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  • 1
    Book
    Book
    Ann Arbor : University of Michigan Press
    ISBN: 9780472132423
    Language: English
    Pages: xvi, 271 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Improvisation ; Sozialisation ; Interkulturalität ; Improvisation (Music) / Social aspects ; Improvisation (Music) / Cross-cultural studies ; Music / Social aspects ; MUSIC / History & Criticism ; Improvisation (Music) ; Music / Social aspects ; Cross-cultural studies ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Improvisation ; Sozialisation ; Interkulturalität
    Abstract: "Sound Changes responds to a need in improvisation studies for more work that addresses the diversity of global improvisatory practices and argues that by beginning to understand the particular, material experiences of sonic realities that are different from our own, we can address the host of other factors that are imparted or sublimated in performance. These factors range from the intimate affect associated with a particular performer's capacity to generate a distinctive "voicing," or the addition of an unexpected sonic intervention only possible with one particular configuration of players in a specific space and time. Through a series of case studies drawn from Africa, Asia, the Americas, and Oceania, Sound Changes offers readers an introduction to a range of musical expressions across the globe in which improvisation plays a key role and the book demonstrates that improvisation is a vital site for the production of emergent social relationships and meanings. As it does this work, Sound Changes situates the increasingly transcultural dimensions of improvised music in relation to emergent networks and technologies, changing patterns of migration and immigration, shifts in the political economy of music, and other social, cultural, and economic factors. Improvisation studies is a recently developed, but growing, interdisciplinary field of study. The discipline-which has only truly come into focus in the early part of the twenty-first century-has been building a lexicon of key terms and developing assumptions about core practices. Yet, the full breadth of improvisatory practices has remained a vexed, if not impossibly ambitious, subject of study. This volume offers a step forward in the movement away from critical tendencies that tend to homogenize and reduce practices and vocabularies in the name of the familiar"--
    Description / Table of Contents: Preface. Field Notes on Cultural Difference in Improvised Music / John Corbett -- Introduction. Sound Changes : Improvisation and Transcultural Difference / Daniel Fischlin and Eric Porter -- Grooving with the Gnawa : Jazz, Improvisation, and Transdiasporic Collaboration / Jason Robinson -- Improvisation and the Politics of Nueva Canción Activism / Kirstie Dorr -- "We Are the Ones Who Are Impatient" : Improvising Resistance and Resilience in Jordanian Hip-Hop and Rap / Beverley Milton-Edwards -- Nomadic Improvising and Sites of Difference / Sally Macarthur and Waldo Garrido -- "That Which Exceeds Recognition" : Sound and Gesture in Hassan Khan's Dom Tak and Jewel / Jemm a DeCristo -- Improvising Mythoi and Difference in the Asian/Woman More-Than-Tinge / Mike Heff ley -- Upaj : Improvising within Tradition in Kathak Dance / Monica Dalidowicz -- Ode B'kongofon / Hafez Modirzadeh -- Afterword. Sound Changes : The Future Is Dialogue / Daniel Fischlin and Eric Porter
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  • 2
    ISBN: 9780822354642 , 9780822354789
    Language: English
    Pages: XXXIV, 292 S. , 24 cm
    Series Statement: Improvisation, community, and social practice
    DDC: 781.3/6
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    Keywords: Improvisation (Music) ; Human rights movements ; African Americans Political activity ; Politics and culture
    Description / Table of Contents: Sounding truth to power : improvisation, black mobility, and resources for hopeImprovisation and encounter: rights in the key of rifference -- Improvising community : rights and improvisation as encounter narratives -- Improvisation, social movements, and rights in New Orleans -- Art to find the pulse of the people : we know this place -- "The fierce urgency of now" : improvisation, social practice, and togetherness-in-difference.
    Note: Includes bibliographical references (pages 263-279) and index
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  • 3
    ISBN: 9781478006800 , 9781478008149
    Language: English
    Pages: pages cm
    Series Statement: Improvisation, community, and social practice
    Parallel Title: Erscheint auch als Playing for keeps
    DDC: 781.3/6
    Keywords: Improvisation (Music) Political aspects ; Improvisation (Music) Social aspects
    Abstract: Manifesto / Matana Roberts -- The Exhibition of Vandalizim : Improvising Healing, Politics, and Film in South Africa / Stephanie Vos -- The Rigors of Afro/Canarian Jazz : Sounding Peripheral Vision with Severed Tongues / Mark Lomanno -- "Opening Up a Space that Maybe Wouldn't Exist Otherwise" / Holding It Down in the Aftermath / Vijay Iyer, in conversation with Daniel Fischlin and Eric Porter -- Experimental and Improvised Norths : The Sonic Geographies of Tanya Tagaq's Collaborations with Derek Charke and the Kronos Quartet / Kate Galloway -- Nina Simone: CIVIL JAZZ! / Randy DuBurke -- Free Improvised Music in Postwar Beirut : Differential Sounds, Intersectarian Collaborations, and Critical Collective Memory / Rana El Kadi -- Street Concerts and Sexual Harassment in Post-Mubarak Egypt: Ṭarab as Affective Politics / Darci Sprengel -- Improvisation, Grounded Humanity, and Witnessing in Palestine : An Interview with Al Mada's Odeh Turjman and Reem Abdul Hadi-Hadi / Daniel Fischlin -- "Silsulim" (Improvised "Curls") in the Vocal Performance of Israeli Popular Music: Identity, Power, and Politics / Moshe Morad -- Three Moments in Ki Ho'alu (Hawaiian Slack Key Guitar) : Improvising as a Kanaka Maoli (Native Hawaiian) Adaptive Strategy / Kevin Fellezs -- From Pre-Peace to Post-Conflict : The Ethics of (Non-) Listening and Cocreation in a Divided Society / Sara Ramshaw and Paul Stapleton.
    Abstract: "PLAYING FOR KEEPS is an edited volume of essays exploring the global dimensions of musical improvisation. The editors are interested in what they call the "aftermaths" associated with improvisational music practices: the various ways musical improvisation can respond in the aftermath of trauma, and the imagined possibilities that lie in the wake of improvisatory performance. The volume is presented as global case studies, each offering an example of how musical improvisation can foster communal responses to the realities of colonialism, imperialism, and war. By turning its attention to the global scale, this volume seeks to complicate the notion, popular within North American contexts, that improvisation necessarily leads to liberation. Instead, the editors seek to situate improvisation within local contexts, and, by examining how improvisational music practices are enmeshed in local and global power structures, point to improvisation as a site of potentiality. The volume is comprised of twelve chapters, with an introduction by the editors. Chapter One, Matana Roberts's poem "manifesto," stages improvisatory practice on the page in the form of a response to the Preamble of the United States Constitution. In chapter 2, Stephanie Vos examines the communal response to the burglary of the Zimology Institute in South Africa-an institute dedicated to educational programs about musical improvisation-which itself took the form of an improvisational music performance. Chapter 4, an interview with jazz musician and composer Vijay Iyer, examines Iyer's collaborative project Holding it Down, a performance of poetry and music that explores the experiences of US veterans of color. This chapter, in particular, complicates notions of improvisation, as Iyer claims that both oppressed people and their oppressors use improvisatory practices to accomplish their respective goals. In Chapter 8 Darci Sprengel documents the use of Tarab, a practice of "deep listening" that dissolves the distinction between self and other, by Mini Mobile Concerts (MMC), an improvisational concert group active in post-Mubarak Egypt. In particular, Sprengel focuses on how the improvisational practices of MMC addressed the topic of sexual assault, thereby renegotiating the gendered public space of the street. Chapter 9, an interview with Reem Abdul Hadi and Odej Turjman of the Al Mada Association for Art-Based Community, examines how Palestinians in the Occupied West Bank and Palestine use music imp ...
    Note: Includes bibliographical references and index
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  • 4
    Book
    Book
    Middletown, Conn. : Wesleyan Univ. Press
    ISBN: 0819566810 , 0819566829
    Language: English
    Pages: XVI, 439 S.
    Series Statement: Music/cultural studies
    DDC: 781.65
    RVK:
    Keywords: Improvisation ; Jazz ; Bibliografie ; Bibliografie ; Jazz ; Improvisation
    Note: Literaturverz. S. 397 - 416
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  • 5
    ISBN: 1551642301 , 155164231x
    Language: English
    Pages: 254 S. , Ill.
    DDC: 306.4/842
    RVK:
    Keywords: Music Political aspects ; Popular music Political aspects ; Protest songs History and criticism ; Social justice Songs and music ; History and criticism ; Rockmusik ; Popmusik ; Gesellschaftskritik ; Unterhaltungsmusik ; Menschenrecht ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik ; Menschenrecht ; Gesellschaftskritik ; Rockmusik ; Menschenrecht ; Gesellschaftskritik ; Popmusik ; Menschenrecht ; Gesellschaftskritik
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  • 6
    Language: English
    Keywords: Aufsatzsammlung ; Unterhaltungsmusik ; Rockmusik ; Popmusik ; Menschenrecht ; Gesellschaftskritik
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  • 7
    Language: English
    Keywords: Aufsatzsammlung ; Unterhaltungsmusik ; Rockmusik ; Popmusik ; Menschenrecht ; Gesellschaftskritik
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  • 8
    ISBN: 9781551646978 , 1551646978 , 9781551646992 , 1551646994
    Language: English
    Pages: 275 pages
    Edition: Issued also in electronic format
    Parallel Title: Erscheint auch als Rebel musics. Volume 2
    Angaben zur Quelle: Volume 2
    DDC: 306.4/842
    Keywords: Music Political aspects ; Popular music Political aspects ; Social justice Songs and music ; History and criticism ; Protest songs History and criticism ; Music ; Political aspects ; Popular music ; Political aspects ; Protest songs ; Criticism, interpretation, etc
    Abstract: "The first edition of Rebel Musics, published in 2003, sought to explore how musical activism resonates in practical and political terms, how musical resistance brings together voices that might otherwise remain silent, and how political action through music increases the potential for people to determine their own fate. If anything, these issues seem to be even more pressing today. In celebration of the 50th anniversary of Black Rose Books, this second volume of Rebel Musics features a collection of new essays from artists and scholars that will continue to explore and spark debate about these vital topics in compelling ways. The book offers a fascinating journey into a rich, complex world, where music and politics unite, where rebel musicians are mobilizing for political change, resistance, and social justice. With explosive lyrics and driving rhythms, rebel musicians are helping to mobilize movements for political change and social justice, at home and around the world."--
    Note: Includes bibliographical references and index , Issued also in electronic format.
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  • 9
    Online Resource
    Online Resource
    Dordrecht : Springer
    ISBN: 9789401582919
    Language: English
    Pages: Online-Ressource (XI, 331 p) , digital
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Linguistics ; Linguistics Philosophy ; Philosophy, modern ; Comparative Literature ; Germanic languages ; Romance languages ; Language and languages—Philosophy.
    Abstract: Negation, Critical Theory, and Postmodern Textuality features 14 new essays by leading specialists in critical theory, comparative literature, philosophy, and English literature. The essays, which present wide-ranging historical considerations of negation in light of recent developments in poststructuralism and postmodernism, range over many of the siginificant texts in which negation figures prominently. The book includes a wide-ranging introductory chapter that examines how attention to negation -- the inescapable nescience that is posited in any and every linguistic expression -- enhances the hermeneutic possibilities present in language. In addition, the four sections of the book bring together major critical interventions on, among others, negative meaning, unrecognizability, elenctic negation, apocalypse, nihilism, negation and gender, and denegation. All the essays involve close attention to key texts by major authors, including William Shakespeare, Henry James, Federico García Lorca, Samuel Beckett, Thomas Bernhard, Walt Whitman, E.M. Forster, Mary Shelley, Margaret Atwood, Roland Barthes, Douglas Barbour, Paul de Man, bp Nichol, Jacques Derrida, and Dogen Kigen. The volume opens up new areas in critical theory, comparative literature, and the philosophy of language, and defines a major new area of inquiry in relation to notions of postmodern textuality. Critical theorists, students of comparative literature, English literature, and the history of ideas, and those interested in the hermeneutic implications of postmodernism will find this volume of substantial interest. Its extensive bibliographical apparatus and index make the collection a valuable reference tool for upper-level undergraduate and graduate students as well as for those seeking a variety of interpretive approaches to the problem of negation in literature
    URL: Volltext  (lizenzpflichtig)
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