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  • München BSB  (8,603)
  • MPI-MMG  (654)
  • Ethnoguide  (1)
  • OLC Ethnologie  (1)
  • Musicology  (7,013)
  • Art History  (1,475)
  • Engineering  (775)
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  • 101
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780199303533 , 9780199303526
    Language: English
    Pages: xii, 221 Seiten
    Series Statement: Oxford theory in ethnomusicology
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Musiktheorie ; Musikethnologie ; Ethnomusicology ; Music theory ; Musikethnologie ; Musiktheorie
    Abstract: "Music theory's presence in ethnomusicology comes from the socialization and theorizing of participants in the world's musical practices and of ethnomusicologists themselves. Results of processes of theorizing focused on musical activity differ greatly in scope, make-up, and uses. During the 1960s and 70s ethnomusicologists who formed relationships with music-makers and ritual specialists attempted to interpret their understandings of musical actions. Subsequently ethnomusicologists have studied roles of explicit and implicit theory in communication of musical knowledge, with attention to aural learning and relevant techniques of the body. They have observed the production of music theory in institutions of modern nation-states and have sought out groups and individuals whose theorizing is not constrained by projects of existing institutions. They are assessing the ways in which musical terminologies in diverse languages can be related to general concepts without imposing assumptions of one approach to music theory on all others. That exercise is increasingly recognized as a necessary effort of decolonization: the heritage of ethnomusicology encompasses all the world's music-theoretical practices, and no formulation of Western music theory should be used as a standard against which to judge other ways of theorizing and making use of the results. The best future for ethnomusicological engagement with music theory would expand the situations and media of communication along with the topics and viewpoints in play. This book reviews existing work on music theory by ethnomusicologists and others, highlighting potentially productive insights that could inspire and guide future work"
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  • 102
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478024040
    Language: English
    Pages: 1 online resource (153 pages)
    Edition: 1st ed.
    Series Statement: Practices Ser.
    Parallel Title: Erscheint auch als
    DDC: 306.109747
    RVK:
    RVK:
    Keywords: Electronic books
    Abstract: McKenzie Wark takes readers into the undisclosed locations of New York's thriving queer rave scene, showing how raving to techno is an art and technique at which queer and trans bodies might be particularly adept, but which is for anyone who lets the beat seduce them.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
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  • 103
    Book
    Book
    New York ; London ; Toronto ; Sydney ; New delhi : Scribner
    ISBN: 9781982195861
    Language: English
    Pages: xxii, 487 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen, Porträts (teilweise farbig) , 24 cm
    Edition: First Scribner hardcover edition
    RVK:
    Keywords: Harrison, George ; Rock musicians / England / Biography ; Musiciens rock / Angleterre / Biographies ; MUSIC / Genres & Styles / Rock ; Harrison, George / 1943-2001 ; Beatles ; Rock musicians ; England ; Rock musicians / Biography ; Guitarists / Biography ; Biographies ; Biografie ; Harrison, George 1943-2001
    Abstract: "Despite being hailed as one of the best guitarists of his era, George Harrison, particularly in his early decades, battled feelings of inferiority. He was often the butt of jokes from his bandmates owing to his lower-class background and, typically, was allowed to contribute only one or two songs per Beatles album out of the dozens he wrote. Now, acclaimed Beatles biographer Philip Norman examines Harrison through the lens of his numerous self-contradictions. Compared to songwriting luminaries John Lennon and Paul McCartney he was considered a minor talent, yet he composed such masterpieces as "While My Guitar Gently Weeps" and "Here Comes the Sun," and his solo debut album "All Things Must Pass" achieved enormous success, appearing on many lists of the 100 best rock albums ever. Modern music critics place him in the pantheon of sixties guitar gods alongside Eric Clapton, Jimi Hendrix, Keith Richards, and Jimmy Page. Harrison railed against the material world yet wrote the first pop song complaining about income tax. He spent years lovingly restoring his Friar Park estate as a spiritual journey, but quickly mortgaged the property to help rescue a film project that would be widely banned as sacrilegious, Monty Python's Life of Brian. Harrison could be fiercely jealous, but not only did he stay friends with Eric Clapton when Clapton fell in love with Harrison's wife, Pattie Boyd, the two men grew even closer after Clapton walked away with her. Unprecedented in scope and filled with numerous color photos, this rich biography captures George Harrison at his most multi-faceted: devoted friend, loyal son, master guitar player, brilliant songwriter, cocaine addict, serial philanderer, global philanthropist, student of Indian mysticism, self-deprecating comedian, and, ultimately, iconic artist and man beloved by millions"--
    Description / Table of Contents: Prologue: an unextinguishable last laugh -- Part one. "Take care of him because he's going to be special" -- "He was so much in the background he was like the invisible man" -- Playing just chords was better than not playing at all" -- "From then on, nine-to-five never came back into my thinking" -- "We were like orphans" -- "My first shag was... with Paul and John and Pete Best all watching" -- "The first rock 'n' dole group" -- "It was the best buzz of all time" -- Part two. "I was always rather beastly to George" -- "I had to learn to think like a spy, leaving no trace" -- "The only Beatle glare ever caught on camera" -- "Well, that's it. I'm not a Beatle anymore" -- "The meditation buzz" -- "Please don't think I've gone off my rocket" -- "Don't upset the Hell's Angels" -- "He wanted so much to be a spiritual being" -- "That was minxy of George. He could be very minxy" -- "Beatle George's new pad--turrets and all" -- Part three. "Garbo speaks--Harrison is free" -- "I suppose he is still a person of considerable means" -- "I have to tell you, man, I'm in love with your wife" -- "By the grace of Krishna, you are one of the great men" -- "If people want their money back, they can have it" -- "Introducing George Harrison" -- "Maybe he thought God would just sort of let him off" -- "He was looking at potential debts of around €32 million" -- "Do you want to go on a yacht to the South Pacific and run away for ever?" -- "I'm being murdered in my own house" -- Epilogue: Plaudit from a prince
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  • 104
    Book
    Book
    Hildesheim : Universitätsverlag Hildesheim | Hildesheim : Georg Olms Verlag
    ISBN: 9783487161754
    Language: German , Chinese
    Pages: 152 Seiten , Illustrationen, Notenbeispiele , 22 cm x 17 cm
    Series Statement: Center for World Music - Studies in Music Band 7
    Series Statement: Center for World Music - Studies in Music
    RVK:
    Keywords: Irle, Rolf ; Center for World Music ; Musikinstrument ; Sammlung ; Tibet ; Musikethnologie ; Organologie ; Sammlung ; Tibetologie ; Aufsatzsammlung ; Katalog ; Aufsatzsammlung ; Katalog ; Aufsatzsammlung ; Katalog ; Irle, Rolf 1935-2023 ; Tibet ; Musikinstrument ; Sammlung ; Center for World Music
    Note: Haupttitel in tibetischer und lateinischer Schrift , Text deutsch, ein Kapitel deutsch und chinesisch
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  • 105
    ISBN: 9783837669411 , 3837669416
    Language: German
    Pages: 657 Seiten , Illustrationen , 24 cm x 15.5 cm, 1109 g
    Edition: [1. Auflage]
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    Dissertation note: Habilitationsschrift Friedrich-Schiller-Universität Jena 2023
    DDC: 781.66
    RVK:
    Keywords: Geschichte 1977-1995 ; Heavy Metal ; Jugendkultur ; Sozialer Wandel ; Subkultur ; Wandel ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Rezension  (H-Soz-Kult)
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  • 106
    ISBN: 9783830943525 , 3830943520
    Language: German
    Pages: 230 Seiten , 1 Illustration , 23.5 cm x 16.5 cm
    Series Statement: Populäre Kultur und Musik Band 38
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Jazz and the City
    Dissertation note: Disseration Universität Kassel 2019
    DDC: 781.65094315509042
    RVK:
    RVK:
    RVK:
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    Keywords: Erste Hälfte 20. Jahrhundert (1900 bis 1950 n. Chr.) ; Europäische Geschichte ; Jazz ; Musik: Stile und Gattungen ; Musikgeschichte ; Sozial- und Kulturgeschichte ; Deutschland ; Berlin ; Fremde ; Globalisierung ; Großstadt ; Identität ; Image ; Jazz ; Modernität ; Musik ; Musikalische Volkskulturen/Populäre Musikkulturen ; Paul Whiteman ; Raum ; Sam Wooding ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Berlin ; Jazz ; Musikleben ; Geschichte 1924-1929 ; Berlin ; Jazz ; Geschichte 1924-1929
    Abstract: Anfang der 1920er Jahre erreichte Jazzmusik Europa und verbreitete sich innerhalb kürzester Zeit durch Hörensagen, amerikanische Musikerinnen und Musiker und später auch Schallplatten in Deutschland. Die Musik wirbelte das kulturelle Leben und seine Diskurse in einem Maße auf, dass die kulturelle Elite um den Fortbestand der europäischen musikalischen Traditionen bangte: Jazz wurde einerseits vehement abgelehnt und andererseits euphorisch begrüßt und als Ausdruck von Freiheit verstanden.Dieser "Jazzaufprall" in den Jahren zwischen 1924 und 1929 wird in der Studie anhand von zeitgenössischen Betrachtungen beleuchtet: Was passierte mit den unterschiedlichen Dimensionen des Stadtlebens? Wie wurden die fremde Kultur und die Musik in die bestehenden kulturellen Szenen eingeordnet? Und inwiefern konstruierten sich in Berlin durch diesen internationalen Einfluss neue Facetten einer urbanen Identität?
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 107
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501346408 , 9781501346415
    Language: English
    Pages: viii, 204 Seiten , 23 cm
    Series Statement: Alternate takes
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Soziale Ungleichheit ; Frau ; Elektronische Tanzmusik ; Musiksoziologie ; Subkultur ; Musikleben ; Electronic dance music / History and criticism ; Electronic dance music / Social aspects ; Sex role ; Sexism ; Elektronische Tanzmusik ; Subkultur ; Musikleben ; Frau ; Soziale Ungleichheit ; Musiksoziologie
    Abstract: "A candid reevaluation of dance music as an everyday culture that reproduces social inequalities"
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  • 108
    Book
    Book
    Ditzingen : Reclam
    ISBN: 9783150206782
    Language: German
    Pages: 100 Seiten , Illustrationen , 17 cm x 11.4 cm
    Series Statement: Reclam 100 Seiten 20678
    RVK:
    Keywords: Metallica ; Paperback / softback ; James Hetfield ; Lars Ulrich ; Kirk Hammet ; Robert Trujillo ; Ron McGovney ; Cliff Burton ; Jason Newsted ; Lloyd Grant ; Dave Mustaine ; Jeff Warner ; Thrash metal ; Metal ; Nothing else matters ; Biografie ; Metallica
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  • 109
    Book
    Book
    Gossenberg : Ostasien Verlag
    ISBN: 9783940527271
    Language: English , Chinese
    Pages: 285 Seiten
    Edition: 1. Auflage
    Series Statement: Bibliothek der Tang und Song 6
    Series Statement: Bibliothek der Tang und Song
    RVK:
    Keywords: Zhu, Changwen ; Geschichte 1098 ; Geschichte Anfänge - 1050 ; Qinspiel ; Qin ; Musiker ; China ; Quelle ; China ; Qinspiel ; Musiker ; Geschichte Anfänge - 1050 ; Qin ; Geschichte 1098 ; Zhu, Changwen 1039-1098
    Note: Zweisprachige Ausgabe/ bilingual edition , Zusatz auf dem Umschlag: Translated and annotated by Luca Pisano , Text englisch und chinesisch
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  • 110
    Book
    Book
    Ditzingen : Reclam
    ISBN: 9783150206713
    Language: German
    Pages: 100 Seiten , Illustrationen , 17 cm x 11.4 cm
    Series Statement: Reclam 100 Seiten 20671
    RVK:
    Keywords: Jürgens, Udo ; Paperback / softback ; grand prix ; Aber bitte mit Sahne ; Siebzehn Jahr ; Griechischer Wein ; Merci Chérie ; Schlager ; Biografie ; Jürgens, Udo 1934-2014
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  • 111
    Book
    Book
    New York ; London : Routledge
    ISBN: 9780367534141 , 9780367630324
    Language: English
    Pages: xv, 498 Seiten , Illustrationen, Diagramme
    Series Statement: Routledge music companions
    Parallel Title: Erscheint auch als
    DDC: 781.6509
    RVK:
    Keywords: Geschlechtsidentität ; Jazz ; Jazz / History and criticism ; Jazz / Social aspects / History ; Jazz / Historiography ; Jazz / Instruction and study / History ; Gender identity in music ; Women jazz musicians ; Aufsatzsammlung ; Aufsatzsammlung ; Jazz ; Geschlechtsidentität
    Abstract: Part I. Historical Perspectives. "The Frivolous, Scantily Clad 'Jazzing Flapper,' Irresponsible and Undisciplined" : Jazz as a Feminine Domain / Bruce Johnson ; "I've Got the Haitian Blues" : Mamie Desdunes and the Gendered Inflections of the Common Wind / Ben Barson ; Lil Hardin Armstrong and Helen Joyner : The Forgotten Patrons of Jazz / Jeremy Brown ; Queer Aesthetics and the Performing Subject in Jazz in the 1920s / Magdalena Fürnkranz ; Black Against the Stave : Black Modern Girls in British Interwar Jazz / Jessica Chow ; Trumpet Men : Performances of Masculinity in Jazz / Aaron J. Johnson ; Hard Bop Cool Pose : Bebop, the Blues, and Masculinity in the Music of Lee Morgan / Keith Karns ; Toward a Feminist Understanding of Jazz Curatorship / Kara Attrep ; The Girl in the Other Room : Generating New Open Knowledge for the Women of Jazz / M. Cristina Pattuelli and Karen Li-Lun Hwang ; The Rise of Queermisia in Jazz : Medicalization, Legislation, and Its Effects / Chloe Resler ; Constructing a Diverse and Inclusive Jazz Tradition : A Uchronic Narrative / Michael Kahr --
    Abstract: Part II. Identity and Culture. Playing the Part : A Social-Psychological Perspective on Being a Girl in Jazz / Erin L. Wehr ; Gender, Sexuality, and Jazz Saxophone Performance / Yoko Suzuki ; A Clash of Identities : How Aspects of Gender and Identity in Jazz Influence Both the Music and Its Perception / Wolfram Knauer ; "I'm Just One of Them" : Gender in Jazz Competitions / Matthias Heyman ; Gendered Interventions in European Jazz Festival Programming : Keychanges, Stars, and Alternative Networks / Kristin McGee ; Resurrecting Masculinity : Gender, Jazz Timbre, and the Afterlife of Dennis Irwin's Bass / Ken Tianyuan Ge ; Jazz Dance, Gender, and the Commodification of the Moving Body : Examining Patriarchal and White Supremacist Structures in Social and Commercial Jazz Dance Forms / Brandi Coleman ; Women's Access to Professional Jazz : From Limiting Processes to Levers for Transgression / Marie Buscatto ; "It Ain't Who You Are" : Authenticity, Sexuality, and Masculinity in Jazz / Ann Cotterell --
    Abstract: Part III. Society and Education. Oppression and Hope : Students' Perceptions of Gender and Stereotypes in Jazz Appreciation and History / James Reddan ; Picturing Women in Jazz : An Analysis of Three Jazz History Textbooks / Ramsey Castaneda and Amanda Quinlan ; Degendering Jazz Guitar : Reimagining the Past - Realigning the Future / Tom Williams ; "Music Saved My Live" : Jennifer Leitham on Life, Music, and Gender ; Joshua Palkki, Carl Oser, and Jennifer Leitham ; Can E-Flat Be Sexist? Canonical Keys as Marginalizing Practice in Jazz / Wendy Hargreaves and Melissa Forbes ; Inclusive Jazz History Pedagogy / Sonya R. Lawson ; Negotiating Hegemonic Masculinity in Australian Tertiary Jazz Education / Robert Burke and Clare Hall ; Jazzwomen in Higher Education : Experiences, Attitudes, and Personality Traits / Natalie Boeyink ; The Gender Imperative in Jazz : The Role of Intercultural Maturity in Jazz Curricula / Lenora Helm Hammonds ; In Her Own Words : Documenting the Current Realities of Women-in-Jazz / Kiernan Steiner and Alexandra Manfredo ; Call and (Her) Response : Improvisation and the Myth of Absence / Dana Reason --
    Note: Includes bibliographical references and index
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  • 112
    ISBN: 9783967077179 , 3967077179
    Language: German
    Pages: 448 Seiten , Notenbeispiele , 23 cm x 15 cm
    Series Statement: neue musik wissenschaft - Schriften der Hochschule für Musik Dresden
    Parallel Title: Erscheint auch als
    DDC: 782.421660922
    RVK:
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    Keywords: Kraftwerk ; Geschichte 1970-2022 ; Computermusik ; Elektronische Musik ; Komposition ; Hochschulschrift ; Hochschulschrift ; Einführung ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Kraftwerk ; Elektronische Musik ; Computermusik ; Komposition ; Geschichte 1970-2022
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 113
    ISBN: 9783111245157 , 3111245152
    Language: German
    Pages: VI, 666 Seiten , Illustrationen , 23 cm x 15.5 cm
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Potsdam 2022
    DDC: 781.640943
    RVK:
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    Keywords: Ideal ; Einstürzende Neubauten ; Kraftwerk ; Deutsch Amerikanische Freundschaft ; Geschichte 1978-2023 ; Geschichte 1978-1983 ; Kälte ; Rockmusik ; Rezeption ; Neue deutsche Welle ; Kälte ; Popmusik ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Popmusik ; Kälte ; Rezeption ; Geschichte 1978-1983 ; Kraftwerk ; Deutsch Amerikanische Freundschaft ; Ideal ; Einstürzende Neubauten ; Rockmusik ; Kälte ; Deutschland ; Popmusik ; Kälte ; Neue deutsche Welle ; Rezeption ; Geschichte 1978-2023
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Unbekannt  (lizenzpflichtig)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Unbekannt  (lizenzpflichtig)
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  • 114
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780197555224
    Language: English
    Pages: 1 Online-Ressource (x, 181 Seiten) , Illustrationen
    Series Statement: Oxford theory in ethnomusicology
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 306.4842
    RVK:
    Keywords: Music / ukslc ; Society & culture: general / thema ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: In 'Music and Citizenship', Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 115
    Online Resource
    Online Resource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781108938075
    Language: English
    Pages: 1 Online-Ressource (xv, 295 Seiten)
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63095195
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    Keywords: Geschichte ; Musikleben ; Musikbranche ; K-Pop ; Popmusik ; Korea ; Popular music / Korea (South) / History and criticism ; Sound recording industry / Korea (South) / History ; Popular music / Korea (South) / Production and direction ; Music and transnationalism ; Popular music ; Sound recording industry ; Aufsatzsammlung ; Aufsatzsammlung ; Korea ; Popmusik ; Musikleben ; Musikbranche ; Geschichte ; K-Pop
    Abstract: "How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
    Description / Table of Contents: Introduction. Korea's Moment in the Limelight / Suk-Young Kim -- Part I. Genealogies. Sticking It to the Man : Early Neoliberalism in Korean Pop Music / by Roald Maliangkay ; Itaewon Class, Gangnam Style, and Yeouido Star : The Industrial Revolution of Korean Pop in the 1990s / by Hyunjoon Shin -- Part II. Sounding Out K-Pop. Finding the K in K-Pop Musically : A Stylistic History / by Jung-Min Mina Lee ; Recording the Soundscape of K-Pop / by Hyewon Kim -- Part III. Dancing to K-Pop. K-Pop Dance Music Video Choreography / by Chuyun Oh ; Embodying K-Pop Hits through Cover Dance Practices / by CedarBough T. Saeiji -- Part IV. The Making of Idols. K-Pop Idols: Media Commodities, Affective Laborers, and Cultural Capitalists / by Stephanie Choi ; From K-Pop to Z-Pop : The Pan-Asian Production, Consumption, and Circulation of Idols / by So-Rim Lee -- Part V. The Band That Surprised the World. BTS, Transmedia, and Hip Hop / by Kyung Hyun Kim ; The BTS Phenomenon / by Suk-Young Kim and Youngdae Kim ; Transcultural Fandom: BTS and ARMY / by Candace Epps-Robertson -- Part VI. Circuits of K-Pop Flow. K-pop and the Participatory Condition : Vicarity, Serial Affect, and 'Real-Life Contents' / by Michelle Cho ; Idol Shipping Culture : Exploring Queer Sexuality Among Fans of K-Pop / by Thomas Baudinette ; Following the Footsteps of BTS : The Global Rise of K-Pop Tourism / by Youjeong Oh
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 116
    Book
    Book
    Weinheim : Beltz Juventa
    ISBN: 9783779967767
    Language: German
    Pages: 364 Seiten , Illustrationen
    Edition: 1. Auflage
    Series Statement: HipHop Studies
    Parallel Title: Erscheint auch als
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    Keywords: Sozialarbeit ; Hip-Hop ; Rap ; Jugendarbeit ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Hip-Hop ; Rap ; Jugendarbeit ; Sozialarbeit
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  • 117
    ISSN: 0023-5474 , 0023-5474 , 2510-7534 , 2510-7534
    Language: German
    Pages: 24 cm
    Dates of Publication: 1.1948-76. Jahrgang, Heft 12 (Dezember 2023)
    Additional Information: Supplement Nachweis ausländischer Literatur in deutschen Bibliotheken
    Parallel Title: Elektronische Reproduktion Kunstchronik
    Parallel Title: Erscheint auch als Kunstchronik
    RVK:
    Keywords: Geschichte ; Museum ; Kunst ; Denkmalpflege ; Zeitschrift ; Denkmalpflege ; Museum ; Kunst ; Geschichte
    Note: Titelzusatz bis 4.1951: Nachrichten aus Kunstwissenschaft, Museumswesen und Denkmalpflege , 2024 fortgesetzt als Online-Ausgabe
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  • 118
    ISBN: 9783150113240 , 3150113245
    Language: German
    Pages: 752 Seiten , Illustrationen , 21.5 cm x 13.5 cm
    Edition: 2., durchgesehene Auflage
    Parallel Title: Erscheint auch als
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    Keywords: Rassismus ; Politik ; Jazz ; Musik ; Antirassismus ; Politisches Engagement ; Cool Jazz ; Hip hop ; Free Jazz ; Vinyl ; New Orleans ; Funk ; Musik ; Rassismus ; Black Lives Matter ; Rebellion ; Louis Armstrong ; Miles Davis ; Charlie Parker ; Jazz ; Rassismus ; Musik ; Politik ; Jazz ; Politisches Engagement ; Antirassismus
    Note: Untertitel auf dem Cover: Zur politischen Ästhetik des Jazz , Literaturverzeichnis S. 707-725
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  • 119
    ISBN: 9783955932626 , 3955932621
    Language: English , German
    Pages: 328 Seiten , Illustrationen , 23.8 cm x 15.8 cm, 400 g
    Edition: Bilingual edition, 1. edition
    DDC: 780.92
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    Keywords: Geschichte 1960-2023 ; Diaspora ; Afroamerikanische Musik ; Neue Musik ; Komponist ; Schwarze ; Europa ; Afrodiaspora ; afrodiasporic musicians ; afrodiasporic composing ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Afroamerikanische Musik ; Europa ; Schwarze ; Diaspora ; Komponist ; Neue Musik ; Geschichte 1960-2023
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  • 120
    Image
    Image
    Berlin : Hatje Cantz
    ISBN: 9783775755528
    Language: German
    Pages: 269 Seiten , Illustrationen, 1 Diagramm, 1 Karte
    Edition: leicht adaptierte 2. Auflage
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    Keywords: Sachkultur ; Rückerstattung ; Provenienzforschung ; Bronzekunst ; Restitution ; Kunstraub ; Kunstwerk ; Benin ; Hamburg ; Königreich Benin ; Ausstellungskatalog Museum am Rothenbaum - Kulturen und Künste der Welt 16.12.2021-31.12.2022 ; Ausstellungskatalog Museum am Rothenbaum - Kulturen und Künste der Welt 16.12.2021-31.12.2022 ; Ausstellungskatalog Museum am Rothenbaum - Kulturen und Künste der Welt 16.12.2021-31.12.2023 ; Aufsatzsammlung ; Benin ; Hamburg ; Kunstraub ; Rückerstattung ; Bronzekunst ; Königreich Benin ; Sachkultur ; Kunstwerk ; Provenienzforschung ; Restitution
    Note: Impressum: "Dieses Buch erscheint zur Ausstellung Benin. Geraubte Geschichte, 16. Dezember 2021 bis 31. Dezember 2023, Museum Am Rothenbaum - Kulturen und Künste der Welt (MARKK)"
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  • 121
    ISBN: 9783830946816 , 3830946813
    Language: German
    Pages: 237 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Populäre Kultur und Musik Band 36
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    DDC: 781.64
    RVK:
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    Keywords: Black, Roy ; Bach, Kristina ; Fischer, Helene ; Musikmarkt ; Popkultur ; Musik ; Schlager ; Musikwirtschaftsforschung ; Phonomusikologie ; Populäre Musik ; Schlager ; Schlagerforschung ; Translationswissenschaft ; Konferenzschrift 2020 ; Konferenzschrift 2020 ; Konferenzschrift 2020 ; Konferenzschrift 2020 ; Musik ; Popkultur ; Schlager ; Musikmarkt ; Fischer, Helene 1984- ; Bach, Kristina 1962- ; Black, Roy 1943-1991 ; Schlager
    URL: Cover
    URL: Rezension  (H-Soz-Kult)
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  • 122
    Online Resource
    Online Resource
    Wiesbaden : Springer Vieweg. in Springer Fachmedien Wiesbaden GmbH
    ISBN: 9783658403737
    Language: German
    Pages: 1 online resource (381 pages)
    Edition: 1st ed.
    Parallel Title: Erscheint auch als
    DDC: 307.76
    RVK:
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    Keywords: Hochschulschrift ; Hochschulschrift
    Abstract: Intro -- Vorwort -- Danksagung -- Zusammenfassung -- Abstract -- Hinweis zur geschlechtergerechten Sprache -- Inhaltsverzeichnis -- Abkürzungsverzeichnis -- Abbildungsverzeichnis -- Tabellenverzeichnis -- Teil I Einordnung und Methodik -- 1 Relevanz und Forschungsanlass -- 2 Ziele der Untersuchung und Forschungsfragen -- 3 Eingrenzung und Einschränkungen der Untersuchung -- 3.1 Eingrenzung des Untersuchungsgegenstands -- 3.1.1 Gemeindegrößenklasse bis 20.000 Einwohner -- 3.1.2 Ländliche Prägung -- 3.2 Allgemeine Gültigkeit -- 3.2.1 Bundesweite Gültigkeit -- 3.2.2 Einwohnergrößenklasse -- 3.2.3 Zeitliche Gültigkeit -- 3.3 Einschränkungen bei der Auswertung der erhobenen Daten -- 4 Forschungsdesign -- 4.1 Entwicklung eines Modellentwurfs der smarten Kommune -- 4.1.1 Erarbeitung einer Begriffsdefinition -- 4.1.2 Ableitung von inhaltlichen Handlungsfeldern und untergeordneten Zielbildern -- 4.2 Entwicklung eines Vorgehensmodells -- 4.2.1 Fallauswahl der empirischen Untersuchung -- 4.2.2 Datenerhebung mittels qualitativer Experteninterviews -- 4.2.3 Datenanalyse mittels qualitativer Inhaltsanalyse -- 4.2.4 Hermeneutische Interpretation der Daten -- 4.2.5 Qualität der Ergebnisse -- Teil II Entwicklung eines Modellentwurfs der smarten Kommune -- 5 Stand der Forschung -- 5.1 Einordnung in die internationale Smart-City-Forschung -- 5.2 Anknüpfung an die nationale Smart-City-bezogene-Forschung -- 5.3 Annäherung an den Begriff der smarten Kommune -- 5.3.1 Bestehende Versuche zur Definition der Smart City -- 5.3.2 Ursprung des Konzepts der Smart City -- 5.3.3 Smart City im ländlichen Raum -- 5.3.4 Ergebnis -- 6 Definition der smarten Kommune -- 6.1 Bedeutung von „Smartness" -- 6.1.1 Die intelligent vernetzte Kommune -- 6.1.2 Kooperations- und kollaborationsfördernde Governance -- 6.2 Normative Zieldimensionen der smarten Kommune.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 123
    ISBN: 9781789387315
    Language: English
    Pages: xviii, 256 Seiten , Illustrationen, Karten, Porträts , 21 cm
    Series Statement: Global punk
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Demob ; Geschichte 1981-2011 ; Geschichte 1981-2017 ; Musikleben ; Subkultur ; Rezeption ; Punk Rock ; Jugoslawien ; Balkanhalbinsel ; Phillips, Barry / Travel / Former Yugoslave republics ; Demob / No room for you ; Punk rock music / Yugoslavia / History and criticism ; Yugoslavia / Social life and customs ; Former Yugoslav republics / Description and travel ; Erlebnisbericht ; Erlebnisbericht ; Erlebnisbericht ; Erlebnisbericht ; Demob No Room For You ; Rezeption ; Jugoslawien ; Geschichte 1981-2011 ; Balkanhalbinsel ; Punk Rock ; Subkultur ; Musikleben ; Geschichte 1981-2017
    Note: das r in search ist im Haupttitel spiegelverkehrt dargestellt
    URL: Register  (// Gemischte Register)
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  • 124
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367229856 , 9781032042374
    Language: English
    Pages: xi, 199 Seiten , Illustrationen
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Einfluss ; Musik ; Brauch ; Fest ; Brasilien ; Portugal ; Afrika ; Brasilien Südost ; Fest ; Brauch ; Musik ; Einfluss ; Portugal ; Afrika
    Abstract: "Gold, Festivals, and Music in Southeast Brazil: Sounding Portugueseness is a study of the musical legacy of the 18th century Brazilian gold rush that integrates ethnographic research of the main genres of former mining communities in Brazil -- from liturgical music in the style of European art music to Afro-Brazilian musical expressions. Its content and structure are informed by Norbert Elias' idea of the civilizing process, which is explored regarding its relevance in interpreting sociocultural processes and choreo-musical expressions in the small town Morro Vermelho. The book's innovative feature is its focus on a little-known area to non-Brazilian scholars,and its focus on the colonial and European heritage in Brazil. Morro Vermelho's cultural traditions have received relatively limited attention. The Catholic festival of Our Lady of Nazareth provides a setting for the documentation and analysis of the musical setting and is thus placed at the centre of the discussion. It leads through the vast writings on Brazilian identity and challenges the view on Brazilian-ness as constructed in terms of the mixing of races. Norbert Elias's concept of the "civilizing process" structures the book and is relevant for understanding the cultural sphere of the festival of Our Lady of Nazareth. The book combines discourses of Portugueseness with historical sources and observations from fieldwork and community building in the virtual world. The focus on the music to support social constructions of "Portugueseness" is supported with evidence from diverse data sources: music (literature and fieldwork recordings), original interviews, marketing materials and historical narratives. The combination of archival, ethnographic and bibliographic research methods attempts a seamless narrative. Its approach to fieldwork and frank reflections on the process and relevant issues help to contex++
    Description / Table of Contents: Festivals and Music as Civilizing Forces in Colonial Minas -- History as Memory, Heritage and Brand in Morro Vermelho -- Sounding the Sacred and Civilized -- Sounding the Afro-Brazilian Resistance -- Conclusion : Sounding Portugueseness in Southeast Brazil
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  • 125
    Book
    Book
    London : Routledge
    ISBN: 9780367768393 , 9780367768409
    Language: English
    Pages: xiv, 381 Seiten
    Edition: Fifth edition
    Series Statement: Routledge key guides
    DDC: 781.6403
    RVK:
    Keywords: Wörterbuch ; Wörterbuch ; Wörterbuch
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  • 126
    ISBN: 9781839981364 , 9781839981333
    Language: English
    Pages: x, 96 Seiten
    Edition: Anna S. Roger, Mathieu Deflem
    Uniform Title: Women in hypermasculine environments (an analysis of gender dynamics in the Heavy Metal subculture, 2015)
    Parallel Title: Erscheint auch als
    Dissertation note: Masterarbeit 2015
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    Keywords: Heavy Metal ; Weiblichkeit ; Geschlechterrolle ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Heavy Metal ; Geschlechterrolle ; Weiblichkeit
    Note: Basiert auf Anna S. Rogers' Masterarbeit "Women in Hypermasculine Environments: An Analysis of Gender Dynamics in the Heavy Metal Subculture" (2015).
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  • 127
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367553845 , 9780367553852
    Language: English
    Pages: 177 Seiten
    Series Statement: Routledge studies in popular music
    Parallel Title: Erscheint auch als
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    Keywords: Musikerlebnis ; Euphorie ; Popular music / Social aspects ; Popular music / Social aspects / Australia / Brisbane (Qld.) ; Peak experiences ; Peak experiences ; Popular music / Social aspects ; Queensland / Brisbane ; Musikerlebnis ; Euphorie
    Abstract: "Peak music experiences' are a recurring feature of popular music journalism, biography and fan culture, where they are often credited as pivotal in people's relationships with music and in their lives more generally. Ben Green investigates the phenomenon from a social and cultural perspective, including discussions of peak music experiences as sources of inspiration and influence; as a core motivation for ongoing musical and social activity; the significance of live music experiences; and the key role of peak music experiences in defining and perpetuating music scenes. The book draws from both global media analysis and situated ethnographic research in the dance, hip hop, indie and rock 'n' roll music scenes of Brisbane, Australia, including participant observation and in-depth interviews. These case studies demonstrate the methodological value of peak music experiences as a lens through which to understand individual and collective musical life. The theoretical analysis is interwoven with selected interview data, illuminating the profound and everyday ways that music informs people's lives. The book will therefore be of interest to the interdisciplinary field of popular music studies as well as sociology and cultural studies beyond the study of music"--
    Description / Table of Contents: Introducing peak music experiences -- Theorising peak music experiences -- Histories of listening : First encounters, gateways and conversion experiences -- Life-changing moments : Experiences of inspiration and influence -- Why music? Peak music experiences as motivation -- Listening together : Peak music experiences and interpersonal relationships -- Live music experiences : Presence and affective space -- Ideal experiences : Scenes, aesthetics and belonging -- Themes and conclusions
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  • 128
    ISBN: 9781526156471 , 9781526169044
    Language: English
    Pages: xxi, 323 Seiten , Illustrationen
    Series Statement: RHA:Rethinking art's histories
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Duke University 2013
    DDC: 305.4209497
    RVK:
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    Keywords: Abramović, Marina ; Iveković, Sanja ; Sozialismus ; Künstlerin ; Kunst ; Kulturpolitik ; Jugoslawien ; Feminism / Yugoslavia ; Feminism and the arts / Yugoslavia ; Féminisme / Yougoslavie ; Féminisme et arts / Yougoslavie ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Jugoslawien ; Sozialismus ; Künstlerin ; Kulturpolitik ; Kunst ; Iveković, Sanja 1949- ; Abramović, Marina 1946-
    Abstract: Coining the term "Jugoslovenka" to designate the unique history of Yugoslav women's resistance to patriarchy during and after socialism, this book shows how Yugoslavia's anti-fascist, transnational and feminist legacies manifest in performance, conceptual, video and activist works
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  • 129
    Book
    Book
    New York, NY ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501365379 , 9781501365386
    Language: English
    Pages: xx, 239 Seiten
    Series Statement: Ex:centrics
    Parallel Title: Online version
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Bowie, David ; Geschichte 2013-2016 ; Bowie, David 1947-2016 ; Geschichte 2013-2016
    Abstract: "In the final year of his life David Bowie achieved his long-time ambition to write and stage a musical. At the same time, he produced his final record, the multi-Grammy award winning Blackstar. In Lazarus, Bowie's protagonist is an alien outsider, stuck on earth and unable to die; he must find within himself the reason, and heroism, to finally be free. 2013's The Next Day, tells stories from the perspectives of a diverse cast of obscure literary characters who are experiencing death in some way. In contrast, Blackstar elegantly invites us to consider what happens when a star dies. In our universe dying stars do not disappear, they transform into new stellar objects, remnants and gravitational forces. When a pop star dies their body of work may live on; with enough critical mass, a remnant legacy may transform an individual into something bigger than what they were: supermassive, god-sized. This book analyzes the words, images, music and sounds of Bowie's final works, critically appraising it as death art that leverages its power from the artist's demise. With Lazarus and Blackstar Bowie assembles an existentialist framework for immortality that echoes David Bowman's journey through the Star Gate in 2001: A Space Odyssey (1968). In Bowie's version, the transformation comes through death's gateway; ascension to a new state of universal being"--
    Description / Table of Contents: Part 1: Last act -- Lateness -- Remystification -- The next day -- Assemblage -- Part 2: Per ardua ad astra -- Icarus takes his pratfall -- Lazarus -- The next bardo -- Part 3: [Star symbol] -- Black holes, black music, black arts, black hearts, and button eyes -- Chaos and chemistry -- Prodigal sons -- Blackstar theory -- Epilogue: Legacies and voids
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  • 130
    Language: German
    Pages: 414 Seiten, 16 ungezählte Seiten , Illustrationen
    Edition: Originalausgabe, Sonderausgabe für die Zentralen für politische Bildung
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    Keywords: Geschichte 1960-1989 ; Musik ; Kulturaustausch ; Deutschland ; Deutschland ; Deutschland ; Deutschland ; Musik ; Kulturaustausch ; Geschichte 1960-1989
    Abstract: Der Kalte Krieg wurde kälter, der Kampf um die politisch-ideologische Lufthoheit zwischen Ost und West heftiger. Aber zugleich geschah in den späten 70ern und 80ern Erstaunliches. Der deutsch-deutsche Kulturaustausch geriet heftig in Bewegung - ausgerechnet in dem Bereich, der als besonders sensibel galt: der Pop- und Rockmusik. DDR-Bands wie City, Pankow und Puhdys wurden erstmals auf BRD-Tour geschickt, Karat traten bei "Wetten, dass...?" auf, ließen Hunderttausende von West-Mark nach Ost-Berlin fließen. Im Gegenzug durften Westkünstler wie Udo Lindenberg, Peter Maffay und Rio Reiser in der DDR spielen, rockten Die Toten Hosen semilegal in Ostkirchen. Es ging um Propaganda und Devisen, versteckte Botschaften, politische Manöver. Joachim Hentschel erzählt hier zum ersten Mal die ganze Geschichte dieser Zeit, spricht mit Zeitzeugen und beleuchtet die Hintergründe: Wer waren die Strippenzieher? Welche Rolle spielten Stasi, DDR-Kulturministerium und FDJ, westliche Plattenfirmen und Impresarios? Und wie viel trug der große Kulturhandel zur Wende von 1989 und zum Mauerfall bei?
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  • 131
    ISBN: 978-3-8376-6055-5 , 3-8376-6055-9
    Language: German
    Pages: 375 Seiten ; , 22.5 cm x 14.8 cm, 618 g.
    Series Statement: Cultural Studies Band 56
    Series Statement: Cultural Studies
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Popkultur. ; Gangsta-Rap. ; Sozialer Konflikt. ; Repräsentation ; Deutschland. ; Rap ; Gangsta-Rap ; Kulturwissenschaft ; Migration ; Intersektionalität ; Soziale Ungleichheit ; Hip Hop ; Soziale Medien ; Popkultur ; Gesellschaft ; Musik ; Popmusik ; Kultursoziologie ; Musikwissenschaft ; Gangsta-rap ; Cultural Studies ; Intersectionality ; Social Inequality ; Social Media ; Popular Culture ; Society ; Music ; Pop Music ; Sociology of Culture ; Musicology ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popkultur ; Gangsta-Rap ; Gangsta-Rap ; Sozialer Konflikt ; Repräsentation
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  • 132
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press
    ISBN: 9780472903016
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschlechtsidentität ; Hip-Hop ; Rapmusiker ; LGBT ; Geschlechterforschung ; USA ; USA ; Rapmusiker ; Rapmusiker ; Hip-Hop ; LGBT ; Geschlechtsidentität ; Geschlechterforschung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 133
    Book
    Book
    München : C.H.Beck
    ISBN: 9783406788079 , 3406788076
    Language: German
    Pages: 128 Seiten , 54 Illustrationen, Karte , 18 cm x 11.8 cm
    Edition: Originalausgabe
    Series Statement: C.H.Beck Wissen 2575
    Series Statement: C.H.Beck Wissen
    DDC: 709.6
    RVK:
    Keywords: Geschichte ; Kunst ; Afrika ; Zentralafrika ; Westafrika ; Einführung ; Afrika ; Kunst ; Geschichte ; Westafrika ; Zentralafrika ; Kunst ; Geschichte
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  • 134
    Book
    Book
    Lanham ; Boulder ; New York ; London : Lexington Books
    ISBN: 9781666900880
    Language: English
    Pages: xx, 241 Seiten , Illustrationen, Karten, Notenbeispiele
    Series Statement: The Lexington series in historical ethnomusicology: deep soundings
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte ; Rezeption ; Islam ; Ensemble ; Einflussnahme ; Hofmusik ; Malaysia ; Islamische Staaten ; Nobat ; Music / Southeast Asia / History and criticism ; Music / Political aspects / Southeast Asia / History ; Courts and courtiers / History ; Islam / Southeast Asia / History ; Courts and courtiers ; Islam ; Music ; Music / Political aspects ; Southeast Asia ; Criticism, interpretation, etc ; History ; Malaysia ; Islam ; Hofmusik ; Ensemble ; Einflussnahme ; Rezeption ; Islamische Staaten ; Geschichte
    Abstract: "The Malay Nobat: A History of Power, Acculturation, and Sovereignty explores the history and meaning of the nobat, its spread throughout the Muslim empire, and its emergence as a symbol of power and sovereignty, ultimately showing how existing nobat ensembles in Malaysia and Brunei are the last living legacy of the Mulism world"--
    Description / Table of Contents: Introduction -- Early Histories -- The Malay Nobat -- The Nobat in Early Malay Literature : A Lesson from Patani -- The Adat Aceh and 17th Century European Encounter -- From British Colonialism to Independence -- Conclusion
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  • 135
    Book
    Book
    Stanford, California : Stanford University Press
    ISBN: 9781503631687 , 9781503630567
    Language: English
    Pages: XVII, 300 Seiten , Illustrationen
    DDC: 781.63096
    RVK:
    RVK:
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    Keywords: Juden ; Muslim ; Unterhaltungsmusik ; Musikproduktion ; Musikwirtschaft ; Nordafrika
    Note: Includes bibliographical references
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  • 136
    Book
    Book
    Würzburg : Königshausen & Neumann
    ISBN: 9783826072055
    Language: English
    Pages: 197 Seiten , Illustrationen, Karten, Notenbeispiele
    DDC: 781.65
    RVK:
    Keywords: Jazz ; Jazz ; Globalisation ; Communities ; Pop-Kultur ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Jazz
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  • 137
    Book
    Book
    New Haven, CT : Yale University Press
    ISBN: 9780300255317
    Language: English
    Pages: 273 Seiten , Illustrationen, Porträts
    Parallel Title: Erscheint auch als
    DDC: 782.42164
    RVK:
    Keywords: Dylan, Bob ; Folksong ; USA ; Dylan, Bob / 1941- / Songs and music ; Folk music / United States / History and criticism ; MUSIC / Genres & Styles / Folk & Traditional ; Biografie ; Biografie ; Biografie ; Dylan, Bob 1941- ; USA ; Folksong
    Abstract: Across seven decades, Bob Dylan has been the first singer of American song. As a writer and performer, he has rewritten the national songbook in a way that comes from his own vision and yet can feel as if it belongs to anyone who might listen.0 In Folk Music, Greil Marcus tells Dylan's story through seven of his most transformative songs. Marcus's point of departure is Dylan's ability to "see myself in others." Like Dylan's songs, this book is a work of implicit patriotism and creative skepticism. It illuminates Dylan's continuing presence and relevance through his empathy-his imaginative identification with other people. This is not only a deeply felt telling of the life and times of Bob Dylan, but a rich history of American folk songs and the new life they were given as Dylan sat down to write his own
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  • 138
    Online Resource
    Online Resource
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253060082
    Language: English
    Pages: 1 Online-Ressource (xvii, 297 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Music and the early modern imagination
    Parallel Title: Erscheint auch als Music and Jewish culture in early modern Italy
    Parallel Title: Erscheint auch als
    DDC: 780.89/924045
    RVK:
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    Keywords: Geschichte 1500-1700 ; Musik ; Juden ; Italien ; Jews / Italy / Music / 16th century / History and criticism ; Jews / Italy / Music / 17th century / History and criticism ; Music / Italy / 16th century / History and criticism ; Music / Italy / 17th century / History and criticism ; Jews / Music ; Music ; Italy ; 1500-1699 ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Italien ; Juden ; Musik ; Geschichte 1500-1700
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  • 139
    ISBN: 9783955930172 , 3955930173
    Language: German , English
    Pages: 303 Seiten , Illustrationen , 21 cm x 14.8 cm, 400 g
    Edition: Originalausgabe
    Series Statement: Darmstädter Beiträge zur Jazzforschung Band 17
    Series Statement: Eine Veröffentlichung des Jazzinstituts Darmstadt
    DDC: 781.65
    RVK:
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    Keywords: Jazz ; Vielfalt ; Konferenzschrift 2021 ; Konferenzschrift 30.09.2021-02.10.2021 ; Konferenzschrift 30.09.2021-02.10.2021 ; Konferenzschrift 30.09.2021-02.10.2021
    Note: Texte teilweise deutsch, teilweise englisch , Literaturangaben
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  • 140
    Book
    Book
    Bielefeld : transcript
    ISBN: 9783837657586
    Language: English
    Pages: 225 Seiten , Illustrationen
    Series Statement: Popular Music
    DDC: 781.6480141
    RVK:
    Keywords: Elektronische Musik ; Tanzmusik ; Online-Community ; Diskursanalyse ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 141
    ISBN: 9783910335721 , 3910335721
    Language: German
    Pages: 299 Seiten , Illustrationen
    Additional Material: 1 Beilage
    Edition: 1. Auflage
    RVK:
    Keywords: Geschichte 1970-1990 ; Hard Rock ; Heavy Metal ; Oral history ; Krautrock ; Deutschland ; Krautrock ; Hard Rock ; Heavy Metal ; Deutschland ; Krautrock ; Hard Rock ; Heavy Metal ; Oral history ; Geschichte 1970-1990
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  • 142
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783031189999
    Language: English
    Pages: xvi, 459 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 302
    RVK:
    Keywords: Social Psychology ; Popular Music ; Media Psychology ; Theory of Music ; Social psychology ; Popular music ; Psychology ; Mass Media ; Music theory ; Musikwahrnehmung ; Ohrwurm ; Sozialpsychologie ; Musikalische Form ; Popmusik ; Popmusik ; Ohrwurm ; Musikwahrnehmung ; Musikalische Form ; Sozialpsychologie
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  • 143
    Book
    Book
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781316514337
    Language: English
    Pages: xvii, 511 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.48420973
    RVK:
    RVK:
    Keywords: Geschichte 1492-1942 ; Geschichte 1492- ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; Music / Social aspects / United States ; Songs / Social aspects / United States ; Music / Political aspects / United States ; Songs / Political aspects / United States ; Music ; Political aspects ; Music ; Social aspects ; United States ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492- ; USA ; Protestsong ; Geschichte 1492-1942
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  • 144
    ISBN: 9783031055546
    Language: English
    Pages: xv, 275 Seiten , Illustrationen
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation
    DDC: 941
    RVK:
    Keywords: Geschichte 1945-1950 ; History of Britain and Ireland ; Modern History ; Cultural History ; Social History ; Music ; Great Britain—History ; History, Modern ; Civilization—History ; Social history ; Music ; Musik ; Subkultur ; Bebop ; London-Soho ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; London-Soho ; Bebop ; Musik ; Subkultur ; Geschichte 1945-1950
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  • 145
    Book
    Book
    London ; New York ; Paris ; Sydney ; Copenhagen ; Berlin ; Madrid ; Tokyo : Omnibus Press
    ISBN: 9781913172664
    Language: English
    Pages: 259 Seiten, 16 Seiten ungezählte Bildtafeln , Illustrationen
    RVK:
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    Keywords: McGeoch, John ; Geschichte 1955-2004 ; Postpunk ; Gitarrist ; Rockmusiker ; Großbritannien ; McGeoch, John / 1955-2004 ; Guitarists / Great Britain / Biography ; Punk rock musicians / Great Britain / Biography ; Biographies ; Biografie ; Biografie ; McGeoch, John 1955-2004 ; Großbritannien ; Rockmusiker ; Gitarrist ; Postpunk ; Geschichte 1955-2004
    Abstract: "John McGeoch was the unsung hero of the post-punk era. Blazing a trail with some of Britain's biggest bands and most revered artists--Magazine, Siouxsie and the Banshees, The Armory Show and Public Image Ltd--John left an undeniable and indelible mark on music. The Light Pours Out of Me examines John's life and legacy, drawing on original interviews with the likes of Siouxsie Sioux, Howard Devoto, Johnny Marr, Billy Idol, John Frusciante, Keith Levene, Jonny Greenwood, Nick Launay, Ed O'Brien, Peter 'Hooky' Hook and many others. Illustrated with unseen photographs, this moving biography--authorised by the family--celebrates the remarkable guitarists who helped provide the soundtrack to a generation"--Dust jacket
    Description / Table of Contents: Forewords / Emily McGeoch, Malcolm Garrett, Dave Formula, Paul Morley, Johnny Marr -- Introduction / John McGeoch, taken from the fan information sheet, 'Secondhand daylight' -- Ian : childhood in Scotland and relocating to England -- Friends of mine : moving to Manchester to study fine art, and the first meeting with Howard Devoto -- Secondhand insight : the formation, rise and fall of Magazine -- Strange days : a brief flirtation with the emerging New Romantic movement courtesy of Visage -- Happy house : John leaves Magazine and joins up with Siouxsie and the Banshees -- Waiting for the floods : after his dismissal from the Banshees, John travels to Sweden before forming the post-punk 'supergroup', The Armoury Show -- Brave new world : John joins John Lyndon in Public Image Ltd -- Diamond : John as the family man, and starting up his own group, Pacific -- Heavens inside : John's later years and untimely death -- The anti-hero : tributes to John McGeoch from friends, family, contemporaries and admirers -- Afterword
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  • 146
    Book
    Book
    Urbana ; Chicago ; Springfield : University of Illinois Press
    ISBN: 9780252086441 , 9780252044373
    Language: English
    Pages: X, 293 Seiten , Illustrationen, Karten (schwarz-weiß)
    Parallel Title: Erscheint auch als
    DDC: 306.484229423
    RVK:
    Keywords: Klang ; Musikethnologie ; Musiksoziologie ; Volksmusik ; Mongolei ; Music / Social aspects / Mongolia ; Music / Social aspects / China / Inner Mongolia ; Music / Mongolia / History and criticism ; Music / China / Inner Mongolia / History and criticism ; Mongols / Music / History and criticism ; Mongols / Music ; Music ; Music / Social aspects ; China / Inner Mongolia ; Mongolia ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Mongolei ; Klang ; Volksmusik ; Mongolei ; Musiksoziologie ; Musikethnologie
    Abstract: "Music cultures today in rural and urban Mongolia and Inner Mongolia emerge from centuries-old pastoralist practices that were reshaped by political movements in the twentieth century. Mongolian Sound Worlds investigates the unique sonic elements, fluid genres, social and spatial performativity, and sounding objects behind new forms of Mongolian music--forms that reflect the nation's past while looking towards its globalized future. Drawing on fieldwork in locations across the Inner Asian region, the contributors report on Mongolia's genres and musical landscapes; instruments like the morin khuur, tovshuur, and Kazakh dombyra; combined fusion band culture; and urban popular music. Their broad range of concerns include nomadic herders' music and instrument building, ethnic boundaries, heritage-making, ideological influences, nationalism, and global circulation. A merger of expert scholarship and eyewitness experience, Mongolian Sound Worlds illuminates a diverse and ever-changing musical culture"--
    Description / Table of Contents: Introduction. Mongolian Sound Worlds : Opening Snapshots / Sunmin Yoon -- PART ONE. LANDSCAPES AND SOUNDSCAPES. Interlude : Song about the Steppe / Oktyabr and Jennifer C. Post ; Sound, Music, Pastoralism, and Nature in Mongolian Sound Worlds / Jennifer C. Post -- PART TWO. ETHNICITY AND DIVERSITY. Interlude. Musical Journeys in Inner Mongolia and Beyond / Tamir Hargana and Charlotte D'Evelyn ; Music and Ethnic Identity in Inner Mongolia / Charlotte D'Evelyn ; The Politics of Regional and Ethnic Identities in Contemporary Mongolian Urtyn duu / Sunmin Yoon ; Gendered Musicality in the Altai Mountains / Rebekah Plueckhahn -- PART THREE. MATERIAL AND SOCIAL HISTORY. Interlude. Consistency, Patience, and Perseverance : Maintaining the Fiddle-Making Tradition / Bayarsaikhan Badamsuren and Peter K. Marsh ; The Horsehead Fiddle : A Biographical History / Peter Marsh and Charlotte D'Evelyn ; The Tovshuur and Oirad Identity in Mongolia's Western Provinces / Otgonbayar Chuulunbaatar ; Social Lives of the Dombyra and Its Makers in Western Mongolia / Jennifer C. Post -- PART FOUR. HERITAGE AND GLOBALIZATION. Interlude. Everything Has Two Sides : An Interview / Andrew Colwell and D. Tserendavaa ; Chandman' and Beyond : Heritage-making of Mongolian Khöömii in Past and Present / Johanni Curtet ; Mongolian Music, Globalization, and Nomadism / Andrew Colwell ; "We Were Born with Global Ambition" : Continuity, Innovation, and a New Chapter in the Development of Mongolian Popular Music / Peter K. Marsh
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  • 147
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501357848 , 9781501357831
    Language: English
    Pages: ix, 146 Seiten , Illustrationen
    Series Statement: 33 1/3 Europe
    Parallel Title: Online version Elliott, Richard, 1971 June 28- DJs do guetto
    RVK:
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    Keywords: Geschichte 2006 ; Weltmusik ; Album ; Portugal ; DJs do guetto (2006) ; Electronic dance music / Portugal / Lisbon / History and criticism ; Popular music / Portugal / Lisbon / 2001-2010 / History and criticism ; Black people / Portugal / Lisbon / Music / History and criticism ; Blacks ; Electronic dance music ; Popular music ; Portugal / Lisbon ; 2001-2010 ; Criticism, interpretation, etc ; Portugal ; Weltmusik ; Album ; Geschichte 2006
    Abstract: "Uses the 2006 compilation DJs do Guetto as a central document of Afro-diasporic music in 21st-century Lisbon and as a case study of postcolonial encounters in global popular music"--
    Description / Table of Contents: Pr001 -- Uprooted Beats -- Close Encounters -- Quinta do Mocho -- Looped Encounters -- The Making and Unmaking of a DJ Crew -- Nobility -- Strange Futurity -- Translation -- An Ending
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  • 148
    ISBN: 9780197543313
    Language: English
    Pages: xxvi, 660 Seiten , Illustrationen, Porträts (teilweise farbig)
    Edition: Sixth edition
    Parallel Title: Online version Starr, Larry American popular music
    RVK:
    Keywords: Geschichte 1760-2022 ; Popmusik ; Nordamerika ; USA ; Popular music / United States / History and criticism ; Popular music ; United States ; Criticism, interpretation, etc ; Nordamerika ; USA ; Popmusik ; Geschichte 1760-2022
    Abstract: "This is an introductory text for undergraduates taking courses in the history of American popular music"--
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  • 149
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501345326 , 9781501389917
    Language: English
    Pages: xiv, 409 Seiten
    Series Statement: Bloomsbury handbooks
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Musikpolitik ; Popmusik ; Musikwirtschaft ; Popular music / Law and legislation ; Popular music / Political aspects ; Cultural policy ; Music trade ; Music and state ; Cultural policy ; Music and state ; Music trade ; Popular music / Political aspects ; Popmusik ; Musikwirtschaft ; Musikpolitik
    Abstract: "Examines the complex relationships between governments, industries and audiences, offering insight into negotiations within particular industries, nations and regions, where music policy remains at the forefront of wider creative industries policy"--
    Description / Table of Contents: Introduction. Situating popular music policy / Shane Homan -- Part I. Policy Contexts. Distributing rights and resources : The cultural politics of popular music policy / John Street ; The presence and absence of policy in the digital music industries / Daniel Nordgård ; Property or status? Music and musicians under copyright / Thomas Dillon -- Part II. Policy Sectors. Conceptualising popular music's heritage as an object of policy : Preservation, performance and promotion / Paul Long, Zelmarie Cantillon and Sarah Baker ; Popular music, policy and education / Gareth Dylan Smith and Zack Moir ; Music exports / Shane Homan ; Broadcasting and popular music policy / J. Mark Percival ; Live music infrastructure / Adam Behr -- Part III. National Frameworks. Audible, Visible and Experiential : Reflections on South Korean Popular Music Policy / Soojin Kim ; The Canadian conundrum : Robust policies catching up with the times / Richard Sutherland ; The new Great Leap Forward of China : National and local music policy in Chengdu / Qian Wang ; Australian popular music policy / Sarah Taylor and Shane Homan ; More than dots on maps : Locating live venues in the German music policy framework / Niklas Blömeke, Jan Üblacker, Johannes Krause, Heiko Rühl and Katharina Huseljic ; From national identity to the well-being of future generations : Popular music within devolved Welsh policy-making between 1999-2020 / Luke Thomas and Paul Carr -- Part IV. Contemporary Debates. Ticketing : Why is it a problem? / Michael Waterson ; Gender and popular music policy / Sam de Boise, Maura Edmond and Catherine Strong ; When music becomes datafied : Streaming services and the case of Spotify / Jonas Andersson Schwarz and Sofia Johansson ; Music cities / Sarah Taylor ; Brexit and the UK live music industry / Patrycja Rozbicka, Adam Behr and Craig Hamilton
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  • 150
    ISBN: 9783492071246
    Language: German
    Pages: 316 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen , 22 cm x 13.8 cm
    RVK:
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    Keywords: Doldinger, Klaus ; Klaus Doldinger ; Passport ; Jazz ; Musik ; Jazzmusik ; Tatort ; Das Boot ; Liebling Kreuzberg ; Ein Fall für Zwei ; Weatherreport ; Die unendliche Geschichte ; Filmmusik ; Motherhood ; Autobiografie ; Autobiografie ; Autobiografie ; Autobiografie ; Doldinger, Klaus 1936-
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Mit exklusivem Bonustrack zum Download
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  • 151
    Book
    Book
    Manchester : Manchester University Press
    ISBN: 9781526152237
    Language: English
    Pages: ix, 192 Seiten
    Parallel Title: Erscheint auch als
    DDC: 781.6609415090
    RVK:
    RVK:
    Keywords: Geschichte 1975-1985 ; Punk ; Punk Rock ; Belfast ; Punk rock music / Northern Ireland / Belfast / History and criticism ; Punk rock music / Northern Ireland / Belfast / Interviews ; Northern Ireland / History / 1968-1998 ; Northern Ireland / History / 1968-1998 / Interviews ; Belfast ; Punk Rock ; Punk ; Geschichte 1975-1985
    Abstract: Belfast punk and the Troubles is an oral history of the punk scene in Belfast from the mid-1970s to the mid-80s. The book explores what it was like to be a punk in a city shaped by the violence of the Troubles, and how this differed from being a punk elsewhere. It also asks what it means to have been a punk - how punk unravels as a thread throughout the lives of the people interviewed, and what that unravelling means in the context of post-peace-process Northern Ireland. In doing so, it suggests a critical understanding of sectarianism, subjectivity and memory politics in the North, and argues for the importance of placing punk within the segregated structures of everyday life described by the interviewees. Adopting an innovative oral history approach drawing on the work of Luisa Passerini and Alessandro Portelli, the book analyses a small number of oral history interviews with participants in granular detail. Outlining the historical context and the cultural memory of punk, the central chapters each delve into one or two interviews to draw out the affective, imaginative and political ways in which punks and former punks evoke their memories of taking part in the scene. Through this method, it analyses the punk scene as a structure of feeling shaped through the experience of growing up in wartime Belfast. Belfast punk and the Troubles is an intervention in Northern Irish historiography stressing the importance of history from below, and will be compelling reading for historians of Ireland and of punk, as well as those interested in innovative approaches to oral history.
    Note: Literaturverzeichnis: Seite 179-190
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  • 152
    ISBN: 9783658365158 , 3658365153
    Language: German
    Pages: VII, 543 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 305.2350943
    RVK:
    RVK:
    Keywords: Geschichte 2000- ; Hip-Hop ; Deutschland ; Deutscher Rap/HipHop ; Empowerment/ Jugendkultur ; Gender/Geschlechtlichkeit ; Pädagogik/Musikpädagogik ; Migration/Postmigration ; HipHop Studies ; Hip-Hop pedagogy ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Hip-Hop ; Geschichte 2000-
    URL: Cover
    URL: Unbekannt  (lizenzpflichtig)
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  • 153
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197511114
    Language: English
    Pages: 1 Online-Ressource (x, 277 Seiten) , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.6480979461
    RVK:
    Keywords: Disco music / California / San Francisco / History and criticism ; Electronic dance music / California / San Francisco / History and criticism ; Sound recording industry / California / San Francisco / History / 20th century ; Gay men / California / San Francisco / Social life and customs / 20th century ; Castro (San Francisco, Calif.)
    Abstract: In 'Menergy', author Louis Niebur offers a fascinating new look at gay history through the sounds of San Francisco's queer nightlife. In doing so he also reveals new insights in the history of electronic music and dance music
    Note: Also issued in print: 2022. - Includes bibliographical references, discography and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 154
    ISBN: 9781469667249 , 9781469667232
    Language: English
    Pages: 228 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Kooperation ; Musik ; Urheberrecht ; Jamaika ; Popular music / Jamaica / History and criticism ; Popular music / Social aspects / Jamaica / History ; Music trade / Jamaica ; Copyright / Music / Jamaica ; Music and race / Jamaica ; Musique populaire / Jamaïque / Histoire et critique ; Musique populaire / Aspect social / Jamaïque / Histoire ; Musique / Industrie / Jamaïque ; Droit d'auteur / Musique / Jamaïque ; Musique et race / Jamaïque ; Copyright / Music ; Music trade ; Popular music ; Popular music / Social aspects ; Jamaica ; Criticism, interpretation, etc ; History ; Jamaika ; Musik ; Kooperation ; Urheberrecht
    Abstract: "In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann reveals, goes beyond cultural concerns. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a postcolonial world, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization"--
    Description / Table of Contents: Introduction : Community originality and colonial copyright -- Voice of the people : Cultural survival as a musical imperative -- Every night it's something : Exilic authoritiy in the street dance -- Counteractions : Musical conversation against commodification -- Conclusion : New visions from old traditions : autonomy from the commons
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  • 155
    ISBN: 9783030987046
    Language: English
    Pages: xxvii, 465 Seiten , Illustrationen
    Series Statement: Pop music, culture and identity
    Series Statement: Pop music, culture and identity
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 2
    RVK:
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  • 156
    Book
    Book
    New York, NY : Abrams Press
    ISBN: 9781419747946
    Language: English
    Pages: X, 502 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Michael, George ; Michael, George / 1963-2016 ; Singers / Great Britain / Biography ; Gay men / Great Britain / Biography ; Rock musicians / Great Britain / Biography ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / LGBTQ+ ; Michael, George / 1963-2016 ; Gay men ; Rock musicians ; Singers ; Great Britain ; Singers / Biography ; Gay men / Biography ; Rock musicians / Biography ; Biography ; Biographies ; Biographies ; Biografie ; Biografie ; Biografie ; Michael, George 1963-2016
    Abstract: "The definitive biography of George Michael, offering an expansive look at the troubled life of the legendary singer, songwriter, and pop superstar" --
    Abstract: George Michael was an extravagantly gifted, openhearted soul singer whose work was both pained and smolderingly erotic. He was a songwriter of true craft and substance, and his music swept the world, starting in the mid-1980s. His fabricated image--that of a hypermacho sex god--loomed large in the pop culture of his day. It also hid--for a time--the secret he fought against revealing: Michael was gay. Soon his obsession with fame would start to backfire. As one of the industry's most privileged yet tortured men began to self-destruct, the press showed little sympathy. George Michael: A Life explores the compelling story of a superstar whose struggles, as well as his songs, continue to touch fans all over the world. Acclaimed music biographer James Gavin traces Michael's metamorphosis from the shy and awkward Georgios Kyriacos Panayiotou into the swaggering, dominant half of the leading British pop duo of the 1980s Wham!; he then details Michael's sensational solo career and its subsequent unraveling. With deep analysis of the creative process behind Michael's albums, tours, and music videos, as well as interviews with hundreds of his friends and colleagues, George Michael: A Life is a probing, definitive portrait of a pop legend
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  • 157
    ISBN: 9783030978839
    Language: English
    Pages: XXIII, 401 Seiten , Illustrationen
    Series Statement: Pop music, culture and identity
    Series Statement: Pop music, culture and identity
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 1
    RVK:
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  • 158
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780367677794 , 9780367677824
    Language: English
    Pages: viii, 186 Seiten , Illustration
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Diaspora ; Jazz ; Kultursoziologie ; Ungarn ; Jazz / Hungary / History and criticism ; Jazz ; Hungary ; Criticism, interpretation, etc ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Ungarn ; Jazz ; Diaspora ; Kultursoziologie
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  • 159
    ISBN: 9780374139940
    Language: English
    Pages: XVI, 458 Seiten , Illustrationen, Karten
    Edition: First edition
    RVK:
    Keywords: J Dilla ; J Dilla / 1974-2006 ; J Dilla / 1974-2006 / Criticism and interpretation ; Sound recording executives and producers / United States / Biography ; Rap (Music) / Production and direction / History ; Rap (Music) / History and criticism ; Musical meter and rhythm ; Musique / Mesure et rythme ; MUSIC / History & Criticism ; J Dilla / 1974-2006 ; Musical meter and rhythm ; Rap (Music) ; Sound recording executives and producers ; United States ; Biography ; Biographies ; Criticism, interpretation, etc ; History ; Biographies ; Music criticism and reviews ; Biographies ; Comptes rendus de musique ; Biografie ; Biografie ; Biografie ; J Dilla 1974-2006
    Abstract: "Equal parts musicology, biography, and cultural history, Dilla Time chronicles the invention of a new kind of beat by the most underappreciated musical genius of our time"--
    Abstract: J Dilla wasn't known to mainstream audiences: in his lifetime he never had a pop hit. Since his death he has been revered by jazz musicians and rap icons for a new kind of musical time-feel that he created on a drum machine, which changed the way "traditional" musicians play. Charnas chronicles the life of James DeWitt Yancey, from a childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death; and follows the people who kept him and his ideas alive. Along the way Charnas rewinds the histories of American rhythms, a story of Black culture in America and of what happens when human and machine times are synthesized into something new. -- adapted from jacket
    Description / Table of Contents: Wrong -- Straight Time / Swing Time -- Play Jay -- Machine Time -- Dee Jay -- Sample Time -- Jay Dee -- Dilla Time -- Partners -- Pay Jay -- Warp Time -- J Dilla -- Zealots -- Micro Time -- Descendants / Disciples -- Fragments
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  • 160
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501374715 , 9781501374753
    Language: English
    Pages: vii, 290 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Fela ; Afrobeat ; Fela / 1938-1997 / Criticism and interpretation ; Fela / 1938-1997 / Philosophy ; Fela / 1938-1997 / Political and social views ; Afrobeat / Social aspects / Nigeria ; Afrobeat / Political aspects / Nigeria ; Nigeria / Politics and government / 20th century ; Afrobeat / Aspect social / Nigeria ; Afrobeat / Aspect politique / Nigeria ; Nigeria / Politique et gouvernement / 20e siècle ; Fela / 1938-1997 ; Philosophy ; Political and social views ; Politics and government ; Nigeria ; 1900-1999 ; Criticism, interpretation, etc ; Fela 1938-1997 ; Afrobeat
    Abstract: "Reappraises the life, musical dynamics, and philosophy of Afrobeat legend Fela Anikulapo Kuti, and positions his music within the context of Africa's search for freedom"--
    Description / Table of Contents: Introduction. Fela Anikulapo-Kuti and Fela Studies ; Fela in Perspectives -- Part A. History and Culture. Natal Tales : Fela and His Family ; The Performative Rhythm : From Highlife to Afrobeat ; The "Woman Question" : Fela and His Wives -- Part B. Fela, Art and Politics. Fela and the Postcolonial Political Economy of Nigeria ; The Politics of Fela's Music ; Fela's Use of Language ; Postcoloniality and Art in Fela and His Afrobeat -- Part C. Fela and Felasophy. Cultural Imperatives in Fela's Music ; Fela's Thoughts on African Indigenous Knowledge Systems ; Fela and Pan-Africanism ; Blackism : Fela's Political Philosophy ; Freedom and Excesses : Fela and His Social Eccentricities -- Part D. Fela in the Future. Post-Fela : Afrobeats as Memorialization ; Fela as a Legacy
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  • 161
    Book
    Book
    Urbana : University of Illinois Press
    ISBN: 9780252086335 , 9780252044267
    Language: English
    Pages: x, 268 Seiten , Illustrationen, Fotografien
    Series Statement: Music in American life
    Parallel Title: Erscheint auch als
    DDC: 781.642
    RVK:
    RVK:
    Keywords: Countrymusic ; Queer-Theorie
    Note: Diskografie Seite 229-234 , Literaturverzeichnis Seite 235-250
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  • 162
    ISBN: 9781419749698
    Language: English
    Pages: XII, 306 Seiten
    Parallel Title: Erscheint auch als
    DDC: 782.42164092
    RVK:
    Keywords: Houston, Whitney ; Houston, Whitney / https://isni.org/isni/000000011478617X ; African American women singers / United States / Biography ; African American singers / United States / Biography ; Singers / United States / Biography ; Chanteuses noires américaines / États-Unis / Biographies ; Chanteurs noirs américains / États-Unis / Biographies ; Chanteurs / États-Unis / Biographies ; BIOGRAPHY & AUTOBIOGRAPHY / Music ; BIOGRAPHY & AUTOBIOGRAPHY / Women ; BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts ; Houston, Whitney ; African American singers ; African American women singers ; United States ; African American women singers / Biography ; African American singers / Biography ; Biography ; Biography ; Biographies ; Biographies ; Biographies ; Biografie ; Biografie ; Biografie ; Houston, Whitney 1963-2012
    Abstract: "A candid exploration of the genius, shame, and celebrity of Whitney Houston a decade after her passing. On February 11, 2012, Whitney Houston was found submerged in the bathtub of her suite at the Beverly Hilton Hotel. In the decade since, the world has mourned her death amid new revelations about her relationship to her Blackness, her sexuality, and her addictions. Didn't We Almost Have It All is author Gerrick Kennedy's exploration of the duality of Whitney's life as both a woman in the spotlight and someone who often had to hide who she was. This is the story of Whitney's life, her whole life, told with both grace and honesty. Long before that fateful day in 2012, Whitney split the world wide open with her voice. Hers was a once-in-a-generation talent forged in Newark, NJ, and blessed with the grace of the church and the wisdom of a long lineage of famous gospel singers.
    Abstract: She redefined 'The Star-Spangled Banner.' She became a box-office powerhouse, a queen of the pop charts, and an international superstar. But all the while, she was forced to rein in who she was amid constant accusations that her music wasn't Black enough, original enough, honest enough. Kennedy deftly peels back the layers of Whitney's complex story to get to the truth at the core of what drove her, what inspired her, and what haunted her. He pulls the narrative apart into the key elements that informed her life--growing up in the famed Drinkard family; the two romantic relationships that shaped the entirety of her adult life, with Robyn Crawford and Bobby Brown; her fraught relationship to her own Blackness and the ways in which she was judged by the Black community; her drug and alcohol addiction; and, finally, the shame that she carried in her heart, which informed every facet of her life.
    Abstract: Drawing on hundreds of sources, Kennedy takes readers back to a world in which someone like Whitney simply could not be, and explains in excruciating detail the ways in which her fame did not and could not protect her. In the time since her passing, the world and the way we view celebrity have changed dramatically. A sweeping look at Whitney's life, Didn't We Almost Have It All contextualizes her struggles against the backdrop of tabloid culture, audience consumption, mental health stigmas, and racial divisions in America. It explores exactly how and why we lost a beloved icon far too soon" --
    Description / Table of Contents: Didn't We Almost Have It All?: A Meditation on Loss and Memory -- Under His Eye, Blessed Be The Sound: Faith, Gospel, and the Almighty Power of Cissy Houston -- Home: Newark and the Black American Dreams That Birthed Whitney Houston -- Stuff That You Want, Thing That You Need: The Brilliance and Influence of Whitney's Voice -- My Lonely Heart Calls: On Sex, Desire, and Sexuality -- Miss America, The Beautiful: The Burden of the National Anthem and the Politics of Whitney's Blackness -- Bolder, Blacker, Badder: The Sisters with Voices That Transformed Whitney -- Tell The Truth And Shame The Devil: How Trauma, Shame, and Tabloid Culture Broke Whitney -- The Undoing Of Whitney Houston: Virtue, Vice, and a Requiem for Redemption -- Won't They Always Love You?: Reflections on Meaning and Legacy
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  • 163
    ISBN: 9780231205931 , 9780231205924
    Language: English
    Pages: 192 Seiten
    Series Statement: The Columbia oral history series
    Parallel Title: Erscheint auch als
    DDC: 782.42164092
    RVK:
    Keywords: Dylan, Bob ; Ballade ; Dylan, Bob / 1941- / Criticism and interpretation ; Dylan, Bob / 1941- / Hard rain's a-gonna fall ; Folk songs / History and criticism ; Ballads / History and criticism ; Music and history ; Lord Randal ; Chansons folkloriques / Histoire et critique ; Ballades / Histoire et critique ; Musique et histoire ; Dylan, Bob / 1941- ; Ballads ; Folk songs ; Music and history ; Criticism, interpretation, etc ; Dylan, Bob 1941- ; Ballade
    Abstract: "Hard Rain is an exploration of how oral culture and the ballad tradition shaped Nobel Laureate Bob Dylan's 1962 classic "A Hard Rain's a-Gonna Fall." The song was written at the apex of the folk music revival and harkens back to the British traditional ballad "Lord Randal" and the 17th-century Italian ballad "Il testemento dell'avvelenato." Its theme is relevant to the post-nuclear nightmares and youth movements of the 1960s, prefiguring contemporary concerns about environmental crisis, racism, and mass migrations. Alessandro Portelli demonstrates how Dylan was able to use the folk tradition of the ballad combined with a modern sensibility to creatively question the meaning and direction of history. Will the future bring liberation or disaster? It is up to us"--
    Description / Table of Contents: Introduction. Memory, Voice, and the Global Bob Dylan -- Songs of Innocence and Experience -- The text and the voice -- Talking Atomic Blues -- Which way history? -- Appendix. History's lessons unlearned -- Appendix 2. Lyrics
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  • 164
    Book
    Book
    Middletown, Connecticut : Wesleyan University Press
    ISBN: 9780819580795 , 9780819580801
    Language: English
    Pages: xiii, 279 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Music/culture
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation
    RVK:
    Keywords: Geschichte 2007-2019 ; Musikleben ; Ethnologie ; Südvietnam ; Music / Vietnam, Southern / History and criticism ; Tài tử / Vietnam, Southern / History and criticism ; Music / Social aspects / Vietnam, Southern ; Music / Performance / Vietnam, Southern ; Musicians / Vietnam, Southern ; Creation (Literary, artistic, etc.) ; Ethnomusicology ; Improvisation (Music) ; Musique / Viêt-nam (Sud) / Histoire et critique ; Ethnomusicologie ; Improvisation (Musique) ; Musique / Aspect social / Viêt-nam (Sud) ; Musique / Exécution / Viêt-nam (Sud) ; Musiciens / Viêt-nam (Sud) ; ethnomusicology ; Creation (Literary, artistic, etc.) ; Ethnomusicology ; Improvisation (Music) ; Music ; Music / Performance ; Music / Social aspects ; Musicians ; Tài tử ; Southern Vietnam ; Criticism, interpretation, etc ; Ethnographies ; Ethnographies ; Études ethnographiques ; Hochschulschrift ; Forschungsbericht ; Hochschulschrift ; Forschungsbericht ; Hochschulschrift ; Forschungsbericht ; Südvietnam ; Musikleben ; Ethnologie ; Geschichte 2007-2019
    Abstract: "Ethnographic study of creativity in traditional southern Vietnamese music in the early twenty-first century"--
    Description / Table of Contents: Framing contested creativities -- Creativity in ethnomusicology -- The seed of creativity in southern Vietnam -- Portrait of Đờn ca tài tử -- Playing with metaphor -- Developing creativity -- Tradition, still remains -- Creativity in new directions
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  • 165
    ISBN: 9781793655639
    Language: English
    Pages: ix, 179 Seiten
    Series Statement: For the record : Lexington studies in rock and popular music
    DDC: 781.660973
    RVK:
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    Keywords: Rock 'n' Roll ; Protest ; USA
    Note: References Seite 159-166
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  • 166
    Book
    Book
    Newcastle upon Tyne, UK : Cambridge Scholars Publishing
    ISBN: 9781527586222
    Language: English
    Pages: viii, 158 Seiten
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Hass ; Popmusik ; Popmusik ; Hass
    Abstract: "'Love' may be the major theme of the majority of pop songs, but 'hate', including its subcategories malevolence, vengeance, self-loathing, and contempt, run it close. Looking at artists across the history of popular music, and songs ranging from 'Runaround Sue' to 'W.A.P', this book explores the concept of hatred in lyrics, album art, music video, and the music industry itself, asking important questions about misogyny, politics, psychology, and family along the way." (Buchrückseite)
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  • 167
    ISBN: 9786053965565
    Language: Turkish
    Pages: 176 Seiten , Illustrationen
    RVK:
    Keywords: Geschichte 3000 v. Chr.-1000 v. Chr. ; Instrument ; Musik ; Mesopotamien ; Anatolien ; Mesopotamien ; Anatolien ; Musik ; Instrument ; Geschichte 3000 v. Chr.-1000 v. Chr.
    Note: Literaturverzeichnis Seite 135-140
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  • 168
    ISBN: 9783952544426 , 3952544426
    Language: English
    Pages: 354 Seiten , Illustrationen, Diagramme , 23.5 cm x 16.5 cm, 633 g
    Edition: 1st edition
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte 2000- ; Experimentelle Musik ; Elektronische Musik ; Strategie ; Musikproduktion ; Politisches Denken ; Sampling ; Ableton ; Intention ; Musikproduktion ; Deconstructed Club ; Electronica ; Kreativität ; Digital Audio Workstation ; Musical Borrowing ; Sampling ; Elektronische Musik ; Experimentelle Musik ; Sampling ; Musikproduktion ; Strategie ; Politisches Denken ; Geschichte 2000-
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  • 169
    ISBN: 9781913172336
    Language: English
    Pages: xiii, 514 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte 1978-1983 ; Musikleben ; Musikwahrnehmung ; Elektronische Musik ; Popmusik ; Popmusik ; Elektronische Musik ; Musikwahrnehmung ; Musikleben ; Geschichte 1978-1983
    Abstract: Intro -- Title Page -- Dedication -- Acknowledgements -- Introduction -- Contents -- Inspiration 1977 -- Revolution 1978 &amp -- 1979 -- 1978 -- 1978.1 Sex Pistols / The Future / The Human League / The New Musick / Devo / David Bowie / Tubeway Army / Ultravox! -- 1978.2 Kraftwerk / Devo / Brian Eno / Japan -- 1978.3 The Normal / Cabaret Voltaire / Throbbing Gristle / Orchestral Manoeuvres In The Dark / The Human League / Suicide / Joy Division / Robert Rental / Thomas Leer -- 1978.4 Ultravox / Tubeway Army / Japan / Throbbing Gristle -- 1979 -- 1979.1 Simple Minds / Joy Division / Cabaret Voltaire / Billy's / Blitz / Orchestral Manoeuvres In The Dark / Robert Rental &amp -- The Normal / Mute Records / Fad Gadget / Silicon Teens / Telex / Tubeway Army / Japan / Sparks / M / Buggles -- 1979.2 The Human League / The Men / Tubeway Army / Joy Division / Devo / Orchestral Manoeuvres In The Dark / Gary Numan -- 1979.3 Cabaret Voltaire / The Human League / Gary Numan / Musician's Union / Ultravox / Visage / Simple Minds -- Transition 1980 &amp -- 1981 -- 1980 -- 1980.1 John Foxx / Ultravox / Gareth Jones / Japan / Orchestral Manoeuvres In The Dark / The Human League / Johnny Logan / Telex / Joy Division -- 1980.2 Blitz / Mick Jagger / David Bowie / Musicians' Union / The Face / i-D / The Gentry / Spandau Ballet / Visage / Ultravox -- 1980.3 The Human League / Joy Division / The Independent Charts / Cabaret Voltaire / Deutsch Amerikanische Freundschaft / Silicon Teens / Fad Gadget / Gary Numan / Robert Palmer / Simple Minds -- 1981 -- 1981.1 Ultravox / Spandau Ballet / Visage / Landscape / Duran Duran / MTV -- 1981.2 Some Bizzare / Stevo / Depeche Mode / Soft Cell / Orchestral Manoeuvres In The Dark / Laurie Anderson / Blancmange -- 1981.3 The Human League / British Electric Foundation / Heaven 17 / Martin Rushent / Hot Gossip.
    Note: Verfasser des Vorwort vom Schutzumschlag entnommen
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  • 170
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501370816 , 9781501370809
    Language: English
    Pages: ix, 430 Seiten , Illustrationen
    Edition: Updated and expanded edition
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Progressive Rock ; Progressive rock music / History and criticism ; Rock music / History and criticism ; Progressive rock music ; Rock music ; Criticism, interpretation, etc ; Progressive Rock ; Geschichte
    Abstract: "The original edition of Beyond and Before extends an understanding of "progressive rock" by providing a fuller definition of what progressive rock is, was and can be. Called by Record Collector "the most accomplished critical overview yet" of progressive rock and one of their 2011 books of the year, Beyond and Before moves away from the limited consensus that prog rock is exclusively English in origin and that it was destroyed by the advent of punk in 1976. Instead, by tracing its multiple origins and complex transitions, it argues for the integration of jazz and folk into progressive rock and the extension of prog in Kate Bush, Radiohead, Porcupine Tree and many more. This 10-year anniversary revised edition continues to further unpack definitions of progressive rock and includes a brand new chapter focusing on post-conceptual trends in the 2010s through to the contemporary moment. The new edition discusses the complex creativity of progressive metal and folk in greater depth, as well as new fusions of genre that move across global cultures and that rework the extended form and mission of progressive rock, including in recent pop concept albums. All chapters are revised to keep the process of rethinking progressive rock alive and vibrant as a hybrid, open form"--
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  • 171
    Book
    Book
    Cambridge, United Kingdom ; New York, NY, USA ; Port Melbourne, VIC, Australia : Cambridge University Press
    ISBN: 9781108421928 , 9781108433068
    Language: English
    Pages: xxiv, 247 Seiten , Notenbeispiele, Karte
    Series Statement: Cambridge companions to music
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Musik ; Karibik ; Aufsatzsammlung ; Karibik ; Musik
    Note: Literaturangaben
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  • 172
    Book
    Book
    New York, NY : W. W. Norton & Company
    ISBN: 9780393651386
    Language: English
    Pages: xvi, 325 Seiten , Illustrationen, Karten, Notenbeispiel
    Edition: First edition
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte ; Nationalhymne ; USA ; Star-spangled banner (Song) ; Patriotic music / United States / History and criticism ; Musique patriotique / États-Unis / Histoire et critique ; MUSIC / History & Criticism ; Star-spangled banner (Song) ; Patriotic music ; United States ; Criticism, interpretation, etc ; USA ; Nationalhymne ; Geschichte
    Abstract: "The fascinating story of America's national anthem and an examination of its powerful meaning today. Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore's Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don't know is the story of how this everyday "broadside ballad," one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation's one and only anthem and today's magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song's use in sports, at times of war, and for political protest, he argues that the anthem's meaning reflects-and is reflected by-the nation's quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key's song is the story of America itself. Each chapter in the book explores a different facet of the anthem's story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key's complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Roseanne Barr at a baseball game to the iconic Whitney Houston version from the 1991 Super Bowl. At every turn, the book goes beyond the events to explore the song's resonance and meaning. From its first lines Key's lyric poses questions: "O say can you see?" "Does that banner yet wave?" Likewise, Clague's O Say Can You Hear? raises important questions about the anthem; what it meant in 1814, what it means to us today, and why it matters."
    Description / Table of Contents: Prologue -- American Dreams : Francis Scott Key and the Writing of The Star-Spangled Banner -- Origins of a Melody : The Music of The Star- Spangled Banner -- Banner Ballads : The Many Lyrics of The Star- Spangled Banner -- The Banner at War : A Song Sanctified -- Play Ball! : The Banner in Sports -- Singing Citizenship : A Tradition of Dissent -- Nation in Translation : Language and the Politics of Belonging -- The Anthem and Black Lives : An American History -- Performing Patriotism : Musical Style as Social Symbol -- Postlude. Composing Nation
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  • 173
    Book
    Book
    Bristol, UK ; Chicago, USA : Intellect
    ISBN: 9781789385397
    Language: English
    Pages: xxix, 187 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.660980904
    RVK:
    Keywords: Geschichte 1970-2020 ; Dub ; Jamaika ; Dub (Music) / Jamaica / History and criticism ; Dub (Musique) / Jamaïque / Histoire et critique ; Dub (Music) ; Jamaica ; Criticism, interpretation, etc ; Jamaika ; Dub ; Geschichte 1970-2020
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  • 174
    Map
    Map
    New York ; London : Routledge, Taylor & Francis Group
    ISBN: 9780367691424 , 9780367691417
    Language: English
    Pages: xv, 221 Seiten , Illustrationen, Karte, Notenbeispiele
    Series Statement: SOAS studies in music
    Parallel Title: Erscheint auch als
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    Keywords: Volksmusikpflege ; Tanz ; Kelten ; Geschichte ; Cornwall ; Celtic music / Social aspects / England / Cornwall (County) ; Cornwall (England : County) / Social life and customs ; Cornwall (England : County) / History, Local ; Manners and customs ; England / Cornwall (County) ; Local history ; Hochschulschrift ; Hochschulschrift ; Cornwall ; Kelten ; Volksmusikpflege ; Tanz ; Geschichte
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  • 175
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190699345
    Language: English
    Pages: 1 Online-Ressource (xii, 376 Seiten) , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.648
    RVK:
    RVK:
    Keywords: Music / ukslc ; Music / thema ; Ambient music / History and criticism ; Psychedelic rock music / History and criticism
    Abstract: Explores the history and socioaesthetics of ambient music as a popular genre with roots in the psychedelic counterculture. It examines landmark psychedelic, new age, electronic dance, and ambient records, as well as related media discourses, that plotted the conventions of ambient music
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 176
    ISBN: 9781785273858
    Language: English
    Pages: 1 Online-Ressource (vi, 241 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Music and transnationalism ; Ethnomusicology ; Music and race ; Postcolonialism and music ; Music / Portuguese-speaking countries ; Musicians / Portuguese-speaking countries ; Postkolonialismus ; Musik ; Interkulturalität ; Migration ; Portugiesisches Sprachgebiet ; Aufsatzsammlung ; Aufsatzsammlung ; Portugiesisches Sprachgebiet ; Postkolonialismus ; Migration ; Interkulturalität ; Musik
    Abstract: 〈i〉Music Scenes and Migrations〈/i〉 brings together new work from Brazilian and European scholars around the themes of musical place and transnationalism across the Atlantic triangle connecting Brazil, Africa and Europe. Moving beyond now-contested models for conceptualizing international musical relations and hierarchies of powers and influence, such as global/local or centre/periphery, the volume draws attention instead to the role of the city, and in particular, in producing, signifying and mediating music-making in the colonial and post-colonial Portuguese-speaking world. In considering the roles played by cities as hubs of cultural intersection, socialization, exchange and transformation; as sites of political intervention and contestation; and as homes to large concentrations of consumers, technologies and media, Rio de Janeiro necessarily figures prominently, given its historical importance as an international port at the centre of the Lusophone Atlantic world. The volume also gives attention to other urban centres, within Brazil and abroad, towards which musicians and musical traditions have migrated and converged - such as São Paulo, Lisbon and Madrid - where they have reinvented themselves; where notions of Brazilian and Lusophone identity have been reconfigured; and where independent, peripheral and underground scenes have contested the hegemony of the musical 'mainstream'. 〈br〉〈br〉The contributions to the volume are grouped according to three key thematic areas: Colonial and post-Colonial transnationalisms, migrations and diasporas; relocating Rio de Janeiro; and demetropolitanizing the musical city: other scenes, industries, technologies
    Note: Title from publisher's bibliographic system (viewed on 20 Jan 2022)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 177
    Online Resource
    Online Resource
    Woodbridge, Suffolk ; Rochester, NY : The Boydell Press
    ISBN: 9781800104518
    Language: English
    Pages: 1 Online-Ressource (xiii, 246 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 306.4/842094109034
    RVK:
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    Keywords: Geschichte 1870-1900 ; Music / Social aspects / Great Britain / History / 19th century ; Exhibitions / Great Britain / History / 19th century ; Musicology / Great Britain / History / 19th century ; Musik ; Internationale Ausstellung ; Großbritannien ; Großbritannien ; Internationale Ausstellung ; Musik ; Geschichte 1870-1900
    Note: Combining approaches from reception studies and historical musicology, this book demonstrates how the representation of music at exhibitions drew the press and public into debates about music's role in society. International exhibitions were among the most significant cultural phenomena of the late nineteenth century. These vast events aimed to illustrate, through displays of physical objects, the full spectrum of the world's achievements, from industry and manufacturing, to art and design. But exhibitions were not just visual spaces. Music was ever present, as a fundamental part of these events' sonic landscape, and integral to the visitor experience. This book explores music at international exhibitions held in Australia, India, and the United Kingdom during the 1880s. At these exhibitions, music was codified, ordered, and all-round 'exhibited' in manifold ways. Displays of physical instruments from the past and present were accompanied by performances intended to educate or to entertain, while music was heard at exhibitors' stands, in concert halls, and in the pleasure gardens that surrounded the exhibition buildings. Music was depicted as a symbol of human artistic achievement, or employed for commercial ends. At times it was presented in nationalist terms, at others as a marker of universalism. This book argues, by interrogating the multiple ways that music was used, experienced, and represented, that exhibitions can demonstrate in microcosm many of the broader musical traditions, purposes, arguments, and anxieties of the day. Its nine chapters focus on sociocultural themes, covering issues of race, class, public education, economics, and entertainment in the context of music, tracing these through the networks of communication that existed within the British Empire at the time
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 178
    Book
    Book
    New York ; London : Routledge
    ISBN: 9781032011783 , 9781032011813
    Language: English
    Pages: xxviii, 145 Seiten , Illustrationen
    Series Statement: Transnational studies in jazz
    Uniform Title: Femmes du jazz
    Parallel Title: Erscheint auch als
    DDC: 782.42165092/2
    RVK:
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    Keywords: Geschichte 1980-2020 ; Jazzmusikerin ; Diskriminierung ; Frankreich ; Women jazz musicians / France ; Women jazz singers / France ; Jazz / Social aspects / France ; Sex role in music ; Musiciennes de jazz / France ; Chanteuses de jazz / France ; Rôle selon le sexe dans la musique ; Jazz / Social aspects ; Sex role in music ; Women jazz musicians ; Women jazz singers ; France ; Frankreich ; Jazzmusikerin ; Diskriminierung ; Geschichte 1980-2020
    Abstract: "Women in Jazz: Musicality, Femininity, Marginalization examines the invisible discrimination against female musicians in the French jazz world and the ways women thrive as professionals despite such conditions. The author shines a light on the paradox for women in jazz: to express oneself in a "feminine" way is to be denigrated for it, yet to behave in a "masculine" manner is to be devalued for a lack of femininity. This masculine world ensures it is more difficult for women to be recognized as jazz musicians than it is for men-even when musicians, critics, and audiences are ideologically opposed to discrimination. Female singers are confined by the feminine stereotypes of their profession, while female instrumentalists must comport themselves into traditionally masculine roles. The author explores the academic and professional socializations of these musicians, the musical choice they make, and how they are perceived by jazz professionals as a result. First published in French by CNRS Editions in 2007 (and later reissued in paperback in 2018, with the author's postscript that "nothing much has changed"), Women in Jazz: Musicality, Femininity, Marginalization expands the conversation beyond the French border, identifying female jazz musicians as a discriminated minority all around the world"--
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  • 179
    Online Resource
    Online Resource
    New Brunswick : Rutgers University Press
    ISBN: 9781978820340
    Language: English
    Pages: 1 online resource (189 pages)
    Series Statement: Nature, Society, and Culture
    Parallel Title: Erscheint auch als Fu, Albert S. Risky cities
    DDC: 307.76
    RVK:
    Keywords: Electronic books
    Abstract: "Over half the world's population lives in urban regions, and increasingly disasters are of great concern to city dwellers, policymakers, and builders. However, disaster risk is also of great interest to corporations, financiers, and investors. Risky Cities is a critical examination of global urban development, capitalism, and its relationship with environmental hazards. It is about how cities live and profit from the threat of sinkholes, garbage, and fire. Risky Cities is not simply about post-catastrophe profiteering. This book focuses on the way in which disaster capitalism has figured out ways to commodify environmental bads and manage risks. Notably, capitalist city-building results in the physical transformation of nature. This necessitates risk management strategies -such as insurance, environmental assessments, and technocratic mitigation plans. As such capitalists redistribute risk relying on short-term fixes to disaster risk rather than address long-term vulnerabilities"--
    Note: Description based on publisher supplied metadata and other sources
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  • 180
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781009086769
    Language: English
    Pages: 1 Online-Ressource (xviii, 511 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 784.4/973
    RVK:
    RVK:
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    Keywords: Geschichte 1492-1942 ; Geschichte 1492- ; Folk music / United States / History and criticism ; Folk songs / United States / History and criticism ; Protest songs / United States / History and criticism ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; USA ; Protestsong ; Geschichte 1492-1942 ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492-
    Abstract: Long before anyone ever heard of 'protest music', people in America were singing about their struggles. They sang for justice and fairness, food and shelter, and equality and freedom; they sang to be acknowledged. Sometimes they also sang to oppress. This book uncovers the history of these people and their songs, from the moment Columbus made fateful landfall to the start of the Second World War, when 'protest music' emerged as an identifiable brand. Cutting across musical genres, Will Kaufman recovers the passionate voices of America itself. We encounter songs of the mainland and the conquered territories of Hawai'i, Cuba, Puerto Rico, and the Philippines; we hear Indigenous songs, immigrant songs and Klan songs, minstrel songs and symphonies, songs of the heard and the unheard, songs of the celebrated and the anonymous, of the righteous and the despicable. This magisterial book shows that all these songs are woven into the very fabric of American history
    Note: Title from publisher's bibliographic system (viewed on 29 Jul 2022)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 181
    Online Resource
    Online Resource
    Cambridge, UK ; New York : Cambridge University Press
    ISBN: 9781009083508
    Language: English
    Pages: 1 Online-Ressource (66 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 792.028/8092
    RVK:
    Keywords: Xin, Fengxia ; Actors / China / Biography
    Abstract: This Element focuses on Xin Fengxia (1927-1998), a star of the regional xiqu form pingju, and her prominent role in transforming the genre from folk entertainment for the lower class to one of the most notable winners of the xiqu reform after the establishment of the People's Republic of China (PRC) in 1949. The Element's four sections expand from this core concept to include the four stages of her life experience and artistry that shaped her legacy: growing up in China's third largest theatre market Tianjin before 1949, national stardom in Beijing (1949-1957), restricted creativity amidst political upheavals (1957-1975), and as a prominent author after a stroke (1977-1998). Rather than following a biographical approach, these sections zero in on the environment before and after 1949 that made her a prominent pingju reformer and the consequent price of such success
    Note: Title from publisher's bibliographic system (viewed on 31 Aug 2022) , Growing up in Tiajin before 1949 -- National stardom in Beijing (1978-1957) -- Creativity during political upheavals (1957--1975) -- Authoring her memories (1977-1998) -- Conclusion
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 182
    ISBN: 9783411756698 , 3411756691
    Language: German
    Pages: 223 Seiten , 20.5 cm x 12.5 cm
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte ; Sprachgebrauch ; Popmusik ; Deutschland ; Einführung ; Deutschland ; Popmusik ; Sprachgebrauch ; Geschichte
    URL: Cover
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  • 183
    ISBN: 9780367248093 , 9780367248086
    Language: English
    Pages: ix, 223 Seiten , Notenbeispiele (schwarz-weiß)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
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    Keywords: Geschichte 2000-2020 ; Politik ; Popmusik ; Popular music / Political aspects ; Popular music / 2001-2010 / History and criticism ; Popular music / 2011-2020 / History and criticism ; Musique populaire / Aspect politique ; Musique populaire / 2001-2010 / Histoire et critique ; Musique populaire / 2011-2020 / Histoire et critique ; Popular music ; Popular music / Political aspects ; 2001-2020 ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Politik ; Geschichte 2000-2020
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  • 184
    ISBN: 9783955933234
    Language: English
    Pages: 58 Seiten , Illustrationen , 21 cm, 80 g
    Series Statement: Caprices 23
    Series Statement: Caprices
    DDC: 782.420942
    RVK:
    Keywords: Geschichte 1850-1918 ; Song ; Music hall ; Großbritannien ; English Music Hall ; English Music Hall Songs ; Music Hall ; Großbritannien ; Music hall ; Song ; Geschichte 1850-1918
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  • 185
    Book
    Book
    London : Strange Attractor Press | Cambridge, Massachusetts : The MIT Press
    ISBN: 9781913689285
    Language: English
    Pages: 334 Seiten , Illustrationen , 21 cm
    DDC: 782.421649
    RVK:
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    Keywords: Hip-hop ; Time ; Afrofuturism ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Mit Register
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  • 186
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501368417 , 9781501368400
    Language: English
    Pages: VIII, 277 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1950-2020 ; Hit ; Popmusik ; Popular music / History and criticism ; One-hit wonders ; Musique populaire / Histoire et critique ; One-hit wonders ; Popular music ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Hit ; Geschichte 1950-2020
    Abstract: "Catchy, memorable, irritating, or simply ubiquitous, one-hit wonders capture something of the mood of a time. This collection provides a series of short, sharp chapters focusing on one-hit wonders from the 1950s to the present day, offering a capsule history of popular music tastes and ruminations on the mechanics of fame." --
    Abstract: "A chronicle of changing popular music styles and tastes as exemplified by "one-hit wonders" - focusing on the mainstream, on common musical currency, and on the often maligned"--
    Description / Table of Contents: Introduction / Sarah Hill -- Buchanan & Goodman, 'The Flying Saucer' (1956) / Paul Carr -- The Kingsmen, 'Louie Louie' (1963) / Samuel Murray -- ? and the Mysterians, '96 Tears' (1966) / Adam Behr -- The Easybeats, 'Friday on My Mind' (1966) / Dai Griffiths -- Norman Greenbaum, 'Spirit in the Sky' (1969) / Philip Auslander -- The Archies, 'Sugar Sugar' (1969) / Jon Stewart -- Serge Gainsbourg, 'Je t'aime (moi non plus)' (1969) / Philippe Gonin -- Blue Swede, 'Hooked On a Feeling' (1971) / Sarah Hill, with Bengt Palmers -- Wild Cherry, 'Play That Funky Music' (1976) / Robert Fink -- Althea and Donna, 'Uptown Top Ranking' (1977) / Paul Long -- Plastic Bertrand, 'Ça Plane Pour Moi' (1977) / Patrick McGuinness -- Nick Gilder, 'Hot Child in the City' (1978) / Richard Parfitt -- The Vapors, 'Turning Japanese' (1980) / Abigail Gardner -- Aneka, 'Japanese Boy' (1981) / Richard Elliott -- Toni Basil, 'Mickey' (1981) / Tim Anderson -- Trio, 'Da Da Da' (1981) / Tim Quirk -- Nena, '99 Luftballons' (1982) / Melanie Schiller -- The Grateful Dead, 'Touch of Grey' (1987) / Tom Irvine -- A View from the Ground: Being a One-Hit Wonder / Mike Jones -- A View from the Desk : Product Management / Sarah Hill, talking with a guy in a suit -- Shakespear's Sister, 'Stay' (1992) / Áine Mangaoang -- OMC, 'How Bizarre' (1996) / Geoff Stahl -- Butthole Surfers, 'Pepper' (1996) / Gina Arnold -- Chumbawamba, 'Tubthumping' (1998) / Matt Grimes -- Meredith Brooks, 'Bitch' (1997) / Asya Draganova -- New Radicals, 'You Get What You Give' (1998) / Jon Gower -- Las Ketchup, 'Aserejé' (2002) / Eulalia Febrer Coll -- Gotye, 'Somebody That I Used to Know' (2011) / Ellis Jones
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  • 187
    ISBN: 9780472055685 , 9780472075683
    Language: English
    Pages: xi, 151 Seiten , 23 cm
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschlechtsidentität ; Hip-Hop ; Rapmusiker ; LGBT ; Geschlechterforschung ; USA ; Rap (Music) / History and criticism ; Hip-hop / History and criticism ; Gay musicians / United States ; Lesbian musicians / United States ; Transgender musicians / United States ; African American gays ; African American lesbians ; African American bisexuals ; African American transgender people ; Gender-nonconforming people / United States ; Queer musicology ; Gender identity in music ; Queer theory ; USA ; Rapmusiker ; Rapmusiker ; Hip-Hop ; LGBT ; Geschlechtsidentität ; Geschlechterforschung
    Abstract: "Notions of hip hop authenticity, as expressed both within hip hop communities and in the larger American culture, rely on the construction of the rapper as a Black, masculine, heterosexual, cisgender man who enacts a narrative of struggle and success. In Queer Voices in Hip Hop, Lauron Kehrer turns our attention to openly queer and trans rappers and positions them within a longer Black queer musical lineage. Combining musical, textual, and visual analysis with reception history, this book reclaims queer involvement in hip hop by tracing the genre's beginnings within Black and Latinx queer music-making practices and spaces, demonstrating that queer and trans rappers draw on Ballroom and other cultural expressions particular to queer and trans communities of color in their work in order to articulate their subject positions. By centering the performances of openly queer and trans artists of color, Queer Voices in Hip Hop reclaims their work as essential to the development and persistence of hip hop in the United States as it tells the story of the of hip hop's queer roots"
    Description / Table of Contents: Introduction. "I don't have any secrets I need kept anymore": Out in hip-hop -- Hip-hop's queer roots: Disco, house, and early hip-hop -- Queer articulations in ballroom rap -- "The bro code"" Black queer women and female masculinity in rap -- "Nice for what": New Orleans bounce and disembodied queer voices in the mainstream -- Outro. "Call me by your name": Demarginalizing queer hip-hop
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  • 188
    Online Resource
    Online Resource
    Ibadan : Noirledge Publishing
    ISBN: 9782493207098
    Language: English
    Pages: 1 Online-Ressource
    Edition: Revised edition
    Series Statement: Africae monographs
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Fela ; Fela 1938-1997
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 189
    Book
    Book
    Hamburg : Verlag Dr. Kovač
    ISBN: 9783339128188
    Language: German
    Pages: 167 Seiten , Diagramme , 21 cm, 218 g
    Series Statement: Schriftenreihe Schriften zur Medienwissenschaft Band 49
    Series Statement: Schriftenreihe Schriften zur Medienwissenschaft
    Parallel Title: Erscheint auch als
    DDC: 306.4842490943
    RVK:
    Keywords: Schusswaffe ; Rap ; Subkultur ; Diskursanalyse ; Deutschland ; Österreich ; Medienethik ; Deutschrap ; Waffen ; Diskursanalyse ; Medienwissenschaft ; Gewaltverherrlichung ; HipHop ; Musik ; Deutschland ; Österreich ; Rap ; Schusswaffe ; Subkultur ; Diskursanalyse
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 190
    ISBN: 9783931754907 , 3931754901
    Language: German
    Pages: 138 Seiten
    Series Statement: MusikLeben Band 8
    Series Statement: MusikLeben
    RVK:
    Keywords: Volksmusikpflege ; Forschung ; Volksmusik ; Bayern ; Neue Wege ; Trott ; Volksmusikpflege ; Aufsatzsammlung ; Aufsatzsammlung ; Bayern ; Volksmusik ; Volksmusikpflege ; Forschung
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  • 191
    ISBN: 9789004501515
    Language: English
    Pages: XII, 207 Seiten
    Series Statement: Brill studies in Middle Eastern literatures volume 44
    Series Statement: Brill studies in Middle Eastern literatures
    Parallel Title: Erscheint auch als
    DDC: 780.917/5927
    RVK:
    Keywords: Geschichte 900-1100 ; Geschichte 1250 ; Musiktheorie ; Musiker ; Arabien ; Music / Arab countries / 500-1400 / History and criticism ; Music / Middle East / 500-1400 / History and criticism ; Muwashshah / History and criticism ; Nadīm al-Mawṣilī, Ibrāhīm ibn Māhān / 742 or 743-803 or 804 ; Ziryāb, ʻAlī ibn Nāfiʻ / active 9th century ; Musicians / Arab countries / Biography ; Musicians / Middle East / Biography ; Abū al-Faraj al-Iṣbahānī / 897 or 898-967 / Kitāb al-aghānī ; Ibn Ḥayyān, Abū Marwān Ḥayyān ibn Khalaf / 987 or 988-1076 / Muqtabas fī tārīkh al-Andalus / 2 ; Ibn Sanāʼ al-Mulk, Hibat Allāh ibn Jaʻfar / 1150 or 1151-1211 or 1212 / Dār al-ṭirāz fī ʻamal al-muwashshaḥāt ; Quelle ; Quelle ; Quelle ; Arabien ; Musiker ; Geschichte 900-1100 ; Arabien ; Musiktheorie ; Geschichte 1250
    Abstract: "Medieval Arab Music and Musicians offers complete, annotated English translations of three of the most important medieval Arabic texts on music and musicians: the biography of the musician Ibrāhīm al-Mawṣilī from al-Iṣbahānī's Kitāb al-Aghānī (10th c), the biography of the musician Ziryāb from Ibn Ḥayyān's Kitāb al-Muqtabis (11th c), and the earliest treatise on the muwashshaḥ Andalusi song genre, Dār al-Ṭirāz, by the Egyptian scholar Ibn Sanā' al-Mulk (13th c). Al-Mawṣilī, the most famous musician of his era, was also the teacher of the legendary Ziryāb, who traveled from Baghdad to al-Andalus and is often said to have laid the foundations of Andalusi music. The third text is crucial to any understanding of the medieval muwashshaḥ and its possible relations to the Troubadours, the Cantigas de Santa María, and the Andalusi musical traditions of the modern Middle East"
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  • 192
    ISBN: 9781479806904 , 9781479806881
    Language: English
    Pages: 225 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Digitalisierung ; Archivierung ; Musik ; Globalisierung ; Schwarze ; USA ; African Americans / Music / History and criticism ; Popular music / United States / History and criticism ; Sound recording industry / United States ; African Americans / Archival resources ; African Americans / Music ; Popular music ; Sound recording industry ; United States ; USA ; Schwarze ; Musik ; Globalisierung ; Archivierung ; Digitalisierung
    Abstract: "Black Ephemera explores the crisis and the challenge of the Black Musical archive in a moment when Black American culture has become a global import, yet the cultural DNA of that culture is becoming obscured in the transformation from analog to digital"--
    Description / Table of Contents: Introduction : The crisis and the challenge of the archive -- Love in the Stax : Death, loss and resurrection in Post-King Memphis -- "I got the blues of a fallen teardrop" : Erasure, trauma and a sonic archive of Black women -- "Promise that you will [tweet] about me" : Black death in the digital era -- 'I'll be a bridge" : Black interiority, Black invention and the American Songbook -- Decamping Wakanda : The archive as maroon -- Coda : Writing and living with Black ephemera
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  • 193
    ISBN: 9782503600789
    Language: English
    Pages: xxvi, 358 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Specvlvm Mvsicae Volume 46
    RVK:
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturangaben , Publications of the Centro Studi Opera Omnia Luigi Boccherini, Luca
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  • 194
    Book
    Book
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781316519974 , 9781009011532
    Language: English
    Pages: xi, 324 Seiten , Diagramme
    Parallel Title: Erscheint auch als Fight the power
    DDC: 306.4/84249
    RVK:
    Keywords: Rap (Music) Political aspects ; African Americans Political activity ; African Americans Social conditions ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Rap ; Musiksoziologie
    Abstract: From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby.
    Abstract: "Paul Butler considers NWA's 1988 song, "Fuck tha Police," as an invitation to think about putting the police on trial for crimes against African Americans. It examines the resonance of "Fuck tha Police" over time, up to and including the George Floyd inspired protests. It will also use the song to analyze how civilians should feel about cops in a democracy. Are they a positive good, as many white people might suggest, a necessary evil, as some people of color might suggest, or an unnecessary evil, as suggested by the "defund the police" movement? Butler also will explore the meaning of the trial metaphor in the song - what would it mean for African Americans to put the police on trial? What would be the crime and the appropriate punishment?"--
    Note: Includes bibliographical references and index
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  • 195
    ISBN: 9781793613851
    Language: English
    Pages: x, 363 Seiten
    Parallel Title: Online version Fowler, Beth (Beth Nicole) Rock and roll, desegregation movements, and racism in the post-civil rights era
    DDC: 781.6609730904
    RVK:
    Keywords: Geschichte 1946-1964 ; Bürgerrechtsbewegung ; Rock 'n' Roll ; USA ; Rock music / United States / To 1961 / History and criticism ; Rock music / United States / 1961-1970 / History and criticism ; Rhythm and blues music / History and criticism ; Music and race / United States / History / 20th century ; Segregation / United States / History / 20th century ; Rock (Musique) / États-Unis / 1961-1970 / Histoire et critique ; Musique et race / États-Unis / Histoire / 20e siècle ; Ségrégation / États-Unis / Histoire / 20e siècle ; Rock (Musique) / États-Unis / Jusqu'à 1961 / Histoire et critique ; Music and race ; Rhythm and blues music ; Rock music ; Segregation ; United States ; To 1999 ; Criticism, interpretation, etc ; History ; Hochschulschrift ; Hochschulschrift ; USA ; Rock 'n' Roll ; Bürgerrechtsbewegung ; Geschichte 1946-1964
    Abstract: "This book uses archival research and analyses of musical performances and original oral histories to explore the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era"--
    Description / Table of Contents: Introduction. "A Subtle Defiance in the Songs" -- Shufflin' 'Til the Break of Dawn," 1946-1953 -- "If It's a Hit, It's a Hit," 1954-1956 -- "A Teen Ager in Love," 1957-1960 -- "They'd All Be Dancing Together," 1961-1964 -- "A Drummer With a Totally Different Beat," The Post-Civil Rights Era
    URL: Cover
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  • 196
    Book
    Book
    Edinburgh : Edinburgh University Press | [Karachi?] : The aga Khan university
    ISBN: 978-1-4744-9185-3
    Language: English
    Pages: xxiii, 280 Seiten , Illustrationen, Porträts, Notenbeispiele (schwarz-weiß) , 24 cm
    Series Statement: Music and performance in Muslim contexts
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    RVK:
    Keywords: Jalāl al-Dīn Rūmī / Maulana / 1207-1273 / Criticism and interpretation ; Jalāl al-Dīn Rūmī / Maulana / 1207-1273 ; Ǧalāl-ad-Dīn Rūmī ; Mevleviyeh ; Sufi music / History and criticism ; Music / Philosophy and aesthetics ; Derviches tourneurs ; Musique soufie / Histoire et critique ; Musique / Philosophie et esthétique ; Mevleviyeh ; Music / Philosophy and aesthetics ; Sufi music ; Sufismus ; Sufi-Bruderschaft ; Musik ; Derwisch ; Turkey / History / Ottoman Empire, 1288-1918 ; Empire ottoman / Histoire ; Turkey ; Osmanisches Reich ; Ǧalāl-ad-Dīn Rūmī 1207-1273 ; Osmanisches Reich ; Sufi-Bruderschaft ; Derwisch ; Musik ; Sufismus
    Description / Table of Contents: Preface -- Part I : History and culture of the Melevi dervishes. Introduction : Continuities and ruptures in the Mevlevi tradition ; Defining the mystical music of the Mevlevi dervishes ; The Mevlevi phenomenon ; Development and cultural affinities of the Mevlevi Ayin ; The ney in Mevlevi music ; The Mevlevi Neyzen as an ideal representation of Ottoman culture -- Part II : Music of the Mevlevis. The position of music within the Mevleviye ; The musical structure of the Ayin ; Music, poetry, and composition in the Ayin ; The Sema'i in the Third Selam and the Son Yürük Sema'i: nucleus of the antecendent Samā'? -- Postlude : Music, poetry, and mysticism in the Ottomon Empire
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  • 197
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780191897801
    Language: English
    Pages: 1 Online-Ressource (xv, 364 Seiten) , Illustrationen
    Edition: First edition
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.66094309047
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1970-1990 ; Punk rock music / Social aspects / Germany (West) ; Punk rock music / Social aspects / Germany (East) ; Punk culture / Germany (East) / History ; Punk culture / Germany (West) / History ; Punk ; Punk Rock ; Deutschland ; Deutschland ; Deutschland ; Deutschland ; Punk Rock ; Punk ; Geschichte 1970-1990
    Abstract: 'Culture from the Slums' explores the history of punk rock in East and West Germany during the 1970s and 1980s, examining how youths mobilized music to build alternative communities and identities during the Cold War, and detailing how punk became the site of historical change on both sides of the Iron Curtain
    Note: This edition also issued in print: 2022. - Includes bibliographical references, discography and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 198
    Image
    Image
    Manchester : Manchester University Press
    ISBN: 9781526147912 , 9781526147899
    Language: English
    Pages: XIV, 216 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 709.2
    RVK:
    RVK:
    Keywords: Vaucher, Gee ; Vaucher, Gee / Criticism and interpretation ; Outsider art / England ; Punk culture and art ; Feminism in art ; Political art ; Vaucher, Gee ; Outsider art ; Punk culture and art ; England ; Criticism, interpretation, etc ; Vaucher, Gee 1945-
    Library Location Call Number Volume/Issue/Year Availability
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  • 199
    ISBN: 9788874399673
    Language: French , English
    Pages: 123 Seiten , 29 cm
    DDC: 730
    RVK:
    Keywords: Katalog ; Bildband ; Zentralafrika ; Plastik ; Bari ; Plastik ; Geschichte 1800-1900
    Note: Bound , Bibliografisches Verzeichnis, Seite 108-111
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  • 200
    ISBN: 9783990128107 , 3990128108
    Language: German , English , Hebrew , Japanese
    Pages: 181 Seiten , Illustrationen , 21.7 cm x 13.8 cm
    Parallel Title: Erscheint auch als
    DDC: 900
    RVK:
    RVK:
    Keywords: Biografie ; Biografie ; Biografie
    Note: Literaturverzeichnis Seite 165-172 , Vorwort englisch und deutsch; Haupttexte deutsch mit englischer, hebräischer und japanischer Zusammenfassung
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