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  • Online-Ressource  (594)
  • USA  (594)
  • Anglistik  (312)
  • Musikwissenschaft  (301)
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  • 1
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780197635247
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen
    Serie: Oxford studies in music theory
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 782.421641226
    RVK:
    Schlagwort(e): Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Geschichte 1960-1980 ; Music / ukslc ; Music / thema ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Kurzfassung: How did emerging singer-songwriters in the 1960s and 1970s develop traditions for musical self-expression? This book takes a new listen to the music of beloved songwriters Joni Mitchell, Bob Dylan, Buffy Sainte-Marie, Paul Simon, and Cat Stevens to show how they used malleable metric settings as an important part of their self-expressive toolkit in performance
    Anmerkung: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    Online-Ressource
    Online-Ressource
    La Vergne : Feral House
    ISBN: 9781627311281
    Sprache: Englisch
    Seiten: 1 Online-Ressource
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    Schlagwort(e): Electronic books ; USA ; Punkerin ; Geschichte 1975-1983
    Kurzfassung: Intro -- Title Page -- Copyright -- Dedication -- Contents -- Author's Note -- Foreword by Ann Magnuson -- Introduction -- Essays ¡Feminista! By Alice Bag -- Neo Boys Liner Notes by Suzi Creamcheese -- 1. Midwest: Hit Girls, Haute Girls -- Destroy All Monsters -- The Welders -- Nikki &amp -- the Corvettes -- Flirt -- Chi-Pig -- DA! -- The Shivvers -- The Waitresses -- Bitch -- The Dadistics -- The Cubes -- Unit 5 -- Ama-Dots -- The Dents -- Kate Fagan -- Algebra Suicide -- Dummy Club -- 2. South: Feast on My Heart -- Pylon -- Cichlids -- The Klitz -- The Delinquents -- Mydolls -- Screaming Sneakers -- The Cold -- F-Systems -- Teddy and the Frat Girls -- The Foams -- 3. Northwest: Guys Are Not Proud -- The Dishrags -- Chinas Comidas -- The Accident -- Neo Boys -- The Anemic Boyfriends -- Sado-Nation -- Art Object -- The Braphsmears -- The Visible Targets -- Bam Bam -- 4. West Coast (South): Manic in a Panic -- Backstage Pass -- The Bags -- The Controllers -- Castration Squad -- The Alley Cats -- The Eyes -- Suburban Lawns -- The Dinettes -- The Brat -- 45 Grave -- Tex &amp -- the Horseheads -- Sin 34 -- The Pandoras -- Screamin' Sirens -- 5. West Coast (North): Shake the Hands of Time -- Mary Monday -- The Nuns -- The Avengers -- The Blowdryers -- The Urge -- VS -- VKTMS -- U.X.A. -- IXNA -- Los Microwaves -- Romeo Void -- The Contractions -- Inflatable Boy Clams -- Wilma -- Frightwig -- 6. East Coast: Subversive Pleasure -- Jayne County -- Mars -- The Phantoms -- Helen Wheels Band -- 'B' Girls -- Teenage Jesus &amp -- the Jerks -- Cheap Perfume -- DNA -- Nasty Facts -- UT -- ESG -- Plasmatics -- Tiny Desk Unit -- Disturbed Furniture -- Bush Tetras -- Y Pants -- Egoslavia -- Dizzy and the Romilars -- Chalk Circle -- The Excuses -- Red C -- The Bloods -- Pulsallama -- IN MEMORIUM -- AUTHOR'S ACKNOWLEDGMENTS -- CITATIONS -- INDEX.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 3
    Online-Ressource
    Online-Ressource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469667911
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xv, 225 pages) , Illustrations (black and white), maps (black and white).
    Serie: North Carolina scholarship online
    DDC: 305.30979
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    Schlagwort(e): Geschichte 1800-1899 ; Grenzgebiet ; Mexikanerin ; Einwanderin ; Geschlechterrolle ; Sexualität ; Sexualisierte Gewalt ; Ausbeutung ; Sex role History ; Women History ; Mexican American women History ; Capitalism History ; Society ; Society & culture: general ; USA ; USA Südweststaaten ; Southwest, New History 19th century
    Kurzfassung: Elaborating on the concept of sexual capital, Bernadine Hernández uses little-known newspapers and periodicals, letters, testimonios, court cases, short stories, and photographs to reveal how sex, violence, and capital conspired to govern not only women's bodies but their role in the changing American Southwest.
    Anmerkung: Previously issued in print: 2022 , Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    New York : New York University Press
    ISBN: 9781479818327 , 9781479818341
    Sprache: Englisch
    Seiten: 1 Online-Ressource (265 Seiten) , Illustrationen
    Serie: Queer / Trans / Digital Series
    Paralleltitel: Erscheint auch als Dame-Griff, Avery The two revolutions
    DDC: 302.23/1086/7
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    Schlagwort(e): USA ; LGBT ; Transgender ; Internet ; Computerunterstützte Kommunikation ; Online-Community
    Beschreibung / Inhaltsverzeichnis: Intro -- Half Title -- Series Page -- Title Page -- Copyright -- Contents -- Introduction: Laying the Foundations -- 1. Dialing into the Revolution: The Bulletin Board System -- 2. Out of the Cybercloset, Into the Cyberstreets: Gender Community Spaces on AOL and Beyond -- 3. Politics and "Petty Useless Bickering": Transgender Usenet and the Emergence of "Cisgender" -- 4. Always On: Information, Circulation, and the World Wide Web -- 5. Becoming "Obsolete in Your Own Lifetime": Membership Declines and Generation Gaps -- 6. Transgender in the Platform Era -- Conclusion: Owning Our History
    Beschreibung / Inhaltsverzeichnis: Acknowledgments -- Notes -- Bibliography -- Index -- About the Author
    Anmerkung: Description based upon print version of record
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 5
    Online-Ressource
    Online-Ressource
    New York : New York University Press
    ISBN: 9781479819775 , 9781479819768
    Sprache: Englisch
    Seiten: 1 Online-Ressource (221 Seiten)
    Serie: LGBTQ Politics
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.760973
    RVK:
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    Schlagwort(e): SOCIAL SCIENCE / LGBT Studies / General ; LGBT ; USA ; USA ; LGBT
    Kurzfassung: A compelling explanation of the American public's acceptance of LGBT freedoms through the lens of pop cultureHow did gay people go from being characterized as dangerous perverts to military heroes and respectable parents? How did the interests of the LGBT movement and the state converge to transform mainstream political and legal norms in these areas?Using civil rights narratives, pop culture, and critical theory, LGBT Inclusion in American Life tells the story of how exclusion was transformed into inclusion in US politics and society, as pop culture changed mainstream Americans thinking about "non-gay" issues, namely privacy, sex and gender norms, and family. Susan Burgess explores films such as Casablanca, various James Bond movies, and Julie and Julia, and television shows such as thirtysomething and The Americans, as well as the Broadway sensation Hamilton, as sources of growing popular support for LGBT rights. By drawing on popular culture as a rich source of public understanding, Burgess explains how the greater public came to accept and even support the three central pillars of LGBT freedoms in the post-World War II era: to have consensual adult sex without fear of criminal penalty, to serve openly in the military, and to marry legally. LGBT Inclusion in American Life argues that pop culture can help us to imagine unknown futures that lead beyond what we currently desire from contemporary politics, and in return asks now that the mainstream public has come to accept LGBT freedoms, where might the popular imagination be headed in the future?
    Anmerkung: In English
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 6
    Online-Ressource
    Online-Ressource
    Münster : Waxmann | Stuttgart : UTB GmbH
    ISBN: 9783830997566
    Sprache: Englisch
    Seiten: 1 Online-Ressource (250 p.)
    Ausgabe: 1st ed.
    Serie: Populäre Kultur und Musik 40
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    Schlagwort(e): Unterhaltungsmusik ; Kultur ; Ästhetik ; USA
    Kurzfassung: The essay collection Americana poses the basic question of how American music can be described and analyzed as such, as American music. Situated at the intersection between musicology and American Studies, the essays focus on the categories of aesthetics, authenticity, and performance in order to show how popular music is made American—from Alaskan Hip Hop to German Schlager, from Creedence Clearwater Revival to film scores, from popular opera to U2, from the Rolling Stones to Country Rap, and from Steve Earle to the Trans Chorus of Los Angeles.
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  • 7
    Online-Ressource
    Online-Ressource
    Frankfurt a.M. : Peter Lang GmbH | Bern : Peter Lang International Academic Publishers
    ISBN: 9783631875889
    Sprache: Englisch
    Seiten: 1 Online-Ressource (450 Seiten) , Illustrationen
    Ausgabe: 1st, New ed.
    Serie: American Culture 16
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    Schlagwort(e): Lomax, Alan ; Geschichte 1933-1969 ; Geschichte 1935-1968 ; Folk music ; USA ; Hochschulschrift
    Kurzfassung: Alan Lomax (1915-2002) is arguably the most popular and influential American folk song collector of the 20th century. Pursuing a mission of both preserving and popularizing folk music, Lomax moved between political activism, the scholarly world, and the world of popular culture. Based largely on primary material, the book shows how Lomax’s diverse activities made him an authority in the field of folk music and how he used this power to advocate the cultures of perceived marginalized Americans – whom he located primarily in the American South. In this approach, however, folk music became an abstract idea onto which notions oscillating between hope and disillusionment, fear and perspective were projected. The author argues that Lomax’s role as a cultural mediator, with a politically motivated approach, helped him to decisively shape the perception and reception of what came to be known as American folk music, from the mid 1930s to the late 1960s.
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  • 8
    Online-Ressource
    Online-Ressource
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030890544
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xii, 274 Seiten)
    Serie: Palgrave gothic
    Paralleltitel: Erscheint auch als
    DDC: 809.38729
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    Schlagwort(e): Geschichte 1938-2019 ; Gothic Studies ; Gender Studies ; Contemporary Literature ; Goth culture (Subculture) ; Sex ; Literature, Modern—20th century ; Literature, Modern—21st century ; Gespenstergeschichte ; Englisch ; Frauenliteratur ; USA ; Südostasien ; Großbritannien ; Großbritannien ; USA ; Südostasien ; Englisch ; Frauenliteratur ; Gespenstergeschichte ; Geschichte 1938-2019
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  • 9
    Online-Ressource
    Online-Ressource
    New York, NY : Routledge, Taylor & Francis Group
    ISBN: 9781003123477 , 1003123473 , 9781000513585 , 1000513580 , 9781000513615 , 1000513610
    Sprache: Englisch
    Seiten: 1 online resource (xv, 179 pages)
    Ausgabe: Second edition
    Serie: Routledge atlases of American history
    Paralleltitel: Erscheint auch als Earle, Jonathan, 1968 - The Routledge atlas of African American history
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    Schlagwort(e): African Americans History ; African Americans Maps History ; Atlas ; Atlas ; Amerika ; Schwarze ; Geschichte ; USA ; Schwarze ; Geschichte
    Kurzfassung: Klappentext: "Now in its second edition, The Routledge Atlas of African American History traces the epic journey of African Americans' four-hundred-years in North America. With more than 75 full-color maps, charts, and illustrations, this volume illuminates the myriad of contributions from Black Americans to the nation's political, economic, cultural, and social history. Jonathan Earle begins the sweeping story with the African roots of Black America and moves through important developments such as the Underground Railroad, Emancipation and the Civil War, African Americans in the U.S. Armed Forces, the spread of Jim Crow Laws, and the long Civil Rights Movement. This updated edition also introduces new essays on Black Seminoles, the National Women's Club Movement, Black political realignment and the rise of Barack Obama, and Black Lives Matter protests. Other diverse topics include: the AME Church, buffalo soldiers, historically Black colleges and universities, black nationalism, racial violence and white supremacy. Examining both the geographical and historical context of the African American experience, this book is an indispensable reference for students of American history, African American history, and anyone interested in the Black experience"--
    Anmerkung: Includes bibliographical references and index
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  • 10
    ISBN: 9783825385552
    Sprache: Englisch
    Seiten: 1 Online-Ressource (563 Seiten) , Illustrationen
    Serie: American Studies - a monograph series volume 318
    Paralleltitel: Erscheint auch als
    DDC: 306.0973
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    Schlagwort(e): Popular culture studies ; Popkultur ; Massenkultur ; USA ; Konferenzschrift 13.06.2019-15.06.2019 ; Konferenzschrift 13.06.2019-15.06.2019 ; USA ; Massenkultur ; Popkultur
    Anmerkung: S.20: "This volume would not exist without the conference 'U.S.-American Culture as Popular Culture' (...) took place from June 13-15,2019 at the University of Hamburg."
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  • 11
    Online-Ressource
    Online-Ressource
    Stanford, California : Stanford University Press
    ISBN: 9781503632349
    Sprache: Englisch
    Seiten: 1 Online-Ressource (217 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.800973
    RVK:
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    Schlagwort(e): Rassismus ; Humor ; Weiße ; Witz ; USA ; Racism / United States ; Wit and humor / Social aspects / United States ; Wit and humor / Political aspects / United States ; White people / United States / Attitudes ; White people / Race identity / United States ; United States / Race relations ; Racisme / États-Unis ; Humour / Aspect social / États-Unis ; Humour / Aspect politique / États-Unis ; États-Unis / Relations raciales ; Race relations ; Racism ; White people / Attitudes ; White people / Race identity ; Wit and humor / Social aspects ; United States ; USA ; Witz ; Rassismus ; USA ; Weiße ; Humor ; Rassismus
    Kurzfassung: "Having a "good" sense of humor generally means being able to take a joke without getting offended--laughing even at a taboo thought or at another's expense. The insinuation is that laughter eases social tension and creates solidarity in an overly politicized social world. But, do the stakes change when the jokes are racist? In The Souls of White Jokes Raúl Pérez argues that we must genuinely confront this unsettling question in order to fully understand the persistence of anti-black racism and white supremacy in American society today. W.E.B. Du Bois's prescient essay The Souls of White Folk was one of the first to theorize whiteness as a social and political construct based on a feeling of superiority over racialized others--a kind of racial contempt. Pérez extends this theory to the study of humor, connecting theories of racial formation to parallel ideas about humor stemming from laughter at another's misfortune. Critically synthesizing scholarship on race, humor, and emotions, he uncovers a key function of humor as a tool for producing racial alienation, dehumanization, exclusion, and even violence. Pérez tracks this use of humor from blackface minstrelsy to contemporary contexts, including police culture, politics, and far-right extremists. Rather than being harmless fun, this humor plays a central role in reinforcing and mobilizing racist ideology and power under the guise of amusement. The Souls of White Jokes exposes this malicious side of humor, while also revealing a new facet of racism today. Though it can be comforting to imagine racism as coming from racial hatred and anger, the terrifying reality is that it is tied up in seemingly benign, even joyful, everyday interactions as well-- and for racism to be eradicated we must face this truth"--
    Beschreibung / Inhaltsverzeichnis: The racial power of humor -- Amused racial contempt, or a theory of white racist humor -- Hiding in plain sight : the racist humor of the far right -- Blue humor : the racist insults and injuries of the police -- President chimp : the politics of amused racial contempt -- Epilogue : racist humor and the cult(ure) of whiteness
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 12
    Online-Ressource
    Online-Ressource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226810331
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: Chicago studies in ethnomusicology
    Serie: Chicago scholarship online
    DDC: 780.89928073
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    Schlagwort(e): Äthiopischer Einwanderer ; Musik ; Ethiopian Americans Music ; Ethiopians Music ; Musicians ; Musicians ; Music Social aspects ; Music Social aspects ; Music Political aspects ; Music Political aspects ; USA
    Kurzfassung: A sweeping history of Ethiopian musicians during and following the 1974 Ethiopian revolution, 'Sing and Sing On' is the first study of the forced migration of musicians out of the Horn of Africa dating from the 1974 Ethiopian revolution, a political event that overthrew one of the world's oldest monarchies and installed a brutal military regime.
    Anmerkung: Also issued in print: 2022 , Includes bibliographical references and index
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  • 13
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190053024
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: Oxford scholarship online
    DDC: 782.421640973
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    Schlagwort(e): Lied ; Volkstümliche Musik ; Songwriter ; Popular music History and criticism ; USA
    Kurzfassung: Composer Alec Wilder's 'American Popular Song' is widely recognized as the definitive book on American popular song. In this volume, which achieved immediate praise and recognition upon its publication, Wilder discusses some 800 songs from the American Songbook, offering a composer's insight, accessible music analysis, as well has his strong personal biases. Nearly 50 years later, this classic study has received a much-needed revision. While leaving Wilder's colorful prose and brazen opinions intact, language, style, and musical nomenclature have been updated to reflect current usage. The musical examples mostly remain, but piano score notation has been replaced with lead-sheet notation: melody, chords, and lyrics. Rhythmic notation has also been adjusted to follow present-day norms. Additionally, a final chapter has been added, which includes more than 50 songs that were not in the original.
    Anmerkung: Also issued in print: 2022 , Includes bibliographical references and index
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  • 14
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing AG
    ISBN: 9783030890544
    Sprache: Englisch
    Seiten: 1 online resource (281 pages)
    Serie: Palgrave Gothic Ser.
    Paralleltitel: Erscheint auch als Wisker, Gina, 1951 - Contemporary women’s ghost stories
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    Schlagwort(e): Electronic books ; Literatur ; Gespenst ; Großbritannien ; USA ; Südostasien ; Englisch ; Frauenliteratur ; Gespenstergeschichte ; Geschichte 1938-2019
    Kurzfassung: Intro -- Acknowledgements -- Praise for Contemporary Women's Ghost Stories -- Contents -- Chapter 1: Introduction: Lifting the Veil on Women's Ghost Stories -- Undead: Critical Background -- Ghosts at the Turn of the Century and Women's Modernist Writing -- Structure -- Conclusion -- References -- Filmography -- Part I: Haunted Texts, Haunted Houses, Haunted Lives -- Chapter 2: Haunted Romance and Haunted Houses: Rebecca (du Maurier, 1938), The Haunting of Hill House (Jackson, 1959) -- Rebecca -- The Haunted House, the Haunting Mother: Shirley Jackson, The Haunting of Hill House -- The Haunting of Hill House -- References -- Filmography -- Theatre -- TV -- Chapter 3: Revengeful Ghosts: The Woman in Black (Hill, 1983), Beloved (Morrison, 1987) -- The Woman in Black (1983) -- Toni Morrison's Beloved (1987) -- References -- Filmography -- Part II: Possession -- Chapter 4: True Love as Possession: Ashputtle (Carter, 1987), Lady Oracle (Atwood, 1976), The Greatcoat (Dunmore, 2012), The Glass Bottle Trick (Hopkinson, 2000) -- 'Ashputtle', Angela Carter (1987) -- Lady Oracle (1976), Margaret Atwood -- The Greatcoat, Helen Dunmore (2012) -- Duppies and 'The Glass Bottle Trick', Nalo Hopkinson (2000) -- Conclusion -- References -- Filmography -- Chapter 5: The Spectral Voice: In the Red Kitchen (Roberts, 1990), Affinity (Waters, 1999), Beyond Black (Mantel, 2005) -- Popular Ghosts and Real Ghost Hunting -- Spiritualism -- Spirit Contact -- In the Red Kitchen (1990), Michèle Roberts -- Beyond Black (2005), Hilary Mantel -- Affinity (1999), Sarah Waters -- References -- Filmography -- Theatre -- TV -- Chapter 6: Domestic Hauntings: The Little Stranger (Waters, 2009), Birdcage Walk (Dunmore, 2017), The Stopped Heart (Myerson, 2016) -- Haunted Houses and Change -- The Little Stranger (2009): Sarah Waters.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 15
    Online-Ressource
    Online-Ressource
    Cambridge, United Kingdom : Cambridge University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781009304047
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiii, 277 pages)
    DDC: 305.5680973
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    Schlagwort(e): Hippie ; Älterer Mensch ; Soziale Situation ; Hippies History ; Counterculture History ; Older people History ; Aging History ; USA
    Kurzfassung: There is no group of individuals more iconic of 1960s counterculture than the hippies - the long-haired, colorfully dressed youth who rebelled against mainstream societal values, preached and practiced love and peace, and generally sought more meaningful and authentic lives. These 'flower children' are now over sixty and comprise a significant part of the older population in the United States. While some hippies rejoined mainstream American society as they grew older, others still maintain the hippie ideology and lifestyle. This book is the first to explore the aging experience of older hippies by examining aspects related to identity, generativity, daily activities, spirituality, community, end-of-life care, and wellbeing. Based on 40 in-depth interviews with lifelong, returning, and past residents of The Farm, an intentional community in Tennessee that was founded in 1971 and still exists today, insights into the subculture of aging hippies and their keys to wellbeing are shared.
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  • 16
    Online-Ressource
    Online-Ressource
    Cambridge, United Kingdom ; New York, NY : Cambridge University Press
    ISBN: 9781009019804
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xi, 324 Seiten) , Diagramme
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.4/84249
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    Schlagwort(e): Geschichte 1985-2020 ; Rap (Music) / Political aspects / United States ; African Americans / Social conditions ; African Americans / Political activity ; Hip-Hop ; Politik ; Recht ; Rassendiskriminierung ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Rassendiskriminierung ; Recht ; Politik ; Hip-Hop ; Geschichte 1985-2020
    Kurzfassung: Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society
    Anmerkung: Title from publisher's bibliographic system (viewed on 24 Jan 2022) , From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 17
    Online-Ressource
    Online-Ressource
    Berkeley : University of California Press
    ISBN: 9780520972568
    Sprache: Englisch
    Seiten: 1 online resource (xiv, 367 pages)
    Suppl.: Rezensiert in Strong, Justin D. [Rezension von: Shah, Nayan, 1966-, Refusal to eat] 2023
    Suppl.: Rezensiert in Smoyer, Amy B. [Rezension von: Shah, Nayan, 1966-, Refusal to eat] 2023
    Paralleltitel: Erscheint auch als Shah, Nayan, 1966 - Refusal to eat
    DDC: 303.6109
    RVK:
    Schlagwort(e): Electronic books ; Großbritannien ; Irland ; USA ; Indien ; Südafrika ; Australien ; Papua-Neuguinea ; Suffragette ; Aktivist ; Politischer Gefangener ; Gefängnis ; Hungerstreik
    Kurzfassung: The first global history of hunger strikes as a tactic in prisons, conflicts, and protest movements. The power of the hunger strike lies in its utter simplicity. The ability to choose to forego eating is universally accessible, even to those living under conditions of maximal constraint, as in the prisons of apartheid South Africa, Israeli prisons for Palestinian prisoners, and the detention camp at Guantánamo Bay. It is a weapon of the weak, potentially open to all. By choosing to hunger strike, a prisoner wields a last-resort personal power that communicates viscerally, in a way that is undeniable--especially when broadcast over prison barricades through media and to movements outside. Refusal to Eat is the first book to compile a global history of this vital form of modern protest, the hunger strike. In this enormously ambitious but concise book, Nayan Shah observes how hunger striking stretches and recasts to turn a personal agony into a collective social agony in conflicts and contexts all around the world, laying out a remarkable number of case studies over the last century and more. From suffragettes in Britain and the US in the early twentieth century to Irish political prisoners, Bengali prisoners, and detainees at post-9/11 Guantánamo Bay; from Japanese Americans in US internment camps to conscientious objectors in the 1960s; from South Africans fighting apartheid to asylum seekers in Australia and Papua New Guinea, Shah shows the importance of context for each case and the interventions the protesters faced. The power that hunger striking unleashes is volatile, unmooring all previous resolves, certainties, and structures and forcing supporters and opponents alike to respond in new ways. It can upend prison regimens, medical ethics, power hierarchies, governments, and assumptions about gender, race, and the body's endurance. This
    Kurzfassung: Cover -- Refusal to Eat -- Title -- Copyright -- CONTENTS -- List of Illustrations -- Preface -- Acknowledgments -- Introduction -- PART ONE HUNGER STRIKING IN THE CRISIS OF IMPERIAL DEMOCRACY -- 1 Suffragists and the Shaping of Hunger Striking -- 2 The Medical Ethics of Forcible Feeding and a Brief History of Four Objects -- 3 Irish Republicans Innovating Hunger Strikes for Anticolonial Rebellion -- 4 Gandhi's Fasts, Prisoner Hunger Strikes, and Indian Independence -- PART TWO HUNGER STRIKING AND DEMOCRATIC UPHEAVALS -- 5 Solidarity and Survival in the Tule Lake Stockade -- 6 South African Anti-apartheid Hunger Strikes -- 7 Controversies of Medical Intervention in Northern Ireland -- 8 Biomedical Technologies, Medical Ethics, and the Management of Hunger Strikers -- 9 Australian Refugee Detention, Trauma, and Mental Health Crisis -- 10 Captives in U.S. Detention and Their Networks of Resistance and Solidarity -- Conclusion: Hunger-Striking Contingencies -- Notes -- Selected Bibliography -- Index.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 18
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 9781009086769
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xviii, 511 Seiten)
    Paralleltitel: Erscheint auch als
    DDC: 784.4/973
    RVK:
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    Schlagwort(e): Geschichte 1492-1942 ; Geschichte 1492- ; Folk music / United States / History and criticism ; Folk songs / United States / History and criticism ; Protest songs / United States / History and criticism ; Folksong ; Patriotisches Lied ; Politisches Lied ; Protestsong ; USA ; USA ; Protestsong ; Geschichte 1492-1942 ; USA ; Folksong ; Politisches Lied ; Patriotisches Lied ; Geschichte 1492-
    Kurzfassung: Long before anyone ever heard of 'protest music', people in America were singing about their struggles. They sang for justice and fairness, food and shelter, and equality and freedom; they sang to be acknowledged. Sometimes they also sang to oppress. This book uncovers the history of these people and their songs, from the moment Columbus made fateful landfall to the start of the Second World War, when 'protest music' emerged as an identifiable brand. Cutting across musical genres, Will Kaufman recovers the passionate voices of America itself. We encounter songs of the mainland and the conquered territories of Hawai'i, Cuba, Puerto Rico, and the Philippines; we hear Indigenous songs, immigrant songs and Klan songs, minstrel songs and symphonies, songs of the heard and the unheard, songs of the celebrated and the anonymous, of the righteous and the despicable. This magisterial book shows that all these songs are woven into the very fabric of American history
    Anmerkung: Title from publisher's bibliographic system (viewed on 29 Jul 2022)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 19
    Online-Ressource
    Online-Ressource
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780231548212
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Leonard Hastings Schoff Lectures
    DDC: 781.650973
    RVK:
    Schlagwort(e): Geschichte 1900-2000 ; Schwarze ; Musik ; Jazz ; Modern Jazz ; Kunst ; Literatur ; Collage ; Fiktion ; USA
    Kurzfassung: Ralph Ellison famously characterized ensemble jazz improvisation as "antagonistic cooperation." Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O'Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O'Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O'Meally's readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.
    URL: Cover
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  • 20
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    Frankfurt u.a : Campus Frankfurt / New York
    ISBN: 9783593450766
    Sprache: Deutsch
    Seiten: 1 Online-Ressource
    Paralleltitel: Erscheint auch als
    DDC: 786.2
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    Schlagwort(e): Geschichte 1830-1940 ; Geschichte ; Kulturwissenschaft ; Deutschland ; USA ; Österreich ; Globalgeschichte ; global ; Südafrika ; Musik ; Japan ; Vereinigte Staaten ; Kosmopolitismus ; Verflechtungsgeschichte ; Instrument ; Musikgeschichte ; Musikwissenschaft ; Transkulturalität ; Musikkultur ; Klavier ; Piano ; Kunstmusik ; Pianoforte ; Klavierkultur ; Instrumentenhandel ; Konservatorium ; Musiktransfer ; Tasteninstrumente ; Klavierspiel ; Klavier lernen ; Klavier spielen ; Klavier ; Kulturimperialismus ; Musikwirtschaft ; Klaviermusik ; Hochschulschrift ; Klavier ; Klaviermusik ; Musikwirtschaft ; Kulturimperialismus ; Geschichte 1830-1940
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 21
    Online-Ressource
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    Amsterdam : John Benjamins Publishing Company
    ISBN: 9789027257949
    Sprache: Englisch
    Seiten: 1 Online-Ressource (VIII, 261 Seiten)
    Serie: Varieties of English around the world volume G66
    Serie: Varieties of English around the world General series
    Paralleltitel: Erscheint auch als Earlier North American Englishes
    DDC: 306.440973
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    Schlagwort(e): English language-18th century ; Electronic books ; Essays ; Aufsatzsammlung ; Electronic books ; USA ; Kanada ; Englisch ; Sprachvariante
    Kurzfassung: Varieties of English in the U.S. and Canada display fascinating developments from colonial times up until the twenty-first century. To throw light on the linguistics of North American Englishes and their socio-historical contexts, this volume brings together research from various traditions.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 22
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    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030890544
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XII, 274 p)
    Ausgabe: 1st ed. 2022
    Serie: Palgrave Gothic
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 809.38729
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    Schlagwort(e): Geschichte 1938-2019 ; Gothic Studies ; Gender Studies ; Contemporary Literature ; Goth culture (Subculture) ; Sex ; Literature, Modern—20th century ; Literature, Modern—21st century ; Gespenstergeschichte ; Englisch ; Frauenliteratur ; USA ; Südostasien ; Großbritannien ; Großbritannien ; USA ; Südostasien ; Englisch ; Frauenliteratur ; Gespenstergeschichte ; Geschichte 1938-2019
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 23
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    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031062018
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIII, 233 p.)
    Ausgabe: 1st ed. 2022.
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Literature, Modern—19th century. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Motion pictures. ; Aufsatzsammlung ; Englisch ; Roman ; Sachkultur ; Geschichte 1837-1901 ; Rezeption ; Fernsehspiel ; Großbritannien ; Neuseeland ; Film ; USA ; Geschichte 1980-2022
    Kurzfassung: 1. Introduction: Stuff and Things: Introducing Neo-Victorian Materialities -- 2. Objects and Memorabilia in Deborah Lutz’s The Brontë Cabinet: Three Lives in Nine Objects -- 3. “Around the Mizzenpole”: Charles Johnson’s Middle Passage and African Americanizing the Neo-Victorian-at-sea -- 4. Touching, Writing, Collecting: Opium Paraphernalia and Neo-Victorian Material Culture -- 5. An Instrumental Thing: Pianos Extending and Becoming Postcolonial Bodies in Jane Campion’s The Piano and Daniel Mason’s The Piano Tuner -- 6. “Wilful Phantoms”: Haunted Dress, Memory, and Agentic Materiality in Colm Tóibín’s The Master -- 7. The Thing About Haunted Houses: In The Turn of the Screw, The Innocents and The Haunting of Hill House -- 8. There’s Something in the Tea: Murder and Materiality in Dark Angel -- 9. Criminal Things: Sherlock Holmes’ Details of Detection and Their Neo-Victorian Revisions -- 10. The Sleight of Hand: Appearance and Disappearance of Things in Neo-Victorian Magic.
    Kurzfassung: Neo-Victorian Things: Re-Imagining Nineteenth-Century Material Cultures in Literature and Film is the first volume to focus solely on the replication, reconstruction, and re-presentation of Victorian things. It investigates the role of materiality in contemporary returns to the past as a means of assessing the function of things in remembering, revisioning, and/or reimagining the nineteenth century. Examining iterations of material culture in literature, film and popular television series, this volume offers a reconsideration of nineteenth-century things and the neo-Victorian cultural forms that they have inspired, animated, and even haunted. By turning to new and relatively underexplored strands of neo-Victorian materiality—including opium paraphernalia, slave ships, clothing, and biographical objects—and interrogating the critical role such objects play in reconstructing the past, this volume offers ways of thinking about how mis/apprehensions of material culture in the nineteenth century continue to shape our present understanding of things.
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  • 24
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    Ann Arbor : University of Michigan Press
    ISBN: 9780472903016
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Tracking pop
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschlechtsidentität ; Hip-Hop ; Rapmusiker ; LGBT ; Geschlechterforschung ; USA ; USA ; Rapmusiker ; Rapmusiker ; Hip-Hop ; LGBT ; Geschlechtsidentität ; Geschlechterforschung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 25
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    New York : New York University Press
    ISBN: 9781479810932 , 9781479810925
    Sprache: Englisch
    Seiten: 1 Online-Ressource (261 Seiten)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.896/073
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    Schlagwort(e): LITERARY CRITICISM / American / African-American ; African Americans ; Age Social aspects ; Blacks ; Human body Social aspects ; Racism ; Altern ; Körper ; Soziale Situation ; Aussehen ; Schwarze ; USA ; USA ; Schwarze ; Körper ; Aussehen ; Altern ; Soziale Situation
    Kurzfassung: A view of transatlantic slavery's afterlife and modern Blackness through the lens of age. Although more than fifty years apart, the murders of Emmett Till and Trayvon Martin share a commonality: Black children are not seen as children. Time and time again, excuses for police brutality and aggression-particularly against Black children- concern the victim "appearing" as a threat. But why and how is the perceived "appearance" of Black persons so completely separated from common perceptions of age and time? Black Age: Oceanic Lifespans and the Time of Black Life posits age, life stages, and lifespans as a central lens through which to view Blackness, particularly with regard to the history of transatlantic slavery. Focusing on Black literary culture of the late twentieth and early twenty-first centuries, Habiba Ibrahim examines how the history of transatlantic slavery and the constitution of modern Blackness has been reimagined through the embodiment of age. She argues that Black age-through nearly four centuries of subjugation- has become contingent, malleable, and suited for the needs of enslavement. As a result, rather than the number of years lived or a developmental life stage, Black age came to signify exchange value, historical under-development, timelessness, and other fantasies borne out of Black exclusion from the human.Ibrahim asks: What constitutes a normative timeline of maturation for Black girls when "all the women"-all the canonically feminized adults-"are white"? How does a "slave" become a "man" when adulthood is foreclosed to Black subjects of any gender? Black Age tracks the struggle between the abuses of Black exclusion from Western humanism and the reclamation of non-normative Black life, arguing that, if some of us are brave, it is because we dare to live lives considered incomprehensible within a schema of "human time.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 26
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    Austin : University of Texas Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781477323946
    Sprache: Englisch
    Seiten: 1 Online-Ressource (358 pages)
    Serie: American Music Ser.
    DDC: 782.421649
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    Schlagwort(e): Geschichte 1986-1996 ; Gangsta-Rap ; Fernsehsendung ; USA ; Electronic books
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 27
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    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478021698
    Sprache: Englisch
    Seiten: 1 Online-Ressource (140 p.)
    Serie: Singles
    DDC: 782.42166092
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    Schlagwort(e): Popmusik ; USA
    Kurzfassung: Jonathan Richman and the Modern Lovers' 1972 song "Roadrunner" captures the freedom and wonder of cruising down the highway late at night with the radio on. Although the song circles Boston's beltway, its significance reaches far beyond Richman's deceptively simple declarations of love for modern moonlight, the made world, and rock & roll. In Roadrunner, cultural theorist and poet Joshua Clover charts both the song's emotional power and its elaborate history, tracing its place in popular music from Chuck Berry to M.I.A. He also locates "Roadrunner" at the intersection of car culture, industrialization, consumption, mobility, and politics. Like the song itself, Clover tells a story about a particular time and place-the American era that rock & roll signifies-that becomes a story about love and the modern world.
    URL: Cover
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  • 28
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    Online-Ressource
    New York, NY : Columbia University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780231549295
    Sprache: Englisch
    Seiten: 1 Online-Ressource , 10-15 film stills
    Ausgabe: 2021
    Serie: Short Cuts
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    Schlagwort(e): Geschichte ; Popmusik ; Musical ; Musikfilm ; Motion pictures and music ; Musical films History and criticism ; Popular music Social aspects ; History ; PERFORMING ARTS / Theater / Broadway & Musicals ; USA
    Kurzfassung: After Hollywood and Tin Pan Alley's iron grip on the movie musical began to slip in the face of pop's cultural dominance, many believed that the musical genre entered a terminal decline and finally wore itself out by the 1980s. Though the industrial model of the musical was disrupted by the emergence of pop, the Hollywood musical has not gone extinct. Many Hollywood productions from the 1960s to the present have revisited the forms and conventions of the classic musical-except instead of drawing from showtunes and jazz standards, they employ the styles and iconography of pop.Alberto Mira offers a new account of how pop music revolutionized the Hollywood musical. He shows that while the Hollywood system ceased producing large-scale traditional musicals, different pop strains-disco, rock 'n' roll, doo-wop, glam, and hip-hop-renewed the genre, giving it a new life. While the classical musical presented a world light on conflict, defined by theatricality and where effortless talent can shine through, the introduction of pop spurred musicals to address contemporary social and political conditions. Mira traces the emergence of a new set of themes-such as the painful hard work depicted in Dirty Dancing (1987); the double-edged fandom of Velvet Goldmine (1998); and the racial politics of Dreamgirls (2006)-to explore why the Hollywood musical has found renewed relevance.
    Anmerkung: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)
    URL: Cover
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  • 29
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    Austin : University of Texas Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781477323946
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xii, 343 Seiten)
    Ausgabe: First edition
    Ausgabe: 2022
    Serie: American music series
    DDC: 782.421649
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    Schlagwort(e): Geschichte 1986-1996 ; Gangsta-Rap ; Fernsehsendung ; USA
    URL: Cover
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  • 30
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    Online-Ressource
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030704704
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xv, 249 Seiten) , Diagramme
    Serie: Palgrave studies in language, gender and sexuality
    Paralleltitel: Erscheint auch als
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    DDC: 306.44
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    Schlagwort(e): Sociolinguistics ; Gender Studies ; Gender Studies ; Sociolinguistics ; Sociology ; Sex (Psychology) ; Gender expression ; Männlichkeit ; Männerbild ; USA ; USA ; Männlichkeit ; Männerbild
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 31
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    New York, NY : Oxford University Press
    ISBN: 9780197542453
    Sprache: Englisch
    Seiten: 1 Online-Ressource (176 Seiten) , Illustrationen
    Ausgabe: Second edition
    Serie: Very short introductions
    Paralleltitel: Erscheint auch als
    DDC: 304.873
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    Schlagwort(e): Geschichte ; Immigrants / United States / History ; Citizenship / United States ; Cultural pluralism / United States ; Einwanderungspolitik ; Einwanderung ; United States / Emigration and immigration / History ; USA ; USA ; Einwanderung ; Geschichte ; USA ; Einwanderung ; Einwanderungspolitik
    Kurzfassung: Americans have come from every corner of the globe, and they have been brought together by a variety of historical processes. This book provides a thoughtful look at immigration, anti-immigration sentiments and the motivations and experiences of the migrants themselves
    Anmerkung: Includes bibliographical references and index , This edition also issued in print: 2021
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 32
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    Hamburg : rowohlt e-Book
    ISBN: 9783644012493
    Sprache: Deutsch
    Seiten: 1 Online-Ressource (209 ungezählte Seiten)
    Serie: rowohlts monographien
    Paralleltitel: Erscheint auch als Posener, Alan, 1949 - Elvis Presley
    DDC: 782.42166/092
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    Schlagwort(e): Amerika Nord-Amerika ; USA ; Populäre Musik ; Biografie ; Presley, Elvis 1935-1977
    Anmerkung: "Das Bildmaterial der Printausgabe ist in diesem E-Book nicht enthalten."
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  • 33
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    New York : New York University Press
    ISBN: 9781479849697 , 9781479800360
    Sprache: Englisch
    Seiten: 1 Online-Ressource (247 Seiten)
    Paralleltitel: Erscheint auch als
    DDC: 781.65089/6073
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    Schlagwort(e): Geschichte 1945-1979 ; RELIGION / Islam / History ; African American Muslims ; African Americans Religion 20th century ; History ; African Americans Religion ; Fundamentalism History 20th century ; Internationalism History 20th century ; Jazz Religious aspects 20th century ; Islam ; History ; Jazz Social aspects 20th century ; History ; Islam ; Jazz ; Schwarze ; USA ; USA ; Schwarze ; Jazz ; Islam ; Geschichte 1945-1979
    Kurzfassung: Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 34
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    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674258709
    Sprache: Englisch
    Seiten: 1 Online-Ressource (391 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 305.896073
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    Schlagwort(e): Geschichte ; Personenverkehr ; Rassentrennung ; Schwarze ; Reise ; USA ; African Americans / Segregation / History ; African Americans / Travel / History ; Segregation in transportation / United States / History ; African Americans / Segregation ; African Americans / Travel ; Segregation in transportation ; United States ; History ; USA ; Schwarze ; Rassentrennung ; Personenverkehr ; Reise ; Geschichte
    Kurzfassung: "What was it like to travel while Black under Jim Crow? Mia Bay brings this dramatic history to life. With gripping stories and a close eye on the rail, bus, and airline operators who implemented segregation, she shows why access to unrestricted mobility has been central to the Black freedom struggle since Reconstruction and remains so today"
    Beschreibung / Inhaltsverzeichnis: The road to Plessy: race, class, and gender on nineteenth-century common carriers -- Traveling by train: the Jim Crow car -- Traveling by car: race on the road in the automotive age -- Traveling by bus: from the Jim Crow car to the back of the bus -- Traveling by plane: segregation in the age of aviation -- Traveling for civil rights: the long fight to outlaw transportation segregation -- Traveling for freedom: the desegregation of American transportation -- Epilogue: #Black Travel Matters
    Anmerkung: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 35
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    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783030818692 , 3030818691
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XIII, 199 Seiten) , 10 illus. in color.
    Ausgabe: 1st ed. 2021
    Serie: Palgrave Gothic
    Paralleltitel: Erscheint auch als Haunted Nature
    DDC: 306
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    Schlagwort(e): Gothic novel ; Horrorfilm ; Naturdarstellung ; Schrecken ; Goth culture (Subculture) ; Motion pictures ; Television broadcasting ; Literature ; Culture—Study and teaching ; Ecology  ; Gothic Studies ; Film and Television Studies ; Literature ; Cultural Studies ; Ecology ; USA ; Aufsatzsammlung
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  • 36
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496832092
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 192 pages) , Illustrations (black and white).
    Serie: Mississippi scholarship online
    DDC: 781.6508996073
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    Schlagwort(e): Higgins, Billy Criticism and interpretation ; Blanchard, Terence Criticism and interpretation ; Carrington, Terri Lyne Criticism and interpretation ; Akinmusire, Ambrose Criticism and interpretation ; Hill, Andrew Criticism and interpretation ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; African American jazz musicians ; Jazz Political aspects ; USA
    Kurzfassung: This text provides an interpretive framework for understanding how African American creative improvisers think of musical space. Featuring a foreword by eminent scholar Robin D.G. Kelley, this is a critical improvisation studies book that uses Black geographies theory to examine the spatial values of musical expression in the improvisational and compositional practices of trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill.
    Anmerkung: Also issued in print: 2021 , Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 37
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496831262
    Sprache: Englisch
    Seiten: 1 Online-Ressource (352 pages) , Illustrations (black and white).
    Serie: American made music series
    Serie: Mississippi scholarship online
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    Schlagwort(e): Geschichte 1968-1981 ; Musikleben ; Punk Rock ; Ethnische Identität ; Punk rock music History and criticism ; Music and race History 20th century ; USA ; United States Race relations 20th century ; History
    Kurzfassung: This text offers a portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. The author provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era.
    Anmerkung: Previously issued in print: 2020 , Includes bibliographical references, discography, filmography and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 38
    Online-Ressource
    Online-Ressource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252052811
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (colour).
    Serie: Music in American life
    Serie: Illinois scholarship online
    DDC: 781.640973
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    Schlagwort(e): Musik ; Countrymusic ; Rock 'n' Roll ; Soul ; Blues ; Americana (Music) History and criticism ; USA
    Kurzfassung: A musical genre forever outside the lines With a claim on artists from Jimmie Rodgers to Jason Isbell, Americana can be hard to define, but you know it when you hear it. John Milward's 'Americanaland' is filled with the enduring performers and vivid stories that are at the heart of Americana.
    Anmerkung: Also issued in print: 2021 , Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 39
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190882006
    Sprache: Englisch
    Seiten: 1 Online-Ressource (276 pages) , Illustrations (black and white, and colour).
    Serie: Oxford studies in music theory
    Serie: Oxford scholarship online
    DDC: 782.4216213
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    Schlagwort(e): Volkslied ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Popular music History and criticism ; Großbritannien ; USA
    Kurzfassung: 'Sweet Thing' offers readers a comprehensive new perspective on a musical scheme shared by broadside ballads and experimental rock songs alike.
    Anmerkung: Also issued in print: 2021 , Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 40
    Online-Ressource
    Online-Ressource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469658896
    Sprache: Englisch
    Seiten: 1 Online-Ressource (268 pages) , Illustrations (black and white).
    Serie: North Carolina scholarship online
    DDC: 306.48420973
    RVK:
    Schlagwort(e): Geschichte 1788-1865 ; Musikleben ; Politische Kultur ; Alltagskultur ; Musikpolitik ; Nationalbewusstsein ; Konservativismus ; Music Political aspects 19th century ; History ; Music Political aspects 18th century ; History ; Political culture History ; Elite (Social sciences) History ; Conservatism History ; USA
    Kurzfassung: Following the creation of the United States, profound disagreements remained over how to secure the survival of the republic and unite its population. In this groundbreaking account, Billy Coleman uses the history of American music to illuminate the relationship between elite power and the people from the early national period to the Civil War.
    Anmerkung: Previously issued in print: 2020 , Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 41
    Online-Ressource
    Online-Ressource
    Amsterdam : Amsterdam University Press
    ISBN: 9789048510757
    Sprache: Englisch
    Seiten: 1 Online-Ressource (224 Seiten)
    Serie: American studies (Amsterdam, Netherlands)
    Paralleltitel: Erscheint auch als
    DDC: 305.8
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    Schlagwort(e): Geschichte 2001-2009 ; Multiculturalism / United States / Foreign public opinion ; Emigration and immigration / Social aspects ; Multikulturelle Gesellschaft ; Interkulturalität ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Multikulturelle Gesellschaft ; Interkulturalität ; Geschichte 2001-2009
    Kurzfassung: This groundbreaking volume explores the multicultural debate that has evolved in the United States and Europe since the cataclysmic events of 9/11. Instead of suggesting closure by presenting a unified narrative about cultural diversity, national identity, and social stratification, the essays in this well-balanced collection present a variety of perspectives, each highlighting the undiminished relevance of key issues such as immigration, assimilation, and citizenship, while also pointing to unresolved conflicts over universalism, religion, and tolerance. Most importantly, this volume shows that the struggle over multiculturalism is not limited to the political domain, but also has profound cultural implications. American Multiculturalism after 9/11: Transatlantic Perspectives is an invaluable, thought-provoking addition to the debate about multiculturalism as central to the study of the United States in a global context
    Anmerkung: Title from publisher's bibliographic system (viewed on 29 Jan 2021)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 42
    Online-Ressource
    Online-Ressource
    Ann Arbor, Michigan : University of Michigan Press
    ISBN: 9780472902446 , 047290244X
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XVII, 240 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 782.4216213073
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    Schlagwort(e): Geschichte 1930-1940 ; Volkslied ; Afroamerikanische Musik ; Schwarze ; USA ; USA ; Schwarze ; Volkslied ; Afroamerikanische Musik ; Geschichte 1930-1940
    Kurzfassung: In 1933, John A. Lomax and his son Alan set out as emissaries for the Library of Congress to record the folksong of the "American Negro" in several southern African American prisons. Listening to the Lomax Archive: The Sonic Rhetorics of African American Folksong in the 1930s asks how the Lomaxes' field recordings--including their prison recordings and a long-form oral history of jazz musician Jelly Roll Morton--contributed to a new mythology of Americana for a nation in the midst of financial, social, and identity crises. Stone argues that folksongs communicate complex historical experiences in a seemingly simple package, and can thus be a key element--a sonic rhetoric--for interpreting the ebb and flow of cultural ideals within contemporary historical moments. He contends that the Lomaxes, aware of the power of folk music, used the folksongs they collected to increase national understanding of and agency for the subjects of their recordings even as they used the recordings to advance their own careers. Listening to the Lomax Archive gives readers the opportunity to listen in on these seemingly contradictory dualities, demonstrating that they are crucial to the ways that we remember and write about the subjects of the Lomaxes' archive and other repositories of historicized sound. Throughout Listening to the Lomax Archive, there are a number of audio resources for readers to listen to, including songs, oral histories, and radio program excerpts. Each resource is marked with a k&in the text. Visit https://doi.org/10.3998/mpub.9871097#resources to access this audio content
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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    URL: Volltext  (kostenfrei)
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  • 43
    Online-Ressource
    Online-Ressource
    Santa Barbara : ABC-CLIO | Ann Arbor, Michigan : ProQuest
    ISBN: 9781440873195
    Sprache: Englisch
    Seiten: 1 Online-Ressource (401 pages)
    DDC: 782.421599097303
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    Schlagwort(e): The star-spangled banner ; Geschichte ; USA ; Wörterbuch
    Anmerkung: Description based on publisher supplied metadata and other sources
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 44
    Online-Ressource
    Online-Ressource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226768359
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: Chicago scholarship online
    RVK:
    Schlagwort(e): Geschichte 1968-1969 ; Rockmusik ; Black power ; Weiße ; Aktivismus ; Rock music Social aspects 20th century ; History ; Rock music History and criticism 1961-1970 ; Black power History 20th century ; Music and race History 20th century ; USA ; Großbritannien
    Kurzfassung: 'Tear Down the Walls' sheds light on a significant but overlooked facet of 1960s rock and the Black Power era-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. It focuses on 1968 and 1969, years when the New Left in the US and UK began to combine cultural radicalism and political radicalism.
    Anmerkung: Also issued in print: 2021 , Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 45
    Online-Ressource
    Online-Ressource
    New York, NY : New York University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781479803392
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Ausgabe: 2021
    Serie: Intersections 18
    DDC: 302.23089/96073
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    Schlagwort(e): Schwarze ; Diskriminierung ; Frauenfeindlichkeit ; Rassismus ; African American women in popular culture ; African American women in social media ; African American women Social conditions ; Misogynoir ; Misogyny ; Social media ; SOCIAL SCIENCE / Media Studies ; USA ; #FreeCeCe ; #GirlsLikeUs ; #RuinABlackGirlsMonday ; #YourSlipIsShowing ; 195 Lewis ; Adultification ; Between Women ; Black Girls ; Black queer women ; Black trans women ; Black women ; CeCe McDonald ; Defensive Digital Alchemy ; Digital Alchemy ; Drag ; Generative Digital Alchemy ; Harm Reduction ; Health ; Janet Mock ; Masculinity ; Nap Ministry ; Networks ; Nonbinary femmes ; Queer ; Reading ; Redefining Realness ; Relationships ; Skye’s The Limit ; Social Media Platforms ; Social Media ; Stereotypes ; Therapy ; Trans ; Transformation ; Transformative Justice ; Tumblr ; Twitter ; UrDoinGreat ; Web Shows ; YouTube ; “Shit Black Girls Say”
    Kurzfassung: Where racism and sexism meet—an understanding of anti-Black misogynyWhen Moya Bailey first coined the term misogynoir, she defined it as the ways anti-Black and misogynistic representation shape broader ideas about Black women, particularly in visual culture and digital spaces. She had no idea that the term would go viral, touching a cultural nerve and quickly entering into the lexicon. Misogynoir now has its own Wikipedia page and hashtag, and has been featured on Comedy Central’s The Daily Show and CNN’s Cuomo Prime Time. In Misogynoir Transformed, Bailey delves into her groundbreaking concept, highlighting Black women’s digital resistance to anti-Black misogyny on YouTube, Facebook, Tumblr, and other platforms. At a time when Black women are depicted as more ugly, deficient, hypersexual, and unhealthy than their non-Black counterparts, Bailey explores how Black women have bravely used social-media platforms to confront misogynoir in a number of courageous—and, most importantly, effective—ways. Focusing on queer and trans Black women, she shows us the importance of carving out digital spaces, where communities are built around queer Black webshows and hashtags like #GirlsLikeUs. Bailey shows how Black women actively reimagine the world by engaging in powerful forms of digital resistance at a time when anti-Black misogyny is thriving on social media. A groundbreaking work, Misogynoir Transformed highlights Black women’s remarkable efforts to disrupt mainstream narratives, subvert negative stereotypes, and reclaim their lives.
    Anmerkung: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021)
    URL: Cover
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  • 46
    Online-Ressource
    Online-Ressource
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252052811
    Sprache: Englisch
    Seiten: 1 Online-Ressource (299 pages)
    Serie: Music in American Life Ser. v.1
    DDC: 781.640973
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    Schlagwort(e): Musik ; Countrymusic ; Rock 'n' Roll ; Soul ; Blues ; USA ; Electronic books
    Anmerkung: Description based on publisher supplied metadata and other sources
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 47
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478021391 , 147802139X
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxii, 530 Seiten) , Illustrationen
    Serie: Refiguring american music
    Paralleltitel: Erscheint auch als Weisbard, Eric Songbooks
    DDC: 782.421640973
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    Schlagwort(e): Popular music History and criticism ; Popular music Historiography ; Electronic books ; USA ; Volksmusik ; Popmusik
    Kurzfassung: Setting the Scene -- The Jazz Age -- Midcentury Icons -- Vernacular Counterculture -- After the Revolution -- New Voices, New Methods -- Topics in Progress.
    Anmerkung: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 48
    Online-Ressource
    Online-Ressource
    [Erscheinungsort nicht ermittelbar] : Resling | Berlin : Walter de Gruyter GmbH
    ISBN: 9783110723168
    Sprache: Englisch
    Seiten: 1 Online-Ressource (VI, 273 p.)
    Ausgabe: 2021
    RVK:
    Schlagwort(e): Geschichte 1880-1965 ; Juden ; Schwarze ; Unterhaltungsmusik ; Musikwirtschaft ; Amerikanische Musik ; Ethnizität ; Juden ; Musikindustrie ; HISTORY / General ; USA ; African-American ; American Music ; Civil Rights history ; Ethnicity ; Hegemony ; Jews ; Music industry ; New Left ; Old Left ; Semiotics ; WASP
    Kurzfassung: Stairway to Paradise reveals how American Jewish entrepreneurs, musicians, and performers influenced American popular music from the late nineteenth century till the mid-1960s. From blackface minstrelsy, ragtime, blues, jazz, and Broadway musicals, ending with folk and rock 'n' roll. The book follows the writers and artists' real and imaginative relationship with African-American culture's charisma. Stairway to Paradise discusses the artistic and occasionally ideological dialogue that these artists, writers, and entrepreneurs had with African-American artists and culture. Tracing Jewish immigration to the United States and the entry of Jews into the entertainment and cultural industry, the book allocates extensive space to the charged connection between music and politics as reflected in the Jewish-Black Alliance - both in the struggle for social justice and in the music field. It reveals Jewish success in the music industry and the unique and sometimes problematic relationships that characterized this process, as their dominance in this field became a source of blame for exploiting African-American artistic and human capital. Alongside this, the book shows how black-Jewish cooperation, and its fragile alliance, played a role in the hegemonic conflicts involving American culture during the 20th century. Unintentionally, it influenced the process of decline of the influence of the WASP elite during the 1960s. Stairway to Paradise fuses American history and musicology with cultural studies theories. This inter-disciplinary approach regarding race, class, and ethnicity offers an alternative view of more traditional notions regarding understanding American music's evolution.
    Anmerkung: Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 49
    Online-Ressource
    Online-Ressource
    New York, NY : New York University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781479890491
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Intersections 18
    DDC: 302.23089/96073
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    Schlagwort(e): Schwarze ; Diskriminierung ; Frauenfeindlichkeit ; Rassismus ; USA
    Kurzfassung: Where racism and sexism meet-an understanding of anti-Black misogynyWhen Moya Bailey first coined the term misogynoir, she defined it as the ways anti-Black and misogynistic representation shape broader ideas about Black women, particularly in visual culture and digital spaces. She had no idea that the term would go viral, touching a cultural nerve and quickly entering into the lexicon. Misogynoir now has its own Wikipedia page and hashtag, and has been featured on Comedy Central's The Daily Show and CNN's Cuomo Prime Time. In Misogynoir Transformed, Bailey delves into her groundbreaking concept, highlighting Black women's digital resistance to anti-Black misogyny on YouTube, Facebook, Tumblr, and other platforms. At a time when Black women are depicted as more ugly, deficient, hypersexual, and unhealthy than their non-Black counterparts, Bailey explores how Black women have bravely used social-media platforms to confront misogynoir in a number of courageous-and, most importantly, effective-ways. Focusing on queer and trans Black women, she shows us the importance of carving out digital spaces, where communities are built around queer Black webshows and hashtags like #GirlsLikeUs. Bailey shows how Black women actively reimagine the world by engaging in powerful forms of digital resistance at a time when anti-Black misogyny is thriving on social media. A groundbreaking work, Misogynoir Transformed highlights Black women's remarkable efforts to disrupt mainstream narratives, subvert negative stereotypes, and reclaim their lives.
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 50
    ISBN: 9781479820139 , 9781479824380
    Sprache: Englisch
    Seiten: 1 Online-Ressource (ix, 293 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.48/896
    RVK:
    Schlagwort(e): SOCIAL SCIENCE / Ethnic Studies / African American Studies ; African American women Political activity ; African American women Social conditions ; Women, Black Political activity ; Women, Black Social conditions ; Politik ; Massenkultur ; Ethnische Identität ; Psychoanalyse ; Schwarze Frau ; USA ; USA ; Schwarze Frau ; Politik ; Massenkultur ; Psychoanalyse ; Ethnische Identität
    Kurzfassung: A wide-ranging Black feminist interrogation, reaching from the #MeToo movement to the legacy of gender-based violence against Black women. From Michelle Obama to Condoleezza Rice, Black women are uniquely scrutinized in the public eye. In Re-Imagining Black Women, Nikol G. Alexander-Floyd explores how Black women-and Blackness more broadly-are understood in our political imagination and often become the subjects of public controversy. Drawing on politics, popular culture, psychoanalysis, and more, Alexander-Floyd examines our conflicting ideas, opinions, and narratives about Black women, showing how they are equally revered and reviled as an embodiment of good and evil, cast either as victims or villains, citizens or outsiders. Ultimately, Alexander-Floyd showcases the complex experiences of Black women as political subjects. At a time of extreme racial tension, Re-Imagining Black Women provides insight into the parts that Black women play, and are expected to play, in politics and popular culture
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 51
    Online-Ressource
    Online-Ressource
    Hoboken, NJ : Wiley Blackwell
    ISBN: 9781119522690
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiii, 412 Seiten) , Illustrationen
    Ausgabe: Second edition
    Serie: Wiley Blackwell companions to American history
    Paralleltitel: Erscheint auch als
    DDC: 305.40973
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    Schlagwort(e): Geschichte ; Geschichte 1600-2018 ; Frau ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Frau ; Geschichte ; USA ; Frau ; Geschichte 1600-2018
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 52
    Online-Ressource
    Online-Ressource
    Cambridge, Massachuesetts ; London, England : The Belknap Press of Harvard University Press
    ISBN: 9780674258808 , 9780674258815
    Sprache: Englisch
    Seiten: 1 Online-Ressource (viii, 598 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 780.82/0973
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    Schlagwort(e): Geschichte ; SOCIAL SCIENCE / Popular Culture ; African American feminists ; African American women musicians ; African American women Intellectual life ; African American women Music ; History and criticism ; Musical criticism History ; Musikkritik ; Afroamerikanische Musik ; Feminismus ; USA ; USA ; Afroamerikanische Musik ; Feminismus ; Musikkritik ; Geschichte
    Kurzfassung: An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music-and who should rightly tell it-Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 53
    Online-Ressource
    Online-Ressource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252052750
    Sprache: Englisch
    Seiten: 1 Online-Ressourcece.
    Serie: The new Black studies series
    Serie: Illinois scholarship online
    DDC: 305.8960730904
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    Schlagwort(e): Geschichte 1900-2016 ; Schwarze ; Geistesleben ; Rassismus ; African Americans Intellectual life 20th century ; African American intellectuals History 20th century ; African Americans Race identity 20th century ; History ; Blacks Race identity 20th century ; History ; Black nationalism History 20th century ; African Americans Social conditions 20th century ; USA ; United States Race relations 20th century ; History ; Aufsatzsammlung
    Kurzfassung: From 1900 to the present, people of African descent living in the United States have drawn on homegrown and diasporic minds to create a Black intellectual tradition engaged with ideas on race, racial oppression, and the world. This volume presents essays on the diverse thought behind the fight for racial justice as developed by African American artists and intellectuals; performers and protest activists; institutions and organizations; and educators and religious leaders. By including both women's and men's perspectives from the U.S. and the Diaspora, the essays explore the full landscape of the Black intellectual tradition.
    Anmerkung: Also issued in print: 2021 , Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 54
    Online-Ressource
    Online-Ressource
    Stuttgart : Franz Steiner Verlag | Stuttgart : Wissenschaftliche Verlagsgesellschaft
    ISBN: 9783515125932
    Sprache: Deutsch
    Seiten: 1 Online-Ressource
    Serie: Studien zur Alltags- und Kulturgeschichte Band 33
    Serie: Geschichte
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    Schlagwort(e): Geschichte 1945-2020 ; Geschichte ; Popmusik ; Rockmusik ; Musikwirtschaft ; Internationalisierung ; Globalisierung ; Unterhaltungsmusik ; Amerikanisierung ; USA
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  • 55
    Online-Ressource
    Online-Ressource
    Stuttgart : Franz Steiner Verlag
    ISBN: 9783515125932
    Sprache: Deutsch
    Seiten: 1 Online-Ressource (519 Seiten) , Diagramme
    Serie: Studien zur Alltags- und Kulturgeschichte Band 33
    Serie: Studien zur Alltags- und Kulturgeschichte
    Paralleltitel: Erscheint auch als
    DDC: 781.6409
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    Schlagwort(e): Geschichte ; Geschichte 1945-2020 ; Musikmarkt ; Unterhaltungsmusik ; Internationalisierung ; Musikwirtschaft ; Rockmusik ; Globalisierung ; Amerikanisierung ; Popmusik ; USA ; Wirtschaftsgeschichte ; Musikfilm ; Tonträgerindustrie ; MTV ; Kulturgeschichte ; Globalisierung ; Disco ; Hip-Hop ; Rockmusik ; Jazz ; Musikindustrie ; Popmusik ; Musikkultur ; EDM ; Techno ; Musikmarkt ; amerikanische Geschichte ; USA ; Unterhaltungsmusik ; Musikmarkt ; Amerikanisierung ; Geschichte ; USA ; Popmusik ; Rockmusik ; Musikwirtschaft ; Internationalisierung ; Globalisierung ; Geschichte 1945-2020
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 56
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    London : Bloomsbury Academic | Ann Arbor, Michigan : ProQuest
    ISBN: 9781472521514 , 9780857854759
    Sprache: Englisch
    Seiten: 1 Online-Ressource (288 Seiten)
    DDC: 809.933559
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    Schlagwort(e): Geschichte 1830-2015 ; Literatur ; Nahrung ; Englisch ; Modernismus ; Sexualität ; Geschlecht ; Food in literature ; Food-Social aspects ; Großbritannien ; USA ; Electronic books
    Kurzfassung: Covering every aspect of food within literary texts, from experimental cook books to the sumptuous dinner parties at the heart of every Victorian Novel, The Literature of Food is the first comprehensive study of its kind and a must-buy for students on literature and food courses.
    Anmerkung: Literaturverzeichnis: Seite 270-283
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  • 57
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    Durham : Duke University Press
    ISBN: 9781478009139
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiii, 247 Seiten) , Illustrationen
    Serie: A Camera Obscura Book
    Paralleltitel: Erscheint auch als
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    DDC: 306.84/8
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    Schlagwort(e): Geschichte ; Hollywood marriage plot ; changing narrative of intimacy ; valorization of intimacy ; PERFORMING ARTS / Film & Video / History & Criticism ; Homosexuality in motion pictures ; Lesbianism in motion pictures ; Marriage ; Same-sex marriage ; Homosexualität ; Film ; Ehe ; USA ; USA ; Film ; Homosexualität ; Ehe ; Geschichte
    Kurzfassung: In Reattachment Theory Lee Wallace argues that homosexuality-far from being the threat to "traditional" marriage that same-sex marriage opponents have asserted-is so integral to its reimagining that all marriage is gay marriage. Drawing on the history of marriage, Stanley Cavell's analysis of Hollywood comedies of remarriage, and readings of recent gay and lesbian films, Wallace shows that queer experiments in domesticity have reshaped the affective and erotic horizons of heterosexual marriage and its defining principles: fidelity, exclusivity, and endurance. Wallace analyzes a series of films-Dorothy Arzner's Craig's Wife (1936); Tom Ford's A Single Man (2009); Lisa Cholodenko's High Art (1998), Laurel Canyon (2002), and The Kids Are All Right (2010); and Andrew Haigh's Weekend (2011) and 45 Years (2015)-that, she contends, do not simply reflect social and legal changes; they fundamentally alter our sense of what sexual attachment involves as both a social and a romantic form
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 58
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    Durham : Duke University Press
    ISBN: 9781478012245 , 1478012242
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 217 pages)
    Serie: Refiguring American music
    Paralleltitel: Erscheint auch als
    DDC: 781.644
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    Schlagwort(e): Geschichte 1960- ; Soul music / History and criticism ; Soul musicians ; African Americans / Music / History and criticism ; Music and race / History / 20th century / United States ; Popular music / History and criticism / United States ; Resilienz ; Afroamerikanische Musik ; Ethnische Identität ; Soulmusiker ; USA ; USA ; Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; Resilienz ; Geschichte 1960-
    Kurzfassung: From soul to post-soul : a literary and musical history -- We shall overcome, shelter, and veil : soul covers -- Rescripted relations : soul ad-libs -- Emergent interiors : soul falsettos -- Never catch me : false endings from soul to post-soul -- Conclusion. "I'm tired of Marvin asking me what's going on" : soul legacies and the work of Afropresentism
    Anmerkung: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 59
    ISBN: 9783986841942
    Sprache: Deutsch
    Seiten: 1 Online-Ressource (177 Seiten)
    Ausgabe: 2. Auflage
    Originaltitel: Where we stand
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    Schlagwort(e): hooks, bell ; Soziale Klasse ; Sexismus ; Armut ; Weibliche Person of Color ; Arbeiterklasse ; Schwarze Frau ; Rassenfrage ; Ausgrenzung ; Kapitalismus ; Rassismus ; Soziale Situation ; Klassengesellschaft ; Wirtschaftliche Lage ; USA ; Afro-Amerika ; Arbeiterklasse ; Feminismus ; Gesellschaftsanalyse ; Kapitalismus ; Klassenpolitik ; Klassismus ; Kulturkritik ; Rassismus ; Sexismus ; soziale Bewegungen ; working class ; Autobiografie ; USA ; Weibliche Person of Color ; Arbeiterklasse ; Wirtschaftliche Lage ; Soziale Situation ; Klassengesellschaft ; Armut ; Ausgrenzung ; Rassenfrage ; Rassismus ; hooks, bell 1952-2021 ; USA ; Arbeiterklasse ; Soziale Situation ; Ausgrenzung ; Rassismus ; Sexismus ; Kapitalismus ; Klassengesellschaft ; USA ; Schwarze Frau ; Arbeiterklasse ; Wirtschaftliche Lage ; Soziale Situation ; Klassengesellschaft ; Armut ; Ausgrenzung ; Rassenfrage ; Rassismus ; USA ; Soziale Klasse
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  • 60
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    New York : Peter Lang Inc. | Bern : Peter Lang International Academic Publishers
    ISBN: 9781433176951
    Sprache: Englisch
    Seiten: 1 Online-Ressource (168 Seiten) , Illustrationen
    Ausgabe: 1st, New ed.
    Serie: Counterpoints 531
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    Schlagwort(e): Phish ; Popmusik ; Progressive Rock ; Rockmusik ; Jugendkultur ; Gegenkultur ; USA
    Kurzfassung: The late Dennis Carlson uses the alternative nature of the Burlington, Vermont-bred band, Phish, and the larger impact of rock n’ roll to look at youth and revolutionary music culture. A History of Progressive Music and Youth Culture is designed for those who work with or teach young people to understand the nature and origin of musical commitment and devotion. For academics, the book traces a cultural study of rock which is unlike any other discussion of music or musicology published.
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  • 61
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    London : Taylor & Francis Group
    ISBN: 9781000070460
    Sprache: Englisch
    Seiten: 1 Online-Ressource (303 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als Feagin, Joe R. White racial frame : centuries of racial framing and counter-framing
    DDC: 305.800973
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    Schlagwort(e): Race discrimination ; Ethnische Beziehungen ; Rassendiskriminierung ; Soziale Situation ; Schwarze ; USA ; USA ; Soziale Situation ; Schwarze ; USA ; Rassendiskriminierung ; USA ; Ethnische Beziehungen
    Anmerkung: Includes index , Description based on print version record
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  • 62
    ISBN: 9781351112499 , 9781351112512 , 9781351112505 , 9781351112482
    Sprache: Englisch
    Seiten: 1 Online-Ressource (vi, 295 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
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    DDC: 303.6
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    Schlagwort(e): Violence in mass media ; Social learning ; Graphic novels ; Visuelle Medien ; Popkultur ; Gewalttätigkeit ; Massenmedien ; Gewaltkriminalität ; USA ; USA ; Massenmedien ; Visuelle Medien ; Popkultur ; Gewalttätigkeit ; Gewaltkriminalität
    Kurzfassung: Graphic Violence provides an innovative introduction to the relationship between violence and visual media, discussing how media consumers and producers can think critically about and interact with violent visual content. It comprehensively surveys predominant theories of media violence and the research supporting and challenging them, addressing issues ranging from social learning, to representations of war and terrorism, to gender and hyper-masculinity. Each chapter features original artwork presenting a story in the style of a graphic novel to demonstrate the concepts at hand. Truly unique in its approach to the subject and medium, this volume is an excellent resource for undergraduate students of communication and media theory as well as anyone interested in understanding the causes and effects of violence in media
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 63
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    Santa Barbara, California ; Dever, Coloradp : Greenwood
    ISBN: 9781440862441
    Sprache: Englisch
    Seiten: 1 Online-Ressource (3 Bände: xvii, 381 Seiten , XI Seiten, Seite 384-695 ; xi Seiten, Seite 698-1122)
    Serie: Cultures of the American mosaic
    Paralleltitel: Erscheint auch als
    DDC: 305.896/073003
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    Schlagwort(e): Kultur ; Schwarze ; USA ; African Americans / Encyclopedias ; African Americans / Social life and customs / Encyclopedias ; African Americans / Intellectual life / Encyclopedias ; African Americans / History / Encyclopedias ; African Americans / Social conditions / Encyclopedias ; Popular culture / United States / Encyclopedias ; United States / Civilization / African American influences / Encyclopedias ; African Americans ; African Americans / Intellectual life ; African Americans / Social conditions ; African Americans / Social life and customs ; Civilization / African American influences ; Popular culture ; United States ; Encyclopedias ; History ; Wörterbuch ; Wörterbuch ; USA ; Schwarze ; Kultur
    Kurzfassung: "Covering everything from sports to art, religion, music, and entrepreneurship, this book documents the vast array of African American cultural expressions and discusses their impact on the culture of the United States."
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  • 64
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    Boston, Massachusetts : Harvard Business Review Press
    ISBN: 9781633698222
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxi, 182 Seiten)
    Paralleltitel: Erscheint auch als
    DDC: 305.56208909073
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    Schlagwort(e): Nationalismus ; Working class whites ; Populism ; Middle class ; Nationalism ; Arbeiterklasse ; Weiße ; USA ; USA ; USA ; Weiße ; Arbeiterklasse
    Kurzfassung: Around the world, populist movements are gaining traction among the white working class. Meanwhile, the professional elite...journalists, managers, and establishment politicians...is on the outside looking in, and left to argue over the reasons why. In White Working Class, Joan C. Williams, described as "something approaching rock star status" in her field by the New York Times, explains why so much of the elite's analysis of the white working class is misguided, rooted in assumptions by what she has controversially coined "class cluelessness." Williams explains how most analysts, and the corresponding media coverage, have conflated "working class" with "poor." All too often, white working class motivations have been dismissed as simply racism or xenophobia. Williams explains how the term "working class" has been misapplied...it is, in fact, the elusive, purportedly disappearing middle class. This demographic often resents both the poor and the professionals. They don't, however, tend to resent the truly rich, nor are they particularly bothered by income inequality. Their dream is not to join the upper middle class, with its different culture, but to stay true to their own values in their own communities...just with more money. White Working Class is a blunt, bracing narrative that sketches a nuanced portrait of millions of people throughout the world who have proven to be a potent political force. For anyone stunned by the rise in populist, nationalist movements, wondering why so many would seemingly vote against their own economic interests or simply feeling like a stranger in their own country, White Working Class will be a convincing primer on how to connect with a crucial set of workers...and voters....
    Anmerkung: Zusatz auf dem Umschlag: "With a new foreword by Mark Cuban", "with a new preface by the author".
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  • 65
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    Santa Barbara, California ; Denver, Colorado : ABC-CLIO
    ISBN: 9781440856419
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xv, 346 Seiten) , Illustrationen
    Serie: Contemporary world issues series
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte ; Rassismus ; Identitätspolitik ; USA ; Racism / United States / History ; Racism ; United States ; History ; USA ; Identitätspolitik ; Rassismus ; Geschichte
    Kurzfassung: "This book explains how race, once a differentiating factor, became a major basis for stratification in America that pervaded scientific thought, religious doctrine, governmental policy, and the patterned actions of decision-makers in all sectors of social life"--
    Beschreibung / Inhaltsverzeichnis: Background and history -- Problems, controversies, and solutions -- Perspectives -- Profiles -- Data and documents -- Resources -- Chronology -- Glossary
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  • 66
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    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252051944
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: Music in American life
    Serie: Illinois scholarship online
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    Schlagwort(e): Geschichte 1930-1960 ; Countrymusic ; Musiker ; Frau ; Country music History and criticism To 1951 ; Country music History and criticism 1951-1960 ; Women country musicians ; Radio and music History 20th century ; USA
    Kurzfassung: Well before the success of Loretta Lynn and Dolly Parton, female artists were integral to the commercial expansion and aural reception of country music. Women in early country music took on and redefined the theatrical and musical roles of the hillbilly maiden, the unruly Okie, the singing cowgirl, and the honky-tonk angel in live performance, on radio, in film, and in the recording studio. This work accounts for the vibrant presence of female country artists through an interdisciplinary focus on performance and vocal expression in relation to the cultural currents of the 1930s and 1950s.
    Anmerkung: Also issued in print: 2020 , Includes bibliographical references and index
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  • 67
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    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197534922
    Sprache: Englisch
    Seiten: 1 Online-Ressource (288 pages) , Illustrations (black and white).
    Serie: Oxford scholarship online
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    Schlagwort(e): Geschichte 1990-2000 ; Punk Rock ; Punk rock music History and criticism ; Rock music History and criticism 1991-2000 ; USA
    Kurzfassung: At the dawn of the 1990s, as the United States celebrated its victory in the Cold War and sole superpower status by waging war on Iraq and proclaiming democratic capitalism as the best possible society, the 1990s underground punk renaissance transformed the punk scene into a site of radical opposition to American empire. Nazi skinheads were ejected from the punk scene; apathetic attitudes were challenged; women, Latino, and LGBTQ participants asserted their identities and perspectives within punk; the scene debated the virtues of maintaining DIY purity versus venturing into the musical mainstream; and punks participated in protest movements from animal rights to stopping the execution of Mumia Abu-Jamal to shutting down the 1999 World Trade Organization meeting. Punk lyrics offered strident critiques of American empire, from its exploitation of the Third World to its warped social relations.
    Anmerkung: Also issued in print: 2020 , Includes bibliographical references and index
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  • 68
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    New York ; London : Routledge
    ISBN: 9780429353246 , 9781000071450 , 9781000070460 , 9781000070972
    Sprache: Englisch
    Seiten: 1 Online-Ressource (294 Seiten)
    Ausgabe: Third edition
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.800973
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    Schlagwort(e): Race discrimination / United States ; African Americans / Social conditions ; African Americans / Public opinion ; Whites / United States / Attitudes ; Rassendiskriminierung ; Soziale Situation ; Ethnische Beziehungen ; Schwarze ; USA ; USA ; Rassendiskriminierung ; USA ; Ethnische Beziehungen ; USA ; Soziale Situation ; Schwarze
    Kurzfassung: "Deeply imbedded in American minds and institutions, the white racial frame has for centuries functioned as a broad worldview essential to the systemic racism in the United States. Feagin examines how and why this frame emerged in North America and evolved over time, which racial groups are framed within it, how it has operated in the past and in the present for white Americans and Americans of color, and how the latter have long responded with strategies of resistance. In this new edition is a discussion of the impact of the white frame on popular culture and a discussion of the white racial frame's significant impacts on public policymaking, immigration, the environment, health care, and crime"--
    Anmerkung: Revised edition of the author's The white racial frame, 2013
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 69
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    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030335168
    Sprache: Englisch
    Seiten: 1 Online-Ressource (IX, 424 p. 1 illus)
    Ausgabe: 1st ed. 2020
    Serie: Palgrave Studies in Language, Gender and Sexuality
    Paralleltitel: Erscheint auch als
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    DDC: 306.44
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    Schlagwort(e): Geschichte 1930-1969 ; Language and Gender ; Language History ; Slang and Jargon ; Gender and Sexuality ; Queer Theory ; US History ; Sociolinguistics ; Historical linguistics ; Slang ; Gender identity ; Queer theory ; United States—History ; Lesbe ; Homosexueller ; Sprachgebrauch ; Slang ; Soziolinguistik ; USA ; USA ; Homosexueller ; Lesbe ; Sprachgebrauch ; Slang ; Soziolinguistik ; Geschichte 1930-1969
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 70
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    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496825148
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xi, 506 pages) , Illustrations.
    Serie: American made music series
    Serie: Mississippi scholarship online
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    Schlagwort(e): Rollini, Adrian ; Rollini, Adrian ; Geschichte 1903-1956 ; Jazzmusiker ; Jazz musicians Biography ; Saxophonists Biography ; Vibraphonists Biography ; Pianists Biography ; USA ; Biografie
    Kurzfassung: Adrian Rollini (1904-1956)was as a child prodigy, playing piano when he was four. This book describes how job opportunities came to him easily at first and that his versatility helped him when they became rare. At the age of 16 he became a professional musician and, in New York, recorded piano rolls. In 1922, at the start of the jazz age, he joined the California Ramblers. He moved to the bass saxophone and gave it its definite place in early jazz. At the top of his fame Rollini became leader of his own band, with a.o. Bix Beiderbecke, Frank Trumbauer, Eddie Lang, and Joe Venuti. It was star-studded but short-lived. In late 1927, he moved to London to join Fred Eizalde's progressive dance band. Back in the USA in 1930, Rollini joined Bert Lown's hotel band, but the bass saxophone was phasing out, so he moved to the vibraphone.
    Anmerkung: Previously issued in print: 2019 , Includes bibliographical references and index
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  • 71
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    Boston : Beacon Press
    ISBN: 9780807033562
    Sprache: Englisch
    Seiten: 1 Online-Ressource (311 Seiten) , Illustrationen
    Serie: Revisioning American History
    Paralleltitel: Erscheint auch als Berry, Daina Ramey A black women's history of the United States
    DDC: 305.48/896073
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    Schlagwort(e): African American women--History ; Electronic books ; Nordamerika ; USA ; Schwarze Frau ; Soziale Situation ; Diskriminierung ; Geschichte 1600-2000
    URL: Volltext  (lizenzpflichtig)
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  • 72
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    Durham : Duke University Press
    ISBN: 9781478005537
    Sprache: Englisch
    Seiten: 1 Online-Ressource (ix, 236 Seiten)
    Paralleltitel: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779.93058
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    Schlagwort(e): Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; Photography in ethnology-United States-History ; Electronic books ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; Rassenfrage ; Fotografie
    Kurzfassung: In Photographic Returns Shawn Michelle Smith traces how historical moments of racial crisis come to be known photographically and how the past continues to inhabit, punctuate, and transform the present through the photographic medium in contemporary art. Smith engages photographs by Rashid Johnson, Sally Mann, Deborah Luster, Lorna Simpson, Jason Lazarus, Carrie Mae Weems, Taryn Simon, and Dawoud Bey, among others. Each of these artists turns to the past—whether by using nineteenth-century techniques to produce images or by re-creating iconic historic photographs—as a way to use history to negotiate the present and to call attention to the unfinished political project of racial justice in the United States. By interrogating their use of photography to recall, revise, and amplify the relationship between racial politics of the past and present, Smith locates a temporal recursivity that is intrinsic to photography, in which images return to haunt the viewer and prompt reflection on the present and an imagination of a more just future.
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 73
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    New York : New York University Press
    ISBN: 9781479867455
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xviii, 339 Seiten)
    Ausgabe: Third edition
    Serie: Keywords Band 11
    Paralleltitel: Erscheint auch als
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    DDC: 428.1
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    Schlagwort(e): Landeskunde ; Kultur ; USA ; Vocabulary ; Social structure / Terminology ; Culture / Terminology ; United States / Civilization ; Aufsatzsammlung ; USA ; Kultur ; Landeskunde
    Kurzfassung: "This title is the third edition of the "Keywords for American Cultural Studies." It provides a list of essential terms for American cultural studies with discussions of each"--
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 74
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    [Erscheinungsort nicht ermittelbar] : Taylor & Francis | The Hague : OAPEN FOUNDATION
    ISBN: 9780429060595
    Sprache: Englisch
    Seiten: 1 Online-Ressource (10 p.)
    Suppl.: Enthalten in The Global Politics of Jazz in the Twentieth Century
    DDC: 306.48425
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    Schlagwort(e): Geschichte 1900-2000 ; Musik ; Jazz ; Politik ; Regional studies ; USA ; Arts ; Music ; Western Music Styles (Early & Classical) ; 20th Century Music ; Popular Music ; Jazz ; Humanities ; History ; Contemporary History 1945- ; The Cold War ; Media & Film Studies ; Popular Music ; History of Popular Music ; Politics & International Relations ; International Relations ; Foreign Policy ; International Relations Theory ; International Political Economy ; International Politics
    Kurzfassung: From the mid-1950s to the late 1970s, jazz was harnessed as America’s "sonic weapon" to promote an image to the world of a free and democratic America. Dizzy Gillespie, Dave Brubeck, Duke Ellington and other well-known jazz musicians were sent around the world – including to an array of Communist countries – as "jazz ambassadors" in order to mitigate the negative image associated with domestic racial problems. While many non-Americans embraced the Americanism behind this jazz diplomacy without question, others criticized American domestic and foreign policies while still appreciating jazz – thus jazz, despite its popularity, also became a medium for expressing anti-Americanism. This book examines the development of jazz outside America, including across diverse historical periods and geographies – shedding light on the effectiveness of jazz as an instrument of state power within a global political context.
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  • 75
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    Durham : Duke University Press
    ISBN: 9781478009283
    Sprache: Englisch
    Seiten: 1 Online-Ressource (ix, 254 Seiten)
    Paralleltitel: Erscheint auch als
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    DDC: 305.48/896073
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    Schlagwort(e): Geschichte ; SOCIAL SCIENCE / Black Studies (Global) ; African American feminists ; African American women in popular culture ; African American women Legal status, laws, etc ; Fame Social aspects ; Womanism ; Women, Black Legal status, laws, etc ; Women, Black, in popular culture ; Feministin ; Schwarze Frau ; USA ; Biografie ; Biografie ; Biografie ; USA ; Schwarze Frau ; Feministin ; Geschichte
    Kurzfassung: The countless retellings and reimaginings of the private and public lives of Phillis Wheatley, Sally Hemings, Sarah Baartman, Mary Seacole, and Sarah Forbes Bonetta have transformed them into difficult cultural and black feminist icons. In Infamous Bodies Samantha Pinto explores how histories of these black women and their ongoing fame generate new ways of imagining black feminist futures. Drawing on a variety of media, cultural, legal, and critical sources, Pinto shows how key political concepts such as freedom, consent, contract, citizenship, and sovereignty are shaped by the narratives surrounding these eighteenth- and nineteenth-century celebrities. Whether analyzing Wheatley's fame in relation to conceptions of race and freedom, notions of consent in Hemings' relationship with Thomas Jefferson, or Baartman's ability to enter into legal contracts, Pinto reveals the centrality of race, gender, and sexuality in the formation of political rights. In so doing, she contends that feminist theories of black women's vulnerable embodiment can be the starting point for future progressive political projects
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 76
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    [Erscheinungsort nicht ermittelbar] : Taylor & Francis | The Hague : OAPEN FOUNDATION
    ISBN: 9780429060595
    Sprache: Englisch
    Seiten: 1 Online-Ressource (208 p.)
    DDC: 306.48425
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    Schlagwort(e): Geschichte 1900-2000 ; Musik ; Jazz ; Politik ; The arts ; Humanities ; Politics & government ; USA ; Arts ; humanities ; politics ; international relations
    Kurzfassung: From the mid-1950s to the late 1970s, jazz was harnessed as America’s "sonic weapon" to promote an image to the world of a free and democratic America. Dizzy Gillespie, Dave Brubeck, Duke Ellington and other well-known jazz musicians were sent around the world – including to an array of Communist countries – as "jazz ambassadors" in order to mitigate the negative image associated with domestic racial problems. While many non-Americans embraced the Americanism behind this jazz diplomacy without question, others criticized American domestic and foreign policies while still appreciating jazz – thus jazz, despite its popularity, also became a medium for expressing anti-Americanism. This book examines the development of jazz outside America, including across diverse historical periods and geographies – shedding light on the effectiveness of jazz as an instrument of state power within a global political context.
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  • 77
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    New York : New York University Press
    ISBN: 9781479867455
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xviii, 339 Seiten)
    Ausgabe: Third edition
    Serie: Keywords
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 428.1
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    Schlagwort(e): Landeskunde ; Kultur ; USA ; Vocabulary ; Social structure / Terminology ; Culture / Terminology ; United States / Civilization ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kultur ; Landeskunde
    Kurzfassung: "This title is the third edition of the "Keywords for American Cultural Studies." It provides a list of essential terms for American cultural studies with discussions of each"--
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 78
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    Amsterdam : John Benjamins Publishing Company
    ISBN: 9789027260888
    Sprache: Englisch
    Seiten: 1 Online-Ressource (VII, 338 Seiten)
    Serie: Varieties of English around the world volume G63
    Serie: Varieties of English around the world General series
    Originaltitel: "like my homeboy will say, this na really Naija"
    Paralleltitel: Erscheint auch als Honkanen, Mirka World Englishes on the web
    Dissertationsvermerk: Dissertation Albert-Ludwigs-Universität Freiburg i. Br. 2018
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    Schlagwort(e): English language Dialects ; Nigerian Americans Languages ; English language Variation ; English language Globalization ; Corpora (Linguistics) ; Nigerian Americans--Languages. ; English language--Variation--United States. ; English language--Dialects--United States. ; English language--Globalization. ; Hochschulschrift ; Hochschulschrift ; USA ; Nigerianer ; Black English
    Kurzfassung: "World Englishes on the Web focuses on linguistic practices at the intersection of international migration and social media, examining the language repertoires of Nigerians living in the United States, and their negotiations of identity and authenticity on a Nigerian web forum. Based on a large corpus of informal, multilingual, interactive, online writing, this book describes how diasporic Nigerians employ African-American Vernacular English, Nigerian English, Nigerian Pidgin, and ethnic Nigerian languages in an online community of practice. The project combines corpus linguistic methods-relying on a corpus management tool custom-made for web forum data-with ethnographically-informed qualitative analyses of morphosyntactic, lexical, and orthographic features, and immigrants' language attitudes and ideologies. It is relevant particularly for linguists and other social scientists interested in World Englishes, the sociolinguistics of globalization and computer-mediated communication, corpus linguistics, and pidgin and creole languages"--
    URL: Cover
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  • 79
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    Durham : Duke University Press
    ISBN: 9781478008880
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvi, 310 Seiten)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.5/2
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    Schlagwort(e): SOCIAL SCIENCE / Anthropology / Cultural & Social ; Celebrities in mass media ; Fame Social aspects ; Hispanic American mass media ; Hispanic Americans in mass media ; Mass media and culture ; Mass media Political aspects ; Paparazzi ; Popular culture ; Women journalists ; Berühmte Persönlichkeit ; Paparazzo ; Regenbogenpresse ; Diskriminierung ; USA ; Los Angeles- Hollywood ; USA ; Los Angeles- Hollywood ; Berühmte Persönlichkeit ; Regenbogenpresse ; Paparazzo ; Diskriminierung
    Kurzfassung: In Manufacturing Celebrity Vanessa Díaz traces the complex power dynamics of the reporting and paparazzi work that fuel contemporary Hollywood and American celebrity culture. Drawing on ethnographic fieldwork, her experience reporting for People magazine, and dozens of interviews with photographers, journalists, publicists, magazine editors, and celebrities, Díaz examines the racialized and gendered labor involved in manufacturing and selling relatable celebrity personas. Celebrity reporters, most of whom are white women, are expected to leverage their sexuality to generate coverage, which makes them vulnerable to sexual exploitation and assault. Meanwhile, the predominantly male Latino paparazzi can face life-threatening situations and endure vilification that echoes anti-immigrant rhetoric. In pointing out the precarity of those who hustle to make a living by generating the bulk of celebrity media, Díaz highlights the profound inequities of the systems that provide consumers with 24/7 coverage of their favorite stars
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 80
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    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478012771 , 1478012773
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 392 pages) , illustrations
    Serie: Refiguring american music
    Paralleltitel: Erscheint auch als
    DDC: 782.421660820973
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    Schlagwort(e): Geschichte 1950-1990 ; African American women rock musicians / History / 20th century / United States ; Rock music / Social aspects ; Music and race ; Rockmusikerin ; Schwarze ; Ethnische Identität ; Geschlechterrolle ; USA ; USA ; Rockmusikerin ; Schwarze ; Geschlechterrolle ; Ethnische Identität ; Geschichte 1950-1990
    Kurzfassung: Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
    Anmerkung: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
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  • 81
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    New York, NY : Oxford University Press
    ISBN: 9780190462611
    Sprache: Englisch
    Seiten: 1 online resource , illustrations (black and white).
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 781.65071
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    Schlagwort(e): Jazz Instruction and study ; USA ; Schule ; Musikerziehung ; Jazz
    Kurzfassung: 'Teaching School Jazz' is an edited collection of suggested practices in school jazz education authored by a seasoned and diverse lineup of jazz educators with supporting research-based case studies woven into the narrative. It provides not only a wealth of school jazz teaching strategies but also, and perhaps as important, the jazz perspectives and principles from which they are derived.
    Anmerkung: Also issued in print: 2019. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on June 11, 2019)
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  • 82
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    Woodbridge, Suffolk, UK : The Boydell Press
    ISBN: 9781787445345
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xviii, 284 Seiten) , Illustrationen, Notenbeispiele
    Paralleltitel: Erscheint auch als
    DDC: 306.4842
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    Schlagwort(e): Geschichte 1800-1960 ; Music / Social aspects / History / 19th century ; Music / Social aspects / History / 20th century ; Salons / Europe / History / 19th century ; Salons / United States / History / 20th century ; Music in the home / Social aspects / History / 19th century ; Music in the home / Social aspects / History / 20th century ; Soziokultur ; Salonmusik ; Europe / Intellectual life / 19th century ; United States / Intellectual life / 20th century ; USA ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; USA ; Salonmusik ; Soziokultur ; Geschichte 1800-1960
    Kurzfassung: This collection explores the idea of music in the salon during the long nineteenth century, both as a socio-cultural phenomenon, and as a source of artistic innovation and exchange. Drawing on a wide range of scholarly approaches, this book uses the idea of the salon as a springboard to examine issues such as gender, religion, biography and performance; to explore the ways in which the salon was represented in different media; and to showcase the heterogeneity of the salon through a selection of case studies. It offers fresh considerations of familiar salons in large cultural centres, as well as insights into lesser-known salons in both Europe and the United States. Bringing together an international group of scholars, the collection underscores the enduring impact of the European musical salon
    Anmerkung: Introduction - Anja Bunzel and Natasha Loges -- - Johanna Kinkel's Social Life in Berlin (1836-39) : Reflections on Historiographical Sources - Anja Bunzel -- - Accidental Aesthetics in the Salon : Amateurism and the Romantic Fragment in the Lied Sketches of Bettina von Arnim - Jennifer Ronyak -- - Salon Culture in the Circle of Joseph Joachim, or, Composing Inwardness : C. J. Arnold's "Quartettabend bei Bettina von Arnim" Reconsidered - Katharina Uhde and R. Larry Todd -- - Reading, Singing, Becoming : The M adchenlieder of Paul Heyse and Johannes Brahms - Natasha Loges -- - Fridays with Malla : Musical Repertoire in the Swedish Salon of Malla Silfverstolpe - Kirsten Santos Rutschman -- - Observing Musical Salon Culture in England c. 1800 through the Lens of the Caricature - Maren Bagge and Clemens Kreutzfeldt -- - The Salon Singer as Subject of Satire during the July Monarchy - Mary Anne Garnett -- - The Instruments of the Vienna Biedermeier Salon : Diversity in Design, Sound, and Technology - Beatrix Darmst adter -- - Offenbach and the Representation of the Salon - P eter Boz o -- - Affordances of the Piano : A Cinematic Representation of the Victorian Salon - Harry White -- - 'Der Mensch ist zur Geselligkeit geboren' : Salon Culture, Night Thoughts, and a Schubert Song - Susan Youens -- - Traditions, Preferences and Musical Taste in the Staegemann-Olfers Salon in Nineteenth-Century Berlin - Petra Wilhelmy-Dollinger -- - Josephine Lang and the Salon in Southern Germany - Harald Krebs -- - Jessie Hillebrand and Musical Life in 1870s Florence - Michael Uhde -- - An Invitation to 309 Beacon Street : Clara Kathleen Rogers and her Boston Salon - Katie A. Callam -- - "Too Much Playing Four Hands!" : Ernst von Dohn anyi's European Salon in the United States of the 1950s - Veronika Kusz
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 83
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    Bloomington, IN : Indiana University Press
    ISBN: 9780253045478 , 0253045479
    Sprache: Englisch
    Seiten: 1 Online-Ressource , illustrations
    Ausgabe: First paperback edition
    Serie: [Helen B. Schwartz book in Jewish studies]
    Paralleltitel: Erscheint auch als Cohen, Judah M Making of a Reform Jewish cantor
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    Schlagwort(e): Hebrew Union College-Jewish Institute of Religion ; Cantillation Instruction and study ; Cantors (Judaism) Education ; Reform Judaism ; Hebrew Union College-Jewish Institute of Religion ; MUSIC / Ethnomusicology ; Cantillation ; Instruction and study ; Reform Judaism ; Berufsausbildung ; Kantor ; Reformjudentum ; USA ; USA ; Electronic books
    Kurzfassung: To fashion a cantor -- Seeking the tradition -- Constructing a tradition -- Through the prism of the practicum -- A prism of cantorial sound -- A prism of cantorial identity.
    Kurzfassung: "The Making of a Reform Jewish Cantor provides an unprecedented look into the meaning of attaining musical authority among American Reform Jews at the turn of the twenty-first century. How do aspiring cantors adapt traditional musical forms to the practices of contemporary American congregations? What is the cantor's role in American Jewish religious life today? Judah M. Cohen follows cantorial students at the School of Sacred Music, Hebrew Union College, over the course of their training, as they prepare to become modern Jewish musical leaders. Opening a window on the practical, social, and cultural aspects of aspiring to musical authority, this book provides unusual insights into issues of musical tradition, identity, gender, community, and high and low musical culture."--Jacket
    Anmerkung: Includes bibliographical references and index
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  • 84
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    New York : Peter Lang Inc. | Bern : Peter Lang International Academic Publishers
    ISBN: 9781433161148
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Ausgabe: 1st, New ed.
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    Schlagwort(e): Hip-Hop ; Subkultur ; USA
    Kurzfassung: Read, Write, Rhyme Institute describes how individuals participating in the Read, Write, Rhyme Institute examine today’s youth, hip-hop, and social responsibility. The institute provides a forum to engage in hip-hop Discourse (with a capital D) that includes a worldview and ways of doing, being, and knowing that are used in rap music, graffiti, spoken word poetry, and daily conversation. This book seeks to capitalize on the diversity within the hip-hop community by including successful individuals that grew up not only listening to hip-hop but also living it. Participants include educators, entertainers, and entrepreneurs.
    Kurzfassung: “Crystal LaVoulle has produced an incredibly thoughtful, sophisticated, and well-crafted explo-ration of the intersection of hip-hop, education, and cultural studies. The scope and depth of this study will impress scholars of hip-hop, as well as aficionados of the art. It is a welcome addition to a robust body of hip-hop scholarship.”Jeffrey O. G. Ogbar, Professor of History and Director of the Center for the Study of Popular Music, University of Connecticut...
    Kurzfassung: “In «Read, Write, Rhyme Institute», diverse members of the hip-hop community share candid and reflective opinions about the public school system and treatment of children of the current hip-hop generation. Crystal LaVoulle offers educators practical suggestions for teaching critical thinking and educating for social justice.”Eleanor Renée Rodríguez, author of «What Is It About Me That You Can’t Teach?»...
    Kurzfassung: “Crystal LaVoulle facilitates authentic conversation between hip-hop artists and hip-hop scholars. Multiple generations of hip-hop lovers can relate to the adversity, joy, pain, commercialism and authenticity that this book attempts to address. The Read, Write, Rhyme Institute addresses un-comfortable issues within hip-hop and the African American community as well as celebrating the value of hip-hop culture.”Joel Roper, a.k.a. Rapper Joe Ski Love...
    Kurzfassung: “Some of the most productive intellectual spaces are carved when two or more seeming disparate intellectual fields intersect. What happens when Discourse analysis, pedagogy, digital literacies, critical entrepreneurship, and critical youth studies meet by the grace of hip-hop? The answer is «Read, Write, Rhyme Institute». It is methodologically innovative, scholarly grounded, and poeti-cally hopeful. For those who are interested in language hip-hop pedagogy, this is a must-read, especially for those invested in that critical intersection of race, class, and public education. Hip-hop studies is a growing field, and «Read, Write, Rhyme Institute» is a beautiful addition to it.”Awad Ibrahim, Professor at the University of Ottawa...
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  • 85
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    Santa Barbara, California : Greenwood, an imprint of ABC-CLIO, LLC
    ISBN: 9781440862618
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxv, 292 Seiten)
    Serie: Pop goes the Decade
    Paralleltitel: Erscheint auch als
    DDC: 306.09730904
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    Schlagwort(e): Geschichte 1990-1999 ; Popkultur ; Massenkultur ; USA ; Popular culture / United States / History / 20th century ; United States / Civilization / 1970- ; United States / Social life and customs / 1971- ; Nineteen nineties ; Civilization ; Manners and customs ; Nineteen nineties ; Popular culture ; United States ; Since 1900 ; History ; USA ; Massenkultur ; Popkultur ; Geschichte 1990-1999
    Kurzfassung: "This book presents a comprehensive view of 1990s culture, including music, television, film, literature, sports, technology, and more."--Provided by publisher
    Beschreibung / Inhaltsverzeichnis: Exploring popular culture -- Film -- Television -- Music -- Literature -- Sports -- Advertising -- New words -- Technology -- Controversies -- Game changers -- Legacy
    Anmerkung: Includes bibliographical references and index
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  • 86
    ISBN: 9780191873621
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen, Portraits
    Ausgabe: First edition
    Paralleltitel: Erscheint auch als
    DDC: 381.450020973
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    Schlagwort(e): Geschichte 1731-1814 ; Book industries and trade / History ; Slave trade / America / History ; Book industries and trade / United States / History ; Public libraries / United States / Finance / History ; Slavery / Economic aspects / United States / History ; English literature / Social aspects / United States ; Bibliothek ; Buchhandel ; Sklaverei ; Literatur ; Britisch-Nordamerika ; Großbritannien ; USA ; Großbritannien ; Literatur ; Buchhandel ; Britisch-Nordamerika ; USA ; Sklaverei ; Bibliothek ; Geschichte 1731-1814
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 87
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    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253042491
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xi, 360 Seiten)
    Ausgabe: Second edition
    Serie: Blacks in the diaspora
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.800973
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    Schlagwort(e): Soziale Klasse ; Bürgerrecht ; Ethnische Beziehungen ; Bürgerrechtsbewegung ; USA ; USA ; Bürgerrechtsbewegung ; Ethnische Beziehungen ; Soziale Klasse ; USA ; Bürgerrecht ; Ethnische Beziehungen ; Soziale Klasse
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  • 88
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    [Erscheinungsort nicht ermittelbar] | Baltimore, Md. : Project MUSE
    ISBN: 9781421434810
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    DDC: 305.8/00973/09045
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    Schlagwort(e): Geschichte ; Minderheitensprache ; Religion ; Ethnolinguistik ; Linguistik ; Katholizismus ; Ethnizität ; USA
    Kurzfassung: "In recent years U.S. social history has taken dramatic strides in studies of race, gender, and ethnicity. Among historians of American ethnic groups, Philip Gleason has played a leading role in that development. His essays analyzing the terms of public and scholarly discourse--mapping the changing conceptions of American identity during the past half century--make a distinctive contribution to intellectual history." "Speaking of Diversity collects eleven of Gleason's seminal essays, each of them examining twentieth-century American thought on ethnic and religious diversity. Part 1 focuses specifically on linguistic and conceptual analysis, treating terms such as melting-pot, pluralism, identity, and minority. Part 2 explores the impact of World War II on American thinking about diversity, tolerance, and intergroup relations. Part 3 consists of essays on religion, all closely tied to themes in earlier essays. Together, they form a model of methodological and thematic unity. The essays also clear the ground as Americans continue their efforts to realize the stated goals of tolerance, diversity, and order."--Jacket.
    Anmerkung: Originally published in 1992 , Includes bibliographical references and index , Description based on print version record
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  • 89
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    Online-Ressource
    Oxford : Oxford University Press
    ISBN: 0190462590 , 9780190462598
    Sprache: Englisch
    Seiten: 1 Online-Ressource (297 p)
    DDC: 781.65071
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    Schlagwort(e): Jazz Instruction and study ; MUSIC / Instruction & Study / Theory ; bisacsh ; USA ; Schule ; Musikerziehung ; Jazz
    Anmerkung: Includes bibliographical references and index
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  • 90
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190604608
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white)
    Serie: Oxford scholarship online
    DDC: 781.6550973
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    Schlagwort(e): Shorter, Wayne ; Hancock, Herbie ; Corea, Chick ; Geschichte 1960-1970 ; Jazz ; Musikalische Analyse ; USA
    Kurzfassung: Innovations in postbop jazz compositions of the 1960s occurred in several dimensions, including harmony, form, and melody. Postbop jazz composers such as Wayne Shorter, Herbie Hancock, Chick Corea, along with others (Booker Little, Joe Henderson, Woody Shaw) broke with earlier tonal jazz traditions. Their compositions marked a departure from the techniques of jazz standards and original compositions that defined small-group repertory through the 1950s: single-key orientation, schematic 32-bar frameworks (in AABA or ABAC forms), and tonal harmonic progressions. The text develops analytical pathways through a number of compositions, including 'El Gaucho,' 'Penelope,' 'Pinocchio,' 'Face of the Deep' (Shorter); 'King Cobra,' 'Dolphin Dance,' 'Jessica' (Hancock); 'Windows,' 'Inner Space,' 'Song of the Wind' (Corea); as well as 'We Speak' (Little); 'Punjab' (Henderson); and 'Beyond All Limits' (Shaw).
    Anmerkung: Also issued in print: 2019 , Includes bibliographical references, discography and index
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  • 91
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    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190055288
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white, and colour).
    Serie: Oxford scholarship online
    DDC: 788.7165092
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    Schlagwort(e): Hodges, Johnny ; Geschichte 1906-1970 ; Saxofonist ; Jazzmusiker ; USA ; Biografie
    Kurzfassung: A full-length biography of Johnny Hodges, 'Rabbit's Blues' tells the story of one of the premier saxophonists in jazz history, who brought the woody tone and bluesy technique of New Orleans music to the hot East Coast jazz of the Ellington orchestra.
    Anmerkung: Also issued in print: 2019 , Includes bibliographical references and index
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  • 92
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496819758
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: American made music series
    Serie: Mississippi scholarship online
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    Schlagwort(e): Geschichte 1850-2018 ; Einwanderer ; Musik ; Schallaufzeichnung ; Greek Americans Music ; History and criticism ; Folk music History and criticism ; Folk music History and criticism ; Greek Americans Social life and customs ; USA ; Griechenland ; Aufsatzsammlung
    Kurzfassung: 'Greek Music in America' provides a foundation for understanding the scope, practice, and development of Greek music in America through essays by the principal scholars in the field. This text offers a comprehensive view of the subject; despite the richness, diversity, and longevity of Greek music in America, there has been relatively little available on the topic. The volume includes several previously published essays, as well as recent work by contemporary specialists on the Greek diaspora.
    Anmerkung: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 93
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    Bloomington : Indiana University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780253040237
    Sprache: Englisch
    Seiten: 1 Online-Ressource (345 pages)
    Ausgabe: 1st ed.
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    Schlagwort(e): Geschichte 1800-1900 ; Juden ; Synagoge ; Geistliche Musik ; Kirchenmusikpflege ; USA ; Electronic books
    Kurzfassung: Jewish Music in Nineteenth Century America looks at key Jewish American musical figures and texts from the 19th century, demonstrating the significant influence central European traditions had during this period and complicating the notion that American Jewish musical traditions "progressed" from solo chant to canters and choirs.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 94
    Online-Ressource
    Online-Ressource
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253040244
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiii, 309 Seiten) , Illustrationen, Noten
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Geschichte 1800-1900 ; Juden ; Kirchenmusikpflege ; Synagoge ; USA ; Jews / United States / Music / History and criticism ; Synagogue music / United States / 19th century / History and criticism ; Jews / Music ; Synagogue music ; United States ; 1800-1899 ; Criticism, interpretation, etc ; USA ; Juden ; Synagoge ; Kirchenmusikpflege ; Geschichte 1800-1900
    Beschreibung / Inhaltsverzeichnis: Early strata : of choirs and reform through the mid-nineteenth century -- The sound of German Jewry : hymnals and singing societies in Wilhelm Fischer's zemirot -- Yisrael -- Bildungsmusik : G.M. Cohen, B'nai B'rith, and the voices of American Jewish cultivation -- Musical populists : G.S. Ensel, Simon Hecht, and the quest for the singing congregation -- The 1866 Sulzerfeier : the Viennese model and the grandeur of the urban worship -- A new cantor, a new repertoire : zimrath yah -- The path to the union hymnal -- Conclusion : restoring the soundtrack of Jewish life in nineteenth-century America
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  • 95
    Online-Ressource
    Online-Ressource
    Rochester, NY : University of Rochester Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781787444638
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xi, 303 pages)
    DDC: 782.421640973/091732
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    Schlagwort(e): Geistesgeschichte 1900-1950 ; Unterhaltungsmusik ; Song ; Stadt ; USA
    Kurzfassung: An insightful look at the urban sensibility that gives the Great American Songbook its pizzazz. Nothing defines the songs of the great American songbook more richly and persuasively than their urban sensibility. During the first half of the twentieth century, songwriter such as Harold Arlen, Irving Berlin, Dorothy Fields, George and Ira Gershwin, and Thomas 'Fats' Waller flourished in New York City, the home of Tin Pan Alley, Broadway, and Harlem. Many of these remarkably deft and forceful creators were native New Yorkers. Others got to Gotham as fast as they could. Either way, it was as if, from their vantage point on the West Side of Manhattan, these artists were describing America--not its geography of politics, but its heart--to Americans and to the world at large. In City songs and American life, 1900-1950, renowned author and broadcaster Michael Lasser offers an evocative and probing account of the popular songs--including some written originally for the stage or screen--that America heard, and sang, and danced to during the turbulent first half of the twentieth century. Lasser demonstrates how the spirit of the teeming city pervaded these wildly diverse songs. Often that spirit took form overtly in songs that portrayed the glamor of Broadway of the energy and jazz age culture of Harlem. But a city-bred spirit--or even a specifically New York City way of feeling and talking--also infused many other widely known and loved songs, stretching from the early decades of the century to the twenties (the age of the flapper, bathtub gin, and women's right to vote), the Great Depression, and, finally, World War II. Throughout this remarkable book, Lasser emphasizes how the soul of city life, as echoes in the nation's songs, developed and changed in tandem with economic, social, and political currents in America as a whole.
    Anmerkung: Title from publisher's bibliographic system (viewed on 30 Aug 2019)
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  • 96
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496815606
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: Mississippi scholarship online
    DDC: 398.47
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    Schlagwort(e): Geschichte ; Volkskultur ; Geist ; Frau ; Ghosts in popular culture ; Women in popular culture ; Ghosts in literature ; Ghost plays ; Ghosts in motion pictures ; Ghosts on television ; Großbritannien ; USA
    Kurzfassung: The supernatural remains extraordinarily popular in literature, television, and film. But one figure has remained in the shadow, the female ghost. Inherently liminal, often literally invisible, the female ghost has nevertheless appeared in all genres. 'Subversive Spirits' presents a history of the figure in the United States and the United Kingdom from the 1920s to the present, focusing on the female ghost in heritage sites, theatre, Hollywood film, literature, and television in the United States and the United Kingdom.
    Anmerkung: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 97
    Online-Ressource
    Online-Ressource
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781496805843
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white).
    Serie: American made music series
    Serie: Mississippi scholarship online
    DDC: 782.00973
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    Schlagwort(e): Geschichte ; Unterhaltungsmusik ; Countrymusic ; Klassische Musik ; Jodeln ; Yodeling History ; Popular music History and criticism ; USA
    Kurzfassung: Considering yodeling as a musical device in American music, this text investigates in parallel two ways of understanding various meanings associated with yodeling: as the connotative functions of yodeling within specific musical texts and as the ideological implications of its use. It aims to provoke a reflection on the concept of singing and received cultural ideas associated with it. Starting with the premise that music is a discursive practice that is itself inseparable from a critical verbal discourse about music, the work interrogates the relationship between yodeling and predominating musical orthodoxy. Through a critical examination of that relationship, the book explores numerous examples of yodeling in American music, questioning why it achieved prominence and status in some genres and not in others and attempting to account for the relatively low prestige accorded to music featuring yodeling.
    Anmerkung: Previously issued in print: 2016 , Includes bibliographical references and index
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  • 98
    Online-Ressource
    Online-Ressource
    New York : Columbia University Press
    ISBN: 9780231547253
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen
    Paralleltitel: Erscheint auch als Zamalin, Alex, 1986 - Black utopia
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    Schlagwort(e): Utopias ; African Americans Intellectual life ; African Americans Politics and government ; HISTORY / African American ; PHILOSOPHY / Political ; USA ; Schwarze ; Geistesleben ; Utopie ; Ethnische Identität ; Nationalismus
    Kurzfassung: Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction: Utopia and Black American Thought -- 1. Martin Delany’s Experiment in Escape -- 2. Turn- of- the- Century Black Literary Utopianism -- 3. W. E. B. Du Bois’s World of Utopian Intimacy -- 4. George S. Schuyler, Irony, and Utopia -- 5. Richard Wright’s Black Power and Anticolonial Antiutopianism -- 6. Sun Ra and Cosmic Blackness -- 7. Samuel Delany and the Ambiguity of Utopia -- 8. Octavia Butler and the Politics of Utopian Transcendence -- Conclusion: Black Utopia and the Contemporary Political Imagination -- Notes -- Bibliography -- Index
    Kurzfassung: Within the history of African American struggle against racist oppression that often verges on dystopia, a hidden tradition has depicted a transfigured world. Daring to speculate on a future beyond white supremacy, black utopian artists and thinkers offer powerful visions of ways of being that are built on radical concepts of justice and freedom. They imagine a new black citizen who would inhabit a world that soars above all existing notions of the possible.In Black Utopia, Alex Zamalin offers a groundbreaking examination of African American visions of social transformation and their counterutopian counterparts. Considering figures associated with racial separatism, postracialism, anticolonialism, Pan-Africanism, and Afrofuturism, he argues that the black utopian tradition continues to challenge American political thought and culture. Black Utopia spans black nationalist visions of an ideal Africa, the fiction of W. E. B. Du Bois, and Sun Ra’s cosmic mythology of alien abduction. Zamalin casts Samuel R. Delany and Octavia E. Butler as political theorists and reflects on the antiutopian challenges of George S. Schuyler and Richard Wright. Their thought proves that utopianism, rather than being politically immature or dangerous, can invigorate political imagination. Both an inspiring intellectual history and a critique of present power relations, this book suggests that, with democracy under siege across the globe, the black utopian tradition may be our best hope for combating injustice
    Anmerkung: Mode of access: Internet via World Wide Web. , In English
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
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  • 99
    Online-Ressource
    Online-Ressource
    Melton : The Boydell Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781787445345
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    DDC: 306.4842
    RVK:
    Schlagwort(e): Geschichte 1800-1960 ; Salonmusik ; Soziokultur ; Europa ; USA ; Aufsatzsammlung
    Kurzfassung: This book reconsiders the significance of the salon as a social and cultural phenomenon and as a source of artistic innovation and exchange in the long nineteenth century.
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  • 100
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030233198
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xi, 168 Seiten)
    Paralleltitel: Erscheint auch als
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    DDC: 306
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    Schlagwort(e): Cultural Anthropology ; African American Culture ; Gender Studies ; Linguistic Anthropology ; Media and Communication ; Ethnology ; African Americans ; Sociology ; Linguistic anthropology ; Communication ; Queer-Theorie ; Sprachgebrauch ; Kultur ; Schwarze ; Frau ; USA ; USA ; Schwarze ; Frau ; Kultur ; Sprachgebrauch ; Queer-Theorie
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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