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The death arts in Renaissance England
a critical anthologyVerfasser: Engel, William E. <1957->
(DE-588)173018440Verfasser: Loughnane, Rory <1983->
(DE-588)1047303787Verfasser: Williams, Grant <1965->
(DE-588)1115195778978-1-108-78297-5
Schlagwörter: Englisch
; Literatur ; Tod <Motiv> ; Trauerritual <Motiv> ; Geschichte 1500-1700
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Letzte Änderung: 31.03.2023
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Zugang für Benutzer von: Bayerische Staatsbibliothek München - Zugang für Benutzer von: Universitätsbibliothek Bamberg
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https://gateway-bayern.de/BV048884372
Letzte Änderung: 31.03.2023
| Titel: | The death arts in Renaissance England |
|---|---|
| Untertitel: | a critical anthology |
| URL: | https://doi.org/10.1017/9781108782975 |
| URL Erlt Interna: | Verlag |
| URL Erlt Info: | URL des Erstveröffentlichers |
| Erläuterung : | Volltext |
| Von: | edited by William E. Engel, Rory Loughnane, Grant Williams |
| ISBN: | 978-1-108-78297-5 |
| Preis/Einband: | Online |
| Erscheinungsort: | Cambridge |
| Verlag: | Cambridge University Press |
| Erscheinungsjahr: | 2022 |
| DOI: | 10.1017/9781108782975 |
| Umfang: | 1 Online-Ressource (xviii, 385 Seiten) |
| Fußnote : | Title from publisher's bibliographic system (viewed on 27 Feb 2023) |
| Fußnote : | Preparatory and dying arts -- Funereal and commemorative arts -- Knowing and understanding death -- Death arts in literature |
| Abstract: | The first-ever critical anthology of the death arts in Renaissance England, this book draws together over 60 extracts and 20 illustrations to establish and analyse how people grappled with mortality in the 16th and 17th centuries. As well as providing a comprehensive resource of annotated and modernized excerpts, this engaging study includes commentary on authors and overall texts, discussions of how each excerpt is constitutive and expressive of the death arts, and suggestions for further reading. The extended Introduction takes into account death's intersections with print, gender, sex, and race, surveying the period's far-reaching preoccupation with, and anticipatory reflection upon, the cessation of life. For researchers, instructors, and students interested in medieval and early modern history and literature, the Reformation, memory studies, book history, and print culture, this indispensable resource provides at once an entry point into the field of early modern death studies and a springboard for further research |
| Sprache: | eng |
| RVK-Notation: | HI 1311 |
| Andere Ausgabe: | Erscheint auch als |
| _Bemerkung: | Druck-Ausgabe |
| _ISBN: | 978-1-108-47927-1 |
| Angaben zum Inhalt/Datenträger : | Anthologie |
| Thema (Schlagwort): | Englisch; Literatur; Tod; Trauerritual; Geschichte 1500-1700 |
| Weitere Schlagwörter : | Death / England / Early works to 1800; Funeral rites and ceremonies / England / Early works to 1800; Death / England / History / 16th century; Death / England / History / 17th century; Funeral rites and ceremonies / England / History / 16th century; Funeral rites and ceremonies / England / History / 17th century; Death in literature; English literature / Early modern, 1500-1700 / History and criticism |
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| 520 | |a The first-ever critical anthology of the death arts in Renaissance England, this book draws together over 60 extracts and 20 illustrations to establish and analyse how people grappled with mortality in the 16th and 17th centuries. As well as providing a comprehensive resource of annotated and modernized excerpts, this engaging study includes commentary on authors and overall texts, discussions of how each excerpt is constitutive and expressive of the death arts, and suggestions for further reading. The extended Introduction takes into account death's intersections with print, gender, sex, and race, surveying the period's far-reaching preoccupation with, and anticipatory reflection upon, the cessation of life. For researchers, instructors, and students interested in medieval and early modern history and literature, the Reformation, memory studies, book history, and print culture, this indispensable resource provides at once an entry point into the field of early modern death studies and a springboard for further research | ||
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