Note: Originally published: 2020

Note: Literaturverzeichnis: Seiten 584-737 , Vorwort , 1. Einleitung , 2. Schlüsselbegriffe , Agency , Akkulturation , Antirassismus , Critical Whiteness , Diaspora/Diasporisch , Differenz , Digital Humanities , Diskurs , Embodiment , Erinnerung/Gedächtnis , Ethnizität , Exil , Forschungsethik , Gemeinschaft , Geschichte , Globalgeschichte , Histoire croisee/Entangled history , Identität , Integration , Intersektionalität , Kreativität , Kultur , Kulturelle Mobilität , Kulturelles Kapital , Kulturökonomie , Liminalität , Materielle Kultur , Menschenrechte , Migration , Musik , Musikalische Analyse , Neues Mobilitätsparadigma , Performance/Performanz/Performativität , Postkolonialismus , Postmigrantisch , Quellen/Archive , Rassismus , Soziale Netzwerke , Transkulturalität , Übersetzung/Translation , Verstehen , 3. Zugänge [Einzeltitel siehe Aufsätze] , 4. Bewegungs- und Raumimpulse [Einzeltitel siehe Aufsätze] , 5. Interaktion, Inklusion und Partizipation [Einzeltitel siehe Aufsätze] , 6. Postkoloniale und transkulturelle Perspektiven [Einzeltitel siehe Aufsätze]

Note: Includes bibliographical references and index

Note: Also issued in print: 2023 , Includes bibliographical references and index

Note: Previously issued in print: 2022 , Includes bibliographical references and index

Note: Open Access

Note: Includes bibliographical references and index

Note: Includes bibliographical references and index

Note: Untertitel auf dem Cover: Zur politischen Ästhetik des Jazz , Literaturverzeichnis S. 707-725

Note: Title from publisher's bibliographic system (viewed on 27 Feb 2023) , Preparatory and dying arts -- Funereal and commemorative arts -- Knowing and understanding death -- Death arts in literature

Note: Title from publisher's bibliographic system (viewed on 17 Jan 2023) , Multilingualism past and present -- On advantages and effects of multilingual development -- Cross-linguistic influence -- Language development in multilingual settings -- Multilingual language policies, identities, and attitudes -- The new Englishes in their multilingual ecologies -- Patterns and limits of multilingualism

Note: Also issued in print: 2023. - Includes bibliographical references and index

Note: Also issued in print: 2023 , Includes bibliographical references and index

Note: Literaturverzeichnis: Seite 449-454 , Zeitgleich zu diesem Buch erscheint bei Iron Curtain Radio/Major Label die 3-LP-Edition "Magnetizdat DDR. Magnetbanduntergrund Ost 1979-1990"

Note: Literaturangaben

Note: Literaturverzeichnis Seite 135-140

Note: Also issued in print: 2022 , Includes bibliographical references and index

Note: Also issued in print: 2022 , Includes bibliographical references and index

Note: Description based on publisher supplied metadata and other sources

Note: Title from publisher's bibliographic system (viewed on 20 Jan 2022)

Note: Combining approaches from reception studies and historical musicology, this book demonstrates how the representation of music at exhibitions drew the press and public into debates about music's role in society. International exhibitions were among the most significant cultural phenomena of the late nineteenth century. These vast events aimed to illustrate, through displays of physical objects, the full spectrum of the world's achievements, from industry and manufacturing, to art and design. But exhibitions were not just visual spaces. Music was ever present, as a fundamental part of these events' sonic landscape, and integral to the visitor experience. This book explores music at international exhibitions held in Australia, India, and the United Kingdom during the 1880s. At these exhibitions, music was codified, ordered, and all-round 'exhibited' in manifold ways. Displays of physical instruments from the past and present were accompanied by performances intended to educate or to entertain, while music was heard at exhibitors' stands, in concert halls, and in the pleasure gardens that surrounded the exhibition buildings. Music was depicted as a symbol of human artistic achievement, or employed for commercial ends. At times it was presented in nationalist terms, at others as a marker of universalism. This book argues, by interrogating the multiple ways that music was used, experienced, and represented, that exhibitions can demonstrate in microcosm many of the broader musical traditions, purposes, arguments, and anxieties of the day. Its nine chapters focus on sociocultural themes, covering issues of race, class, public education, economics, and entertainment in the context of music, tracing these through the networks of communication that existed within the British Empire at the time

Note: Literaturverzeichnis: Seite 199-218

Note: Imprint: "This book accompanies the exhibition 'The Children Have to Hear Another Story - Alanis Obomsawin' January 20-April 18, 2022 Haus der Kulturen der Welt, Berlin, Spring 2023 Vancouver Art Gallery, Summer 2023 Art Museum at the University of Toronto"

Note: Includes bibliographical references and index

Note: Also issued in print: 2022 , Includes bibliographical references, discography and index , Zielgruppe: Specialized

Note: Previously issued in print: 1991 , Previosly issued title as "Mastering the revels: the regulation and censorship of English Renaissance drama" , Includes bibliographical references and index

Note: Includes index

Note: Includes bibliographical references and index , 2111

Note: Literaturverzeichnis: Seite [391]-429

Note: Hier auch später erschienene, unveränderte Nachdrucke