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  • Online Resource  (592)
  • Microfilm  (5)
  • Music  (252)
  • Deutschland  (135)
  • History  (135)
  • History and criticism  (135)
  • Musicology  (506)
  • American Studies  (94)
Material
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Subjects(RVK)
  • 1
    Language: German
    Pages: TIFF, 300 dpi, Farbe; Digitalisierungsvorlage: Primärausgabe
    Edition: Online-Ausgabe Greifswald Universitätsbibliothek 2021 Digitalisierte Drucke der Universitätsbibliothek Greifswald
    Parallel Title: Elektronische Reproduktion von Lutz, Hartmut, 1945 - "Indianer" und "Native Americans"
    Dissertation note: Habilitationsschrift Universität Osnabrück 1982
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    Keywords: Hochschulschrift ; USA ; Literatur ; Indianer ; Indianer ; Literatur ; Deutsch ; USA ; Indianer ; Indianer ; Literatur ; Indianer ; USA ; Kultur ; Geschichte 1500-1985 ; USA ; Literatur ; Indianer ; Geschichte 1700-1985 ; Indianer ; USA ; Sozialgeschichte 1500-1985 ; Indianer ; USA ; Stereotyp ; Indianer ; Geschichte ; Deutschland ; Stereotyp ; Indianer ; Geschichte
    Note: Erscheinungsjahr aus dem Vorwort ermittelt , UB Greifswald , Maschinenschrift
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  • 2
    ISBN: 9783658219437
    Language: German
    Pages: 1 Online-Ressource
    Edition: Living reference work, continuously updated edition
    Series Statement: Springer reference
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.23
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    Keywords: Media Research ; Media Sociology ; Music ; Music ; Medien ; Musik ; Filmmusik ; Musikformate ; Musikjournalismus ; Musikmedien ; Musikproduktion ; Rahmenbedingungen der Produktion von Musik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musik ; Medien
    Note: Erscheint auch als statische Ausgabe
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    ISBN: 9783828850569
    Language: German
    Pages: 1 Online-Ressource (IX, 189 Seiten) , Notenbeispiele
    Series Statement: Systematische Musikwissenschaft und Musikkulturen der Gegenwart Band 9
    Series Statement: Systematische Musikwissenschaft und Musikkulturen der Gegenwart
    Parallel Title: Erscheint auch als Bugert, Thomas Das Jahr der Innovationen im Jazz
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    Keywords: Geschichte ; Analyse ; Improvisation ; Musik ; Rezeptionsgeschichte ; 50er Jahre ; History ; music ; analysis ; Musikgeschichte ; Music History ; reception history ; Jazz ; 1950s ; origins ; Ursprünge ; 1959 ; albums ; Alben ; harmonic concepts ; Bill Evans ; Dave Brubeck ; Giant Steps ; jazz albums ; harmonisch-melodische Konzepte ; melodic concepts ; Jazzalben ; Jazz-Alben ; precursors ; John Coltrane ; records ; Kind of Blue ; Miles Davis ; Ornette Coleman ; Portrait in Jazz ; Schallplatten ; The Shape of Jazz to Come ; Time Out ; Vorläufer
    Abstract: 1959 entstanden mit Dave Brubecks "Time Out", John Coltranes "Giant Steps", Miles Davis' "Kind of Blue", Bill Evans' "Portrait in Jazz" und Ornette Colemans "The Shape of Jazz to Come" stilprägende Alben, die für die weitere Entwicklung des Jazz wegweisend waren. In ihnen finden sich metrische und harmonisch-melodische Konzepte sowie grundlegende Neuerungen in der Organisation des Zusammenspiels und im Umgang mit improvisierter Musik, die heute fester Bestandteil des Jazz sind. Der Autor geht den Ursprüngen und Vorläufern dieser Konzepte nach, untersucht die biografischen Bezüge der Protagonisten zu den Konzepten und zum Zeitgeist und betrachtet die Rezeptionsgeschichte der Alben.
    Abstract: The year 1959 saw the release of Dave Brubeck's "Time Out", John Coltrane's "Giant Steps", Miles Davis' "Kind of Blue", Bill Evans' "Portrait in Jazz" and Ornette Coleman's "The Shape of Jazz to Come", all style-defining albums that were groundbreaking in the development of jazz. They contain metrical and harmonic-melodic concepts as well as fundamental innovations in the organisation of ensemble playing and the handling of improvised music, which are an integral part of jazz today. The author traces the origins and antecedents of these concepts, examines the protagonists' biographical references to the concepts and the zeitgeist, and looks at the reception history of the albums.
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  • 4
    Online Resource
    Online Resource
    München : edition text + kritik
    ISBN: 9783967079166
    Language: German
    Pages: 1 Online-Ressource (442 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1945-1970 ; Jazz ; Deutschland ; Jazz ; Geschichte des Jazz ; Musikgeschichte ; Gegenkultur ; American Cool ; Kulturgeschichte ; Deutschland ; Jazz ; Geschichte 1945-1970
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    ISBN: 9783779979982 , 9783779979999
    Language: German
    Pages: 1 Online-Ressource (295 Seiten) , Illustrationen
    Edition: 1. Auflage
    Series Statement: HipHop Studies
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    Keywords: Sido ; Text ; Rap ; Popkultur ; Prekariat ; Deutschland
    Note: Literaturangaben
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  • 6
    Online Resource
    Online Resource
    Oakland : University of California Press | The Hague : OAPEN FOUNDATION
    ISBN: 9780520383920 , 9780520383937
    Language: English
    Pages: 1 Online-Ressource (227 p.)
    DDC: 782.421649
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    Keywords: Rap & Hip-Hop ; Music ; Hip-hop
    Abstract: How Hip Hop Became Hit Pop examines the programming practices at commercial radio stations in the 1980s and early 1990s to uncover how the radio industry facilitated hip hop’s introduction into the musical mainstream. Constructed primarily by the Top 40 radio format, the musical mainstream featured mostly white artists for mostly white audiences. With the introduction of hip hop to these programs, the radio industry was fundamentally altered, as stations struggled to incorporate the genre’s diverse audience. At the same time, as artists negotiated expanding audiences and industry pressure to make songs fit within the confines of radio formats, the sound of hip hop changed. Drawing from archival research, Amy Coddington shows how the racial structuring of the radio industry influenced the way hip hop was sold to the American public, and how the genre’s growing popularity transformed ideas about who constitutes the mainstream. “Here it is—bam! The definitive story of rap, race, radio, and marketplace during hip hop’s Golden Age. Amy Coddington combines an archivist’s rigor and a raconteur’s wit in documenting what those of us of a certain age remember but, perhaps, never fully grasped: how, amidst expanding racial inequalities and against all odds, rap music became the most popular genre in America.” — Anthony Kwame Harrison, author of Hip Hop Underground: The Integrity and Ethics of Racial Identification “Making use of trade publications that have received little scholarly attention, Coddington has crafted a provocative and lucid alternative history that tracks how the radio industry’s engagement with hip hop in the 1980s and 1990s both reflected and shaped changing ideas about race and music.” — Loren Kajikawa, author of Sounding Race in Rap Songs...
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  • 7
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : University of California Press | The Hague : OAPEN FOUNDATION
    ISBN: 9780520383937 , 9780520383920
    Language: English
    DDC: 782.421649
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    Keywords: Light orchestral & big band music ; History of the Americas ; Ethnic studies ; Music ; History ; American Studies ; African American Studies
    Abstract: A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. How Hip Hop Became Hit Pop examines the programming practices at commercial radio stations in the 1980s and early 1990s to uncover how the radio industry facilitated hip hop's introduction into the musical mainstream. Constructed primarily by the Top 40 radio format, the musical mainstream featured mostly white artists for mostly white audiences. With the introduction of hip hop to these programs, the radio industry was fundamentally altered, as stations struggled to incorporate the genre's diverse audience. At the same time, as artists negotiated expanding audiences and industry pressure to make songs fit within the confines of radio formats, the sound of hip hop changed. Drawing from archival research, Amy Coddington shows how the racial structuring of the radio industry influenced the way hip hop was sold to the American public, and how the genre's growing popularity transformed ideas about who constitutes the mainstream.
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  • 8
    ISBN: 9781800109537 , 9781800109520
    Language: English
    Pages: 1 Online-Ressource (xvi, 252 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Parallel Title: Erscheint auch als Intimate entanglements in the ethnography of performance
    DDC: 780.89
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    Keywords: Ethnomusicology ; Music Performance ; Social aspects ; Intimacy (Psychology) ; Africans Music ; History and criticism ; African Americans Music ; History and criticism ; Music History and criticism ; Music History and criticism ; Music and race ; African Americans ; Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Criticism, interpretation, etc ; Africa ; United States
    Abstract: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk.
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Note: Includes bibliographical references and index
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  • 9
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190661991 , 9780190661984
    Language: English
    Pages: 1 Online-Ressource (xx, 541 Seiten)
    Series Statement: Oxford handbooks series
    Parallel Title: Erscheint auch als The Oxford handbook of music in China and the Chinese diaspora
    DDC: 780.951
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    Keywords: Music History and criticism ; Chinese Music ; History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; China ; Musik
    Abstract: The Oxford Handbook of Music in China and the Chinese Diaspora illuminates new insights into Chinese music studies, musical genres, and contexts. This volume incorporates extensive scholarly insight from China, Taiwan, and the Chinese diaspora, and is arranged into three parts: the historical legacies of Chinese music, evolving practice and musical transformations, and prominent issues in Chinese music studies.
    Note: Includes bibliographical references and index , Description based on publisher supplied metadata and other sources
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  • 10
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197664100
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 780.96
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    Keywords: Musik ; Instrumentaltechnik ; Einfluss ; Music History and criticism ; Music ; Music ; Afrika
    Abstract: Written by one of the best-known academic writers on African music, this title is a collection of seven essays offering a wide-ranging discussion of the animating structures of African music while reflecting on the scholarship they have elicited.
    Note: Also issued in print: 2023 , Includes bibliographical references and index
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  • 11
    Online Resource
    Online Resource
    London : FOCAL | London : Taylor & Francis Group
    ISBN: 9781000913040 , 100091304X , 9781003027430 , 1003027431 , 9781000913064 , 1000913066
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Perspectives on music production
    DDC: 782.421649
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    Keywords: Sampler (Musical instrument) History ; Rap (Music) Production and direction ; History ; MUSIC / Recording & Reproduction ; TECHNOLOGY / Acoustics & Sound ; MUSIC / Genres & Styles / Rap & Hip Hop
    Abstract: Reimagining Sample-based Hip Hop: Making Records within Records presents the poetics of hip-hop record production and the significance of sample material in record making, providing analysis of key releases in hip-hop discography and interviews with experts from the world of Hip Hop and beyond. Beginning with the history of hip-hop music making, this book guides the reader through the alternative techniques deployed by beat-makers to avoid the use of copyrighted samples and concludes with a consideration of the future of Hip Hop, alongside a companion album that has been created using findings from this research. Challenging previous theoretical understandings about Hip Hop, the author focuses on deconstructing sonic phenomena using his hands-on engineering expertise and in-depth musicological knowledge about record production. With a significant emphasis on both practice and theory, Reimagining Sample-based Hip Hop will be of interest to advanced undergraduates, postgraduates, and researchers working in audio engineering, music production, hip-hop studies, and musicology
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  • 12
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Brill | The Hague : OAPEN FOUNDATION
    ISBN: 9789004542723 , 9789004542716
    Language: English
    DDC: 306.48420943
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    Keywords: Modern history to 20th century: c 1700 to c 1900 ; Classical Music ; German Empire ; German History ; Migration ; Music ; Musicians ; National Socialism ; Professionalization ; Weimar Republic ; World War I ; World War II ; World War 1 ; World War 2
    Abstract: Germany is considered a lauded land of music: outstanding composers, celebrated performers and famous orchestras exert great international appeal. Since the 19th century, the foundation of this reputation has been the broad mass of musicians who sat in orchestra pits, played in ensembles for dances or provided the musical background in silent movie theatres. Martin Rempe traces their lives and working worlds, including their struggle for economic improvement and societal recognition. His detailed portrait of the profession 'from below' sheds new light on German musical life in the modern era.
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  • 13
    Language: German
    Pages: 1 Online-Ressource (98 Seiten) , Notenbeispiele
    Series Statement: Quellen und Forschungen zur deutschen Volkskunde Band 8
    Series Statement: Ältere Liedersammlungen 1
    Series Statement: Quellen und Forschungen zur deutschen Volkskunde
    Series Statement: Ältere Liedersammlungen
    Uniform Title: Weingartner Liederhandschrift
    Parallel Title: Elektronische Reproduktion von Gaelle, Meingosus Die Liederhandschrift des Weingartner Benediktiners P. Meingosus Gaelle aus dem Jahr 1777
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    Keywords: Gaelle, Meingosus ; Kloster Weingarten ; Songs ; Liederhandschrift ; Deutschland ; Gaelle, Meingosus 1752-1816 ; Liederhandschrift ; Gaelle, Meingosus 1752-1816 ; Kloster Weingarten Bibliothek ; Liederhandschrift
    Note: Durch Anhang und Faksimile erweiterter Sonderabzug aus den Mitteilungen der Gesellschaft für Salzburger Landeskunde Bd. LI, 1911, S. 337 ff.
    URL: Volltext  (kostenfrei)
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  • 14
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    ISBN: 9783839469415
    Language: German
    Pages: 1 Online-Ressource (658 p.)
    Edition: 1st ed.
    Series Statement: Studien zur Popularmusik
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    Keywords: Geschichte 1977-1995 ; Heavy Metal ; Jugendkultur ; Sozialer Wandel ; Subkultur ; Wandel ; Heavy Metal; Extreme Metal; Musik; Wandel; Sozialgeschichte; Strukturwandel; 1980er Jahre; Zeitgeschichte; Kulturgeschichte; Popkultur; Popmusik; Musikwissenschaft; Music; Change; Social History; Structural Change; 1980s; Contemporary History; Cultural History; Popular Culture; Pop Music; Musicology; ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: Heavy Metal ist eine soziale Kraft, die uns viel über den zeitgeschichtlichen Wandel verraten kann. Ursprünglich ein Phänomen der Arbeiterklasse, eroberte die Musikkultur seit den 1970er Jahren neue soziale Milieus, Regionen, Medien und Märkte. Heavy Metal wurde dabei nicht nur zum Lebensinhalt vieler Fans, sondern auch zur Erwerbsarbeit, zum musikalischen und kommerziellen Experimentierfeld sowie zum sozialen Abgrenzungsinstrument. Erstmals nimmt Marco Swiniartzki diese Entwicklungen auf Grundlage eines breiten Quellenfundaments unter die Lupe. Zahlreiche Interviews mit Musiker*innen geben einen Einblick in die 1980er Jahre und zeigen: Die Sozialgeschichte des Heavy Metal und der gesamtgesellschaftliche Wandel dieser Zeit gehen Hand in Hand.
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  • 15
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : transcript Verlag | Wiesbaden : divibib GmbH
    ISBN: 9783839469415
    Language: German
    Pages: 658 S.
    Series Statement: Onleihe. E-Book
    Series Statement: Studien zur Popularmusik ; 4
    DDC: 780
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    Keywords: Geschichte 1977-1995 ; Heavy Metal ; Jugendkultur ; Sozialer Wandel ; Subkultur ; Wandel ; Deutschland ; Hochschulschrift ; Hochschulschrift
    Abstract: Heavy Metal ist eine soziale Kraft, die uns viel über den zeitgeschichtlichen Wandel verraten kann. Ursprünglich ein Phänomen der Arbeiterklasse, eroberte die Musikkultur seit den 1970er Jahren neue soziale Milieus, Regionen, Medien und Märkte. Heavy Metal wurde dabei nicht nur zum Lebensinhalt vieler Fans, sondern auch zur Erwerbsarbeit, zum musikalischen und kommerziellen Experimentierfeld sowie zum sozialen Abgrenzungsinstrument. Erstmals nimmt Marco Swiniartzki diese Entwicklungen auf Grundlage eines breiten Quellenfundaments unter die Lupe. Zahlreiche Interviews mit Musiker*innen geben einen Einblick in die 1980er Jahre und zeigen: Die Sozialgeschichte des Heavy Metal und der gesamtgesellschaftliche Wandel dieser Zeit gehen Hand in Hand.
    URL: Cover
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  • 16
    ISBN: 9783111247090
    Language: German
    Pages: 1 Online-Ressource (VI, 666 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Potsdam 2022
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    Keywords: Ideal ; Einstürzende Neubauten ; Kraftwerk ; Deutsch Amerikanische Freundschaft ; Geschichte 1978-2023 ; Geschichte 1978-1983 ; Kraftwerk ; Kältepop ; Neue Deutsche Welle ; Rammstein ; HISTORY / General ; Rockmusik ; Kälte ; Rezeption ; Neue deutsche Welle ; Kälte ; Popmusik ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Kraftwerk ; Deutsch Amerikanische Freundschaft ; Ideal ; Einstürzende Neubauten ; Rockmusik ; Kälte ; Deutschland ; Popmusik ; Kälte ; Rezeption ; Geschichte 1978-1983 ; Deutschland ; Popmusik ; Kälte ; Neue deutsche Welle ; Rezeption ; Geschichte 1978-2023
    Abstract: Am Ende der 1970er Jahre entstand ein ästhetisch-subjektkulturelles Konzept in der deutschsprachigen Pop-Musik, das alles ,Kalte' affirmierte: ,Kälte-Pop'. Bands wie Kraftwerk, DAF und Einstürzende Neubauten entwickelten als Gegenentwurf zum pop- wie gegenkulturell hegemonialen Wärme-Kult ein System von Motiven und Strategien, das all jene Zeichen und Prozesse der (Post-)Moderne ästhetisierte und glorifizierte, die in der bundesdeutschen Gesellschaft und vor allem im linksalternativen Milieu als negative Aspekte einer vermeintlich kalten Welt interpretiert wurden: Gefühlslosigkeit und Dehumanisierung, Industrie und Großstadt, Künstlichkeit und Entfremdung, Disziplin und körperliche Funktionalität, Schnee und Eis, Beton und Stahl sowie Computer, Maschinen und Roboter. Dabei schlugen die ,Kälte'-Akteur:innen eine Brücke zu den Historischen Avantgarden der 1920er Jahre und inszenierten sich stereotypisch als ,kalte Deutsche'. Die Arbeit analysiert unter Einbeziehung der transnationalen Verknüpfungen die ,Kälte-Welle' (1978-1983) in der deutschen Pop-Musik, ihre Bildwelten und Codes, historischen Bezüge und Rezeption, das historische Umfeld ihrer Entstehung sowie nachfolgende Erscheinungsformen ,kalter' Musik, die sich bis heute in der internationalen Pop-Musik und bei Acts wie Rammstein zeigen
    Abstract: Concrete and steel, machines and industry, robots and artificiality, discipline and emotionlessness: the bands that preceded and came from Neue Deutsche Welle, such as Kraftwerk, DAF, Ideal, and Einstürzende Neubauten, focused on "coldness" in their performances, lyrics, and sounds in contrast to the "warmth" cult of the leftist alternative milieu, and influenced groups that would follow - like Rammstein - by staging the "cold German.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover  (lizenzpflichtig)
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  • 17
    Online Resource
    Online Resource
    Rochester : University of Rochester Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781800109520
    Language: English
    Pages: 1 Online-Ressource (xvi, 252 pages)
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
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    Keywords: Kolonialismus ; Unterdrückung ; Rassismus ; Diaspora ; Musikethnologie ; Tanz ; Ethnologie ; Ethnomusicology ; Music Performance ; Social aspects ; Intimacy (Psychology) ; Africans Music ; History and criticism ; African Americans Music ; History and criticism ; Music History and criticism ; Music History and criticism ; Music and race ; Afrika ; Aufsatzsammlung
    Abstract: Offers expansive and intersecting understandings of erotic subjectivity, intimacy, and trauma in performance, in ethnography, and in institutional and disciplinary settings.
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  • 18
    ISBN: 9783968219295
    Language: German
    Pages: 1 Online-Ressource (281 Seiten)
    Edition: 1. Auflage
    Series Statement: Die Gesellschaft der Musik Band 1
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Leipzig 2022
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    Keywords: Aufführung ; Social Media ; Frauenbild ; Schlager ; Deutschland ; Musikwissenschaft ; Popmusik ; Geschlecht ; Musikvideo ; Image ; Pop ; Schlager ; Bühnenshow ; Beatrice Egli ; Vanessa Mai ; Andrea Berg ; Helene Fischer ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Schlager ; Aufführung ; Social Media ; Frauenbild
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 19
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197611685 , 9780197611678
    Language: English
    Pages: 1 Online-Ressource (xlii, 608 Seiten) , Illustrationen
    Series Statement: Oxford handbooks series
    Parallel Title: Erscheint auch als The Oxford handbook of care in music education
    DDC: 780.71
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    Keywords: Music Instruction and study ; Social aspects ; Music Instruction and study ; Psychological aspects ; Music Instruction and study ; Political aspects ; Music Instruction and study ; Philosophy ; Music ; Music ; Musikerziehung
    Abstract: This handbook addresses multiple conceptualizations of caring relationships in music education. Principal themes of the handbook include philosophical perspectives on care and music education; co-creating caring relationships; caring for wellbeing and human flourishing; and care, social activism, and critical consciousness. The essays highlight the essence of authentic relationships and shared experiences between teachers and learners, extending previous conceptions of care to meet the needs of contemporary music learners and the teachers who care for, about, and with them.
    Note: Also issued in print: 2023. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on August 22, 2023)
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  • 20
    Online Resource
    Online Resource
    Stuttgart :Tropen Sachbuch,
    ISBN: 978-3-608-12141-4
    Language: German
    Pages: 1 Online-Ressource (vi, 263 Seiten).
    Parallel Title: Erscheint auch als Gutmair, Ulrich, 1968- Wir sind die Türken von morgen
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    Keywords: Jugendkultur ; Jugend ; Clique ; Deutsch ; Deutschland ; Berlin ; Deutschland ; 1980 ; 80er-Jahre ; Gleichberechtigung ; Rassismus ; Feminismus ; Ökologie ; Gender ; Grauzone ; DAF ; daf ; Deutsch-amerikanische Freundschaft ; Achtziger ; 80er Jahre ; 80er ; 1978 ; Habermas ; nationale Identität ; Identität ; Kollektividentität ; The Wirtschaftswunder ; Wirtschaftswunder ; Der Kommissar ; Cem Kaya ; Anette Humpe ; Ideal ; Wir stehn auf Berlin ; Ich steh auf Berlin ; Überfremdungsangst ; German Angst ; Kottbusser Tor ; Kreuzberg ; Thilo Sarrazin ; Sarrazin ; Anwerbeabkommen ; türkische Gemeinde ; Gastarbeiter ; Asylanten
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  • 21
    ISBN: 9783839460559
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Cultural studies Band 56
    Series Statement: Cultural studies
    Parallel Title: Erscheint auch als
    DDC: 782.421649
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    Keywords: Gangsta-Rap ; Repräsentation ; Sozialer Konflikt ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Criticism, interpretation, etc. ; Aufsatzsammlung ; Deutschland ; Gangsta-Rap ; Sozialer Konflikt ; Repräsentation
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Cover
    URL: JSTOR
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 22
    Online Resource
    Online Resource
    Wien : Hollitzer Wissenschaftsverlag
    ISBN: 9783990128114
    Language: German , English , Hebrew , Japanese
    Pages: 1 Online-Ressource (181 Seiten) , Illustrationen, Porträts, Notenbeispiele
    Parallel Title: Erscheint auch als Schwab, Andrea, 1958 - Jüdische Komponistinnen
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    Keywords: Electronic books ; Biografie ; Biografie ; Jüdin ; Komponistin ; Geschichte 1832-1992 ; Deutschland ; Österreich ; Komponistin ; Jüdin ; Geschichte 1832-1992
    Abstract: frontcover -- PRINT_Jüdische Komponistinnen LAYOUT.pdf -- backcover.
    Note: Vorwort auf englisch und deutsch , Text auf deutsch, Zusammenfassungen auf englisch, hebräisch und japanisch
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  • 23
    Online Resource
    Online Resource
    Oxford : Archaeopress publishing Ltd
    ISBN: 9781803271071
    Language: English
    Pages: 1 Online-Ressource (xvii, 144 Seiten) , Illustrationen, Karten
    Series Statement: Archaeopress Archaeology
    Parallel Title: Erscheint auch als Zeeuw, Hans de The Ottoman Tanbûr
    DDC: 787.8209
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    Keywords: Ṭanbūr History ; Ṭanbūr Construction ; History ; Folk music History and criticism ; Tanbur
    Abstract: Tanbūrs are long-necked lute-like instruments played in the art, Sufi, and folk musical traditions along the Silk Road and beyond. This book provides a detailed study of the history of the tanbūr, its role in Ottoman music, construction and playing technique
    Note: Also issued in print: 2022 , Includes bibliographical references, discography and index , Zielgruppe: Specialized
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  • 24
    Online Resource
    Online Resource
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253060082
    Language: English
    Pages: 1 Online-Ressource (xvii, 297 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Music and the early modern imagination
    Parallel Title: Erscheint auch als Music and Jewish culture in early modern Italy
    Parallel Title: Erscheint auch als
    DDC: 780.89/924045
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    Keywords: Geschichte 1500-1700 ; Musik ; Juden ; Italien ; Jews / Italy / Music / 16th century / History and criticism ; Jews / Italy / Music / 17th century / History and criticism ; Music / Italy / 16th century / History and criticism ; Music / Italy / 17th century / History and criticism ; Jews / Music ; Music ; Italy ; 1500-1699 ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Italien ; Juden ; Musik ; Geschichte 1500-1700
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  • 25
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496842435
    Language: English
    Pages: 1 Online-Ressource (x, 236 pages) , Illustrations (black and white), music.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 781.62410763
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    Keywords: Franzosen ; Kreolen ; Jazz ; Creoles Music ; History and criticism ; Jazz History and criticism ; Music ; Music ; Louisiana
    Abstract: This work describes the music played by the Afro-Creole community since the arrival of enslaved Africans in La Louisiane, then a French colony, at the beginning of the eighteenth century, emphasizing the many cultural exchanges that led to the development of jazz.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 26
    ISBN: 978-3-8394-5851-8
    Language: English
    Pages: 1 Online-Ressource (208 pages).
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
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    Keywords: Gender Studies ; Gender ; Music ; Musicology ; Pop Music ; MUSIC / History & Criticism ; Popmusik. ; Sound. ; Gesang. ; Musikwahrnehmung. ; Sexismus. ; Feminismus. ; Musikalische Analyse. ; Geschlechterforschung. ; Hochschulschrift ; Popmusik ; Sound ; Gesang ; Musikwahrnehmung ; Sexismus ; Feminismus ; Musikalische Analyse ; Popmusik ; Sound ; Gesang ; Musikwahrnehmung ; Geschlechterforschung
    Abstract: If pictures can be sexist, can analyzing sound reveal sexism, too? Where is the language to discuss sexism in music? L.J. Müller tackles these important questions in their 2018 German book titled Sound und Sexismus, which was awarded the IASPM 2019 book prize. Analyzing the voices of Kurt Cobain, Kate Bush, Björk and others, Müller demonstrates how gender is performed vocally and interacts with gendered aspects of embodiment and affect. The book is written from a strongly positioned and personal feminist perspective and is appealing to readers from various backgrounds - singers, producers, music lovers, as well as academics and anyone with an interest in feminist takes on pop culture
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2022) , In English
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 27
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197511541
    Language: English
    Pages: 1 Online-Ressource (xvii, 313 pages) , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 306.48420944
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    Keywords: Geschichte 1700-1800 ; Musik ; Musiker ; Soziale Situation ; Wirtschaftliche Lage ; Music Social aspects 18th century ; History ; Musicians Social conditions 18th century ; Musicians Economic conditions 18th century ; Frankreich ; France History First Republic, 1792-1804 ; Hochschulschrift
    Abstract: 'From Servant to Savant' exposes the fundamental role that the French Revolution played in the emergence of modern professional musicianship. Geoffroy-Schwinden demonstrates how the French Revolution set the stage for the emergence of so-called musical 'Romanticism' among the likes of Beethoven and the legacies that continue to haunt musical institutions and industries.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 28
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197546451
    Language: English
    Pages: 1 Online-Ressource (xiv, 246 pages) , Illustrations (black and white, and colour).
    Series Statement: Oxford scholarship online
    DDC: 780.899240569442
    RVK:
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    Keywords: Geschichte 1880-1977 ; Musik ; Jerusalem ; Jews Music ; History and criticism ; Music Political aspects ; Israel ; Jerusalem Songs and music ; History and criticism
    Abstract: In 'City of Song', author Michael A. Figueroa presents an extensive history of Zionist musical discourses around Jerusalem in the long 20th century (1880-2010s), reorienting our understanding of the city's place in the Israeli-Palestine crisis.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 29
    ISBN: 9781003254805 , 1003254802 , 9781000783797 , 1000783790 , 9781000783858 , 1000783855
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Routledge advances in sociology
    DDC: 306.4/84209052
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    Keywords: Music Social aspects 21st century ; History ; COVID-19 Pandemic, 2020- Social aspects
    Abstract: "This collection analyses the remaking of culture and music spaces during the ongoing COVID-19 pandemic. Its central focus is how cultural producers negotiated radically disrupted and uncertain conditions by creating, designing and curating new objects and events, and through making alternative combinations of practices and spaces. By examining contexts and practices of remaking culture and music, it goes beyond being a chronicle of how the pandemic disrupted cultural life and livelihoods. The book also raises crucial questions about the forms and dynamics of post-pandemic spaces of culture and music. Main themes include the affective and embodied dimensions that shape the experience, organisation and representation of cultural and musical activity; the restructuring of industries and practices of work and cultural production; the transformation of spaces of cultural expression and community; and the uncertainty and resilience of future culture and music. This collection will be instrumental for researchers, practitioners and students studying the spatial, material, and affective dimensions of cultural production in the fields of cultural sociology, cultural and creative industries research, festival and event and studies, and music studies. Its inter-disciplinary nature makes it beneficial reading for anyone interested in what has happened to culture and music during the global pandemic and beyond"--...
    Note: Includes bibliographical references and index
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  • 30
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Duden | Wiesbaden : divibib GmbH
    ISBN: 9783411913930
    Language: German
    Pages: 208 S.
    Series Statement: Onleihe. E-Book
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    Keywords: Geschichte 1950-2022 ; Popmusik ; Deutsch ; Lyrics ; Song ; Popkultur ; Sprachgebrauch ; Deutschland
    Abstract: Über Sex kann man nur auf Englisch singen? So hieß es jedenfalls einst bei Tocotronic. Jens Balzer beleuchtet das spannungsreiche Verhältnis von Popmusik und deutscher Sprache: Die ersten Rockbands singen natürlich auf Englisch, als Rebellion gegen die spießigen Eltern. Politische Liedermacher entdecken Mundarten und Dialekte. In der Neuen Deutschen Welle wird das Spiel mit der Sprache ironisch und kunstvoll. Im Hip-Hop der Gegenwart zeigt sich, wie divers, vielstimmig und auch widersprüchlich die Gesellschaft geworden ist. So entsteht eine Geschichte der Sprache im deutschen Pop - und wie nebenbei eine Gesellschafts- und Kulturgeschichte. Vor allem aber gibt es viele erstaunliche, oft bizarre, manchmal unglaubliche Songtexte (wieder-)zuentdecken.
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  • 31
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496836076
    Language: English
    Pages: 1 Online-Ressource (viii, 153 pages).
    Series Statement: Mississippi scholarship online
    DDC: 820.99287096
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    Keywords: Schwarze Frau ; Jazz ; Literatur ; English literature Black authors ; History and criticism ; English literature Women authors ; History and criticism ; Jazz in literature ; Women, Black, in literature ; Music and literature
    Abstract: In 1957, Duke Ellington released the influential album A Drum Is a Woman. This musical allegory revealed the implicit truth about the role of women in jazz discourse - jilted by the musician and replaced by the drum. Further, the album's cover displays an image of a woman sitting atop a drum, depicting the way in which the drum literally obscures the female body, turning the subject into an object. This objectification of women leads to a critical reading of the role of women in jazz music: If the drum can take the place of a woman, then a woman can also take the place of a drum. This book challenges that image but also defines a counter-tradition within women's writing that involves the reinvention and reclamation of a modern jazz discourse.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 32
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783031055553
    Language: English
    Pages: 1 Online-Ressource (XV, 275 p. 24 illus)
    Edition: 1st ed. 2022
    Series Statement: Palgrave Studies in the History of Subcultures and Popular Music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 941
    RVK:
    Keywords: Geschichte 1945-1950 ; History of Britain and Ireland ; Modern History ; Cultural History ; Social History ; Music ; Great Britain—History ; History, Modern ; Civilization—History ; Social history ; Music ; Musik ; Subkultur ; Bebop ; London-Soho ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; London-Soho ; Bebop ; Musik ; Subkultur ; Geschichte 1945-1950
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 33
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780191897801
    Language: English
    Pages: 1 Online-Ressource (xv, 364 Seiten) , Illustrationen
    Edition: First edition
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.66094309047
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    Keywords: Geschichte 1970-1990 ; Punk rock music / Social aspects / Germany (West) ; Punk rock music / Social aspects / Germany (East) ; Punk culture / Germany (East) / History ; Punk culture / Germany (West) / History ; Punk ; Punk Rock ; Deutschland ; Deutschland ; Deutschland ; Deutschland ; Punk Rock ; Punk ; Geschichte 1970-1990
    Abstract: 'Culture from the Slums' explores the history of punk rock in East and West Germany during the 1970s and 1980s, examining how youths mobilized music to build alternative communities and identities during the Cold War, and detailing how punk became the site of historical change on both sides of the Iron Curtain
    Note: This edition also issued in print: 2022. - Includes bibliographical references, discography and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 34
    ISBN: 9783593450766
    Language: German
    Pages: 1 Online-Ressource (434 Seiten) , Illustrationen, Diagramme
    Parallel Title: Erscheint auch als Torp, Claudius, 1973 - Klavierwelten
    DDC: 786.2
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    Keywords: Geschichte ; Kulturwissenschaft ; Deutschland ; USA ; Österreich ; Globalgeschichte ; global ; Südafrika ; Musik ; Japan ; Vereinigte Staaten ; Kosmopolitismus ; Verflechtungsgeschichte ; Instrument ; Musikgeschichte ; Musikwissenschaft ; Transkulturalität ; Musikkultur ; Klavier ; Piano ; Kunstmusik ; Pianoforte ; Klavierkultur ; Instrumentenhandel ; Konservatorium ; Musiktransfer ; Tasteninstrumente ; Klavierspiel ; Klavier lernen ; Klavier spielen ; Hochschulschrift ; Klavier ; Klaviermusik ; Musikwirtschaft ; Geschichte 1830-1940
    Abstract: Zwischen den 1830er und den 1930er Jahren entfaltete die europäische Kunstmusik eine erhebliche kosmopolitische Anziehungskraft. Auch der Handel mit Tasteninstrumenten nahm damals globale Dimensionen an. Besonders das Klavier erfüllte bedeutsame kulturelle Funktionen: Es war ein Werkzeug der Kanonbildung sowie der Übersetzung musikalischer und literarischer Stoffe. Es stand im Zentrum öffentlicher Spektakel und diente einer ästhetischen Leistungsschau. Darüber hinaus beförderte es eine intime Gefühlskultur. Weltbild und Habitus außereuropäischer Eliten und Musiker haben die Auseinandersetzung mit dem Klavier entscheidend geprägt. Claudius Torp zeichnet in seiner Globalgeschichte des Klaviers die Institutionen des Instrumentenhandels, der Missionen und Konservatorien nach und analysiert die Bedeutung des Klaviers in den drei Fallstudien USA, Südafrika und Japan.
    Note: Literaturverzeichnis: Seite [391]-429
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 35
    ISBN: 9783658365165
    Language: German
    Pages: 1 Online-Ressource (VII, 543 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 306
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    Keywords: Geschichte 2000- ; Popular Culture ; Youth Culture ; Fan and Audience Studies ; Cultural Theory ; Media Sociology ; Popular Culture ; Youth—Social life and customs ; Audiences ; Culture—Study and teaching ; Mass media ; Hip-Hop ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Hip-Hop ; Geschichte 2000-
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 36
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783031164668 , 3031164660
    Language: English
    Pages: 1 Online-Ressource (XI, 213 Seiten)
    Edition: 1st ed. 2022
    Parallel Title: Erscheint auch als Hirsch, Lily E Insulting Music
    DDC: 781.63
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    Keywords: Popular music ; Music ; Popular Culture ; Popular Music ; Music ; Popular Culture ; Classical Music ; Pop and Rock
    URL: Cover
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  • 37
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    ISBN: 9780429281709 , 9781000510539 , 9781032158334 , 9780429281709 , 9780367243203
    Language: English
    Pages: 1 Online-Ressource (245 p.)
    Series Statement: Ashgate Interdisciplinary Studies in Opera
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    Keywords: Music ; Opera
    Abstract: The Original Portrayal of Mozart’s Don Giovanni offers an original reading of Mozart’s and Da Ponte’s opera Don Giovanni, using as a lens the portrayal of the title role by its creator, the baritone Luigi Bassi (1766–1825). Although Bassi was coached in the role by the composer himself, his portrayal has never been studied in depth before, and this book presents a large number of new sources (first- and second-hand accounts), which allows us to reconstruct his performance scene by scene. The book confronts Bassi’s portrayal with a study of the opera’s early German reception and performance history, demonstrating how Don Giovanni as we know it today was not only created by Mozart, Da Ponte and Luigi Bassi but also by the early German adapters, translators, critics and performers who turned the title character into the arrogant and violent villain we still encounter in most of today’s stage productions. Incorporating discussion of dramaturgical thinking of the late Enlightenment and the difficult moral problems that the opera raises, this is an important study for scholars and researchers from opera studies, theatre and performance studies, music history as well as conductors, directors and singers
    Note: English
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  • 38
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    ISBN: 9781003259282 , 9781000580631 , 9781032194578 , 9781032194608
    Language: Undetermined
    Pages: 1 Online-Ressource (154 p.)
    Series Statement: Royal Musical Association Monographs
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    Keywords: Music ; Sacred & religious music
    Abstract: Questions of authorship are central to the late thirteenth-century motet repertoire represented by the seventh section or fascicle of the Montpellier Codex (Montpellier, Bibliothèque interuniversitaire, Section de médecine, H. 196, hereafter Mo). Mo does not explicitly attribute any of its compositions, but theoretical sources name Petrus de Cruce as the composer of the two motets that open fascicle 7, and three later motets in this fascicle are elsewhere ascribed to Adam de la Halle. This monograph reveals a musical and textual quotation of Adam’s Aucun se sont loe incipit at the outset of Petrus’s Aucun ont trouve triplum, and it explores various invocations of Adam and Petrus – their works and techniques – within further anonymous compositions. Authorship is additionally considered from the perspective of two new types of motets especially prevalent in fascicle 7: motets that name musicians, as well as those based on vernacular song or instrumental melodies, some of which are identified by the names of their creators. This book offers new insights into the musical, poetic, and curatorial reception of thirteenth-century composers’ works in their own time. It uncovers, beneath the surface of an anonymous motet book, unsuspected interactions between authors and traces of compositional identities
    Note: English
    URL: Volltext  (kostenfrei)
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  • 39
    Online Resource
    Online Resource
    Singapore : Springer Nature Singapore | Imprint: Palgrave Macmillan
    ISBN: 9789811923401
    Language: English
    Pages: 1 Online-Ressource (XVII, 357 p. 24 illus)
    Edition: 1st ed. 2022
    Series Statement: Palgrave Studies in Sound
    Parallel Title: Printed edition
    Parallel Title: Printed edition
    Parallel Title: Printed edition
    DDC: 306
    RVK:
    Keywords: Culture ; Science—Social aspects ; Music—Philosophy and aesthetics ; Music
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 40
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783031082962
    Language: English
    Pages: 1 Online-Ressource (XI, 181 p)
    Edition: 1st ed. 2022
    Series Statement: Pop Music, Culture and Identity
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    Keywords: Music ; Cultural Heritage ; Popular Culture ; Music ; Cultural property ; Popular Culture
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 41
    Online Resource
    Online Resource
    Kassel : Bärenreiter
    ISBN: 9783761871348
    Language: German
    Pages: 1 Online-Ressource(264 Seiten) , Notenbeispiele, Illustrationen
    Series Statement: Bärenreiter Studienbücher Musik Band 21
    Series Statement: Bärenreiter Studienbücher Musik
    Parallel Title: Erscheint auch als Unseld, Melanie, 1971 - Musikgeschichte "Klassik"
    RVK:
    Keywords: Music. ; Music theory. ; Musik ; Musik ; Geschichte ; Deutschland ; Musikleben ; Wiener Klassik ; Empfindsamkeit ; Musik ; Geschichte
    Abstract: Klappentext: Im Zentrum des Buches steht die europäische Musikgeschichte der sogenannten "Sattelzeit". Ausgehend von den politischen und gesellschaftlichen Hintergründen werden auch ästhetische Strömungen vorgestellt, die im Zusammenhang mit der Musikkultur bedeutsam waren: Fragen der Affekte, das Einfache und Virtuosität, Empfindsamkeit, das Erhabene und nicht zuletzt die Ästhetik des Schreckens. Anhand konkreter Orte und der Frage, was Menschen u. a. in Parks, auf den Straßen oder im Haus, in Kirchen oder an Höfen, auf der Theaterbühne oder im Kloster hören konnten, werden verschiedene musikalische Praktiken beschrieben und die Akteurinnen und Akteure vorgestellt. Zu allen Themen werden jeweils exemplarische Werke besprochen.
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  • 42
    Online Resource
    Online Resource
    Weinheim : Beltz Juventa | Grünwald : Preselect.media GmbH
    ISBN: 9783779956723
    Language: German
    Pages: 1 Online-Ressource (343 Seiten)
    Edition: 1. Auflage
    Series Statement: HipHop Studies
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    Keywords: Rap ; Jugendkultur ; Sexismus ; Geschlechterrolle ; Geschlechterforschung ; Deutschland ; Aufsatzsammlung
    Abstract: Long description: Hat Rap ein Sexismusproblem? Wie sind die hypersexualisierten Genderinszenierungen vieler deutschsprachiger Rapper_innen einzuordnen? Was kann »Bitch« oder »Fotze« im (transnationalen) Rap-Kontext bedeuten und wie komme ich als Elter, Sozialpädagoge oder Lehrerin mit meinen Schützlingen vorurteilsbewusst zu diesen wichtigen Themen ins Gespräch? Rap ist die beliebteste Musikrichtung der Gegenwart, gerät jedoch immer wieder wegen sexistischer und hypermännlicher Bilder, Diskurse und Inszenierungen in die Schlagzeilen. Der Sammelband vereint erstmalig Stimmen aus Wissenschaft, Szene und Praxis, um den Themenkomplex »Rap und Geschlecht« intersektional und multiperspektivisch aufzuschlüsseln.
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 43
    Language: German
    Pages: 1 Online-Ressource (158 Seiten) , Notenbeispiele
    Parallel Title: Elektronische Reproduktion von Frings, Wilhelm Michael Erfasse die Schönheit deines Volksliedes, deutsches Volk!
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    Keywords: Folk songs, German History and criticism ; Volkslied ; Deutschland ; Deutschland ; Volkslied
    Note: Lateinisch (Fraktur)
    URL: Volltext  (kostenfrei)
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  • 44
    ISBN: 9783593448664 , 9783593448657
    Language: German
    Pages: 1 Online-Ressource (330 Seiten)
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    Keywords: Hip-Hop ; Deutschland
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  • 45
    ISBN: 9783339120977
    Language: German
    Pages: 1 Online-Ressource (533 Seiten)
    Series Statement: Schriftenreihe Studien zur Musikwissenschaft Band 53
    Series Statement: Schriftenreihe Studien zur Musikwissenschaft
    Parallel Title: Erscheint auch als Sonner, Thomas, 1983 - Soundtrack der Demokratie - Musik bei staatlichen Zeremonien in der Weimarer und der Berliner Republik
    Dissertation note: Dissertation Hochschule für Musik und Darstellende Kunst Stuttgart 2019
    DDC: 781.5990943
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    Keywords: Hochschulschrift ; Deutschland ; Staatsakt ; Musik ; Geschichte ; Nation ; Demokratie ; Musik ; Geschichte 1990-2015 ; Nationalhymne ; Zapfenstreich ; Weimarer Republik ; Zeremoniell ; Militärmusik
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  • 46
    ISBN: 9780197532997
    Language: English
    Pages: 1 Online-Ressource (513 Seiten) , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 780.8992404309045
    RVK:
    Keywords: Geschichte 1945-1989 ; Jews / Germany / Music / History and criticism ; Music / Germany / 20th century / History and criticism ; Juden ; Musikleben ; Musiker ; Deutschland ; Deutschland ; Musiker ; Juden ; Geschichte 1945-1989 ; Deutschland ; Musikleben ; Juden ; Geschichte 1945-1989
    Abstract: By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. 'Transcending Dystopia' tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Tina Fruhauf provides a kaleidoscopic panorama of musical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust.
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 47
    Online Resource
    Online Resource
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780231549295
    Language: English
    Pages: 1 Online-Ressource , 10-15 film stills
    Edition: 2021
    Series Statement: Short Cuts
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    Keywords: Geschichte ; Popmusik ; Musical ; Musikfilm ; Motion pictures and music ; Musical films History and criticism ; Popular music Social aspects ; History ; PERFORMING ARTS / Theater / Broadway & Musicals ; USA
    Abstract: After Hollywood and Tin Pan Alley's iron grip on the movie musical began to slip in the face of pop's cultural dominance, many believed that the musical genre entered a terminal decline and finally wore itself out by the 1980s. Though the industrial model of the musical was disrupted by the emergence of pop, the Hollywood musical has not gone extinct. Many Hollywood productions from the 1960s to the present have revisited the forms and conventions of the classic musical-except instead of drawing from showtunes and jazz standards, they employ the styles and iconography of pop.Alberto Mira offers a new account of how pop music revolutionized the Hollywood musical. He shows that while the Hollywood system ceased producing large-scale traditional musicals, different pop strains-disco, rock 'n' roll, doo-wop, glam, and hip-hop-renewed the genre, giving it a new life. While the classical musical presented a world light on conflict, defined by theatricality and where effortless talent can shine through, the introduction of pop spurred musicals to address contemporary social and political conditions. Mira traces the emergence of a new set of themes-such as the painful hard work depicted in Dirty Dancing (1987); the double-edged fandom of Velvet Goldmine (1998); and the racial politics of Dreamgirls (2006)-to explore why the Hollywood musical has found renewed relevance.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)
    URL: Cover
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  • 48
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226740485
    Language: English
    Pages: 1 Online-Ressource (360 pages) , Illustrations (black and white).
    Series Statement: New material histories of music
    Series Statement: Chicago scholarship online
    DDC: 780.721
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    Keywords: Humboldt, Wilhelm von ; Geschichte 1891-1961 ; Kolonialismus ; Kulturvergleich ; Vergleichende Musikwissenschaft ; Mediävistik ; Mission ; Musik ; Rezeption ; Vergleichende Sprachwissenschaft ; Musicology History 20th century ; Mission music History and criticism ; Missions History 20th century ; Ethnomusicology History ; Musicologists ; Music History and criticism 15th century ; Medievalism ; Music Social aspects ; Music and youth History 20th century ; Afrika ; Deutschland ; Deutsches Sprachgebiet
    Abstract: This innovative book reassesses the history of musicology, unearthing the field's twentieth-century German and global roots. In the process, Anna Maria Busse Berger exposes previously unseen historical relationships such as those between the modern rediscovery of medieval music, the rise of communal singing, and the ways in which African music intersected with missionary work in the German colonial period. Ultimately, Busse Berger offers a monumental new account of the early twentieth-century music culture in Germany and East Africa.
    Note: Previously issued in print: 2020 , Includes bibliographical references and index
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  • 49
    Online Resource
    Online Resource
    Weinheim : Beltz Juventa | Grünwald : Preselect.media GmbH
    ISBN: 9783779965794
    Language: German
    Pages: 1 Online-Ressource (233 Seiten)
    Edition: 1. Auflage
    Series Statement: HipHop studies
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    Keywords: Gangsta-Rap ; Pop-Kultur ; Prekariat ; Neoliberalismus ; Geschlechterrolle ; Berichterstattung ; Massenmedien ; Deutschland
    Abstract: Long description: Als eines der erfolgreichsten Popmusikgenres bildet Gangstarap gesellschaftliche Konfliktlinien ab wie kaum eine andere symbolische Ordnung. Aus intersektionaler Perspektive und informiert durch Kritische Theorie und Cultural Studies entwickelt das Buch vier Argumente: Die kulturellen Formen des Gangstarap sind Ort eines Kampfes um Anerkennung in der postmigrantischen Gesellschaft, Ausdruck kompensatorischer Aufstiegsphantasien und Prekarisierungskritik, Versuch der Aktualisierung hegemonialer Männlichkeit sowie ein ›Boundary Object‹ pluraler Gesellschaften. - Quote: »Für die soziologische und kulturwissenschaftliche Auseinandersetzung dürfte sein Buch ein Standardwerk werden.« Sebastian Friedrich, NDR Kultur Journal, 20.5.2021 »›Soziologie des Gangstaraps‹ (Beltz/Juventa) ist ein Buch mit akademischem Anspruch, das allerdings ob seines Themas und seines Autoren gar nicht anders kann, als auch abseits von Seminaren interessant zu sein.« Linus Volkmann, musikexpress.de, 18.6.2021
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 50
    Online Resource
    Online Resource
    Cambridge, Massachuesetts ; London, England : The Belknap Press of Harvard University Press
    ISBN: 9780674258808 , 9780674258815
    Language: English
    Pages: 1 Online-Ressource (viii, 598 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 780.82/0973
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    Keywords: Geschichte ; SOCIAL SCIENCE / Popular Culture ; African American feminists ; African American women musicians ; African American women Intellectual life ; African American women Music ; History and criticism ; Musical criticism History ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; USA ; Afroamerikanische Musik ; Feminismus ; Musikkritik ; Geschichte
    Abstract: An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music-and who should rightly tell it-Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 51
    Online Resource
    Online Resource
    Oxford : Archaeopress Publishing Ltd
    ISBN: 9781789699333
    Language: English
    Pages: 1 Onliner-Ressource (viii, 200 Seiten) , Notenbeispiele, Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 780.9174927
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    Keywords: Arabs Music ; History and criticism ; Songs, Arabic History and criticism ; Electronic books
    Abstract: Offering a comprehensive survey of the history and the development of Arab music and musical theory from its pre-Islamic roots until 1970, this book also offers a discussion of the major genres and forms practiced today, such as the Egyptian gil, the Algerian raï and Palestinian hip hop; it also touches upon musical instruments and folk music
    Note: Also issued in print: 2021 , Includes bibliographical references, discography and index , Zielgruppe: Specialized
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  • 52
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    Online Resource
    [Erscheinungsort nicht ermittelbar] : University of Michigan Press
    ISBN: 9780472902446 , 9780472038558
    Language: English
    Pages: 1 Online-Ressource (259 p.)
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    Keywords: Music ; Theory of music & musicology
    Abstract: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the “American Negro” in several southern African American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes’ field recordings—including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton—contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element—a sonic rhetoric—for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power of folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes’ archive and other repositories of historicized sound. Throughout Listening to the Lomax Archive, there are a number of audio resources for readers to listen to, including songs, oral histories, and radio program excerpts. Each resource is marked with a ? in the text. Visit https://doi.org/10.3998/mpub.9871097#resources to access this audio content
    Note: English
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  • 53
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    Online Resource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496831262
    Language: English
    Pages: 1 Online-Ressource (352 pages) , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
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    Keywords: Geschichte 1968-1981 ; Musikleben ; Punk Rock ; Ethnische Identität ; Punk rock music History and criticism ; Music and race History 20th century ; USA ; United States Race relations 20th century ; History
    Abstract: This text offers a portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. The author provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era.
    Note: Previously issued in print: 2020 , Includes bibliographical references, discography, filmography and index
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  • 54
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    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469658896
    Language: English
    Pages: 1 Online-Ressource (268 pages) , Illustrations (black and white).
    Series Statement: North Carolina scholarship online
    DDC: 306.48420973
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    Keywords: Geschichte 1788-1865 ; Musikleben ; Politische Kultur ; Alltagskultur ; Musikpolitik ; Nationalbewusstsein ; Konservativismus ; Music Political aspects 19th century ; History ; Music Political aspects 18th century ; History ; Political culture History ; Elite (Social sciences) History ; Conservatism History ; USA
    Abstract: Following the creation of the United States, profound disagreements remained over how to secure the survival of the republic and unite its population. In this groundbreaking account, Billy Coleman uses the history of American music to illuminate the relationship between elite power and the people from the early national period to the Civil War.
    Note: Previously issued in print: 2020 , Includes bibliographical references and index
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  • 55
    Online Resource
    Online Resource
    Ithaca : Cornell University Press
    ISBN: 9781501759857
    Language: English
    Pages: 1 Online-Ressource (368 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.48428
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    Keywords: Geschichte 1870-1990 ; Musicians, Black Germany ; History ; 20th century ; Musicians, Black Austria ; History ; 20th century ; Musicians, Black Germany ; History ; 19th century ; Schwarze ; Musiker ; Österreich ; Deutschland ; Deutschland ; Österreich ; Schwarze ; Musiker ; Geschichte 1870-1990
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  • 56
    ISBN: 9783962332754 , 9783962332747
    Language: German
    Pages: 1 Online-Ressource (271 Seiten)
    Series Statement: Musikwissenschaftliche Schriften der Hochschule für Musik und Theater München 16
    Parallel Title: Erscheint auch als Jüdische Musik im süddeutschen Raum: Geschichte, Exil, Fortleben (Veranstaltung : 2019 : München) Jüdische Musik im süddeutschen Raum
    DDC: 780.899240434
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    Keywords: Jews Congresses Music ; History and criticism ; Jews Music History and criticism 19th century ; Congresses ; Jews Music History and criticism 20th century ; Congresses ; Music Congresses History and criticism ; Electronic books ; Süddeutschland ; Juden ; Musik ; Geschichte
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  • 57
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    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030749033
    Language: English
    Pages: 1 Online-Ressource (VII, 133 p)
    Edition: 1st ed. 2021
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 111.85
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    Keywords: Aesthetics ; Postmodern Philosophy ; Music ; African American Culture ; Critical Theory ; Social Sciences, general ; Aesthetics ; Postmodernism ; Music ; African Americans ; Critical theory ; Social sciences ; Rassenfrage ; Musiksoziologie ; Hip-Hop ; Hip-Hop ; Rassenfrage ; Musiksoziologie
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 58
    Online Resource
    Online Resource
    Singapore : Springer Singapore | Singapore : Springer
    ISBN: 9789813369504
    Language: English
    Pages: 1 Online-Ressource (XXXI, 234 p. 32 illus., 7 illus. in color)
    Edition: 1st ed. 2021
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 950
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    Keywords: Asian History ; Music ; Political Science ; Asian Culture ; Anthropology ; Asia—History ; Music ; Political science ; Ethnology—Asia ; Anthropology ; Musik ; Nationalismus ; Indonesien ; Indonesien ; Nationalismus ; Musik
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 59
    Online Resource
    Online Resource
    [New York] : Bloomsbury Academic
    ISBN: 9781501333507
    Language: English
    Pages: 1 Online-Ressource (xii, 233 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 780.951
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    Keywords: Music China ; 21st century ; History and criticism ; Music China ; 20th century ; History and criticism ; Music China ; Philosophy and aesthetics
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 60
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226768359
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago scholarship online
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    Keywords: Geschichte 1968-1969 ; Rockmusik ; Black power ; Weiße ; Aktivismus ; Rock music Social aspects 20th century ; History ; Rock music History and criticism 1961-1970 ; Black power History 20th century ; Music and race History 20th century ; USA ; Großbritannien
    Abstract: 'Tear Down the Walls' sheds light on a significant but overlooked facet of 1960s rock and the Black Power era-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. It focuses on 1968 and 1969, years when the New Left in the US and UK began to combine cultural radicalism and political radicalism.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 61
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190869175
    Language: English
    Pages: 1 Online-Ressource (336 pages) , Illustrations (black and white, and colour).
    Series Statement: American musicspheres
    Series Statement: Oxford scholarship online
    DDC: 780.8997120798
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    Keywords: Indigenes Volk ; Musik ; Inuit Music ; History and criticism ; Music History and criticism ; Music Historiography ; Inuit Social life and customs ; Alaska
    Abstract: 'Sound Relations' delves into histories of Inuit musical life in Alaska to trace the ways in which sound is integral to self-determination and sovereignty. Offering radical and relational ways of listening to Inuit performances across genres - from hip hop to Christian hymnody and traditional drumsongs to funk and R&B - author Jessica Bissett Perea shows how Indigenous ways of musicking amplify possibilities for more just and equitable futures.
    Note: Also issued in print: 2021 , Includes bibliographical references, discography and index
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  • 62
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197533000
    Language: English
    Pages: 1 Online-Ressource (644 pages) , Illustrations (black and white).
    Series Statement: Oxford scholarship online
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    Keywords: Geschichte 1945-1989 ; Juden ; Musiker ; Musikleben ; Jews Music ; History and criticism ; Music History and criticism 20th century ; Deutschland
    Abstract: By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. 'Transcending Dystopia' tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Tina Fruhauf provides a kaleidoscopic panorama of musical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 63
    Online Resource
    Online Resource
    Berlin : Humboldt-Universität zu Berlin, Universitätsbibliothek
    Language: German
    Pages: 1 Online-Ressource (197 Seiten) , Notenbeispiele
    Series Statement: Quellen und Forschungen zur deutschen Volkskunde Band VI
    Series Statement: Quellen und Forschungen zur deutschen Volkskunde
    Parallel Title: Elektronische Reproduktion von Beiträge zur deutschen Volksdichtung
    DDC: 803
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    Keywords: Alltag, Brauchtum ; Folk songs, German ; Folklore ; Volksliteratur ; Deutsch ; Deutschland ; Germany Social life and customs ; Aufsatzsammlung ; Deutsch ; Volksliteratur
    URL: Volltext  (kostenfrei)
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  • 64
    ISBN: 9789004464414
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Diagramme
    Series Statement: Scottish cultural review of language and literature volume 31
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Volkslied ; Schottland ; Folk songs, Scots / Scotland / Sources ; Folk songs, English / Scotland / Sources ; Folk songs, Scots / Scotland / History and criticism ; Folk songs, English / Scotland / History and criticism ; Scots / Music / History and criticism ; Scottish Travellers (Nomadic people) / Music / History and criticism ; Music / Social aspects / Scotland / History ; Folk singers / Scotland ; Greig-Duncan folk song collection ; School of Scottish Studies Archives (Edinburgh) ; Folk singers ; Folk songs, English ; Folk songs, Scots ; Music / Social aspects ; Scotland ; Criticism, interpretation, etc ; History ; Sources ; Schottland ; Volkslied ; Geschichte
    Abstract: "This book offers a detailed analysis of two major Scottish folk song collections, the Greig-Duncan Collection, and the Scots folk song material of the School of Scottish Studies Archives. This exhaustive study of song transmission includes all contributors, not only notable singers. The scattered information, marshalled into quantifiable data, throws light on such topics as transmission within and outside the family, the role of literacy, the public reticence of women singers, the association between the Travellers and the big ballads, and the impact of social changes in the late nineteenth century, and of broadcast music in the 1920s. The new opportunities opened up by digitisation are explored here for the first time."
    Description / Table of Contents: Introduction -- Weighing the Catch -- Did Greig and Duncan Neglect the Travellers? -- Song Transmission -- The Reticence of Female Singers -- The Devolution of the Child Ballads to the Travellers -- Social Change and Education versus Tradition -- The Missing Singers of the 1920s -- Conclusions
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 65
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    Online Resource
    London ; New York ; Oxford ; New Delhi ; Sydney : I.B. Tauris | London : Bloomsbury Publishing
    ISBN: 9780755617913 , 9780755617906 , 9780755617890
    Language: English
    Pages: 1 Online-Ressource (284 Seiten)
    Edition: First edition
    Series Statement: Early and Medieval Islamic World
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.9
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    Keywords: Geschichte 800-1400 ; Music Islamic countries ; History ; Musicians Islamic countries ; History ; Musikleben ; Islam ; Musik ; Musiker ; Naher Osten ; Naher Osten ; Islam ; Musik ; Geschichte 800-1400 ; Naher Osten ; Islam ; Musikleben ; Musiker
    Abstract: "During the early medieval Islamicate period (800-1400 CE), discourses concerned with music and musicians were wide-ranging and contentious, and expressed in works on music theory and philosophy as well as literature and poetry. But in spite of attempts by influential scholars and political leaders to limit or control musical expression, music and sound permeated all layers of the social structure. Lisa Nielson here presents a rich social history of music, musicianship and the role of musicians in the early Islamicate era. Focusing primarily on Damascus, Baghdad and Jerusalem, Lisa Nielson draws on a wide variety of textual sources written for and about musicians and their professional/private environments -- including chronicles, literary sources, memoirs and musical treatises -- as well as the disciplinary approaches of musicology to offer insights into musical performances and the lives of musicians. In the process, the book sheds light onto the dynamics of medieval Islamicate courts, as well as how slavery, gender, status and religion intersected with music in courtly life. It will appeal to scholars of the Islamicate world and historical musicologists."
    Note: Section I. Musical culture in the early Islamic courts. Chapter 1. Music and musicians ; Chapter 2. Musicianship and performance ; Chapter 3. Patronage -- Section II. Representations of musicianship and identity. Chapter 4. Literary performance of music and reading musical identity ; Chapter 5.Slavery and gender ; Chapter 6. Ethnos and gens -- Section III. Diversions of pleasure Chapter 7. Discomfort and censure ; Chapter 8. "Sama" and practice ; Chapter 9. The politics of listening
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  • 66
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    Online Resource
    Münster : Waxmann | Stuttgart : UTB GmbH
    ISBN: 9783830993964
    Language: English
    Pages: 1 Online-Ressource (190 p.)
    Edition: 1st, New ed.
    Series Statement: Freiburger Studien zur Kulturanthropologie 4
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    Keywords: Islam ; Jugendkultur ; Identität ; Musik ; Muslim ; Unterhaltungsmusik ; Religiöse Identität ; Pop-Kultur ; Massenkultur ; Jugend ; Young Muslims ; Popular Music ; Sabyan Gambus ; Indonesia ; 2019 Indonesian Presidential Elections ; Female Performance ; Egyptian Music ; Mahraganāt ; Asylum House ; Hip Hop ; Morocco ; German Rap ; Metal ; Tunisia ; Political Islam ; Hijab ; Spiritualität und Religion ; Volksmusik und populäre Musikkulturen ; Deutschland ; Indonesien ; Großbritannien ; Ägypten ; Marokko
    Abstract: Music has the universal power to move individuals, peoples and societies. Music is one of the most important signifiers of cultural change. It is also most significant for youth movements and youth cultures. While Islam has a historically and traditionally rich culture of music, religious controversy on the topic of music is still ongoing. However, young Muslims in today’s globalised world seek pop cultural tools such as music, and particularly hip hop music, as way of exploring and expressing their manifold identities, whilst challenging Islamophobia, stigma and racism on the one hand and traditional and religious challenges on the other hand. In this volume, following an international conference with the same title, scholars and young academics from a variety of disciplines seek to explore and highlight the phenomena surrounding the two, somewhat artificially separated, realms of music and religion. The contributions not only look into different genres of music, from Tunisian metal over German female hip hop to Egyptian folk, but take the reader on a journey from continent to countries to cities and rural areas and thus give space and time to a widely neglected area of research: that of Muslim popular culture and young Muslims.
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  • 67
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    Online Resource
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 1351200798 , 9781351200790
    Language: English
    Pages: 1 Online-Ressource (xii, 236 Seiten) , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    DDC: 781.640943
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    Keywords: Geschichte ; Unterhaltungsmusik ; Deutschland ; Popular music / Germany / History and criticism ; Popular music / Social aspects / Germany / History ; Popular music / Political aspects / Germany / History ; Popular music ; Popular music / Political aspects ; Popular music / Social aspects ; Germany ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Unterhaltungsmusik ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Inhaltsverzeichnis  (URL des Erstveröffentlichers)
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  • 68
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    Online Resource
    Oxford : Oxford University Press USA - OSO
    ISBN: 9780197532997
    Language: English
    Pages: 1 online resource (645 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Frühauf, Tina, 1972 - Transcending dystopia
    DDC: 780.8992404309045
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    Keywords: Jews-Germany-Music-History and criticism ; Music-Germany-20th century-History and criticism ; Jews Music ; History and criticism ; Music History and criticism 20th century ; Electronic books ; Deutschland ; Musiker ; Juden ; Musikleben ; Geschichte 1945-1989
    Abstract: Transcending Dystopia tells the story of the remarkable revival of Jewish music in postwar and Cold War Germany. Covering a wide spectrum of musical activities and geographies across the country, this book provides a panoramic view on how music contributed to transformations within and beyond Jewish communities after the Holocaust.
    Abstract: cover -- Transcending Dystopia -- Copyright -- Dedication -- Contents -- Acknowledgments -- Prologue: Moving Toward Silence -- On Transliteration and Translation, Spelling, and Names -- Abbreviations -- Introduction: Against All Odds-The Jewish Gemeinde as Sonic Community in an Age of Mobility -- Part 1 -- 1 In the Midst of Rubble: Rebuilding a Musical Life in Berlin -- 2 Out of the Depths: The Case of Munich and the South -- 3 Communal Encounters: Frankfurt am Main and the North -- 4 Remnants in the Soviet and French Zones and Beyond -- 5 Remembering the Holocaust: Mourning and Celebration -- 6 Disseminating Survival: Jews, Music, and the Media -- 7 The End of Dystopia? -- Part II -- 8 Returning and Leaving: Frankfurt in Flux -- 9 Rebuilding with or without Organ -- 10 Cantors on the Move -- 11 Regenerating a Choral Music Culture -- 12 Music in Social Life -- Part III -- 13 Dystopia under Communism: Communities in the Crossfire of Politics -- 14 Werner Sander and the Formation of the Leipziger Synagogalchor -- 15 Facing Cultural Stagnation: Musical Life after Sander -- 16 "Making Antifascist Politics Visible": Jewish Heritage Music and Cold War Politics -- 17 The Leipziger Synagogalchor in the Service of State Propaganda -- 18 Jewish Culture in Public Diplomacy, Memory Politics, and the Curious Case of Halle -- 19 Projecting Utopia: Jewish Heritage Music Abroad -- 20 The Politics of Commemoration and Reorientation -- Part IV -- 21 The Establishment of the Jüdische Gemeinde von Groß-​Berlin -- 22 The Anniversary Year of 1971 and the Dawn of Détente -- 23 The Rise of the Jüdische Gemeinde zu Berlin -- 24 Deterioration and Recovery: The Jüdische Gemeinde Berlin, Hauptstadt der DDR -- 25 Toward a New Communal Future: Parallel Sound Worlds and Rapprochement -- Notes -- Bibliography -- Index -- oso-9780197532973_BM.pdf.
    Note: Description based on publisher supplied metadata and other sources
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  • 69
    ISBN: 9781479849697 , 9781479800360
    Language: English
    Pages: 1 Online-Ressource (247 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.65089/6073
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    Keywords: Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Islam ; Jazz ; Schwarze ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Abstract: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 70
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag
    ISBN: 9783839457580
    Language: English
    Pages: 1 Online-Ressource (225 Seiten)
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    DDC: 781.648
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    Keywords: Community ; Cultural Studies ; Culture ; Discourse ; Identity ; Language ; Linguistics ; Music ; Musicology ; Pop Music ; Popular Culture ; MUSIC / History & Criticism ; Electronic dance music ; Music and language ; Elektronische Musik ; Diskursanalyse ; Online-Community ; Tanzmusik ; Hochschulschrift ; Hochschulschrift ; Elektronische Musik ; Tanzmusik ; Online-Community ; Diskursanalyse
    Abstract: Research on electronic dance music communities has been initiated by scholars in the fields of sociology, cultural studies, public health research and others. Linguistic aspects, however, are rarely considered. Anita Jóri fills this gap of research and suggests a new perspective by looking at these communities as a discourse community. She gives an overview on the language use and discourse characteristics of this community while applying a mixed methodology of linguistic discourse analysis and cultural studies. The book is aimed at researchers and students in the fields of applied linguistics, popular music, media, communication and cultural studies
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 71
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197531372
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.4216490941
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    Keywords: Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) ; Political aspects ; Great Britain ; History ; 21st century ; Rap (Music) ; Great Britain ; History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Abstract: 'Brithop' investigates rap music's politics in the 21st century United Kingdom. In it, the author argues that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially responding through rap to mainstream Britain's political discourses. The rappers in this volume critique the United Kingdom's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture.
    Note: Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on September 16, 2020)
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  • 72
    ISBN: 9783839454619
    Language: German
    Pages: 1 Online-Ressource (372 Seiten) , Diagramme, Noten
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Humboldt-Universität zu Berlin 2019
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    Keywords: Akustische Markenführung ; Unterhaltungsmusik ; Werbewirtschaft ; Marken ; Musikwirtschaft ; Werbeindustrie ; Audio Branding ; Musik ; Homogenisierung ; Werbung ; Wirtschaft ; Pharrell Williams ; Popkultur ; Popmusik ; Musikwissenschaft ; Kulturwirtschaft ; Klang ; Popular Music Culture ; Branding ; Music Industry ; Music ; Homogenization ; Advertising ; Economy ; Popular Culture ; Pop Music ; Musicology ; Cultural Industry ; Sound ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Unterhaltungsmusik ; Akustische Markenführung ; Werbewirtschaft
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: Cover
    URL: Cover
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  • 73
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190917890
    Language: English
    Pages: 1 Online-Ressource (296 pages) , Illustrations (colour).
    Series Statement: Oxford scholarship online
    DDC: 782.421660922
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    Keywords: Beatles ; Beatles Influence ; The Beatles ; Geschichte 1960-2020 ; Fan ; Popular music History and criticism 1961-1970 ; Popular music Social aspects 20th century ; History ; Music fans ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: This title offers an insightful look into the band's enduring appeal through fan responses, exploring how the Beatles have inspired such loyalty and multigenerational popularity.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 74
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783030651893 , 3030651894
    Language: English
    Pages: 1 Online-Ressource (XIII, 291 Seiten) , 4 illus.
    Edition: 1st ed. 2021
    Series Statement: Palgrave Studies in (Re)Presenting Gender
    Parallel Title: Erscheint auch als Misogyny, Toxic Masculinity, and Heteronormativity in Post-2000 Popular Music
    DDC: 305.3
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    Keywords: Sex ; Music ; Popular Culture ; Celebrities ; Ethnology ; Gender Studies ; Music ; Popular Culture ; Celebrity Studies ; Sociocultural Anthropology ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 75
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783030551612
    Language: English
    Pages: 1 Online-Ressource (XVII, 320 Seiten) , Illustrationen
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 941
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    Keywords: Geschichte ; Great Britain-History ; History, Modern ; Civilization-History ; Social history ; Music ; Musikleben ; Reggae ; Großbritannien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Großbritannien ; Reggae ; Musikleben ; Geschichte
    Abstract: This book explores the history of reggae in modern Britain from the time it emerged as a cultural force in the 1970s. As basslines from Jamaica reverberated across the Atlantic, so they were received and transmitted by the UK's Afro-Caribbean community. From roots to lovers' rock, from deejays harnessing the dancehall crowd to dub poets reporting back from the socio-economic front line, British reggae soundtracked the inner-city experience of black youth. In time, reggae's influence permeated the wider culture, informing the sounds and the language of popular music whilst also retaining a connection to the street-level sound systems, clubs and centres that provided space to create, protest and innovate. This book is therefore a testament to struggle and ingenuity, a collection of essays tracing reggae's importance to both the culture and the politics of late twentieth and early twenty-first century Britain
    Note: 1. Introduction: Narratives from the Bassline- William 'Lez' Henry & Matthew Worley -- 2. Vexed history: time and the waning of heart-I-cal philosophy- Paul Gilroy -- 3. Reggae culture as local knowledge: Mapping the beats on south east London streets- William 'Lez' Henry & Les Back -- 4. A Who Seh? Reflections of a lost and found dub poet- Martin Glynn -- 5. 'What a devilment a Englan!' Dub poets and ranters- Tim Wells -- 6. Smiley Culture: A hybrid voice for the Commonwealth- Lucy Robinson -- 7. The Story of Nzinga Soundz and the Women's Voice in Sound System Culture- Lynda Rosenior-Patten and June Reid -- 8. Sound-tapes & Soundscapes: Lo-Fi cassette recordings as vectors of cultural Transmission- Kenny Monrose -- 9. 'Dem a call us pirates, dem a call us illegal broadcasters!': 'Pirates' Anthem', PCRL and the struggle for black free radio in Birmingham- Lisa Palmer -- 10. Rebel Music in the Rebel City: The Performance Geography of the Nottingham 'Blues Party', 1957-1987- Tom Kew -- 11. 'Curious roots & crafts': Record shops and record labels amid the British reggae diaspora- Peter Hughes Jachimiak -- 12. From Sound Systems to Disc Jockeys, From Local Bands to Major Success: On Bristol's Crucial Role in Integrating Reggae and Jamaican Music in British Culture- Melissa Chemam -- 13. Growing up under the influence: A sonic genealogy of grime- Joy White -- 14. Sound Systems and the Christian deviation- Carl Tracey -- 15. Handsworth Revolution: Reggae theomusicology, gospel borderlands and delinking Black British Contemporary Gospel Music from Colonial Christianity- Robert Beckford
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 76
    ISBN: 9789004465497
    Language: English
    Pages: 1 Online-Ressource (XVIII, 353 Seiten)
    Series Statement: Islamic history and civilization volume 184
    Series Statement: Islamic history and civilization
    Uniform Title: Ḥāwīl-funūn wa-salwat al-maḥzūn
    Parallel Title: Erscheint auch als
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    Keywords: Music / Arab countries / 500-1400 / Dictionaries ; Ibn al-Ṭaḥḥān, Muḥammad ibn al-Ḥasan / active 11th century / Ḥāwīl-funūn wa-salwat al-maḥzūn ; Music ; Arab countries ; 500-1400 ; Dictionaries
    Abstract: "Ḥāwīl-Funūn (Encompasser of the Arts) of Ibn al-Ṭaḥḥān (d. ca. 1057) is a medieval Arabic music dictionary that complements other sources because of the practical knowledge of the author who was an accomplished singer, lutenist and composer. The first part in 80 chapters deals with compositions; voice production and characteristics, unison and duet singing, taking care of the voice; preludes, ornaments, ṭarab; the importance of tonality; approaches to teaching; musical and extra-musical behavior at the court; names of Syrian Fatimid and Ishshīdid singers. The second part in 22 chapters includes lute manufacturing, frets placement, stringing and tuning; 47 rhythmic ornaments, names and definitions of rhythmic and melodic modes; types of dances; descriptions of 12 instruments"--
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 77
    Online Resource
    Online Resource
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030676193
    Language: English
    Pages: 1 Online-Ressource (vii, 260 Seiten)
    Series Statement: Leisure studies in a global era
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 301
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    Keywords: Sociology, general ; Sociology of Culture ; Music ; Ethnicity, Class, Gender and Crime ; Sociology ; Culture ; Music ; Critical criminology ; Musikethnologie ; Weißsein ; Nationalismus ; Soziologie ; Ethnizität ; Rassismus ; Popkultur ; Heavy Metal ; Australien ; Südafrika ; Norwegen ; Heavy Metal ; Ethnizität ; Soziologie ; Norwegen ; Südafrika ; Australien ; Heavy Metal ; Rassismus ; Nationalismus ; Weißsein ; Popkultur ; Ethnizität ; Musikethnologie
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 78
    ISBN: 9789811640551
    Language: English
    Pages: 1 Online-Ressource (xx, 228 Seiten) , Illustrationen
    Series Statement: Palgrave studies in sound
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 303.483
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    Keywords: Science and Technology Studies ; Music ; Philosophy of Technology ; Cultural Studies ; Technology—Sociological aspects ; Music ; Philosophy ; Cultural studies ; Computermusik ; Elektronische Musik ; Halluzination ; Illusion ; Sound ; Illusion ; Halluzination ; Sound ; Computermusik ; Elektronische Musik
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 79
    ISBN: 9783830992745
    Language: German
    Pages: 1 Online-Ressource (577 Seiten) , Illustrationen
    Series Statement: Musik und Diktatur Band 4
    Series Statement: Musik und Diktatur
    Parallel Title: Erscheint auch als Lipp, Florian, 1980 - Punk und New Wave im letzten Jahrzehnt der DDR
    Dissertation note: Dissertation Universität Hamburg 2019
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    Keywords: 19./20. Jahrhundert ; 1980-1990 ; 20. Jahrhundert ; Bundesrepublik Deutschland/DDR ; DDR ; Deutschland ; Germany (East) ; Jugendkultur ; Neue Deutsche Welle ; New Wave ; Punk ; Rockmusik ; Subkultur ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Punk ; New wave ; Subkultur ; Jugendpolitik ; Kulturpolitik ; Geschichte 1976-1989 ; Deutschland ; Punk Rock ; New wave ; Geschichte 1976-1989
    Abstract: Auch in der DDR formierte sich zu Beginn der 1980er-Jahre eine Punkszene, die zwar klein, jedoch weder zu übersehen noch zu überhören war. Exponierte Vertreter und Bands dieser Szene wurden von der Mehrheitsgesellschaft abgelehnt, aus dem staatlich organisierten Kulturbetrieb ausgegrenzt und durch den Sicherheitsapparat kriminalisiert. Doch im Gegensatz zu diesen Repressionen gegen die Punkkultur in der ersten Hälfte der 1980er-Jahre vermittelt die zweite Hälfte der Dekade ein anderes Bild: Ehemals verfemte Musiker waren nun im Staatsfunk zu hören, wurden von der Freien Deutschen Jugend (FDJ) gefördert und unter dem Rubrum ›die anderen Bands‹ auf Schallplatte gehandelt. Die Analyse dieses Wandels im zeithistorischen Kontext ist Gegenstand dieses Buches.
    Note: Online resource; title from title screen (viewed May 11, 2021)
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  • 80
    ISBN: 9783658326906
    Language: German
    Pages: 1 Online-Ressource (XVI, 310 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306
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    Keywords: Popular Culture ; Cultural Theory ; Music ; Media Sociology ; Popular Culture ; Culture—Study and teaching ; Music ; Mass media ; Communication ; Scham ; Musiksoziologie ; Unterhaltungsmusik ; Normativität ; Rezeption ; Soziokultureller Wandel ; Musikalischer Geschmack ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik ; Musikalischer Geschmack ; Normativität ; Soziokultureller Wandel ; Rezeption ; Scham ; Popmusik ; Musiksoziologie
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 81
    ISBN: 9783161606113
    Language: German
    Pages: 1 Online-Ressource (316 Seiten)
    Edition: 1st ed
    Series Statement: Rechtsordnung und Wirtschaftsgeschichte v.6
    Parallel Title: Erscheint auch als Schorkopf, Frank Gestaltung der Freiheit
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    Keywords: Wirtschaftsverwaltungsrecht ; Wirtschaftspolitik ; Regulierung ; Deutschland ; Konferenzschrift 2012 ; Deutschland ; Wirtschaftspolitik ; Regulierung ; Wirtschaftsverwaltungsrecht
    Description / Table of Contents: Cover -- Titel -- Mathias Schmoeckel, Frank Schorkopf - Vorwort -- Inhaltsverzeichnis -- Günther Schulz - Einführung und Dank -- Wolfgang Clement - Regulierung -- Michael Hüther - Wirtschaftspolitik zwischen Regulierung und Paternalismus. Stehen wir vor einer Renaissance des Staates? -- Sektion I. Rechtshistorische Perspektiven -- Markus Patt - Reform der Entgeltregulierung im Eisenbahnsektor. Preisbestimmung im historischen Zielkonflikt -- Johannes Rüberg - Kapazitätsengpässe vs. Netzneutralität. Dienstgüte- und Preisdiversifikation im deutschen Fernmeldewesen des 19. und 20. Jahrhunderts -- Peter Collin - Preisregelung und Preisregulierung zwischen Gerechtigkeit und Effizienz. Rechtshistorische Anmerkungen zu den Beiträgen von Markus Patt und Johannes Rüberg -- Jan Krancke und Miguel Vidal - Von der Relais- zur App-Ökonomie. Perspektiven für Wettbewerb und Regulierung in der Telekommunikation -- Frank Miram und Christian Schoening - Eisenbahnregulierung zwischen Wettbewerbs- und Investitionsförderung. Historische Lehren und aktuelle Herausforderungen -- Sektion II. Wirtschaftsgeschichte 1 -- Boris Gehlen - "Franckensteins Monster"? Die Herausbildung des hybriden deutschen Regulierungsregimes in Kaiserreich und Weimarer Republik. Erklärungen jenseits von Marktversagen -- Sektion III. Wirtschaftsgeschichte 2 -- Katja Fuder - Der Staat als Unternehmer Das industrielle Bundesvermögen seit 1945 -- Niels Krieghoff - Die Entwicklung der Struktur der Bankenregulierung in den USA und Deutschland bis zum Zweiten Weltkrieg -- Gerd Hardach - Kommentar: Öffentliche Betriebe und Bankenregulierung im historischen Rückblick -- Sektion IV. Öffentlich-rechtliche Perspektiven -- Thomas Züll - Unpolitische Regulierung des Finanzmarktes? Anmerkungen zur Neuordnung der europäischen Finanzmarktaufsicht
    Description / Table of Contents: Christian Maurer - Regulierung von Wettbewerb als Gestaltung oder Gefährdung der Freiheit? Ein Werkstattbericht anhand des Regulierungsrechts der elektronischen Kommunikation -- Sektion V. Abschlussdiskussion -- Rainer Fremdling - Regulierung von Netzwerkindustrien vom 19. Jahrhundert bis heute. Impulsreferat aus ökonomischer und wirtschaftshistorischer Sicht -- Autorenverzeichnis -- Personenverzeichnis -- Stichwortverzeichnis
    Note: Description based on publisher supplied metadata and other sources
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  • 82
    ISBN: 9783779965794
    Language: German
    Pages: 1 Online-Ressource (233 Seiten)
    Edition: 1. Auflage
    Series Statement: HipHop studies 2
    Parallel Title: Erscheint auch als Seeliger, Martin, 1984 - Soziologie des Gangstarap
    DDC: 306.4842490943
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    Keywords: Jugend ; Kritische Theorie ; Männlichkeit ; Musik ; Jugendkultur ; Anerkennung ; Intersektionalität ; Cultural Studies ; Popmusik ; Rap ; postmigrantische Gesellschaft ; plurale Gesellschaft ; Gangsterrap ; Deutschland ; Gangsta-Rap ; Popkultur ; Prekariat ; Neoliberalismus ; Geschlechterrolle ; Berichterstattung ; Massenmedien
    Abstract: Biographical note: Martin Seeliger, PD Dr., leitet die Abteilung »Wandel der Arbeitsgesellschaft« am Institut für Arbeit und Wirtschaft in Bremen.
    Abstract: Als eines der erfolgreichsten Popmusikgenres bildet Gangstarap gesellschaftliche Konfliktlinien ab wie kaum eine andere symbolische Ordnung. Aus intersektionaler Perspektive und informiert durch Kritische Theorie und Cultural Studies entwickelt das Buch vier Argumente: Die kulturellen Formen des Gangstarap sind Ort eines Kampfes um Anerkennung in der postmigrantischen Gesellschaft, Ausdruck kompensatorischer Aufstiegsphantasien und Prekarisierungskritik, Versuch der Aktualisierung hegemonialer Männlichkeit sowie ein ›Boundary Object‹ pluraler Gesellschaften.
    Note: Literaturverzeichnis: Seite 214-233
    URL: Cover
    URL: Cover
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  • 83
    Online Resource
    Online Resource
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226732244
    Language: English
    Pages: 1 Online-Ressource (vii, 313 Seiten) , Illustrationen, Karten
    Series Statement: Historical studies of urban America
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Sun Ra ; Geschichte 1946-1961 ; Afrofuturismus ; Chicago, Ill. ; Sun Ra ; African American musicians / Biography ; Afrofuturism ; Jazz / Illinois / Chicago / History and criticism ; South Side (Chicago, Ill.) / History / 20th century ; MUSIC / History & Criticism ; Sun Ra ; African American musicians ; Afrofuturism ; Jazz ; Illinois / Chicago ; 1900-1999 ; Biographies ; Criticism, interpretation, etc ; History ; Biografie ; Biografie ; Sun Ra Jazzmusiker 1914-1993 ; Chicago, Ill. ; Afrofuturismus ; Geschichte 1946-1961
    Abstract: "William T. Sites details the life of visionary musician Sun Ra in Chicago, from 1946 until 1961. Sun Ra's South Side was a site of unorthodox religious and cultural activism where Afrocentric philosophies flourished, storefront prophets sold "dream-book bibles," and Elijah Muhammad was building the Nation of Islam. It was also an unruly musical crossroads where styles circulated and mashed together in clubs and community dancehalls. Sun Ra drew from a vast array of intellectual sources (radical nationalism, antinomian Christianity, black mythology, and science fiction) and from multiple musical traditions (swing, jazz, blues, Latin dance music, "space-age pop," and other exotica) to promulgate visions of the city that did not conform to the orthodoxies of metropolitan elites, black or white"--
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 84
    ISBN: 9781433180187 , 9781433180194 , 9781433180200
    Language: English
    Pages: 1 Online-Ressource (x, 340 Seiten)
    Edition: 25th anniversary edition
    Parallel Title: Erscheint auch als Lee, A. Robert, 1941 - Designs of blackness
    DDC: 810.9896073
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    Keywords: American prose literature African American authors ; History and criticism ; Slaves Biography ; History and criticism ; African Americans Biography ; History and criticism ; Slaves' writings, American History and criticism ; Slaves Intellectual life ; Autobiography African American authors ; African Americans Intellectual life ; African Americans in literature ; Race in literature ; USA ; Schwarze ; Literatur ; Geschichte
    Abstract: "Across more than two centuries Afro-America has created a huge and dazzling variety of literary self-expression. Designs of Blackness provides less a narrative literary history than, precisely, a series of mappings - each literary-critical and comparative while at the same time offering cul-tural and historical context. This carefully re-edited version of the 1998 publication opens with an estimation of earliest African American voice in the names of Phillis Wheatley and her contemporaries. It then takes up the huge span of autobiography from Frederick Douglass through to Maya Angelou. "Harlem on My Mind," which follows, sets out the liter-ary contours of America's premier black city. Womanism, Alice Walker's presiding term, is given full due in an analysis of fiction from Harriet E. Wilson to Toni Morrison. Richard Wright is approached not as some regu-lation "realist" but as a more inward, at times near-surreal, author. Decadology has its risks but the 1940s has rarely been approached as a unique era of war and peace and especially in African American texts. Beat Generation work usually adheres to Ginsberg and Kerouac, but black Beat writing invites its own chapter in the names of Amiri Baraka, Ted Joans and Bob Kaufman. The 1960s has long become a mythic change-decade, and in few greater respects than as a black theatre both of the stage and politics. In Leon Forrest African America had a figure of the postmodern turn; his work is explored in its own right and for how it takes its place in the context of other reflexive black fiction. "African American Fictions of Passing" unpacks the whole deceptive trope of "race" in writing from Williams Wells Brown through to Charles Johnson. The two newly added chapters pursue African American literary achievement into the Obama-Trump century, fiction from Octavia Butler to Darryl Pinkney, poetry from Rita Dove to Kevin Young"--
    Note: Includes bibliographical references and index
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  • 85
    ISBN: 9783593443508
    Language: German
    Pages: 1 Online-Ressource (352 Seiten)
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    Keywords: Popmusiker ; Musikmarkt ; Arbeitsbedingungen ; Deutschland
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  • 86
    Online Resource
    Online Resource
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839454763
    Language: German
    Pages: 1 Online-Ressource (234 Seiten)
    Series Statement: Kultur und soziale Praxis
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    Keywords: Kurden ; Aleviten ; Türken ; Politischer Konflikt ; Musik ; Protest ; Alevis ; Aleviten ; Cultural Anthropology ; Cultural Studies ; Kulturanthropologie ; Kurden ; Kurds ; Migration ; Music ; Musicology ; Musik ; Musikwissenschaft ; Politics ; Politik ; Protest Music ; Protestmusik ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: In Deutschland leben zahlreiche Musiker*innen aus der Türkei, die in ihrem Herkunftsland aus politischen Gründen nicht uneingeschränkt leben und musizieren könnten. Sie verließen die Türkei aufgrund des Militärputsches von 1980, der Diskriminierung ihrer kurdischen und/oder alevitischen Identität oder des gescheiterten Gezi-Protests und erneuter Einschränkungen von Minderheitsgruppierungen im Musikleben. Kirsten Seidlitz untersucht, wie sie von Deutschland aus mit ihrem musikalischen Schaffen politisch kommentieren, inwiefern die deutsche Gesellschaft mit Musik erreicht, aufgeklärt und beeinflusst werden kann, und ob die in Deutschland produzierte Musik zurück in die Türkei gelangt.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020)
    URL: Cover
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 87
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis | The Hague : OAPEN FOUNDATION
    ISBN: 9780429060595
    Language: English
    Pages: 1 Online-Ressource (10 p.)
    Additional Information: Enthalten in The Global Politics of Jazz in the Twentieth Century
    DDC: 306.48425
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    Keywords: Geschichte 1900-2000 ; Musik ; Jazz ; Politik ; Regional studies ; USA ; Arts ; Music ; Western Music Styles (Early & Classical) ; 20th Century Music ; Popular Music ; Jazz ; Humanities ; History ; Contemporary History 1945- ; The Cold War ; Media & Film Studies ; Popular Music ; History of Popular Music ; Politics & International Relations ; International Relations ; Foreign Policy ; International Relations Theory ; International Political Economy ; International Politics
    Abstract: From the mid-1950s to the late 1970s, jazz was harnessed as America’s "sonic weapon" to promote an image to the world of a free and democratic America. Dizzy Gillespie, Dave Brubeck, Duke Ellington and other well-known jazz musicians were sent around the world – including to an array of Communist countries – as "jazz ambassadors" in order to mitigate the negative image associated with domestic racial problems. While many non-Americans embraced the Americanism behind this jazz diplomacy without question, others criticized American domestic and foreign policies while still appreciating jazz – thus jazz, despite its popularity, also became a medium for expressing anti-Americanism. This book examines the development of jazz outside America, including across diverse historical periods and geographies – shedding light on the effectiveness of jazz as an instrument of state power within a global political context.
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  • 88
    Online Resource
    Online Resource
    Wiesbaden : Springer Fachmedien Wiesbaden | Cham : Springer International Publishing AG
    ISBN: 9783658219437 , 3658219432
    Language: German
    DDC: 302.23
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    Keywords: Communication ; Sociology ; Mass media ; Music ; Media Research. ; Media Sociology. ; Music.
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  • 89
    Online Resource
    Online Resource
    Minneapolis, London : University of Minnesota Press
    ISBN: 9781452961248
    Language: English
    Pages: 1 Online-Ressource (319 Seiten) , Illustrationen
    Series Statement: Indigenous Americas
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.8997071
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    Keywords: Geschichte 1990-2020 ; Indigenes Volk ; Kulturkontakt ; Entkolonialisierung ; Partizipation ; Musik ; Multikulturelle Gesellschaft ; Kanada ; Indigenous peoples / Canada / Music / History and criticism ; Music / Canada / History and criticism ; Decolonization / Canada ; Appropriation (Arts) / Canada ; Multiculturalism / Canada ; MUSIC / Ethnomusicology ; Appropriation (Arts) ; Decolonization ; Multiculturalism ; Music ; Canada ; Electronic books ; Electronic books ; Criticism, interpretation, etc ; Kanada ; Indigenes Volk ; Entkolonialisierung ; Musik ; Multikulturelle Gesellschaft ; Partizipation ; Kulturkontakt ; Geschichte 1990-2020
    Abstract: "This highly theoretical work of ethnomusicology is a reclamation of Indigenous ceremonial and artistic practice arguing that the inclusion and appropriation of Indigenous performers in classical music traditions only enriches the settler nation-state. Robinson gives shape to Western musical and aesthetic practices as well as to Indigenous listening practices in order to eschew traditional (Western) forms of musical analysis. Instead, the work argues that new modes of listening and studying reception, emerging out of critical Indigenous studies, are essential to understanding Indigenous musical expression in ways that do not reify the power of the settler state"--
    Description / Table of Contents: Introduction. Writing Indigenous Space -- Hungry Listening -- Event Score for Guest Listening I -- Writing about Musical Intersubjectivity -- xwélalà:m, Raven Chacon's Report -- Contemporary Encounters Between Indigenous and Early Music -- Event Score for Return -- Ethnographic Redress, Compositional Responsibility -- Event Score for Responsibility : "qimmit katajjaq / sqwélqwel tl'sqwmá:y" -- Feeling Reconciliation -- Event Score to Act
    URL: JSTOR
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  • 90
    ISBN: 9781315465876 , 9781315465883 , 9781315465890
    Language: English
    Pages: 1 Online-Ressource (xiii, 235 Seiten) , Illustrationen
    Series Statement: Ashgate interdisciplinary studies in opera
    Parallel Title: Erscheint auch als
    DDC: 306.48420945632
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    Keywords: Music Social aspects 17th century ; History ; Sound Social aspects 17th century ; History ; Rome (Italy) Social life and customs 17th century ; Musikleben ; Theater ; Musik ; Rom ; Kirchenstaat ; Aufsatzsammlung ; Rom ; Kirchenstaat ; Musikleben ; Musik ; Theater
    URL: Volltext  (URL des Erstveroeffentlichers)
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  • 91
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Springer
    ISBN: 9783030390020
    Language: English
    Pages: 1 Online-Ressource (VIII, 151 p. 14 illus., 1 illus. in color)
    Edition: 1st ed. 2020
    Series Statement: Music Business Research
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780
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    Keywords: Music ; Cultural Economics ; Dance ; Digital/New Media ; Cultural Management ; IT Law, Media Law, Intellectual Property ; Music ; Culture—Economic aspects ; Dance ; Digital media ; Management ; Mass media ; Law ; Techno ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Techno
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 92
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030431006
    Language: English
    Pages: 1 Online-Ressource (XV, 442 p)
    Edition: 1st ed. 2020
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.1
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    Keywords: Adorno, Theodor W. ; Manic Street Preachers ; Philosophy of Music ; Music ; Music—Philosophy and aesthetics ; Music ; Rockmusik ; Kulturkritik ; Musikphilosophie ; Manic Street Preachers ; Rockmusik ; Adorno, Theodor W. 1903-1969 ; Musikphilosophie ; Kulturkritik
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 93
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226653174
    Language: English
    Pages: 1 Online-Ressource (272 pages) , Illustrations (black and white).
    Series Statement: Chicago scholarship online
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    Keywords: Soulmusiker ; Soul ; Schwarze ; Soul music History and criticism ; Soul music Social aspects ; Soul music Political aspects ; Soul musicians ; African Americans Music ; History and criticism ; Chicago, Ill.
    Abstract: Chicago's place in the history of soul music is rock solid. But for Chicagoans, soul music in its heyday from the 1960s to the 1980s was more than just a series of hits: it was a marker and a source of black empowerment. In Move On Up, Aaron Cohen tells the remarkable story of the explosion of soul music in Chicago. Together, soul music and black-owned businesses thrived. Record producers and song-writers broadcast optimism for black America's future through their sophisticated, jazz-inspired productions for the Dells and many others. Curtis Mayfield boldly sang of uplift with unmistakable grooves like 'We're a Winner' and 'I Plan to Stay a Believer.' Musicians like Phil Cohran and the Pharaohs used their music to voice Afrocentric philosophies that challenged racism and segregation, while Maurice White of Earth, Wind, and Fire and Chaka Khan created music that inspired black consciousness.
    Note: Previously issued in print: 2019 , Includes bibliographical references and index
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  • 94
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Ann Arbor, Michigan : ProQuest
    ISBN: 9783839454763
    Language: German
    Pages: 1 Online-Ressource (235 pages)
    Edition: 1st ed.
    Series Statement: Kultur und Soziale Praxis Series
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    Keywords: Kurden ; Aleviten ; Türken ; Politischer Konflikt ; Musik ; Protest ; Deutschland ; Hochschulschrift ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 95
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190938314
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: The new cultural history of music
    Series Statement: Oxford scholarship online
    DDC: 306.48420943809048
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    Keywords: NSZZ "Solidarność" ; Geschichte 1980-1990 ; Musik ; Politischer Protest ; Untergrund ; Music Political aspects 20th century ; History ; Polen ; Poland Politics and government 1980-1989
    Abstract: A vibrant study of music and protest that focuses on the Solidarity movement in 1980s Poland, 'Musical Solidarities' explores how and why sound mattered to the opposition to state socialism. Unfurling the rich soundscapes of political action at demonstrations, church services, meetings, and in detention, it offers a nuanced portrait of this pivotal decade of European and global history.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
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  • 96
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197504673
    Language: English
    Pages: 1 Online Ressource (xx, 459 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als Sheleg, Asaf, 1974 - Theological stains
    DDC: 780.8992405694
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    Keywords: Music History and criticism 20th century ; Music by Jewish composers History and criticism 20th century ; Jews Music ; History and criticism ; Zionism ; Zionism in literature ; Music ; Israel ; 20th century ; History and criticism ; Music by Jewish composers ; Israel ; 20th century ; History and criticism ; Jews ; Music ; History and criticism ; Zionism ; Zionism in literature ; Israel ; Kunstmusik ; Literatur ; Zionismus ; Juden ; Ethnische Identität ; Geschichte 1950-2000
    Abstract: In this in-depth study of Israeli art music in the second half of the twentieth century, author Assaf Shelleg explores how art music and modern Hebrew literature engaged with Zionism and competing diasporic Jewish histories that are not grounded in notions of territory.
    Note: Also issued in print: 2021. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 9, 2020)
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  • 97
    Online Resource
    Online Resource
    London ; New York : Rowman & Littlefield International
    ISBN: 9781786607386
    Language: English
    Pages: 1 Online-Ressource (viii, 213 Seiten)
    Series Statement: Popular musics matter: social, political and cultural interventions
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1980-1990 ; Musikleben ; Punk ; Punk Rock ; Großstadt ; Deindustrialisierung ; Heavy Metal ; Postpunk ; Sozialer Wandel ; Europa ; Tampere ; Turin ; Manchester ; Düsseldorf ; Popular music / Social aspects / Europe / History ; Punk rock music / Social aspects / Europe / History ; Post-punk music / Social aspects / Europe / History ; Deindustrialization / Europe ; Deindustrialization ; Popular music / Social aspects ; Europe ; Electronic books ; History ; Turin ; Tampere ; Manchester ; Düsseldorf ; Deindustrialisierung ; Punk ; Heavy Metal ; Musikleben ; Sozialer Wandel ; Geschichte 1980-1990 ; Europa ; Großstadt ; Deindustrialisierung ; Punk Rock ; Postpunk ; Musikleben ; Sozialer Wandel
    Abstract: "The book offers a new and unique point of view on industrial cities and their popular music cultures based on interdisciplinary research and methods"--
    Description / Table of Contents: Introduction. Metal on Metal -- The Industrial City -- A Genealogy of 'Industrial City Music' -- Manchester -- Düsseldorf -- Torino -- Tampere -- Industrial Heritages -- From Vanishing Mediator to Cultural Catalyst : Music, Space and Place
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  • 98
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781108776233
    Language: English
    Pages: 1 Online-Ressource (346 Seiten)
    Edition: First published
    Series Statement: New Studies in European History
    Parallel Title: Erscheint auch als
    DDC: 781.650943/1
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    Keywords: Jazz History and criticism 20th century ; Music and state History 20th century ; Jazz Political aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Jazz History and criticism ; Electronic books ; Electronic books ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1918-1945 ; Deutschland ; Jazz ; Kulturpolitik
    Abstract: Chronicles the history of jazz over the complete lifespan of East Germany, from 1945 to 1990, for the first time.
    Note: Description based on publisher supplied metadata and other sources
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  • 99
    Online Resource
    Online Resource
    Manchester : Manchester University Press
    ISBN: 9781526131249
    Language: English
    Pages: 1 Online-Ressource (296 pages)
    Parallel Title: Erscheint auch als Melville, Caspar It's a London thing : how rare groove, acid house and jungle remapped the city
    DDC: 780.94109034
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    Keywords: Geschichte 1995-2020 ; Music Social aspects 19th century ; History ; Musikleben ; Sozialer Wandel ; Schwarze ; London ; London ; Schwarze ; Musikleben ; Sozialer Wandel ; Geschichte 1995-2020
    Note: Description based on print version record
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  • 100
    ISBN: 9783839452431
    Language: English
    Pages: 1 Online-Ressource (326 Seiten)
    Series Statement: Music and Sound Culture Volume 47
    Series Statement: Musik und Klangkultur Volume 47
    Series Statement: Musik und Klangkultur
    Uniform Title: Curating festivals for contemporary music
    Parallel Title: Erscheint auch als Farnsworth, Brandon, 1991 - Curating contemporary music festivals
    Dissertation note: Dissertation Hochschule für Musik Carl Maria von Weber Dresden 2019
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    Keywords: Music festivals ; Cultural Management ; Musicology ; Music Management ; Neue Musik ; New Music ; Berliner Festspiele ; Münchner Biennale Für Neues Musiktheater ; Munich Biennale For New Music Theatre ; BUSINESS & ECONOMICS / Management ; Music ; Hochschulschrift ; Musikfestspiel ; Kulturmanagement
    Abstract: Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be
    Abstract: Frontmatter -- Contents -- Image and Figure Rights -- 1.1 Establishing the Field -- 1.2 The State of the Art -- 1.3 Scope and Overview -- 2.1 Introduction -- 2.2 The Anatomy of Festivals and Biennales -- 2.3 Curating Biennales -- 2.4 Curatorial Discourse -- 2.5 Conclusion -- 3.1 Introduction -- 3.2 Reading Shannon Jackson -- 3.3 Curating Dance / Dance Curating -- 3.4 Curating Theatre / Theatre Curating -- 3.5 Conclusion -- 4.1 Introduction -- 4.2 Hans Werner Henze -- 4.3 Music Theatre? -- 4.4 Peter Ruzicka -- 4.5 Daniel Ott and Manos Tsangaris (DOMTS) -- 4.6 The 2016 and 2018 Biennale Editions -- 4.7 Compositional and Curatorial Practices -- 4.8 The Munich Biennale in Numbers. -- 4.9 Conclusion -- 5.1 Introduction -- 5.2 A Brief Prehistory to the Maerzmusik Festival -- 5.3 Maerzmusik 2002-2014 -- 5.4 Berno Odo Polzer -- 5.5 2017 Opening Concert: Julius Eastman -- 5.6 Storytelling for Earthly Survival -- 5.7 Curating and the Maerzmusik Festival -- 5.8 Decolonizing Time -- 5.9 Conclusion/Coda/Konzertemacher -- 6. Conclusion/Curating Music -- Bibliography -- Appendix: List of Productions at the Munich Biennale for New Music Theatre from 1988-2018
    Note: This work is an adaptation of the dissertation “Curating Festivals for Contemporary Music”. - Titelrückseite , Erscheint als Open Access bei De Gruyter. This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 (BY-NC-ND)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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