ISBN:
9783847000013
Language:
German
Pages:
Online-Ressource
Series Statement:
Transatlantische Studien zu Mittelalter und Früher Neuzeit 6
Series Statement:
Transatlantische Studien zu Mittelalter und Früher Neuzeit
Parallel Title:
Druckausg. Spatial practices
DDC:
304.8
Keywords:
Human geography -- Methodology
;
Human geography
;
Spatial behavior
;
Electronic books
;
Konferenzschrift 2010
;
Mittelhochdeutsch
;
Literatur
;
Raum
;
Deutsch
;
Mittelhochdeutsch
;
Literatur
;
Raum
Abstract:
Title Page; Copyright; Table of Contents; Body; Markus Stock and Nicola Vöhringer: Spatial Practices, Medieval/Modern; Oliver Simons: Spatial Turns around 1800; I.; II.; John K. Noyes: Space-Time Conversion and the Production of the Human; Bent Gebert: The Greater the Distance, the Closer You Get; I. Paradoxical Proximity: A Note on Travelling; II. Love Songs as Teleiopoetry: Two Examples from German Minnesang; III. `Teleiopoiesis' - the Making of Proximity Through Distance; IV. Teleiopoetry as Cultural Practice; V. Between Absence and Presence - Towards a Middle Ground
Abstract:
Christina Lechtermann: Topography, Tide and the (Re-)Turn of the HeroI. The Topography of the Battlefield - the Coherence of Mapped Space; II. Mass of Bodies - Like the Sea; III. The (Re-)Turn of the Hero; Scott E. Pincikowski: Conflicted Memory Spaces; Christopher Liebtag Miller: In di gasen gan; Ethan Matt Kavaler: The Late Gothic German Vault and the Creation of Sacred Space; Arthur Groos: The City as Community and Space; I.; II.; III; Sean F. Dunwoody: Civic Peace as a Spatial Practice; Ulrich Ufer: Urban Space and Social Distinction; 1. The Origins of the Public Sphere
Abstract:
2. Urban Anonymity3. Social role-play in the Anonymous Sphere; 4. Status Display in the (Semi)-Private Sphere; 5. Social Distinction in the Public Sphere; 6. Conclusion; Hugo Kuhn: On the Interpretation of Medieval Artistic Form
Abstract:
In recent decades, the conceptualization of space and place as social constructs, rather than static settings has received significant attention and has been re-evaluated with an emphasis on the cultural, social, and political practice. This shift moves away from regarding space as fixed, unchanging container towards a realization that space is always inextricably linked with social practice and cultural signification. Thus, the study of spatial practices interrogates human action in different spaces, human agency in the production of space, and space in its capacity to prompt human action. By
Description / Table of Contents:
Title Page; Copyright; Table of Contents; Body; Markus Stock and Nicola Vöhringer: Spatial Practices, Medieval/Modern; Oliver Simons: Spatial Turns around 1800; I.; II.; John K. Noyes: Space-Time Conversion and the Production of the Human; Bent Gebert: The Greater the Distance, the Closer You Get; I. Paradoxical Proximity: A Note on Travelling; II. Love Songs as Teleiopoetry: Two Examples from German Minnesang; III. `Teleiopoiesis'' - the Making of Proximity Through Distance; IV. Teleiopoetry as Cultural Practice; V. Between Absence and Presence - Towards a Middle Ground
Description / Table of Contents:
Christina Lechtermann: Topography, Tide and the (Re-)Turn of the HeroI. The Topography of the Battlefield - the Coherence of Mapped Space; II. Mass of Bodies - Like the Sea; III. The (Re-)Turn of the Hero; Scott E. Pincikowski: Conflicted Memory Spaces; Christopher Liebtag Miller: In di gasen gan; Ethan Matt Kavaler: The Late Gothic German Vault and the Creation of Sacred Space; Arthur Groos: The City as Community and Space; I.; II.; III; Sean F. Dunwoody: Civic Peace as a Spatial Practice; Ulrich Ufer: Urban Space and Social Distinction; 1. The Origins of the Public Sphere
Description / Table of Contents:
2. Urban Anonymity3. Social role-play in the Anonymous Sphere; 4. Status Display in the (Semi)-Private Sphere; 5. Social Distinction in the Public Sphere; 6. Conclusion; Hugo Kuhn: On the Interpretation of Medieval Artistic Form
Note:
Description based upon print version of record
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