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The meaning of soul
black music and resilience since the 1960sVerfasser: Lordi, Emily J. <1979->
(DE-588)1027136907978-1-4780-1224-5
Schlagwörter: USA
; Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität <Motiv> ; Resilienz <Motiv> ; Geschichte 1960-
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Letzte Änderung: 16.11.2021
MARC-Felder:
- Hochschulbibliothek Kempten (Sigel: 859)
- Technische Hochschule Aschaffenburg, Hochschulbibliothek (Sigel: 1043)
- Hochschulbibliothek Coburg (Sigel: 858)
- Technische Hochschule Augsburg, Hochschulbibliothek (Sigel: Aug 4)
- Universitätsbibliothek Bamberg (Sigel: 473)
- Universitätsbibliothek Passau (Sigel: 739)
- Hochschulbibliothek Landshut (Sigel: 860)
- Hochschulbibliothek Amberg (Sigel: 1046)
- Bayerische Staatsbibliothek München (Sigel: 12)
- Universitätsbibliothek Bayreuth (Sigel: 703)
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Zugang für Benutzer von: Bayerische Staatsbibliothek München - Zugang für Benutzer von: Hochschulbibliothek Amberg
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- Zugang für Benutzer von: Hochschulbibliothek Kempten
- Zugang für Benutzer von: Hochschulbibliothek Landshut
- Zugang für Benutzer von: Technische Hochschule Aschaffenburg, Hochschulbibliothek
- Zugang für Benutzer von: Technische Hochschule Augsburg, Hochschulbibliothek
- Zugang für Benutzer von: Universitätsbibliothek Bamberg
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- Musikwissenschaft
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https://gateway-bayern.de/BV047049636
Letzte Änderung: 16.11.2021
| Titel: | The meaning of soul |
|---|---|
| Untertitel: | black music and resilience since the 1960s |
| URL: | https://doi.org/10.1515/9781478012245 |
| URL Erlt Interna: | Verlag |
| URL Erlt Info: | URL des Erstveröffentlichers |
| Erläuterung : | Volltext |
| Von: | Emily J. Lordi |
| ISBN: | 978-1-4780-1224-5 |
| Preis/Einband: | Online, PDF |
| Erscheinungsort: | Durham ; London |
| Verlag: | Duke University Press |
| Erscheinungsjahr: | [2020] |
| Erscheinungsjahr: | © 2020 |
| DOI: | 10.1515/9781478012245 |
| Umfang: | 1 Online-Ressource (x, 217 Seiten) |
| Serie/Reihe: | Refiguring American music |
| Abstract: | In The Meaning of Soul, Emily J. Lordi proposes a new understanding of this famously elusive concept. In the 1960s, Lordi argues, soul came to signify a cultural belief in black resilience, which was enacted through musical practices-inventive cover versions, falsetto vocals, adlibs, and false endings. Through these soul techniques, artists such as Aretha Franklin, Donny Hathaway, Nina Simone, Marvin Gaye, Isaac Hayes, and Minnie Riperton performed virtuosic survivorship and thus helped to galvanize black communities in an era of peril and promise. Their soul legacies are later re-animated by such stars as Prince, Solange Knowles, and Flying Lotus. Breaking with prior understandings of soul as a vague masculinist political formation tethered to the Black Power Movement, Lordi offers a vision of soul that foregrounds the intricacies of musical craft, the complex personal and social meanings of the music, the dynamic movement of soul across time, and the leading role played by black women in this musical-intellectual tradition |
| Sprache: | eng |
| RVK-Notation: | LS 48640 |
| Andere Ausgabe: | Erscheint auch als |
| _Bemerkung: | Druck-Ausgabe, Hardcover |
| _ISBN: | 978-1-4780-0869-9 |
| Andere Ausgabe: | Erscheint auch als |
| _Bemerkung: | Druck-Ausgabe, Paperback |
| _ISBN: | 978-1-4780-0959-7 |
| Thema (Schlagwort): | USA; Soulmusiker; Afroamerikanische Musik; Ethnische Identität; Resilienz; Geschichte 1960- |
| Weitere Schlagwörter : | afro-presentism; African Americans; Music; History and criticism; Music and race; United States; History; 20th century; Popular music; United States; History and criticism; Soul music; History and criticism; Soul musicians |
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