Mass media ; Objectivity ; Online social networks ; Political aspects ; United States
    Abstract: Seeing in the dark -- "We see what we want to believe" : archival logic and database aesthetics in the war films of Errol Morris -- Networked audiences : moveon.org and brave new films -- "States of exception" : the paradox of virtual documentary representation -- Technology, transparency and the digital presidency -- Post-truth politics : conspiracy media and the specter of "fake news".
    Abstract: "This boldly original book traces the evolution of documentary film and photography as they migrated onto digital platforms during the first decades of the twenty-first century. Kris Fallon brings together the emergence of several key media forms--social networking and crowdsourcing, video games and virtual environments, big data and data visualization--and demonstrates the formative influence of political conflict and the documentary film tradition on their evolution and cultural integration. Fallon argues that the ideological rifts of the period inspired the adoption and adaptation of newly available technologies toward social mobilization and political action, a role played for much of the last century by independent documentary film. By focusing on particular moments of political rupture where prior forms of representation and persuasion were discarded or discredited, Fallon asserts that "truth" now lies in a new set of media forms and discursive practices, standards that implicitly shape the documentation of everything from widespread cultural spectacles like wars and presidential elections to more invisible or isolated phenomena like the Abu Ghraib torture scandal or the "fake news" debates of 2016. Positioning documentary film and digital media side by side in the political sphere, this work deeply engages with both contemporary and historical precedents"--Provided by publisher
    Note: Includes bibliographical references and index , English
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    MPI Ethno. Forsch.
  • 4
    Online Resource
    Online Resource
    Where Truth Lies : Digital Culture and Documentary Media after 9/11 (2019)
    Oakland : University of California Press
    Details
    ISBN: 9780520300934
    Language: English
    Pages: 1 Online-Ressource (248 p.)
    DDC: 302.23/10973
    Keywords: Films, cinema ; Media studies ; Politics & government ; Electronic books. ; Electronic books.
    Abstract: "This boldly original book traces the evolution of documentary film and photography as they migrated onto digital platforms during the first decades of the twenty-first century. Kris Fallon examines the emergence of several key media forms—social networking and crowdsourcing, video games and virtual environments, big data and data visualization—and demonstrates the formative influence of political conflict and the documentary film tradition on their evolution and cultural integration. Focusing on particular moments of political rupture, Fallon argues that ideological rifts inspired the adoption and adaptation of newly available technologies to encourage social mobilization and political action, a function performed for much of the previous century by independent documentary film. Positioning documentary film and digital media side by side in the political sphere, Fallon asserts that “truth” now lies in a new set of media forms and discursive practices that implicitly shape the documentation of everything from widespread cultural spectacles like wars and presidential elections to more invisible or isolated phenomena like the Abu Ghraib torture scandal or the “fake news” debates of 2016. “Looking at a unique and intriguing set of ‘hybrid media,’ Fallon convincingly makes a claim about a change in the form of new media, one linking politics, aesthetics, and technology.” ALEXANDRA JUHASZ, Brooklyn College, CUNY “Where Truth Lies does the difficult and much-needed work of unpacking how the documentary impulse is shifting in the digital age, both through the profound influence of digital aesthetics and computational thinking and through the ways traditional documentary is infusing digital expression.” JENNIFER MALKOWSKI, author of Dying in Full Detail: Mortality and Digital Documentary KRIS FALLON is Assistant Professor of Cinema and Digital Media at the University of California, Davis."
    Note: English
    URL: OAPEN Library: download the publication
    URL: OAPEN Library: description of the publication
    URL: kostenfrei
    URL: kostenfrei
    URL: https://www.luminosoa.org/site/books/10.1525/luminos.80/
    URL: Luminos
    URL: https://doi.org/10.1525/9780520972117
    URL: Cover
    URL: http://pmt-eu.hosted.exlibrisgroup.com/openurl/44OPN_INST/44OPN_services_page?u.ignore_date_coverage=true&rft.mms_id=9952688248002316
    URL: https://whel-primo.hosted.exlibrisgroup.com/openurl/44WHELF_BANG/44WHELF_BANG_services_page?u.ignore_date_coverage=true&rft.mms_id=991004882442202422
    URL: JSTOR
    URL: http://library.oapen.org/handle/20.500.12657/23492
    URL: https://www.degruyter.com/openurl?genre=book&isbn=9780520972117
    URL: http://library.oapen.org/bitstream/20.500.12657/23492/1/where-truth-lies.pdf
    URL: https://library.oapen.org/handle/20.500.12657/23492
    URL: https://hdl.loc.gov/loc.gdc/gdcebookspublic.2019980041
    URL: Click here to view book
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    MPI Ethno. Forsch.
  • 5
    Online Resource
    Online Resource
    Where Truth Lies : Digital Culture and Documentary Media after 9/11 (2019)
    Berkeley, CA : University of California Press
    Details
    ISBN: 9780520972117
    Language: English
    Pages: 1 online resource (248 pages)
    DDC: 302.23/10973
    Keywords: Geschichte 2000-2099 ; PERFORMING ARTS / Film / Genres / Documentary ; Digital media Political aspects 21st century ; Documentary mass media 21st century ; Mass media Objectivity 21st century ; Online social networks Political aspects 21st century ; Falschmeldung ; Politik ; Neue Medien ; Massenkommunikation ; Dokumentarfilm ; Soziale Unterstützung ; USA ; Electronic books ; USA ; Neue Medien ; Soziale Unterstützung ; Massenkommunikation ; Geschichte 2000-2099 ; Neue Medien ; Dokumentarfilm ; Politik ; Falschmeldung
    Abstract: A free open access ebook is available upon publication. Learn more at www.luminosoa.org. This boldly original book traces the evolution of documentary film and photography as they migrated onto digital platforms during the first decades of the twenty-first century. Kris Fallon examines the emergence of several key media forms-social networking and crowdsourcing, video games and virtual environments, big data and data visualization-and demonstrates the formative influence of political conflict and the documentary film tradition on their evolution and cultural integration. Focusing on particular moments of political rupture, Fallon argues that the ideological rifts of the period inspired the adoption and adaptation of newly available technologies to encourage social mobilization and political action, a function performed for much of the previous century by independent documentary film. Positioning documentary film and digital media side by side in the political sphere, Fallon asserts that "truth" now lies in a new set of media forms and discursive practices that implicitly shape the documentation of everything from widespread cultural spectacles like wars and presidential elections to more invisible or isolated phenomena like the Abu Ghraib torture scandal or the "fake news" debates of 2016
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020) , In English
    DOI: 10.1525/9780520972117
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    URL: lizenzpflichtig
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