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  • 2020-2024  (383)
  • 1970-1974  (44)
  • Aufsatzsammlung  (257)
  • Biografie  (97)
  • History  (89)
  • Musicology  (424)
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Years
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Keywords
  • 101
    ISBN: 9783150113981 , 3150113989
    Language: German
    Pages: 192 Seiten , 20.5 cm x 12.5 cm
    Parallel Title: Erscheint auch als Drop It Like It's Hot. 33 (fast) perfekte Popsongs
    DDC: 780
    RVK:
    Keywords: Aufsatzsammlung
    Abstract: "Die Antwort auf die 'Was hörst du?'-Frage ist fast schon ein schicksalhafter Moment. "Was ist das Geheimnis großer Popsongs, und um welche Themen kreisen ihre Texte? Spricht einem das, was da gesungen wird, aus der Seele oder wird da irgendein Quatsch erzählt? In "Drop It Like It's Hot" schreiben FAZ-Autorinnen und -Gastbeiträger über ihre Lieblings-Popsongs - von Simon and Garfunkel bis zu Snoop Dogg, von Nick Cave über Fiona Apple und Reinhard Mey bis zu Ideal. Mit Beiträgen von Rose-Maria Gropp, Jürgen Kaube, Annette Humpe, Oliver Jungen, Christina Dongowski, Joachim Bessing, Miryam Schellbach und vielen anderen
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  • 102
    Book
    Book
    Würzburg : Königshausen & Neumann
    ISBN: 9783826072055
    Language: English
    Pages: 197 Seiten , Illustrationen, Karten, Notenbeispiele
    DDC: 781.65
    RVK:
    Keywords: Jazz ; Jazz ; Globalisation ; Communities ; Pop-Kultur ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Jazz
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  • 103
    Book
    Book
    New York, NY ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501357275 , 9781501387715
    Language: English
    Pages: xii, 242 Seiten , Diagramme (schwarz-weiß)
    RVK:
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    Keywords: Geschichte 1970-2020 ; Musikjournalismus ; Popmusik ; Musical criticism ; Popular music / History and criticism ; Popular music / Social aspects ; Mass media and music ; Mass media / Moral and ethical aspects ; Mass media and music ; Popular music ; Popular music in motion pictures ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikjournalismus ; Geschichte 1970-2020
    Abstract: "The historical significance of music-makers, music scenes, and music genres has long been mediated through academic and popular press publications such as magazines, films, and television documentaries. Media Narratives in Popular Music examines these various publications and questions how and why they are constructed. It considers the typically linear narratives that are based on simplifications, exaggerations, and omissions and the histories they construct - an approach that leads to totalizing official histories that reduce otherwise messy narratives to one-dimensional interpretations of a heroic and celebratory nature. This book questions the basis on which these mediated histories are constructed, highlights other, hidden, histories that have otherwise been neglected, and explores a range of topics including consumerism, the production pressure behind documentaries, punk fanzines, Rolling Stones covers, and more."--
    Description / Table of Contents: Introduction Chris Anderton and Martin James (Solent University, UK) -- SECTION 1 Narratives of Identity -- 1. Hidden in Plain Sight : Stories of Gender, Generation and Political Economy on the Northern Soul Scene Sarah Raine (Edinburgh Napier University, UK) and Tim Wall (Birmingham City University, UK) -- 2. Paid My Dues : Key Debates in the 1970s Feminist Music Press Ann-Marie Hanlon (Dundalk Institute of Technology, Ireland) -- 3. They re Not In It Like The Man Dem : How Gendered Narratives Contradict Patriarchal Discourse in Electronic Dance Music Julia Toppin (University of Hertfordshire, UK) -- 4. From Islam to Yeezies : How Consumerism Replaced Knowledge in the Media Narratives of Post-9/11 Hip-Hop Martin James (Solent University, UK) -- SECTION 2. Narratives of Genre -- 5. Exiles in Madison Square Garden : Critical Reception and Journalistic Narratives of Progressive Rock in Melody Maker Magazine, 1971 1976 Chris Anderton (Solent University, UK) --
    Description / Table of Contents: 6. Alternative Before Alternative : The Pre-Punk History of a 90s Genre Theo Cateforis (Syracuse University, USA) -- 7. Never Mind the B... , Here's Three Minutes of Prog Andy Bennett (Griffith University, Australia) -- 8. "There's a Crack in the Union Jack" -- Questioning National Identity in the Britpop Years : The Britpop Counter-Narrative Johnny Hopkins (Solent University, UK) -- SECTION 3. Narratives Constructed -- 9. Compromised Histories : The Impact of Production Pressures on the Construction of Historical Narratives in Popular Music Documentaries Sarah Baker (Griffith University, Australia), Lauren Istvandity (University of the Sunshine Coast, Australia), Zelmarie Cantillon (Western Sydney University, Australia) and Shane Homan (Monash University, Australia) -- 10. When a History of Gender Representation Meets the Nostalgic Storytelling of Hot Press Magazine Yvonne Kiely (Kiely Management, USA) --
    Description / Table of Contents: 11. Punk Fanzines, Subcultural Consecration, and Hidden Female Histories in Early British Punk Karen Fournier (University of Michigan, USA) -- 12. Tales from the Turntables : "Narrating" and "Narrativizing" the "First Club DJ" Maren Hancock (York University, UK) -- Index
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  • 104
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030924614
    Language: English
    Pages: XI, 202 Seiten , Illustrationen
    Series Statement: Pop music, culture and identity
    Parallel Title: Erscheint auch als
    DDC: 781.63
    RVK:
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    Keywords: Popular Music ; Gender Studies ; Queer Studies ; Theatre and Performance Arts ; Popular music ; Sex ; Queer theory ; Performing arts ; Theater ; Technologie ; Musikproduktion ; Musikwirtschaft ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikproduktion ; Technologie ; Musikwirtschaft
    URL: Cover
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  • 105
    ISBN: 9781793613851
    Language: English
    Pages: x, 363 Seiten
    Parallel Title: Online version Fowler, Beth (Beth Nicole) Rock and roll, desegregation movements, and racism in the post-civil rights era
    DDC: 781.6609730904
    RVK:
    Keywords: Geschichte 1946-1964 ; Bürgerrechtsbewegung ; Rock 'n' Roll ; USA ; Rock music / United States / To 1961 / History and criticism ; Rock music / United States / 1961-1970 / History and criticism ; Rhythm and blues music / History and criticism ; Music and race / United States / History / 20th century ; Segregation / United States / History / 20th century ; Rock (Musique) / États-Unis / 1961-1970 / Histoire et critique ; Musique et race / États-Unis / Histoire / 20e siècle ; Ségrégation / États-Unis / Histoire / 20e siècle ; Rock (Musique) / États-Unis / Jusqu'à 1961 / Histoire et critique ; Music and race ; Rhythm and blues music ; Rock music ; Segregation ; United States ; To 1999 ; Criticism, interpretation, etc ; History ; Hochschulschrift ; Hochschulschrift ; USA ; Rock 'n' Roll ; Bürgerrechtsbewegung ; Geschichte 1946-1964
    Abstract: "This book uses archival research and analyses of musical performances and original oral histories to explore the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era"--
    Description / Table of Contents: Introduction. "A Subtle Defiance in the Songs" -- Shufflin' 'Til the Break of Dawn," 1946-1953 -- "If It's a Hit, It's a Hit," 1954-1956 -- "A Teen Ager in Love," 1957-1960 -- "They'd All Be Dancing Together," 1961-1964 -- "A Drummer With a Totally Different Beat," The Post-Civil Rights Era
    URL: Cover
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  • 106
    Book
    Book
    New York, NY : Pegasus Books
    ISBN: 9781639362073
    Language: English
    Pages: 388 Seiten, 16 ungezählte Blätter Tafeln , Illustrationen, Porträts
    Edition: First Pegasus Books cloth edition
    Parallel Title: Erscheint auch als
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    Keywords: The Rolling Stones ; Geschichte 1962-2022 ; Rolling Stones ; Rolling Stones / History ; Rock musicians / England / Biography ; Rolling Stones ; Rock musicians ; England ; Biographies ; History ; Biographies ; Biografie ; Biografie ; The Rolling Stones ; Geschichte 1962-2022
    Abstract: "An acclaimed rock and roll journalist evokes the legacy of The Rolling Stones--iconic, granitic, commercially unstoppable as a collective; and fascinating, contradictory, and occasionally disturbing as individuals. As Lesley-Ann Jones writes, the Rolling Stones are 'still roaming the globe like rusty tanks without a war to go to. Jumping, jacking, flashing, posturing, these septuagenarian caricatures with faces that might have been microwaved but coming on like eternal thirty-year-olds.' On 12th July 1962, the Rollin' Stones performed their first-ever gig at London's Marquee jazz club. Down the line, a 'g' was added, a spark was lit and their destiny was sealed. No going back. These five white British kids set out to play the music of black America. They honed a style that bled bluesy undertones into dark insinuations of women, sex, and drugs. Denounced as 'corruptors of youth' and 'messengers of the devil,' they created some of the most thrilling music ever recorded. Now their sound and attitude seem louder and more influential than ever. Elvis is dead and the Beatles are over, but Jagger and Richards bestride the world. The Stones may be gathering moss, but on they roll. Yet how did the ultimate anti-establishment misfits become the global brand we know today? Who were the casualties, and what are the forgotten legacies? Can the artist ever be truly divisible from the art? Lesley-Ann Jones's new history tracks this contradictory, disturbing, granitic and unstoppable band through hope, glory and exile, into the juggernaut years and beyond into rock's ongoing reckoning...where the Stones seem more at odds than ever with the values and heritage against which they have always rebelled. Good, bad, and often ugly, here are the Rolling Stones as never seen before"--
    Description / Table of Contents: Karma -- Joner -- Mick'n'keef -- Drum'n'bass -- Hustlers -- Heyday -- Reaction -- Marianne -- Anita -- Redlands -- Mouche -- Christopher Robin -- Altamont -- Exile -- Crisis -- Juggernaut -- Mandy -- Cliodhna -- Resonance -- So long -- Roots -- Out of timeline -- Stones women -- Chapter notes -- Quote, unquote -- Select bibliography -- Acknowledgements -- Index
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  • 107
    Book
    Book
    New Haven, CT : Yale University Press
    ISBN: 9780300255317
    Language: English
    Pages: 273 Seiten , Illustrationen, Porträts
    Parallel Title: Erscheint auch als
    DDC: 782.42164
    RVK:
    Keywords: Dylan, Bob ; Folksong ; USA ; Dylan, Bob / 1941- / Songs and music ; Folk music / United States / History and criticism ; MUSIC / Genres & Styles / Folk & Traditional ; Biografie ; Biografie ; Biografie ; Dylan, Bob 1941- ; USA ; Folksong
    Abstract: Across seven decades, Bob Dylan has been the first singer of American song. As a writer and performer, he has rewritten the national songbook in a way that comes from his own vision and yet can feel as if it belongs to anyone who might listen.0 In Folk Music, Greil Marcus tells Dylan's story through seven of his most transformative songs. Marcus's point of departure is Dylan's ability to "see myself in others." Like Dylan's songs, this book is a work of implicit patriotism and creative skepticism. It illuminates Dylan's continuing presence and relevance through his empathy-his imaginative identification with other people. This is not only a deeply felt telling of the life and times of Bob Dylan, but a rich history of American folk songs and the new life they were given as Dylan sat down to write his own
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  • 108
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501368417 , 9781501368400
    Language: English
    Pages: VIII, 277 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1950-2020 ; Hit ; Popmusik ; Popular music / History and criticism ; One-hit wonders ; Musique populaire / Histoire et critique ; One-hit wonders ; Popular music ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Hit ; Geschichte 1950-2020
    Abstract: "Catchy, memorable, irritating, or simply ubiquitous, one-hit wonders capture something of the mood of a time. This collection provides a series of short, sharp chapters focusing on one-hit wonders from the 1950s to the present day, offering a capsule history of popular music tastes and ruminations on the mechanics of fame." --
    Abstract: "A chronicle of changing popular music styles and tastes as exemplified by "one-hit wonders" - focusing on the mainstream, on common musical currency, and on the often maligned"--
    Description / Table of Contents: Introduction / Sarah Hill -- Buchanan & Goodman, 'The Flying Saucer' (1956) / Paul Carr -- The Kingsmen, 'Louie Louie' (1963) / Samuel Murray -- ? and the Mysterians, '96 Tears' (1966) / Adam Behr -- The Easybeats, 'Friday on My Mind' (1966) / Dai Griffiths -- Norman Greenbaum, 'Spirit in the Sky' (1969) / Philip Auslander -- The Archies, 'Sugar Sugar' (1969) / Jon Stewart -- Serge Gainsbourg, 'Je t'aime (moi non plus)' (1969) / Philippe Gonin -- Blue Swede, 'Hooked On a Feeling' (1971) / Sarah Hill, with Bengt Palmers -- Wild Cherry, 'Play That Funky Music' (1976) / Robert Fink -- Althea and Donna, 'Uptown Top Ranking' (1977) / Paul Long -- Plastic Bertrand, 'Ça Plane Pour Moi' (1977) / Patrick McGuinness -- Nick Gilder, 'Hot Child in the City' (1978) / Richard Parfitt -- The Vapors, 'Turning Japanese' (1980) / Abigail Gardner -- Aneka, 'Japanese Boy' (1981) / Richard Elliott -- Toni Basil, 'Mickey' (1981) / Tim Anderson -- Trio, 'Da Da Da' (1981) / Tim Quirk -- Nena, '99 Luftballons' (1982) / Melanie Schiller -- The Grateful Dead, 'Touch of Grey' (1987) / Tom Irvine -- A View from the Ground: Being a One-Hit Wonder / Mike Jones -- A View from the Desk : Product Management / Sarah Hill, talking with a guy in a suit -- Shakespear's Sister, 'Stay' (1992) / Áine Mangaoang -- OMC, 'How Bizarre' (1996) / Geoff Stahl -- Butthole Surfers, 'Pepper' (1996) / Gina Arnold -- Chumbawamba, 'Tubthumping' (1998) / Matt Grimes -- Meredith Brooks, 'Bitch' (1997) / Asya Draganova -- New Radicals, 'You Get What You Give' (1998) / Jon Gower -- Las Ketchup, 'Aserejé' (2002) / Eulalia Febrer Coll -- Gotye, 'Somebody That I Used to Know' (2011) / Ellis Jones
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  • 109
    ISBN: 9783839460559
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Cultural studies Band 56
    Series Statement: Cultural studies
    Parallel Title: Erscheint auch als
    DDC: 782.421649
    RVK:
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    Keywords: Gangsta-Rap ; Repräsentation ; Sozialer Konflikt ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Criticism, interpretation, etc. ; Aufsatzsammlung ; Deutschland ; Gangsta-Rap ; Sozialer Konflikt ; Repräsentation
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Cover
    URL: JSTOR
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 110
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501336287
    Language: English
    Pages: XIV, 394 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Ort ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Ort
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  • 111
    ISBN: 9783990128107 , 3990128108
    Language: German , English , Hebrew , Japanese
    Pages: 181 Seiten , Illustrationen , 21.7 cm x 13.8 cm
    Parallel Title: Erscheint auch als
    DDC: 900
    RVK:
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    Keywords: Biografie ; Biografie ; Biografie
    Note: Literaturverzeichnis Seite 165-172 , Vorwort englisch und deutsch; Haupttexte deutsch mit englischer, hebräischer und japanischer Zusammenfassung
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  • 112
    Book
    Book
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781316519974 , 9781009011532
    Language: English
    Pages: xi, 324 Seiten , Diagramme
    Parallel Title: Erscheint auch als Fight the power
    DDC: 306.4/84249
    RVK:
    Keywords: Rap (Music) Political aspects ; African Americans Political activity ; African Americans Social conditions ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Rap ; Musiksoziologie
    Abstract: From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby.
    Abstract: "Paul Butler considers NWA's 1988 song, "Fuck tha Police," as an invitation to think about putting the police on trial for crimes against African Americans. It examines the resonance of "Fuck tha Police" over time, up to and including the George Floyd inspired protests. It will also use the song to analyze how civilians should feel about cops in a democracy. Are they a positive good, as many white people might suggest, a necessary evil, as some people of color might suggest, or an unnecessary evil, as suggested by the "defund the police" movement? Butler also will explore the meaning of the trial metaphor in the song - what would it mean for African Americans to put the police on trial? What would be the crime and the appropriate punishment?"--
    Note: Includes bibliographical references and index
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  • 113
    ISBN: 9782503600789
    Language: English
    Pages: xxvi, 358 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Specvlvm Mvsicae Volume 46
    RVK:
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturangaben , Publications of the Centro Studi Opera Omnia Luigi Boccherini, Luca
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  • 114
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520382787 , 9780520382800
    Language: English
    Pages: xxvi, 448 Seiten , Illustrationen
    Series Statement: Hip Hop studies 3
    Series Statement: Hip Hop studies
    Parallel Title: Erscheint auch als
    DDC: 306.484249
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    Keywords: Geschichte ; Hip-Hop ; Rap ; Rap (Music) / Political aspects ; Rap (Music) / Social aspects ; Rap musicians / Political activity ; Hip-hop / Influence ; Rappeurs / Activité politique ; Hip-hop / Influence ; Rap (Music) / Political aspects ; Rap (Music) / Social aspects ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Rap ; Hip-Hop ; Geschichte
    Abstract: "Moving through over a dozen cities across four continents, Freedom Moves: Hip Hop Knowledges, Pedagogies, and Futures represents a cutting-edge, field-defining moment in Hip Hop Studies. As we approach 50 years of hip hop cultural history, and 30 years of hip hop scholarship, hip hop continues to be one of the most profound and transformative social, cultural, and political movements of the late 20th and early 21st centuries. In this book, H. Samy Alim, Jeff Chang, and Casey Philip Wong invite us to engage dialogically with some of the world's most innovative and provocative Hip Hop artists and intellectuals as they collectively rethink the relationships between Hip Hop knowledges, pedagogies, and futures.
    Abstract: Rooting hip hop in Black freedom culture, this state-of-the-art collection presents a globally diverse group of Black, Indigenous, Latinx, Asian American, Arab, European, North African and South Asian artists, activists, and thinkers who view hip hop as a means to move freedom forward for all of us.
    Abstract: Contributors do so by taking stock of the politics of hip hop culture at this critical juncture of renewed racial justice movements in the US and globally (Chuck D, Rakim, and Talib Kweli); resisting oppressive policing and reimagining community safety, healing, and growth in US urban centers like New York (Bryonn Bain), Pittsburgh (Jasiri X), Chicago (Kuumba Lynx), Atlanta and "the New South" (Bettina Love, Regina Bradley, and Mark Anthony Neal), and the San Francisco Bay Area (Mark Gonzales, A-lan Holt, Michelle Lee and the Mural Music and Arts Project); and recovering traditional, Indigenous knowledges and ways of being in the world at the same time that they create new ones (Dream Warriors). Leading thinkers take seriously the act of forging new languages for new articulations of Black/feminist/queer/disabled futures within and beyond Hip Hop (Joan Morgan, Brittney Cooper, Treva Lindsey, Kaila Aida Story, Esther Armah, Leroy F. Moore, Jr.
    Description / Table of Contents: Introduction -- Sweat the technique : the politics and poetics of hip hop / Rakim, Chuck D, and Talib Kweli -- Know the ledge(s) : the meanings of knowledge of self in "post"-apartheid South Africa / Shaheen Ariefdien and Emile YX? -- "Alshaab yurid isqaat al-nitham!" : sustaining revolution and disrupting dominant narratives of Palestine and Syria through hip hop / DAM (Tamer Nafar, Suhell Nafar and Mahmoud Jreri), Omar Offendum, and Ramzi Salti -- "The revolution will be indigenous" : collective liberation, healing, and resistance to settler colonialism through hip hop / Jessa Calderon, Gunner Jules, Lyla June, Tall Paul, and Tanaya Winder, with Casey Philip Wong -- "Luchando Derechos" in neoliberal Spain : hip hop visions beyond racism, xenophobia, Islamophobia and the gentrification of El Raval, Barcelona / La Llama Rap Colectivo with H. Samy Alim -- 1Hood : hip hop art, activism, and media creation in Pittsburgh / Jasiri X --
    Description / Table of Contents: "Protection from police who hinder respiratory airways" : hip hop theatre and activism with Kuumba Lynx in Chicago / Jacinda Bullie, Jaquanda Saulter-Villegas, and Leyda Lady Sol Garcia -- Ripples of hope and healing : sustaining community by creating a social justice arts ecosystem / Sonya Clark-Herrera, with Dorien Blue fka Adorie Howard, Measha Ferguson-Smith, Reagan Ross, and Casey Philip Wong -- Beyond trauma : storytelling as cultural shift and collective healing / Bryonn Bain, Mark Gonzales, A-Ian Holt, and Michelle Lee -- "Where the beat drops" : culturally relevant to culturally sustaining hip hop pedagogies / Gloria Ladson-Billings, Django Paris, and H. Samy Alim -- How hip hop means : retrospect for beats, rhymes, and classroom life / Marc Lamont Hill -- The magic behind science genius : how hip hop can transform science education / Christopher Emdin & The GZA, with Bryan Brown --
    Description / Table of Contents: Hip hop, whiteness, and critical pedagogies in the context of Black Lives Matter / A.J. Robinson -- The pleasure principle : articulating a post-hip hop feminist politics of pleasure / Joan Morgan, Brittney Cooper, Treva Lindsey, Kaila Adia Story, and Esther Armah -- "When can black disabled folks come home? : the krip-hop movement, race, and disability justice / Leroy F. Moore, Jr. and Stephanie Keeney Parks -- Queering hip hop feminist pedagogies in the New South / Bettina Love, Regina Bradley, and Mark Anthony Neal -- "These are not sonnet times" : building towards liberatory futures / Maisha Winn
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  • 115
    Online Resource
    Online Resource
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253060082
    Language: English
    Pages: 1 Online-Ressource (xvii, 297 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Music and the early modern imagination
    Parallel Title: Erscheint auch als Music and Jewish culture in early modern Italy
    Parallel Title: Erscheint auch als
    DDC: 780.89/924045
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    Keywords: Geschichte 1500-1700 ; Musik ; Juden ; Italien ; Jews / Italy / Music / 16th century / History and criticism ; Jews / Italy / Music / 17th century / History and criticism ; Music / Italy / 16th century / History and criticism ; Music / Italy / 17th century / History and criticism ; Jews / Music ; Music ; Italy ; 1500-1699 ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Italien ; Juden ; Musik ; Geschichte 1500-1700
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  • 116
    Book
    Book
    Mainz : Ventil
    ISBN: 9783955751692 , 3955751694
    Language: German
    Pages: 301 Seiten , Illustrationen , 23 cm x 15.5 cm
    Edition: 1. Auflage
    RVK:
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    Keywords: Geschichte 1920-2020 ; Musik ; Frau ; Musikerin ; Moe Tucker ; Mainstream ; Musikerinnen ; Joan Jett ; Billie Eilish ; Stevie Nicks ; Mercedes Sosa ; Frauenbewegung ; Independent ; Little Simz ; Gianna Nannini ; Gudrun Gut ; Amy Winehouse ; Vashti Bunyan ; Alternative ; Popkultur ; Rockmusik ; Role Model ; Britney Spears ; Feminismus ; Künstlerinnen ; Underground ; Sibylle Baier ; Sängerinnen ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Geschichte 1920-2020 ; Musik ; Frau ; Musikerin
    URL: Cover
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  • 117
    Book
    Book
    Lanham ; Boulder ; New York ; London : Lexington Books
    ISBN: 9781666900880
    Language: English
    Pages: xx, 241 Seiten , Illustrationen, Karten, Notenbeispiele
    Series Statement: The Lexington series in historical ethnomusicology: deep soundings
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte ; Rezeption ; Islam ; Ensemble ; Einflussnahme ; Hofmusik ; Malaysia ; Islamische Staaten ; Nobat ; Music / Southeast Asia / History and criticism ; Music / Political aspects / Southeast Asia / History ; Courts and courtiers / History ; Islam / Southeast Asia / History ; Courts and courtiers ; Islam ; Music ; Music / Political aspects ; Southeast Asia ; Criticism, interpretation, etc ; History ; Malaysia ; Islam ; Hofmusik ; Ensemble ; Einflussnahme ; Rezeption ; Islamische Staaten ; Geschichte
    Abstract: "The Malay Nobat: A History of Power, Acculturation, and Sovereignty explores the history and meaning of the nobat, its spread throughout the Muslim empire, and its emergence as a symbol of power and sovereignty, ultimately showing how existing nobat ensembles in Malaysia and Brunei are the last living legacy of the Mulism world"--
    Description / Table of Contents: Introduction -- Early Histories -- The Malay Nobat -- The Nobat in Early Malay Literature : A Lesson from Patani -- The Adat Aceh and 17th Century European Encounter -- From British Colonialism to Independence -- Conclusion
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  • 118
    ISBN: 978-3-8376-6055-5 , 3-8376-6055-9
    Language: German
    Pages: 375 Seiten ; , 22.5 cm x 14.8 cm, 618 g.
    Series Statement: Cultural Studies Band 56
    Series Statement: Cultural Studies
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Popkultur. ; Gangsta-Rap. ; Sozialer Konflikt. ; Repräsentation ; Deutschland. ; Rap ; Gangsta-Rap ; Kulturwissenschaft ; Migration ; Intersektionalität ; Soziale Ungleichheit ; Hip Hop ; Soziale Medien ; Popkultur ; Gesellschaft ; Musik ; Popmusik ; Kultursoziologie ; Musikwissenschaft ; Gangsta-rap ; Cultural Studies ; Intersectionality ; Social Inequality ; Social Media ; Popular Culture ; Society ; Music ; Pop Music ; Sociology of Culture ; Musicology ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popkultur ; Gangsta-Rap ; Gangsta-Rap ; Sozialer Konflikt ; Repräsentation
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  • 119
    Book
    Book
    Cambridge, United Kingdom ; New York, NY, USA : Cambridge University Press
    ISBN: 9781108708463
    Language: English
    Pages: xviii, 365 Seiten , Illustrationen
    Edition: First paperback edition
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: The Beatles ; Geschichte 1960-1970 ; Soziokultur ; Großbritannien ; Aufsatzsammlung ; Aufsatzsammlung ; Großbritannien ; The Beatles ; Soziokultur ; Geschichte 1960-1970
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  • 120
    Book
    Book
    Jefferson, North Carolina : McFarland & Company
    ISBN: 9781476687063
    Language: English
    Pages: ix, 257 Seiten
    DDC: 306.4/8420973
    RVK:
    RVK:
    Keywords: Popular music Social aspects ; History ; Slurs History ; Music and language History ; Music and race History ; African Americans in popular culture ; African American comedians ; MUSIC / History & Criticism ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies
    Abstract: The N-Word's Musical Contours -- Out of Music : The N-Word's Material, Environmental, and Social Contours -- John Lennon's N-Word Moment -- Interlude. Diverse Opinions -- Philosorock : John Lennon, Bob Dylan, and Other White Musicians Who Sing the N-Word -- Black Demystification, White Bewilderment : Transformation and Numbing in Black Comedy and Black Music -- Muhammad Ali, Rap, and That Word -- A Hip-Hop Icon -- A Sensible Rule : A Case Study -- Inviting Destruction Beyond the Music -- Conclusion. Welcome to the Conversation, Country Music.
    Abstract: "The minstrelsy play, song, and dance "Jump, Jim Crow" did more than enable blackface performers to spread racist stereotypes about Black Americans. This widespread antebellum-era cultural phenomenon was instrumental in normalizing the N-word across several aspects of American life. Material culture, sporting culture, consumer products, house-pets, carnival games and even geographic landmarks obtained the racial slur as a formal and informal appellation. Music, it is argued, was the catalyst for normalizing and disseminating those two ugly syllables throughout society, well beyond the environs of plantation and urban slavery. This weighty and engaging look at the English language's most explosive slur, described by scholars as the "atomic bomb" of bigoted words, traces the N-word's journey through various music genres and across generations. The author uses private letters, newspaper accounts, exclusive interviews and, most importantly, music lyrics from artists in the fields of minstrelsy, folk, country, ragtime, blues, jazz, rock 'n' roll and hip hop. The result is a reflective account of how the music industry has channeled linguistic and cultural movements across eras, resulting in changes to the slur's meaning and spelling"--
    Note: Includes bibliographical references and index
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  • 121
    ISBN: 9783931754907 , 3931754901
    Language: German
    Pages: 138 Seiten
    Series Statement: MusikLeben Band 8
    Series Statement: MusikLeben
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    Keywords: Volksmusikpflege ; Forschung ; Volksmusik ; Bayern ; Neue Wege ; Trott ; Volksmusikpflege ; Aufsatzsammlung ; Aufsatzsammlung ; Bayern ; Volksmusik ; Volksmusikpflege ; Forschung
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  • 122
    Online Resource
    Online Resource
    Kassel ; Basel ; London ; New York ; Praha : Bärenreiter
    ISBN: 9783761872758
    Language: German
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.1
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    Keywords: Mozart, Wolfgang Amadeus ; Kulturphilosophie ; Identity Politics ; History of Music ; Social sciences—Philosophy ; Culture ; Identity politics ; Music—History and criticism ; Musik ; Kulturwandel ; Wolfgang Amadeus ; Mozart ; Stephan Mösch ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Mozart, Wolfgang Amadeus 1756-1791 ; Kulturwandel ; Musik
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 123
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478018872 , 9781478016236
    Language: English
    Pages: xiv, 218 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; Rap (Music) / New York (State) / New York / History and criticism ; African American radio stations / New York (State) / New York ; Radio stations / New York (State) / New York / History ; Radio broadcasting / Deregulation / New York (State) / New York ; Radio in popular culture / New York (State) / New York ; MUSIC / Genres & Styles / Rap & Hip Hop ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; African American radio stations ; Radio broadcasting / Deregulation ; Radio in popular culture ; Radio stations ; Rap (Music) ; New York (State) / New York ; Criticism, interpretation, etc ; History ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Abstract: "Breaks in the Air provides a social and cultural history of rap music on Black radio in New York City from the late 1970s to the late 1980s. Radio shows were crucial in the growth of hip hop in New York, and Klaess explores the intertwined histories of sounds, institutions, communities, and legal formations converging in that post-Civil Rights period. John Klaess offers a careful analysis of the city's three crucial commercial radio stations-WBLS-FM 107.5, WRKS-FM 98.7, and WHBI-FM 105.9-drawing on an archive of tape recordings of the stations' broadcasts. Klaess moves from a history of deregulation in the broadcasting industry to the ways that American racial politics inflected the broadcast of rap and looks at how these radio stations engaged with this unique historical situation, how technologies both aided and limited their broadcasts, how their broadcasts were received, and what the public broadcast of this music and culture meant to young people of color in New York"--
    Description / Table of Contents: Deregulating radio -- Sounding Black progress in the post-civil rights era -- Commercializing rap with Mr. Magic's rap attack -- Programming the street at WRKS -- Broadcasting the Zulu Nation -- Listening to the labor of the Awesome II Show
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  • 124
    Book
    Book
    London : Strange Attractor Press | Cambridge, Massachusetts : The MIT Press
    ISBN: 9781913689285
    Language: English
    Pages: 334 Seiten , Illustrationen , 21 cm
    DDC: 782.421649
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    Keywords: Hip-hop ; Time ; Afrofuturism ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Mit Register
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  • 125
    ISBN: 9783848771479 , 3848771470
    Language: German
    Pages: 301 Seiten , Illustrationen , 22.7 cm x 15.3 cm
    Edition: 1. Auflage
    Series Statement: Interdisziplinäre Antisemitismusforschung Band 13
    Series Statement: Interdisziplinäre Antisemitismusforschung
    Parallel Title: Erscheint auch als
    DDC: 780.0305
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    Keywords: Musik ; Antisemitismus ; Popmusik ; Verschwörungsmythen ; Antiamerikanismus ; BDS ; Rechtsextremismus ; BDS-Kampagne ; Juden ; Lügenpresse ; Systemkritik ; Verschwörung ; Rap ; Raggae ; klassische Musik ; Volksmusik ; Metal ; Punk ; Techno ; Rock ; Popmusik ; Hardcover, Softcover / Sachbücher/Politik, Gesellschaft, Wirtschaft/Gesellschaft ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Antisemitismus ; Musik ; Popmusik ; Antisemitismus
    Abstract: Der Sammelband stellt die Frage nach den Erscheinungsformen und Ausdrucksweisen des Antisemitismus in der Musik. Als "negative Leitidee der Moderne" ist Antisemitismus in sämtlichen Musikrichtungen zu finden und wird auf unterschiedlichen Ebenen vermittelt: sei es durch Songtexte, Albumcover, Musikvideos, Bühnenauftritte, durch die Musikform bzw. des Stils an sich oder die ideologische und strukturelle Einbindung von Musiker:innen in die extrem rechte Szene bis hin zur Beeinflussung ganzer Musikszenen durch die antisemitische BDS-Kampagne. In den Aufsätzen geben die Autor:innen daher einen Überblick zu aktuellen Entwicklungen und liefern Analysen und Einschätzungen zu den mannigfaltigen antisemitischen Verstrickungen in der Musik.Mit Beiträgen von Lukas Geck, Maria Kanitz, Annica Peter, Jan Schäfer, Jakob Baier, Kai E. Schubert, Niels Penke, Marcus Stiglegger, Timo Büchner, Melanie Hermann, Marc Grimm, Nico Unkelbach, Nicholas Potter, Nathalie Friedländer, Tom D. Uhlig
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  • 126
    ISBN: 9783703065439 , 3703065435
    Language: German
    Pages: 465 Seiten , Illustrationen, Notenbeispiele , 24 cm x 17 cm
    Series Statement: Schriften zur musikalischen Ethnologie Band 8
    Series Statement: Schriften zur musikalischen Ethnologie
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    Keywords: Mehrstimmigkeit ; Jodeln ; Gesang ; Alpen ; europäische Mehrstimmigkeit ; mehrstimmiges Singen ; Ideologie ; Circle Singing ; Jodelpraxis ; Naturjodel ; Trallalero ; Jodler ; Swiss Amish ; Kuhreihen ; Alpsegen ; Alphorn ; Konferenzschrift 25.10.2016-26.10.2016 ; Konferenzschrift 23.10.2018-24.10.2018 ; Aufsatzsammlung ; Konferenzschrift 25.10.2016-26.10.2016 ; Konferenzschrift 23.10.2018-24.10.2018 ; Aufsatzsammlung ; Alpen ; Jodeln ; Gesang ; Mehrstimmigkeit ; Alpen ; Jodeln ; Mehrstimmigkeit
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  • 127
    Online Resource
    Online Resource
    Leiden ; Boston : Brill
    ISBN: 9789004517073
    Language: English
    Pages: 1 Online-Ressource (XV, 441 Seiten)
    Series Statement: Collected works of Jao Tsung-i: Xuantang anthology volume 1
    Series Statement: Collected works of Jao Tsung-i: Xuantang anthology
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Musik ; Musikarchäologie ; Musikphilosophie ; China ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik ; Musikarchäologie ; Musikphilosophie ; Geschichte
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 128
    ISBN: 9783658365165
    Language: German
    Pages: 1 Online-Ressource (VII, 543 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 306
    RVK:
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    Keywords: Geschichte 2000- ; Popular Culture ; Youth Culture ; Fan and Audience Studies ; Cultural Theory ; Media Sociology ; Popular Culture ; Youth—Social life and customs ; Audiences ; Culture—Study and teaching ; Mass media ; Hip-Hop ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Hip-Hop ; Geschichte 2000-
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 129
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190247867
    Language: English
    Pages: xiv, 575 Seiten , Illustrationen
    Series Statement: Oxford handbooks
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 793.3
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    Keywords: Hip hop dance ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Introduction / Mary Fogarty and Imani Kai Johnson -- Foundation : context and components of breaking fundamentals / Kenneth "Ken Swift" Gabbert and Yarrow "Osofly" Lutz -- The camera in the cypher : high times and hypervisibility in early hip hop dance / Vanessa Lakewood -- The technical developments in breaking from conditioning to mindset / Niels "Storm" Robitzky -- Connecting hip hop history and heritage / E. Moncell Durden -- Kung Fu fandom : NYC B-Boys and the Grindhouse distribution of Kung Fu films / Eric Pellerin -- What makes a man break? / Mary Fogarty -- Learn your history : using academic oral histories of NYC B-girls in the 1990s to broaden hip hop scholarship / MiRi Park -- Hard love part 1 : corporealities of women ethnographers of hip hop dances / Imani Kai Johnson -- Framing hip hop dance as an object of sociological and cultural research / Andy Bennett -- Through sound and space : notes on education from the edge of the cypher / Emery Petchauer --
    Abstract: The vault : collecting and archiving street dance footage / Marc "Scramblelock" Sakalauskas -- Hard love part 2 : critical hiphopography in streetdance communities / Imani Kai Johnson -- Breaking in my house : popular dance, identity politics, and postracial empathies / Thomas F. DeFrantz -- Globalization and the hip hop dance cipher / Halifu Osumare and Terry Bright Kweku Ofosu -- Asian American liminality : racial triangulation in hip hop dance / Grace Shinhae Jun -- Breakin' down the bloc : hip hop dance in Armenia / Serouj "Midus" Aprahamian -- Twerking and P-popping in the context of New Orleans' local hip-hop scene / Matt Miller -- Is she B-boying or B-girling? : understanding how B-girls negotiate gender and belonging / Helen Simard -- Streetdance and Black aesthetics / Naomi Bragin -- Living in the tension : the aesthetics and logics of popping / Rosemarie A. Roberts --
    Abstract: Staging hip hop dance : fly girls in the house / Leah "McFly" McKesey, Diana "Fly Lady Di" Reyes and Mary "MJ" Fogarty -- Battles and ballets : hip hop dance in France / Roberta Shapiro -- Negotiating the metaspace : hip hop dance artists in the space of UK dance/theatre / Paul Sadot -- Make the letters dance : a hip hop approach to creative practice / Anthony "YNOT" DeNaro and Mary Fogarty -- Hip hop dance and injury prevention / Tony Ingram -- They come for the hip hop, but stay for the healing / Stephen "Buddha" Leafloor -- Can expert dancers be a springboard model to examine neurorehabilitation via dance? / Rebecca Barnstaple, Debora B. Rabinovich, and Joseph FX DeSouza -- Afterword : dance, hip hop studies and the academy / Joseph Schloss.
    Note: Includes bibliographical references and index
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  • 130
    ISBN: 9783492071482 , 3492071481
    Language: German
    Pages: 462 Seiten , Illustrationen , 22 cm, 590 g
    Uniform Title: The stone age
    Parallel Title: Erscheint auch als Jones, Lesley-Ann The Stone Age
    DDC: 782.421660922
    RVK:
    Keywords: The Rolling Stones ; Biografie
    Note: Hier auch später erschienene, unveränderte Nachdrucke/Auflagen , Literaturverzeichnis: Seite [420]-422
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 131
    ISBN: 9783981602395
    Language: German
    Pages: 352 Seiten , Illustrationen
    Edition: 5. stark erweiterte und neu bearbeitete Auflage
    RVK:
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    Keywords: Aufsatzsammlung
    Note: Auf dem Einband "Vierte, überarbeitete und erweiterte Auflage"
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  • 132
    ISBN: 9781789384215 , 1789384214
    Language: English
    Pages: xxv, 446 Seiten , Illustrationen , 25 cm
    Parallel Title: Erscheint auch als Ainsworth, Alan John Sight Readings
    DDC: 781.650973
    RVK:
    RVK:
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    Keywords: Jazz in art ; Photography History 20th century ; Jazz History and criticism ; Jazz ; Jazz in art ; Photography ; Criticism, interpretation, etc ; History ; USA ; Fotografie ; Jazz ; Jazzmusiker ; Geschichte 1900-1960
    Note: Includes bibliographical references (pages 366-424) and index
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  • 133
    Online Resource
    Online Resource
    New York : Bloomsbury Academic & Professional
    ISBN: 9781501336300
    Language: English
    Pages: 1 Online-Ressource (xiv, 394 Seiten)
    Series Statement: Bloomsbury Handbooks Series
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Ort ; Popmusik ; Electronic books ; Aufsatzsammlung ; Popmusik ; Ort
    Abstract: Cover -- Contents -- List of contributors -- Introduction Geoff Stahl and J. Mark Percival -- Section I Theory and method -- 1 Music, space, place and non-place Geoff Stahl -- 2 Rhythmanalysis and circulation Will Straw -- 3 Global, local, regional and translocal: Towards a relational approach to scale in popular music Hyunjoon Shin and Keewoong Lee -- 4 Sociological perspectives on music and place Andy Bennett -- 5 Ethnomusicology and place Kimberly Cannady -- 6 Political economies of urban music Shane Homan -- 7 Sensobiographic walking and ethnographic approach of the Finnish school of soundscape studies Helmi Järviluoma -- Section II Space, place and consumption -- 8 At home with Sinatra Keir Keightley -- 9 Music radio J. Mark Percival -- 10 The record shop Nabeel Zuberi -- 11 The nightclub Hillegonda C Rietveld -- 12 The live venue Robert Kronenburg -- 13 Mobile listening cultures Raphaël Nowak -- Section III Space, place, production andperformance -- 14 In the city: Glasgow Martin Cloonan -- 15 Bedroom production Emília Barna -- 16 The studio Ruth Dockwray -- 17 The virtual studio Martin K. Koszolko -- 18 The space of the record: Something happening somewhere Simon Zagorski-Thomas -- 19 The live gig Sam Whiting -- Section IV Cities, suburbs, nations and beyond -- 20 Suburban breakout: Nomadic reverie in British pop Andrew Branch -- 21 Sounding South African township life Kathryn Olsen -- 22 Funk: A musical symbol of Rio de Janeiro's favelas Vincenzo Cambria -- 23 Postcolonial noise: How did French rap (re)invent 'the banlieue'? Christina Horvath -- 24 Music and the nation Melanie Schiller -- 25 Transnational music Simone Krüger Bridge -- Section V Selling, celebrating, representing spaceand place -- 26 Music, heritage and place Catherine Strong -- 27 Music and tourism Leonieke Bolderman -- 28 Festivals Chris Anderton.
    Note: Description based on publisher supplied metadata and other sources
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  • 134
    ISBN: 978-0-5713-6218-9
    Language: English
    Pages: xiii, 372 Seiten ; , 24 cm.
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Tutti, Cosey Fanni / https://isni.org/isni/0000000059402232 ; Derbyshire, Delia / 1937-2001 / https://isni.org/isni/0000000077928000 ; Kempe, Margery / approximately 1373- / https://isni.org/isni/0000000118044659 ; Kempe, Margery / approximately 1373- ; Tutti, Cosey Fanni ; Derbyshire, Delia ; Margery ; Women and the arts ; Women in the music trade ; Creative ability in women ; Künste. ; Kreativität. ; Biografie ; 1951- Tutti, Cosey Fanni ; 1937-2001 Derbyshire, Delia ; Kempe 1373-1439 Margery ; Künste ; Kreativität
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  • 135
    ISBN: 9780429284526
    Language: English
    Pages: 1 Online-Ressource (ix, 223 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Electronic books ; Aufsatzsammlung ; Popmusik ; Politik ; Geschichte 2000-
    Note: Description based on publisher supplied metadata and other sources
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  • 136
    Language: German , English
    Pages: iii, 513 Seiten
    Additional Material: 1 CD-ROM
    Dissertation note: Dissertation Universität Rostock 2022
    DDC: 780
    RVK:
    Keywords: Hochschulschrift ; Nordamerika ; Musikzeitschrift ; Biografie ; Musiker ; Weiblicher Fan ; Geschichte 1960-2017
    Abstract: Wie wird die geschlechtsspezifische Figur des Musik-Groupies in audiovisuellen Medien in Nordamerika erzählt und welche (Selbst-)Deutungen widersprechen ihrer dominanzkulturellen Erzählung? Welche Effekte hatte die Deutung als Groupie speziell für professionelle Akteurinnen der Rockmusik seit den 1960er-Jahren und wie gehen diese damit um? Ausgerichtet zwischen Kultur-, Medien- und Musikforschung wertet die Dissertation mit interpretativ-erzählanalytischen Verfahren und einem medienbiografischen Ansatz Filme, Autobiografien sowie Interviews mit Akteurinnen der Rockmusik aus.〈ger〉
    Note: GutachterInnen: Prof. Dr. Gesa Mackenthun (Universität Rostock, Institut für Anglistik/Amerikanistik), Prof. Dr. Elizabeth Prommer (Universität Rostock, Institut für Medienforschung), Apl. Prof. Dr. Rolf Großmann (Universität Lüneburg, Institut für Kultur und Ästhetik Digitaler Medien)
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  • 137
    Online Resource
    Online Resource
    Newcastle-upon-Tyne : Cambridge Scholars Publishing | Ann Arbor, Michigan : ProQuest
    ISBN: 9781527581234
    Language: English
    Pages: 1 Online-Ressource
    Edition: 2nd Edition
    Parallel Title: Erscheint auch als Abecassis, Michaël An Anthology of French and Francophone Singers, from a to Z, 2nd Edition
    DDC: 782.420944
    RVK:
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    Keywords: Geschichte ; Sänger ; Sängerin ; Französisches Sprachgebiet ; Biografie ; Electronic books
    Abstract: French song is a vector of cultural, social, and stylistic values. Throughout the world, songs in the French language are used in the teaching of French: professors incorporate songs into the curriculum in order to illustrate differences of register and linguistic variation, as well as to raise lexical or grammatical questions. Every musical form has had an impact on the linguistic practices of our society. As a form of popular expression, song is a genre that has, in recent years, become the focus of serious academic scholarship and criticism. However, few linguists have paid attention to Fre
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  • 138
    Image
    Image
    Boston : Academic Studies Press
    ISBN: 1644698943 , 9781644698945
    Language: English
    Pages: vi, 355 , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: Studies in the history and sociology of music
    DDC: 306.484209479
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    Keywords: Since 1991 ; Music Social aspects ; History ; Music Political aspects ; History ; Communism and music ; Communism and music ; Manners and customs ; Music - Political aspects ; Music - Social aspects ; History ; Baltic States Social life and customs ; Baltic States History 1991- ; Baltic States ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: This volume provides a transnational study of the impact of musical cultures in the Eastern Baltics – Lithuania, Latvia, Poland, and Russia – at the end of the Cold War and in the early post-Communist period. Throughout the book, the contributors explore and conceptualize transnational musical collaboration and the diffusion of information, people, and ideas focusing on musical activity which shaped the moral and artistic outlook of several generations. The volume sheds light on the transformative power of politically and socially engaged music and offers a deeper understanding of the artistic potential of societies and its impact on social and political change.
    Note: Enthält Literaturangaben und ein Namenregister
    URL: Cover
    URL: Cover
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  • 139
    ISBN: 9789004516816 , 9004516816
    Language: English
    Pages: XV, 441 Seiten , Illustrationen , 25 cm
    Series Statement: Collected works of Jao Tsung-i 1
    Series Statement: Collected works of Jao Tsung-i
    Uniform Title: Works
    Parallel Title: Online version Rao, Zongyi Harmoniousness
    RVK:
    Keywords: Geschichte ; Musik ; Musikarchäologie ; Musikphilosophie ; China ; Music / China / History and criticism ; Music / China / Philosophy and aesthetics ; Music theory / China / History ; Music archaeology / China ; Music ; Music archaeology ; Music / Philosophy and aesthetics ; Music theory ; China ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik ; Musikarchäologie ; Musikphilosophie ; Geschichte
    Abstract: "From prehistoric bone flutes to Confucian bell-sets, from ancient divination to his beloved qin, this book presents translations of thirteen seminal essays on musical subjects by Jao Tsung-i. In language as elegant and refined as the ancient texts he so admired, his journey takes readers through Buddhist incantation, the philosophy of musical instruments, acoustical numerology, lyric poetry, historical and sociological contexts, manuscript studies, dance choreography, repertoire formulation, and opera texts. His voice is authoritative and intimate, the expert crafting his arguments, both accessible and sophisticated, succinct and richly tapestried; and concealed within a deft modesty is a thinker privileging us with his most profound observation. The musician's musician, the scholar's scholar, bold yet cautious, flamboyant yet restrained, a man for all seasons, a harmoniousness of time and place"--
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  • 140
    ISBN: 9783955751876
    Language: German
    Pages: 443 Seiten , Illustrationen , 22 cm x 15 cm
    DDC: 306.1082
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    Keywords: Aufsatzsammlung ; Punkerin ; Subkultur ; Patriarchat ; Feminismus ; Sexismus ; LGBT ; Punk ; Geschlechterkonflikt
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 141
    ISBN: 9783957556707
    Language: German
    Pages: 228 Seiten , Illustrationen
    DDC: 781.6509046
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    Keywords: Aufsatzsammlung ; Jazz ; Geschichte 1960-1970
    Abstract: Fast alles, was im Jazz heute als gut und vermittelbar gilt, wurde in den Sechzigerjahren des 20. Jahrhunderts entwickelt und ausgeformt. Miles Davis begann modal zu improvisieren. Coltrane, Coleman, Brötzmann & Co ergänzten ihre Tonalität durch die Kakophonie der Geräusche. Rhythmusgruppen verabschiedeten sich vom durchlaufenden, swingenden Beat, doch die Swing-Bigbands waren durchaus noch nicht abgemeldet. Hard Bop und die American Folk Blues Festivals eröffneten der Black Music neue Spielräume: Funk und Soul. Jazzmusiker integrierten Rock, Rockmusiker adaptierten Jazz. Die Sixties waren für den Jazz ein Jahrzehnt der Umbrüche und Widersprüche, aber auch eine Zeit des florierenden Diskurses. Im »jazz-echo«, der achtseitigen Jazz-Beilage des GONDEL-Magazins, beschrieben und bewerteten sechs fachkundige Publizisten aus drei Generationen begeistert, skeptisch oder polemisch die rasanten künstlerischen Entwicklungen. Redakteur und Hauptautor des »jazz-echo« war in den 1960er Jahren Siegfried Schmidt-Joos. Auch seine Entwicklung vom ausschließlichen Jazz-Experten zum weiträumigen Pop-Journalisten und Rock-Chronisten spiegelt dieses Buch, das mit kritisch-kulinarischen Kostbarkeiten die Zeit des florierenden Diskurses in der Musik wie in der Musikberichterstattung in Erinnerung ruft.
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  • 142
    Book
    Book
    Köln : Strzelecki Books
    ISBN: 9783910298026 , 3910298028
    Language: German
    Pages: 282 Seiten , Illustrationen , 23 cm x 15 cm
    DDC: 781.6460904
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    Keywords: Interview ; Aufsatzsammlung ; Jamaika ; Dub ; Geschichte 1973-2022
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 143
    Book
    Book
    Köln : Kiepenheuer & Witsch
    ISBN: 9783462003673 , 3462003674
    Language: German
    Pages: 416 Seiten , 20.9 cm x 13.3 cm, 504 g
    Edition: 1. Auflage
    Parallel Title: Erscheint auch als Die Träume anderer Leute
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    Keywords: Holofernes, Judith ; Biografie
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  • 144
    ISBN: 978-3-8309-4553-6 , 3-8309-4553-1
    Language: German
    Pages: 248 Seiten : , Illustrationen, Notenbeispiele, Diagramme ; , 24 cm x 17 cm, 530 g.
    Parallel Title: Erscheint auch als
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    Keywords: Ullrich, Hermann ; Musikerziehung. ; Musikwissenschaft. ; Musik ; Musikpädagogik ; Klangwelten ; Musiktheorie-Unterricht ; Christan Fink ; Musikdidaktik ; Kloster Scheyern ; Franz Bühler ; Aufsatzsammlung ; Festschrift ; Musikerziehung ; Musikwissenschaft ; 1956- Ullrich, Hermann
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  • 145
    Book
    Book
    Woodbridge :The Boydell Press,
    ISBN: 978-1-78327-673-8
    Language: English
    Pages: xiii, 246 Seiten : , Illustrationen.
    Series Statement: Music in Britain, 1600-2000 30
    Series Statement: Music in Britain, 1600-2000
    Parallel Title: Erscheint auch als
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    Keywords: Great Britain ; 1800-1899 ; Geschichte 1870-1900 ; Music / Social aspects / Great Britain / History / 19th century ; Exhibitions / Great Britain / History / 19th century ; Musicology / Great Britain / History / 19th century ; Exhibitions ; Music / Social aspects ; Musicology ; Internationale Ausstellung. ; Musik. ; Großbritannien. ; History ; Internationale Ausstellung ; Musik ; Geschichte 1870-1900
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  • 146
    ISBN: 9783867892100 , 3867892105
    Language: German
    Pages: 304 Seiten , Illustrationen , 22 cm x 17 cm
    DDC: 782.421660922
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    Keywords: City (Musical group : Germany) ; Rock musicians Biography ; Biografie ; Bildband ; Diskografie ; City ; Geschichte 1972-2022
    Abstract: ?Casablanca?, ?Der King vom Prenzlauer Berg?, ?Unter der Haut?, ?Glastraum?, ?Wand an Wand?, ?Amerika?, ?Flieg ich durch die Welt?, ?Tamara? und nicht zuletzt ?Am Fenster? IBM die Songs dieser Band lesen sich wie deutsche Rockgeschichte. Sie werden als Institution, Rocklegende und Kultband gehandelt. Die Rede ist von CITY, die 2022 ihren 50. Geburtstag feiern. 50 Jahre CITY IBMdas sind nicht nur über 15 Millionen verkaufte Tonträger und etwa 2500 Konzerte: CITY. Das Buch erzählt detailliert und sehr unterhaltsam die komplette Bandgeschichte IBMvon den Anfängen mit einem bulgarischen Sänger, der nach Schweden flüchtet, und dem Jahrhunderthit ?Am Fenster? über einen Rockpalast-Auftritt vor dem Mauerfall sowie Goldene Schallplatten in der BRD und Griechenland bis hin zum Kultalbum Casablanca und zu den Highlights der letzten Jahre. Toni Krahl, Fritz Puppel, Georgi Gogow und Manfred Hennig, die am 30. Dezember 2022 ihr allerletztes Konzert als CITY spielen, lassen fünf Rock-?n?-Roll-Dekaden Revue passieren und geben so manches Geheimnis preis. Zudem erinnern sie an den im Mai 2020 verstorbenen CITY-Schlagzeuger Klaus Selmke. Einmal wissen, dieses bleibt für immer ist Rockgeschichte pur IBM ein Muss nicht nur für CITY-Fans!
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 147
    ISBN: 9782877740838 , 2877740838
    Language: French
    Pages: 587 Seiten , Illustrationen , 22 cm
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    Keywords: Reggae ; Geschichte ; Kultur ; Reggae music / History and criticism ; Reggae / Histoire et critique ; Reggae music ; Criticism, interpretation, etc ; History ; Biographies ; Essays ; Biographies ; Essays ; Biographies ; Reggae ; Kultur ; Geschichte
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  • 148
    Online Resource
    Online Resource
    Oxford : Archaeopress publishing Ltd
    ISBN: 9781803271071
    Language: English
    Pages: 1 Online-Ressource (xvii, 144 Seiten) , Illustrationen, Karten
    Series Statement: Archaeopress Archaeology
    Parallel Title: Erscheint auch als Zeeuw, Hans de The Ottoman Tanbûr
    DDC: 787.8209
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    Keywords: Ṭanbūr History ; Ṭanbūr Construction ; History ; Folk music History and criticism ; Tanbur
    Abstract: Tanbūrs are long-necked lute-like instruments played in the art, Sufi, and folk musical traditions along the Silk Road and beyond. This book provides a detailed study of the history of the tanbūr, its role in Ottoman music, construction and playing technique
    Note: Also issued in print: 2022 , Includes bibliographical references, discography and index , Zielgruppe: Specialized
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  • 149
    ISBN: 9783487161921
    Language: English
    Pages: 247 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Studien und Materialien zur Musikwissenschaft Band 118
    DDC: 780.94370904
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    Keywords: Geschichte 1900-2000 ; Auswanderer ; Internationalisierung ; Globalisierung ; Musik ; Kulturvermittlung ; Osteuropa ; Konferenzschrift 2020 ; Konferenzschrift 2020 ; Aufsatzsammlung ; Konferenzschrift 2020 ; Aufsatzsammlung
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 150
    Online Resource
    Online Resource
    Wien : Hollitzer Wissenschaftsverlag
    ISBN: 9783990128114
    Language: German , English , Hebrew , Japanese
    Pages: 1 Online-Ressource (181 Seiten) , Illustrationen, Porträts, Notenbeispiele
    Parallel Title: Erscheint auch als Schwab, Andrea, 1958 - Jüdische Komponistinnen
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    Keywords: Electronic books ; Biografie ; Biografie ; Jüdin ; Komponistin ; Geschichte 1832-1992 ; Deutschland ; Österreich ; Komponistin ; Jüdin ; Geschichte 1832-1992
    Abstract: frontcover -- PRINT_Jüdische Komponistinnen LAYOUT.pdf -- backcover.
    Note: Vorwort auf englisch und deutsch , Text auf deutsch, Zusammenfassungen auf englisch, hebräisch und japanisch
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  • 151
    ISBN: 9780367248093 , 9780367248086
    Language: English
    Pages: ix, 223 Seiten , Notenbeispiele (schwarz-weiß)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 2000-2020 ; Politik ; Popmusik ; Popular music / Political aspects ; Popular music / 2001-2010 / History and criticism ; Popular music / 2011-2020 / History and criticism ; Musique populaire / Aspect politique ; Musique populaire / 2001-2010 / Histoire et critique ; Musique populaire / 2011-2020 / Histoire et critique ; Popular music ; Popular music / Political aspects ; 2001-2020 ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Politik ; Geschichte 2000-2020
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  • 152
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781009019804
    Language: English
    Pages: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/84249
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    Keywords: Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Abstract: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Note: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 153
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501393273 , 9781501342332
    Language: English
    Pages: xvi, 445 Seiten , Illustrationen
    Edition: Paperback edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Musikvideo ; Popmusik ; Aufsatzsammlung ; Popmusik ; Musikvideo
    Note: Literaturverzeichnis: Seite 404-437
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  • 154
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030924621
    Language: English
    Pages: 1 Online-Ressource (XI, 202 p. 2 illus)
    Edition: 1st ed. 2022
    Series Statement: Pop Music, Culture and Identity
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63
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    Keywords: Popular Music ; Gender Studies ; Queer Studies ; Theatre and Performance Arts ; Popular music ; Sex ; Queer theory ; Performing arts ; Theater ; Technologie ; Musikproduktion ; Musikwirtschaft ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikproduktion ; Technologie ; Musikwirtschaft
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 155
    ISBN: 9783957556684
    Language: German
    Pages: 216 Seiten , Illustrationen
    DDC: 786.6192309041
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    Keywords: Biografie ; Konferenzschrift 2020 ; Ehrlich, Paul 1849-1925 ; Leipzig ; Mechanisches Musikinstrument ; Musikinstrumentenbau ; Geschichte 1880-1930
    Abstract: Mit einer einzigen bahnbrechenden Erfindung schrieb sich der Klavierbauer Paul Ehrlich (1849-1925) in die Geschichte der Musikmedien ein. Sein Ariston, eine Harmonika mit Lochplatten aus Pressspan, ermöglichte das kinderleichte Abspielen kurzer Musikstücke mittels einer Kurbel. Noch vor der Grammophon-Ära, seit 1881, konnte man seine Lieblingslieder auf einem preisgünstigen Gerät jederzeit anhören...und immer neue Titel hinzukaufen! Paul Ehrlich gründete mit seinem Verkaufshit in Leipzig einen neuen Industriezweig; bis in die 1930er Jahre sollte sich die Musik- und Messestadt als Weltzentrum des industriellen Musikautomatenbaus behaupten. Doch die Verdienste von Paul Ehrlich gingen weit über sein Ariston-Patent hinaus. Mehr als 100 technische Neuerungen, die meisten auf dem Gebiet des Musikautomatenbaus, zeigen den rastlosen und kreativen Erfinder par excellence. Erstmals wird seine Persönlichkeit in diesem Band in all ihren Facetten gewürdigt, ob als Familienmensch, Betriebsleiter oder rekordverdächtiger Konstrukteur. Beiträge zu den besonderen Bedingungen in Leipzig, zur Geschichte der Massenmedien oder zur Lochplatte als Digitalisat runden das Themenfeld ab.
    Note: "Diese Publikation ist das Ergebnis des wissenschaftlichen Symposiums "Gestanzte Musik", das im August 2020 anlässlich des Jahres der Industriekultur in Leipzig stattgefunden hat." - Nebentitelseite , Vorwort der Herausgeberin , Grußwort von Achim Quaas (Urenkel von Paul Ehrlich) , Grußwort von Karin Gauselmann (Urenkelin von Paul Ehrlich) , I. Paul Ehrlich: Seine Erfindungen und Fabriken : Die Fabrik Leipziger Musikwerke vorm. Paul Ehrlich & Co. AG / Birgit Heise : Paul Ehrlich als rastloser Erfinder: Über 100 Patente und Gebrauchsmuster in 25 Jahren / Ralf Smolne, Birgit Heise , II. Leipzig als Zentrum der Musikautomatenindustrie: Standortvorteile um 1900 : Warum gerade Leipzig? Standortvorteil Musikalienhandel und Instrumentenbau / Jan Großbach : Klassischer Kanon vs. populäres Repertoire? Zum Verhältnis von Musikverlagen und Musikautomatenbau in Leipzig / Stefan Keym : Warum gerade Gohlis? Ein Dorf wird zum Industriestandort / Stefan W. Krieg von Hößlin , III. Leipziger Musikwerke - Industrie als kulturhistorisches Phänomen ihrer Zeit : Musikmaschinen und der Wandel im Musikkonsum / Peter Donhauser : Mechanische Akkordeoninstrumente - Von der Stiftwalze über die Lochplatte zur Kartonrolle: Vorteile und Grenzen der "neuen Medien" am Beispiel der Handharmonika / Uwe Gernert , IV. Das Ariston mit perforierter Platte als erstes klingendes Massenmedium : Paul Ehrlich vor Gericht: Klagen um das Ariston / Matthias Schiemann : Das Erfolgsprodukt Ariston: Modelle, Produktionsnummern, Datierung / Rene Spinnler : Anmerkungen zu Ariston-Noten mit 24 Tonstufen / Richard Ernst Englert , V. Lochplatten in der Gegenwart : Über neue Möglichkeiten der Digitalisierung und der Ausstellung und der Ausstellung Leipziger Notenscheiben / Mats Krouthén : Aus den Anfängen der Kammzungen-Spielwerke / Ralf Smolne , VI. Paul Ehrlich, seine Persönlichkeit, seine Familie : Friedrich Ernst Paul Ehrlich und seine Familie - ganz privat / Sascha Wömpener, Achim Quaas , Die Autoren des Bandes , Register
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  • 156
    Book
    Book
    Mainz : Ventil Verlag
    ISBN: 9783955751685 , 3955751686
    Language: German
    Pages: 267 Seiten , 14 cm x 19.5 cm
    Edition: 1. Auflage
    DDC: 780
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    Keywords: Geschichte ; Punk ; Deutschland ; Protest ; Ankedoten ; Lifestyle ; Achtziger ; Punk ; Jugendkultur ; DDR ; Mauer ; Osten ; Gegenkultur ; Musik ; Erinnerungen ; Musikgeschichte ; Farbe ; 80s ; Subkultur ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Punk ; Geschichte
    URL: Cover
    URL: Cover
    URL: Cover
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  • 157
    ISBN: 9781526148988
    Language: English
    Pages: xiii, 295 Seiten , Illustrationen
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    Keywords: Strummer, Joe ; The Clash ; Soziale Funktion ; Punk Rock ; Politischer Protest ; Strummer, Joe / Criticism and interpretation ; Clash (Musical group) ; Punk rock music / Political aspects / Great Britain ; Punk rock music / History and criticism ; Biografie ; Biografie ; Biografie ; Strummer, Joe 1952-2002 ; The Clash ; Punk Rock ; Politischer Protest ; Soziale Funktion
    Abstract: "Joe Strummer was one of the twentieth century's iconic rock 'n' roll rebels. As frontperson, spokesperson and chief lyricist for The Clash, he played a major role in politicising a generation through some of the most powerful protest songs of the era, songs like 'White Riot', 'English Civil War' and 'London Calling'. At the heart of this protest was the struggle for social justice and equality. The punk rock politics of Joe Strummer examines Strummer's beliefs on a range of issues - including socialism, alienation, exploitation, multiculturalism and humanism - analysing their credibility, influence and impact, and asking where they came from and how they developed over time. Drawing on Strummer's lyrics, various interviews and bootleg recordings, as well as interviews with those he inspired, The punk rock politics of Joe Strummer takes the reader on a journey through the political influences and motivations that defined one of the UK's greatest punk icons." --
    Description / Table of Contents: Studying Strummer : issues and approach -- Perceptions of Strummer's politics -- Strummer's politics and philosophical perspectives -- Rebel rock and its ramifications -- Rocking against the rich -- Advocate not activist -- Straying from socialism -- Strummer's influence : secondary sources -- Follower testimony
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  • 158
    ISBN: 9783658351809 , 3658351802
    Language: English
    Pages: xiii, 106 Seiten , Illustrationen, Diagramme , 21.0 cm x 14.8 cm
    Series Statement: Edition Würth Chair of Cultural Production
    Uniform Title: Nicht-Besucherforschung
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Non-Visitor Research
    DDC: 306.0943
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    Keywords: Kultursektor ; Zielgruppe ; Verhalten ; Kulturmanagement ; audience development ; out reach ; strategisches Management ; Non-Visitor Research ; Visitor Research ; Cultural Education ; Cultural Management ; audience development ; Cultural Policy ; out reach ; Cultural Organization ; strategic management ; Aufsatzsammlung ; Deutschland ; Kulturelle Einrichtung ; Benutzerforschung ; Publikum ; Motivation ; Kulturmanagement
    URL: Unbekannt  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 159
    Online Resource
    Online Resource
    Kassel, Germany : Bärenreiter-Verlag | Kassel, Germany : Imprint: Bärenreiter
    Show associated volumes/articles
    ISBN: 9783761872772
    Language: German
    Pages: 1 Online-Ressource (444 Seiten)
    Parallel Title: Erscheint auch als Schütz-Handbuch
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    Keywords: Schütz, Heinrich Handbuch ; Schütz, Heinrich Leben ; Werk ; Wirkung ; Music theory. ; Music—History and criticism. ; Music. ; Christianity and culture. ; Theology. ; Aufsatzsammlung ; Biografie ; Zeittafel ; Werkverzeichnis ; Schütz, Heinrich 1585-1672
    Abstract: In diesem Handbuch werden Schütz und seine Musik in ihrer ganzen Breite thematisiert. Bekannte Spezialistinnen und Spezialisten beleuchten seine biographischen Stationen und Kontexte, sie analysieren seine Werke, stellen deren Faktur und ihre Voraussetzungen, aber auch ihre Überlieferungsformen und die Aufführungspraxis vor, und sie widmen sich den wesentlichen Strängen der Schütz-Rezeption. Ein Kapitel zu Schütz-Bildern, eine ausführliche Zeittafel und ein Werkverzeichnis runden den Band ab. Von Schütz’ Musik, bestimmt für die kurfürstliche Repräsentation und überliefert vor allem in mehreren von ihm selbst besorgten Drucksammlungen, sind überwiegend geistliche Vokalwerke erhalten. Deren Spannweite reicht von einfachen Liedsätzen über mehrchörige Psalmvertonungen und lateinische wie deutsche Motetten bis zu Stücken im modernen konzertierenden Stil. Darüber hinaus schuf Schütz mit seinen Historienkompositionen (Auferstehung, Weihnachten) und seinen drei Passionen gewichtige Beiträge zur Geschichte des Oratoriums. Zu seinen weltlichen Werken gehören neben einer frühen Sammlung italienischer Madrigale mehrere theatralische Stücke, die leider alle verloren sind.
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  • 160
    Online Resource
    Online Resource
    Kassel, Germany : Bärenreiter-Verlag | Kassel, Germany : Imprint: Bärenreiter
    ISBN: 9783761872871
    Language: German
    Pages: 1 Online-Ressource (962 Seiten)
    Parallel Title: Erscheint auch als Lexikon Schriften über Musik ; Band 2: Musikästhetik in Europa und Nordamerika
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    Keywords: Music theory. ; Music—History and criticism. ; Aufsatzsammlung ; Quelle ; Wörterbuch ; Enzyklopädie ; Europa ; Nordamerika ; Musikästhetik ; Schrifttum ; Musiktheorie ; Musikschrifttum
    Abstract: Dieses Lexikon ist ein Novum der Musikliteratur. Erstmals werden alle wichtigen Texte zur Musiktheorie und Musikästhetik in lexikalischer Form von internationalen Spezialistinnen und Spezialisten beschrieben und für die Wissenschaft und Praxis leichter zugänglich gemacht. In diesem zweiten Band wird ein umfangreiches Corpus von rund 450 primär europäischen und nordamerikanischen Texten von der Antike bis zur Gegenwart vorgestellt. Neben im engeren Sinne ästhetischen und musikästhetischen Schriften wie etwa Immanuel Kants „Kritik der Urteilskraft“ (1790), Eduard Hanslicks „Vom Musikalisch-Schönen“ (1854) und Zofia Lissas „Ästhetik der Filmmusik“ (1964) finden viele andere Textformen Berücksichtigung: Denn auch die Verfasser der Bibel und frühneuzeitlicher Erziehungsliteratur, Komponisten wie Robert Schumann und John Cage, Dichter wie Ovid und E. T. A. Hoffmann oder Romanautorinnen und Romanautoren wie Dorothea Schlegel und Honoré de Balzac haben auf ihre Weise über Musik nachgedacht. Wie schon in Band 1 – Musiktheorie von der Antike bis zur Gegenwart – sind die Artikel alphabetisch nach Autorinnen und Autoren geordnet und folgen jeweils demselben Aufbau: • Grundlegende Informationen zum Originaltext, seinen Quellen, Editionen und Übersetzungen • Beschreibung des Inhalts • Kommentar, der den Text in seine jeweilige Zeit und die relevanten Diskurse einordnet sowie seine Bedeutung und Rezeption darlegt • Hinweise zu wichtiger Forschungsliteratur Damit bietet der Band Studierenden, Lehrenden und Forschenden der Musikwissenschaft sowie anderer geistes- und kulturwissenschaftlicher Fächer einen Überblick über das weite Feld der musikästhetischen Literatur – von der Bibel und Aristoteles über Quantz, Kant, Schumann, Wagner, Thomas Mann, Adorno bis zu Brendel, Boulez und Eco.
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  • 161
    Online Resource
    Online Resource
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781108379779
    Language: English
    Pages: 1 Online-Ressource (xxiv, 247 Seiten) , Notenbeispiele, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Musik ; Kulturelle Identität ; Karibik ; Aufsatzsammlung ; Aufsatzsammlung ; Karibik ; Musik ; Kulturelle Identität ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 162
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197548813
    Language: English
    Pages: 203 Seiten
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Arbeiterklasse ; Unterhaltungsmusik ; Rockmusik ; Rock 'n' Roll ; Rock music / Social aspects / History / 20th century ; Working class / Attitudes / History / 20th century ; Rock music / Social aspects ; Working class / Attitudes ; 1900-1999 ; History ; Rock 'n' Roll ; Rockmusik ; Unterhaltungsmusik ; Arbeiterklasse ; Geschichte
    Abstract: "We usually associate the sounds of classic rock 'n' roll with youthful rebellion, by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But an important strain of rock from the late 1960s onward spoke to and for a very different audience: the regular working-class fans who didn't want to change the world as much as they only wanted to protect their place in it. From Creedence Clearwater Revival to Bruce Springsteen, from Lynyrd Skynyrd to AC/DC, and from Judas Priest to Ted Nugent, the music provided the anthems of an increasingly distinct - and increasingly vulnerable - demographic, which has since become a key influence on political culture around the world"--
    Description / Table of Contents: Introduction. Dream On -- Salt of the Earth -- Wrote A Song For Everyone -- Free For All -- Workin' Man Blues -- Swamp Music -- British Steel -- For Those About to Rock -- Youngstown -- One In a Million -- Conclusion. Subdivisions
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  • 163
    ISBN: 9783844078947 , 3844078940
    Language: English
    Pages: v, 160 Seiten , Illustrationen , 24 cm x 17 cm, 349 g
    Series Statement: Grazer Beiträge zur Ethnomusikologie Band 27
    Series Statement: Grazer Beiträge zur Ethnomusikologie
    DDC: 781.17
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    Keywords: Musikästhetik ; Musikethnologie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musikethnologie ; Musikästhetik ; Musikethnologie ; Musikästhetik
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  • 164
    ISBN: 9783861356554
    Language: German , Turkish
    Pages: 216 Seiten , Illustrationen
    Additional Material: 1 CD
    Additional Information: Beilage Baumann, Max Peter, 1944 - Feldforschungsaufnahmen der Reinhards (1955, 1956)
    Series Statement: Intercultural music studies 25
    Series Statement: Intercultural music studies
    DDC: 780.720922
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    Keywords: Bibliografie ; Biografie ; Bibliografie ; Biografie ; Bibliografie ; Biografie ; Reinhard, Kurt 1914-1979 ; Reinhard, Ursula 1915-2006 ; Türkei ; Musik ; Musikwissenschaftler
    Abstract: Kurt Reinhard ist einer der bedeutendsten Musikwissenschaftler und Ethnomusikologen, der die Notwendigkeit der transkulturellen Kommunikation frühzeitig erkannte und sich zusammen mit seiner Frau Ursula Reinhard tatkräftig für deren Verwirklichung einsetzte. Beide Leben belegen eindrucksvoll diesen Einsatz. Musikologische Feldforschungen in der Türkei (1955-1993) bildeten die Grundlage einer umfangreichen Sammlung von Quellenmaterialien zur Türkei. Darauf aufbauend entstanden einschlägige systematische und ethnomusikologische Studien, unter anderem zu Musikinstrumenten, zu âşık-Liedern, zur Roma-Musik, zur Geschichte der türkischen Volks- und Kunstmusik. Neben den Grundlagenforschungen und einschlägigen Studien war das Forscher-Ehepaar zugleich bestrebt, den deutsch-türkischen Kulturdialog zu fördern und die transkulturelle Verständigung zu verbessern. Der vorliegende Band bezweckt, das ethnomusikologische Wirken, die Lebensläufe und Bibliographien des Ehepaares Reinhard möglichst umfassend zu dokumentieren und die Verdienste um eine über fünfzigjährige Wirkungs- und Entwicklungsgeschichte, nach dem Zweiten Weltkrieg bis zur Jahrhundertwende, im Kontext der Vergleichenden Musikwissenschaft zu würdigen.
    Note: CD enthält: Feldforschungsaufnahmen der Reinhards aus den Jahren 1955 und 1956
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  • 165
    ISBN: 9783830993964
    Language: English
    Pages: 1 Online-Ressource (190 Seiten)
    Series Statement: Freiburger Studien zur Kulturanthropologie
    Parallel Title: Erscheint auch als
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    Keywords: Young Muslims ; Popular Music ; Sabyan Gambus ; Indonesia ; 2019 Indonesian Presidential Elections ; Female Performance ; Egyptian Music ; Mahraganāt ; Asylum House ; Hip Hop ; Morocco ; German Rap ; Metal ; Tunisia ; Political Islam ; Hijab ; Spiritualität und Religion ; Volksmusik und populäre Musikkulturen ; Unterhaltungsmusik ; Islam ; Jugendkultur ; Popkultur ; Musik ; Jugend ; Religiöse Identität ; Massenkultur ; Muslim ; Aufsatzsammlung ; Konferenzschrift Albert-Ludwigs-Universität 2018 ; Aufsatzsammlung ; Konferenzschrift Albert-Ludwigs-Universität 2018 ; Popkultur ; Massenkultur ; Musik ; Jugend ; Islam ; Jugendkultur ; Muslim ; Unterhaltungsmusik ; Religiöse Identität
    Abstract: Music has the universal power to move individuals, peoples and societies. Music is one of the most important signifiers of cultural change. It is also most significant for youth movements and youth cultures. While Islam has a historically and traditionally rich culture of music, religious controversy on the topic of music is still ongoing. However, young Muslims in today's globalised world seek pop cultural tools such as music, and particularly hip hop music, as way of exploring and expressing their manifold identities, whilst challenging Islamophobia, stigma and racism on the one hand and traditional and religious challenges on the other hand. In this volume, following an international conference with the same title, scholars and young academics from a variety of disciplines seek to explore and highlight the phenomena surrounding the two, somewhat artificially separated, realms of music and religion. The contributions not only look into different genres of music, from Tunisian metal over German female hip hop to Egyptian folk, but take the reader on a journey from continent to countries to cities and rural areas and thus give space and time to a widely neglected area of research: that of Muslim popular culture and young Muslims
    Note: Online resource; title from title screen (viewed September 28, 2021)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 166
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780197619544
    Language: English
    Pages: xii, 575 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Oxford handbooks
    DDC: 781.64209
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    Keywords: Country music History and criticism ; Musikbranche ; Countrymusic ; Aufsatzsammlung ; Countrymusic ; Musikbranche
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  • 167
    Online Resource
    Online Resource
    Durham ; London : Duke University Press
    ISBN: 9781478013143
    Language: English
    Pages: 1 Online-Ressource (304 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63095/0904
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    Keywords: Geschichte 1950-1980 ; HISTORY / Asia / General ; Cold War ; Music Social aspects ; Music History and criticism 20th century ; Music History and criticism ; Popular music Political aspects ; Popular music History and criticism ; Popmusik ; Asien ; Aufsatzsammlung ; Asien ; Popmusik ; Geschichte 1950-1980
    Abstract: In Sound Alignments, a transnational group of scholars explores the myriad forms of popular music that circulated across Asia during the Cold War. Challenging the conventional alignments and periodizations of Western cultural histories of the Cold War, they trace the routes of popular music, examining how it took on new meanings and significance as it traveled across Asia, from India to Indonesia, Hong Kong to South Korea, China to Japan. From studies of how popular musical styles from the Americas and Europe were adapted to meet local exigencies to how socialist-bloc and nonaligned Cold War organizations facilitated the circulation of popular music throughout the region, the contributors outline how music forged and challenged alliances, revolutions, and countercultures. They also show how the Cold War's legacy shapes contemporary culture, particularly in the ways 1990s and 2000s J-pop and K-pop are rooted in American attempts to foster economic exchange in East Asia in the 1960s.Throughout, Sound Alignments demonstrates that the experiences of the Cold War in Asia were as diverse and dynamic as the music heard and performed in it.Contributors. Marié Abe, Michael K. Bourdaghs, Paola Iovene, Nisha Kommattam, Jennifer Lindsay, Kaley Mason, Anna Schultz, Hyunjoon Shin, C. J. W.-L. Wee, Hon-Lun (Helan) Yang, Christine R. Yano, Qian Zhang
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 168
    Online Resource
    Online Resource
    Ithaca : Cornell University Press
    ISBN: 9781501759857
    Language: English
    Pages: 1 Online-Ressource (368 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.48428
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    Keywords: Geschichte 1870-1990 ; Musicians, Black Germany ; History ; 20th century ; Musicians, Black Austria ; History ; 20th century ; Musicians, Black Germany ; History ; 19th century ; Schwarze ; Musiker ; Österreich ; Deutschland ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
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  • 169
    Book
    Book
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9781138336032 , 9781138336025
    Language: English
    Pages: xiii, 281 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1920-2019 ; Musikleben ; Unterhaltungsmusik ; Irland ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Irland ; Unterhaltungsmusik ; Musikleben ; Geschichte 1920-2019
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  • 170
    Book
    Book
    New York ; London : Roputledge, Taylor & Francis Group
    ISBN: 9780367228903 , 9780367228910
    Language: English
    Pages: xv, 260 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1950-2020 ; Musikleben ; Unterhaltungsmusik ; Finnland ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Finnland ; Unterhaltungsmusik ; Musikleben ; Geschichte 1950-2020
    Abstract: Made in Finland: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, culture, and musicology of twentieth and twenty-first century popular music in Finland. The volume consists of essays by leading scholars in the field, and covers the major figures, styles, and social contexts of popular music in Finland. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book is organized into four thematic sections: Emerging Foundations of Popular Music in Finland; Environments, Borderlines, Minorities; Transnationalisms; and Redefining Finnishness
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  • 171
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030551605
    Language: English
    Pages: xvii, 320 Seiten , Illustrationen
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Musikleben ; Reggae ; Großbritannien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Großbritannien ; Reggae ; Musikleben ; Geschichte
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  • 172
    ISBN: 9781541699571
    Language: English
    Pages: ix, 355 Seiten , Illustrationen
    Edition: First edition
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    Keywords: Cash, Johnny Criticism and interpretation ; Cash, Johnny Political activity ; Cash, Johnny Political and social views ; Cash, Johnny ; Politisches Denken ; Country music Political aspects 20th century ; History
    Abstract: "Johnny Cash was an American icon, known for his level bass-baritone voice and somber demeanor, for huge hits like "Ring of Fire" and "I Walk the Line." He's one of the best-selling musicians of all time, and his crossover appeal earned him inductions into the Country Music, Gospel Music, and Rock and Roll Halls of Fame. But he was also the most prominent political artist in the United States, even if he wasn't recognized for it in his own lifetime, or since his death in 2003. Then and now, people have misread Cash's politics, usually accepting the idea of him as a "walking contradiction." Cash didn't fit into easy political categories-liberal or conservative, Red state or Blue state, hawk or dove. Like most people, Cash's politics were remarkably consistent in that they were based not on ideology or scripts-but on emotion, instinct, and identification. He supported Richard Nixon in his Vietnam War policies, while also seeming to stand up both for those asked to fight the war and for those who protested against it. Instead of choosing sides, Cash channeled an emotional discontent that bridged America's youth and the "silent majority." Foley traces the political evolution of the Man in Black as a prominent public citizen. Drawing on untapped archives and new research on social movements and grassroots activism, Citizen Cash offers a major reassessment of a legendary figure
    Note: Literaturangaben
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  • 173
    ISBN: 9781839099496
    Language: English
    Pages: xiii, 291 Seiten , Illustrationen, Diagramme
    Edition: First edition
    Series Statement: Emerald studies in metal music and culture
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Fremdsprache ; Heavy Metal ; Lyrics ; Soziolinguistik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Heavy Metal ; Lyrics ; Fremdsprache ; Soziolinguistik
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  • 174
    Book
    Book
    Newcastle upon Tyne, UK : Cambridge Scholars Publishing
    ISBN: 9781527561649
    Language: English
    Pages: x, 187 Seiten , Illustrationen, Notenbeispiele, Tabellen
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    Keywords: Popmusik ; Musikproduktion ; Audiovisuelle Medien ; Musikwirtschaft ; Soziale Identität ; Popular music / Social aspects ; Popular music / Psychological aspects ; Music and identity politics ; Music and identity politics ; Popular music / Psychological aspects ; Popular music / Social aspects ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Musikwirtschaft ; Audiovisuelle Medien ; Musikproduktion ; Soziale Identität
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  • 175
    Book
    Book
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674052819
    Language: English
    Pages: viii, 598 Seiten , Illustrationen
    DDC: 780.820973
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    Keywords: Geschichte ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; African American women musicians ; African American women / Music / History and criticism ; African American women / Intellectual life ; Musical criticism / United States / History ; African American feminists ; Musical criticism ; United States ; Criticism, interpretation, etc ; History
    Abstract: "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how
    Note: Includes bibliographical references and index , SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory
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  • 176
    Online Resource
    Online Resource
    Amsterdam : IIAS / Amsterdam University Press
    ISBN: 9789048508112
    Language: English
    Pages: 1 Online-Ressource (336 Seiten)
    Series Statement: IIAS publications series
    Series Statement: 4
    Parallel Title: Erscheint auch als
    DDC: 792.0959
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    Keywords: Music / Oceania / History and criticism ; Performing arts / Southeast Asia ; Performing arts / Oceania ; Music / Southeast Asia / History and criticism ; Musikethnologie ; Kulttanz ; Südostasien ; Ozeanien ; Aufsatzsammlung ; Aufsatzsammlung ; Südostasien ; Ozeanien ; Musikethnologie ; Kulttanz
    Abstract: 〈div〉〈p〉In Austronesia' the region that stretches from Madagascar in the west to Easter Island in the east-music plays a vital role in both the construction and expression of social and cultural identities. Yet research into the music of Austronesia has hitherto been sparse. Drawing together contemporary cultural studies and musical analysis, 〈i〉Austronesian Soundscapes〈/i〉 will fill this research gap, offering a comprehensive analysis of traditional and contemporary Austronesian music and, at the same time, investigating how music reflects the challenges that Austronesian cultures face in this age of globalization.〈/p〉〈/div〉
    Note: Title from publisher's bibliographic system (viewed on 29 Jan 2021) , Southeast Asia. Creating places through the soundscape : a Kalinga peace pact celebration / Glenn Stallsmith ; Sundanese dance as practice or spectacle : it's all happening at the zoo / Henry Spiller ; Malay-Islamic zapin : dance and soundscapes from the Straits of Malacca / Mohd Anis Md Nor ; The contemporary musical culture of the Chinese in Sabah, Malaysia / David T.W. Wong ; To sing the rice in Tanjung Bunga (eastern Flores), Indonesia / Dana Rappoport -- Madagascar. Tromba children, maresaka, and postcolonial malady in Madagascar / Ron Emoff -- Oceania. Fractals in Melanesian music / Raymond Ammann ; 'Singing spirits and the dancing dead' : sonic geography, music and ritual performance in a Melanesian community / Paul Wolffram ; Breaking the tikol? : code-switching, cassette culture a Lihirian song form / Kirsty Gillespie ; Fijian sigidrigi and the performance of social hierarchies / Jennifer Cattermole ; Tauʼaʼalo : paddling songs as cultural metaphor / Adrienne L. Kaeppler ; Disconnected connections : Puerto Rican diasporic musical identity in Hawaiʼi / Ted Solís ; Performing Austronesia in the twenty-first century : a Rapa Nui perspective on shared culture and contact / Dan Bendrups ; 'To sing is to be happy' : the dynamics of contemporary Maori musical practices / Toon van Meijl ; Australian indigenous choices of repertoire in community CDs/DVDs : recording and reclaiming Torres Strait Islander sacred and secular music / Karl Neuenfeldt
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 177
    ISBN: 978-3-89007-911-0
    Language: German
    Pages: 3 Bände.
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    Keywords: Geschichte 1800-1900 ; Musikhochschule. ; Musikstudium. ; Deutsches Sprachgebiet. ; Musikhochschule ; Musikgeschichte ; 19. Jahrhundert ; Musikausbildung ; Aufsatzsammlung ; Aufsatzsammlung ; Musikhochschule ; Musikstudium ; Geschichte 1800-1900
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  • 178
    ISBN: 9781479849697 , 9781479800360
    Language: English
    Pages: 1 Online-Ressource (247 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
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    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Islam ; Jazz ; Schwarze ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 179
    Online Resource
    Online Resource
    Hamburg : rowohlt e-Book
    ISBN: 9783644012493
    Language: German
    Pages: 1 Online-Ressource (209 ungezählte Seiten)
    Series Statement: rowohlts monographien
    Parallel Title: Erscheint auch als Posener, Alan, 1949 - Elvis Presley
    DDC: 782.42166/092
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    Keywords: Amerika Nord-Amerika ; USA ; Populäre Musik ; Biografie ; Presley, Elvis 1935-1977
    Note: "Das Bildmaterial der Printausgabe ist in diesem E-Book nicht enthalten."
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  • 180
    Book
    Book
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9780815391784 , 9780815391777
    Language: English
    Pages: xii, 236 Seiten , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
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    Keywords: Geschichte ; Unterhaltungsmusik ; Deutschland ; Popular music / Germany / History and criticism ; Popular music / Social aspects / Germany / History ; Popular music / Political aspects / Germany / History ; Popular music ; Popular music / Political aspects ; Popular music / Social aspects ; Germany ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Unterhaltungsmusik ; Geschichte
    Abstract: "Made in Germany: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary German popular music. Each essay, written by a leading scholar of German music, covers the major figures, styles, and social contexts of pop music in Germany and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Germany, followed by essays organized into thematic sections: Historical Spotlights; Globally German; Also "Made in Germany"; Explicitly German; and Reluctantly German"--
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  • 181
    Online Resource
    Online Resource
    London ; New York ; Oxford ; New Delhi ; Sydney : I.B. Tauris | London : Bloomsbury Publishing
    ISBN: 9780755617913 , 9780755617906 , 9780755617890
    Language: English
    Pages: 1 Online-Ressource (284 Seiten)
    Edition: First edition
    Series Statement: Early and Medieval Islamic World
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.9
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    Keywords: Geschichte 800-1400 ; Music Islamic countries ; History ; Musicians Islamic countries ; History ; Musikleben ; Islam ; Musik ; Musiker ; Naher Osten ; Naher Osten ; Islam ; Musik ; Geschichte 800-1400 ; Naher Osten ; Islam ; Musikleben ; Musiker
    Abstract: "During the early medieval Islamicate period (800-1400 CE), discourses concerned with music and musicians were wide-ranging and contentious, and expressed in works on music theory and philosophy as well as literature and poetry. But in spite of attempts by influential scholars and political leaders to limit or control musical expression, music and sound permeated all layers of the social structure. Lisa Nielson here presents a rich social history of music, musicianship and the role of musicians in the early Islamicate era. Focusing primarily on Damascus, Baghdad and Jerusalem, Lisa Nielson draws on a wide variety of textual sources written for and about musicians and their professional/private environments -- including chronicles, literary sources, memoirs and musical treatises -- as well as the disciplinary approaches of musicology to offer insights into musical performances and the lives of musicians. In the process, the book sheds light onto the dynamics of medieval Islamicate courts, as well as how slavery, gender, status and religion intersected with music in courtly life. It will appeal to scholars of the Islamicate world and historical musicologists."
    Note: Section I. Musical culture in the early Islamic courts. Chapter 1. Music and musicians ; Chapter 2. Musicianship and performance ; Chapter 3. Patronage -- Section II. Representations of musicianship and identity. Chapter 4. Literary performance of music and reading musical identity ; Chapter 5.Slavery and gender ; Chapter 6. Ethnos and gens -- Section III. Diversions of pleasure Chapter 7. Discomfort and censure ; Chapter 8. "Sama" and practice ; Chapter 9. The politics of listening
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  • 182
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226768212 , 9780226768182
    Language: English
    Pages: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421661592
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    Keywords: Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Abstract: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Description / Table of Contents: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Note: Includes bibliographical references and index
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  • 183
    Book
    Book
    Ann Arbor : University of Michigan Press
    ISBN: 9780472132423
    Language: English
    Pages: xvi, 271 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Improvisation ; Sozialisation ; Interkulturalität ; Improvisation (Music) / Social aspects ; Improvisation (Music) / Cross-cultural studies ; Music / Social aspects ; MUSIC / History & Criticism ; Improvisation (Music) ; Music / Social aspects ; Cross-cultural studies ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Improvisation ; Sozialisation ; Interkulturalität
    Abstract: "Sound Changes responds to a need in improvisation studies for more work that addresses the diversity of global improvisatory practices and argues that by beginning to understand the particular, material experiences of sonic realities that are different from our own, we can address the host of other factors that are imparted or sublimated in performance. These factors range from the intimate affect associated with a particular performer's capacity to generate a distinctive "voicing," or the addition of an unexpected sonic intervention only possible with one particular configuration of players in a specific space and time. Through a series of case studies drawn from Africa, Asia, the Americas, and Oceania, Sound Changes offers readers an introduction to a range of musical expressions across the globe in which improvisation plays a key role and the book demonstrates that improvisation is a vital site for the production of emergent social relationships and meanings. As it does this work, Sound Changes situates the increasingly transcultural dimensions of improvised music in relation to emergent networks and technologies, changing patterns of migration and immigration, shifts in the political economy of music, and other social, cultural, and economic factors. Improvisation studies is a recently developed, but growing, interdisciplinary field of study. The discipline-which has only truly come into focus in the early part of the twenty-first century-has been building a lexicon of key terms and developing assumptions about core practices. Yet, the full breadth of improvisatory practices has remained a vexed, if not impossibly ambitious, subject of study. This volume offers a step forward in the movement away from critical tendencies that tend to homogenize and reduce practices and vocabularies in the name of the familiar"--
    Description / Table of Contents: Preface. Field Notes on Cultural Difference in Improvised Music / John Corbett -- Introduction. Sound Changes : Improvisation and Transcultural Difference / Daniel Fischlin and Eric Porter -- Grooving with the Gnawa : Jazz, Improvisation, and Transdiasporic Collaboration / Jason Robinson -- Improvisation and the Politics of Nueva Canción Activism / Kirstie Dorr -- "We Are the Ones Who Are Impatient" : Improvising Resistance and Resilience in Jordanian Hip-Hop and Rap / Beverley Milton-Edwards -- Nomadic Improvising and Sites of Difference / Sally Macarthur and Waldo Garrido -- "That Which Exceeds Recognition" : Sound and Gesture in Hassan Khan's Dom Tak and Jewel / Jemm a DeCristo -- Improvising Mythoi and Difference in the Asian/Woman More-Than-Tinge / Mike Heff ley -- Upaj : Improvising within Tradition in Kathak Dance / Monica Dalidowicz -- Ode B'kongofon / Hafez Modirzadeh -- Afterword. Sound Changes : The Future Is Dialogue / Daniel Fischlin and Eric Porter
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  • 184
    Book
    Book
    Bristol, UK ; Chicago, USA : Intellect
    ISBN: 9781789384000
    Language: English
    Pages: XII, 296 Seiten , Illustrationen, Diagramme, Karten (teilweise farbig)
    Series Statement: Advances in metal music and culture
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Heavy Metal ; Heavy metal (Music) / History and criticism ; Heavy metal (Music) ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Heavy Metal ; Heavy Metal ; Geschichte
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  • 185
    ISBN: 9783667121882 , 3667121881
    Language: German
    Pages: 520 Seiten , Illustrationen , 27 cm x 21 cm, 1 g
    Edition: 1. Auflage
    Uniform Title: Queen - La Totale
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    Keywords: Queen ; Geschichte ; Song ; freddie mercury ; bohemian rhapsody ; we are the champions ; queen songs ; hits der 80er ; queen alben ; hits der 70er ; queen album covers ; rockballaden ; queen bilder ; die besten hits aller zeiten ; kult band ; berühmte songs ; diskografie queen ; bildband musik ; band queen ; benoit clerc ; Biografie ; Verzeichnis ; Biografie ; Verzeichnis ; Biografie ; Verzeichnis ; Queen ; Song ; Geschichte ; Queen ; Song
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  • 186
    ISBN: 9789004464414
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Diagramme
    Series Statement: Scottish cultural review of language and literature volume 31
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Volkslied ; Schottland ; Folk songs, Scots / Scotland / Sources ; Folk songs, English / Scotland / Sources ; Folk songs, Scots / Scotland / History and criticism ; Folk songs, English / Scotland / History and criticism ; Scots / Music / History and criticism ; Scottish Travellers (Nomadic people) / Music / History and criticism ; Music / Social aspects / Scotland / History ; Folk singers / Scotland ; Greig-Duncan folk song collection ; School of Scottish Studies Archives (Edinburgh) ; Folk singers ; Folk songs, English ; Folk songs, Scots ; Music / Social aspects ; Scotland ; Criticism, interpretation, etc ; History ; Sources ; Schottland ; Volkslied ; Geschichte
    Abstract: "This book offers a detailed analysis of two major Scottish folk song collections, the Greig-Duncan Collection, and the Scots folk song material of the School of Scottish Studies Archives. This exhaustive study of song transmission includes all contributors, not only notable singers. The scattered information, marshalled into quantifiable data, throws light on such topics as transmission within and outside the family, the role of literacy, the public reticence of women singers, the association between the Travellers and the big ballads, and the impact of social changes in the late nineteenth century, and of broadcast music in the 1920s. The new opportunities opened up by digitisation are explored here for the first time."
    Description / Table of Contents: Introduction -- Weighing the Catch -- Did Greig and Duncan Neglect the Travellers? -- Song Transmission -- The Reticence of Female Singers -- The Devolution of the Child Ballads to the Travellers -- Social Change and Education versus Tradition -- The Missing Singers of the 1920s -- Conclusions
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 187
    Online Resource
    Online Resource
    Frankfurt a.M. : Peter Lang GmbH | Bern : Peter Lang International Academic Publishers
    ISBN: 9783631835487
    Language: German
    Pages: 1 Online-Ressource (238 Seiten) , Illustrationen
    Edition: 1st, New ed.
    Series Statement: Jüdische Musikstudien. Jewish Music Studies 2
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    Keywords: Juden ; Musik ; Kulturerbe ; Kollektives Gedächtnis ; Diskurs ; Nachhaltigkeit ; Europa ; Aufsatzsammlung
    Abstract: Seit den 1960er Jahren steigt in Europa die Zahl der jüdischen Kulturerbeprojekte. Im Gedenken an die Schoa suchen Nichtjuden die Relikte der Vergangenheit zu bewahren und lassen dabei nicht selten die gegenwärtigen jüdischen Gemeinden außer Acht. Die Autorinnen unterziehen diese Praxis des „authorized heritage" einer kritischen Betrachtung. Mit Blick auf das jüdische Kulturerbe Musik enthüllen sie vor dem Hintergrund aktueller Debatten um kulturelle Nachhaltigkeit die Gefahren von Konstruktion, kultureller Aneignung und Instrumentalisierung des Erbes. Mit der Diskussion innerjüdischer Nachhaltigkeitskonzepte, flankiert von philosophischen Thesen zum Erbe und zur Verantwortung für den Anderen, werden Denkanstöße für einen neuen, zukunftsorientierten Umgang mit jüdischem Kulturerbe gegeben.
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  • 188
    ISBN: 9783779963653 , 3779963655
    Language: German
    Pages: 237 Seiten , Illustrationen
    Edition: 1. Auflage
    Series Statement: HipHop Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Rap. Politisch. Rechts?
    DDC: 781.6490943
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Deutsch ; Rap ; Ästhetik ; Konservativismus ; Rechtsradikalismus ; Deutschland ; Rap
    Note: Diskografien. - Literaturangaben
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  • 189
    Online Resource
    Online Resource
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780231549295
    Language: English
    Pages: 1 Online-Ressource , 10-15 film stills
    Edition: 2021
    Series Statement: Short Cuts
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    Keywords: Geschichte ; Popmusik ; Musical ; Musikfilm ; Motion pictures and music ; Musical films History and criticism ; Popular music Social aspects ; History ; PERFORMING ARTS / Theater / Broadway & Musicals ; USA
    Abstract: After Hollywood and Tin Pan Alley's iron grip on the movie musical began to slip in the face of pop's cultural dominance, many believed that the musical genre entered a terminal decline and finally wore itself out by the 1980s. Though the industrial model of the musical was disrupted by the emergence of pop, the Hollywood musical has not gone extinct. Many Hollywood productions from the 1960s to the present have revisited the forms and conventions of the classic musical-except instead of drawing from showtunes and jazz standards, they employ the styles and iconography of pop.Alberto Mira offers a new account of how pop music revolutionized the Hollywood musical. He shows that while the Hollywood system ceased producing large-scale traditional musicals, different pop strains-disco, rock 'n' roll, doo-wop, glam, and hip-hop-renewed the genre, giving it a new life. While the classical musical presented a world light on conflict, defined by theatricality and where effortless talent can shine through, the introduction of pop spurred musicals to address contemporary social and political conditions. Mira traces the emergence of a new set of themes-such as the painful hard work depicted in Dirty Dancing (1987); the double-edged fandom of Velvet Goldmine (1998); and the racial politics of Dreamgirls (2006)-to explore why the Hollywood musical has found renewed relevance.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)
    URL: Cover
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  • 190
    ISBN: 9783959582834 , 3959582838
    Language: German
    Pages: 203 Seiten , Illustrationen , 22 cm x 17 cm
    Edition: 1. Auflage
    DDC: 782.42166092
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    Keywords: Aufsatzsammlung ; Danz, Tamara 1952-1996
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  • 191
    ISBN: 978-3-487-16019-1
    Language: German
    Pages: 212 Seiten : , Illustrationen, Notenbeispiele.
    RVK:
    Keywords: Geschichte ; Musikerziehung. ; Musiklehre. ; Gehörbildung. ; Solmisation. ; Improvisation. ; Basso continuo. ; Unterrichtsmethode. ; Aufsatzsammlung ; Musikerziehung ; Musiklehre ; Gehörbildung ; Solmisation ; Improvisation ; Basso continuo ; Unterrichtsmethode ; Geschichte
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  • 192
    Online Resource
    Online Resource
    Weinheim : Beltz Juventa | Grünwald : Preselect.media GmbH
    ISBN: 9783779956723
    Language: German
    Pages: 1 Online-Ressource (343 Seiten)
    Edition: 1. Auflage
    Series Statement: HipHop Studies
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    Keywords: Rap ; Jugendkultur ; Sexismus ; Geschlechterrolle ; Geschlechterforschung ; Deutschland ; Aufsatzsammlung
    Abstract: Long description: Hat Rap ein Sexismusproblem? Wie sind die hypersexualisierten Genderinszenierungen vieler deutschsprachiger Rapper_innen einzuordnen? Was kann »Bitch« oder »Fotze« im (transnationalen) Rap-Kontext bedeuten und wie komme ich als Elter, Sozialpädagoge oder Lehrerin mit meinen Schützlingen vorurteilsbewusst zu diesen wichtigen Themen ins Gespräch? Rap ist die beliebteste Musikrichtung der Gegenwart, gerät jedoch immer wieder wegen sexistischer und hypermännlicher Bilder, Diskurse und Inszenierungen in die Schlagzeilen. Der Sammelband vereint erstmalig Stimmen aus Wissenschaft, Szene und Praxis, um den Themenkomplex »Rap und Geschlecht« intersektional und multiperspektivisch aufzuschlüsseln.
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 193
    ISBN: 9780231191234
    Language: English
    Pages: viii, 149 Seiten , Illustrationen , 22 cm
    Series Statement: Short cuts : introductions to film studies
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Popmusik ; Musical ; Musikfilm ; USA ; Musical films / United States / History and criticism ; Popular music / Social aspects / United States / History ; Motion pictures and music ; Musical films ; Popular music / Social aspects ; United States ; Criticism, interpretation, etc ; History
    Note: Bibliography Seite 137-142
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  • 194
    ISBN: 9781496832115 , 9781496832108
    Language: English
    Pages: x, 192 Seiten , Notenbeispiele, Porträt
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 2005-2019 ; Ethnische Identität ; Schwarze ; Improvisation ; Jazz ; Sänger ; USA ; Jazz / 2001-2010 / History and criticism ; Jazz / 2011-2020 / History and criticism ; Jazz / Political aspects / United States / History / 21st century ; African Americans / Music / 21st century / History and criticism ; African Americans / Music ; Jazz ; United States ; 2000-2099 ; Criticism, interpretation, etc ; History ; USA ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; Geschichte 2005-2019
    Abstract: "In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today"--
    Description / Table of Contents: Foreword / Robin D. G. Kelley -- Introduction. Entering a theory of black musical space -- Terence Blanchard and the politics of breathing -- Billy Higgins in the zone : brushwork, breath, and imagination -- The social science music of Terri Lyne Carrington -- Ambrose Akinmusire's satchel of origami -- Unified fragmentation : Andrew Hill's street theory of black musical space -- Epilogue. The sonic archive of black spatiality
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  • 195
    Book
    Book
    Yerushalayim : Hotsaʾat sefarim ʿal sh. Y.L. Magnes, ha-Universiṭah ha-ʿIvrit
    Title: עלילת הרעש נגד היהודים
    Author, Corporation: הכהן-פינצ'ובר, רות
    Publisher: ירושלים : הוצאת ספרים ע"ש י"ל מאגנס, האוניברסיטה העברית
    ISBN: 9789657776964 , 9657776961
    Language: Hebrew
    Pages: 565 Seiten , Illustrationen , 23 cm
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    Keywords: Geschichte ; Christentum ; Juden ; Musik ; Antijudaismus ; Antisemitismus ; Judaism Relations ; Christianity ; History ; Jews in music ; Music by Jewish composers History and criticism ; Judaïsme Relations ; Christianisme ; Histoire ; Juifs dans la musique ; Musique de compositeurs juifs Histoire et critique ; Christianity ; Interfaith relations ; Jews in music ; Judaism ; Music by Jewish composers ; Criticism, interpretation, etc ; History
    Note: Originally published in English as The music libel against the Jews, Yale University Press, 2012. , Literaturangaben, Seiten 487-539 , Hebräisch
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  • 196
    ISBN: 9781789384123
    Language: English
    Pages: 259 Seiten , Illustrationen, Portraits (schwarz-weiß)
    Series Statement: Global punk series
    Parallel Title: Erscheint auch als
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    Keywords: Kultursoziologie ; Punk ; Punk culture ; Punk rock music / Social aspects ; Punk culture ; Aufsatzsammlung ; Aufsatzsammlung ; Punk ; Kultursoziologie
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  • 197
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469658896
    Language: English
    Pages: 1 Online-Ressource (268 pages) , Illustrations (black and white).
    Series Statement: North Carolina scholarship online
    DDC: 306.48420973
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    Keywords: Geschichte 1788-1865 ; Musikleben ; Politische Kultur ; Alltagskultur ; Musikpolitik ; Nationalbewusstsein ; Konservativismus ; Music Political aspects 19th century ; History ; Music Political aspects 18th century ; History ; Political culture History ; Elite (Social sciences) History ; Conservatism History ; USA
    Abstract: Following the creation of the United States, profound disagreements remained over how to secure the survival of the republic and unite its population. In this groundbreaking account, Billy Coleman uses the history of American music to illuminate the relationship between elite power and the people from the early national period to the Civil War.
    Note: Previously issued in print: 2020 , Includes bibliographical references and index
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  • 198
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496831262
    Language: English
    Pages: 1 Online-Ressource (352 pages) , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
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    Keywords: Geschichte 1968-1981 ; Musikleben ; Punk Rock ; Ethnische Identität ; Punk rock music History and criticism ; Music and race History 20th century ; USA ; United States Race relations 20th century ; History
    Abstract: This text offers a portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. The author provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era.
    Note: Previously issued in print: 2020 , Includes bibliographical references, discography, filmography and index
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  • 199
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226732244
    Language: English
    Pages: 1 Online-Ressource (328 pages) , Illustrations (black and white).
    Series Statement: Historical studies of urban America
    Series Statement: Chicago scholarship online
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    Keywords: Sun Ra ; Sun Ra ; Geschichte 1946-1961 ; Afrofuturismus ; African American musicians Biography ; Afrofuturism ; Jazz History and criticism ; Chicago, Ill. ; South Side (Chicago, Ill History 20th century ; Biografie
    Abstract: The emergence of Sun Ra and his Arkestra in 1950s Chicago is seen today as a foundational moment for Afrofuturist modes of cultural expression. Sun Ra's Chicago investigates how the bandleader's musical cosmology first developed and, in particular, why it came to flourish in Chicago. Focusing on his early years in Birmingham, Alabama and his time in post-World War II Chicago, the book argues that the relationship between Sun Ra and his cities offers new insight into his music and philosophy as well as the role of everyday black urban experience in the development of Afrofuturism as a cultural ideal. The book employs a historical and spatial lens to situate Ra's evolving sensibility within the material and imagined spaces of his cities.
    Note: Previously issued in print: 2020 , Includes bibliographical references and index
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  • 200
    Online Resource
    Online Resource
    Middletown, Connecticut : Wesleyan University Press
    ISBN: 9780819579935
    Language: English
    Pages: 1 Online-Ressource (xx, 423 Seiten) , Illustrationen
    Series Statement: Music/culture
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.42164092
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    Keywords: Beyoncé ; Beyoncé / 1981- / Criticism and interpretation ; Beyoncé / 1981- / Appreciation ; Beyoncé / 1981- / Lemonade ; Popular music / History and criticism ; Sex in music ; Feminism and music ; African American women in popular culture ; Beyoncé / 1981- ; African American women in popular culture ; Art appreciation ; Feminism and music ; Popular music ; Sex in music ; Criticism, interpretation, etc ; Aufsatzsammlung ; Beyoncé 1981-
    Abstract: "Bringing together interdisciplinary scholars with expertise in gender and ethnic studies; communication and cultural studies; and music, religion, history, and literature, this volume draws on a diversity of perspectives and methods to investigate the artistic meanings, cultural contexts, and significance of Beyoncé's LEMONADE"--Verlagsinformation
    Description / Table of Contents: Introduction. Beyoncé Studies / Christina Baade, Marquita Smith, and Kristin McGee -- PART ONE. "DIVA" / BLACK FEMINIST GENEALOGIES. "I Came to Slay" : The Knowles Sisters, Black Feminism, and the Lineage of Black Female Cool / H. Zahra Caldwell ; From Colorism to Conjurings : Tracing the Dust in Beyoncé's Lemonade / Cienna Davis -- PART TWO. "FORMATION" / A SOUTHERN TURN. Beyoncé's South and a "Formation" Nation Riché Richardson / Merging Past and Present in Lemonade's Black Feminist Utopia / J. Brendan Shaw -- PART THREE. "XO" / FAITH AND FANDOM. At the Digital Cross(roads) with Beyoncé : Gospel Covers That Remix the Risqué into the Religious / Birgitta J. Johnson ; "She Made Me Understand" : How Lemonade Raised the Intersectional Consciousness of Beyoncé's International Fans / Rebecca J. Sheehan --
    Description / Table of Contents: PART FOUR. "WORLDWIDE WOMAN" / BEYONCÉ'S RECEPTION BEYOND THE UNITED STATES. The Performative Negotiations of Beyoncé in Brazilian Bodies and the Construction of the Pop Diva in Ludmilla's Funk Carioca and Gaby Amarantos's Tecnobrega / Simone Pereira de Sá and Thiago Soares ; A Critical Analysis of White Ignorance Within Beyoncé's Online Reception in the Spanish Context / Elena Herrera Quintana -- PART FIVE. "HOLD UP" / PERFORMING FEMME AFFINITY AND DISSENT. Six-Inch Heels and Queer Black Femmes : Beyoncé and Black Trans Women / Jared Mackley-Crump and Kirsten Zemke ; From "Say My Name" to "Texas Bamma" : Transgressive Topoi, Oppositional Optics, and Sonic Subversion in Beyoncé's "Formation" / Byron B Craig and Stephen E. Rahko --
    Description / Table of Contents: PART SIX. "FREEDOM" / SOUNDING PROTEST, HEARING POLITICS. The Deformed Musical Forms of Beyoncé's Celebrity Activism / Annelot Prins and Taylor Myers ; Beyoncé's Black Feminist Critique : Multimodal Intertextuality and Intersectionality in "Sorry" / Rebekah Hutten and Lori Burns -- PART SEVEN. "PRAY YOU CATCH ME" / HEALING AND COMMUNITY. Beyond "Becky with the Good Hair" : Hair and Beauty in Beyoncé's "Sorry" / Kristin Denise Rowe ; The Livable, Surviving, and Healing Poetics of Lemonade : A Black Feminist Futurity in Action / Mary Senyonga
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