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  • IWF  (19)
  • 1970-1974  (19)
  • Bucsan, Andrei  (11)
  • Günther Bauch  (8)
  • IWF (Göttingen)  (19)
  • music (ethnology)  (19)
  • 1
    Language: Undetermined , Undetermined
    Pages: 176MB, 00:03:44:20 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1972)
    Keywords: Männertanz ; music (ethnology) ; Tanz ; arts (ethnology) ; Brîul ; Europe ; Rumänien ; Musikinstrumente ; Musik (Ethnologie) ; Tänze nach Geschlecht ; Kulturwissenschaften ; musical instruments / aerophone ; musical instruments ; men's dance ; Blasinstrumente ; Tanz (Ethnologie) ; Tanz mit Gegenstand ; special dances ; Kettentanz ; clarinet ; dance ; Klarinette ; Künste (Ethnologie) ; dance / men's dance ; spezielle Tänze ; mens' dances ; wind instruments ; Encyclopaedia Cinematographica ; Europa ; dance (ethnology) ; Romania ; cultural studies ; Brîul ; Ethnologie/Kulturanthropologie ; chain dance ; Tanz / Männertanz ; Musikinstrumente / Aerophone ; folk dance ; ethnology/cultural anthropology ; dances according to gender ; dances with objects
    Abstract: Lebhafter Männertanz mit Virtuositätscharakter in Halbkreisform ausgeführt. Zum Tanz spielt ein Klarinettist auf.
    Abstract: The film shows the dance Brîul (belt dance) from the village Vestem (Sibiu district). It is danced in a semi-circle only by men, holding each other by the shoulders. The movement is carried out alternately to the right and on the spot. The tempo is lively. A clarinetist accompanies the dance.
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  • 2
    Language: Undetermined , Undetermined
    Pages: 187MB, 00:03:47:07 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1972)
    Keywords: Männertanz ; Sîrba ; music (ethnology) ; Tanz ; arts (ethnology) ; Europe ; Rumänien ; Musikinstrumente ; Musik (Ethnologie) ; Tänze nach Geschlecht ; Kulturwissenschaften ; musical instruments / aerophone ; musical instruments ; men's dance ; Blasinstrumente ; Tanz (Ethnologie) ; Tanz mit Gegenstand ; special dances ; Kettentanz ; clarinet ; dance ; Klarinette ; Künste (Ethnologie) ; dance / men's dance ; spezielle Tänze ; mens' dances ; wind instruments ; Encyclopaedia Cinematographica ; Europa ; dance (ethnology) ; Romania ; Sîrba ; cultural studies ; Ethnologie/Kulturanthropologie ; chain dance ; Tanz / Männertanz ; Musikinstrumente / Aerophone ; folk dance ; ethnology/cultural anthropology ; dances according to gender ; dances with objects
    Abstract: Männertanz in beschleunigtem Tempo mit Virtuositätscharakter in Halbkreisform ausgeführt. Zum Tanz spielt ein Klarinettist auf.
    Abstract: The film shows the dance Sîrba (Serbian dance) from the village Vestem (Sibiu district). It is danced in a semi-circle, only by men, who hold each other by the shoulders. The movement is alternately from left to right and on the spot. The tempo is quicker. A clarinetist accompanies the dance.
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  • 3
    Language: Undetermined , Undetermined
    Pages: 75MB, 00:06:09:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1972)
    Keywords: musical instruments / membranophone ; music (ethnology) ; Unterhaltungstanz ; arts (ethnology) ; Musikinstrumente ; nugarafok ; Araber ; Musik (Ethnologie) ; Kulturwissenschaften ; Tanz / Tschad ; homage ; Afrika ; musical instruments ; Tanzstile ; Huldigung ; Tanz (Ethnologie) ; group dance ; Schlaginstrumente ; Künste (Ethnologie) ; Musikinstrumente / Membranophone ; drum ; Nugarafok ; Omar-Araber ; zinugi ; Gruppentanz ; Encyclopaedia Cinematographica ; Chad ; dance (ethnology) ; dance / Chad ; cultural studies ; Ethnologie/Kulturanthropologie ; Trommel ; Omar Arabs ; Africa ; styles of dance ; Zinugi ; percussion instruments ; Arabs ; Tschad ; entertainment dance ; ethnology/cultural anthropology
    Abstract: Im Dorf Tialo-Ibeda tanzen Frauen in einem inneren und Männer in einem äußeren Kreis in unterschiedlichen Tanzschritten um die von zwei Trommlern geschlagene, zweifellige Zylinder-Trommel und eine weitere Trommel. Der erste Tanz geht in den zweiten über, bei dem sich Männer und Frauen gegenüberstehen.
    Abstract: The nugara, a cylindrical double membrane drum, is attached to a pole in the centre of the dancing-place and is beaten by two men. One man beats on the centre of the membrane, the other on the border of the membrane. The second drum is another cylindrical double membrane drum; the drummer holds it between his legs and must bend over it when playing it. The "zinugi"-dance is performed around the drummers who always remain in the centre of the performance. The dancers form into two circles which move anticlockwise, the women and girls forming an inner, the men an outer circle. Men and women perform different steps. During the dance the women utter quavers and cries, some cries are also uttered by men. Finally the dance dissolves, but the drummers go on playing and the dancers pass from the "zinugi"-dance to another dance called "nugarafok". At the "nugarafok"-dance men and women face each other in two rows. The step of the dance consists of leaps performed with both legs. The dancers come up to the camera and make a gesture of homage as it is usually made by the Sudan-Arabs in honour of a person of high rank. (In this case the dancers pay homage to the European standing behind the camera.) Both entertainment dances are presented at full length.
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  • 4
    Language: Undetermined , Undetermined
    Pages: 120MB, 00:02:39:22 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1972)
    Keywords: music (ethnology) ; Europe ; Ziehharmonika ; Musikinstrumente ; partner dance ; band ; accordion ; musical instruments ; Tanzstile ; Blasinstrumente ; music groups ; Tanz (Ethnologie) ; Musikinstrumente / Chordophone ; Învîrtita ; Saxophon ; contrabass ; Geige ; Encyclopaedia Cinematographica ; Europa ; Romania ; musical instruments / chordophone ; cultural studies ; fiddle ; Ethnologie/Kulturanthropologie ; gipsy music ; Musikgruppen ; ethnology/cultural anthropology ; Învîrtita ; Tanz ; arts (ethnology) ; Rumänien ; Musik (Ethnologie) ; Kulturwissenschaften ; Zigeunermusik ; musical instruments / aerophone ; Saiteninstrumente ; dance ; Künste (Ethnologie) ; Paartanz ; wind instruments ; Musiker ; dance (ethnology) ; musicians ; Kontrabaß ; styles of dance ; Musikkapelle ; string instruments ; Musikinstrumente / Aerophone ; saxophone
    Abstract: Männer und Frauen tanzen einen mäßig schnellen Paartanz, der von Zigeunermusik begleitet wird.
    Abstract: The film shows the dance Invirtita (turning dance) from the village Blajel (Sibiu district). It is danced in pairs, in groups of three (one man, two momen) or four (two men, two women). The dancers hold each others shoulders. The movement is done on the spot. The tempo is moderate. The dance is accompanied by gipsy music.
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  • 5
    Language: Undetermined , Undetermined
    Pages: 70MB, 00:05:43:20 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1972)
    Keywords: music (ethnology) ; Unterhaltungstanz ; Araber ; partner dance ; Tanzstile ; music groups ; Tanz (Ethnologie) ; Religion ; singing ; Singen / Tschad ; Encyclopaedia Cinematographica ; Chad ; religious practices ; dance / Chad ; religion ; cultural studies ; Ethnologie/Kulturanthropologie ; Omar Arabs ; sacred activities ; Arabs ; Gebete ; Singen / im Chor ; Musikgruppen ; ethnology/cultural anthropology ; goshele ; arts (ethnology) ; Musik (Ethnologie) ; Kulturwissenschaften ; Tanz / Tschad ; Afrika ; singing / Chad ; prayer ; Künste (Ethnologie) ; Preisgesang ; Omar-Araber ; couple dance ; religiöse Praktiken ; Paartanz ; sakrale Handlung ; Musiker ; dance (ethnology) ; Goshele ; musicians ; Africa ; styles of dance ; praise singing ; Gesang ; Tschad ; songs of praise ; entertainment dance ; singing / chorus
    Abstract: Im Dorf Sara tanzen unterschiedliche Paare, bei denen sich die Partner gegenüberstehen, vor einer Gruppe Preislieder singender und in die Hände klatschender Mädchen und Frauen.
    Abstract: Women and girls are arranged in a semicircle on the dancing-place of Sara village. They clap out the rhythm of the "goshele"-dance and sing songs in praise of several rich and famous men of the country. A couple take their places for dancing, the two partners facing each other. For some measures the boy and the girl perform swaying movements on the spot, then both at a time perform a high leap and stamp their right or left foot on the ground. The high leap is performed three times, then the dancers pass with stamping steps by each other and each goes to the place previously occupied by his partner. This figure is always repeated, it is performed in the film by different male and female dancers. A particularly well performed figure is acclaimed by the women with quavering.
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  • 6
    Language: Undetermined , Undetermined
    Pages: 142MB, 00:03:04:18 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1972)
    Keywords: music (ethnology) ; Europe ; Ziehharmonika ; Musikinstrumente ; partner dance ; Tänze nach Geschlecht ; band ; accordion ; musical instruments ; Tanzstile ; Blasinstrumente ; music groups ; Tanz (Ethnologie) ; Musikinstrumente / Chordophone ; Saxophon ; dance / men's dance ; contrabass ; Geige ; mens' dances ; Encyclopaedia Cinematographica ; Europa ; Romania ; musical instruments / chordophone ; cultural studies ; fiddle ; Ethnologie/Kulturanthropologie ; Tanz / Männertanz ; gipsy music ; Musikgruppen ; Hategana ; ethnology/cultural anthropology ; Männertanz ; Tanz ; arts (ethnology) ; Rumänien ; Musik (Ethnologie) ; Kulturwissenschaften ; Zigeunermusik ; musical instruments / aerophone ; men's dance ; Saiteninstrumente ; Barbuncul ; dance ; Künste (Ethnologie) ; Hategana ; Paartanz ; wind instruments ; Musiker ; dance (ethnology) ; musicians ; Kontrabaß ; styles of dance ; Musikkapelle ; string instruments ; Musikinstrumente / Aerophone ; Barbuncul ; saxophone ; dances according to gender
    Abstract: Zuerst tanzen Männer einen lebhaften Reigentanz mit Virtuositätscharakter, dann Männer und Frauen einen raschen Paartanz. Die Tänze werden von Zigeunermusik begleitet.
    Abstract: The film shows the dances Barbuncul (enrollment) and Hategana (dance from Hateg) from the village Blajel (Sibiu district). The Barbuncul is danced in a ring only by men. The movement is on the spot. The tempo is lively. The Hategana is danced in pairs. The dancer stand opposite each other and hold each other by the shoulders or by the hand. The movement is on the spot. The tempo is fast. The dances are accompanied by gipsy music.
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  • 7
    Language: Undetermined , Undetermined
    Pages: 49MB, 00:04:01:14 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1972)
    Keywords: musical instruments / membranophone ; music (ethnology) ; Unterhaltungstanz ; Musikinstrumente ; Tänze nach Geschlecht ; musical instruments ; Tanzstile ; music groups ; napa ; Tanz (Ethnologie) ; Schlaginstrumente ; dance / men's dance ; Napa ; singing ; Singen / Tschad ; drum ; mens' dances ; Encyclopaedia Cinematographica ; regionale Tänze ; Chad ; dance / Chad ; cultural studies ; Ethnologie/Kulturanthropologie ; Trommel ; Tanz / Männertanz ; Djaya ; percussion instruments ; Singen / im Chor ; Musikgruppen ; ethnology/cultural anthropology ; Djele ; Männertanz ; arts (ethnology) ; Djaya ; Musik (Ethnologie) ; Kulturwissenschaften ; Tanz / Tschad ; Afrika ; men's dance ; singing / Chad ; group dance ; Künste (Ethnologie) ; Musikinstrumente / Membranophone ; djele ; Gruppentanz ; Musiker ; dance (ethnology) ; musicians ; Africa ; styles of dance ; Gesang ; Tschad ; entertainment dance ; singing / chorus ; regional dances ; dances according to gender
    Abstract: Die Gruppe der Tänzer und die Trommler mit dem Chor der singenden und klatschenden Frauen stehen sich gegenüber. Beim Tanz bilden die Tänzer einen Kreis, schwingen ihre Turbantücher und zeigen eine Sequenz von Sprüngen.
    Abstract: A large number of villagers have come together on one of the dancing-places of Djaya. In the centre of the dancing-place stand the dancers, about twenty boys, on the border, close together, the onlookers. On the otherside of the dancing-place are two drummers and the girl's chorus. The girls clap their hands and sing, in a chorus for one voice with a solo singer, songs in praise of prominent persons. For the "napa"-dance the dancers form into a circle which moves anti-clockwise. The figure of the dance consists of a sequence of steps combined with a waving of the long turban scarves. The girls' chorus has repeatedly difficulty in keeping time. Several women improvise spontaneous dance steps on the border of the dancing-place. It is evident that all the people are stimulated by the large quantity of beer they have drunk in the course of the day. The film presents only excerpts from the "napa"-dance.
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  • 8
    Language: Undetermined , Undetermined
    Pages: 44MB, 00:03:38:13 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1972)
    Keywords: music (ethnology) ; Unterhaltungstanz ; Araber ; partner dance ; Tanzstile ; music groups ; Tanz (Ethnologie) ; Religion ; singing ; Singen / Tschad ; al beher ; Encyclopaedia Cinematographica ; Chad ; religious practices ; dance / Chad ; religion ; cultural studies ; Ethnologie/Kulturanthropologie ; Omar Arabs ; sacred activities ; Arabs ; Gebete ; Singen / im Chor ; Musikgruppen ; ethnology/cultural anthropology ; arts (ethnology) ; Musik (Ethnologie) ; Kulturwissenschaften ; Tanz / Tschad ; Afrika ; singing / Chad ; prayer ; Künste (Ethnologie) ; Preisgesang ; Omar-Araber ; couple dance ; religiöse Praktiken ; Paartanz ; sakrale Handlung ; Musiker ; dance (ethnology) ; Al beher ; musicians ; Africa ; styles of dance ; praise singing ; Gesang ; Tschad ; songs of praise ; entertainment dance ; singing / chorus
    Abstract: Im Dorf Sara tanzen nacheinander unterschiedliche Paare vor einer Gruppe Preislieder singender und in die Hände klatschender Mädchen und Frauen, wobei der Mann rechts von seiner Partnerin steht, ihren Arm faßt und mit ihr eine Kombination von Hoch- und Weitsprüngen vorführt.
    Abstract: Women and girls of Sara village are arranged in a semicircle on the dancingplace, clapping their hands and singing songs of praise. In front of the semicircle a couple take their place for dancing. The boy places himself by the right side of the girl, takes her arm and performs with her the figure of the "al beher"-dance, a combination of long and high leaps with "leapturn". The film only presents excerpts from the dance which, however, show the characteristic figure several times in detail.
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  • 9
    Language: Undetermined
    Pages: 197MB, 00:04:04:24 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1972)
    Keywords: music (ethnology) ; Tanz ; arts (ethnology) ; Europe ; Rumänien ; Musikinstrumente ; partner dance ; Musik (Ethnologie) ; Kulturwissenschaften ; musical instruments / aerophone ; musical instruments ; Tanzstile ; Blasinstrumente ; Tanz (Ethnologie) ; clarinet ; dance ; Klarinette ; Künste (Ethnologie) ; Hategana ; Paartanz ; wind instruments ; Encyclopaedia Cinematographica ; Europa ; dance (ethnology) ; Romania ; cultural studies ; Ethnologie/Kulturanthropologie ; styles of dance ; Musikinstrumente / Aerophone ; Hategana ; folk dance ; ethnology/cultural anthropology
    Abstract: Männer und Frauen tanzen einen anfangs langsamen, später lebhaften Kreispaartanz. Zum Tanz spielt ein Klarinettist auf. =e The film shows the dance Hategana (dance from Hateg) from the village Vestem (Sibiu district). It is danced by boys and girls in pairs in a circle. The boy holds the left hand of the girl in his right hand, later they hold each other by the shoulders. The movement is carried out as a promenade to the right and then on the spot. The tempo is slow at the beginning and then accelerated. A clarinetist accompanies the dance.
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  • 10
    Language: Undetermined , Undetermined
    Pages: 184MB, 00:03:50:04 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1972)
    Keywords: music (ethnology) ; Europe ; Ziehharmonika ; Musikinstrumente ; Tänze nach Geschlecht ; band ; accordion ; Fecioreasca ; musical instruments ; Blasinstrumente ; music groups ; Tanz (Ethnologie) ; Musikinstrumente / Chordophone ; Saxophon ; dance / men's dance ; contrabass ; Geige ; mens' dances ; Encyclopaedia Cinematographica ; Europa ; Romania ; musical instruments / chordophone ; cultural studies ; fiddle ; Ethnologie/Kulturanthropologie ; Tanz / Männertanz ; gipsy music ; Musikgruppen ; ethnology/cultural anthropology ; Männertanz ; Tanz ; arts (ethnology) ; Rumänien ; Musik (Ethnologie) ; Kulturwissenschaften ; Zigeunermusik ; musical instruments / aerophone ; men's dance ; Saiteninstrumente ; dance ; Künste (Ethnologie) ; wind instruments ; Musiker ; dance (ethnology) ; musicians ; Kontrabaß ; Musikkapelle ; string instruments ; Fecioreasca ; Musikinstrumente / Aerophone ; saxophone ; dances according to gender
    Abstract: Mäßig schneller Männertanz mit Virtuositätscharakter in Halbkreisform ausgeführt. Der Tanz wird von Zigeunermusik begleitet.
    Abstract: The film shows the dance (Fecioreasca (lads' dance) from the village Blajel (Sibiu district). It is danced in a semi-circle exclusively by men. The movement is mostly on the spot. The tempo is moderate. The dance is accompanied by gipsy music.
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  • 11
    Language: Undetermined , Undetermined
    Pages: 76MB, 00:06:12:05 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1972)
    Keywords: musical instruments / membranophone ; music (ethnology) ; Unterhaltungstanz ; Musikinstrumente ; Araber ; Tänze nach Geschlecht ; musical instruments ; Tanzstile ; music groups ; Tanz (Ethnologie) ; Schlaginstrumente ; Religion ; singing ; Singen / Tschad ; drum ; Encyclopaedia Cinematographica ; Chad ; religious practices ; dance / Chad ; religion ; cultural studies ; Frauentanz ; Ethnologie/Kulturanthropologie ; Trommel ; Omar Arabs ; am haraba ; sacred activities ; percussion instruments ; Arabs ; Gebete ; Singen / im Chor ; Musikgruppen ; ethnology/cultural anthropology ; arts (ethnology) ; Musik (Ethnologie) ; Kulturwissenschaften ; Tanz / Tschad ; Afrika ; women's dance ; singing / Chad ; group dance ; prayer ; Künste (Ethnologie) ; Musikinstrumente / Membranophone ; Preisgesang ; Omar-Araber ; religiöse Praktiken ; Gruppentanz ; sakrale Handlung ; Musiker ; dance (ethnology) ; Tanz / Frauentanz ; musicians ; Africa ; styles of dance ; dance / women's dance ; Gesang ; Tschad ; songs of praise ; entertainment dance ; singing / chorus ; Am haraba ; dances according to gender
    Abstract: Auf einem Tanzplatz des Dorfes Sara wird von zwei jungen Männern eine Felltrommel geschlagen, Frauen singen Preislieder und tanzen in mehreren Reihen, nach ihrem sozialen Status angeordnet, um die Trommler herum. Später kommen junge Männer hinzu.
    Abstract: On the dancing-place of Sara village the nugara, a cylindrical double skin drum, is beaten by two young men. One of the young men beats on nugara. To the rhythm of the drum the women sing songs of praise. The "am haraba"-dance is performed anti-clockwise around the drum. The women form into different lines according to their social status. They swing their arms and advance with small rhythmic steps, then they perform swaying movements, swinging their long plaits intensely. In the beginning only women dance, later on young men join in the dance. The young men are equipped with long millet stems in place of the lances borne by the men at this dance. The film only presents an excerpt from the "am haraba"-dance which however, comprehends all characteristic phases of the dance.
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  • 12
    Language: Undetermined , Undetermined
    Pages: 48MB, 00:03:54:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1972)
    Keywords: Djele ; musical instruments / membranophone ; music (ethnology) ; Unterhaltungstanz ; arts (ethnology) ; Musikinstrumente ; Djaya ; Musik (Ethnologie) ; parama ; Kulturwissenschaften ; Tanz / Tschad ; Afrika ; musical instruments ; Tanzstile ; Tanz (Ethnologie) ; group dance ; Schlaginstrumente ; Künste (Ethnologie) ; Musikinstrumente / Membranophone ; drum ; djele ; Gruppentanz ; Encyclopaedia Cinematographica ; regionale Tänze ; Chad ; dance (ethnology) ; dance / Chad ; cultural studies ; Ethnologie/Kulturanthropologie ; Trommel ; Africa ; styles of dance ; Djaya ; percussion instruments ; Tschad ; entertainment dance ; regional dances ; ethnology/cultural anthropology ; Parama
    Abstract: Um zwei Trommler tanzen in einer Kreisformation junge Frauen und Mädchen. Junge Männer und Burschen bilden, wie die Frauen und Mädchen nach sozialem Status angeordnet, einen äußeren Kreis. Die Tanzfigur besteht aus einer Sequenz komplizierter Schritte mit abschließender Körperdrehung.
    Abstract: Young people of Djaya, chiefly women and girls, have come together for dancing the "parama"-dance. In the centre of the dancing-place sit two drummers. The "parama"-dance is performed in circular formation which moves anti-clockwise. The boys form into an outer, the girls and women into an inner circle, both drawn up according to their social status. The figure of the dance consists of a series of complicated steps and ends with a complete body-turn. In the course of the dance the number of the female dancers increases so that the women's circle must partly be doubled. The film presents the "parama"-dance at full length.
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  • 13
    Language: Undetermined , Undetermined
    Pages: 195MB, 00:04:00:15 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1972)
    Keywords: Învîrtita ; music (ethnology) ; Tanz ; arts (ethnology) ; Europe ; Rumänien ; Musikinstrumente ; partner dance ; Musik (Ethnologie) ; Kulturwissenschaften ; musical instruments / aerophone ; musical instruments ; Tanzstile ; Blasinstrumente ; Tanz (Ethnologie) ; clarinet ; dance ; Klarinette ; Künste (Ethnologie) ; Învîrtita ; Pe sub mîna ; Paartanz ; wind instruments ; Encyclopaedia Cinematographica ; Europa ; dance (ethnology) ; Romania ; cultural studies ; Ethnologie/Kulturanthropologie ; styles of dance ; Pe sub mîna ; Musikinstrumente / Aerophone ; folk dance ; ethnology/cultural anthropology
    Abstract: Mäßig schnelle Paartänze von Männern und Frauen ausgeführt. Zu den Tänzen spielt ein Klarinettist auf.
    Abstract: The film shows the dances Pe sub mina (around the hand) and Invirtita (turning dance) from the village Vestem (Sibiu district). Pe sub mina is danced by pairs scattered freely around the room. The man holds the left hand of the woman at shoulder level in his right hand. The tempo is moderate. Invirtita is danced in groups of three (one man, two women) or four (two women, two men). The dancers hold each other by the shoulders. The tempo is moderate. A clarinetist accompanies the dance.
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  • 14
    Language: Undetermined , Undetermined
    Pages: 192MB, 00:04:02:02 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1972)
    Keywords: Männertanz ; music (ethnology) ; Tanz ; arts (ethnology) ; Europe ; Rumänien ; Musikinstrumente ; Musik (Ethnologie) ; Oblii ; Tänze nach Geschlecht ; Kulturwissenschaften ; musical instruments / aerophone ; musical instruments ; men's dance ; Oblii ; Blasinstrumente ; Tanz (Ethnologie) ; Tanz mit Gegenstand ; special dances ; Kettentanz ; clarinet ; dance ; Klarinette ; Künste (Ethnologie) ; dance / men's dance ; Salcioara ; spezielle Tänze ; mens' dances ; wind instruments ; Encyclopaedia Cinematographica ; Europa ; dance (ethnology) ; Romania ; cultural studies ; Ethnologie/Kulturanthropologie ; chain dance ; Tanz / Männertanz ; Salcioara ; Musikinstrumente / Aerophone ; folk dance ; ethnology/cultural anthropology ; dances according to gender ; dances with objects
    Abstract: Männertänze in lebhaftem sowie beschleunigtem Tempo in Halbkreisform ausgeführt. Zu den Tänzen spielt ein Klarinettist auf.
    Abstract: The film shows the dances Salcioara (willow tree) and Oblii (straight) from the village Vestem (Sibiu district). They are danced exclusively by men. The first is danced in a semi-circle, the dancers holding each other by the shoulders. The movement is performed on the spot by each side. The tempo is lively. The Oblii is danced in a semi-circle. A clarinetist accompanies the dance.
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  • 15
    Language: Undetermined , Undetermined
    Pages: 31MB, 00:03:10:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1972)
    Keywords: music (ethnology) ; Tanz ; arts (ethnology) ; Europe ; Rumänien ; purtata fetelor ; Musik (Ethnologie) ; Tänze nach Geschlecht ; Kulturwissenschaften ; women's dance ; Tanzstile ; Tanz (Ethnologie) ; Tanz mit Gegenstand ; special dances ; Kettentanz ; dance ; Künste (Ethnologie) ; spezielle Tänze ; singing ; Singen ; Encyclopaedia Cinematographica ; coconita ; Musiker ; singing dance ; Europa ; dance (ethnology) ; Romania ; Tanz / Frauentanz ; cultural studies ; musicians ; Frauentanz ; Ethnologie/Kulturanthropologie ; chain dance ; styles of dance ; Purtata fetelor ; dance / women's dance ; Gesang ; Singtanz ; Coconita ; ethnology/cultural anthropology ; dances according to gender ; dances with objects
    Abstract: Frauen führen zwei langsame Kreis- und Reigentänze auf. Zum Tanz singen die Frauen.
    Abstract: The film shows the dances Purtata fetelor (girls' promenade) and Coconita (girl) from the village Blajel (Sibiu district). Purtata fetelor is danced in a circle exclusively by women holding each others' arms. The movement takes place uniformly to the right. The tempo is slow. Coconita is danced in the round exclusively by women holding each others' arms. The movement takes place uniformly to the right. The tempo is slow. The women sing in accompaniment to the dance.
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  • 16
    Language: Undetermined , Undetermined
    Pages: 119MB, 00:09:39:15 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1972)
    Keywords: musical instruments / membranophone ; music (ethnology) ; Unterhaltungstanz ; arts (ethnology) ; bardyat ; Musikinstrumente ; Djaya ; Musik (Ethnologie) ; Kulturwissenschaften ; Tanz / Tschad ; Afrika ; musical instruments ; Tanzstile ; Tanz (Ethnologie) ; group dance ; Schlaginstrumente ; Künste (Ethnologie) ; Musikinstrumente / Membranophone ; drum ; Bardyat ; Gruppentanz ; Encyclopaedia Cinematographica ; Chad ; dance (ethnology) ; dance / Chad ; cultural studies ; Ethnologie/Kulturanthropologie ; Trommel ; Africa ; styles of dance ; Djaya ; percussion instruments ; Tschad ; entertainment dance ; ethnology/cultural anthropology
    Abstract: Eine Kreisformation bildend und nach sozialem Status angeordnet, tanzen junge Frauen und Mädchen um eine Gruppe von Trommlern. Junge Männer bilden ein äußeres Kreissegment. Die Tanzfigur besteht aus kurzen, rhythmischen Schritten und halben Drehungen.
    Abstract: The "bardjat"-dance is an entertainment dance of the young people. In the centre of the dancing-place stand the drummers, whose number varies in the course of the dance. The "bardjat"-dance is performed in two circles which move anti-clockwise. The women and girls are arranged in an inner circle according to their social status. The boys form an outer circle, but as there are only a few boys taking part in the dance the circle cannot be formed. The dance figure of the girls consists of small rhythmic steps with a bending of the knees and a swinging of the arms. The steps are concluded by a half body-turn, then a series of steps performed on the spot follows, concluded also by a half body-turn, this time in direction of the dance. The figure of the boys corresponds to that of the girls, only the half body-turn is performed in opposite direction so that during the following sequence male and female dancers face each other. The dance is modified by the arrival of a group of boys and girls led by the chief holding a flag in his hand. In the course of the dance the women perform their movements more and more distinctly, the steps are almost leapt and the movements of the arms become more and more intense. The boys, however, keep their slow step up to the end. The film presents the "bardjat"-dance at full length.
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  • 17
    Language: Undetermined , Undetermined
    Pages: 126MB, 00:10:17:00 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1972)
    Keywords: musical instruments / membranophone ; music (ethnology) ; Unterhaltungstanz ; Musikinstrumente ; musical instruments ; Tanzstile ; Blasinstrumente ; music groups ; Tanz (Ethnologie) ; Flöte ; Bidjerua ; Schlaginstrumente ; drum ; rattle ; Encyclopaedia Cinematographica ; Chad ; dance / Chad ; cultural studies ; Ethnologie/Kulturanthropologie ; Trommel ; Dangaleat ; percussion instruments ; Musikinstrumente / Idiophone ; Musikgruppen ; bidjeru ; idiophones ; ethnology/cultural anthropology ; Idiophone ; musical instruments / idiophone ; arts (ethnology) ; Musik (Ethnologie) ; Kulturwissenschaften ; Tanz / Tschad ; musical instruments / aerophone ; Afrika ; orchestra ; group dance ; Künste (Ethnologie) ; Orchester ; flute ; Musikinstrumente / Membranophone ; Rassel ; Gruppentanz ; wind instruments ; Musiker ; dance (ethnology) ; musicians ; Africa ; styles of dance ; Tschad ; Dangaleat ; Musikinstrumente / Aerophone ; entertainment dance
    Abstract: Im Dorf Tialo-Ibeda tanzen Männer in einem äußeren und Frauen in drei inneren Kreisen, jeweils nach Altersgruppen gegliedert, zum Orchester aus fünf verschieden gestimmten Flöten, einer Rassel und drei verschiedenen Trommeln sowie drei kultischen Blasinstrumenten.
    Abstract: On one of the dancing-places in Tialo-Ibeda village stands the traditional orchestra which consists of five flutes of different pitch, one rattle and three drums. Three parna (cultic wind-instruments) have been added. The orchestra tunes up the bidjerua-dance and men and women in festive attire take their places for dancing. The men, placing themselves according to their age class, make up an outor circle which moves anti-clockwise, the women, drawn up also according to their age class, three inner circles. Men and women execute different steps. The men walk with rhythmic steps; the women first throw their legs backwards in the air and then perform a series of leaps. The women do not leap all at the same time, but some of them begin and the next join so that the movements spreads clockwise, that is, in opposite direction to the dancers. The film shows the bidjerua-dance completely.
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  • 18
    Language: Undetermined , Undetermined
    Pages: 126MB, 00:02:38:02 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1972)
    Keywords: Männertanz ; music (ethnology) ; Tanz ; arts (ethnology) ; Europe ; Rumänien ; Musikinstrumente ; Musik (Ethnologie) ; Tänze nach Geschlecht ; Kulturwissenschaften ; musical instruments / aerophone ; musical instruments ; men's dance ; Blasinstrumente ; Tanz (Ethnologie) ; Tanz mit Gegenstand ; special dances ; Hodoroaga ; Kettentanz ; clarinet ; dance ; Klarinette ; Künste (Ethnologie) ; dance / men's dance ; spezielle Tänze ; mens' dances ; wind instruments ; Encyclopaedia Cinematographica ; Europa ; dance (ethnology) ; Romania ; cultural studies ; Ethnologie/Kulturanthropologie ; Hodoroaga ; chain dance ; Tanz / Männertanz ; Musikinstrumente / Aerophone ; folk dance ; ethnology/cultural anthropology ; dances according to gender ; dances with objects
    Abstract: Lebhafter Männertanz mit Virtuositätscharakter in Kreisform ausgeführt. Zum Tanz spielt ein Klarinettist auf.
    Abstract: The film shows the dance Hodoroaga (limping dance) from the village Vestem (Sibiu district). It is danced in a semi-circle only by men who hold each others' hands or shoulders. The movement is alternately to both sides. The tempo is lively. A clarinetist accompanies the dance.
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  • 19
    Language: Undetermined , Undetermined
    Pages: 246MB, 00:04:47:13 (unknown) , Originalton ohne gesprochenen Text , Original sound, no spoken text
    Angaben zur Quelle: (Jan. 1972)
    Keywords: music (ethnology) ; Tanz ; arts (ethnology) ; Europe ; Rumänien ; Musikinstrumente ; partner dance ; Musik (Ethnologie) ; Kulturwissenschaften ; Hora mare ; musical instruments / aerophone ; Zaluta ; musical instruments ; Tanzstile ; Blasinstrumente ; Tanz (Ethnologie) ; clarinet ; dance ; Zaluta ; Klarinette ; Künste (Ethnologie) ; Paartanz ; wind instruments ; Hora mare ; Encyclopaedia Cinematographica ; Europa ; dance (ethnology) ; Romania ; cultural studies ; Ethnologie/Kulturanthropologie ; styles of dance ; Musikinstrumente / Aerophone ; folk dance ; ethnology/cultural anthropology
    Abstract: Männer und Frauen tanzen Paartänze in beschleunigtem Tempo in Halbkreisform sowie in mäßigem Tempo in Kreisform. Zu den Tänzen spielt ein Klarinettist auf.
    Abstract: The film shows the dances Zaluta (little chain ring) and Hora mare (large circle) from the village Vestem (Sibiu district). The Zaluta is danced in a semi-circle, the dancers holding each other by the shoulders. The movement is carried out to the right or to the left. The tempo is quicker. The Hora mare is danced in a circle. The dancers hold each others hands. The movement is to right or left on command. The tempo is moderate. The dances follow the rhythm of the melody. A clarinetist accompanies the dance.
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