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  • 2020-2024  (76)
  • New York : Oxford University Press  (46)
  • Münster : Waxmann  (30)
  • Musicology  (67)
  • Psychology  (11)
Material
Language
Years
Year
  • 1
    ISSN: 1619-0548
    Language: German
    Dates of Publication: 45.2000(2001) -
    Parallel Title: Erscheint auch als Lied und populäre Kultur
    Former Title: Vorg. Jahrbuch für Volksliedforschung
    Former Title: Jahrbuch des Deutschen Volksliedarchivs Freiburg
    DDC: 780
    RVK:
    Keywords: Zeitschrift ; Volkslied ; Zeitschrift ; Volkslied ; Lied ; Volkskultur
    Note: Einzelne Bd. auch als "Sonderband" oder "Special issue" bez
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  • 2
    Journal/Serial
    Journal/Serial
    Münster : Waxmann | Essen : Verl. Die Blaue Eule | Laaber : Laaber-Verl. Müller-Buscher ; 1.1980 -
    ISSN: 0937-3993
    Language: German
    Dates of Publication: 1.1980 -
    Additional Information: 1=1; 2=2 von Arbeitskreis Musikpädagogische Forschung AMPF-Tagung Laaber, 1979
    Additional Information: 22=2000 von Arbeitskreis Musikpädagogische Forschung Jahrestagung ... des AMPF Essen : Verl. Die Blaue Eule, 2000
    Parallel Title: Erscheint auch als Musikpädagogische Forschung
    DDC: 780
    RVK:
    Keywords: Monografische Reihe ; Musikerziehung
    Note: Parallelsacht. ab 32.2011 , Ab 6.1985 als Schriftenreihe; unregelmäßig
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  • 3
    ISBN: 9783830946304
    Language: German
    Pages: 746 Seiten
    Series Statement: Musik und Migration Band 3
    Series Statement: Musik und Migration
    Parallel Title: Erscheint auch als Musik und Migration
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    Keywords: Aufsatzsammlung ; Konferenzschrift 2016 ; Musik ; Einwanderer ; Musikpsychologie ; Musiksoziologie ; Migration ; Soziologie ; Forschung ; Migration ; Soziologie ; Musikwissenschaft ; Transdisziplinarität
    Abstract: Musik und Migration bedingen einander substanziell. Musik selbst ist beweglich: als Kunstform, als Ware, auf Datenspeichern, als Wissen und Können migrierender Musiker_innen und als Erinnerungsanker von Menschen mit Migrationserfahrungen. Das in den kultur- und kunstwissenschaftlichen Disziplinen schon seit Langem existierende Interesse für das Wechselverhältnis zwischen den Kunst- und Migrationsphänomenen wurde durch aktuelle Fluchtbewegungen neu angefacht und inspiriert. Das vorliegende Handbuch stellt theoretische und methodische Grundlagen des Forschungsfeldes Musik und Migration gebündelt dar und lotet deren Potenzial für zukünftige Projekte aus. Mit Beiträgen von: Ruard Absaroka, Philip V. Bohlman, Sandra Chatterjee, Ricarda Drüeke, Magnus Gaul, M. J. Grant, Wolfgang Gratzer, Katarzyna Grebosz-Haring, Nils Grosch, Elisabeth Klaus, Anna Langenbruch, Anna Papaeti, Ulrike Präger, Matthias Pasdzierny, Michael Parzer, André de Quadros, Christina Richter-Ibáñez, Susanne Scheiblhofer, Carolin Stahrenberg
    Note: Literaturverzeichnis: Seiten 584-737 , Vorwort , 1. Einleitung , 2. Schlüsselbegriffe , Agency , Akkulturation , Antirassismus , Critical Whiteness , Diaspora/Diasporisch , Differenz , Digital Humanities , Diskurs , Embodiment , Erinnerung/Gedächtnis , Ethnizität , Exil , Forschungsethik , Gemeinschaft , Geschichte , Globalgeschichte , Histoire croisee/Entangled history , Identität , Integration , Intersektionalität , Kreativität , Kultur , Kulturelle Mobilität , Kulturelles Kapital , Kulturökonomie , Liminalität , Materielle Kultur , Menschenrechte , Migration , Musik , Musikalische Analyse , Neues Mobilitätsparadigma , Performance/Performanz/Performativität , Postkolonialismus , Postmigrantisch , Quellen/Archive , Rassismus , Soziale Netzwerke , Transkulturalität , Übersetzung/Translation , Verstehen , 3. Zugänge [Einzeltitel siehe Aufsätze] , 4. Bewegungs- und Raumimpulse [Einzeltitel siehe Aufsätze] , 5. Interaktion, Inklusion und Partizipation [Einzeltitel siehe Aufsätze] , 6. Postkoloniale und transkulturelle Perspektiven [Einzeltitel siehe Aufsätze]
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  • 4
    ISBN: 9780197541326 , 9780197541333
    Language: English
    Pages: 1 Online-Ressource (x, 1203 Seiten)
    Edition: Third edition
    Parallel Title: Erscheint auch als The Oxford handbook of political psychology
    DDC: 320.01/9
    RVK:
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    Keywords: Political psychology ; Politische Psychologie ; Politisches Verhalten ; Sozialverhalten ; Verhaltenspsychologie ; Politische Entscheidung ; Internationale Politik ; Politische Mobilisierung ; Ideologie ; Handbuch
    Abstract: "This volume contains 30 chapters that provide an up-to-date account of key topics and areas of research in political psychology. In general, the chapters apply what is known about human psychology to the study of politics. Chapters draw on theory and research on biopsychology, neuroscience, personality, psychopathology, evolutionary psychology, social psychology, developmental psychology, cognitive psychology, and intergroup relations. Some chapters address the political psychology of political elites-their personality, motives, beliefs, and leadership styles, and their judgments, decisions, and actions in domestic policy, foreign policy, international conflict, and conflict resolution. Other chapters deal with the dynamics of mass political behavior: voting, collective action, the influence of political communications, political socialization and civic education, group-based political behavior, social justice, and the political incorporation of immigrants. Research discussed in the volume is fuelled by a mix of age-old questions and recent world events"--
    Note: Second edition: 2013 , Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
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  • 5
    ISBN: 9783830943525 , 3830943520
    Language: German
    Pages: 230 Seiten , 1 Illustration , 23.5 cm x 16.5 cm
    Series Statement: Populäre Kultur und Musik Band 38
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Jazz and the City
    Dissertation note: Disseration Universität Kassel 2019
    DDC: 781.65094315509042
    RVK:
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    Keywords: Erste Hälfte 20. Jahrhundert (1900 bis 1950 n. Chr.) ; Europäische Geschichte ; Jazz ; Musik: Stile und Gattungen ; Musikgeschichte ; Sozial- und Kulturgeschichte ; Deutschland ; Berlin ; Fremde ; Globalisierung ; Großstadt ; Identität ; Image ; Jazz ; Modernität ; Musik ; Musikalische Volkskulturen/Populäre Musikkulturen ; Paul Whiteman ; Raum ; Sam Wooding ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Berlin ; Jazz ; Musikleben ; Geschichte 1924-1929 ; Berlin ; Jazz ; Geschichte 1924-1929
    Abstract: Anfang der 1920er Jahre erreichte Jazzmusik Europa und verbreitete sich innerhalb kürzester Zeit durch Hörensagen, amerikanische Musikerinnen und Musiker und später auch Schallplatten in Deutschland. Die Musik wirbelte das kulturelle Leben und seine Diskurse in einem Maße auf, dass die kulturelle Elite um den Fortbestand der europäischen musikalischen Traditionen bangte: Jazz wurde einerseits vehement abgelehnt und andererseits euphorisch begrüßt und als Ausdruck von Freiheit verstanden.Dieser "Jazzaufprall" in den Jahren zwischen 1924 und 1929 wird in der Studie anhand von zeitgenössischen Betrachtungen beleuchtet: Was passierte mit den unterschiedlichen Dimensionen des Stadtlebens? Wie wurden die fremde Kultur und die Musik in die bestehenden kulturellen Szenen eingeordnet? Und inwiefern konstruierten sich in Berlin durch diesen internationalen Einfluss neue Facetten einer urbanen Identität?
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 6
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780197555224
    Language: English
    Pages: 1 Online-Ressource (x, 181 Seiten) , Illustrationen
    Series Statement: Oxford theory in ethnomusicology
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 306.4842
    RVK:
    Keywords: Music / ukslc ; Society & culture: general / thema ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: In 'Music and Citizenship', Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    ISBN: 9783830947387
    Language: German
    Pages: 197 Seiten , Illustrationen
    Series Statement: Populäre Kultur und Musik Band 41
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1980-1990 ; Hip-Hop ; Jugendkultur ; Berlin
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  • 8
    ISBN: 9783830997382
    Language: German
    Pages: 1 Online-Ressource (198 p.)
    Edition: 1st ed.
    Series Statement: Populäre Kultur und Musik 41
    RVK:
    Keywords: Geschichte 1980-1990 ; Hip-Hop ; Jugendkultur ; Hip-Hop ; Rap ; Graffiti ; Breakdance ; Breaking ; B-Boying ; DJing ; Berlin ; Westberlin ; New York ; Berlin
    Abstract: Das Buch hat die Entstehung der Hip-Hop-Kultur der 1980er Jahre in Westberlin zum Gegenstand. Im Zentrum steht eine Generation Jugendlicher und junger Erwachsener, die in der Auseinandersetzung mit einer aus New York kommenden und vorrangig über die Medien vermittelten Kultur zu einer eigenen Berliner Hip-Hop-Szene avancierte.Die Veröffentlichung ist eine explorative Studie und Materialarbeit, die bislang in der Forschung unbekannte bzw. unveröffentlichte Zeugnisse und Dokumente der Kultur und der Akteur:innen beinhaltet. Hierfür sind Interviews und Gespräche mit über 20 Akteur:innen geführt worden, die zwischen 1940 und 1970 geboren sind.Der Autor verfolgt das Ziel, den Westberliner Akteur:innen eine Stimme in der gesamtdeutschen Hip-Hop-Geschichte zu geben, denn bis dato findet die Historie Westberlins wenig bis gar keinen Eingang in etablierte Narrative. Es wird veranschaulicht, dass die Historiographie des Hip-Hops in Deutschland nicht erst in den 1990er Jahren mit Advanced Chemistry, den Fantastischen Vier oder LSD beginnt, sondern auch die Westberliner Hip-Hop-Kultur der 1980er Jahre in Betracht gezogen werden muss.
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  • 9
    ISBN: 9783830997566
    Language: English
    Pages: 1 Online-Ressource (250 p.)
    Edition: 1st ed.
    Series Statement: Populäre Kultur und Musik 40
    RVK:
    Keywords: Unterhaltungsmusik ; Kultur ; Ästhetik ; USA
    Abstract: The essay collection Americana poses the basic question of how American music can be described and analyzed as such, as American music. Situated at the intersection between musicology and American Studies, the essays focus on the categories of aesthetics, authenticity, and performance in order to show how popular music is made American—from Alaskan Hip Hop to German Schlager, from Creedence Clearwater Revival to film scores, from popular opera to U2, from the Rolling Stones to Country Rap, and from Steve Earle to the Trans Chorus of Los Angeles.
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  • 10
    ISBN: 9783830993520
    Language: German
    Pages: 1 Online-Ressource (230 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Rohlf, Johanna-Marie Jazz and the City
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    Keywords: Jazz ; Musik ; Zwanziger Jahre ; Goldene Zwanziger ; Zwanzigstes Jahrhundert ; Stadt ; Raum ; Großstadt ; Modernität ; Urbanität ; Berlin ; Globalisierung ; Identität ; Image ; Fremde ; Paul Whiteman ; Sam Wooding ; Musikalische Volkskulturen/Populäre Musikkulturen ; Hochschulschrift ; Hochschulschrift ; Berlin ; Jazz ; Musikleben ; Geschichte 1924-1929 ; Berlin ; Jazz ; Geschichte 1924-1929
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  • 11
    ISBN: 9780197635216
    Language: English
    Pages: XII, 203 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1960-1980 ; Musikalische Analyse ; Sänger ; Songwriter ; Song ; Popmusik ; Metrum ; USA ; Musical meter and rhythm ; Popular music / 1961-1970 / Analysis, appreciation ; Popular music / 1971-1980 / Analysis, appreciation ; Mitchell, Joni / Criticism and interpretation ; Sainte-Marie, Buffy / Criticism and interpretation ; Dylan, Bob / 1941- / Criticism and interpretation ; Stevens, Cat / 1948- / Criticism and interpretation ; Simon, Paul / 1941- / Criticism and interpretation ; Dylan, Bob / 1941- ; Mitchell, Joni ; Sainte-Marie, Buffy ; Simon, Paul / 1941- ; Stevens, Cat / 1948- ; Musical meter and rhythm ; Popular music / Analysis, appreciation ; 1961-1980 ; Criticism, interpretation, etc ; USA ; Sänger ; Songwriter ; Popmusik ; Song ; Metrum ; Musikalische Analyse ; Geschichte 1960-1980
    Abstract: "It is 1969 and Joni Mitchell is on television, standing empty-handed in the middle of a circular stage that is adorned with psychedelic colors. She is wearing a long, hunter-green dress, surrounded by an audience sitting cross-legged on the floor. She waits for television host Dick Cavett to introduce her next performance. The show is filming on the day after the 1969 Woodstock music festival, an event that Mitchell was initially scheduled to attend but from which she was held back by her management to ensure she could perform on The Dick Cavett Show the next day. The host introduces Mitchell and jokes with her about singing a capella, wondering aloud if someone stole her guitar. The singer laughs politely in response, denies any theft, and then proceeds to her performance, explaining to the audience that she will be singing a "song for America" that she wrote "as a Canadian living in this country." With her hands clasped behind her back, she performs "The Fiddle and the Drum" with no accompaniment, channeling the folk performance tradition on which the song is based. This song about military participation is a rare political statement from Mitchell who, unlike her peers Bob Dylan and Buffy Sainte-Marie, had only released this one "protest song" by 1969. But the song's message was not a particularly risky proclamation. Her anti-war narrative echoed the opinions of the young Cavett Show audience that night, aligning with an established trend of resistance against the war in Vietnam. Similar to the way that Mitchell's song "Woodstock" would eventually capture the spirit of an event she did not attend, "The Fiddle and the Drum" characterizes a popular anti-war sentiment in the public consciousness of the late 1960s"--
    Description / Table of Contents: The Self Expressive Rhetoric of Flexible Meter -- The Theory of Flexible Meter -- Regular and Reinterpreted Meter -- Self-Expressive Innovations : Lost Meter -- Intensifying "Imperfection" : Ambiguous Meter
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  • 12
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780197555194 , 9780197555187
    Language: English
    Pages: X, 181 Seiten , 21 cm
    Series Statement: Oxford theory in ethnomusicology series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/842
    RVK:
    Keywords: Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: "Citizenship is a fantasy of political community without others. How is it faring in today's world of authoritarianism, failed states, and climate crisis? In a world where democratic experiment is, by now, a networked and global proposition? What might we learn from music - and from ethnomusicology? The relationship between the idea of citizenship and music is long-standing, but it has not yet been looked at from a perspective informed by postcolonialism and today's decolonizing debates. The case studies in this volume are, consequently, drawn from across Latin America, Africa, Asia and Europe. Its first chapter locates the current ethnomusicological interest in citizenship in broad critical landscape, focusing on approaches to audience, media, voice and performance. The second surveys a growing body of recent ethnomusicological literature on citizenship, theorized in terms of identity, technocracy, and intimacy. The third comprises case studies developing an approach to citizenship and political subjectivity beyond conventional liberal categories, defined by mobility ('the citizen on his bike'), collectivity ('the citizen in the crowd') and activism ('the citizen in the square'). The conclusion offers an argument about the implications for citizenship studies of today's thinking in ethnomusicology, musicology and sound studies, reflecting on the hardening rhetoric of political belonging in Europe."
    Description / Table of Contents: Introduction. How Musical is the Citizen? -- Ethnomusicology of Citizenship, Ethnomusicology as Citizenship -- Citizenship Resounding -- Conclusion
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  • 13
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780197525074
    Language: English
    Pages: xi, 301 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Brubeck, Dave / Criticism and interpretation. ; Jazz / History and criticism ; Music and race / United States / History / 20th century
    Abstract: "How can we-historians, writers, musicians, audiences-understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights America. Dave Brubeck and the Performance of Whiteness uses Brubeck's mid-century performances of whiteness across his professional, private, and political lives as a starting point to understand mid-century whiteness, privilege, and white supremacy more fully. How is whiteness performed, and re-performed? How do particular traits become inscribed with whiteness, and further, how do those traits, now racialized in a listener's mind, filter the sounds a listener hears? To what extent was Brubeck's whiteness made by others? How did audiences and critics use Brubeck to craft their own identities centered in whiteness? Drawing on archival records, recordings, and previously conducted interviews, Dave Brubeck and the Performance of Whiteness listens closely for the complex and shifting frames of mid-century whiteness, and how they shaped the experiences of Brubeck, his critics, and his audiences. Throughout, author Kelsey Klotz asks what happens when a musician tries to intervene, using his white privilege as a tool with which to disrupt structures of white supremacy, even as whiteness continues to retain its hold on its beneficiaries"--
    Description / Table of Contents: Introduction. Buying the Myth -- "Any Jackass Can Swing" : Sounds in Black and White -- Professors, Housewives, and Playboys : The Jazz Converts -- (In)Visible Men : White Recognition and Trust -- "We Want to Play in the South" : Brubeck's Southern Strategy -- Negotiating Jewish Identity in The Gates of Justice -- Conclusion. Evading Whiteness
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  • 14
    ISBN: 9783830945864
    Language: German
    Pages: 252 Seiten
    Series Statement: Perspektiven musikpädagogischer Forschung Band 16
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Siegen 2022
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    Keywords: Hip-Hop ; Komposition ; Unterhaltungsmusik ; Musikerziehung ; Hochschulschrift
    Note: Literaturverzeichnis Seite 233-251 , Diskografie und Filmografie Seite 252
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  • 15
    ISBN: 9780197511510
    Language: English
    Pages: xvii, 313 Seiten , Illustrationen, Notenbeispiele
    DDC: 306.48420944
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    Keywords: Geschichte 1700-1800 ; Musik ; Musiker ; Soziale Situation ; Wirtschaftliche Lage ; Frankreich ; Hochschulschrift
    Note: Literaturverzeichnis Seite 277-295
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  • 16
    ISBN: 9780190938802 , 9780190938796
    Language: English
    Pages: 232 Seiten
    DDC: 781.64
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    Keywords: Geschichte 2000- ; Musik ; Popmusik ; Geschlechterforschung
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  • 17
    ISBN: 9780190906498
    Language: English
    Pages: 718 Seiten , Notenbeispiele
    Edition: second edition
    DDC: 782.421640922
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    Keywords: Geschichte 1900-2000 ; Geschichte 1920-1940 ; Chansons anglaises - États-Unis - Histoire et critique ; Culture populaire - États-Unis - Histoire - 20e siècle ; Dichters ; Musique populaire - États-Unis - Histoire et critique ; Paralittérature - États-Unis - Histoire et critique ; Paroliers - États-Unis ; Poésie américaine - 20e siècle - Histoire et critique ; Poésie lyrique - Histoire et critique ; Geschichte ; American poetry History and criticism 20th century ; Lyric poetry History and criticism ; Lyricists ; Popular culture History 20th century ; Popular literature History and criticism ; Popular music History and criticism ; Songs, English History and criticism ; Schlager ; United States - Popular culture - History - 20th century ; USA ; USA ; Schlager ; USA ; Geschichte 1920-1940
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  • 18
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190056315
    Language: English
    Pages: 1 Online-Ressource (714 Seiten)
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music performance ; 1: The Oxford Handbook of Music Performance, Volume 1
    DDC: 780.78
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    Keywords: Music Performance ; Music Instruction and study ; Psychological aspects ; Musicians Health and hygiene ; Practicing (Music) ; Performance ; Musik ; Aufführung
    Abstract: The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interest or expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it important for the results of their research to be practically useful for musicians and music educators.
    Note: Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 10, 2022)
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  • 19
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190058890
    Language: English
    Pages: 1 Online-Ressource (xxiii, 623 Seiten)
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music performance ; 2: The Oxford Handbook of Music Performance, Volume 2
    DDC: 780.78
    RVK:
    Keywords: Music Performance ; Music Instruction and study ; Psychological aspects ; Musicians Health and hygiene ; Practicing (Music) ; Performance ; Musik ; Aufführung
    Abstract: The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interest or expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it important for the results of their research to be practically useful for musicians and music educators.
    Note: Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on March 14, 2022)
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  • 20
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190235864
    Language: English
    Pages: 358 Seiten
    Parallel Title: Erscheint auch als Williams, Sean, 1959- Musics of the world
    DDC: 780.9
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    Keywords: World music Analysis, appreciation ; Music appreciation
    Abstract: "Musics of the World offers a rich introduction to world music"--
    Note: Includes bibliographical references and index
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  • 21
    ISBN: 9783830995869
    Language: German
    Pages: 1 Online-Ressource
    Edition: 1st ed.
    Series Statement: Perspektiven musikpädagogischer Forschung 16
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    Keywords: Hip-Hop ; Komposition ; Unterhaltungsmusik ; Musikerziehung ; Hip Hop ; populäre Musik ; Musiklernen ; Musiktechnologie ; Komponieren ; Musikproduktion ; Sampling ; Grounded Theory Methodology ; musikkulturelle Diversität ; cultural studies ; informelles Lernen ; Musikwissenschaft ; Popular Music Studies ; Hochschulschrift
    Abstract: Zu Beginn der 1980er Jahre entsteht innerhalb der Hip-Hop-Kultur in den USA das Beatmaking – eine Musikpraxis, die auf dem kreativen Umgang mit bereits vorhandenem Klangmaterial basiert und hauptsächlich in informellen Kontexten ausgeübt wird. In den letzten 40 Jahren hat sich das Beatmaking in enger Verbindung mit musik- und medientechnologischen Entwicklungen global verbreitet und vielfältig ausdifferenziert. Dabei hat es vor allem im Bereich der populären Musik in musikalisch-ästhetischer und technisch-praktischer Hinsicht maßgebende Impulse gesetzt.In seiner qualitativ-empirischen Studie geht Chris Kattenbeck der Frage nach, was es bedeutet, als Beatmaker*in künstlerisch kompetent zu handeln, welche Fertigkeiten und Kenntnisse dafür nötig sind und wie diese erworben und entwickelt werden. Damit liefert er grundlegende Erkenntnisse über eine bislang kaum erforschte Musikpraxis und die mit ihr verbundenen künstlerischen Strategien und Techniken, ästhetischen Ziele und Vorstellungen, Wissensformen und Lernpraktiken. Dabei zeigt sich unter anderem, dass bestimmte in der Musikpädagogik vorherrschende Verständnisse – etwa von Musiklernen oder Musiktheorie – ungeeignet sind, das Beatmaking adäquat zu erfassen. Die Studie bietet daher nicht zuletzt Anlass, diese Verständnisse zu hinterfragen und neu zu konzeptualisieren, um mit der Vielfalt musikalischer Praxen in Zukunft angemessen umgehen zu können.
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  • 22
    ISBN: 9783830995685 , 3830995687
    Language: German
    Pages: 1 Online-Ressource (256 Seiten) , Illustrationen
    Series Statement: Psychotherapiewissenschaft in Forschung, Profession und Kultur 35
    Parallel Title: Erscheint auch als Erzähltes Minderwertigkeitsgefühl
    DDC: 801.95
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    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Individualpsychologie ; Literaturwissenschaft ; Erzählforschung ; Volkskunde
    Abstract: Die Individualpsychologie Alfred Adlers ist eine der drei klassischen tiefenpsychologischen Schulen. Im Zentrum ihrer Theorie stehen Fragen des Selbstwertes, indem die Aufmerksamkeit auf das Minderwertigkeitsgefühl als Grundbefindlichkeit der kindlichen Seele gelenkt wird, das durch das Streben nach sozialer Gleichwertigkeit, nach Geltung und Macht kompensiert wird. Dabei stellt Adlers Theorie eine bemerkenswerte Mischung aus egalitär-aufklärerischem und psychoanalytischem Denken dar und ist im Gegensatz zu den Lehren Sigmund Freuds und Carl Gustav Jungs eher konstruktivistisch orientiert. Dennoch wurde der Individualpsychologie bisher vonseiten der Geistes- und Kulturwissenschaften nur wenig Aufmerksamkeit zuteil. Der vorliegende Sammelband möchte daher den potentiellen Ertrag der Adler'schen Lehre sowohl für die Erzählforschung als auch für die Literaturwissenschaft deutlich machen und darlegen, dass sie durch das Einbringen einer zusätzlichen Perspektive eine Bereicherung für die Textinterpretation darstellt, der bisher zu wenig Beachtung zuteilwurde
    Note: Online resource; title from title screen (viewed August 28, 2022)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 23
    ISBN: 9783830944928
    Language: German
    Pages: 144 Seiten , Diagramme
    Parallel Title: Erscheint auch als Bucher, Anton A., 1960 - Verbundenheit
    DDC: 155.9
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    Keywords: Naturgefühl ; Gemeinschaftsgefühl ; Zwischenmenschliche Beziehung ; Spiritualität ; Bedürfnis ; Beziehung ; Gemeinschaft
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  • 24
    Language: English
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    Keywords: Musikethnologie ; Kolonialismus ; Wissenschaftsethik ; Angewandte Wissenschaften ; Kulturpolitik ; Sozialer Wandel ; Westliche Welt ; Entwicklungsländer
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  • 25
    ISBN: 9780190881979
    Language: English
    Pages: 266 Seiten , Illustrationen, Notenbeispiele , 27 cm
    Series Statement: Oxford studies in music theory
    DDC: 782.4216213
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    Keywords: Volkslied ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Großbritannien ; USA
    Abstract: As children, many of us learn to sing, 'If you're happy and you know it, clap your hands.' But despite the familiarity of this tune, few of us realize that what we're singing is actually part of a pervasive - and centuries-old - musical scheme. This particular scheme, dubbed the 'Sweet Thing,' has generated a large group of songs spanning a broad range of topics, genres, and time periods, but all related through a specific stanzaic form. Early twentieth-century blues songs 'My Babe' and 'Motherless Children,' country songs 'Peg and Awl' and 'Crawdad Song,' and gospel songs 'Pure Religion' and 'This Train' use this form, along with popular songs like Ray Charles's 'I Got a Woman,' The Beatles's 'One After 909,' and the Velvet Underground's 'I'm Waiting for the Man.' Sweet Thing: The History and Musical Structure of a Shared American Vernacular Form studies one of the most productive and enduring shared musical resources in North American vernacular music. Author Nicholas Stoia offers the most comprehensive examination to date of the 'Sweet Thing's' long history, exploring how it made its way from sixteenth-century Scotland to eighteenth-century British broadside ballads to nineteenth-century American ragtime. Stoia also examines the form in various contexts, including early blues and country music, and moving forward to rhythm and blues, soul, and rock music, connecting these modern forms to their ancient roots. Through this close look at a ubiquitous musical from, Sweet Thing shows us how it has linked listeners and musicians alike across the boundaries of genre, race, and even time.
    Note: Literaturverzeichnis: Seite [249]-255
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  • 26
    ISBN: 9783830994022
    Language: German
    Pages: 1 Online-Ressource (351 Seiten) , Illustrationen
    Series Statement: Psychotherapiewissenschaft in Forschung, Profession und Kultur Band 33
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    Keywords: Klimaänderung ; Angst ; Kultur ; Gesellschaft ; Religion ; Anthropogene Klimaänderung ; Zukunftsangst ; Umweltbewusstsein ; Unsicherheit ; Psychotherapie ; Kulturwissenschaft ; Ethnologie ; Klimaschutz ; Klima-Angst ; ecological grief ; climate grief ; Tagebau ; Umweltbewegungen ; Klimawandel ; Resilienzforschung ; Klimabewusstsein ; Zukunftsangst ; Klinische Psychologie und Psychotherapie ; Natur/Kultur
    Note: Literaturangaben
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  • 27
    Online Resource
    Online Resource
    Münster : Waxmann | Stuttgart : UTB GmbH
    ISBN: 9783830993964
    Language: English
    Pages: 1 Online-Ressource (190 p.)
    Edition: 1st, New ed.
    Series Statement: Freiburger Studien zur Kulturanthropologie 4
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    Keywords: Islam ; Jugendkultur ; Identität ; Musik ; Muslim ; Unterhaltungsmusik ; Religiöse Identität ; Pop-Kultur ; Massenkultur ; Jugend ; Young Muslims ; Popular Music ; Sabyan Gambus ; Indonesia ; 2019 Indonesian Presidential Elections ; Female Performance ; Egyptian Music ; Mahraganāt ; Asylum House ; Hip Hop ; Morocco ; German Rap ; Metal ; Tunisia ; Political Islam ; Hijab ; Spiritualität und Religion ; Volksmusik und populäre Musikkulturen ; Deutschland ; Indonesien ; Großbritannien ; Ägypten ; Marokko
    Abstract: Music has the universal power to move individuals, peoples and societies. Music is one of the most important signifiers of cultural change. It is also most significant for youth movements and youth cultures. While Islam has a historically and traditionally rich culture of music, religious controversy on the topic of music is still ongoing. However, young Muslims in today’s globalised world seek pop cultural tools such as music, and particularly hip hop music, as way of exploring and expressing their manifold identities, whilst challenging Islamophobia, stigma and racism on the one hand and traditional and religious challenges on the other hand. In this volume, following an international conference with the same title, scholars and young academics from a variety of disciplines seek to explore and highlight the phenomena surrounding the two, somewhat artificially separated, realms of music and religion. The contributions not only look into different genres of music, from Tunisian metal over German female hip hop to Egyptian folk, but take the reader on a journey from continent to countries to cities and rural areas and thus give space and time to a widely neglected area of research: that of Muslim popular culture and young Muslims.
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  • 28
    ISBN: 9783830943969 , 3830943962
    Language: English
    Pages: 190 Seiten , 23.5 cm x 16.5 cm
    Series Statement: Freiburger Studien zur Kulturanthropologie Band 4
    Parallel Title: Erscheint auch als
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    Keywords: Islam ; Jugendkultur ; Identität ; Musik ; Muslim ; Unterhaltungsmusik ; Religiöse Identität ; Pop-Kultur ; Massenkultur ; Jugend ; Deutschland ; Indonesien ; Großbritannien ; Ägypten ; Marokko
    Note: Literaturangaben
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  • 29
    ISBN: 9783830994428
    Language: German
    Pages: 1 Online-Ressource (290 Seiten) , Illustrationen
    Series Statement: Populäre Kultur und Musik Band 32
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als Musikobjektgeschichten. Populäre Musik und materielle Kultur (Veranstaltung : 2020 : Weimar) Musikobjektgeschichten
    DDC: 780.74
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    Keywords: Aufsatzsammlung ; Konferenzschrift 2020 ; Konferenzschrift 2020 ; Popmusik ; Musikinstrument ; Audiotechnik ; Tonträger
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 30
    ISBN: 9780197532973
    Language: English
    Pages: xxiii, 613 Seiten , Illustrationen , 243 mm
    Parallel Title: Erscheint auch als
    DDC: 780.8992404309045
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    Keywords: Geschichte 1945-1989 ; Musikleben ; Musiker ; Juden ; Deutschland ; Deutschland ; Musiker ; Juden ; Geschichte 1945-1989 ; Deutschland ; Musikleben ; Juden ; Geschichte 1945-1989
    Abstract: By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. Transcending Dystopia tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Author Tina Frühauf provides a kaleidoscopic panorama ofmusical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust.Drawing on newly unearthed sources from archives and private collections, this book covers a wide spectrum of musical activity-from its role in commemorations and community events to synagogue concerts and its presence on the radio-across the divided Germany until the Fall of the Wall in 1989. Frühauf's use of mobility as a conceptual framework reveals the myriad ways in which the reemergence of Jewish music in Germany was shaped by cultural transfer and exchange that often relied on thecirculation of musicians, their ideas, and practices within and between communities. By illuminating the centrality of mobility to Jewish experiences and highlighting how postwar Jewish musical practices in Germany were defined by politics that reached across national borders to the United States andIsrael, this pioneering study makes a major contribution to our understanding of Jewish life and culture in a transnational context
    URL: Rezension  (H-Soz-Kult)
    URL: Rezension  (H-Soz-Kult)
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  • 31
    ISBN: 9783830943723
    ISSN: 2192-2233
    Language: German
    Pages: 228 Seiten , Diagramme, Illustrationen , 24 cm x 17 cm
    Series Statement: Psychotherapiewissenschaft in Forschung, Profession und Kultur Band 32
    Series Statement: Psychotherapiewissenschaft in Forschung, Profession und Kultur
    DDC: 304.2
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    Keywords: Anthropogene Klimaänderung ; Zukunftsangst ; Forschungsergebnis ; Zweifel ; Klimaschutz ; Aktivismus ; Prepper ; Psychologie
    Note: Literaturverzeichnis: Seite 195-219
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  • 32
    ISBN: 9780197517642
    Language: English
    Pages: 1 Online-Ressource (272 Seiten)
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als Transforming ethnomusicology
    DDC: 780.89
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    Keywords: Ethnomusicology ; Ethnomusicology Methodology ; Electronic books ; Westliche Welt ; Entwicklungsländer ; Musikethnologie
    Abstract: This two-volume collection transforms our understanding of the discipline of ethnomusicology by exploring how ethnomusicologists can contribute to positive social and environmental change within institutional frameworks. The first volume focuses on ethical practice and collaboration and offers strategies for promoting institutional and methodological change.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 33
    ISBN: 9783830944386 , 3830944381
    Language: German
    Pages: 584 Seiten , Illustrationen, Diagramme
    Series Statement: Populäre Kultur und Musik Band 34
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als Audiowelten
    DDC: 781.63
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    Keywords: Aufsatzsammlung ; Unterhaltungsmusik ; Abspielgerät ; Tonträger ; Streaming ; Musikinstrument ; Elektrifizierung ; Technologie ; Musikproduktion ; Musikerlebnis ; Geschichte 1945-2021 ; Technik ; Medien ; Popmusik ; Geschichte 1945-2021
    Abstract: Technologien und Medien haben die Entwicklung der populären Musik im 20. und 21. Jahrhundert maßgeblich geprägt. Durch Verfahren der Klangproduktion, -speicherung und -wiedergabe wurden die Möglichkeiten des Herstellens, Vermittelns und Erlebens von Musik stark erweitert und transformiert. Die in „Audiowelten“ versammelten 22 Objektstudien nähern sich diesen technologischen, medialen und musikkulturellen Veränderungen durch detaillierte Beschreibungen von konkreten Einzelobjekten sowie ihren Entstehungs- und Nutzungskontexten – von der Nachkriegszeit bis zur Gegenwart.
    Note: Enthält Quellen- und Literaturangaben
    URL: Cover
    URL: Rezension  (H-Soz-Kult)
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  • 34
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190087210
    Language: English
    Pages: 597 Seiten , Illustrationen
    Edition: Third edition
    DDC: 781.6509
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    Keywords: Geschichte ; Jazz
    Note: Previous edition: 2011. , Includes bibliographical references and index.
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  • 35
    ISBN: 9780197517611 , 9780197517604
    Language: English
    Pages: viii, 272 Seiten , Illustrationen, Porträts
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 1
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    Keywords: Musikethnologie ; Wissenschaftsethik ; Westliche Welt ; Entwicklungsländer ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Wissenschaftsethik
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  • 36
    ISBN: 9780197517567 , 9780197517550
    Language: English
    Pages: viii, 260 Seiten , Illustrationen, Diagramme, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Angaben zur Quelle: 2
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    Keywords: Kolonialismus ; Musikethnologie ; Wissenschaftsethik ; Westliche Welt ; Entwicklungsländer ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Westliche Welt ; Entwicklungsländer ; Musikethnologie ; Kolonialismus ; Wissenschaftsethik
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  • 37
    ISBN: 9783830944423 , 383094442X
    Language: German
    Pages: 290 Seiten , Illustrationen , 23.5 cm x 16.5 cm
    Series Statement: Populäre Kultur und Musik Band 32
    Parallel Title: Erscheint auch als
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    Keywords: Musik ; Museum ; Sachkultur ; Kultur ; Medien ; Popmusik ; Tonträger ; Abspielgerät ; Speichermedien ; Computermusik ; Aufsatzsammlung
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  • 38
    ISBN: 9783830944423 , 383094442X
    Language: German
    Pages: 290 Seiten , Illustrationen , 23.5 cm x 16.5 cm
    Series Statement: Populäre Kultur und Musik Band 32
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    DDC: 780.74
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    Keywords: Computermusik ; Museum ; Sachkultur ; Abspielgerät ; Tonträger ; Speichermedien ; Popmusik ; Musik, Musikobjekte, Medientechnologie, Musikproduktion, Apparate, Objektgeschcihte, Archiv, populäre Kultur ; Volksmusik und populäre Musikkulturen ; Konferenzschrift 2020 ; Konferenzschrift 2020 ; Konferenzschrift 2020 ; Konferenzschrift 2020 ; Konferenzschrift 2020 ; Popmusik ; Tonträger ; Abspielgerät ; Speichermedien ; Computermusik ; Sachkultur ; Museum
    Note: Beiträge der interdisziplinären Tagung "Musikobjektgeschichten. Populäre Musik und materielle Kultur" (Oktober 2020, Weimar) - Vorwort
    URL: Cover
    URL: Cover
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  • 39
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190855475
    Language: English
    Pages: xii, 345 Seiten , Illustrationen, Karten
    DDC: 306.4842
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  • 40
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190880057
    Language: English
    Pages: 1 Online-Ressource (xiv, 193 Seiten)
    Series Statement: What everyone needs to know
    Parallel Title: Erscheint auch als Erickson-Schroth, Laura Gender
    DDC: 305.3
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    Keywords: Gender expression ; Gender identity ; Gender nonconformity ; Sex role ; Sex differences ; Electronic books ; Geschlechterrolle ; Geschlechtsidentität
    Abstract: Gender: What Everyone Needs to Know is an introduction to the topic of gender that explores numerous debates and controversies (i.e., what is the influence of biology on gender, how does the media impact gender and gender roles, and do transgender people reinforce gender stereotypes or help to free us from them?). In an easy-to-read format that includes questions and short responses, the book guides the reader through basic definitions; the history of gender as a concept; the role of biology, psychology, and culture on gender; and gender norms over time and across the globe.
    Note: Literaturverzeichnis: Seite 167-179 , Description based on publisher supplied metadata and other sources
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  • 41
    ISBN: 9780190869137 , 9780190869144
    Language: English
    Pages: xxi, 304 Seiten , Illustrationen , 24 cm
    Series Statement: American musicspheres
    DDC: 780.8997120798
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    Keywords: Indigenes Volk ; Musik ; Alaska
    Abstract: Sound Relations: Native Ways of Doing Music History in Alaska delves into histories of Inuit musical life in Alaska to amplify the broader significance of sound as integral to self-determination and sovereignty. The book offers radical and relational ways of listening to Inuit music across a range of genres-from hip hop to Christian hymnody and drumsongs to funk and R&B - to register how a density (not difference) of Indigenous ways of musicking from a vast archive of presence sounds out radical and relational entanglements between structures of Indigeneity and colonialism. The research aims to dismantle stereotypical understandings of "Eskimos," "Indians," and "Natives" by addressing the following questions: What exactly is "Native" about Native music? What does it mean to sound (or not sound) Native? Who decides? And how can in-depth analyses of Native music that center Indigeneity reframe larger debates of race, power, and representation in twenty-first century American music historiography? Instead of proposing singular truths or facts, this book invites readers to consider the existence of multiple simultaneous truths, a density of truths, all of which are culturally constructed, performed, and in some cases politicized and policed. A sound relations approach endeavors to advance a more Indigenized music studies and a more sounded Indigenous studies that works to move beyond colonial questions of containment - "who counts as Indigenous" and "who decides" - and measurement - "how much Indigenous is this person/performance" - and toward an aesthetics of self-determination and resurgent world-making.
    Note: Literaturverzeichnis Seite [269]-290
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  • 42
    ISBN: 9783830944027 , 3830944020
    Language: German
    Pages: 351 Seiten , Illustrationen , 17.4 x 24.1 cm, 652 g
    Series Statement: Psychotherapiewissenschaft in Forschung, Profession und Kultur Band 33
    Parallel Title: Erscheint auch als
    DDC: 304.28
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    Keywords: Klimaänderung ; Angst ; Kultur ; Gesellschaft ; Religion ; Anthropogene Klimaänderung ; Zukunftsangst ; Umweltbewusstsein ; Unsicherheit ; Aufsatzsammlung
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  • 43
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190656812 , 9780190656805
    Language: English
    Pages: xv, 212 Seiten , Illustrationen , 24 cm (pbk.)
    Parallel Title: Erscheint auch als Williams, Justin A Brithop
    DDC: 782.42164909/41
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    Keywords: Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Abstract: "Brithop investigates rap music's politics in the 21st century United Kingdom. In what follows, I argue that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially "talking back" (hooks 1989, see also Hutton and Burns 2020) to mainstream Britain's political discourses, as "an act of resistance, a political gesture that challenges politics of domination that would render us nameless and voiceless." (hooks 1989: 8) The rappers in this book critique the UK's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture. Through themes of nationalism, history, subculture, politics, humor and identity, this book looks at multiple forms of politics in rap discourses from Wales, Scotland and England. It covers selected hip-hop scenes from 2002-2017, featuring rappers and groups such as The Streets, Goldie Lookin Chain, Akala, Lowkey, Stanley Odd, Loki, Speech Debelle, Lady Sovereign, Shadia Mansour, Shay D, Stormzy, Sleaford Mods, Riz MC and Lethal Bizzle. What follows investigates how rappers in the UK respond to the "postcolonial melancholia" (Gilroy) of post-Empire Britain. In contrast to more visible narratives of national identity in Britain, Brithop tells a different, arguably more important, story"--
    Note: Includes bibliographical references and index
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  • 44
    ISBN: 9780199367337
    Language: English
    Pages: 1 Online-Ressource (xv, 1134 Seiten) , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of Western music and philosophy
    DDC: 780.01
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    Keywords: Music and philosophy ; Music and philosophy ; Musikwissenschaft ; Philosophie ; Musik ; Geschichte ; Philosophie ; Musikphilosophie
    Abstract: The Oxford Handbook of Western Music and Philosophy celebrates the ways in which musicians have historically called upon philosophy as a source of inspiration and encouragement, and scholars of music through the ages have turned to philosophy for insight into music and into the worlds that sustain it.
    Note: Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 9, 2020)
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  • 45
    ISBN: 9783830992745
    Language: German
    Pages: 1 Online-Ressource (577 Seiten) , Illustrationen
    Series Statement: Musik und Diktatur Band 4
    Series Statement: Musik und Diktatur
    Parallel Title: Erscheint auch als Lipp, Florian, 1980 - Punk und New Wave im letzten Jahrzehnt der DDR
    Dissertation note: Dissertation Universität Hamburg 2019
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    Keywords: 19./20. Jahrhundert ; 1980-1990 ; 20. Jahrhundert ; Bundesrepublik Deutschland/DDR ; DDR ; Deutschland ; Germany (East) ; Jugendkultur ; Neue Deutsche Welle ; New Wave ; Punk ; Rockmusik ; Subkultur ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Punk ; New wave ; Subkultur ; Jugendpolitik ; Kulturpolitik ; Geschichte 1976-1989 ; Deutschland ; Punk Rock ; New wave ; Geschichte 1976-1989
    Abstract: Auch in der DDR formierte sich zu Beginn der 1980er-Jahre eine Punkszene, die zwar klein, jedoch weder zu übersehen noch zu überhören war. Exponierte Vertreter und Bands dieser Szene wurden von der Mehrheitsgesellschaft abgelehnt, aus dem staatlich organisierten Kulturbetrieb ausgegrenzt und durch den Sicherheitsapparat kriminalisiert. Doch im Gegensatz zu diesen Repressionen gegen die Punkkultur in der ersten Hälfte der 1980er-Jahre vermittelt die zweite Hälfte der Dekade ein anderes Bild: Ehemals verfemte Musiker waren nun im Staatsfunk zu hören, wurden von der Freien Deutschen Jugend (FDJ) gefördert und unter dem Rubrum ›die anderen Bands‹ auf Schallplatte gehandelt. Die Analyse dieses Wandels im zeithistorischen Kontext ist Gegenstand dieses Buches.
    Note: Online resource; title from title screen (viewed May 11, 2021)
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  • 46
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190923389
    Language: English
    Pages: xxvii, 338 Seiten , Illustrationen, Notenbeispiele
    DDC: 788.73165092
    RVK:
    Keywords: Parker, Charlie ; Jazz ; Komposition
    Note: Bibliography Seite 317-323 , Discography Seite 324
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  • 47
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190461652
    Language: English
    Pages: xii, 458 Seiten , Illustrationen
    Series Statement: Readers on American musicians
    DDC: 782.254092
    RVK:
    Keywords: Jackson, Mahalia
    Note: Includes bibliographical references and index.
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  • 48
    ISBN: 383094182X , 9783830941828
    Language: German
    Pages: 214 Seiten , Illustrationen
    Series Statement: Popansichten 1
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    Keywords: Beethoven, Ludwig van ; Popmusik ; Pop-Kultur ; Aufsatzsammlung
    Note: Literaturverzeichnis: Seite 195-201 , Register: Seite 207-214
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  • 49
    ISBN: 9780190656812 , 9780190656805
    Language: English
    Pages: xiii, 212 Seiten , Illustrationen, Portraits (schwarz-weiß)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Rap (Music) / Political aspects / Great Britain / History / 21st century ; Rap (Music) / Great Britain / History and criticism
    Abstract: "Brithop investigates rap music's politics in the 21st century United Kingdom. In what follows, I argue that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially "talking back" (hooks 1989, see also Hutton and Burns 2020) to mainstream Britain's political discourses, as "an act of resistance, a political gesture that challenges politics of domination that would render us nameless and voiceless." (hooks 1989: 8) The rappers in this book critique the UK's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture. Through themes of nationalism, history, subculture, politics, humor and identity, this book looks at multiple forms of politics in rap discourses from Wales, Scotland and England. It covers selected hip-hop scenes from 2002-2017, featuring rappers and groups such as The Streets, Goldie Lookin Chain, Akala, Lowkey, Stanley Odd, Loki, Speech Debelle, Lady Sovereign, Shadia Mansour, Shay D, Stormzy, Sleaford Mods, Riz MC and Lethal Bizzle. What follows investigates how rappers in the UK respond to the "postcolonial melancholia" (Gilroy) of post-Empire Britain. In contrast to more visible narratives of national identity in Britain, Brithop tells a different, arguably more important, story"
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  • 50
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190461652
    Language: English
    Series Statement: Readers on American musicians series
    Parallel Title: Erscheint auch als The Mahalia Jackson reader
    DDC: 782.25/4092
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    Keywords: Jackson, Mahalia ; African American gospel singers Biography ; Gospel singers Biography ; African Americans Music ; History and criticism ; Gospel music History and criticism
    Abstract: ""African American gospel singer Mahalia Jackson was just sixty years old when her heart finally gave out on January 27, 1972, as she lay alone in her sick bed at Little Company of Mary Hospital just south of Chicago. Obituaries faithfully recounted the best-known story lines of her unlikely career: how the power of her voice was rooted in her devout Baptist upbringing; her birth in 1911 and rise from dire poverty in Uptown New Orleans to international celebrity; a dedication to the black freedom struggle that further elevated her to the status of cultural and political symbol. Together, Jackson's voice, faith, prestige, and activism, made her at the time of her death, in the assessment of her friend Harry Belafonte, "the single most powerful black woman in the United States." Yet her reputation is also complex. Invoking the charisma of Martin and Malcolm, the persuasion of statesmen and despots, and the splendor of divas and diadems, Maceo Bowie's letter to the editor of the Chicago Defender seems to both celebrate and grapple with the substance of Jackson dynamism as a gospel singer and her consequence as an illustrious black public figure. In an editorial in the Defender following Jackson's death, E. Duke McNeil acknowledged Jackson's habitual acclaim as the "Queen of the gospel singers," while also observing: "You can almost say that Mahalia was the 'greatest' because she was the only gospel singer known everywhere." Indeed, for scholars of black gospel, the music itself is often hidden in plain sight. On the one hand, gospel voices are inescapable, audible not just within the music industry, where they have become a lingua franca for pop singers, but also in recurring representations of the black church, in the omnipresent sound of the black gospel choir, and in the personal histories of many black artists. On the other, in comparison with such genres as jazz, blues, country music, and hip hop, documentation of black gospel music, which has thrived in in-group settings, is relatively scant, leaving researchers with limited sources and largely reliant on oral history. Fortunately, the scope and coverage of Jackson's caereer produced a paper trail that enables us to study her personal and professional life while gaining insight into the black gospel field of which she was such an integral part. In compiling a wide swath of these sources on Jackson, The Mahalia Jackson Reader seeks to paint a fuller and more vivid picture of one of the most resonant musi ...
    Note: Includes bibliographical references and index
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  • 51
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190846121
    Language: English
    Pages: 471 Seiten
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  • 52
    ISBN: 9783830988106
    Language: German
    Pages: 1 Online-Ressource (146 Seiten)
    Edition: 1. Auflage
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Musik und Ethik (Veranstaltung : 2018 : Cottbus) Musik und Ethik
    RVK:
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    Keywords: Ethik ; Philosophie ; Musik ; Musizieren ; Musikpädagogik ; Musikerziehung ; Moralerziehung ; moralische Erziehung ; Musikerziehung ; Ethik ; Musikphilosophie
    Abstract: Welche ethischen Funktionen hat Musik bzw. Musizieren? Eignen sie sich zur moralischen Erziehung oder bergen gar Gefahren ob ihrer emotionalen Wirkungen? Inwiefern kann Musizieren zu einem guten Leben beitragen? Diese alten Fragen scheinen in Zeiten omnipräsenter Musik und ihr zugewiesener Heilsbringerqualitäten aktueller denn je. Der Sammelband versucht die Fragen aus unterschiedlichen Perspektiven zu beantworten. Er führt aktuelle Positionen aus der Musikpädagogik, Philosophie sowie Neurowissenschaft zusammen und möchte zum weiteren Nachdenken über Musik und Ethik anregen. Einen Schwerpunkt bilden Überlegungen, die sich mit einem (neuen?) musikpädagogischen Selbstverständnis auseinandersetzen.
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  • 53
    ISBN: 9783830992622
    Language: German
    Pages: 1 Online-Ressource (259 Seiten)
    Series Statement: Internationale Hochschulschriften Band 677
    Series Statement: Internationale Hochschulschriften
    Parallel Title: Erscheint auch als Viertel, Christiane Battle-Rap, Beatboxing und Breaking - Hip-Hop in schulischen und außerschulischen musikpädagogischen Kontexten
    Dissertation note: Dissertation Pädagogische Hochschule Ludwigsburg 2020
    RVK:
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    Keywords: Empirische Bildungsforschung ; Jugendkultur ; Musikalische Praxen ; Musiklehrer*innen ; Musikunterricht ; Populäre Musik ; Schulpädagogik ; Hochschulschrift ; Hochschulschrift ; Musikerziehung ; Hip-Hop ; Beatboxing
    Abstract: Die weltweit verbreitete Jugendkultur Hip-Hop mit ihren vielfältigen musikalischen und künstlerischen Praxen ist auch heute nach fast 50 Jahren bei Jugendlichen beliebt. Die quantitative Studie fokussiert die Hip-Hop-Kultur als Thema im Musikunterricht der Sekundarstufe I in Baden-Württemberg aus der Perspektive von Schüler*innen und Lehrenden unterschiedlicher Schulformen. Sie nimmt dabei Bezug auf das Interesse an und die Beschäftigung mit der Jugendkultur wie auch auf die persönliche Bedeutsamkeit von Hip-Hop. Außerdem stellt die Dissertation die Frage nach dem Bildungspotenzial der Jugendkultur. Eine detaillierte Betrachtung szenerelevanter Praxen im Hip-Hop setzt die hierfür benötigten Skills sowie zugrunde liegende Haltungen und Werte in Beziehung zu musikpädagogischen Dimensionen von Bildungsrelevanz. Betrachtet werden in diesem Zusammenhang Anschlussfähigkeiten und Schnittstellen zu Aspekten der Kompetenzorientierung, der ästhetischen Erfahrung sowie zum Ziel der kulturellen Teilhabe. Ein Blick auf Projekte der außerschulischen Jugendsozialarbeit eröffnet zudem Perspektiven für die Musikpädagogik und für zukünftiges Unterrichten.
    Note: Online resource; title from title screen (viewed May 11, 2021)
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  • 54
    ISBN: 0190629118 , 9780190629113
    Language: English
    Pages: xi, 661 Seiten , 25 cm
    DDC: 302.5
    RVK:
    Keywords: Social comparison ; Social comparison ; Aufsatzsammlung ; Aufsatzsammlung ; Sozialpsychologie ; Vergleich
    Abstract: This edited volume presents both classic and contemporary conceptual, empirical, and applied perspectives on the role of comparisons with other people - a core aspect of social life - that have implications for the self-concept, opinions, subjective and physical well-being, conformity, decision-making, group behavior, education, and social movements. The volume is comprised of original chapters, authored by noted experts, divided into three sections: basic comparison processes, neighboring fields, and applications. The first section is comprised of chapters that update classic theories and present advances, such as the dominating effect of local versus global comparisons, an analysis of the psychology of competition, how comparisons across different domains influence self-concept and achievement, and the integral connections between stereotyping and comparison. The second section introduces perspectives from neighboring fields that shed new light on social comparison. These chapters range from judgment and decision science, cognitive psychology, social network theory, and animal social behavior. The third section presents chapters that describe applications of comparison, including relative deprivation; health psychology; the effects of income inequality on well-being; the relationships among social hierarchies, power, and comparison; and the interconnections of psychological processes such as comparison and differential construal that favor the status quo and can discourage social action in the face of injustice and inequity
    Note: Includes bibliographical references and index
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  • 55
    ISBN: 9780190083946 , 9780190083953
    Language: English
    Pages: viii, 254 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Whitmore, Aleysia World music and the Black Atlantic
    DDC: 782.4216/3097291
    RVK:
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    Keywords: AfroCubism ; Orchestra Baobab ; Geschichte ; Weltmusik ; Globalisierung ; Afrokubanische Musik ; Orchestra Baobab ; AfroCubism (Musical group) ; Music and globalization ; World music / History and criticism ; Popular music / Africa / Cuban influences ; AfroCubism ; Orchestra Baobab ; Afrokubanische Musik ; Weltmusik ; Globalisierung ; Geschichte
    Abstract: ""In the mid-20th century, African musicians took up Cuban music as their own. They claimed it as a marker of black Atlantic connections and of cosmopolitanism untethered from European colonial relations. Today, Cuban/African bands popular in Africa in the 1960s and '70s have moved into the world music scene in Europe and North America, and world music producers and musicians have created new West African-Latin American collaborations expressly for this market niche. This book follows two of these bands, Orchestra Baobab and AfroCubism, and the industry and audiences that surround them-from musicians' homes in West Africa, to performances in Europe and North America, to record label offices in London. This book examines the intensely transnational experiences of musicians, industry personnel, and audiences as they collaboratively produce, circulate, and consume music in a specific post-colonial era of globalization. Musicians, industry personnel, and audiences work with and push against one another as they engage in personal collaborations imbued with histories of global travel and trade. They move between and combine Cuban and Malian melodies, Norwegian and Senegalese markets, and histories of slavery and independence as they work together to create international commodities. Understanding the unstable and dynamic ways these peoples, musics, markets, and histories intersect elucidates how world music actors assert their places within, and produce knowledge about, global markets, colonial histories, and the black Atlantic. This book offers a nuanced view of a global industry that is informed and deeply marked by diverse transnational perspectives and histories of transatlantic exchange. ""--
    Note: Includes bibliographical references and index
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  • 56
    ISBN: 9780190052218 , 9780190052201
    Language: English
    Pages: ix, 199 Seiten , Illustrationen
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als Malawey, Victoria, 1977- A blaze of light in every word
    DDC: 782.42/164143
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    Keywords: Popular music Analysis, appreciation ; Singing ; Popmusik ; Gesang ; Singen ; Unterhaltungsmusik
    Abstract: Introduction. Why Voice? Why Voice Analysis? -- Pitch -- Prosody -- Quality -- The Area in Between : Mediation with Technology -- Synthesis, or Why Covers of Elliott Smith Songs Don't Work.
    Abstract: "Singing Voice presents a conceptual model for analyzing vocal delivery in popular song recordings focused on three overlapping areas of inquiry: pitch, prosody, and quality. The domain of pitch, which refers to listeners' perceptions of frequency, considers range, tessitura, intonation, and registration. Prosody, the pacing and flow of delivery, comprises phrasing, metric placement, motility, embellishment, and consonantal articulation. Qualitative elements include timbre, phonation, onset, resonance, clarity, paralinguistic effects, and loudness. Intersecting all three domains is the area of technological mediation, which considers how external technologies, such as layering, overdubbing, pitch modification, recording transmission, compression, reverb, spatial placement, delay, and other electronic effects, impact voice in recorded music. Though the book focuses primarily on the sonic and material aspects of vocal delivery, it situates these aspects among broader cultural, philosophical, and anthropological approaches to voice with the goal to better understand the relationship between sonic content and its signification. Drawing upon transcription and spectrographic analysis as the primary means of representation, as well as modes of analysis, this book features in-depth analyses of a wide array of popular song recordings spanning genres from indie rock to hip hop to death metal, develops analytical tools for understanding how individual dimensions make singing voices both complex and unique, and synthesizes how multiple aspects interact to better understand the multi-dimensionality of singing voices"--
    Note: Includes bibliographical references and index
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  • 57
    ISBN: 9783830942542
    Language: German
    Pages: 397 Seiten , Illustrationen
    Series Statement: Populäre Kultur und Musik Band 29
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als Frey, Heike, 1959 - Lili Marleen hatt' einen Kameraden
    Parallel Title: Erscheint auch als Frey, Heike, 1959 - Lili Marleen hatt’ einen Kameraden
    Dissertation note: Dissertation Carl von Ossietzky Universität Oldenburg 2019
    DDC: 780.94309044
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    Keywords: Hochschulschrift ; Deutschland ; Zweiter Weltkrieg ; Nationalsozialismus ; Truppenbetreuung ; Musik ; Deutsches Reich Wehrmacht ; Zweiter Weltkrieg ; Deutsches Reich Wehrmacht ; Musik ; Nationalsozialismus ; Frau
    Note: Quellenverzeichnis: Seite 341-357 , Literaturverzeichnis: Seite 358-397
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  • 58
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190886912
    Language: English
    Pages: xi, 381 Seiten , Notenbeispiele
    Edition: 20th anniversary edition
    Parallel Title: Erscheint auch als
    DDC: 781.22
    RVK:
    RVK:
    Note: Literaturverzeichnis: Seite 375-377
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  • 59
    ISBN: 9780197520697
    Language: English
    Pages: vii, 267 Seiten , 24 cm
    Edition: Oxford University Press paperback
    Parallel Title: Erscheint auch als Tyler, Tom R. Why children follow rules
    DDC: 303.32
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    Keywords: Socialization ; Child development ; Social psychology
    Note: Originally published: 2018 , Includes bibliographical references and index
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  • 60
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190948306
    Language: English
    Pages: 1 online resource (304 pages) , illustrations (black and white).
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 791.436
    RVK:
    Keywords: Jazz films History and criticism ; Jazz musicians in motion pictures ; Jazz ; Jazzmusiker ; Film
    Abstract: Jazz stories have been entwined with cinema since the inception of jazz film genre in the 1920s, giving us origin tales and biopics, spectacles and low-budget quickies, comedies, musicals, and dramas, and stories of improvisers and composers at work. And the jazz film has seen a resurgence in recent years-from biopics like Miles Ahead and HBO's Bessie, to dramas Whiplash and La La Land. In Play the Way You Feel, author and jazz critic Kevin Whitehead offers a comprehensive guide to these films and other media from the perspective of the music itself. Spanning 93 years of film history, the book looks closely at movies, cartoons, and a few TV shows that tell jazz stories, from early talkies to modern times, with an eye to narrative conventions and common story points.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on March 30, 2020)
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  • 61
    ISBN: 9780190056650
    Language: English
    Pages: viii, 201 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 781.64
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    Keywords: Popular music History and criticism 2001-2010 ; Popular music History and criticism 2011-2020 ; Popular music Analysis, appreciation
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  • 62
    ISBN: 9780190882044
    Language: English
    Pages: xv, 633 Seiten, 16 ungezählte Seiten , Illustrationen , 25 cm
    Series Statement: Oxford cultural biographies
    DDC: 782.42164092
    RVK:
    Keywords: Cole, Nat King
    Abstract: One of the most popular and memorable American musicians of the 20th century, Nat King Cole (1919-65) is remembered today as both a pianist and a singer, a feat rarely accomplished in the world of popular music. Now, in this complete life and times biography, author Will Friedwald offers a new take on this fascinating musician, framing him first as a bandleader and then as a star. In Cole's early phase, Friedwald explains, his primary task of keeping his trio going was just as much of a focus for him as his own playing and singing, always a collective or group performance. In the second act, Cole's collaborators were more likely to be arranger-conductors like Nelson Riddle and Gordon Jenkins, rather than his sidemen on bass and guitar. In the first act, his sidemen were equals, in the second phase, his collaborators were tasked exclusively with putting the focus on him, making him sound good, while being largely invisible themselves. Friedwald brings his full musical knowledge to bear in putting the man in the work, demonstrating how this duality appears over and over again in Cole's life and career: jazz vs. pop, solo vs. trio, piano vs. voice, wife number one (Nadine) vs. wife number two (Maria), the good songs vs. the less-than-good songs, the rhythm numbers vs. the ballads, the funny songs and novelties vs. the serious" songs of love and loss, Cole as an advocate for the Great American Songbook vs. Cole the intrepid explorer of other options: world music, rhythm & blues, country & western. Cole was different from his contemporaries in other ways; for roughly ten years after the war, the majority of hitmakers on the pop charts were veterans of the big band experience, from Sinatra on down.
    Note: Literaturangaben
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  • 63
    ISBN: 9780197504642
    Language: English
    Pages: xx, 459 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Sheleg, Asaf, 1974 - Theological stains
    DDC: 780.89/92405694
    RVK:
    Keywords: Music History and criticism 20th century ; Music by Jewish composers History and criticism 20th century ; Jews Music ; History and criticism ; Zionism ; Zionism in literature
    Abstract: Introduction. Stains? -- Non-Biblical Tonalities -- Biblocentrism in Modern Hebrew Culture and its Operatic Undoing -- Horizontal Realizations : The Agency of Non-Western Jewish Musical Traditions in Art Music of the 1950s and '60s -- Broken Hebrewist Vessels -- Compositional Solutions (in the double sense of the word)
    Abstract: "Theological Stains traces the growth of art music in Israel from the mid twentieth century to the turn of the twenty-first. In a riveting and provocative account, Assaf Shelleg explores the theological grammar of Zionism and its impact on the art music written by emigrant and native composers grappling with biblical redemptive promises and diasporic patrimonies. Unveiling the network that bred territorial nationalism and Hebrew culture, Shelleg shows how this mechanism infiltrated composers' work as much as it triggered less desirable responses from composers who sought to realize to the non-territorial Diasporic options Zionism has renounced. In the process compositional aesthetics gets stained by the state's nationalization of the theological, by diasporism that refuses redemption, and by Jewish musical traditions that permeated inaudibly to compositions written throughout the second half of the twentieth century. Accompanying this rich and dramatic story are equivalent developments in modern Hebrew literature and poetry alongside vast and previously unstudied archival sources. The book is also lavishly illuminated with 135 music examples that render it an incisive guide to fundamental chapters in modern and late modern art music"--
    Note: Includes bibliographical references and index
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  • 64
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780197510483
    Language: English
    Pages: 1 Online-Ressource XI, 272 Seiten) , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.98
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    Keywords: Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Abstract: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 65
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190923419
    Language: English
    Pages: 1 Online-Ressource (372 pages).
    Series Statement: Oxford scholarship online
    DDC: 788.73165092
    RVK:
    Keywords: Parker, Charlie Criticism and interpretation ; Parker, Charlie ; Jazz ; Komposition ; Jazz History and criticism 1941-1950 ; Jazz History and criticism 1951-1960
    Abstract: Charlie Parker, Composer is the first assessment of a major jazz composer's oeuvre in its entirety. Providing analytical discussion of each of Parker's works, this study combines music-theoretical, historical, and philosophical perspectives. A variety of analytical techniques are brought to bear on Parker's compositions, including application of a revised Schenkerian approach to the music that was developed through the author's prior publications. After a review of Parker's life emphasizing his musical training and involvement in composition, the book proceeds by considering the types of Parker pieces as categorized by overall form and harmony and the amount of preplanned music they contain.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
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  • 66
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197506561
    Language: English
    Pages: 1 Online-Ressource (352 pages) , Illustrations.
    Edition: 20th anniversary edition.
    Series Statement: Oxford scholarship online
    DDC: 781.22
    RVK:
    RVK:
    Keywords: Musical meter and rhythm ; Music Philosophy and aesthetics ; Time in music
    Abstract: Rhythm is often regarded as one of the most problematic and least understood aspects of music. Restricted to those attributes that are susceptible to calibration and measurement, rhythm is usually identified with meter, durational pattern, or durational proportion. But how shall one account for those attributes of rhythm that point to the particularity and spontaneity of aesthetic experience as it is happening? Drawing on insights from the modern "process" philosophy of Henri Bergson, William James, and A. N. Whitehead, this book releases meter from its mechanistic connotations and recognizes it as a concrete, visceral agent of musical expression. It reinterprets oppositions of law and freedom, structure and process, determinacy and indeterminacy to form a theory that engages diverse repertories and aesthetic issues. Ultimately, this revised 20th anniversary edition of Christopher Hasty's Meter as Rhythm facilitates the work's current contexts of application.
    Note: Includes bibliographical references and index
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  • 67
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190882075
    Language: English
    Pages: 1 Online-Ressource (560 pages) , Illustrations.
    Series Statement: Oxford cultural biographies
    Series Statement: Oxford scholarship online
    DDC: 782.42164092
    RVK:
    Keywords: Cole, Nat King ; Cole, Nat King ; Singers Biography ; Pianists Biography ; Jazz musicians Biography
    Abstract: This book offers an interpretation of the two fragmentary texts of the P. Vindobonensis G 40822, now widely referred to as the Muziris papyrus. Without these two texts, there would be no knowledge of the Indo-Roman trade practices. The book also compares and contrasts the texts of the Muziris papyrus with other documents pertinent to Indo-Mediterranean (or Indo-European) trade in ancient, medieval, and early modern times. These other documents reveal the commercial and political geography of ancient South India; the sailing schedule and the size of the ships plying the South India sea route; the commodities exchanged in the South Indian emporia; and the taxes imposed on the Indian commodities en route from the Red Sea to the Mediterranean.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
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  • 68
    ISBN: 9783830942627 , 3830942621
    Language: German
    Pages: 259 Seiten , 24 cm x 17 cm
    Series Statement: Internationale Hochschulschriften Band 677
    Series Statement: Internationale Hochschulschriften
    Parallel Title: Erscheint auch als Viertel, Christiane Battle-Rap, Beatboxing und Breaking – Hip-Hop in schulischen und außerschulischen musikpädagogischen Kontexten
    Parallel Title: Erscheint auch als Viertel, Christiane Battle-Rap, Beatboxing und Breaking – Hip-Hop in schulischen und außerschulischen musikpädagogischen Kontexten
    Dissertation note: Dissertation Pädagogische Hochschule Ludwigsburg 2020
    DDC: 780.712
    RVK:
    RVK:
    RVK:
    Keywords: Hochschulschrift ; Hochschulschrift ; Musikerziehung ; Hip-Hop ; Beatboxing
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  • 69
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190658472
    Language: English
    Pages: 1 Online-Ressource (xvii, 825 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music and medievalism
    DDC: 781.59
    RVK:
    Keywords: Medievalism ; Music History and criticism ; Music Medieval influences ; Medievalism ; Music ; History and criticism ; Music ; Medieval influences ; Aufsatzsammlung ; Musik ; Mittelalter ; Rezeption ; Geschichte 1800-2020
    Abstract: The Oxford Handbook of Music and Medievalism brings together international scholars from a wide range of disciplines to provide a snapshot of the diverse ways in which medievalism-the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages-powerfully transforms many of the varied musical traditions of the last two centuries.
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  • 70
    ISBN: 9780190660802
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford handbooks
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of social media and music learning
    DDC: 780.71
    RVK:
    Keywords: Music Instruction and study ; Technological innovations ; Music Instruction and study ; Social aspects ; Social media in education ; Music ; Instruction and study ; Technological innovations ; Music ; Instruction and study ; Social aspects ; Social media in education ; Musikerziehung ; Social Media
    Abstract: The rapid pace of technological change over the last decade, particularly the rise of social media, has deeply affected the ways in which we interact as individuals, in groups, and among institutions to the point that it is difficult to grasp what it would be like to lose access to this everyday aspect of modern life. This handbook investigates the ways in which social media is now firmly engrained in all aspects of music education, providing fascinating insights into the ways in which social media, musical participation, and musical learning are increasingly entwined.
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  • 71
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190224226
    Language: English
    Pages: 1 Online-Ressource (xvii, 614 Seiten) , Illustrationen
    Series Statement: Oxford handbooks
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of the operatic canon
    DDC: 782.1
    RVK:
    Keywords: Opera ; Opera ; Oper ; Kanon ; Geschichte 1740-2020
    Abstract: This collection examines the phenomenon of the operatic canon: its formation, history, current ontology and practical influence, and future. It does so by taking an international and interdisciplinary view: the workshops from which it was derived included the participation of critics, producers, artistic directors, stage directors, opera company CEOs, and even economists, from the United Kingdom, the United States, France, Italy, Ireland, Germany, the Netherlands, Denmark, and Canada. The volume is structured as a series of dialogues: each subtopic is addressed by two essays, introduced jointly by the authors, and followed by a jointly compiled list of further reading.
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  • 72
    ISBN: 9783830988106
    Language: German
    Pages: 1 Online-Ressource (146 Seiten)
    Parallel Title: Erscheint auch als Musik und Ethik (Veranstaltung : 2018 : Cottbus) Musik und Ethik
    DDC: 780.1
    RVK:
    RVK:
    Keywords: Konferenzschrift 2018 ; Musikerziehung ; Ethik ; Musikphilosophie
    Note: ... Symposiums "Musik und Ethik", das am 26. und 27. Oktober 2018 ... an der Brandenburgischen Technischen Universität Cottbus-Senftenberg stattfand und Grundlage des vorliegenden Sammelbandes ist. - Seite 10 , Literaturangaben
    URL: Volltext  (lizenzpflichtig)
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  • 73
    ISBN: 9780190687410 , 9780190687403
    Language: English
    Pages: xi, 260 Seiten , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Parallel Title: Erscheint auch als
    DDC: 780.98
    RVK:
    Keywords: Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Abstract: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century.
    Note: Includes bibliographical references and index
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  • 74
    ISBN: 9783830991823
    Language: German
    Pages: 1 Online-Ressource (214 Seiten)
    Edition: 1. Auflage
    Series Statement: Popansichten 1
    Series Statement: Popansichten
    DDC: 780
    RVK:
    RVK:
    Keywords: Film ; comic ; Punk ; Malerei ; Jazz ; Klassik ; Rock ; Metal ; A Clockwork Orange ; Anthony Burgess ; Stanley Kubrik ; Die Toten Hosen ; Chuck Berry ; Anglistik ; Judith Holofernes ; Rock'n'popmuseum ; Ludwig van Beethoven ; Beethoven, Ludwig van 1770-1827 ; Popmusik ; Pop-Kultur
    Abstract: Chuck Berrys Roll Over Beethoven, A Clockwork Orange, die Peanuts – das sind wohl die ersten Phänomene, die in den Sinn kommen, hört man die Stichworte Beethoven und Pop. Allerdings sind das bloß die populärsten Knotenpunkte schier endloser Referenzketten, die sich ausgehend von Ludwig van Beethovens Lebzeiten bis in die Gegenwart hineinziehen. Sie finden sich unter anderem in Hollywood und auf Punk-Platten, bei Jazz-Konzerten und auf Werbeplakaten. Diese Auseinandersetzungen mit Beethoven und seiner Musik im Pop sind bislang nahezu unerforscht. Für die Ausstellung Ludwig lebt! im rock’n’popmuseum Gronau hat dieser Katalog daher die Herausforderung angenommen, zum Jubiläumsjahr 2020 einen ersten Überblick zu geben und mit einer starken Thesenbildung das Forschungsfeld zu vermessen. Mit Beiträgen der Filmwissenschaft, Kunstgeschichte, Literaturwissenschaft und Musikwissenschaft von Moritz Baßler, Michael Custodis, Friedrich Geiger, Henry Keazor und Thorsten Wübbena, Thomas Mania, Peter Moormann und Stefan Lüschow sowie Anna Seidel ließen sich hierfür erstmals repräsentative, einprägsame, kontroverse, überraschende und unterhaltsame Ergebnisse zusammentragen. Ergänzt werden die Beiträge durch Interviews mit Judith Holofernes, Wolf Hoffmann, Bernd Schadewald und Steve Vai.
    Abstract: "Die Autoren um Moritz Baßler, Anna Seidel und Michael Custodis von der Uni Münster veranschaulichen anhand vieler Beispiele den großen Einfluss Beethovens auf die Popkultur." – Martin Zehren, in: Westfalenspiegel 5/2020, S.53.
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  • 75
    ISBN: 9783830991823
    Language: German
    Pages: 1 Online-Ressource (214 Seiten)
    Edition: 1. Auflage
    Series Statement: Popansichten 1
    Series Statement: Popansichten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Ludwig lebt!
    DDC: 780
    RVK:
    RVK:
    Keywords: Film ; comic ; Punk ; Malerei ; Jazz ; Klassik ; Rock ; Metal ; A Clockwork Orange ; Anthony Burgess ; Stanley Kubrik ; Die Toten Hosen ; Chuck Berry ; Anglistik ; Judith Holofernes ; Rock'n'popmuseum ; Ludwig van Beethoven ; Beethoven, Ludwig van 1770-1827 ; Popmusik ; Pop-Kultur
    Abstract: Chuck Berrys Roll Over Beethoven, A Clockwork Orange, die Peanuts – das sind wohl die ersten Phänomene, die in den Sinn kommen, hört man die Stichworte Beethoven und Pop. Allerdings sind das bloß die populärsten Knotenpunkte schier endloser Referenzketten, die sich ausgehend von Ludwig van Beethovens Lebzeiten bis in die Gegenwart hineinziehen. Sie finden sich unter anderem in Hollywood und auf Punk-Platten, bei Jazz-Konzerten und auf Werbeplakaten. Diese Auseinandersetzungen mit Beethoven und seiner Musik im Pop sind bislang nahezu unerforscht. Für die Ausstellung Ludwig lebt! im rock’n’popmuseum Gronau hat dieser Katalog daher die Herausforderung angenommen, zum Jubiläumsjahr 2020 einen ersten Überblick zu geben und mit einer starken Thesenbildung das Forschungsfeld zu vermessen. Mit Beiträgen der Filmwissenschaft, Kunstgeschichte, Literaturwissenschaft und Musikwissenschaft von Moritz Baßler, Michael Custodis, Friedrich Geiger, Henry Keazor und Thorsten Wübbena, Thomas Mania, Peter Moormann und Stefan Lüschow sowie Anna Seidel ließen sich hierfür erstmals repräsentative, einprägsame, kontroverse, überraschende und unterhaltsame Ergebnisse zusammentragen. Ergänzt werden die Beiträge durch Interviews mit Judith Holofernes, Wolf Hoffmann, Bernd Schadewald und Steve Vai.
    Abstract: "Die Autoren um Moritz Baßler, Anna Seidel und Michael Custodis von der Uni Münster veranschaulichen anhand vieler Beispiele den großen Einfluss Beethovens auf die Popkultur." – Martin Zehren, in: Westfalenspiegel 5/2020, S.53.
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  • 76
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780197619544
    Language: English
    Pages: xii, 575 Seiten , Illustrationen, Diagramme , 25 cm
    Edition: First printed as an Oxford University Press paperback
    DDC: 781.64209
    RVK:
    Keywords: Country music History and criticism ; Countrymusic ; Countrymusic
    Note: Originally published: 2017
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