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  • 1970-1974  (130)
  • Alfons Michael Dauer (Redaktion)  (73)
  • Mead, Margaret  (57)
Datasource
Material
Language
Years
Year
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Book
    Book
    Jugend und Sexualität in primitiven Gesellschaften (1970-)
    München : Dt. Taschenbuch-Verl.
    Details
    Language: German
    Series Statement: dtv ...
    Series Statement: dtv-Wissenschaft
    Uniform Title: From the South Seas 〈dt.〉
    Keywords: Primitive societies ; Children Samoan Islands ; Children Papua New Guinea ; Adolescence
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    MARKK
  • 2
    Book
    Book
    The Mountain Arapesh (1938-)
    New York, NY
    Details
    Language: English
    Series Statement: Anthropological papers of the American Museum of Natural History
    Keywords: Arapesh ; Anthropologie ; Physiologie ; Medizin ; Neuguinea ; Ozeanien ; Australien
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    MARKK
  • 3
    Book
    Book
    Jugend und Sexualität in primitiven Gesellschaften (1970-)
    München : Dt. Taschenbuch-Verl.
    Details
    Language: German
    Series Statement: dtv ...
    Series Statement: dtv-Wissenschaft
    Uniform Title: From the South Seas 〈dt.〉
    Keywords: Primitive societies ; Children Samoan Islands ; Children Papua New Guinea ; Adolescence
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    KOBV
  • 4
    Book
    Book
    Jugend und Sexualität in primitiven Gesellschaften (1970-)
    München : Dt. Taschenbuch-Verl.
    Details
    Language: German
    Series Statement: dtv ...
    Series Statement: dtv-Wissenschaft
    Uniform Title: From the South Seas 〈dt.〉
    Keywords: Primitive societies ; Children Samoan Islands ; Children Papua New Guinea ; Adolescence
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    GBV
  • 5
    Book
    Book
    The Mountain Arapesh (1968-)
    Garden City, NY : Natural History Press
    Details
    Language: English
    Series Statement: Anthropological papers of the American Museum of Natural History ...
    Keywords: Arapesh (Papua New Guinean people)
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    MPI Ethno. Forsch.
  • 6
    Book
    Book
    Jugend und Sexualität in primitiven Gesellschaften (1970-)
    München : Dt. Taschenbuch-Verl.
    Details
    Language: German
    Series Statement: dtv ...
    Series Statement: dtv-Wissenschaft
    Uniform Title: From the South Seas 〈dt.〉
    Keywords: Primitive societies ; Children Samoan Islands ; Children Papua New Guinea ; Adolescence
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    MPI Ethno. Forsch.
  • 7
    Article
    Article
    Introduction (1974)
    In:  New Guinea people in business and industry Canberra, A.C.T.: 1974, Seite 3-9
    Details
    Language: English
    Titel der Quelle: New Guinea people in business and industry
    Angaben zur Quelle: Canberra, A.C.T.: 1974, Seite 3-9
    Library Location Call Number Volume/Issue/Year Availability
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    Article
    Frobenius-Institut
  • 8
    Book
    Book
    Childhood in contemporary cultures (1974)
    Chicago [u.a.] : Univ. of Chicago Press
    Details
    ISBN: 0226515079 , 0226515060
    Language: English
    Pages: 471 Seiten , Illustrationen
    Edition: 12. impression
    RVK:
    MS 1960
    Note: Literaturangaben
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    BSZ
    GRASSI Mus. Leipzig
  • 9
    Book
    Book
    Mann und Weib : das Verhältnis der Geschlechter in einer sich wandelnden Welt (1974)
    Hamburg : Rowohlt
    Details
    ISBN: 3499550695
    Language: German
    Pages: 280 S.
    Edition: Gekürzte Sonderausg., 79. - 83. Tsd.
    Series Statement: Rowohlts deutsche Enzyklopädie 69
    Series Statement: rororo Wissen
    Series Statement: Rowohlts deutsche Enzyklopädie
    Uniform Title: Male and female 〈dt.〉
    RVK:
    CR 6000
    Keywords: Sexualität ; Sexualverhalten
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    Weltkulturen Museum
    BSZ
  • 10
    Book
    Book
    Kindheit und Jugend in Samoa (1974)
    München : Dt. Taschenbuchverl.
    Details
    ISBN: 3423040327
    Language: Undetermined
    Pages: 240 S.
    Edition: 3. Aufl.
    Series Statement: Jugend und Sexualität in primitiven Gesellschaften / Margaret Mead 1
    Series Statement: dtv 4032
    Series Statement: Wissenschaft
    Series Statement: Mead, Margaret 1901-1978 Jugend und Sexualität in primitiven Gesellschaften.
    Uniform Title: Coming of age in Samoa 〈dt.〉
    RVK:
    CQ 6000
    RVK:
    LB 43690
    RVK:
    CV 7500
    RVK:
    RX 60559
    RVK:
    MS 2450
    Keywords: Naturvolk ; Jugend ; Sexualverhalten
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    BSZ
  • 11
    Book
    Book
    Ruth Benedict (1974)
    Details
    ISBN: 0-231-03519-5 , 0-231-03520-9
    Language: English
    Series Statement: Leaders of Modern Anthropology Series [6]
    Keywords: Deskribierung zurückgestellt ; Benedict, Ruth
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    Frobenius-Institut
  • 12
    Book
    Book
    Geschlecht und Temperament in drei primitiven Gesellschaften (1974)
    München : Dt. Taschenbuch Verl.
    Details
    Language: German
    Pages: 291 S.
    Edition: 3. Aufl.
    Series Statement: Jugend und Sexualität in primitiven Gesellschaften / Margaret Mead 3
    Series Statement: dtv 4034
    Series Statement: Wissenschaftliche Reihe
    Series Statement: Mead, Margaret 1901-1978 Jugend und Sexualität in primitiven Gesellschaften.
    Uniform Title: Sex and temperament 〈dt.〉
    RVK:
    CQ 6000
    RVK:
    LB 43690
    RVK:
    CV 7500
    RVK:
    RX 60559
    RVK:
    MS 2450
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    Book
    BSZ
    KOBV
  • 13
    AV-Medium
    AV-Medium
    Ostasien, Japan - Gagaku »Ringa« (Lied des Waldes). Ein Bugaku-Tanzquartett der 'Rechten Seite' (1974)
    IWF (Göttingen)
    In:  (Jan. 1974)
    Details
    Language: Undetermined , Undetermined
    Pages: 268MB, 00:27:30:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1974)
    Keywords: musical instruments / membranophone ; music (ethnology) ; arts (ethnology) ; Schauspiel ; Musikinstrumente ; Musik (Ethnologie) ; Kulturwissenschaften ; musical instruments / aerophone ; Asia ; musical instruments ; Theater-Produktion ; Gagaku ; orchestra ; Blasinstrumente ; music groups ; Japan ; Tanzspiel ; Schlaginstrumente ; Asien ; Künste (Ethnologie) ; Orchester ; Theater (Ethnologie) ; dance drama ; Musikinstrumente / Membranophone ; drama ; wind instruments ; Encyclopaedia Cinematographica ; Musiker ; Japaner ; cultural studies ; musicians ; Japanese ; Ethnologie/Kulturanthropologie ; percussion instruments ; gagaku ; theatre (ethnology) ; theatrical productions ; Musikgruppen ; theatrical play ; Musikinstrumente / Aerophone ; Japan ; ethnology/cultural anthropology
    Abstract: Die Instrumente der "Rechten Seite" (Koma-gaku) werden vorgeführt. Dann zeigen vier Tänzer den langsamen Ringa, der zum Hiramai-Typ gehört.
    Abstract: The first part of the film gives a demonstration of the instruments used in Koma-gaku, or music from Korea, which is also known as "right side" music. In order to compare it with the "left side" music, which is from China, the presentation of a typical "right side" dance-music Ringa follows.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1988
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    IWF
  • 14
    AV-Medium
    AV-Medium
    Ostasien, Japan - Gagaku »Bairo«. Zwei Arten von Bairo-Musik (1974)
    IWF (Göttingen)
    In:  (Jan. 1974)
    Details
    Language: Undetermined , Undetermined
    Pages: 158MB, 00:16:14:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1974)
    Keywords: musical instruments / membranophone ; music (ethnology) ; arts (ethnology) ; Musikinstrumente ; Musik (Ethnologie) ; Gagaku ; Kulturwissenschaften ; musical instruments / aerophone ; Asia ; musical instruments ; Gagaku ; orchestra ; Saiteninstrumente ; Blasinstrumente ; music groups ; Japan ; Musikinstrumente / Chordophone ; Schlaginstrumente ; Asien ; Künste (Ethnologie) ; Orchester ; Musikinstrumente / Membranophone ; wind instruments ; Encyclopaedia Cinematographica ; Musiker ; Japaner ; musical instruments / chordophone ; cultural studies ; musicians ; Japanese ; Ethnologie/Kulturanthropologie ; percussion instruments ; Musikgruppen ; string instruments ; Musikinstrumente / Aerophone ; Japan ; ethnology/cultural anthropology
    Abstract: Aufführungen im Stil der "Musik der Linken Seite" im 6/4-Takt und als Tanzbegleitung im Stil der "Musik der Rechten Seite" im 5/4-Takt.
    Abstract: In this film, two variations of a musical piece called Bairo are presented: the first performed in the "left side" instrumental composition style in 6/4 meter and the second in the "right side" dance accompaniment style in 5/4 meter.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1990
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    IWF
  • 15
    AV-Medium
    AV-Medium
    Gaine (Zentralasien, Nepal) - Erzähllied mit tänzerischer Darstellung, begleitet von »sarangi«-Fiedeln (1974)
    IWF (Göttingen)
    In:  (Jan. 1974)
    Details
    Language: Undetermined , Undetermined
    Pages: 0MB, 00:01:52:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1974)
    Keywords: recital ; music (ethnology) ; arts (ethnology) ; Sarangi ; Musikinstrumente ; Musik (Ethnologie) ; Kulturwissenschaften ; dance / solo dance ; Asia ; musical instruments ; Gaine ; Tanzstile ; Saiteninstrumente ; music groups ; Tanz (Ethnologie) ; Musikinstrumente / Chordophone ; Asien ; solo dance ; Künste (Ethnologie) ; Erzähllied ; Geige ; singing ; Nepal ; Singen ; Fiedel ; Solotanz ; Encyclopaedia Cinematographica ; Musiker ; dance (ethnology) ; Gaine ; musical instruments / chordophone ; cultural studies ; musicians ; fiddle ; Ethnologie/Kulturanthropologie ; telling song ; sarangi ; styles of dance ; Gesang ; Musikgruppen ; string instruments ; Nepal ; ethnology/cultural anthropology ; Tanz / Solotanz
    Abstract: Spielleute tragen in Katmandu ein Lied vor, in dem die Taten eines berühmten Sherpa besungen werden. Vier spielen auf Geigen, drei klatschen in die Hände. Ein 10jähriger Junge improvisiert einen Tanz dazu.
    Abstract: Gaine musicians sing of the deeds of a famous Sherpa porter. Four of them accompany the song by the violin sarangi, three others clap their hands. A ten-year-old Gaine boy performs a dance by improvising traditional movements.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1707
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    AV-Medium
    IWF
  • 16
    AV-Medium
    AV-Medium
    Zulu (Südafrika, Natal) - Heilbehandlung einer jungen Frau durch eine Herbalistin (1974)
    IWF (Göttingen)
    In:  (Jan. 1974)
    Details
    Language: Undetermined , Undetermined
    Pages: 159MB, 00:16:19:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1974)
    Keywords: Zauberarzt ; Heilmittel ; Wirtschaft (Ethnologie) ; medicine ; Tanz (Ethnologie) ; occasional dances ; dance / South Africa ; Veränderungen des Körpers ; treatment, magical ; ethnomedicine ; Gesellschaft ; work ; alterations of the body ; Zulu ; anlaßbezogene Tänze ; Inhalieren ; Encyclopaedia Cinematographica ; estates and professions ; Körper ; ethnology of medicine ; cultural studies ; Tanz / Heilungstanz ; Ethnologie/Kulturanthropologie ; Ritzen der Haut ; divination ; Krankenbehandlung, magische ; magische Krankenbehandlung ; Divinationstanz ; diviner ; incising of the skin ; Ethnomedizin ; curative treatment ; medizinische Therapie ; Heilbehandlung ; South Africa ; herbalist ; ethnology/cultural anthropology ; ritual dances ; remedy ; individual ; arts (ethnology) ; Tanz / Südafrika ; Zulu ; Kulturwissenschaften ; labor organisation ; Afrika ; Medizin ; Heiltanz ; Arbeit ; Künste (Ethnologie) ; economy ; magische Therapie ; Individuum ; Medizinethnologie ; rituelle Tänze ; scarifying the skin ; dance (ethnology) ; society ; healing dance ; Herbalistin ; magical treatment ; Africa ; Divination, Diviner ; dance / healing dance ; body ; divination dance ; witch doctor ; magical therapy ; inhaling ; Arbeitsorganisation ; medical therapy ; Stände und Berufe ; Südafrika
    Abstract: Eine junge Frau wird von einer Herbalistin durch Inhalieren, Einnehmen eines Emetikums und Einritzen der Haut behandelt. Helferinnen assistieren bei der Behandlung. Abschließend wird ein mehrteiliger Divinationstanz aufgeführt.
    Abstract: A young woman is treated by a female herbalist by inhalation, by an emetic and by incisions in the skin. Women helpers assist during the treatment. Finally a divination dance is performed, consisting of several parts.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1755
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    AV-Medium
    IWF
  • 17
    AV-Medium
    AV-Medium
    Ostasien, Japan - Gagaku »Taiheiraku« (Musik des Ewigen Friedens). Ein Bugaku-Tanzquartett der 'Linken Seite' (1974)
    IWF (Göttingen)
    In:  (Jan. 1974)
    Details
    Language: Undetermined , Undetermined
    Pages: 399MB, 00:41:01:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1974)
    Keywords: musical instruments / membranophone ; music (ethnology) ; arts (ethnology) ; Schauspiel ; Musikinstrumente ; Musik (Ethnologie) ; Kulturwissenschaften ; musical instruments / aerophone ; Asia ; musical instruments ; Theater-Produktion ; Gagaku ; orchestra ; Blasinstrumente ; music groups ; Japan ; Tanzspiel ; Schlaginstrumente ; Asien ; Künste (Ethnologie) ; Orchester ; Theater (Ethnologie) ; dance drama ; Musikinstrumente / Membranophone ; drama ; wind instruments ; Encyclopaedia Cinematographica ; Musiker ; Japaner ; cultural studies ; musicians ; Japanese ; Ethnologie/Kulturanthropologie ; percussion instruments ; gagaku ; theatre (ethnology) ; theatrical productions ; Musikgruppen ; theatrical play ; Musikinstrumente / Aerophone ; Japan ; ethnology/cultural anthropology
    Abstract: Vollständige Aufführung (Jo, Ha, Kyu) mit vier Tänzern, die chinesische Helme, Schwerter und Speere tragen. Sie stellen Krieger nach der Schlacht auf dem Wege in das Zeitalter des Friedens dar.
    Abstract: In the present-day gagaku, or Imperial Court dance-music, repertoire, only Taiheiraku has retained the complete three-part programme: jo, ha and kyu. The film shows complete Taiheiraku in which four dancers, armed with Chinese style helmets, swords and spears, represent warriors after the battle, ushering in the age of peace.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1985
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    AV-Medium
    IWF
  • 18
    AV-Medium
    AV-Medium
    Ostasien, Japan - Gagaku »Etenraku« (Musik des Jenseitigen Himmels). Ein Instrumentalmusikstück (Kangen) (1974)
    IWF (Göttingen)
    In:  (Jan. 1974)
    Details
    Language: Undetermined , Undetermined
    Pages: 205MB, 00:21:01:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1974)
    Keywords: musical instruments / membranophone ; music (ethnology) ; arts (ethnology) ; Musikinstrumente ; Musik (Ethnologie) ; Kulturwissenschaften ; musical instruments / aerophone ; Asia ; musical instruments ; Gagaku ; orchestra ; Saiteninstrumente ; Blasinstrumente ; music groups ; Japan ; Musikinstrumente / Chordophone ; Schlaginstrumente ; Asien ; Künste (Ethnologie) ; Orchester ; Musikinstrumente / Membranophone ; wind instruments ; Encyclopaedia Cinematographica ; Musiker ; Japaner ; musical instruments / chordophone ; cultural studies ; musicians ; Japanese ; Ethnologie/Kulturanthropologie ; percussion instruments ; gagaku ; Musikgruppen ; string instruments ; Musikinstrumente / Aerophone ; Japan ; ethnology/cultural anthropology
    Abstract: Aufführung im Nokorigaku-Stil, bei dem die Blas- und Schlaginstrumente nacheinander aufhören und die Saiteninstrumente allein das Stück beenden.
    Abstract: The musical instruments used in To-gaku, or music from China, are shown at the beginning of the film. Then, the Etenraku is performed in the nokorigaku style, in which the winds and percussion gradually drop out of the ensemble, enabling the strings to be featured in a solo role.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1989
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    IWF
  • 19
    AV-Medium
    AV-Medium
    East Asia, Japan - Gagaku »Genjoraku« (Music of the Return to the Palace). A Bugaku 'Right Side' Dance Solo (1974)
    IWF (Göttingen)
    In:  (Jan. 1974)
    Details
    Language: Undetermined , Undetermined
    Pages: 1302MB, 00:24:56:19 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1974)
    Keywords: musical instruments / membranophone ; Japaner ; music (ethnology) ; arts (ethnology) ; Schauspiel ; Musikinstrumente ; Musik (Ethnologie) ; Kulturwissenschaften ; musical instruments / aerophone ; Asia ; musical instruments ; Theater-Produktion ; Gagaku ; orchestra ; Blasinstrumente ; music groups ; Japan ; Tanzspiel ; Schlaginstrumente ; Asien ; Künste (Ethnologie) ; Orchester ; Theater (Ethnologie) ; dance drama ; Musikinstrumente / Membranophone ; drama ; wind instruments ; Encyclopaedia Cinematographica ; Musiker ; cultural studies ; musicians ; Japanese ; Ethnologie/Kulturanthropologie ; percussion instruments ; gagaku ; theatre (ethnology) ; theatrical productions ; Musikgruppen ; theatrical play ; Musikinstrumente / Aerophone ; Japan ; ethnology/cultural anthropology
    Abstract: Nach dem Vorstellen der verschiedenen Gagaku-Masken folgt der Auftritt eines Tänzers in der Genjoraku-Maske. Er stellt seine große Freude über eine Schlange dar, die er in seiner Nähe entdeckt.
    Abstract: At the beginning, some of the different gagaku masks are displayed. Then, a Genjoraku mask is put on by a dancer. The music and dance performance of Genjoraku follows. The solo dancer shows great joy upon discovery that a snake is near-by. The costume, mask as well as the dance itself show the Chinese and Japanese people considered the culture and the people of Central Asia.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1987
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    AV-Medium
    IWF
  • 20
    AV-Medium
    AV-Medium
    Gaine (Zentralasien, Nepal) - Tanzlied mit Begleitung von drei »sarangi«-Fiedeln (1974)
    IWF (Göttingen)
    In:  (Jan. 1974)
    Details
    Language: Undetermined , Undetermined
    Pages: 65MB, 00:05:20:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1974)
    Keywords: music (ethnology) ; arts (ethnology) ; Sarangi ; Musikinstrumente ; Musik (Ethnologie) ; Kulturwissenschaften ; dance / solo dance ; Asia ; musical instruments ; Gaine ; Tanzstile ; Saiteninstrumente ; music groups ; Tanz (Ethnologie) ; Musikinstrumente / Chordophone ; Tanzlied ; Asien ; solo dance ; Künste (Ethnologie) ; Geige ; singing ; Nepal ; Singen ; Fiedel ; Solotanz ; Encyclopaedia Cinematographica ; Musiker ; dance (ethnology) ; Gaine ; musical instruments / chordophone ; cultural studies ; musicians ; fiddle ; Ethnologie/Kulturanthropologie ; sarangi ; styles of dance ; dance song ; Gesang ; Musikgruppen ; string instruments ; Nepal ; ethnology/cultural anthropology ; Tanz / Solotanz
    Abstract: Drei Spielleute tragen in Katmandu ein Erzähllied vor und singen abwechselnd dazu. Ein 13jähriger Junge improvisiert einen Tanz.
    Abstract: Three members of the Gaine caste perform a narrative song accompanied by the violin sarangi. The melody is also played, with occasional slight variations, on one of the three violins, the two other musicians accompany it with pizzicato and col legno. A fourth Gaine improvises a solo dance composed of traditional stereotyped movements.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1706
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  • 21
    AV-Medium
    AV-Medium
    Nevari, Kullu-Kaste (Zentralasien, Nepal) - Bespannen und Stimmen der Trommel »madal« (1974)
    IWF (Göttingen)
    In:  (Jan. 1974)
    Details
    Language: Undetermined , Undetermined
    Pages: 97MB, 00:07:56:06 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1974)
    Keywords: musical instruments / membranophone ; music (ethnology) ; handicraft ; Musikinstrumente ; Nevari ; Wirtschaft (Ethnologie) ; musical instruments ; Stimmen einer Trommel ; Kastenwesen ; Schlaginstrumente ; drum ; fadenlose Stoffe ; Encyclopaedia Cinematographica ; fur ; cultural studies ; Ethnologie/Kulturanthropologie ; Trommel ; Fell, Fellbearbeitung ; Bespannen einer Trommel ; Kullu-Kaste ; Handwerk ; percussion instruments ; tuning a drum ; kullu caste ; attaching the skin to a drum ; madal ; Nepal ; ethnology/cultural anthropology ; covering a drum ; politics (ethnology) ; arts (ethnology) ; Leder ; Musik (Ethnologie) ; Politik (Ethnologie) ; leather ; Kulturwissenschaften ; Asia ; Asien ; Künste (Ethnologie) ; Herrschaftsformen ; economy ; Newar ; Musikinstrumente / Membranophone ; Nepal ; Madal ; fur processing ; threadless materials ; caste system ; governance types ; caste ; Newar ; Newa
    Abstract: Zwei Brüder aus Patan bearbeiten ein Ziegenfell, schneiden es zurecht und ziehen es auf den faßförmigen Korpus, der aus einem Stück Holz geschnitzt worden ist. Nach dem Auftragen der Stimmpaste werden die Felle durch Nachziehen der Spannriemen gestimmt. Anschließend wird das Instrument ausprobiert.
    Abstract: Skins and bracing cords of the small, barrel-shaped drum madal are cut out of a cleaned and dried goatskin and put on the body carved in one piece. Both skins are smeared with the black tuning-paste. The skins are tuned by bracing up the bracing cords. Finally the drum is beaten by the drum-maker, a member of the Kullu caste.
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    DOI: 10.3203/IWF/E-1703
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  • 22
    Book
    Book
    A way of seeing (1974)
    New York : Morrow
    Details
    ISBN: 0688053262
    Language: English
    Pages: xiv, 335 S. , 24 cm
    Edition: 1st pbk ed.
    DDC: 309.1/73
    RVK:
    LB 39000
    Keywords: United States ; Social conditions ; 1960-1980
    Note: Essays originally published in Redbook magazine, Jan. 1962 to Oct. 1969
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    Book
    GBV
    MPI-MMG
    MPI Ethno. Forsch.
  • 23
    Book
    Book
    Sexual life between blacks and whites. The roots of racism (1974)
    London : Collins
    Details
    ISBN: 0002117312
    Language: English
    Pages: XV, 376 S
    DDC: 301.41745196073
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  • 24
    Book
    Book
    Blackberry winter : my earlier years (1973)
    New York : Morrow
    Details
    ISBN: 0688000517 , 0688050514
    Language: English
    Pages: 305 S. , Ill.
    Edition: 5. [Dr.]
    DDC: 306.0924
    RVK:
    MQ 1600
    RVK:
    WB 3231
    RVK:
    LB 27000
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  • 25
    Book
    Book
    An anthropologist at work : Writings of Ruth Benedict (1973)
    New York : Equinox Books
    Details
    Language: English
    Pages: XXII, 583 S.
    RVK:
    MS 9350
    Keywords: Kulturanthropologie ; Kulturanthropologie
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    Regensburg UB
    BSZ
    KOBV
    BVB
  • 26
    Book
    Book
    Blackberry winter : my earlier years (1973)
    New York, NY : Morrow
    Details
    ISBN: 0688000517 , 0688050514
    Language: English
    Pages: 305 S , Ill
    Edition: 5. [print.]
    RVK:
    LB 27000
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    BSZ
    GBV
  • 27
    Book
    Book
    Coming of age in Samoa : A psychological study of primitive youth for Western civilisation : Foreword by Franz Boas (1973)
    New York : Morrow Quill
    Details
    ISBN: 0688309747
    Language: English
    Pages: 304 S
    DDC: 572.996
    RVK:
    LB 43675
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    MPI-MMG
  • 28
    Book
    Book
    Une éducation en Nouvelle-Guinee (1973)
    Paris : Payot
    Details
    Language: French
    Pages: 310 Seiten , Karten , 23 cm
    Series Statement: Bibliothèque scientifique
    Uniform Title: Growing up in New Guinea
    DDC: 301.4310995
    Keywords: Socialisation Cas, Etudes de ; Manus (Peuple de Papouasie-Nouvelle-Guinée) ; Enfants Papouasie-Nouvelle-Guinée ; Socialisation Cas, Études de ; Manus (peuple de Papouasie-Nouvelle-Guinée) Éducation ; Éducation des enfants Papouasie-Nouvelle-Guinée ; Enfants Papouasie-Nouvelle-Guinée ; Adolescents Sexualité ; Papouasie-Nouvelle-Guinée ; Manus (peuple) personnalité ; socialisation ; Papouasie-Nouvelle-Guinée ; Manus (peuple) personnalité ; socialisation ; Papouasie-Nouvelle-Guinée ; Manus ; Jugend ; Sozialisation ; Sexualverhalten ; Erziehung ; Neuguinea
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    Weltkulturen Museum
    BSZ
  • 29
    Article
    Article
    Changing styles of anthropological work (1973)
    In:  2, 1973, S. 1-26.
    Details
    Language: English
    Angaben zur Quelle: 2, 1973, S. 1-26.
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    Article
    Frobenius-Institut
  • 30
    AV-Medium
    AV-Medium
    Nevari, Jyapu-Kaste (Zentralasien, Nepal) - »bansuri khala«, Instrumentalgruppe mit Querflöten (1973)
    IWF (Göttingen)
    In:  (Jan. 1973)
    Details
    Language: Undetermined , Undetermined
    Pages: 26MB, 00:02:41:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1973)
    Keywords: musical instruments / membranophone ; music (ethnology) ; Musikinstrumente ; Nevari ; Tänze nach Geschlecht ; Flöte / Querflöte ; musical instruments ; flute / transverse flute ; Tanzstile ; Blasinstrumente ; music groups ; Tanz (Ethnologie) ; Kastenwesen ; Schlaginstrumente ; dance / men's dance ; drum ; mens' dances ; Encyclopaedia Cinematographica ; cultural studies ; Ethnologie/Kulturanthropologie ; Trommel ; Jyapu-Kaste ; Tanz / Männertanz ; percussion instruments ; theatrical productions ; Musikgruppen ; madal ; Nepal ; ethnology/cultural anthropology ; transverse flute ; politics (ethnology) ; Männertanz ; arts (ethnology) ; Musik (Ethnologie) ; Politik (Ethnologie) ; Kulturwissenschaften ; musical instruments / aerophone ; dance / solo dance ; Asia ; men's dance ; Theater-Produktion ; orchestra ; instrumental group ; Bansuri Khala ; Asien ; solo dance ; Künste (Ethnologie) ; Orchester ; Theater (Ethnologie) ; Herrschaftsformen ; Newar ; Musikinstrumente / Membranophone ; Nepal ; Madal ; wind instruments ; Solotanz ; bansuri khala ; Musiker ; dance (ethnology) ; Querflöte ; jyapu caste ; musicians ; styles of dance ; caste system ; governance types ; theatre (ethnology) ; caste ; Newar ; Musikinstrumente / Aerophone ; Newa ; Tanz / Solotanz ; dances according to gender ; Instrumentalgruppe
    Abstract: Mitglieder einer Musikerorganisation spielen in Katmandu vor der Kamera ein weltliches Lied im Vierertakt in einer nichtreligiösen Instrumentengruppierung. Ein Mann improvisiert einen Tanz dazu.
    Abstract: Members of the Jyapu caste who have been combined in a musical organization, play a secular song in a non-religious instrumental arrangement. A dancer improvises movements to it according to the typical repertoire of expressions of the men's dance of the Nevari.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1708
    URL: link to metadata
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    IWF
  • 31
    AV-Medium
    AV-Medium
    Zulu (Südafrika, Natal) - Hochzeitszeremonie (1973)
    IWF (Göttingen)
    In:  (Jan. 1973)
    Details
    Language: Undetermined , Undetermined
    Pages: 210MB, 00:21:32:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1973)
    Keywords: music (ethnology) ; killing, ritual ; dance / bride dance ; Wirtschaft (Ethnologie) ; wedding ; Lebenslauf ; initiation ; Tanz (Ethnologie) ; nutrition ; occasional dances ; dance / South Africa ; ritual washing ; Religion ; food preparation ; Ahnenkult ; Gesellschaft ; Tieropfer ; ancestor worship ; wedding dance ; singing ; Zulu ; ritual ; anlaßbezogene Tänze ; Encyclopaedia Cinematographica ; Bräuche ; religious practices ; Ritual ; religion ; cultural studies ; Ethnologie/Kulturanthropologie ; Hochzeit ; Schlachten ; Tanz / Brauttanz ; slaughtering ; Rites de passage ; rite / killing of animals ; wedding customs ; Tötung, rituelle ; Tod ; South Africa ; custom / circle of life ; ritual purification ; ethnology/cultural anthropology ; death ; Ritus / Tötung von Tieren ; marriage ; arts (ethnology) ; Tanz / Hochzeitstanz ; rite of passage ; Tanz / Südafrika ; Brauchtum / Lebenskreis ; Musik (Ethnologie) ; Zulu ; Kulturwissenschaften ; Totenkult/Ahnenkult ; Reinigung, rituelle ; Initiation ; Afrika ; oxen ; Rinderopfer ; sacrificial act ; Ritus / Rites de passage ; sacrifices ; Ochsen ; Künste (Ethnologie) ; Hochzeitstanz ; Heirat ; economy ; dance / wedding dance ; Opfer ; religiöse Praktiken ; Singen ; bride dance ; rite / rite of passage ; Ernährung ; Nahrungsmittelzubereitung ; Hochzeitsbräuche ; Musiker ; dance (ethnology) ; sacrificial cattle ; animal sacrifice ; society ; Brauttanz ; musicians ; customs ; Africa ; course of life ; cult of the dead/ancestor worship ; Gesang ; Opferhandlung ; Südafrika
    Abstract: Auswahl eines Opfertiers, rituelle Tötung und Schlachtung, Frisieren, rituelles Waschen und Ankleiden der Braut. Zug zum Tanzplatz, begleitet von Brautjungfern und dem Gefolge des Bräutigams. Aufführung von Hochzeitstänzen und offizielle Eheschließung durch den "Headman" Ximba.
    Abstract: A sacrificial animal is chosen, ritually killed and immolated. The bride places on her head decoration and is then ritually washed and arrayed. Detailed excerpts of the wedding dance are shown. Through knocking appart of the entwined hands the marriage of officially performed.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1753
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    IWF
  • 32
    AV-Medium
    AV-Medium
    Nevari, Jyapu-Kaste (Zentralasien, Nepal) - Spielen der Klappertrommel »dabadaba« (1973)
    IWF (Göttingen)
    In:  (Jan. 1973)
    Details
    Language: Undetermined , Undetermined
    Pages: 21MB, 00:01:42:06 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1973)
    Keywords: musical instruments / membranophone ; music (ethnology) ; arts (ethnology) ; Musikinstrumente ; Nevari ; Musik (Ethnologie) ; Politik (Ethnologie) ; Kulturwissenschaften ; Asia ; musical instruments ; Kastenwesen ; Schlaginstrumente ; Asien ; Künste (Ethnologie) ; Dabadaba ; Herrschaftsformen ; Newar ; Musikinstrumente / Membranophone ; drum ; Nepal ; rattle drum ; Encyclopaedia Cinematographica ; cultural studies ; jyapu caste ; Ethnologie/Kulturanthropologie ; Trommel ; Jyapu-Kaste ; percussion instruments ; caste system ; governance types ; dabadaba ; caste ; Newar ; Nepal ; Newa ; Klappertrommel ; ethnology/cultural anthropology ; politics (ethnology)
    Abstract: Musiker in Katmandu spielen sitzend die Klappertrommeln. Das Instrument wird paarweise durch rhythmisches Drehen gespielt, wobei kleine Klöppel gegen die Trommelfelle schlagen. Durch Ziehen und Lockern der Spannschnüre wird die Tonhöhe während des Spielens variiert.
    Abstract: The rattle drums dabadaba are played in pairs. Through rhythmical rotation the small clapprs are beaten against the drum skin. The skins are tautened with cords. By tightening and loosening of these cords the pitch of each drum can be altered during playing.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1704
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  • 33
    Book
    Book
    Hoffnung und Überleben der Menschheit : Glaube im 20. Jahrhundert (1972)
    Stuttgart [u.a.] : Kreuz-Verl.
    Details
    ISBN: 3783104114
    Language: German
    Pages: 170 S. , 21 cm
    Edition: 1. Aufl., (1. - 7. Tsd.)
    Series Statement: Maßstäbe des Menschlichen 4
    Series Statement: Maßstäbe des Menschlichen
    Uniform Title: Twentieth century faith, hope and survival 〈dt.〉
    DDC: 200
    RVK:
    BB 1900
    Keywords: Religion
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    BSZ
    GBV
    GRASSI Mus. Leipzig
  • 34
    AV-Medium
    AV-Medium
    Omar-Araber (Zentralsudan, Süd-Wadai) - Unterhaltungstanz »goshele« (1972)
    IWF (Göttingen)
    In:  (Jan. 1972)
    Details
    Language: Undetermined , Undetermined
    Pages: 70MB, 00:05:43:20 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1972)
    Keywords: music (ethnology) ; Unterhaltungstanz ; Araber ; partner dance ; Tanzstile ; music groups ; Tanz (Ethnologie) ; Religion ; singing ; Singen / Tschad ; Encyclopaedia Cinematographica ; Chad ; religious practices ; dance / Chad ; religion ; cultural studies ; Ethnologie/Kulturanthropologie ; Omar Arabs ; sacred activities ; Arabs ; Gebete ; Singen / im Chor ; Musikgruppen ; ethnology/cultural anthropology ; goshele ; arts (ethnology) ; Musik (Ethnologie) ; Kulturwissenschaften ; Tanz / Tschad ; Afrika ; singing / Chad ; prayer ; Künste (Ethnologie) ; Preisgesang ; Omar-Araber ; couple dance ; religiöse Praktiken ; Paartanz ; sakrale Handlung ; Musiker ; dance (ethnology) ; Goshele ; musicians ; Africa ; styles of dance ; praise singing ; Gesang ; Tschad ; songs of praise ; entertainment dance ; singing / chorus
    Abstract: Im Dorf Sara tanzen unterschiedliche Paare, bei denen sich die Partner gegenüberstehen, vor einer Gruppe Preislieder singender und in die Hände klatschender Mädchen und Frauen.
    Abstract: Women and girls are arranged in a semicircle on the dancing-place of Sara village. They clap out the rhythm of the "goshele"-dance and sing songs in praise of several rich and famous men of the country. A couple take their places for dancing, the two partners facing each other. For some measures the boy and the girl perform swaying movements on the spot, then both at a time perform a high leap and stamp their right or left foot on the ground. The high leap is performed three times, then the dancers pass with stamping steps by each other and each goes to the place previously occupied by his partner. This figure is always repeated, it is performed in the film by different male and female dancers. A particularly well performed figure is acclaimed by the women with quavering.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1364
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  • 35
    AV-Medium
    AV-Medium
    Djaya (Zentralsudan, Süd-Wadai) - »djele«-Tanz »parama« (1972)
    IWF (Göttingen)
    In:  (Jan. 1972)
    Details
    Language: Undetermined , Undetermined
    Pages: 48MB, 00:03:54:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1972)
    Keywords: Djele ; musical instruments / membranophone ; music (ethnology) ; Unterhaltungstanz ; arts (ethnology) ; Musikinstrumente ; Djaya ; Musik (Ethnologie) ; parama ; Kulturwissenschaften ; Tanz / Tschad ; Afrika ; musical instruments ; Tanzstile ; Tanz (Ethnologie) ; group dance ; Schlaginstrumente ; Künste (Ethnologie) ; Musikinstrumente / Membranophone ; drum ; djele ; Gruppentanz ; Encyclopaedia Cinematographica ; regionale Tänze ; Chad ; dance (ethnology) ; dance / Chad ; cultural studies ; Ethnologie/Kulturanthropologie ; Trommel ; Africa ; styles of dance ; Djaya ; percussion instruments ; Tschad ; entertainment dance ; regional dances ; ethnology/cultural anthropology ; Parama
    Abstract: Um zwei Trommler tanzen in einer Kreisformation junge Frauen und Mädchen. Junge Männer und Burschen bilden, wie die Frauen und Mädchen nach sozialem Status angeordnet, einen äußeren Kreis. Die Tanzfigur besteht aus einer Sequenz komplizierter Schritte mit abschließender Körperdrehung.
    Abstract: Young people of Djaya, chiefly women and girls, have come together for dancing the "parama"-dance. In the centre of the dancing-place sit two drummers. The "parama"-dance is performed in circular formation which moves anti-clockwise. The boys form into an outer, the girls and women into an inner circle, both drawn up according to their social status. The figure of the dance consists of a series of complicated steps and ends with a complete body-turn. In the course of the dance the number of the female dancers increases so that the women's circle must partly be doubled. The film presents the "parama"-dance at full length.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1444
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  • 36
    Book
    Book
    Blackberry winter : my earlier years (1972)
    New York : Morrow
    Details
    ISBN: 0688000517 , 0688050514
    Language: English
    Pages: 305 S. , Ill.
    Edition: 2. [Dr.]
    DDC: 306.0924
    RVK:
    LB 27000
    RVK:
    MQ 1600
    RVK:
    WB 3231
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    HeBIS
  • 37
    Book
    Book
    Twentieth century faith : hope and survival (1972)
    New York [u.a.] : Harper & Row
    Details
    ISBN: 0060655496
    Language: English
    Pages: XVIII, 172 S.
    Series Statement: Religious perspectives 25
    Series Statement: Religious perspectives
    DDC: 200/.9/04
    RVK:
    BB 1900
    Keywords: Religion
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    MPI Ethno. Forsch.
  • 38
    Book
    Book
    Blackberry winter : My earlier years (1972)
    New York : Simon and Schuster
    Details
    ISBN: 0688050514 , 0688000517
    Language: English
    Pages: 305 S.m.Abb.
    Series Statement: A touchstone book.
    DDC: 301.2
    RVK:
    MQ 1600
    RVK:
    WB 3231
    Keywords: Mead, Margaret 〈1901-1978〉 ; Mead, Margaret ; Women anthropologists Biography ; Autobiografie ; Verenigde Staten ; USA ; Biografie ; Biografie ; Biografie ; Mead, Margaret 1901-1978 ; Autobiografie
    Library Location Call Number Volume/Issue/Year Availability
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    München BSB
    Weltkulturen Museum
    Regensburg UB
    BSZ
    KOBV
    BVB
    Bayreuth UB
  • 39
    Book
    Book
    A rap on race (1972)
    London [u.a.] : Corgi
    Details
    ISBN: 0552090093
    Language: English
    Pages: 255 S , 8°
    DDC: 301.45196073
    RVK:
    HU 3093
    RVK:
    HU 3092
    Keywords: Race problems ; Rassismus ; Diskriminierung ; Individualität ; Gesellschaft ; United States Race question ; Gespräch ; Gespräch ; USA ; Schwarze ; Rassenkonflikt ; Mead, Margaret 1901-1978 ; Rassenfrage ; Baldwin, James 1924-1987
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    GBV
    KOBV
  • 40
    Book
    Book
    Blackberry winter : my earlier years (1972)
    New York : Morrow
    Details
    ISBN: 0688050514 , 0688000517
    Language: English
    Pages: 305 S. , Ill.
    DDC: 306.0924
    RVK:
    MQ 1600
    RVK:
    WB 3231
    RVK:
    LB 27000
    Keywords: Autobiografie
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    HeBIS
    Ethn. Museum Berlin
  • 41
    AV-Medium
    AV-Medium
    Omar-Araber (Zentralsudan, Süd-Wadai) - Unterhaltungstanz »am haraba« (1972)
    IWF (Göttingen)
    In:  (Jan. 1972)
    Details
    Language: Undetermined , Undetermined
    Pages: 76MB, 00:06:12:05 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1972)
    Keywords: musical instruments / membranophone ; music (ethnology) ; Unterhaltungstanz ; Musikinstrumente ; Araber ; Tänze nach Geschlecht ; musical instruments ; Tanzstile ; music groups ; Tanz (Ethnologie) ; Schlaginstrumente ; Religion ; singing ; Singen / Tschad ; drum ; Encyclopaedia Cinematographica ; Chad ; religious practices ; dance / Chad ; religion ; cultural studies ; Frauentanz ; Ethnologie/Kulturanthropologie ; Trommel ; Omar Arabs ; am haraba ; sacred activities ; percussion instruments ; Arabs ; Gebete ; Singen / im Chor ; Musikgruppen ; ethnology/cultural anthropology ; arts (ethnology) ; Musik (Ethnologie) ; Kulturwissenschaften ; Tanz / Tschad ; Afrika ; women's dance ; singing / Chad ; group dance ; prayer ; Künste (Ethnologie) ; Musikinstrumente / Membranophone ; Preisgesang ; Omar-Araber ; religiöse Praktiken ; Gruppentanz ; sakrale Handlung ; Musiker ; dance (ethnology) ; Tanz / Frauentanz ; musicians ; Africa ; styles of dance ; dance / women's dance ; Gesang ; Tschad ; songs of praise ; entertainment dance ; singing / chorus ; Am haraba ; dances according to gender
    Abstract: Auf einem Tanzplatz des Dorfes Sara wird von zwei jungen Männern eine Felltrommel geschlagen, Frauen singen Preislieder und tanzen in mehreren Reihen, nach ihrem sozialen Status angeordnet, um die Trommler herum. Später kommen junge Männer hinzu.
    Abstract: On the dancing-place of Sara village the nugara, a cylindrical double skin drum, is beaten by two young men. One of the young men beats on nugara. To the rhythm of the drum the women sing songs of praise. The "am haraba"-dance is performed anti-clockwise around the drum. The women form into different lines according to their social status. They swing their arms and advance with small rhythmic steps, then they perform swaying movements, swinging their long plaits intensely. In the beginning only women dance, later on young men join in the dance. The young men are equipped with long millet stems in place of the lances borne by the men at this dance. The film only presents an excerpt from the "am haraba"-dance which however, comprehends all characteristic phases of the dance.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1365
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  • 42
    AV-Medium
    AV-Medium
    Djaya (Zentralsudan, Süd-Wadai) - Unterhaltungstanz »bardjat« (1972)
    IWF (Göttingen)
    In:  (Jan. 1972)
    Details
    Language: Undetermined , Undetermined
    Pages: 119MB, 00:09:39:15 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1972)
    Keywords: musical instruments / membranophone ; music (ethnology) ; Unterhaltungstanz ; arts (ethnology) ; bardyat ; Musikinstrumente ; Djaya ; Musik (Ethnologie) ; Kulturwissenschaften ; Tanz / Tschad ; Afrika ; musical instruments ; Tanzstile ; Tanz (Ethnologie) ; group dance ; Schlaginstrumente ; Künste (Ethnologie) ; Musikinstrumente / Membranophone ; drum ; Bardyat ; Gruppentanz ; Encyclopaedia Cinematographica ; Chad ; dance (ethnology) ; dance / Chad ; cultural studies ; Ethnologie/Kulturanthropologie ; Trommel ; Africa ; styles of dance ; Djaya ; percussion instruments ; Tschad ; entertainment dance ; ethnology/cultural anthropology
    Abstract: Eine Kreisformation bildend und nach sozialem Status angeordnet, tanzen junge Frauen und Mädchen um eine Gruppe von Trommlern. Junge Männer bilden ein äußeres Kreissegment. Die Tanzfigur besteht aus kurzen, rhythmischen Schritten und halben Drehungen.
    Abstract: The "bardjat"-dance is an entertainment dance of the young people. In the centre of the dancing-place stand the drummers, whose number varies in the course of the dance. The "bardjat"-dance is performed in two circles which move anti-clockwise. The women and girls are arranged in an inner circle according to their social status. The boys form an outer circle, but as there are only a few boys taking part in the dance the circle cannot be formed. The dance figure of the girls consists of small rhythmic steps with a bending of the knees and a swinging of the arms. The steps are concluded by a half body-turn, then a series of steps performed on the spot follows, concluded also by a half body-turn, this time in direction of the dance. The figure of the boys corresponds to that of the girls, only the half body-turn is performed in opposite direction so that during the following sequence male and female dancers face each other. The dance is modified by the arrival of a group of boys and girls led by the chief holding a flag in his hand. In the course of the dance the women perform their movements more and more distinctly, the steps are almost leapt and the movements of the arms become more and more intense. The boys, however, keep their slow step up to the end. The film presents the "bardjat"-dance at full length.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1442
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  • 43
    AV-Medium
    AV-Medium
    Omar-Araber (Zentralsudan, Süd-Wadai) - Unterhaltungstänze »zinugi« und »nugarafok« (1972)
    IWF (Göttingen)
    In:  (Jan. 1972)
    Details
    Language: Undetermined , Undetermined
    Pages: 75MB, 00:06:09:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1972)
    Keywords: musical instruments / membranophone ; music (ethnology) ; Unterhaltungstanz ; arts (ethnology) ; Musikinstrumente ; nugarafok ; Araber ; Musik (Ethnologie) ; Kulturwissenschaften ; Tanz / Tschad ; homage ; Afrika ; musical instruments ; Tanzstile ; Huldigung ; Tanz (Ethnologie) ; group dance ; Schlaginstrumente ; Künste (Ethnologie) ; Musikinstrumente / Membranophone ; drum ; Nugarafok ; Omar-Araber ; zinugi ; Gruppentanz ; Encyclopaedia Cinematographica ; Chad ; dance (ethnology) ; dance / Chad ; cultural studies ; Ethnologie/Kulturanthropologie ; Trommel ; Omar Arabs ; Africa ; styles of dance ; Zinugi ; percussion instruments ; Arabs ; Tschad ; entertainment dance ; ethnology/cultural anthropology
    Abstract: Im Dorf Tialo-Ibeda tanzen Frauen in einem inneren und Männer in einem äußeren Kreis in unterschiedlichen Tanzschritten um die von zwei Trommlern geschlagene, zweifellige Zylinder-Trommel und eine weitere Trommel. Der erste Tanz geht in den zweiten über, bei dem sich Männer und Frauen gegenüberstehen.
    Abstract: The nugara, a cylindrical double membrane drum, is attached to a pole in the centre of the dancing-place and is beaten by two men. One man beats on the centre of the membrane, the other on the border of the membrane. The second drum is another cylindrical double membrane drum; the drummer holds it between his legs and must bend over it when playing it. The "zinugi"-dance is performed around the drummers who always remain in the centre of the performance. The dancers form into two circles which move anticlockwise, the women and girls forming an inner, the men an outer circle. Men and women perform different steps. During the dance the women utter quavers and cries, some cries are also uttered by men. Finally the dance dissolves, but the drummers go on playing and the dancers pass from the "zinugi"-dance to another dance called "nugarafok". At the "nugarafok"-dance men and women face each other in two rows. The step of the dance consists of leaps performed with both legs. The dancers come up to the camera and make a gesture of homage as it is usually made by the Sudan-Arabs in honour of a person of high rank. (In this case the dancers pay homage to the European standing behind the camera.) Both entertainment dances are presented at full length.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1441
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  • 44
    AV-Medium
    AV-Medium
    Dangaleat (Zentralsudan, Süd-Wadai) - Unterhaltungstanz »bidjerua« (1972)
    IWF (Göttingen)
    In:  (Jan. 1972)
    Details
    Language: Undetermined , Undetermined
    Pages: 126MB, 00:10:17:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1972)
    Keywords: musical instruments / membranophone ; music (ethnology) ; Unterhaltungstanz ; Musikinstrumente ; musical instruments ; Tanzstile ; Blasinstrumente ; music groups ; Tanz (Ethnologie) ; Flöte ; Bidjerua ; Schlaginstrumente ; drum ; rattle ; Encyclopaedia Cinematographica ; Chad ; dance / Chad ; cultural studies ; Ethnologie/Kulturanthropologie ; Trommel ; Dangaleat ; percussion instruments ; Musikinstrumente / Idiophone ; Musikgruppen ; bidjeru ; idiophones ; ethnology/cultural anthropology ; Idiophone ; musical instruments / idiophone ; arts (ethnology) ; Musik (Ethnologie) ; Kulturwissenschaften ; Tanz / Tschad ; musical instruments / aerophone ; Afrika ; orchestra ; group dance ; Künste (Ethnologie) ; Orchester ; flute ; Musikinstrumente / Membranophone ; Rassel ; Gruppentanz ; wind instruments ; Musiker ; dance (ethnology) ; musicians ; Africa ; styles of dance ; Tschad ; Dangaleat ; Musikinstrumente / Aerophone ; entertainment dance
    Abstract: Im Dorf Tialo-Ibeda tanzen Männer in einem äußeren und Frauen in drei inneren Kreisen, jeweils nach Altersgruppen gegliedert, zum Orchester aus fünf verschieden gestimmten Flöten, einer Rassel und drei verschiedenen Trommeln sowie drei kultischen Blasinstrumenten.
    Abstract: On one of the dancing-places in Tialo-Ibeda village stands the traditional orchestra which consists of five flutes of different pitch, one rattle and three drums. Three parna (cultic wind-instruments) have been added. The orchestra tunes up the bidjerua-dance and men and women in festive attire take their places for dancing. The men, placing themselves according to their age class, make up an outor circle which moves anti-clockwise, the women, drawn up also according to their age class, three inner circles. Men and women execute different steps. The men walk with rhythmic steps; the women first throw their legs backwards in the air and then perform a series of leaps. The women do not leap all at the same time, but some of them begin and the next join so that the movements spreads clockwise, that is, in opposite direction to the dancers. The film shows the bidjerua-dance completely.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1367
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  • 45
    AV-Medium
    AV-Medium
    Omar-Araber (Zentralsudan, Süd-Wadai) - Unterhaltungstanz »al beher« (1972)
    IWF (Göttingen)
    In:  (Jan. 1972)
    Details
    Language: Undetermined , Undetermined
    Pages: 44MB, 00:03:38:13 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1972)
    Keywords: music (ethnology) ; Unterhaltungstanz ; Araber ; partner dance ; Tanzstile ; music groups ; Tanz (Ethnologie) ; Religion ; singing ; Singen / Tschad ; al beher ; Encyclopaedia Cinematographica ; Chad ; religious practices ; dance / Chad ; religion ; cultural studies ; Ethnologie/Kulturanthropologie ; Omar Arabs ; sacred activities ; Arabs ; Gebete ; Singen / im Chor ; Musikgruppen ; ethnology/cultural anthropology ; arts (ethnology) ; Musik (Ethnologie) ; Kulturwissenschaften ; Tanz / Tschad ; Afrika ; singing / Chad ; prayer ; Künste (Ethnologie) ; Preisgesang ; Omar-Araber ; couple dance ; religiöse Praktiken ; Paartanz ; sakrale Handlung ; Musiker ; dance (ethnology) ; Al beher ; musicians ; Africa ; styles of dance ; praise singing ; Gesang ; Tschad ; songs of praise ; entertainment dance ; singing / chorus
    Abstract: Im Dorf Sara tanzen nacheinander unterschiedliche Paare vor einer Gruppe Preislieder singender und in die Hände klatschender Mädchen und Frauen, wobei der Mann rechts von seiner Partnerin steht, ihren Arm faßt und mit ihr eine Kombination von Hoch- und Weitsprüngen vorführt.
    Abstract: Women and girls of Sara village are arranged in a semicircle on the dancingplace, clapping their hands and singing songs of praise. In front of the semicircle a couple take their place for dancing. The boy places himself by the right side of the girl, takes her arm and performs with her the figure of the "al beher"-dance, a combination of long and high leaps with "leapturn". The film only presents excerpts from the dance which, however, show the characteristic figure several times in detail.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1363
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  • 46
    AV-Medium
    AV-Medium
    Djaya (Zentralsudan, Süd-Wadai) - »djele«-Tanz »napa« (1972)
    IWF (Göttingen)
    In:  (Jan. 1972)
    Details
    Language: Undetermined , Undetermined
    Pages: 49MB, 00:04:01:14 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1972)
    Keywords: musical instruments / membranophone ; music (ethnology) ; Unterhaltungstanz ; Musikinstrumente ; Tänze nach Geschlecht ; musical instruments ; Tanzstile ; music groups ; napa ; Tanz (Ethnologie) ; Schlaginstrumente ; dance / men's dance ; Napa ; singing ; Singen / Tschad ; drum ; mens' dances ; Encyclopaedia Cinematographica ; regionale Tänze ; Chad ; dance / Chad ; cultural studies ; Ethnologie/Kulturanthropologie ; Trommel ; Tanz / Männertanz ; Djaya ; percussion instruments ; Singen / im Chor ; Musikgruppen ; ethnology/cultural anthropology ; Djele ; Männertanz ; arts (ethnology) ; Djaya ; Musik (Ethnologie) ; Kulturwissenschaften ; Tanz / Tschad ; Afrika ; men's dance ; singing / Chad ; group dance ; Künste (Ethnologie) ; Musikinstrumente / Membranophone ; djele ; Gruppentanz ; Musiker ; dance (ethnology) ; musicians ; Africa ; styles of dance ; Gesang ; Tschad ; entertainment dance ; singing / chorus ; regional dances ; dances according to gender
    Abstract: Die Gruppe der Tänzer und die Trommler mit dem Chor der singenden und klatschenden Frauen stehen sich gegenüber. Beim Tanz bilden die Tänzer einen Kreis, schwingen ihre Turbantücher und zeigen eine Sequenz von Sprüngen.
    Abstract: A large number of villagers have come together on one of the dancing-places of Djaya. In the centre of the dancing-place stand the dancers, about twenty boys, on the border, close together, the onlookers. On the otherside of the dancing-place are two drummers and the girl's chorus. The girls clap their hands and sing, in a chorus for one voice with a solo singer, songs in praise of prominent persons. For the "napa"-dance the dancers form into a circle which moves anti-clockwise. The figure of the dance consists of a sequence of steps combined with a waving of the long turban scarves. The girls' chorus has repeatedly difficulty in keeping time. Several women improvise spontaneous dance steps on the border of the dancing-place. It is evident that all the people are stimulated by the large quantity of beer they have drunk in the course of the day. The film presents only excerpts from the "napa"-dance.
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    DOI: 10.3203/IWF/E-1443
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  • 47
    Book
    Book
    Antropología, la ciencia del hombre (1971)
    Buenos Aires : Ed. Siglo Veinte
    Details
    Language: Spanish
    Pages: 153 S. , 20 cm
    Uniform Title: Anthropology, a human science 〈span.〉
    Keywords: Kulturanthropologie ; Ethnologie ; Aufsatzsammlung
    Note: Literaturverz. S. 139 - 149
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    Weltkulturen Museum
    BSZ
  • 48
    Book
    Book
    Patterns of culture (1971)
    Boston : Houghton Mifflin
    Details
    ISBN: 0395083575 , 0395074053
    Language: English
    Pages: XVII, 291 S , 21 cm
    Edition: 23. printing
    DDC: 306
    Keywords: Culture ; Ethnopsychology ; Zuni Indians ; Kwakiutl Indians ; Ethnology Papua New Guinea ; Dobu Island ; Dobu Island (Papua New Guinea) Social life and customs ; Ausstellungskatalog ; Dobu Island ; Kwakiutl ; Zuni ; Kulturwandel
    Note: Includes bibliographical references and index (p. 279-291)
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    GBV
  • 49
    Book
    Book
    The study of culture : at a distance (1971)
    Chicago, Ill. [u.a.] : Univ. of Chicago Press
    Details
    ISBN: 0226515087
    Language: English
    Pages: X, 480 S.
    Edition: 5. impr.
    DDC: 306.071
    RVK:
    LB 31900
    RVK:
    MR 7100
    Keywords: Civilización - Estudio y enseñanza ; Cultuur ; Kultur ; Anthropology Methodology ; Civilization Study and teaching ; Forschungsmethode ; Kultur ; Kultur ; Forschungsmethode
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    Regensburg UB
    GBV
    BVB
    Bayreuth UB
  • 50
    Book
    Book
    A rap on race (1971)
    London : Joseph
    Details
    Language: English
    Pages: 256 S
    DDC: 301.451/96/073
    RVK:
    HU 3093
    Keywords: Gespräch
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    BSZ
    GBV
    BVB
  • 51
    Article
    Article
    Applied anthropology, 1955 (1971)
    In:  Some uses of anthropology Washington: 1971, Seite 94-108
    Details
    Language: English
    Titel der Quelle: Some uses of anthropology
    Angaben zur Quelle: Washington: 1971, Seite 94-108
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    Article
    Frobenius-Institut
  • 52
    Book
    Book
    Kindheit und Jugend in Samoa (1971)
    München : Dt. Taschenbuch Verl.
    Details
    Language: German
    Pages: 240 S
    Edition: 2. Aufl.
    Series Statement: Jugend und Sexualität in primitiven Gesellschaften / Margaret Mead 1.1971
    Series Statement: dtv 4032
    Series Statement: dtv-Wissenschaftliche Reihe
    Series Statement: Mead, Margaret 1901-1978 Jugend und Sexualität in primitiven Gesellschaften.
    Uniform Title: Coming of age in Samoa 〈dt.〉
    RVK:
    MS 9750
    RVK:
    MS 2450
    RVK:
    CQ 6000
    RVK:
    CR 6000
    RVK:
    LB 43820
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    Ethn. Museum Berlin
  • 53
    Book
    Book
    Kindheit und Jugend in Neuguinea (1971)
    München : Dt. Taschenbuch Verl.
    Details
    Language: German
    Pages: 264 S
    Edition: 2. Aufl.
    Series Statement: Jugend und Sexualität in primitiven Gesellschaften / Margaret Mead 2.1971
    Series Statement: dtv 4033
    Series Statement: dtv-Wissenschaftliche Reihe
    Series Statement: Mead, Margaret 1901-1978 Jugend und Sexualität in primitiven Gesellschaften.
    Uniform Title: Growing up in New Guinea 〈dt.〉
    RVK:
    MS 9750
    RVK:
    MS 2450
    RVK:
    CQ 6000
    RVK:
    CR 6000
    RVK:
    LB 43820
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    Ethn. Museum Berlin
  • 54
    Book
    Book
    Geschlecht und Temperament in drei primitiven Gesellschaften (1971)
    München : Dt. Taschenbuch Verl.
    Details
    Language: German
    Pages: 291 S
    Edition: 2. Aufl.
    Series Statement: Jugend und Sexualität in primitiven Gesellschaften / Margaret Mead 3.1971
    Series Statement: dtv 4034
    Series Statement: Wissenschaftliche Reihe
    Series Statement: Mead, Margaret 1901-1978 Jugend und Sexualität in primitiven Gesellschaften.
    Uniform Title: Sex and temperament 〈dt.〉
    RVK:
    MS 9750
    RVK:
    MS 2450
    RVK:
    CQ 6000
    RVK:
    CR 6000
    RVK:
    LB 43820
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    Ethn. Museum Berlin
  • 55
    AV-Medium
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    Buddhismus, Tibet - »gSo-sByon«, Zeremonie der Beichte im klösterlichen Tibet-Institut Rikon (Schweiz) (1971)
    IWF (Göttingen)
    In:  (Jan. 1971)
    Details
    Language: Undetermined , Undetermined
    Pages: 382MB, 00:39:15:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1971)
    Keywords: music (ethnology) ; handicraft ; Einweihung (Kloster) ; confession ; heilige Objekte ; Glaubensrichtungen ; sacred objects and places ; Wirtschaft (Ethnologie) ; world religions ; Zeremonie / der Beichte ; belief ; Tibetan Buddhism ; Weltreligionen ; ceremony of confession ; Religion ; Gesellschaft ; singing ; work ; religiöse Handlung ; Tibetans ; ritual ; Encyclopaedia Cinematographica ; construction work ; estates and professions ; religious practices ; Ritual ; religion ; cultural studies ; Buddhismus ; Lamaism ; China ; Ethnologie/Kulturanthropologie ; Buddhism ; sacred activities ; Handwerk ; cult objects ; Klostereinweihung ; ecclesiastical buildings ; expellees, refugees ; Gebete ; Gebäude ; kultische Bauten ; theology ; ethnology/cultural anthropology ; Tibet ; Beichtfeier ; arts (ethnology) ; Theologie ; religiöse Gebäude ; Musik (Ethnologie) ; inauguration (monastery) ; Kulturwissenschaften ; heilige Objekte und Stätten ; Buddhismus in Tibet ; Tibeter ; Asia ; labor organisation ; buildings ; rite ; monastery inauguration ; prayer ; Arbeit ; Asien ; Gebet ; Künste (Ethnologie) ; Tibet institute / Rikon ; religious act ; economy ; Mönch ; Vertriebene, Flüchtlinge ; religiöse Praktiken ; sacred objects ; Ritus ; Lamaismus ; sakrale Handlung ; Tibet ; society ; Kultgegenstände ; Bauwesen ; cultic buildings ; Bauen ; China ; Gesang ; building trade ; Arbeitsorganisation ; monk ; Stände und Berufe
    Abstract: Gemeinsame Beichtfeier der Mönche der Gelugpa-Sekte anläßlich der Einweihung des Klösterlichen Tibet-Instituts unter der Leitung von Ling Rinpoche und Trijang Rinpoche im Kultraum des Instituts.
    Abstract: The film shows the common confessional of monks of the Gelugpa sect on the occasion of the Tibetan Monastic Institute in Rikon being consecrated. The ceremony is conducted by LING RINPOCHE in the presence of TRIJANG RINPOCHE, the two spiritual teachers of the Dalai Lama, through whom the documentary takes on historical significance.
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    DOI: 10.3203/IWF/E-1592
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  • 56
    AV-Medium
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    Zulu (Südafrika, Natal) - Zauberische Heilbehandlung eines Knaben (1971)
    IWF (Göttingen)
    In:  (Jan. 1971)
    Details
    Language: Undetermined , Undetermined
    Pages: 87MB, 00:07:03:17 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1971)
    Keywords: musical instruments / membranophone ; music (ethnology) ; Zauberarzt ; Musikinstrumente ; Singen / Südafrika ; Heilmittel ; Wirtschaft (Ethnologie) ; medicine ; musical instruments ; Tanz (Ethnologie) ; occasional dances ; dance / South Africa ; Veränderungen des Körpers ; Schlaginstrumente ; ethnomedicine ; treatment, magical ; Gesellschaft ; work ; singing ; drum ; alterations of the body ; Zulu ; anlaßbezogene Tänze ; Encyclopaedia Cinematographica ; estates and professions ; Körper ; ethnology of medicine ; cultural studies ; Ethnologie/Kulturanthropologie ; Trommel ; Ritzen der Haut ; divination ; Krankenbehandlung, magische ; percussion instruments ; magische Krankenbehandlung ; Divinationstanz ; diviner ; Ethnomedizin ; curative treatment ; medizinische Therapie ; Heilbehandlung ; South Africa ; ethnology/cultural anthropology ; ritual dances ; remedy ; individual ; arts (ethnology) ; Tanz / Südafrika ; Musik (Ethnologie) ; Zulu ; Kulturwissenschaften ; labor organisation ; Afrika ; Medizin ; Heiltanz ; Arbeit ; Künste (Ethnologie) ; economy ; magische Therapie ; Musikinstrumente / Membranophone ; Individuum ; Medizinethnologie ; rituelle Tänze ; Musiker ; scarifying the skin ; dance (ethnology) ; society ; Zauberbehandlung ; musicians ; healing dance ; magical treatment ; Africa ; Divination, Diviner ; Gesang ; body ; divination dance ; witch doctor ; magical therapy ; singing / South Africa ; Arbeitsorganisation ; medical therapy ; Stände und Berufe ; Südafrika
    Abstract: Der Zauberdoktor Zikode wird von einem Patienten konsultiert. Er befragt ihn, wirft die Knochen, bespritzt ihn mit einer Medizin, ritzt ihn mit einem spitzen Gegenstand an Kopf, Rücken, Armen und Beinen und tanzt anschließend mit seiner Frau einen Divinationstanz.
    Abstract: ZIKODE, the witch doctor, is consulted by a patient. He questions him, tosses the bones, splashes him with medecine, scratches his head, back, arms and legs with a pointed object and then dances a divination dance with his wife.
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    DOI: 10.3203/IWF/E-1415
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  • 57
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    Buddhismus, Tibet - »sGo-'Byed mDsed-sGo«, Zeremonie zur Einweihung des klösterlichen Tibet-Instituts Rikon (Schweiz) (1971)
    IWF (Göttingen)
    In:  (Jan. 1971)
    Details
    Language: Undetermined , Undetermined
    Pages: 355MB, 00:36:27:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1971)
    Keywords: musical instruments / membranophone ; music (ethnology) ; handicraft ; Musikinstrumente ; sacred objects and places ; world religions ; musical instruments ; Tibetan Buddhism ; Gesellschaft ; singing ; work ; drum ; religiöse Handlung ; Encyclopaedia Cinematographica ; estates and professions ; religion ; China ; Trommel ; Handwerk ; percussion instruments ; Musikinstrumente / Idiophone ; ecclesiastical buildings ; expellees, refugees ; Gebete ; idiophones ; Glocke ; Idiophone ; Tibet ; arts (ethnology) ; inauguration (monastery) ; Kulturwissenschaften ; heilige Objekte und Stätten ; Becken ; Tibeter ; rite ; monastery inauguration ; prayer ; Arbeit ; Mönch ; Musikinstrumente / Membranophone ; Vertriebene, Flüchtlinge ; sacred objects ; Ritus ; Musiker ; Tibet ; musicians ; Bauen ; Tibetan Monastic Institute Rikon ; lithurgy, buddhistic ; China ; Gesang ; building trade ; Arbeitsorganisation ; Einweihung (Kloster) ; heilige Objekte ; Glaubensrichtungen ; Wirtschaft (Ethnologie) ; Liturgie, buddhistische ; belief ; Weltreligionen ; Schlaginstrumente ; Religion ; handbells ; Tibetans ; construction work ; religious practices ; cultural studies ; Buddhismus ; Lamaism ; cymbals ; Ethnologie/Kulturanthropologie ; Buddhism ; sacred activities ; cult objects ; Klostereinweihung ; Gebäude ; kultische Bauten ; theology ; ethnology/cultural anthropology ; musical instruments / idiophone ; Theologie ; religiöse Gebäude ; Musik (Ethnologie) ; Buddhismus in Tibet ; Asia ; labor organisation ; buildings ; Asien ; Gebet ; Künste (Ethnologie) ; religious act ; economy ; religiöse Praktiken ; Singen ; Lamaismus ; sakrale Handlung ; society ; Kultgegenstände ; Bauwesen ; cultic buildings ; timbals ; Tibet-Institut, Rikon ; monk ; Stände und Berufe
    Abstract: Vollständige Einweihungszeremonie durch Mönche der Gelugpa-Sekte unter Führung von Ling Rinpoche und Trijang Rinpoche. Die gesungenen Partien des fünfteiligen Rituals (Segnung des Platzes, Einladung an das "Dreifache Juwel", Reinigungsopfer, Siebenopfer, gemeinsames Gebet) werden von Becken, Trommeln, Zimbeln und Handglocken begleitet.
    Abstract: The film shows the complete consecration ceremony of the Tibetan Monastic Institute Rikon by monks of the Gelugpa sect, conducted by the two spiritual teachers of the Dalai Lama, LING RINPOCHE and TRIJANG RINPOCHE. The sung parts of the liturgy are accompanied by cymbals, drum, timbals and handbells.
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    DOI: 10.3203/IWF/E-1591
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  • 58
    AV-Medium
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    Zulu (Südafrika, Natal) - Zauberische Heilbehandlung eines kleinen Kindes (1971)
    IWF (Göttingen)
    In:  (Jan. 1971)
    Details
    Language: Undetermined , Undetermined
    Pages: 124MB, 00:10:03:18 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1971)
    Keywords: music (ethnology) ; Zauberarzt ; Singen / Südafrika ; Heilmittel ; Wirtschaft (Ethnologie) ; medicine ; Tanz (Ethnologie) ; occasional dances ; dance / South Africa ; Veränderungen des Körpers ; ethnomedicine ; treatment, magical ; Gesellschaft ; work ; singing ; alterations of the body ; Zulu ; anlaßbezogene Tänze ; Encyclopaedia Cinematographica ; estates and professions ; Körper ; ethnology of medicine ; cultural studies ; Ethnologie/Kulturanthropologie ; Ritzen der Haut ; divination ; Krankenbehandlung, magische ; magische Krankenbehandlung ; Divinationstanz ; diviner ; Ethnomedizin ; curative treatment ; medizinische Therapie ; Heilbehandlung ; South Africa ; ethnology/cultural anthropology ; ritual dances ; remedy ; individual ; arts (ethnology) ; Tanz / Südafrika ; Musik (Ethnologie) ; Zulu ; Kulturwissenschaften ; labor organisation ; Afrika ; Medizin ; Heiltanz ; Arbeit ; Künste (Ethnologie) ; economy ; magische Therapie ; Individuum ; Medizinethnologie ; rituelle Tänze ; Musiker ; scarifying the skin ; dance (ethnology) ; society ; Zauberbehandlung ; musicians ; healing dance ; magical treatment ; Africa ; Divination, Diviner ; Gesang ; body ; divination dance ; witch doctor ; magical therapy ; singing / South Africa ; Arbeitsorganisation ; medical therapy ; Stände und Berufe ; Südafrika
    Abstract: Eine Medizinfrau mit Gehilfinnen behandelt ein offenbar keuchhustenkrankes Kind: Befragung der Mutter, Ritzen der Haut, Bestreichen mit Medizin, rituelle Tänze.
    Abstract: The chief wife of Khlimba, the Haedman, takes her child, obviously suffering from whooping cough, to a lady witch doctor. After a short questioning the child is "therapized". The witch doctor scratches its skin and spreads "medicine" over it with a wisp of straw. Afterwards she performs two ritual dances with her assistant.
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    DOI: 10.3203/IWF/E-1416
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  • 59
    AV-Medium
    AV-Medium
    Zulu (Südafrika, Natal) - Regengesang und Heilbehandlung eines Kindes durch den Zauberer Madela (1971)
    IWF (Göttingen)
    In:  (Jan. 1971)
    Details
    Language: Undetermined , Undetermined
    Pages: 89MB, 00:07:17:10 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1971)
    Keywords: music (ethnology) ; Zauberarzt ; Singen / Südafrika ; rite / healing ritual ; Wirtschaft (Ethnologie) ; medicine ; Religion ; ethnomedicine ; treatment, magical ; rite / healing rite ; work ; singing ; magic treatment ; Zulu ; ritual ; Inhalieren ; Encyclopaedia Cinematographica ; estates and professions ; religious practices ; Ritual ; religion ; ethnology of medicine ; cultural studies ; Ethnologie/Kulturanthropologie ; divination ; Krankenbehandlung, magische ; magische Krankenbehandlung ; diviner ; Ethnomedizin ; curative treatment ; medizinische Therapie ; Heilbehandlung ; South Africa ; healing rite ; ethnology/cultural anthropology ; oracle bones ; arts (ethnology) ; Knochenorakel ; Ritus / Heilungsritual ; Musik (Ethnologie) ; Regenmacher, Regenzauber ; Zulu ; Kulturwissenschaften ; labor organisation ; Afrika ; Medizin ; Arbeit ; Künste (Ethnologie) ; economy ; magische Therapie ; Medizinethnologie ; religiöse Praktiken ; Musiker ; Zauberbehandlung ; musicians ; Heilungsritual ; magical treatment ; Africa ; Regengesang ; rainmaker, rain magic ; Divination, Diviner ; Gesang ; witch doctor ; magical therapy ; inhaling ; singing / South Africa ; Arbeitsorganisation ; medical therapy ; Stände und Berufe ; Südafrika ; rain singing
    Abstract: Regengesang des Zauberdoktors Madela und seines Gehilfen. Heilbehandlung eines Kindes: Vereinbarung des Honorars, Diagnose mit Hilfe eines Knochenorakels, Behandlung durch Inhalieren von Rauch. Strecken der Hände und Arme und symbolisches Schlagen mit dem Zeremonialwedel.
    Abstract: LADUMA MADELA, the witch doctor, sits in front of a hut of his Kral and blows a bugle to call his assistant to him. The two men have a recitative conversation about the rain magic. In the next sequence a small child is diagnosed by MADELA with oracle bones and then treated by inhaling, stretching and symbolic striking with the frond. Previously the questionanswer dialogue about the entrance fee takes place between MADELA and the child's mother; the assistant takes the place of the child's father in this.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1414
    URL: link to metadata
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  • 60
    Article
    Article
    Alternativen zum Krieg (1971)
    In:  Der Krieg (1971), S. 235-252 | year:1971 | pages:235-252
    Details
    ISBN: 3108231014
    Language: Undetermined
    Titel der Quelle: Der Krieg
    Publ. der Quelle: Frankfurt am Main : S. Fischer, 1971
    Angaben zur Quelle: (1971), S. 235-252
    Angaben zur Quelle: year:1971
    Angaben zur Quelle: pages:235-252
    Keywords: Friedensvorstellung ; Krieg ; Philosophie ; Anthropologie ; concept of peace/peace idea ; war ; philosophy ; anthropology
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    Article
    MPI Ethno. Forsch.
  • 61
    Book
    Book
    Stream of events in Alitoa (1971)
    Garden City, NY : Natural History Press
    Details
    Language: English
    Pages: XXIII, 535 S. , Ill.
    Series Statement: The Mountain Arapesh / by Margaret Mead Vol. 3
    Series Statement: Anthropological papers of the American Museum of Natural History 19c
    Series Statement: Mead, Margaret 1901-1978 The Mountain Arapesh.
    Keywords: Arapesh (Papua New Guinean people)
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    MPI Ethno. Forsch.
  • 62
    Book
    Book
    Kindheit und Jugend in Neuguinea (1970)
    München : Dt. Taschenbuch-Verl.
    Details
    Language: German
    Pages: 264. , Kt.
    Edition: Ungekürzte Ausg.
    Series Statement: Jugend und Sexualität in primitiven Gesellschaften / Margaret Mead Bd. 2
    Series Statement: dtv 4033
    Series Statement: Wissenschaftliche Reihe
    Series Statement: Mead, Margaret 1901-1978 Jugend und Sexualität in primitiven Gesellschaften.
    Uniform Title: Growing up in New Guinea 〈dt.〉
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    MPI Ethno. Forsch.
  • 63
    Book
    Book
    Kindheit und Jugend in Samoa (1970)
    München : Dt. Taschenbuch-Verl.
    Details
    Language: German
    Pages: 240 S.
    Edition: Ungekürzte Ausg.
    Series Statement: Jugend und Sexualität in primitiven Gesellschaften / Margaret Mead Bd. 1
    Series Statement: dtv 4032
    Series Statement: Wissenschaftliche Reihe
    Series Statement: Mead, Margaret 1901-1978 Jugend und Sexualität in primitiven Gesellschaften.
    Uniform Title: Coming of age in Samoa 〈dt.〉
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    MPI Ethno. Forsch.
  • 64
    Book
    Book
    Male and female : a study of the sexes in a chancing world (1970)
    Harmondsworth : Penguin
    Details
    Language: English
    Pages: 413 S.
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    Weltkulturen Museum
    BSZ
  • 65
    Book
    Book
    Science and the concept of race (1970)
    New York, NY u.a. : Columbia Univ. Press
    Details
    ISBN: 0231031017
    Language: English
    Pages: X, 177 S.
    DDC: 572
    RVK:
    MS 3300
    Keywords: Rasse ; Race ; Rasse ; Konferenzschrift ; Rasse
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    Book
    BVB
  • 66
    Book
    Book
    Childhood in contemporary cultures (1970)
    Chicago [u.a.] : Univ. of Chicago Pr.
    Details
    Language: English
    Pages: XI, 471 S. , Ill., Notenbeisp.
    Edition: 11. impr.
    RVK:
    DU 3000
    RVK:
    LB 43800
    RVK:
    MS 1960
    Keywords: Kulturvergleich ; Kind ; Kind ; Kulturvergleich
    URL: Inhaltsverzeichnis
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    HBZ
  • 67
    Book
    Book
    Culture and commitment : a study of the generation gap (1970)
    Garden City, NY : Doubleday
    Details
    Language: English
    Pages: XXIV, 81 S.
    RVK:
    MS 2200
    Keywords: Kultursoziologie
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    BSZ
    GRASSI Mus. Leipzig
  • 68
    Book
    Book
    Childhood in contemporary cultures (1970)
    Chicago, IL [u.a.] : Univ. of Chicago Press
    Details
    ISBN: 0-226-51507-9
    Language: English
    Pages: XI, 471 S. , Ill.
    Edition: 11. print
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    Book
    Frobenius-Institut
  • 69
    Book
    Book
    Culture and committment : A study of the generation gap (1970)
    Details
    Language: English
    Keywords: Kultur Sozialer Wandel ; Generationskonflikt
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    Frobenius-Institut
  • 70
    Book
    Book
    People and places (1970)
    Toronto : Bantam
    Details
    Language: English
    Pages: 213 S. , Ill.
    Edition: 6. pr.
    Series Statement: A Bantam pathfinder edition
    RVK:
    LB 15000
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    BSZ
    BVB
  • 71
    Book
    Book
    Culture and commitment : a study of the generation gap (1970)
    Garden City, NY : American Museum of Natural History / Natural History Press
    Details
    Language: English
    Pages: XXIV, 91 S.
    DDC: 303.482
    RVK:
    LB 41000
    RVK:
    MS 2200
    Keywords: Conflict of generations ; Culture ; Social change ; Generationskonflikt ; Kultursoziologie ; Kultursoziologie ; Generationskonflikt
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    KOBV
    BVB
  • 72
    Book
    Book
    Culture and commitment : a study of the generation gap (1970)
    Garden City, N.Y. : Natural History Press [u.a.]
    Details
    Language: English
    Pages: XI, 113 S
    Edition: 1. ed
    DDC: 301.2
    RVK:
    MR 7100
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    MPI-MMG
  • 73
    Book
    Book
    Culture and commitment : a study of the generation gap (1970)
    New York : Natural History Press
    Details
    Language: English
    Pages: XXVII, 110 S.
    Edition: first publ.
    RVK:
    LB 41000
    Keywords: Generationskonflikt ; Kultursoziologie ; Generationskonflikt ; Kultursoziologie
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    KOBV
  • 74
    Book
    Book
    Science and the concept of race (1970)
    New York : Columbia Univ.Pr.
    Details
    ISBN: 0231031017
    Language: English
    Pages: X,177 S.
    Edition: 2. print.
    DDC: 572
    RVK:
    MS 3300
    Keywords: Race ; Rasse ; Konferenzschrift ; Konferenzschrift ; Rasse
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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    BVB
    Bayreuth UB
  • 75
    Article
    Article
    Our educational emphases in primitive perspective (1970)
    In:  From child to adult 12, 1970, S. 1-13
    Details
    Language: English
    Titel der Quelle: From child to adult
    Angaben zur Quelle: 12, 1970, S. 1-13
    Note: Margaret Mead
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    Frobenius-Institut
  • 76
    Book
    Book
    Geschlecht und Temperament in drei primitiven Gesellschaften (1970)
    Muenchen : Dt. Taschenbuch Verl.
    Details
    Language: German
    Pages: 291 S.
    Edition: Ungek. Ausg.
    Series Statement: Jugend und Sexualität in primitiven Gesellschaften / Margaret Mead 3
    Series Statement: dtv 4034
    Series Statement: Wissenschaftliche Reihe
    Series Statement: Mead, Margaret 1901-1978 Jugend und Sexualität in primitiven Gesellschaften.
    Uniform Title: Sex and temperament 〈dt.〉
    RVK:
    CQ 6000
    RVK:
    LB 43690
    RVK:
    CV 7500
    RVK:
    RX 60559
    RVK:
    MS 2450
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    BSZ
    KOBV
    GRASSI Mus. Leipzig
  • 77
    Book
    Book
    Jugend und Sexualität in primitiven Gesellschaften (1970)
    München : Deutscher Taschenbuch Verlag
    Details
    Language: German
    Edition: Ungekürzte Ausgabe
    Uniform Title: From the South Seas 〈dt.〉
    DDC: 305.23
    Keywords: Adolescence ; Children - Papua New Guinea ; Children - Samoan Islands ; Primitive societies
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    GBV
  • 78
    Book
    Book
    Geschlecht und Temperament in drei primitiven Gesellschaften (1970)
    München : Dt. Taschenbuch-Verl.
    Details
    Language: German
    Pages: 291 S.
    Edition: Ungekürzte Ausg.
    Series Statement: Jugend und Sexualität in primitiven Gesellschaften / Margaret Mead Bd. 3
    Series Statement: dtv 4034
    Series Statement: Wissenschaftliche Reihe
    Series Statement: Mead, Margaret 1901-1978 Jugend und Sexualität in primitiven Gesellschaften.
    Uniform Title: Sex and temperament 〈dt.〉
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    MPI Ethno. Forsch.
  • 79
    AV-Medium
    AV-Medium
    Dan (Westafrika, Elfenbeinküste) - Kriegsorchester »tru« (1970)
    IWF (Göttingen)
    In:  (Jan. 1970)
    Details
    Language: Undetermined , Undetermined
    Pages: 58MB, 00:06:01:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1970)
    Keywords: musical instruments / membranophone ; music (ethnology) ; Musikinstrumente ; Wirtschaft (Ethnologie) ; musical instruments ; elephant tusks orchestra ; Blasinstrumente ; music groups ; Elfenbein ; Schlaginstrumente ; Elfenbeinküste ; Zahn ; drum ; Tierhaltung ; tierische Nebenprodukte ; tru ; Encyclopaedia Cinematographica ; tooth ; cultural studies ; Ethnologie/Kulturanthropologie ; Kriegsorchester ; Trommel ; percussion instruments ; Musikgruppen ; war orchestra ; Ivory Coast ; ethnology/cultural anthropology ; animal husbandry ; arts (ethnology) ; Dan ; Musik (Ethnologie) ; Kulturwissenschaften ; musical instruments / aerophone ; Afrika ; orchestra ; Künste (Ethnologie) ; Orchester ; ivory ; economy ; Musikinstrumente / Membranophone ; wind instruments ; Musiker ; Tru ; musicians ; Dan ; tusk ; Africa ; Elefantenzahnorchester ; animal by-products ; Musikinstrumente / Aerophone
    Abstract: Nach kurzem Einblasen spielt das Elefantenzahnorchester mit Trommeln ein pointiert rhythmisches Thema.
    Abstract: A film analysis of an orchestra consisting of ivory wind instruments and drums. Originally, it was the orchestra's task to help work up the chief warrior of the village for battle and to honour him after his victorious return from the war. On festive occasions these events are still mimed today, by a descendent of the last great warrior.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1523
    URL: link to metadata
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    IWF
  • 80
    AV-Medium
    AV-Medium
    Dan (Westafrika, Elfenbeinküste) - Siegestanz eines Kriegers (1970)
    IWF (Göttingen)
    In:  (Jan. 1970)
    Details
    Language: Undetermined , Undetermined
    Pages: 37MB, 00:03:52:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1970)
    Keywords: musical instruments / membranophone ; music (ethnology) ; triumphal dance ; Musikinstrumente ; Initiationstanz ; Tänze nach Geschlecht ; Pantomime ; Wirtschaft (Ethnologie) ; Lebenslauf ; musical instruments ; Tanzstile ; initiation ; elephant tusks orchestra ; Blasinstrumente ; music groups ; Tanz (Ethnologie) ; occasional dances ; Elfenbein ; Schlaginstrumente ; Elfenbeinküste ; Zahn ; dance / men's dance ; Tanz / Elfenbeinküste ; Gesellschaft ; dance / initiation dance ; drum ; Tierhaltung ; tierische Nebenprodukte ; mens' dances ; drama ; anlaßbezogene Tänze ; Tanz / Initiationstanz ; Encyclopaedia Cinematographica ; Siegestanz ; tooth ; cultural studies ; Ethnologie/Kulturanthropologie ; Trommel ; Tanz / Männertanz ; percussion instruments ; theatrical productions ; Musikgruppen ; theatrical play ; Ivory Coast ; ethnology/cultural anthropology ; animal husbandry ; Männertanz ; arts (ethnology) ; Schauspiel ; Dan ; Musik (Ethnologie) ; Kulturwissenschaften ; warrior ; musical instruments / aerophone ; dance / triumphal dance ; Initiation ; Afrika ; men's dance ; Theater-Produktion ; orchestra ; Tanz mit Gegenstand ; weapon dance ; initiation dance ; solo dance ; Künste (Ethnologie) ; Orchester ; Theater (Ethnologie) ; ivory ; economy ; dance / Ivory Coast ; Musikinstrumente / Membranophone ; Krieger ; wind instruments ; Solotanz ; Musiker ; dance (ethnology) ; society ; musicians ; Dan ; tusk ; Africa ; styles of dance ; course of life ; Elefantenzahnorchester ; theatre (ethnology) ; animal by-products ; Musikinstrumente / Aerophone ; Waffentanz ; Tanz / Siegestanz ; Tanz / Solotanz ; pantomime ; dances according to gender ; dances with objects
    Abstract: Vor einem Elefantenzahnorchester mit Trommeln zeigt der Nachfahre eines Berufskriegers einen Siegestanz. Er wird von drei Frauen, einem Blattwedler und einem Glockenläuter begleitet. Er zeigt seine erste Trophäe und fordert zum Kampf auf.
    Abstract: The chief warrior of the village has left the battleground and has returned to the village to show his first trophy to the old chieftain. He performs a triumphal dance in order to call to battle those who have remained in town.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1502
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    IWF
  • 81
    AV-Medium
    AV-Medium
    Tibeter (Zentralasien) - Kindertanz »bSil-lDan-Gans-Ri« (1970)
    IWF (Göttingen)
    In:  (Jan. 1970)
    Details
    Language: Undetermined , Undetermined
    Pages: 21MB, 00:02:11:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1970)
    Keywords: music (ethnology) ; Musikinstrumente ; Kindertanz ; Laute ; Flöte / Querflöte ; musical instruments ; flute / transverse flute ; Blasinstrumente ; music groups ; Tanz (Ethnologie) ; Musikinstrumente / Chordophone ; bamboo flute ; singing ; Tibetans ; Tanzethnologie ; Encyclopaedia Cinematographica ; Flöte / Bambusflöte ; musical instruments / chordophone ; cultural studies ; China ; Ethnologie/Kulturanthropologie ; Tanz / Kindertanz ; theatrical productions ; expellees, refugees ; Musikgruppen ; ethnology/cultural anthropology ; transverse flute ; Tibet ; arts (ethnology) ; Musik (Ethnologie) ; Kulturwissenschaften ; musical instruments / aerophone ; dancing group ; Tibeter ; Asia ; Theater-Produktion ; Saiteninstrumente ; Asien ; Künste (Ethnologie) ; Theater (Ethnologie) ; flute / bamboo flute ; folkloric group ; Vertriebene, Flüchtlinge ; Singen ; dance / children's dance ; wind instruments ; Bambusflöte ; Musiker ; Tibet ; dance (ethnology) ; Querflöte ; musicians ; Folkloregruppe ; children's dance ; China ; theatre (ethnology) ; ethnology of dance ; Gesang ; string instruments ; Tanzgruppe ; Musikinstrumente / Aerophone ; lute
    Abstract: Kinder von der tibetischen Tanzgruppe aus Ebnat-Kappel (Schweiz) führen in Rikon ein Tanzlied, das von einer Bambusquerflöte und einer Langhalslaute begleitet wird, vor der Kamera auf.
    Abstract: Presentation of a Tibetan dance-tune by the children's group of an amateur dance-group, accompanied by a bamboo flute and a long-necked lute.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1413
    URL: link to metadata
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    IWF
  • 82
    AV-Medium
    AV-Medium
    Dan (Westafrika, Elfenbeinküste) - Die »medi«-Tänzer von Biatúò (1970)
    IWF (Göttingen)
    In:  (Jan. 1970)
    Details
    Language: Undetermined , Undetermined
    Pages: 98MB, 00:10:07:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1970)
    Keywords: musical instruments / membranophone ; music (ethnology) ; Musikinstrumente ; Initiationstanz ; Tänze nach Geschlecht ; Singen / Elfenbeinküste ; Lebenslauf ; musical instruments ; Tanzstile ; initiation ; music groups ; Tanz (Ethnologie) ; occasional dances ; Schlaginstrumente ; Elfenbeinküste ; noise instruments ; dance / men's dance ; Tanz / Elfenbeinküste ; Gesellschaft ; dance / initiation dance ; singing ; drum ; mens' dances ; Tanzethnologie ; anlaßbezogene Tänze ; Tanz / Initiationstanz ; rattle ; Encyclopaedia Cinematographica ; singing / Ivory Coast ; cultural studies ; Ethnologie/Kulturanthropologie ; Trommel ; Tanz / Männertanz ; percussion instruments ; Musikinstrumente / Idiophone ; Musikgruppen ; Ivory Coast ; idiophones ; ethnology/cultural anthropology ; Idiophone ; Männertanz ; musical instruments / idiophone ; arts (ethnology) ; Dan ; Musik (Ethnologie) ; Kulturwissenschaften ; dance / solo dance ; Initiation ; Afrika ; men's dance ; dance group ; initiation dance ; solo dance ; Künste (Ethnologie) ; dance / Ivory Coast ; Musikinstrumente / Membranophone ; Rassel ; folkloric group ; Solotanz ; Musiker ; dance (ethnology) ; society ; musicians ; Dan ; Africa ; styles of dance ; Folkloregruppe ; Medi-Tänzer ; course of life ; Lärminstrumente ; ethnology of dance ; Gesang ; Tanzgruppe ; medi dancer ; Tanz / Solotanz ; dances according to gender
    Abstract: Die vier Tänzer werden von drei Trommeln und Gesang begleitet. Sie zeigen einzeln und zusammen unterschiedliche Tänze.
    Abstract: The Medi dancers of Biatúò are supposed to be the best male dancers of the Ivory Coast. They have even performed in the U.S.A. In perfect artistic steps the dancers, either single or in unison, show "the slowly walking frog", "the lamb following its mother in leaps and bounds", "two fighting cocks", etc.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1532
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    IWF
  • 83
    AV-Medium
    AV-Medium
    Dan (Westafrika, Elfenbeinküste) - Unterhaltungsgesang der Sanzaspieler Jean Geazan und Gba Gegba (1970)
    IWF (Göttingen)
    In:  (Jan. 1970)
    Details
    Language: Undetermined , Undetermined
    Pages: 63MB, 00:06:33:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1970)
    Keywords: music (ethnology) ; musical instruments / idiophone ; arts (ethnology) ; Dan ; proverb ; Musikinstrumente ; Musik (Ethnologie) ; sanza, sanza player ; Kulturwissenschaften ; Unterhaltungsgesang ; Singen / Elfenbeinküste ; Afrika ; musical instruments ; Spielmann ; Schlaginstrumente ; Elfenbeinküste ; recreational song ; Künste (Ethnologie) ; singing ; Encyclopaedia Cinematographica ; singing / Ivory Coast ; Musiker ; cultural studies ; musicians ; Dan ; Ethnologie/Kulturanthropologie ; Africa ; percussion instruments ; Musikinstrumente / Idiophone ; Gesang ; Ivory Coast ; Sanza, Sanzaspieler ; Sprichwörter ; idiophones ; play man ; ethnology/cultural anthropology ; Idiophone
    Abstract: Die Sanzaspieler Jean Geazan aus Banwoue und Gba Gegba aus Banne Bui spielen und singen vor Publikum Sprichwörter und Lobpreisungen.
    Abstract: Duet by two sanza-players, with songs. The sanza is always played by itself, no other instruments ever joining in. The two players, who live in different villages, join to entertain a festive audience with their music and lively song texts (proverbs, praises), for which they are rewarded with gifts.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1531
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    IWF
  • 84
    AV-Medium
    AV-Medium
    Baule (Westafrika, Elfenbeinküste) - Sprechtrommel (1970)
    IWF (Göttingen)
    In:  (Jan. 1970)
    Details
    Language: Undetermined , Undetermined
    Pages: 30MB, 00:03:05:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1970)
    Keywords: musical instruments / membranophone ; music (ethnology) ; arts (ethnology) ; Musikinstrumente ; Musik (Ethnologie) ; Kulturwissenschaften ; Afrika ; musical instruments ; Baule ; Schlaginstrumente ; Elfenbeinküste ; Künste (Ethnologie) ; talking drum ; Musikinstrumente / Membranophone ; drum ; Signalsprache ; Encyclopaedia Cinematographica ; drum language ; cultural studies ; Ethnologie/Kulturanthropologie ; Trommel ; Africa ; percussion instruments ; Sprechtrommel ; Trommelsprache ; signal language ; Ivory Coast ; Baule ; ethnology/cultural anthropology
    Abstract: Ein Trommler führt Tonfolgen und Rhythmen von Worten und Sätzen seiner Sprache vor, manchmal unter Zuhilfenahme seines Ellbogens, den er in der Mitte des Trommelfells aufsetzt.
    Abstract: An excellent drummer, who had also accompanied the Gbagba-dance shows how he reproduces on his drum melodic lines and rhythms of words and sentences of his language. Sometimes he plays with the help of his elbow, which he places in the middle of the drumskin.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1545
    URL: link to metadata
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    IWF
  • 85
    AV-Medium
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    Baule (Westafrika, Elfenbeinküste) - Sänger mit zwei Harfen, begleitet von Rassel und Glocken (1970)
    IWF (Göttingen)
    In:  (Jan. 1970)
    Details
    Language: Undetermined , Undetermined
    Pages: 61MB, 00:06:17:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1970)
    Keywords: music (ethnology) ; musical instruments / idiophone ; arts (ethnology) ; Musikinstrumente ; Musik (Ethnologie) ; Kulturwissenschaften ; Singen / Elfenbeinküste ; Afrika ; musical instruments ; Saiteninstrumente ; harp ; gong ; Baule ; Musikinstrumente / Chordophone ; Schlaginstrumente ; Elfenbeinküste ; noise instruments ; Künste (Ethnologie) ; singing ; Rassel ; rattle ; Encyclopaedia Cinematographica ; singing / Ivory Coast ; Musiker ; Harfe ; musical instruments / chordophone ; cultural studies ; musicians ; Ethnologie/Kulturanthropologie ; Africa ; percussion instruments ; Lärminstrumente ; Musikinstrumente / Idiophone ; Gesang ; string instruments ; Ivory Coast ; idiophones ; Baule ; ethnology/cultural anthropology ; Glocke ; Idiophone
    Abstract: Im Dorf Afotobo singt und spielt der Wandersänger Yao auf zwei Harfen, die er auf den Knien hält, Sprichwörter und Geschichten mit symbolischer Pointe, begleitet von einem Musikanten mit zwei Rasselkörbchen und zwei weiteren mit Lärminstrumenten (Hohleisen).
    Abstract: A singer of the Baule is accompanied by three musicians while accompanying himself with two harps, holding each on one knee. He sings proverbs and tropical songs. Such singers travel overland and are held in high esteem by the Baule.
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    DOI: 10.3203/IWF/E-1571
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  • 86
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    Dan (Westafrika, Elfenbeinküste) - Singmaske »gegõn« in Maple (1970)
    IWF (Göttingen)
    In:  (Jan. 1970)
    Details
    Language: Undetermined , Undetermined
    Pages: 147MB, 00:15:08:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1970)
    Keywords: musical instruments / membranophone ; music (ethnology) ; clothing ; Musikinstrumente ; material culture ; art ; mask dance ; Maskentanz ; masks ; Singen / Elfenbeinküste ; musical instruments ; music groups ; Tanz (Ethnologie) ; occasional dances ; Schlaginstrumente ; Elfenbeinküste ; Tanz / Elfenbeinküste ; singing ; drum ; Kunst ; anlaßbezogene Tänze ; rattle ; accessories ; Encyclopaedia Cinematographica ; singing / Ivory Coast ; Accessoires ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Trommel ; Gegõn ; percussion instruments ; Musikinstrumente / Idiophone ; singing mask ; Singen / im Chor ; Musikgruppen ; Ivory Coast ; masks / wearing ; idiophones ; ethnology/cultural anthropology ; Idiophone ; ritual dances ; musical instruments / idiophone ; mask-wearing ; arts (ethnology) ; Dan ; Musik (Ethnologie) ; gegõn ; Kulturwissenschaften ; Singmaske ; Afrika ; orchestra ; Kleidung ; Künste (Ethnologie) ; Orchester ; Masken ; dance / mask dance ; dance / Ivory Coast ; Musikinstrumente / Membranophone ; Rassel ; rituelle Tänze ; Musiker ; dance (ethnology) ; Tanz / Maskentanz ; musicians ; Dan ; Masken-Tragen ; Africa ; Gesang ; singing / chorus ; Masken / Tragen
    Abstract: Auftritt der Maske mit einem Begleiter vor einer Gruppe von Sängerinnen und Sängern sowie drei Trommeln und einer Rassel. Zwischen Gesangsteilen tanzt die Maske.
    Abstract: This singing mask with its beak-shaped nose, from which a black beard of monkey-hair hangs down, is found in other functions as well, e. g. with the Konor tribe as one of the highest ranking spirits in the boys's circumcision camp. In Maple village it is explained as a Tukan mask. The Tukan is the king of the birds and is supposed to have brought the oil-palm to the Dan. Therefore the Tukan is mentioned in the songs of the mask.
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    DOI: 10.3203/IWF/E-1575
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  • 87
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    Gere (Westafrika, Elfenbeinküste) - Akrobatischer Tanz der "Schlangenmädchen" (1970)
    IWF (Göttingen)
    In:  (Jan. 1970)
    Details
    Language: Undetermined , Undetermined
    Pages: 307MB, 00:31:32:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1970)
    Keywords: musical instruments / membranophone ; individual ; music (ethnology) ; arts (ethnology) ; Freizeitaktivitäten ; Musikinstrumente ; dance / acrobatic dance ; Musik (Ethnologie) ; body decoration ; snake girls ; Kulturwissenschaften ; Sport ; Körperdekoration ; Afrika ; musical instruments ; Akrobatentanz ; Körperbemalung ; acrobatic dance ; Schlaginstrumente ; Elfenbeinküste ; body painting ; Künste (Ethnologie) ; leisure activities ; Tanz / Elfenbeinküste ; dance / Ivory Coast ; Gesellschaft ; Musikinstrumente / Membranophone ; Schlangenmädchen ; drum ; Individuum ; sport ; Gere ; Guere ; Encyclopaedia Cinematographica ; Körper ; society ; cultural studies ; Ethnologie/Kulturanthropologie ; Trommel ; acrobatics ; Africa ; percussion instruments ; sports ; body ; Akrobatik ; Tanz / Akrobatentanz ; Ivory Coast ; ethnology/cultural anthropology
    Abstract: Drei Mädchen zwischen vier und sechs Jahren führen, begleitet von zwei Trommeln und einem eisernen Klimperinstrument, akrobatische Tänze vor. Von ihrem "Trainer" werden sie in die Luft geworfen und wie "Schlangen" um seinen Körper gewunden.
    Abstract: Three small girls between four and six years old first perform acrobatic feats with their flexible bodies accompanied by two drums and one tinkle-instrument; afterwards, they will be whirled into the air by their "trainer", an athletic man, and wound around his body, like snakes. Such snake-girls are also found in other villages of the Dan and Gere (Kran) along the western Ivory-coast and in eastern Liberia.
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    DOI: 10.3203/IWF/E-1579
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  • 88
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    Dan (Westafrika, Elfenbeinküste) - Tanz mit einer Giftschlange (1970)
    IWF (Göttingen)
    In:  (Jan. 1970)
    Details
    Language: Undetermined , Undetermined
    Pages: 93MB, 00:09:33:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1970)
    Keywords: musical instruments / membranophone ; music (ethnology) ; Musikinstrumente ; Tänze nach Geschlecht ; Singen / Elfenbeinküste ; Wirtschaft (Ethnologie) ; musical instruments ; poisonous snake ; Tanz (Ethnologie) ; Schlaginstrumente ; Elfenbeinküste ; snake dance ; dance / men's dance ; Tanz / Elfenbeinküste ; spezielle Tänze ; singing ; drum ; mens' dances ; Encyclopaedia Cinematographica ; singing / Ivory Coast ; cultural studies ; Ethnologie/Kulturanthropologie ; Trommel ; Tanz / Männertanz ; percussion instruments ; Schlangentanz ; Ivory Coast ; fauna ; ethnology/cultural anthropology ; Männertanz ; arts (ethnology) ; Dan ; Musik (Ethnologie) ; Tierwelt ; Kulturwissenschaften ; Afrika ; men's dance ; special dances ; Künste (Ethnologie) ; economy ; dance / Ivory Coast ; Giftschlange ; Musikinstrumente / Membranophone ; Musiker ; dance (ethnology) ; musicians ; Dan ; Africa ; Gesang ; dances according to gender
    Abstract: Zur Darstellung seiner Heilkunst führt ein Schlangentänzer vor Sängern, zwei Trommlern und weiteren Tänzern symbolische Selbstverletzungen aus. Er zeigt anschließend tanzend gewagte Kunststücke mit einer Gabunviper.
    Abstract: A man dancing with an Gabun viper performs risky tricks, in order to prove that he is not afraid of the deadly bite of the snake. He and his accompanying fellows form a society of medicine men. The performance with the dangerous snake should prove to the public, that in fact the society possesses effective remedies.
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    DOI: 10.3203/IWF/E-1577
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  • 89
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    Dan (Westafrika, Elfenbeinküste) - Singmaske »polonida« in Glekpleple (1970)
    IWF (Göttingen)
    In:  (Jan. 1970)
    Details
    Language: Undetermined , Undetermined
    Pages: 68MB, 00:06:58:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1970)
    Keywords: music (ethnology) ; clothing ; Musikinstrumente ; material culture ; art ; mask dance ; Maskentanz ; masks ; Singen / Elfenbeinküste ; musical instruments ; Tanz (Ethnologie) ; occasional dances ; Schlaginstrumente ; Elfenbeinküste ; singing ; Kunst ; anlaßbezogene Tänze ; Polonida ; rattle ; accessories ; Encyclopaedia Cinematographica ; singing / Ivory Coast ; polonida ; Accessoires ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; percussion instruments ; Musikinstrumente / Idiophone ; singing mask ; Ivory Coast ; masks / wearing ; idiophones ; ethnology/cultural anthropology ; Idiophone ; ritual dances ; musical instruments / idiophone ; mask-wearing ; arts (ethnology) ; Dan ; Musik (Ethnologie) ; Kulturwissenschaften ; Singmaske ; Afrika ; Kleidung ; Künste (Ethnologie) ; Masken ; Rassel ; rituelle Tänze ; Musiker ; dance (ethnology) ; musicians ; Dan ; Masken-Tragen ; Africa ; Gesang ; Masken / Tragen
    Abstract: Die Unterhaltungsmaske mit dem schönen Frauengesicht tanzt und singt, wobei die Lieder aus der augenblicklichen Situation an die Umstehenden gerichtet sind. Ihr Begleiter singt und spielt mit einer Rasselkalebasse.
    Abstract: The mask sings and dances. Its songs address the bystanders and are created spontaneously. For at least three generations the mask has been in this village and in the same family as the "rough and tough" Djaka mask. In earlier times women were not allowed to see it. Due to modern development of the Ivory-coast, this is possible nowadays.
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    DOI: 10.3203/IWF/E-1574
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  • 90
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    Tibeter (Zentralasien) - Tiertänze »Phye-ma leb«, »San-ge« (1970)
    IWF (Göttingen)
    In:  (Jan. 1970)
    Details
    Language: Undetermined , Undetermined
    Pages: 37MB, 00:03:52:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1970)
    Keywords: musical instruments / membranophone ; music (ethnology) ; Musikinstrumente ; dance / animal dance ; Pantomime ; Flöte / Querflöte ; Schneelöwentanz ; musical instruments ; flute / transverse flute ; Blasinstrumente ; music groups ; Tanz (Ethnologie) ; Schlaginstrumente ; bamboo flute ; spezielle Tänze ; singing ; drum ; Tibetans ; Tanzethnologie ; Encyclopaedia Cinematographica ; Flöte / Bambusflöte ; cultural studies ; Tanz / Tiertanz ; China ; Ethnologie/Kulturanthropologie ; Trommel ; percussion instruments ; theatrical productions ; Musikinstrumente / Idiophone ; expellees, refugees ; Musikgruppen ; theatrical play ; Tiertanz ; butterfly dance ; idiophones ; ethnology/cultural anthropology ; transverse flute ; Idiophone ; Tibet ; musical instruments / idiophone ; arts (ethnology) ; Schauspiel ; Musik (Ethnologie) ; cymbal ; Kulturwissenschaften ; Becken ; musical instruments / aerophone ; Tibeter ; Asia ; Theater-Produktion ; dance group ; special dances ; Asien ; Künste (Ethnologie) ; Theater (Ethnologie) ; flute / bamboo flute ; Musikinstrumente / Membranophone ; folkloric group ; Vertriebene, Flüchtlinge ; Singen ; wind instruments ; Bambusflöte ; Musiker ; Tibet ; dance (ethnology) ; Querflöte ; musicians ; Schmetterlingstanz ; Folkloregruppe ; animal dance ; snow lion dance ; China ; theatre (ethnology) ; ethnology of dance ; Gesang ; Tanzgruppe ; Musikinstrumente / Aerophone ; pantomime
    Abstract: Die tibetische Tanz- und Theatergruppe aus Ebnat-Kappel (Schweiz) zeigt in Rikon den Schmetterlings- und den Schneelöwentanz vor der Kamera, begleitet von Instrumentalmusik (Querflöte, Trommel, Becken) und Gesang.
    Abstract: The film shows the performance of two Tibetan animal dances, a butterfly dance and a snow lion dance. The former is accompanied by a flute and a female solo voice, the dance of the snow lion by a large drum, a small drum, cymbals and flute.
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    DOI: 10.3203/IWF/E-1609
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  • 91
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    Tibeter (Zentralasien) - Volkstänze »Khams-gSum-dBan-'Dus-gZhas-Tshig« und »gYag-'Krab-Pa« (1970)
    IWF (Göttingen)
    In:  (Jan. 1970)
    Details
    Language: Undetermined , Undetermined
    Pages: 41MB, 00:04:11:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1970)
    Keywords: musical instruments / membranophone ; music (ethnology) ; Musikinstrumente ; Tanz / Volkstanz ; dance / animal dance ; Volkstanz, tibetischer ; Laute ; Tänze nach Geschlecht ; Pantomime ; Flöte / Querflöte ; musical instruments ; flute / transverse flute ; Blasinstrumente ; music groups ; Tanz (Ethnologie) ; Musikinstrumente / Chordophone ; Schlaginstrumente ; dance / men's dance ; bamboo flute ; spezielle Tänze ; singing ; drum ; mens' dances ; Tibetans ; Tanzethnologie ; Encyclopaedia Cinematographica ; dance / folk dance ; Flöte / Bambusflöte ; musical instruments / chordophone ; cultural studies ; Tanz / Tiertanz ; China ; Frauentanz ; Ethnologie/Kulturanthropologie ; Trommel ; Tanz / Männertanz ; percussion instruments ; theatrical productions ; Musikinstrumente / Idiophone ; expellees, refugees ; Musikgruppen ; theatrical play ; Tiertanz ; idiophones ; ethnology/cultural anthropology ; transverse flute ; Idiophone ; Tibet ; Männertanz ; musical instruments / idiophone ; arts (ethnology) ; Schauspiel ; Musik (Ethnologie) ; cymbal ; Kulturwissenschaften ; Becken ; folk dance, tibetan ; musical instruments / aerophone ; dancing group ; Tibeter ; Asia ; women's dance ; men's dance ; Theater-Produktion ; Saiteninstrumente ; special dances ; Asien ; Künste (Ethnologie) ; Theater (Ethnologie) ; flute / bamboo flute ; Musikinstrumente / Membranophone ; folkloric group ; Vertriebene, Flüchtlinge ; Singen ; wind instruments ; Bambusflöte ; Musiker ; Tibet ; dance (ethnology) ; Querflöte ; Tanz / Frauentanz ; musicians ; Folkloregruppe ; animal dance ; China ; theatre (ethnology) ; dance / women's dance ; ethnology of dance ; Gesang ; string instruments ; Tanzgruppe ; Musikinstrumente / Aerophone ; lute ; pantomime ; dances according to gender
    Abstract: Die tibetische Tanzgruppe aus Ebnat-Kappel (Schweiz) führt in Rikon Variationen eines Tanzliedes sowie einen pantomimischen Tiertanz vor der Kamera auf. Die Tänze werden von einer Bambusquerflöte, einer Langhalslaute, einer Trommel und von Becken begleitet.
    Abstract: Presentation of a Tibetan dance-song, first by two women, accompanied by a bamboo flute and a long-necked lute, then by a lute-player who also dances. There follows an animal dance in pantomime, accompanied by a large drum with cymbals, and a behind-the-scences singer.
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    DOI: 10.3203/IWF/E-1410
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  • 92
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    Tibeter (Zentralasien) - Orchestermusik »Zla-Ba'i-gZhon-Nu'i-gZhas-Tshig« (1970)
    IWF (Göttingen)
    In:  (Jan. 1970)
    Details
    Language: Undetermined , Undetermined
    Pages: 39MB, 00:04:04:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1970)
    Keywords: music (ethnology) ; Musikinstrumente ; Laute ; Musik / Orchestermusik ; Flöte / Querflöte ; musical instruments ; flute / transverse flute ; Blasinstrumente ; music groups ; Musikinstrumente / Chordophone ; Geige ; bamboo flute ; Tibetans ; Encyclopaedia Cinematographica ; Flöte / Bambusflöte ; musical instruments / chordophone ; cultural studies ; China ; fiddle ; Ethnologie/Kulturanthropologie ; theatrical productions ; expellees, refugees ; Musikgruppen ; ethnology/cultural anthropology ; transverse flute ; Tibet ; arts (ethnology) ; Musik (Ethnologie) ; Kulturwissenschaften ; Orchestermusik ; musical instruments / aerophone ; Tibeter ; Asia ; Theater-Produktion ; Saiteninstrumente ; tubular fiddle ; Asien ; Künste (Ethnologie) ; music / orchestra music ; Theater (Ethnologie) ; orchestra music ; flute / bamboo flute ; folkloric group ; Vertriebene, Flüchtlinge ; wind instruments ; Bambusflöte ; Musiker ; Tibet ; Querflöte ; musicians ; Folkloregruppe ; China ; theatre (ethnology) ; string instruments ; Röhrengeige ; Musikinstrumente / Aerophone ; lute
    Abstract: Die Musiker der tibetischen Tanzgruppe aus Ebnat-Kappel (Schweiz) spielen in Rikon ein Tanzlied vor der Kamera. Das Orchester besteht aus einer chinesischen Röhrenfiedel, einer Langhalslaute und einer Bambusquerflöte.
    Abstract: Presentation of a Tibetan dance-tune by an orchestra, consisting of a Chinese tubular fiddle, a long-necked lute, and a bamboo flute.
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    DOI: 10.3203/IWF/E-1408
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  • 93
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    Tibeter (Zentralasien) - Volkstanz »dBus-gTsan-gZhas« - »mDa-stod« - »mDo-sMad« (1970)
    IWF (Göttingen)
    In:  (Jan. 1970)
    Details
    Language: Undetermined , Undetermined
    Pages: 44MB, 00:04:35:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1970)
    Keywords: music (ethnology) ; arts (ethnology) ; Musikinstrumente ; Tanz / Volkstanz ; Volkstanz, tibetischer ; Musik (Ethnologie) ; Laute ; Kulturwissenschaften ; folk dance, tibetan ; dancing group ; Tibeter ; Asia ; musical instruments ; Saiteninstrumente ; music groups ; Tanz (Ethnologie) ; Musikinstrumente / Chordophone ; Asien ; Künste (Ethnologie) ; singing ; folkloric group ; Tibetans ; Tanzethnologie ; Vertriebene, Flüchtlinge ; Singen ; Encyclopaedia Cinematographica ; dance / folk dance ; Musiker ; Tibet ; dance (ethnology) ; musical instruments / chordophone ; cultural studies ; China ; musicians ; Ethnologie/Kulturanthropologie ; Folkloregruppe ; China ; expellees, refugees ; ethnology of dance ; Gesang ; Musikgruppen ; string instruments ; Tanzgruppe ; ethnology/cultural anthropology ; lute ; Tibet
    Abstract: Die tibetische Tanzgruppe aus Ebnat-Kappel (Schweiz) führt in Rikon ein Tanzlied, das von einer Langhalslaute begleitet wird, vor der Kamera auf.
    Abstract: Presentation of a Tibetan dance-song by a dance-group, accompanied by a long-necked lute.
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    DOI: 10.3203/IWF/E-1412
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  • 94
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    Dan (Westafrika, Elfenbeinküste) - Tanz eines Kriegers vor dem Auszug in den Kampf (1970)
    IWF (Göttingen)
    In:  (Jan. 1970)
    Details
    Language: Undetermined , Undetermined
    Pages: 76MB, 00:07:48:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1970)
    Keywords: musical instruments / membranophone ; music (ethnology) ; Musikinstrumente ; Initiationstanz ; Tänze nach Geschlecht ; Pantomime ; Singen / Elfenbeinküste ; Wirtschaft (Ethnologie) ; Lebenslauf ; musical instruments ; Tanzstile ; initiation ; elephant tusks orchestra ; Blasinstrumente ; music groups ; Tanz (Ethnologie) ; occasional dances ; Kriegstanz ; Elfenbein ; Schlaginstrumente ; Elfenbeinküste ; Zahn ; dance / men's dance ; Tanz / Elfenbeinküste ; Gesellschaft ; dance / initiation dance ; singing ; drum ; Tierhaltung ; tierische Nebenprodukte ; mens' dances ; drama ; anlaßbezogene Tänze ; Tanz / Initiationstanz ; Encyclopaedia Cinematographica ; singing / Ivory Coast ; tooth ; cultural studies ; Ethnologie/Kulturanthropologie ; Trommel ; Tanz / Männertanz ; percussion instruments ; theatrical productions ; Musikgruppen ; theatrical play ; Ivory Coast ; ethnology/cultural anthropology ; animal husbandry ; Männertanz ; arts (ethnology) ; Schauspiel ; Dan ; Musik (Ethnologie) ; Kulturwissenschaften ; warrior ; musical instruments / aerophone ; Initiation ; Afrika ; men's dance ; Theater-Produktion ; orchestra ; Tanz mit Gegenstand ; weapon dance ; initiation dance ; solo dance ; Künste (Ethnologie) ; Orchester ; Theater (Ethnologie) ; ivory ; economy ; dance / Ivory Coast ; Musikinstrumente / Membranophone ; Krieger ; wind instruments ; Solotanz ; Musiker ; dance (ethnology) ; society ; musicians ; Dan ; tusk ; Africa ; styles of dance ; course of life ; Elefantenzahnorchester ; theatre (ethnology) ; animal by-products ; Gesang ; Musikinstrumente / Aerophone ; Waffentanz ; pantomime ; war dance ; dances according to gender ; dances with objects
    Abstract: Vor einem Elefantenzahnorchester mit Trommeln ahmt der Nachfahre eines Berufskriegers tanzend und singend verschiedene Kampfsituationen nach. Er wird von drei Frauen, einem Glockenläuter, einem Blattwedler und einem Bläser umtanzt. Von einer weiteren Frau verspottet, tanzt er lebhafter.
    Abstract: For various activities, the Dan have groups of singers and musicians, whose playing is supposed to impart special qualities: strength for the bushclearers, majestic deportment for the chieftain, courage for the warrior. Here, an orchestra of seven elephant tusks and five drums incites the fighting-spirit of the village's greatest warrior, who, in dance form, demonstrates several battle situations.
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    DOI: 10.3203/IWF/E-1501
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  • 95
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    Dan (Westafrika, Elfenbeinküste) - Unterhaltungsgesang des Sanzaspielers Gba Gegba (1970)
    IWF (Göttingen)
    In:  (Jan. 1970)
    Details
    Language: Undetermined , Undetermined
    Pages: 55MB, 00:05:39:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1970)
    Keywords: music (ethnology) ; musical instruments / idiophone ; arts (ethnology) ; Dan ; rhymes, sayings, verses ; Musikinstrumente ; Musik (Ethnologie) ; sanza, sanza player ; Kulturwissenschaften ; Unterhaltungsgesang ; Singen / Elfenbeinküste ; proverbs ; Afrika ; musical instruments ; Theater-Produktion ; Spielmann ; Schlaginstrumente ; Elfenbeinküste ; recreational song ; Künste (Ethnologie) ; Theater (Ethnologie) ; Reime, Sprüche, Verse ; singing ; Encyclopaedia Cinematographica ; singing / Ivory Coast ; Musiker ; cultural studies ; musicians ; Dan ; Ethnologie/Kulturanthropologie ; Africa ; percussion instruments ; theatre (ethnology) ; theatrical productions ; Musikinstrumente / Idiophone ; Gesang ; Ivory Coast ; Sanza, Sanzaspieler ; Sprichwörter ; idiophones ; play man ; ethnology/cultural anthropology ; Idiophone
    Abstract: Zu seinem Spiel singt der Sanzaspieler Gba Gegba aus Banne Bui Sprichwörter, Anrufungen der Ahnen oder des seinem Dorf heiligen Flusses sowie Anspielungen auf Mädchen des Dorfes.
    Abstract: The sanza-player Gba Gegba plays his instrument and sings for entertainment and for dancing 'to be rewarded with gifts', but formerly also 'to make the men strong for battle'. His texts consist of proverbs, allusions to the village girls, appeals to his forefathers or to the river sacred to his village.
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    DOI: 10.3203/IWF/E-1525
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  • 96
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    Dan (Westafrika, Elfenbeinküste) - Unterhaltungsgesang des Sanzaspielers Jean Geazan (1970)
    IWF (Göttingen)
    In:  (Jan. 1970)
    Details
    Language: Undetermined , Undetermined
    Pages: 59MB, 00:06:06:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1970)
    Keywords: music (ethnology) ; musical instruments / idiophone ; arts (ethnology) ; Dan ; Musikinstrumente ; Musik (Ethnologie) ; sanza, sanza player ; Kulturwissenschaften ; Unterhaltungsgesang ; Singen / Elfenbeinküste ; proverbs ; Afrika ; musical instruments ; Spielmann ; Schlaginstrumente ; Elfenbeinküste ; recreational song ; Künste (Ethnologie) ; singing ; Encyclopaedia Cinematographica ; singing / Ivory Coast ; Musiker ; cultural studies ; musicians ; Dan ; Ethnologie/Kulturanthropologie ; Africa ; percussion instruments ; Musikinstrumente / Idiophone ; Gesang ; Ivory Coast ; Sanza, Sanzaspieler ; Sprichwörter ; idiophones ; play man ; ethnology/cultural anthropology ; Idiophone
    Abstract: Zu seinem Spiel singt der Sanzaspieler Jean Geazan aus Banwoue Sprichwörter, Begrüßungen und Danksagungen an die Umstehenden.
    Abstract: In West Africa, the sanza, an instrument for plucking, with metal or wooden prongs mounted on a board, is mostly played for the musician's personal pleasure. Here, a Dan singer accompanies himself on it while he sings proverbs, salutations, and expressions of thanks to his audience.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1524
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  • 97
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    Baule (Westafrika, Elfenbeinküste) - Unterhaltungsgesang mit Harfe, Rasselkörbchen und Eisenglocke (1970)
    IWF (Göttingen)
    In:  (Jan. 1970)
    Details
    Language: Undetermined , Undetermined
    Pages: 43MB, 00:04:29:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1970)
    Keywords: music (ethnology) ; handicraft ; Musikinstrumente ; Unterhaltungsgesang ; Wandermusiker ; Singen / Elfenbeinküste ; Wirtschaft (Ethnologie) ; musical instruments ; music groups ; Baule ; Musikinstrumente / Chordophone ; Schlaginstrumente ; Elfenbeinküste ; wandering musicians ; singing ; Encyclopaedia Cinematographica ; singing / Ivory Coast ; musical instruments / chordophone ; cultural studies ; rattle basket ; Ethnologie/Kulturanthropologie ; mats and baskets ; Handwerk ; percussion instruments ; Musikinstrumente / Idiophone ; Musikgruppen ; bell ; Ivory Coast ; idiophones ; Baule ; ethnology/cultural anthropology ; Glocke ; Idiophone ; musical instruments / idiophone ; arts (ethnology) ; Musik (Ethnologie) ; Kulturwissenschaften ; proverbs ; Afrika ; Saiteninstrumente ; harp ; Rasselkörbchen ; iron gong ; recreational song ; Künste (Ethnologie) ; economy ; Matten und Körbe ; Musiker ; Harfe ; musicians ; Africa ; Gesang ; string instruments ; Sprichwörter ; Eisenglocke
    Abstract: Ein Sänger der Baule singt von allgemeinen Ereignissen und Sprichwörtern und spielt auf einer sechssaitigen Harfe. Zwei Männer mit Rasselkörbchen und Eisenglocke begleiten ihn.
    Abstract: Among the Baule there are singers who accompany themselves on harps, and are accompanied by other instruments. They perform on marketdays or festive occasions, or move from village to village as wandering musicians. They sing proverbs, praise songs and tropical songs.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1536
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  • 98
    AV-Medium
    AV-Medium
    Gere (Westafrika, Elfenbeinküste) - "Stühlchentanz" der frisch beschnittenen Mädchen (1970)
    IWF (Göttingen)
    In:  (Jan. 1970)
    Details
    Language: Undetermined , Undetermined
    Pages: 141MB, 00:14:29:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1970)
    Keywords: musical instruments / membranophone ; shaking dance ; music (ethnology) ; Musikinstrumente ; Tänze nach Geschlecht ; Tanz / Schütteltanz ; Singen / Elfenbeinküste ; "Little Stool Dance" ; dance / "Little Stool Dance" ; Lebenslauf ; Körperdekoration ; musical instruments ; initiation ; music groups ; Tanz (Ethnologie) ; school ; Stühlchentanz ; Schlaginstrumente ; Elfenbeinküste ; Beschneidung ; body painting ; Reifebräuche ; Tanz / Elfenbeinküste ; spezielle Tänze ; Gesellschaft ; excision camp ; singing ; drum ; Gere ; girls' dance ; Guere ; Encyclopaedia Cinematographica ; Bräuche ; singing / Ivory Coast ; Körper ; cultural studies ; Ethnologie/Kulturanthropologie ; Mädchentanz ; Trommel ; percussion instruments ; custom / rite of passage ; Schule ; Singen / im Chor ; Musikgruppen ; Ivory Coast ; custom / circle of life ; ethnology/cultural anthropology ; Tanz / Stühlchentanz ; individual ; dance / shaking dance ; arts (ethnology) ; bush school ; Brauchtum / Lebenskreis ; Buschschule ; Musik (Ethnologie) ; body decoration ; Kulturwissenschaften ; Initiation ; Afrika ; dance / girls' dance ; Körperbemalung ; rite ; Tanz mit Gegenstand ; special dances ; Künste (Ethnologie) ; dance / Ivory Coast ; Musikinstrumente / Membranophone ; female genital cutting ; Schütteltanz ; Individuum ; Brauchtum / Reifebräuche ; Tanz / Mädchentanz ; Musiker ; dance (ethnology) ; society ; musicians ; customs ; Africa ; course of life ; Gesang ; body ; singing / chorus ; dances according to gender ; dances with objects
    Abstract: Frisch beschnittene Mädchen üben vor dem Beschneidungslager mit bändergeschmückten Stühlchen Tänze ein. Die Betreuerinnen und später auch die Mädchen singen im Chor. Sie werden von einem Trommler begleitet.
    Abstract: When the girls of the Gere (Kran) enter the excision camp they borrow low chairs from their grandfathers, for after the operation they cannot sit down, but must kneel on these chairs. When they have recovered they create dances with the little chairs, to perform in their village on the day of their release.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1553
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  • 99
    AV-Medium
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    Baule (Westafrika, Elfenbeinküste) - Akrobatentanz »adjemle« in Kouadjikro (1970)
    IWF (Göttingen)
    In:  (Jan. 1970)
    Details
    Language: Undetermined , Undetermined
    Pages: 108MB, 00:11:07:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1970)
    Keywords: musical instruments / membranophone ; music (ethnology) ; adjemle ; Musikinstrumente ; dance / acrobatic dance ; Singen / Elfenbeinküste ; musical instruments ; Tanzstile ; music groups ; Tanz (Ethnologie) ; Baule ; Schlaginstrumente ; Elfenbeinküste ; noise instruments ; leisure activities ; Tanz / Elfenbeinküste ; Gesellschaft ; singing ; drum ; Adjemle ; rattle ; Encyclopaedia Cinematographica ; singing / Ivory Coast ; cultural studies ; Ethnologie/Kulturanthropologie ; Trommel ; percussion instruments ; Musikinstrumente / Idiophone ; Musikgruppen ; Tanz / Akrobatentanz ; Ivory Coast ; idiophones ; Baule ; ethnology/cultural anthropology ; Idiophone ; musical instruments / idiophone ; arts (ethnology) ; Freizeitaktivitäten ; Musik (Ethnologie) ; Kulturwissenschaften ; Sport ; dance / solo dance ; Afrika ; Akrobatentanz ; orchestra ; acrobatic dance ; solo dance ; Künste (Ethnologie) ; Orchester ; dance / Ivory Coast ; Musikinstrumente / Membranophone ; Rassel ; sport ; Solotanz ; Musiker ; dance (ethnology) ; society ; musicians ; acrobatics ; Africa ; styles of dance ; Lärminstrumente ; sports ; Gesang ; Akrobatik ; Tanz / Solotanz
    Abstract: Tanzend und singend ziehen acht Tänzer, drei Nachwuchstänzer, Musikanten mit Glocke, Rassel, Reibe-Ratsche und Trommeln zum Tanzplatz, wo Gruppen- und Solotänze aufgeführt werden.
    Abstract: Almost every village of the Baule cultivates an artistic speciality which is performed during festivities either in their own village or in other villages. To this category belong also acrobatic dances. Using difficult jumps, the young men dance, by turns, to the rhythms of three drums, one iron bell, one rattle-calabash and one "rub-rattle". Afterwards two solo-dancers appear.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1572
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  • 100
    AV-Medium
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    Dan (Westafrika, Elfenbeinküste) - Maskentreiben zum Jahresabschluß in Biankouma (1970)
    IWF (Göttingen)
    In:  (Jan. 1970)
    Details
    Language: Undetermined , Undetermined
    Pages: 141MB, 00:14:32:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1970)
    Keywords: music (ethnology) ; clothing ; material culture ; art ; masks ; Singen / Elfenbeinküste ; seasonal festivities ; Feste ; Elfenbeinküste ; Maskentreiben, Maskenumzug ; Tanz / Elfenbeinküste ; Gesellschaft ; singing ; Kunst ; custom / course of the year ; accessories ; Encyclopaedia Cinematographica ; Bräuche ; singing / Ivory Coast ; Accessoires ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Ivory Coast ; masks / wearing ; ethnology/cultural anthropology ; mask-wearing ; arts (ethnology) ; Dan ; Musik (Ethnologie) ; Kulturwissenschaften ; Brauchtum / Jahreslauf ; jahreszeitliche Festivitäten ; end of the year ; Afrika ; Kleidung ; masked procession ; Künste (Ethnologie) ; Masken ; dance / Ivory Coast ; masquerade ; Musiker ; society ; musicians ; Dan ; customs ; Masken-Tragen ; Africa ; mask procession ; Gesang ; Jahresabschluß ; Masken / Tragen ; year-end ; feasts
    Abstract: Unter eine erregte Menschenmenge mischen sich Masken mit ihrem Gefolge. Sie zeigen die für sie jeweils charakteristischen Bewegungstypen. Einzelne Begleiter zeichnen sich durch Blatt- und Bastwedel sowie bestimmte Gesten und Tanzschritte aus. Abschließend tanzen und singen die Frauen des Dorfes.
    Abstract: At the end of the Yams festival, which for the northern Dan separates the old year from the new year, the masks leave the bush and come down from the mountains to the village. They dance outside the village and then move over the country to greet the government officials. On the way each mask shows for our team typical parts from their repertoire.
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    DOI: 10.3203/IWF/E-1576
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