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  • Online Resource  (324)
  • Oxford : Oxford University Press  (165)
  • New York : Oxford University Press  (107)
  • Bielefeld : transcript  (78)
  • Musicology  (324)
Datasource
Material
Language
Years
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Music and Citizenship (2023)
    Oxford : Oxford University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780197555200
    Language: English
    Pages: 1 Online-Ressource (193 pages)
    Series Statement: Oxford Theory in Ethnomusicology Series
    DDC: 306.4842
    RVK:
    LS 18600
    Keywords: Electronic books
    Abstract: In Music and Citizenship, author Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
    GBV
    HeBIS
    BVB
  • 2
    Online Resource
    Online Resource
    On African music : techniques, influences, scholarship (2023)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780197664100
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 780.96
    RVK:
    LS 46000
    RVK:
    LS 76000
    Keywords: Musik ; Instrumentaltechnik ; Einfluss ; Music History and criticism ; Music ; Music ; Afrika
    Abstract: Written by one of the best-known academic writers on African music, this title is a collection of seven essays offering a wide-ranging discussion of the animating structures of African music while reflecting on the scholarship they have elicited.
    Note: Also issued in print: 2023 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780197664063.001.0001
    URL: https://doi.org/10.1093/oso/9780197664063.001.0001
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    Online Resource
    HeBIS
  • 3
    Online Resource
    Online Resource
    »All the things you are« - Die materielle Kultur populärer Musik (2023)
    Bielefeld : transcript
    Details
    ISBN: 9783839470107
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Beiträge zur Popularmusikforschung Band 47
    DDC: 306.4842
    RVK:
    LS 48015
    RVK:
    LR 54600
    Keywords: Materialität ; Popmusik ; Unterhaltungsmusik ; Musikleben ; Konferenzschrift 2021
    Note: Literaturangaben
    DOI: 10.1515/9783839470107
    URL: https://doi.org/10.1515/9783839470107
    URL: Inhaltsverzeichnis
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HeBIS
    BVB
  • 4
    Online Resource
    Online Resource
    Music and citizenship (2023)
    New York : Oxford University Press
    Details
    ISBN: 9780197555224
    Language: English
    Pages: 1 Online-Ressource (x, 181 Seiten) , Illustrationen
    Series Statement: Oxford theory in ethnomusicology
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 306.4842
    RVK:
    LS 18600
    Keywords: Music / ukslc ; Society & culture: general / thema ; Music / Political aspects ; Music / Social aspects ; Citizenship ; Ethnomusicology ; Staatsangehörigkeit ; Musik ; Internationaler Vergleich ; Nationalbewusstsein ; Musik ; Staatsangehörigkeit ; Nationalbewusstsein ; Internationaler Vergleich
    Abstract: In 'Music and Citizenship', Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    DOI: 10.1093/oso/9780197555187.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1093/oso/9780197555187.001.0001
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    München BSB
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
  • 5
    Online Resource
    Online Resource
    Dancing black, dancing white : rock 'n' roll, race, and youth culture of the 1950s and early 1960s (2023)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780197536292
    Language: English
    Pages: 1 Online-Ressource (xviii, 220 pages) , Illustrations (black and white, and colour).
    Series Statement: Oxford scholarship online
    DDC: 791.45097309045
    RVK:
    LS 48050
    Keywords: Geschichte 1950-1969 ; Rock 'n' Roll ; Fernsehsendung ; Jugendkultur ; Rassendiskriminierung ; Television dance parties History 20th century ; Rock and roll dancing History 20th century ; Dance and race History 20th century ; Music and race History 20th century ; Performing Arts ; Films, cinema ; USA ; United States Race relations 20th century ; History
    Abstract: 'Dancing Black, Dancing White' offers a new look at a popular phenomenon of the 1950s and 1960s - the televised teen dance program. Through a social and cultural history lens, the book uses these shows to explore rock and roll and how it affected both white and Black teenagers. The crux of the book is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time.
    Note: Also issued in print: 2023 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780197536254.001.0001
    URL: https://doi.org/10.1093/oso/9780197536254.001.0001
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HeBIS
  • 6
    Online Resource
    Online Resource
    Queer country (2022)
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    Details
    ISBN: 9780252053221
    Language: English
    Pages: 1 Online-Ressource (x, 268 pages) , Illustrations (black and white).
    Series Statement: Music in American life
    Series Statement: Illinois scholarship online
    DDC: 781.642
    RVK:
    LS 48610
    RVK:
    LR 56618
    Keywords: Countrymusic ; Queer-Theorie ; Country music History and criticism ; Gender identity in music ; Gay musicians ; Transgender musicians ; Electronic books
    Abstract: Though frequently ignored by the music mainstream, queer and transgender country and Americana artists have made essential contributions as musicians, performers, songwriters, and producers. 'Queer Country' blends ethnographic research with analysis and history to provide an i-depth study of these artists and their work. Shana Goldin-Perschbacher delves into the careers of well-known lesbian artists like k.d. lang and Amy Ray and examines the unlikely success of singer-songwriter Patrick Haggerty, who found fame forty years after releasing the first out gay country album. She also focuses on later figures like nonbinary transgender musician Rae Spoon and renowned drag queen country artist Trixie Mattel; and on recent breakthrough artists like Orville Peck, Amythyst Kiah, and chart-topping Grammy-winning phenomenon Lil Nas X.
    Note: Also issued in print: 2022 , Includes bibliographical references, discography, filmography and index
    DOI: 10.5622/illinois/9780252044267.001.0001
    URL: https://doi.org/10.5622/illinois/9780252044267.001.0001
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    Online Resource
    HeBIS
  • 7
    Online Resource
    Online Resource
    Sonic mobilities : producing worlds in southern China (2022)
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    Details
    ISBN: 9780226817798
    Language: English
    Pages: 1 Online-Ressource (200 pages) , Illustrations (black and white), map (black and white).
    Series Statement: Chicago studies in ethnomusicology
    Series Statement: Chicago scholarship online
    DDC: 781.630951275
    RVK:
    LC 87440
    RVK:
    LS 48060
    Keywords: Mabang (Musical group) ; Wanju Chuanzhang (Musical group) ; Popular music History and criticism ; World music History and criticism ; Music and globalization ; Music Social aspects
    Abstract: With a booming economy and abundant job opportunities, Guangzhou has become a magnet for rural citizens seeking better job prospects as well as global corporations hoping to gain a foothold in one of the world's largest economies. This openness and energy have led to a thriving popular music scene that is every bit the equal of Beijing's. But the musical culture of Guangzhou expresses the city's unique cosmopolitanism. A port city that once played a key role in China's maritime Silk Road, Guangzhou has long been an international hub. Now, new migrants to the city are incorporating diverse Chinese folk traditions into the musical tapestry. In this book, ethnomusicologist Adam Kielman takes a deep dive into Guangzhou's music scene through two bands, Wanju Chuanzhang (Toy Captain) and Mabang (Caravan), that express ties to their rural homelands and small-town roots while forging new cosmopolitan musical connections.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
    DOI: 10.7208/chicago/9780226817798.001.0001
    URL: https://doi.org/10.7208/chicago/9780226817798.001.0001
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    Online Resource
    HeBIS
  • 8
    Online Resource
    Online Resource
    The Oxford handbook of music performance : Volume 1 (2022)
    New York : Oxford University Press
    Details
    ISBN: 9780190056315
    Language: English
    Pages: 1 Online-Ressource (714 Seiten)
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music performance ; 1: The Oxford Handbook of Music Performance, Volume 1
    DDC: 780.78
    RVK:
    LR 56000
    Keywords: Music Performance ; Music Instruction and study ; Psychological aspects ; Musicians Health and hygiene ; Practicing (Music) ; Performance ; Musik ; Aufführung
    Abstract: The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interest or expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it important for the results of their research to be practically useful for musicians and music educators.
    Note: Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 10, 2022)
    DOI: 10.1093/oxfordhb/9780190056285.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    MPI Ethno. Forsch.
  • 9
    Online Resource
    Online Resource
    The Oxford handbook of music performance : Volume 2 (2022)
    New York : Oxford University Press
    Details
    ISBN: 9780190058890
    Language: English
    Pages: 1 Online-Ressource (xxiii, 623 Seiten)
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music performance ; 2: The Oxford Handbook of Music Performance, Volume 2
    DDC: 780.78
    RVK:
    LR 56000
    Keywords: Music Performance ; Music Instruction and study ; Psychological aspects ; Musicians Health and hygiene ; Practicing (Music) ; Performance ; Musik ; Aufführung
    Abstract: The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interest or expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it important for the results of their research to be practically useful for musicians and music educators.
    Note: Also issued in print: 2022. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on March 14, 2022)
    DOI: 10.1093/oxfordhb/9780190058869.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    MPI Ethno. Forsch.
  • 10
    Online Resource
    Online Resource
    Singing the News of Death : Execution Ballads in Europe 1500-1900 (2022)
    Oxford : Oxford University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780197551875
    Language: English
    Pages: 1 Online-Ressource (xx, 533 Seiten) , Illustrationen
    Series Statement: New Cultural History of Music
    DDC: 306.4842094
    RVK:
    LS 21720
    Keywords: Musik ; Ballade ; Todesstrafe ; Hinrichtung ; Nachricht ; Music-Social aspects ; Death songs ; Europa ; Electronic books
    Abstract: Author Una McIlvenna brings the execution ballad to life in Singing the News of Death, uncovering the relationship between punishment and music throughout Europe from 1500-1900 with an unprecedented breadth of study and ambition.
    Note: Description based on publisher supplied metadata and other sources , Literaturverzeichnis Seite 459-504
    DOI: 10.1093/oso/9780197551851.001.0001
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    Online Resource
    HeBIS
  • 11
    Online Resource
    Online Resource
    From servant to savant : musical privilege, property, and the French Revolution (2022)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780197511541
    Language: English
    Pages: 1 Online-Ressource (xvii, 313 pages) , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 306.48420944
    RVK:
    LQ 82204
    RVK:
    NW 2335
    Keywords: Geschichte 1700-1800 ; Musik ; Musiker ; Soziale Situation ; Wirtschaftliche Lage ; Music Social aspects 18th century ; History ; Musicians Social conditions 18th century ; Musicians Economic conditions 18th century ; Frankreich ; France History First Republic, 1792-1804 ; Hochschulschrift
    Abstract: 'From Servant to Savant' exposes the fundamental role that the French Revolution played in the emergence of modern professional musicianship. Geoffroy-Schwinden demonstrates how the French Revolution set the stage for the emergence of so-called musical 'Romanticism' among the likes of Beethoven and the legacies that continue to haunt musical institutions and industries.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780197511510.001.0001
    URL: http://dx.doi.org/10.1093/oso/9780197511510.001.0001
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    HeBIS
  • 12
    Online Resource
    Online Resource
    City of song : music and the making of modern Jerusalem (2022)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780197546451
    Language: English
    Pages: 1 Online-Ressource (xiv, 246 pages) , Illustrations (black and white, and colour).
    Series Statement: Oxford scholarship online
    DDC: 780.899240569442
    RVK:
    LS 33100
    RVK:
    RR 19633
    Keywords: Geschichte 1880-1977 ; Musik ; Jerusalem ; Jews Music ; History and criticism ; Music Political aspects ; Israel ; Jerusalem Songs and music ; History and criticism
    Abstract: In 'City of Song', author Michael A. Figueroa presents an extensive history of Zionist musical discourses around Jerusalem in the long 20th century (1880-2010s), reorienting our understanding of the city's place in the Israeli-Palestine crisis.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780197546475.001.0001
    URL: http://dx.doi.org/10.1093/oso/9780197546475.001.0001
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    HeBIS
  • 13
    Online Resource
    Online Resource
    American popular song : the great innovators, 1900-1950 (2022)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190053024
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 782.421640973
    RVK:
    LS 22525
    RVK:
    LS 48000
    RVK:
    LS 48050
    RVK:
    LS 50525
    Keywords: Lied ; Volkstümliche Musik ; Songwriter ; Popular music History and criticism ; USA
    Abstract: Composer Alec Wilder's 'American Popular Song' is widely recognized as the definitive book on American popular song. In this volume, which achieved immediate praise and recognition upon its publication, Wilder discusses some 800 songs from the American Songbook, offering a composer's insight, accessible music analysis, as well has his strong personal biases. Nearly 50 years later, this classic study has received a much-needed revision. While leaving Wilder's colorful prose and brazen opinions intact, language, style, and musical nomenclature have been updated to reflect current usage. The musical examples mostly remain, but piano score notation has been replaced with lead-sheet notation: melody, chords, and lyrics. Rhythmic notation has also been adjusted to follow present-day norms. Additionally, a final chapter has been added, which includes more than 50 songs that were not in the original.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190939946.001.0001
    URL: http://dx.doi.org/10.1093/oso/9780190939946.001.0001
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    HeBIS
  • 14
    Online Resource
    Online Resource
    Jazz à la Creole : French Creole music and the birth of jazz (2022)
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    Details
    ISBN: 9781496842435
    Language: English
    Pages: 1 Online-Ressource (x, 236 pages) , Illustrations (black and white), music.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 781.62410763
    RVK:
    LS 48100
    Keywords: Franzosen ; Kreolen ; Jazz ; Creoles Music ; History and criticism ; Jazz History and criticism ; Music ; Music ; Louisiana
    Abstract: This work describes the music played by the Afro-Creole community since the arrival of enslaved Africans in La Louisiane, then a French colony, at the beginning of the eighteenth century, emphasizing the many cultural exchanges that led to the development of jazz.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
    DOI: 10.14325/mississippi/9781496842404.001.0001
    URL: https://dx.doi.org/10.14325/mississippi/9781496842404.001.0001
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    HeBIS
  • 15
    Online Resource
    Online Resource
    Django generations : hearing ethnorace, citizenship, and jazz manouche in France (2022)
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    Details
    ISBN: 9780226810959
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago studies in ethnomusicology
    Series Statement: Chicago scholarship online
    RVK:
    LS 48900
    Keywords: Reinhardt, Django Influence ; Gypsy-Jazz ; Musikethnologie ; Jazz Social aspects ; Romanies Music ; Social aspects ; Romanies Music ; Political aspects ; Romanies Ethnic identity ; Music and race ; Musicians, Romani ; Jazz musicians ; Frankreich
    Abstract: 'Django Generations' shows how relationships between racial identities, jazz, and national belonging become entangled in France.
    Note: Previously issued in print: 2021 , Includes bibliographical references and index
    DOI: 10.7208/chicago/9780226810959.001.0001/upso-9780226810812
    URL: https://dx.doi.org/10.7208/chicago/9780226810959.001.0001/upso-9780226810812
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  • 16
    Online Resource
    Online Resource
    The drum is a wild woman : jazz and gender in African diaspora literature (2022)
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    Details
    ISBN: 9781496836076
    Language: English
    Pages: 1 Online-Ressource (viii, 153 pages).
    Series Statement: Mississippi scholarship online
    DDC: 820.99287096
    RVK:
    LS 48050
    RVK:
    LR 56617
    RVK:
    LR 56618
    Keywords: Schwarze Frau ; Jazz ; Literatur ; English literature Black authors ; History and criticism ; English literature Women authors ; History and criticism ; Jazz in literature ; Women, Black, in literature ; Music and literature
    Abstract: In 1957, Duke Ellington released the influential album A Drum Is a Woman. This musical allegory revealed the implicit truth about the role of women in jazz discourse - jilted by the musician and replaced by the drum. Further, the album's cover displays an image of a woman sitting atop a drum, depicting the way in which the drum literally obscures the female body, turning the subject into an object. This objectification of women leads to a critical reading of the role of women in jazz music: If the drum can take the place of a woman, then a woman can also take the place of a drum. This book challenges that image but also defines a counter-tradition within women's writing that involves the reinvention and reclamation of a modern jazz discourse.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
    DOI: 10.14325/mississippi/9781496836038.001.0001
    URL: https://doi.org/10.14325/mississippi/9781496836038.001.0001
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    HeBIS
  • 17
    Online Resource
    Online Resource
    Sing and sing on : sentinel musicians and the making of the Ethiopian American diaspora (2022)
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    Details
    ISBN: 9780226810331
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago studies in ethnomusicology
    Series Statement: Chicago scholarship online
    DDC: 780.89928073
    RVK:
    LS 48015
    Keywords: Äthiopischer Einwanderer ; Musik ; Ethiopian Americans Music ; Ethiopians Music ; Musicians ; Musicians ; Music Social aspects ; Music Social aspects ; Music Political aspects ; Music Political aspects ; USA
    Abstract: A sweeping history of Ethiopian musicians during and following the 1974 Ethiopian revolution, 'Sing and Sing On' is the first study of the forced migration of musicians out of the Horn of Africa dating from the 1974 Ethiopian revolution, a political event that overthrew one of the world's oldest monarchies and installed a brutal military regime.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
    DOI: 10.7208/chicago/9780226810331.001.0001/upso-9780226810164
    URL: https://dx.doi.org/10.7208/chicago/9780226810331.001.0001/upso-9780226810164
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  • 18
    Online Resource
    Online Resource
    Deutscher Gangsta-Rap III : soziale Konflikte und kulturelle Repräsentationen (2022)
    Bielefeld : transcript
    Details
    ISBN: 9783839460559
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Cultural studies Band 56
    Series Statement: Cultural studies
    Parallel Title: Erscheint auch als
    DDC: 782.421649
    RVK:
    LC 87015
    RVK:
    LS 48650
    RVK:
    MS 2350
    Keywords: Gangsta-Rap ; Repräsentation ; Sozialer Konflikt ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Criticism, interpretation, etc. ; Aufsatzsammlung ; Deutschland ; Gangsta-Rap ; Sozialer Konflikt ; Repräsentation
    DOI: 10.14361/9783839460559
    DOI: 10.1515/9783839460559
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: https://doi.org/10.1515/9783839460559?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9783839460559
    URL: Cover
    URL: JSTOR
    URL: EBSCOhost
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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    Online Resource
    München UB
    Würzburg UB
    Regensburg UB
    KOBV
    BVB
    Bayreuth UB
  • 19
    Online Resource
    Online Resource
    Culture from the slums : punk rock in East and West Germany (2022)
    Oxford : Oxford University Press
    Details
    ISBN: 9780191897801
    Language: English
    Pages: 1 Online-Ressource (xv, 364 Seiten) , Illustrationen
    Edition: First edition
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.66094309047
    RVK:
    LB 42015
    RVK:
    LC 87015
    RVK:
    LS 48645
    Keywords: Geschichte 1970-1990 ; Punk rock music / Social aspects / Germany (West) ; Punk rock music / Social aspects / Germany (East) ; Punk culture / Germany (East) / History ; Punk culture / Germany (West) / History ; Punk ; Punk Rock ; Deutschland ; Deutschland ; Deutschland ; Deutschland ; Punk Rock ; Punk ; Geschichte 1970-1990
    Abstract: 'Culture from the Slums' explores the history of punk rock in East and West Germany during the 1970s and 1980s, examining how youths mobilized music to build alternative communities and identities during the Cold War, and detailing how punk became the site of historical change on both sides of the Iron Curtain
    Note: This edition also issued in print: 2022. - Includes bibliographical references, discography and index
    DOI: 10.1093/oso/9780198866183.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    München BSB
    BVB
  • 20
    Online Resource
    Online Resource
    Jazz standards : a guide to the repertoire (2021)
    Oxford : Oxford University Press
    Details
    ISBN: 9780190087180 , 0190087188 , 9780190087197 , 0190087196
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 016.78165
    RVK:
    LS 48200
    Keywords: Jazz Bibliography ; Jazz Discography ; Jazz Analysis, appreciation ; African Americans Music Influence ; Führer ; Wörterbuch ; Jazz
    URL: Volltext
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  • 21
    Online Resource
    Online Resource
    The search for medieval music in Africa and Germany, 1891-1961 : scholars, singers, missionaries (2021)
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    Details
    ISBN: 9780226740485
    Language: English
    Pages: 1 Online-Ressource (360 pages) , Illustrations (black and white).
    Series Statement: New material histories of music
    Series Statement: Chicago scholarship online
    DDC: 780.721
    RVK:
    LP 19506
    RVK:
    LQ 80007
    RVK:
    LS 19000
    Keywords: Humboldt, Wilhelm von ; Geschichte 1891-1961 ; Kolonialismus ; Kulturvergleich ; Vergleichende Musikwissenschaft ; Mediävistik ; Mission ; Musik ; Rezeption ; Vergleichende Sprachwissenschaft ; Musicology History 20th century ; Mission music History and criticism ; Missions History 20th century ; Ethnomusicology History ; Musicologists ; Music History and criticism 15th century ; Medievalism ; Music Social aspects ; Music and youth History 20th century ; Afrika ; Deutschland ; Deutsches Sprachgebiet
    Abstract: This innovative book reassesses the history of musicology, unearthing the field's twentieth-century German and global roots. In the process, Anna Maria Busse Berger exposes previously unseen historical relationships such as those between the modern rediscovery of medieval music, the rise of communal singing, and the ways in which African music intersected with missionary work in the German colonial period. Ultimately, Busse Berger offers a monumental new account of the early twentieth-century music culture in Germany and East Africa.
    Note: Previously issued in print: 2020 , Includes bibliographical references and index
    DOI: 10.7208/chicago/9780226740485.001.0001/upso-9780226740348
    URL: https://dx.doi.org/10.7208/chicago/9780226740485.001.0001/upso-9780226740348
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  • 22
    Online Resource
    Online Resource
    Transforming ethnomusicology Volume I : methodologies, institutional structures, & policies (2021)
    New York : Oxford University Press
    Details
    ISBN: 9780197517642
    Language: English
    Pages: 1 Online-Ressource (272 Seiten)
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als Transforming ethnomusicology
    DDC: 780.89
    RVK:
    LB 30000
    RVK:
    LC 87000
    RVK:
    LS 16000
    Keywords: Ethnomusicology ; Ethnomusicology Methodology ; Electronic books ; Westliche Welt ; Entwicklungsländer ; Musikethnologie
    Abstract: This two-volume collection transforms our understanding of the discipline of ethnomusicology by exploring how ethnomusicologists can contribute to positive social and environmental change within institutional frameworks. The first volume focuses on ethical practice and collaboration and offers strategies for promoting institutional and methodological change.
    Note: Description based on publisher supplied metadata and other sources
    DOI: 10.1093/oso/9780197517604.001.0001
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
    URL: Volltext  (lizenzpflichtig)
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  • 23
    Online Resource
    Online Resource
    Sampling politics : music and the geocultural (2021)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190855512
    Language: English
    Pages: 1 Online-Ressource (360 pages) , Illustrations (black and white, and colour).
    Series Statement: Oxford scholarship online
    DDC: 306.4842
    RVK:
    LC 87000
    RVK:
    LR 57720
    Keywords: Music Social aspects ; Music Political aspects ; Sampling (Sound)
    Abstract: Sampling has become a predominantly digitalized practice. It was popularized with the rise of Rap and Hip-Hop, as well as ambient music scenes, but it has a history stretching back to the earliest days of sound recording and experimental music making around the world. Digital networks allow artists to sample music across national borders and cultural traditions with relative ease, prompting questions around not only fair use, copyright, and freedom of expression, but also cultural appropriation and 'copywrongs.' Based on archival research and musical analysis, alongside conversations with artists and their own public reflections, this book provides ways to listen more closely and hear (again) music making.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190855475.001.0001
    URL: http://dx.doi.org/10.1093/oso/9780190855475.001.0001
    URL: lizenzpflichtig
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 24
    Online Resource
    Online Resource
    Musik ausstellen : Vermittlung und Rezeption musikalischer Themen im Museum (2021)
    Bielefeld : transcript | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9783839455357
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Edition Museum Band 53
    DDC: 780.74
    RVK:
    LB 34000
    RVK:
    LR 57070
    Keywords: Musik ; Museum ; Kulturvermittlung ; Narrativität ; Spezialmuseum ; Ausstellung ; Musikausstellung; Museum; Musik; Europa; Kunstvermittlung; Emotion; Erinnerung; Rezeption; Narration; Kulturmanagement; Museumsmanagement; Praktische Museumskunde; Erinnerungskultur; Museumspädagogik; Music Display; Music; Europe; Art Education; Memory; Perception; Cultural Management; Museum Management; Practical Museography; Memory Culture; Museum Education; ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Musikausstellungen vermitteln historisches und musikalisches Wissen und können darüber hinaus Orte der Erinnerung, Kontemplation und spielerischen Unterhaltung sein. Entsprechend vielfältig sind inhaltliche Ausrichtungen, museale Vermittlungskonzepte sowie Ansprüche und Erwartungen von Seiten des Publikums. Die Autor*innen des Bandes präsentieren Erkenntnisse aus einem mehrjährigen empirischen Studienprojekt, bei dem Museen verschiedener europäischer Länder erstmalig systematisch-vergleichend als musikkulturelle Institutionen untersucht wurden.
    DOI: 10.1515/9783839455357
    URL: https://www.degruyter.com/document/doi/10.1515/9783839455357/html?locatt=mode:legacy
    URL: https://doi.org/10.1515/9783839455357
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839455357
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover
    URL: lizenzpflichtig
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  • 25
    Online Resource
    Online Resource
    Fremdbestimmte Freude : der Einfluss werbetreibender Marken auf die populäre Musikkultur im frühen 21. Jahrhundert (2021)
    Bielefeld : transcript
    Details
    ISBN: 9783839454619
    Language: German
    Pages: 1 Online-Ressource (372 Seiten) , Diagramme, Noten
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Humboldt-Universität zu Berlin 2019
    RVK:
    LC 87000
    RVK:
    LR 57768
    RVK:
    LR 57440
    RVK:
    LS 48015
    RVK:
    LS 48010
    RVK:
    QP 632
    RVK:
    LR 57760
    Keywords: Akustische Markenführung ; Unterhaltungsmusik ; Werbewirtschaft ; Marken ; Musikwirtschaft ; Werbeindustrie ; Audio Branding ; Musik ; Homogenisierung ; Werbung ; Wirtschaft ; Pharrell Williams ; Popkultur ; Popmusik ; Musikwissenschaft ; Kulturwirtschaft ; Klang ; Popular Music Culture ; Branding ; Music Industry ; Music ; Homogenization ; Advertising ; Economy ; Popular Culture ; Pop Music ; Musicology ; Cultural Industry ; Sound ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Unterhaltungsmusik ; Akustische Markenführung ; Werbewirtschaft
    DOI: 10.14361/9783839454619
    DOI: 10.1515/9783839454619
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1515/9783839454619?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9783839454619
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover
    URL: lizenzpflichtig
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    HU Berlin
    München BSB
    Regensburg UB
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
  • 26
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    The history of jazz (2021)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190087227
    Language: English
    Pages: 1 Online-Ressource (608 pages) , Illustrations (black and white).
    Edition: Third edition.
    Series Statement: Oxford scholarship online
    DDC: 781.6509
    RVK:
    LS 48100
    Keywords: Geschichte ; Jazz ; Jazz History and criticism ; Jazz musicians
    Abstract: In this new edition of his classic 'History of Jazz', author Ted Gioia brings the story to the present day with expanded treatment of women's contributions to the genre, jazz in the digital age, the increasing dialogue between jazz and popular music, and the music's new rise across the globe.
    Note: This edition also issued in print: 2021 , Includes bibliographical references, discography and index
    DOI: 10.1093/oso/9780190087210.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190087210.001.0001
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  • 27
    Online Resource
    Online Resource
    Sound relations : native ways of doing music history in Alaska (2021)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190869175
    Language: English
    Pages: 1 Online-Ressource (336 pages) , Illustrations (black and white, and colour).
    Series Statement: American musicspheres
    Series Statement: Oxford scholarship online
    DDC: 780.8997120798
    RVK:
    LS 49780
    Keywords: Indigenes Volk ; Musik ; Inuit Music ; History and criticism ; Music History and criticism ; Music Historiography ; Inuit Social life and customs ; Alaska
    Abstract: 'Sound Relations' delves into histories of Inuit musical life in Alaska to trace the ways in which sound is integral to self-determination and sovereignty. Offering radical and relational ways of listening to Inuit performances across genres - from hip hop to Christian hymnody and traditional drumsongs to funk and R&B - author Jessica Bissett Perea shows how Indigenous ways of musicking amplify possibilities for more just and equitable futures.
    Note: Also issued in print: 2021 , Includes bibliographical references, discography and index
    DOI: 10.1093/oso/9780190869137.001.0001
    URL: http://dx.doi.org/10.1093/oso/9780190869137.001.0001
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  • 28
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    Online Resource
    Sweet thing : the history and musical structure of a shared American vernacular form (2021)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190882006
    Language: English
    Pages: 1 Online-Ressource (276 pages) , Illustrations (black and white, and colour).
    Series Statement: Oxford studies in music theory
    Series Statement: Oxford scholarship online
    DDC: 782.4216213
    RVK:
    LS 48400
    RVK:
    LS 48050
    Keywords: Volkslied ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Popular music History and criticism ; Großbritannien ; USA
    Abstract: 'Sweet Thing' offers readers a comprehensive new perspective on a musical scheme shared by broadside ballads and experimental rock songs alike.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190881979.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190881979.001.0001
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  • 29
    Online Resource
    Online Resource
    Transcending dystopia : music, mobility, and the Jewish community in Germany, 1945-1989 (2021)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780197533000
    Language: English
    Pages: 1 Online-Ressource (644 pages) , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    RVK:
    LS 33100
    RVK:
    LS 33260
    Keywords: Geschichte 1945-1989 ; Juden ; Musiker ; Musikleben ; Jews Music ; History and criticism ; Music History and criticism 20th century ; Deutschland
    Abstract: By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. 'Transcending Dystopia' tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Tina Fruhauf provides a kaleidoscopic panorama of musical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780197532973.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780197532973.001.0001
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  • 30
    Online Resource
    Online Resource
    Politics as sound : the Washington, DC, hardcore scene, 1978-1983 (2021)
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    Details
    ISBN: 9780252053122
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: Music in American life
    Series Statement: Illinois scholarship online
    DDC: 781.6609753
    RVK:
    LS 48635
    RVK:
    LQ 89308
    Keywords: Geschichte 1978-1983 ; Hardcore ; Punk ; Hardcore (Music) History and criticism ; Punk culture History ; Washington, DC
    Abstract: Uncompromising and innovative, hardcore punk in Washington, DC, birthed a new sound and nurtured a vibrant subculture aimed at a specific segment of the city's youth. Shayna L. Maskell explores DC's hardcore scene during its short but storied peak. Led by bands like Bad Brains and Minor Threat, hardcore in the nation's capital unleashed music as angry and loud as it was fast and minimalistic. Maskell examines the music's aesthetics and the unique impact of DC's sociopolitical realities on the sound and the scene that emerged. As she shows, aspects of the music's structure merged with how bands performed it to put across distinctive representations of race, class, and gender. But those representations could be as complicated and contradictory as they were explicit. A fascinating analysis of a punk rock hotbed, 'Politics' as Sound tells the story of how a generation created music that produced politics and power.
    Note: Also issued in print: 2021 , Includes bibliographical references, discography and index
    DOI: 10.5622/illinois/9780252044182.001.0001
    URL: https://dx.doi.org/10.5622/illinois/9780252044182.001.0001
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  • 31
    Online Resource
    Online Resource
    Sun Ra's Chicago : Afrofuturism and the city (2021)
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    Details
    ISBN: 9780226732244
    Language: English
    Pages: 1 Online-Ressource (328 pages) , Illustrations (black and white).
    Series Statement: Historical studies of urban America
    Series Statement: Chicago scholarship online
    RVK:
    LS 48040
    Keywords: Sun Ra ; Sun Ra ; Geschichte 1946-1961 ; Afrofuturismus ; African American musicians Biography ; Afrofuturism ; Jazz History and criticism ; Chicago, Ill. ; South Side (Chicago, Ill History 20th century ; Biografie
    Abstract: The emergence of Sun Ra and his Arkestra in 1950s Chicago is seen today as a foundational moment for Afrofuturist modes of cultural expression. Sun Ra's Chicago investigates how the bandleader's musical cosmology first developed and, in particular, why it came to flourish in Chicago. Focusing on his early years in Birmingham, Alabama and his time in post-World War II Chicago, the book argues that the relationship between Sun Ra and his cities offers new insight into his music and philosophy as well as the role of everyday black urban experience in the development of Afrofuturism as a cultural ideal. The book employs a historical and spatial lens to situate Ra's evolving sensibility within the material and imagined spaces of his cities.
    Note: Previously issued in print: 2020 , Includes bibliographical references and index
    DOI: 10.7208/chicago/9780226732244.001.0001/upso-9780226732077
    URL: https://dx.doi.org/10.7208/chicago/9780226732244.001.0001/upso-9780226732077
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  • 32
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    Online Resource
    Harnessing harmony : music, power, and politics in the united states, 1788-1865 (2021)
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    Details
    ISBN: 9781469658896
    Language: English
    Pages: 1 Online-Ressource (268 pages) , Illustrations (black and white).
    Series Statement: North Carolina scholarship online
    DDC: 306.48420973
    RVK:
    LQ 89305
    Keywords: Geschichte 1788-1865 ; Musikleben ; Politische Kultur ; Alltagskultur ; Musikpolitik ; Nationalbewusstsein ; Konservativismus ; Music Political aspects 19th century ; History ; Music Political aspects 18th century ; History ; Political culture History ; Elite (Social sciences) History ; Conservatism History ; USA
    Abstract: Following the creation of the United States, profound disagreements remained over how to secure the survival of the republic and unite its population. In this groundbreaking account, Billy Coleman uses the history of American music to illuminate the relationship between elite power and the people from the early national period to the Civil War.
    Note: Previously issued in print: 2020 , Includes bibliographical references and index
    DOI: 10.5149/northcarolina/9781469658872.001.0001
    URL: https://dx.doi.org/10.5149/northcarolina/9781469658872.001.0001
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  • 33
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    Online Resource
    Americanaland : where country & western met rock 'n' roll (2021)
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    Details
    ISBN: 9780252052811
    Language: English
    Pages: 1 Online-Ressource , Illustrations (colour).
    Series Statement: Music in American life
    Series Statement: Illinois scholarship online
    DDC: 781.640973
    RVK:
    LS 48050
    Keywords: Musik ; Countrymusic ; Rock 'n' Roll ; Soul ; Blues ; Americana (Music) History and criticism ; USA
    Abstract: A musical genre forever outside the lines With a claim on artists from Jimmie Rodgers to Jason Isbell, Americana can be hard to define, but you know it when you hear it. John Milward's 'Americanaland' is filled with the enduring performers and vivid stories that are at the heart of Americana.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    DOI: 10.5622/illinois/9780252043918.001.0001
    URL: https://dx.doi.org/10.5622/illinois/9780252043918.001.0001
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  • 34
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    Crossing bar lines : the politics and practices of black musical space (2021)
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    Details
    ISBN: 9781496832092
    Language: English
    Pages: 1 Online-Ressource (x, 192 pages) , Illustrations (black and white).
    Series Statement: Mississippi scholarship online
    DDC: 781.6508996073
    RVK:
    LS 48015
    RVK:
    LS 48100
    Keywords: Higgins, Billy Criticism and interpretation ; Blanchard, Terence Criticism and interpretation ; Carrington, Terri Lyne Criticism and interpretation ; Akinmusire, Ambrose Criticism and interpretation ; Hill, Andrew Criticism and interpretation ; Sänger ; Schwarze ; Jazz ; Improvisation ; Ethnische Identität ; African American jazz musicians ; Jazz Political aspects ; USA
    Abstract: This text provides an interpretive framework for understanding how African American creative improvisers think of musical space. Featuring a foreword by eminent scholar Robin D.G. Kelley, this is a critical improvisation studies book that uses Black geographies theory to examine the spatial values of musical expression in the improvisational and compositional practices of trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    DOI: 10.14325/mississippi/9781496832108.001.0001
    URL: https://dx.doi.org/10.14325/mississippi/9781496832108.001.0001
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  • 35
    Online Resource
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    Damaged : musicality and race in early American punk (2021)
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    Details
    ISBN: 9781496831262
    Language: English
    Pages: 1 Online-Ressource (352 pages) , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    RVK:
    LS 48645
    Keywords: Geschichte 1968-1981 ; Musikleben ; Punk Rock ; Ethnische Identität ; Punk rock music History and criticism ; Music and race History 20th century ; USA ; United States Race relations 20th century ; History
    Abstract: This text offers a portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. The author provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era.
    Note: Previously issued in print: 2020 , Includes bibliographical references, discography, filmography and index
    DOI: 10.14325/mississippi/9781496831217.001.0001
    URL: https://dx.doi.org/10.14325/mississippi/9781496831217.001.0001
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  • 36
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    New York and the international sound of Latin music, 1940-1990 (2021)
    Jackson : Unversity Press of Mississippi | Oxford : Oxford University Press
    Details
    ISBN: 9781496831279
    Language: English
    Pages: 1 Online-Ressource (392 pages) , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 781.64097471
    RVK:
    LS 48900
    Keywords: Geschichte 1940-1990 ; Musikleben ; Latin Music ; Popular music History and criticism ; Popular music Latin American influences ; New York, NY
    Abstract: New York City has long been a generative nexus for the transnational Latin music scene. Currently, there is no other place in the Americas where such large numbers of people from throughout the Caribbean come together to make music. This book seeks to recognize all of those musicians under one mighty musical sound, especially those who have historically gone unnoticed. Based on archival research, oral histories, interviews, and musicological analysis, the book examines how interethnic collaboration among musicians, composers, dancers, instrument builders, and music teachers in New York City set a standard for the study, creation, performance, and innovation of Latin music.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    DOI: 10.14325/mississippi/9781496831286.001.0001
    URL: https://dx.doi.org/10.14325/mississippi/9781496831286.001.0001
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  • 37
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    Tear down the walls : white radicalism and black power in 1960s rock (2021)
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    Details
    ISBN: 9780226768359
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago scholarship online
    RVK:
    LS 48635
    Keywords: Geschichte 1968-1969 ; Rockmusik ; Black power ; Weiße ; Aktivismus ; Rock music Social aspects 20th century ; History ; Rock music History and criticism 1961-1970 ; Black power History 20th century ; Music and race History 20th century ; USA ; Großbritannien
    Abstract: 'Tear Down the Walls' sheds light on a significant but overlooked facet of 1960s rock and the Black Power era-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. It focuses on 1968 and 1969, years when the New Left in the US and UK began to combine cultural radicalism and political radicalism.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    DOI: 10.7208/chicago/9780226768359.001.0001/upso-9780226768182
    URL: https://dx.doi.org/10.7208/chicago/9780226768359.001.0001/upso-9780226768182
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  • 38
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    The Oxford handbook of western music and philosophy (2021)
    New York : Oxford University Press
    Details
    ISBN: 9780199367337
    Language: English
    Pages: 1 Online-Ressource (xv, 1134 Seiten) , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of Western music and philosophy
    DDC: 780.01
    RVK:
    LR 56800
    RVK:
    CC 6800
    Keywords: Music and philosophy ; Music and philosophy ; Musikwissenschaft ; Philosophie ; Musik ; Geschichte ; Philosophie ; Musikphilosophie
    Abstract: The Oxford Handbook of Western Music and Philosophy celebrates the ways in which musicians have historically called upon philosophy as a source of inspiration and encouragement, and scholars of music through the ages have turned to philosophy for insight into music and into the worlds that sustain it.
    Note: Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on December 9, 2020)
    DOI: 10.1093/oxfordhb/9780199367313.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    MPI Ethno. Forsch.
  • 39
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    Fandom and the Beatles : the act you've known for all these years (2021)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190917890
    Language: English
    Pages: 1 Online-Ressource (296 pages) , Illustrations (colour).
    Series Statement: Oxford scholarship online
    DDC: 782.421660922
    RVK:
    LS 48040
    Keywords: Beatles ; Beatles Influence ; The Beatles ; Geschichte 1960-2020 ; Fan ; Popular music History and criticism 1961-1970 ; Popular music Social aspects 20th century ; History ; Music fans ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: This title offers an insightful look into the band's enduring appeal through fan responses, exploring how the Beatles have inspired such loyalty and multigenerational popularity.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190917852.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190917852.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    München BSB
    HeBIS
    BVB
  • 40
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    Online Resource
    Pop-Musik sammeln : zehn ethnografische Tracks zwischen Plattenladen und Streamingportal (2021)
    Bielefeld : transcript
    Details
    ISBN: 9783839455272 , 9783732855278
    Language: German
    Pages: 1 Online-Ressource (234 Seiten)
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Zürich 2018
    RVK:
    LC 87000
    RVK:
    LS 48015
    Keywords: Streaming ; Musiktonträger ; Ethnologie ; Sammeln ; Popmusik ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Popmusik ; Musiktonträger ; Streaming ; Sammeln ; Popmusik ; Streaming ; Ethnologie ; Sammeln
    Note: Erscheint als Open Access bei De Gruyter
    DOI: 10.14361/9783839455272
    DOI: 10.1515/9783839455272
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
    URL: Open Access
    URL: kostenfrei
    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: kostenfrei
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Inhaltsverzeichnis
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    HU Berlin
    München BSB
    München UB
    Würzburg UB
    Regensburg UB
    KOBV
    BVB
    Bayreuth UB
  • 41
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    Online Resource
    Curating contemporary music festivals : a new perspective on music's mediation (2020)
    Bielefeld : transcript
    Details
    Language: English
    Pages: 1 Online-Ressource (323 Seiten) , Illustrationen, Diagramme
    Series Statement: Music and sound culture Volume 47
    Parallel Title: Erscheint auch als Farnsworth, Brandon, 1991 - Curating contemporary music festivals
    Dissertation note: Dissertation Hochschule für Musik Carl Maria von Weber Dresden
    DDC: 780.78
    RVK:
    LR 57220
    Keywords: Deutschland Kulturpolitik ; Internationale kulturelle Zusammenarbeit ; Kulturprojekt ; Kulturelle Veranstaltung ; Festspiele ; Musik ; Theater ; Ziele und Programme von Institutionen/Organisationen ; Innere Organisation von Institutionen/Organisationen ; Konzeption ; Wandel ; Theoriebildung ; Fallstudie ; München ; Berlin ; Reformvorschlag ; Germany Cultural policy ; International cultural cooperation ; Cultural projects ; Cultural events ; Pageants ; Music ; Theatre ; Aims and programmes of institutions/organizations ; Internal organization of institutions/organizations ; Concepts ; Change ; Theory formation ; Case studies ; Reform proposals ; Künstler Komponist ; Zusammenarbeit ; Visualisierung ; Bildende Kunst ; Darstellende Kunst ; Tanz ; Management (funktional) ; Arbeitsbeziehungen ; Kreativität ; Internationaler Vergleich/Ländervergleich ; Vereinigtes Königreich ; London ; Documenta 11 (Kassel, 2002-06-08/2002-09-15) ; Kassel ; Artists Composer ; Cooperation ; visualisation ; Visual arts ; Performing arts ; Dance ; Management (functional) ; Industrial relations ; Creativity ; International/country comparison ; United Kingdom ; Hochschulschrift ; Musikfestspiel ; Kulturmanagement ; Festival ; Musikleben
    Note: "This work is an adaptation of the dissertation "Curating festivals for contemporary music" submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at the Hochschule für Musik Carl Maria von Weber Dresden."
    URL: kostenfrei
    URL: Unbekannt
    URL: Inhaltsverzeichnis
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    Online Resource
    MPI Ethno. Forsch.
  • 42
    Online Resource
    Online Resource
    Curating contemporary music festivals : a new perspective on music's mediation (2020)
    Bielefeld : transcript
    Details
    ISBN: 9783839452431
    Language: English
    Pages: 1 Online-Ressource (326 Seiten)
    Series Statement: Music and Sound Culture Volume 47
    Series Statement: Musik und Klangkultur Volume 47
    Series Statement: Musik und Klangkultur
    Uniform Title: Curating festivals for contemporary music
    Parallel Title: Erscheint auch als Farnsworth, Brandon, 1991 - Curating contemporary music festivals
    Dissertation note: Dissertation Hochschule für Musik Carl Maria von Weber Dresden 2019
    RVK:
    LR 57220
    Keywords: Music festivals ; Cultural Management ; Musicology ; Music Management ; Neue Musik ; New Music ; Berliner Festspiele ; Münchner Biennale Für Neues Musiktheater ; Munich Biennale For New Music Theatre ; BUSINESS & ECONOMICS / Management ; Music ; Hochschulschrift ; Musikfestspiel ; Kulturmanagement
    Abstract: Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be
    Abstract: Frontmatter -- Contents -- Image and Figure Rights -- 1.1 Establishing the Field -- 1.2 The State of the Art -- 1.3 Scope and Overview -- 2.1 Introduction -- 2.2 The Anatomy of Festivals and Biennales -- 2.3 Curating Biennales -- 2.4 Curatorial Discourse -- 2.5 Conclusion -- 3.1 Introduction -- 3.2 Reading Shannon Jackson -- 3.3 Curating Dance / Dance Curating -- 3.4 Curating Theatre / Theatre Curating -- 3.5 Conclusion -- 4.1 Introduction -- 4.2 Hans Werner Henze -- 4.3 Music Theatre? -- 4.4 Peter Ruzicka -- 4.5 Daniel Ott and Manos Tsangaris (DOMTS) -- 4.6 The 2016 and 2018 Biennale Editions -- 4.7 Compositional and Curatorial Practices -- 4.8 The Munich Biennale in Numbers. -- 4.9 Conclusion -- 5.1 Introduction -- 5.2 A Brief Prehistory to the Maerzmusik Festival -- 5.3 Maerzmusik 2002-2014 -- 5.4 Berno Odo Polzer -- 5.5 2017 Opening Concert: Julius Eastman -- 5.6 Storytelling for Earthly Survival -- 5.7 Curating and the Maerzmusik Festival -- 5.8 Decolonizing Time -- 5.9 Conclusion/Coda/Konzertemacher -- 6. Conclusion/Curating Music -- Bibliography -- Appendix: List of Productions at the Munich Biennale for New Music Theatre from 1988-2018
    Note: This work is an adaptation of the dissertation “Curating Festivals for Contemporary Music”. - Titelrückseite , Erscheint als Open Access bei De Gruyter. This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 (BY-NC-ND)
    DOI: 10.14361/9783839452431
    URL: Open Access
    URL: kostenfrei
    URL: Cover
    URL: Inhaltsverzeichnis
    URL: Cover  (lizenzpflichtig)
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    BSZ
    GBV
    GRASSI Mus. Leipzig
  • 43
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    Online Resource
    Musical solidarities : political action and music in late twentieth-century Poland (2020)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190938314
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: The new cultural history of music
    Series Statement: Oxford scholarship online
    DDC: 306.48420943809048
    RVK:
    LQ 86507
    Keywords: NSZZ "Solidarność" ; Geschichte 1980-1990 ; Musik ; Politischer Protest ; Untergrund ; Music Political aspects 20th century ; History ; Polen ; Poland Politics and government 1980-1989
    Abstract: A vibrant study of music and protest that focuses on the Solidarity movement in 1980s Poland, 'Musical Solidarities' explores how and why sound mattered to the opposition to state socialism. Unfurling the rich soundscapes of political action at demonstrations, church services, meetings, and in detention, it offers a nuanced portrait of this pivotal decade of European and global history.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190938284.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190938284.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    BSZ
    GBV
    KOBV
    HeBIS
  • 44
    Online Resource
    Online Resource
    Play the way you feel : the essential guide to jazz stories on film (2020)
    New York : Oxford University Press
    Details
    ISBN: 9780190948306
    Language: English
    Pages: 1 online resource (304 pages) , illustrations (black and white).
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 791.436
    RVK:
    LS 48100
    Keywords: Jazz films History and criticism ; Jazz musicians in motion pictures ; Jazz ; Jazzmusiker ; Film
    Abstract: Jazz stories have been entwined with cinema since the inception of jazz film genre in the 1920s, giving us origin tales and biopics, spectacles and low-budget quickies, comedies, musicals, and dramas, and stories of improvisers and composers at work. And the jazz film has seen a resurgence in recent years-from biopics like Miles Ahead and HBO's Bessie, to dramas Whiplash and La La Land. In Play the Way You Feel, author and jazz critic Kevin Whitehead offers a comprehensive guide to these films and other media from the perspective of the music itself. Spanning 93 years of film history, the book looks closely at movies, cartoons, and a few TV shows that tell jazz stories, from early talkies to modern times, with an eye to narrative conventions and common story points.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on March 30, 2020)
    DOI: 10.1093/oso/9780190847579.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    BSZ
    GBV
    KOBV
  • 45
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    Online Resource
    Rap - Text - Analyse : deutschsprachiger Rap seit 2000 : 20 Einzeltextanalysen (2020)
    Bielefeld : transcript
    Details
    ISBN: 9783839446287
    Language: German
    Pages: 1 Online-Ressource (283 Seiten)
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    RVK:
    LS 48650
    Keywords: Aufsatzsammlung ; Deutsch ; Rap ; Text ; Geschichte 2000-2019
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    BSZ
    GBV
  • 46
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    Meter as rhythm (2020)
    New York : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780197506561
    Language: English
    Pages: 1 Online-Ressource (352 pages) , Illustrations.
    Edition: 20th anniversary edition.
    Series Statement: Oxford scholarship online
    DDC: 781.22
    RVK:
    LR 55250
    RVK:
    LS 23750
    Keywords: Musical meter and rhythm ; Music Philosophy and aesthetics ; Time in music
    Abstract: Rhythm is often regarded as one of the most problematic and least understood aspects of music. Restricted to those attributes that are susceptible to calibration and measurement, rhythm is usually identified with meter, durational pattern, or durational proportion. But how shall one account for those attributes of rhythm that point to the particularity and spontaneity of aesthetic experience as it is happening? Drawing on insights from the modern "process" philosophy of Henri Bergson, William James, and A. N. Whitehead, this book releases meter from its mechanistic connotations and recognizes it as a concrete, visceral agent of musical expression. It reinterprets oppositions of law and freedom, structure and process, determinacy and indeterminacy to form a theory that engages diverse repertories and aesthetic issues. Ultimately, this revised 20th anniversary edition of Christopher Hasty's Meter as Rhythm facilitates the work's current contexts of application.
    Note: Includes bibliographical references and index
    DOI: 10.1093/oso/9780190886912.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190886912.001.0001
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  • 47
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    Online Resource
    Straighten up and fly right : the life and music of Nat King Cole (2020)
    New York : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190882075
    Language: English
    Pages: 1 Online-Ressource (560 pages) , Illustrations.
    Series Statement: Oxford cultural biographies
    Series Statement: Oxford scholarship online
    DDC: 782.42164092
    RVK:
    LS 48040
    Keywords: Cole, Nat King ; Cole, Nat King ; Singers Biography ; Pianists Biography ; Jazz musicians Biography
    Abstract: This book offers an interpretation of the two fragmentary texts of the P. Vindobonensis G 40822, now widely referred to as the Muziris papyrus. Without these two texts, there would be no knowledge of the Indo-Roman trade practices. The book also compares and contrasts the texts of the Muziris papyrus with other documents pertinent to Indo-Mediterranean (or Indo-European) trade in ancient, medieval, and early modern times. These other documents reveal the commercial and political geography of ancient South India; the sailing schedule and the size of the ships plying the South India sea route; the commodities exchanged in the South Indian emporia; and the taxes imposed on the Indian commodities en route from the Red Sea to the Mediterranean.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190882044.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190882044.001.0001
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  • 48
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    Online Resource
    Creolized aurality : Guadeloupean gwoka and postcolonial politics (2020)
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    Details
    ISBN: 9780226631806
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago studies in ethnomusicology
    Series Statement: Chicago scholarship online
    RVK:
    LC 87640
    RVK:
    LS 48700
    Keywords: Geschichte 1635-2019 ; Antikolonialismus ; Postkolonialismus ; Volksmusik ; Gwoka ; Popular music History and criticism ; Popular music Political aspects ; Postcolonialism and music ; Guadeloupe
    Abstract: From colonialism to anticolonialism, from nationalism to postnationalism, this text explores how gwoka participates in five auralities, fields of sonic relations that make audible multiple - and often seemingly contradictory - cultural belongings and political longings. Drawing from Edouard Glissant's poetics of relation and re-interpreting creolization as a double play of resistance and accommodation, 'Creolized Aurality' moves away from narratives of anticolonial rupture and overcoming to elucidate (post)coloniality as an unstable relational matrix from which emerges a politics caught in the tension between a struggle for sovereignty and demands for full citizenship.
    Note: Previously issued in print: 2019 , Includes bibliographical references, discography and index
    DOI: 10.7208/chicago/9780226631806.001.0001
    URL: https://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226631806.001.0001/upso-9780226631639
    URL: https://doi.org/10.7208/chicago/9780226631806.001.0001
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  • 49
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    The music road : coherence and diversity in music from the Mediterranean to India (2020)
    Oxford : Published for The British Academy by Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780191889394
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white, and colour).
    Edition: First edition.
    Series Statement: Proceedings of the British Academy 233
    Series Statement: British Academy scholarship online
    DDC: 781
    RVK:
    AX 30000
    RVK:
    LQ 80000
    RVK:
    LS 33050
    Keywords: Geschichte ; Musik ; Kulturaustausch ; Ethnomusicology ; Ethnomusicology ; Ethnomusicology ; Music Cross-cultural studies ; Westliche Welt ; Seidenstraße ; Orient ; Aufsatzsammlung
    Abstract: 'The Music Road' contains contributions on musical cultures from the Mediterranean to India which brings together historical research, philology and ethnographic fieldwork to revive the differentiated voices of this world region. It is here referred to as 'the Music Road', to emphasise the musical traditions in this western half of the 'Silk Road', and the transitional nature of its cultural migrations and coherences.
    Note: This edition previously issued in print: 2019 , Includes bibliographical references and index
    DOI: 10.5871/bacad/9780197266564.001.0001
    URL: https://doi.org/10.5871/bacad/9780197266564.001.0001
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  • 50
    Online Resource
    Online Resource
    Eubie Blake : rags, rhythm, and race (2020)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190635961
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 782.14092
    RVK:
    LS 48040
    Keywords: Blake, Eubie ; Blake, Eubie ; African American composers Biography ; Composers Biography ; Jazz musicians Biography ; Biografie
    Abstract: Drawing from a rich trove of archival sources, 'Eubie Blake: Rags, Rhythm, and Race' tells the extraordinary story of a key 20th-century African American composer and traces the path his career blazed for other black artists.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190635930.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190635930.001.0001
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  • 51
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    Rebel music in the triumphant empire : punk rock in the 1990s United States (2020)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780197534922
    Language: English
    Pages: 1 Online-Ressource (288 pages) , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    RVK:
    LS 48645
    Keywords: Geschichte 1990-2000 ; Punk Rock ; Punk rock music History and criticism ; Rock music History and criticism 1991-2000 ; USA
    Abstract: At the dawn of the 1990s, as the United States celebrated its victory in the Cold War and sole superpower status by waging war on Iraq and proclaiming democratic capitalism as the best possible society, the 1990s underground punk renaissance transformed the punk scene into a site of radical opposition to American empire. Nazi skinheads were ejected from the punk scene; apathetic attitudes were challenged; women, Latino, and LGBTQ participants asserted their identities and perspectives within punk; the scene debated the virtues of maintaining DIY purity versus venturing into the musical mainstream; and punks participated in protest movements from animal rights to stopping the execution of Mumia Abu-Jamal to shutting down the 1999 World Trade Organization meeting. Punk lyrics offered strident critiques of American empire, from its exploitation of the Third World to its warped social relations.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780197534885.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780197534885.001.0001
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  • 52
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    Charlie Parker, composer (2020)
    New York : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190923419
    Language: English
    Pages: 1 Online-Ressource (372 pages).
    Series Statement: Oxford scholarship online
    DDC: 788.73165092
    RVK:
    LS 48040
    Keywords: Parker, Charlie Criticism and interpretation ; Parker, Charlie ; Jazz ; Komposition ; Jazz History and criticism 1941-1950 ; Jazz History and criticism 1951-1960
    Abstract: Charlie Parker, Composer is the first assessment of a major jazz composer's oeuvre in its entirety. Providing analytical discussion of each of Parker's works, this study combines music-theoretical, historical, and philosophical perspectives. A variety of analytical techniques are brought to bear on Parker's compositions, including application of a revised Schenkerian approach to the music that was developed through the author's prior publications. After a review of Parker's life emphasizing his musical training and involvement in composition, the book proceeds by considering the types of Parker pieces as categorized by overall form and harmony and the amount of preplanned music they contain.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190923389.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190923389.001.0001
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  • 53
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    The invention of Latin American music : a transnational history (2020)
    New York : Oxford University Press
    Details
    ISBN: 9780197510483
    Language: English
    Pages: 1 Online-Ressource XI, 272 Seiten) , Illustrationen
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.98
    RVK:
    LS 48800
    Keywords: Geschichte ; Music / Social aspects / Latin America / History / 20th century ; Music / Political aspects / Latin America / History / 20th century ; Regionalism / Latin America ; Musik ; Lateinamerika ; Hochschulschrift ; Hochschulschrift ; Lateinamerika ; Musik ; Geschichte
    Abstract: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century
    Note: Includes bibliographical references and index
    DOI: 10.1093/oso/9780190687403.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://dx.doi.org/10.1093/oso/9780190687403.001.0001
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    München BSB
    HeBIS
    BVB
  • 54
    Online Resource
    Online Resource
    Hillbilly maidens, okies, and cowgirls : women's country music, 1930-1960 (2020)
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    Details
    ISBN: 9780252051944
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Music in American life
    Series Statement: Illinois scholarship online
    RVK:
    LS 48610
    Keywords: Geschichte 1930-1960 ; Countrymusic ; Musiker ; Frau ; Country music History and criticism To 1951 ; Country music History and criticism 1951-1960 ; Women country musicians ; Radio and music History 20th century ; USA
    Abstract: Well before the success of Loretta Lynn and Dolly Parton, female artists were integral to the commercial expansion and aural reception of country music. Women in early country music took on and redefined the theatrical and musical roles of the hillbilly maiden, the unruly Okie, the singing cowgirl, and the honky-tonk angel in live performance, on radio, in film, and in the recording studio. This work accounts for the vibrant presence of female country artists through an interdisciplinary focus on performance and vocal expression in relation to the cultural currents of the 1930s and 1950s.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
    DOI: 10.5622/illinois/9780252043086.001.0001
    URL: https://dx.doi.org/10.5622/illinois/9780252043086.001.0001
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  • 55
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    Move on up : Chicago soul music and black cultural power (2020)
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    Details
    ISBN: 9780226653174
    Language: English
    Pages: 1 Online-Ressource (272 pages) , Illustrations (black and white).
    Series Statement: Chicago scholarship online
    RVK:
    LS 48640
    RVK:
    HD 370
    Keywords: Soulmusiker ; Soul ; Schwarze ; Soul music History and criticism ; Soul music Social aspects ; Soul music Political aspects ; Soul musicians ; African Americans Music ; History and criticism ; Chicago, Ill.
    Abstract: Chicago's place in the history of soul music is rock solid. But for Chicagoans, soul music in its heyday from the 1960s to the 1980s was more than just a series of hits: it was a marker and a source of black empowerment. In Move On Up, Aaron Cohen tells the remarkable story of the explosion of soul music in Chicago. Together, soul music and black-owned businesses thrived. Record producers and song-writers broadcast optimism for black America's future through their sophisticated, jazz-inspired productions for the Dells and many others. Curtis Mayfield boldly sang of uplift with unmistakable grooves like 'We're a Winner' and 'I Plan to Stay a Believer.' Musicians like Phil Cohran and the Pharaohs used their music to voice Afrocentric philosophies that challenged racism and segregation, while Maurice White of Earth, Wind, and Fire and Chaka Khan created music that inspired black consciousness.
    Note: Previously issued in print: 2019 , Includes bibliographical references and index
    DOI: 10.7208/chicago/9780226653174.001.0001
    URL: https://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226653174.001.0001/upso-9780226176079
    URL: https://doi.org/10.7208/chicago/9780226653174.001.0001
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  • 56
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    I don't like the blues : race, place, & the backbeat of black life (2020)
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    Details
    ISBN: 9781469660448
    Language: English
    Pages: 1 Online-Ressource (193 pages) , maps (black and white).
    Series Statement: North Carolina scholarship online
    RVK:
    LS 48500
    RVK:
    LQ 89307
    Keywords: Blues ; Afroamerikanische Musik ; Soziale Wirklichkeit ; Blues (Music) Social aspects ; African Americans Social life and customs ; African Americans Social conditions ; Staat Mississippi
    Abstract: How do you love and not like the same thing at the same time? This was the riddle that met Mississippi writer B. Brian Foster when he returned to his home state to learn about Black culture and found himself hearing about the blues. One moment, Black Mississippians would say they knew and appreciated the blues. The next, they would say they didn't like it. For five years, Foster listened and asked: 'How?' 'Why not?' 'Will it ever change?' This is the story of the answers to his questions. In this illuminating work, Foster takes us where not many blues writers and scholars have gone: into the homes, memories, speculative visions, and lifeworlds of Black folks in contemporary Mississippi to hear what they have to say about the blues and all that has come about since their forebears first sang them.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
    DOI: 10.5149/northcarolina/9781469660424.001.0001
    URL: https://dx.doi.org/10.5149/northcarolina/9781469660424.001.0001
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    Making it up together : the art of collective improvisation in Balinese music and beyond (2020)
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    Details
    ISBN: 9780226667744
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago studies in ethnomusicology
    Series Statement: Chicago scholarship online
    DDC: 780.959862
    RVK:
    LS 45300
    Keywords: Improvisation (Music) ; Music History and criticism ; Performance practice (Music) ; Songs, Balinese History and criticism ; Reyong Performance ; Kendang Performance ; Ethnomusicology
    Abstract: Most studies of musical improvisation focus on individual musicians. But that is not the whole story. From jazz to flamenco, Shona mbira to Javanese gamelan, improvised practices thrive on group creativity, relying on the close interaction of multiple simultaneously improvising performers. In this text, Leslie A. Tilley explores the practice of collective musical improvisation cross-culturally, making a case for placing collectivity at the centre of improvisation discourse and advocating ethnographically informed music analysis as a powerful tool for investigating improvisational processes.
    Note: Also issued in print: 2020 , Includes bibliographical references and index
    DOI: 10.7208/chicago/9780226667744.001.0001
    URL: https://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226667744.001.0001/upso-9780226661131
    URL: https://doi.org/10.7208/chicago/9780226667744.001.0001
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  • 58
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    Adrian Rollini : the life and music of a jazz rambler (2020)
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    Details
    ISBN: 9781496825148
    Language: English
    Pages: 1 Online-Ressource (xi, 506 pages) , Illustrations.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    RVK:
    LS 48040
    Keywords: Rollini, Adrian ; Rollini, Adrian ; Geschichte 1903-1956 ; Jazzmusiker ; Jazz musicians Biography ; Saxophonists Biography ; Vibraphonists Biography ; Pianists Biography ; USA ; Biografie
    Abstract: Adrian Rollini (1904-1956)was as a child prodigy, playing piano when he was four. This book describes how job opportunities came to him easily at first and that his versatility helped him when they became rare. At the age of 16 he became a professional musician and, in New York, recorded piano rolls. In 1922, at the start of the jazz age, he joined the California Ramblers. He moved to the bass saxophone and gave it its definite place in early jazz. At the top of his fame Rollini became leader of his own band, with a.o. Bix Beiderbecke, Frank Trumbauer, Eddie Lang, and Joe Venuti. It was star-studded but short-lived. In late 1927, he moved to London to join Fred Eizalde's progressive dance band. Back in the USA in 1930, Rollini joined Bert Lown's hotel band, but the bass saxophone was phasing out, so he moved to the vibraphone.
    Note: Previously issued in print: 2019 , Includes bibliographical references and index
    DOI: 10.14325/mississippi/9781496825155.001.0001
    URL: https://doi.org/10.14325/mississippi/9781496825155.001.0001
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  • 59
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    The Oxford handbook of social media and music learning (2020)
    New York : Oxford University Press
    Details
    ISBN: 9780190660802
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford handbooks
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of social media and music learning
    DDC: 780.71
    RVK:
    LR 56976
    Keywords: Music Instruction and study ; Technological innovations ; Music Instruction and study ; Social aspects ; Social media in education ; Music ; Instruction and study ; Technological innovations ; Music ; Instruction and study ; Social aspects ; Social media in education ; Musikerziehung ; Social Media
    Abstract: The rapid pace of technological change over the last decade, particularly the rise of social media, has deeply affected the ways in which we interact as individuals, in groups, and among institutions to the point that it is difficult to grasp what it would be like to lose access to this everyday aspect of modern life. This handbook investigates the ways in which social media is now firmly engrained in all aspects of music education, providing fascinating insights into the ways in which social media, musical participation, and musical learning are increasingly entwined.
    DOI: 10.1093/oxfordhb/9780190660772.001.0001
    URL: http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780190660772.001.0001/oxfordhb-9780190660772
    URL: https://doi.org/10.1093/oxfordhb/9780190660772.001.0001
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
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    MPI Ethno. Forsch.
  • 60
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    The Oxford handbook of music and Medievalism (2020)
    New York : Oxford University Press
    Details
    ISBN: 9780190658472
    Language: English
    Pages: 1 Online-Ressource (xvii, 825 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music and medievalism
    DDC: 781.59
    RVK:
    LR 56820
    Keywords: Medievalism ; Music History and criticism ; Music Medieval influences ; Medievalism ; Music ; History and criticism ; Music ; Medieval influences ; Aufsatzsammlung ; Musik ; Mittelalter ; Rezeption ; Geschichte 1800-2020
    Abstract: The Oxford Handbook of Music and Medievalism brings together international scholars from a wide range of disciplines to provide a snapshot of the diverse ways in which medievalism-the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages-powerfully transforms many of the varied musical traditions of the last two centuries.
    DOI: 10.1093/oxfordhb/9780190658441.001.0001
    URL: http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780190658441.001.0001/oxfordhb-9780190658441
    URL: https://doi.org/10.1093/oxfordhb/9780190658441.001.0001
    URL: lizenzpflichtig
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  • 61
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    The Oxford handbook of the operatic canon (2020)
    New York : Oxford University Press
    Details
    ISBN: 9780190224226
    Language: English
    Pages: 1 Online-Ressource (xvii, 614 Seiten) , Illustrationen
    Series Statement: Oxford handbooks
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of the operatic canon
    DDC: 782.1
    RVK:
    LR 54170
    Keywords: Opera ; Opera ; Oper ; Kanon ; Geschichte 1740-2020
    Abstract: This collection examines the phenomenon of the operatic canon: its formation, history, current ontology and practical influence, and future. It does so by taking an international and interdisciplinary view: the workshops from which it was derived included the participation of critics, producers, artistic directors, stage directors, opera company CEOs, and even economists, from the United Kingdom, the United States, France, Italy, Ireland, Germany, the Netherlands, Denmark, and Canada. The volume is structured as a series of dialogues: each subtopic is addressed by two essays, introduced jointly by the authors, and followed by a jointly compiled list of further reading.
    DOI: 10.1093/oxfordhb/9780190224202.001.0001
    URL: http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780190224202.001.0001/oxfordhb-9780190224202
    URL: https://doi.org/10.1093/oxfordhb/9780190224202.001.0001
    URL: lizenzpflichtig
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  • 62
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    Rap - Text - Analyse : deutschsprachiger Rap seit 2000 : 20 Einzeltextanalysen (2020)
    Bielefeld : transcript | Berlin : De Gruyter
    Details
    ISBN: 9783839446287
    Language: German
    Pages: 1 Online-Ressource (279 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Studien zur Popularmusik
    RVK:
    GO 18518
    RVK:
    LS 48650
    Keywords: Geschichte 2000-2019 ; Deutsch ; Rap ; Text ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturhinweise
    DOI: 10.1515/9783839446287
    URL: https://doi.org/10.1515/9783839446287?locatt=mode:legacy
    URL: Inhaltsverzeichnis
    URL: http://www.transcript-verlag.de/978-3-8376-4628-3
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839446287
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: Cover
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
    URL: Cover
    URL: Inhaltsverzeichnis
    URL: Volltext  (URL des Erstveröffentlichers)
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    HU Berlin
    München BSB
    München UB
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    HeBIS
    BVB
  • 63
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    Rites, rights and rhythms : a genealogy of musical meaning in Colombia's Black Pacific (2019)
    Oxford : Oxford University Press
    Details
    ISBN: 9780199913930
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Currents in Latin American and Iberian mMusic
    RVK:
    LS 48800
    Keywords: Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Abstract: Colombia has the largest black population in the Spanish-speaking world, but Afro-Colombians have long remained at the nation’s margins. Their recent irruption into the political, social, and cultural spheres is tied to appeals to cultural difference, dramatized by the traditional music of Colombia’s majority-black Southern Pacific region, often called currulao. Yet that music remains largely unknown and unstudied despite its complexity, aesthetic appeal, and social importance. Rites, Rights & Rhythms: A Genealogy of Musical Meaning in Colombia’s Black Pacific is the first book-length academic study of currulao, inquiring into the numerous ways that it has been used: to praise the saints, to grapple with modernization, to dramatize black politics, to demonstrate national heritage, to generate economic development, and to provide social amelioration in a context of war. The author draws on both archival and ethnographic research to trace these and other opinions about how currulao has been understood, illuminating a history of struggles over its meanings that are also struggles over the meanings of blackness in Colombia. Moving from the eighteenth century to the present, this book asks how musical meaning is made, maintained, and sometimes abandoned across historical contexts as varied as colonial slavery, twentieth-century national populism, and neoliberal multiculturalism. What emerges is both a rich portrait of one of the hemisphere’s most important and understudied black cultures and a theory of history traced through the performative practice of currulao.
    Abstract: Cover -- Series -- Rites, Rights & Rhythms -- Copyright -- Dedication -- Contents -- Acknowledgments -- About the Companion Website -- A Note on Images -- Introduction -- 1. The Sounded Poetics of the Black Southern Pacific -- 2. Music in the Mines: Black Cosmopolitans and Musical Practice in the Colonial Southern Pacific -- 3. Modernities and Nonmodernities in Black Pacific Music -- 4. Race, Region, Representativity, and the Folklore Paradigm -- 5. Between Legibility and Alterity: Black Music and Self-​Making in the Age of Ethnodiversity -- Conclusion -- References -- Index
    DOI: 10.1093/oso/9780199913923.001.0001
    URL: Volltext
    URL: Volltext
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    Teaching school jazz : perspectives, principles, and strategies (2019)
    Oxford : Oxford University Press
    Details
    ISBN: 0190462590 , 9780190462598
    Language: English
    Pages: 1 Online-Ressource (297 p)
    RVK:
    LS 48015
    RVK:
    LR 56970
    Keywords: Jazz Instruction and study ; MUSIC / Instruction & Study / Theory ; bisacsh ; USA ; Schule ; Musikerziehung ; Jazz
    Note: Includes bibliographical references and index
    URL: Volltext
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  • 65
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    Jump up! : Caribbean carnival music in New York City (2019)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190656881
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American musicspheres
    Series Statement: Oxford scholarship online
    DDC: 781.629697298307471
    RVK:
    LS 48050
    RVK:
    LS 48700
    Keywords: Calypso ; Soca ; Steelband ; Karneval ; New York, NY
    Abstract: 'Jump Up!' provides a comprehensive history of Trinidadian calypso and steelband music in the diaspora. Carnival, transplanted from Trinidad to Harlem in the 1930s and to Brooklyn in the late 1960s, provides the cultural context for the study. Blending urban studies, oral history, archival research, and ethnography, the work examines how members of New York's diverse Anglophile-Caribbean communities forged transnational identities through the self-conscious embrace, transformation, and hybridization of select Carnival music styles and performances. The text fills a significant void in our understanding of how Caribbean Carnival music-specifically calypso, soca (soul/calypso), and steelband-evolved in the second half of the twentieth century as it flowed between its island homeland and its burgeoning New York migrant community.
    Note: Also issued in print: 2019 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190656843.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190656843.001.0001
    URL: lizenzpflichtig
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    Music practices across borders : (e)valuating space, diversity and exchange (2019)
    Bielefeld : transcript
    Details
    ISBN: 9783839446676
    Language: English
    Pages: 214 Seiten , 22.5 cm x 14.8 cm, 318 g
    Edition: First published
    Series Statement: Music and sound culture volume 35
    Series Statement: Musik und Klangkultur 35
    Series Statement: Musik und Klangkultur
    Parallel Title: Erscheint auch als Music practices across borders
    RVK:
    LS 48000
    Keywords: Music and transnationalism ; Music Effect of multiculturalism on ; Music Social aspects ; Music ; Ethnomusicology ; Musicology ; Musik ; Kulturaustausch ; Kultur ; Internationale Kooperation ; Kulturindustrie ; Internationale Politik ; Künstler ; Soziales Netzwerk ; Evaluation ; Migration ; Forschung ; MUSIC / History & Criticism ; Erde ; Evaluation ; Globalization ; Interculturalism ; Migration ; Music ; Musicology ; Sociology of Culture ; Transnational ; Konferenzschrift 2018 ; Konferenzschrift 2018
    Abstract: Reconnecting migration studies and the theory of valuation, this collection offers an interdisciplinary approach to the study of transnational music practices. Music is here approached as a practice not confined by audibility - rather, it is "seen" when the YouTube video is clicked, "felt" when the subwoofer vibrates, and "smelled" when the festival crowd dances: practices make music emerge in concrete situations constituted by people, objects, techniques, meanings, and emotions. Through these practices, values are created and shared which connect a way of music-making with objects and places of experiencing music unconfined by borders of any kind
    Abstract: Frontmatter -- Content -- Introduction-Music practices across borders / Peres da Silva, Glaucia / Hondros, Konstantin -- Valuation in a reversed economy / Fryberger, Annelies -- Culture, creativity and practice / Wafula, Mukasa Situma -- "Come and expose yourself to the fantastic music from around the world" / Lell, Peter -- From desire for recognition to desire for independence / Le Coz, Sandrine -- The invention of African art music / Riva, Nepomuk -- Contemplating musical life in Tunisia under the French protectorate-the society and challenges / El Kahla, Alla -- The construction of an Italian diasporic identity in the city of Buenos Aires at the turn of the 19th century / Anabel González, Daniela -- Brazilian grooves and cultured clichés / Boy Bystron, Janco / Santana, Chico -- About the authors
    Note: Seite 8: [...] we organized a conference at the University of Duisburg-Essen in June 2018, entitled (E)valuating Transnational Music Practices: Space, Diversity, and Exchange [...]
    DOI: 10.14361/9783839446676
    URL: Open Access
    URL: kostenfrei
    URL: http://www.transcript-verlag.de/978-3-8376-4667-2
    URL: Cover
    URL: kostenfrei
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Open Access
    URL: kostenfrei
    URL: http://www.transcript-verlag.de/978-3-8376-4667-2
    URL: Cover
    URL: kostenfrei
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 67
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    Build : the power of hip-hop diplomacy in a divided world (2019)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190056148
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white, and colour).
    Series Statement: Oxford scholarship online
    DDC: 306.484249
    RVK:
    LS 48650
    Abstract: Hip hop and diplomacy are unlikely partners. And yet, since 2001 the US Department of State has been sending hip hop artists to perform and teach around the world. The government has good reason to be interested in hip hop: it is known and loved across the globe, readily acknowledged as a product of American culture. Moreover, hip hop has long been a means of fostering community through creative collaboration-what hip hop artists call building-and can thus facilitate mutual respect and cooperation among people of different nations, a key objective of diplomacy. At heart, 'Build' is about the intersection of art and power. It reveals the power of art to bridge cultural divides, facilitate understanding, and express and heal trauma.
    Note: Also issued in print: 2019 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190056117.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190056117.001.0001
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
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  • 68
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    Popular music and public diplomacy : transnational and transdisciplinary perspectives (2019)
    Bielefeld : transcript
    Details
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource (328 Seiten)
    Series Statement: Popular music
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als Popular Music and Public Diplomacy (Veranstaltung : 2015 : Dortmund) Popular music and public diplomacy
    RVK:
    LS 48015
    Keywords: International relations and culture ; Music and diplomacy ; Music ; Popular music Political aspects ; history ; Politics ; Music ; Cultural History ; History of the 20th Century ; Popular Culture ; Musicology ; Pop Music ; International Relations ; Diplomacy ; MUSIC / History & Criticism ; Konferenzschrift ; Konferenzschrift ; Unterhaltungsmusik ; Public Diplomacy ; Geschichte ; Musik ; Kulturveranstaltung ; Interdisziplinarität ; Transnationalisierung
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries
    Abstract: Frontmatter -- Table of Contents -- Acknowledgements -- Popular Music and Public Diplomacy / Dunkel, Mario / Nitzsche, Sina A. -- Part I: Competition and Collaboration -- Music in Transnational Transfers and International Competitions / Nathaus, Klaus -- The Paradoxes of Cultural and Music Diplomacy in a Federal Country / Mazzola, Alessandro -- Dervish on the Eurovision Stage / Şahin, Nevin Ş -- Part II: Infiltration and Appropriation -- Between Propaganda and Public Diplomacy / Ritter, Rüdiger -- "Liberated from Serfdom" / Feustle, Maristella -- A Musical Inquisition? / Ignácz, Ádám -- Part III: Education and Promotion -- Dancing in Chains / Bayles, Martha -- Becoming a Blue-Collar Musical Diplomat / Brown, Nicholas Alexander -- Music Trade in the Slipstream of Cultural Diplomacy / Kube, Sven -- National Flamencoism / Díaz, Carlos Sanz / Morales Tamaral, José Manuel -- Part IV: Representation and Participation -- The Ethics and Politics of Empathy in US Hip-Hop Diplomacy / Salois, Kendra -- Popular Musicking and the Politics of Spectatorship at the United Nations / Ball, James R. -- From Sons of Gastarbeita to Songs of Gastarbeiter / Nieden, Gesa zur -- Public Diplomacy and Decision-Making in the Eurovision Song Contest / Vuletic, Dean -- List of Contributors -- Index
    Note: Open Access , Mode of access: Internet via World Wide Web.
    DOI: 10.14361/9783839443583
    URL: Open Access
    URL: kostenfrei
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Open Access
    URL: kostenfrei
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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    Anonymity performance in electronic pop music : a performance ethnography of a critical practice (2019)
    Bielefeld : transcript
    Details
    ISBN: 9783839442562
    Language: English
    Pages: 1 Online-Ressource (233 Seiten) , Illustrationen
    Series Statement: Popular music
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als Menrath, Stefanie, 1972 - Anonymity performance in electronic pop music
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Carl von Ossietzky Universität Oldenburg 2016
    RVK:
    LS 48655
    Keywords: Anonymität ; Feldforschung ; Performance ; Performativität ; Popmusik ; Elektronische Musik ; music ; Music ; Performance ; Cultural Studies ; Popular Culture ; Musicology ; Pop Music ; Ethnography ; Anonymity ; Culture; Pop Music; Performance; Ethnography; Anonymity; Musicology; Popular Culture; Music; Cultural Studies; ; Hochschulschrift ; Hochschulschrift ; Elektronische Musik ; Performativität ; Anonymität
    Abstract: 〈p〉Anonymity practices in electronic music culture have long been the object of journalistic and academic discourse. Yet anonymity itself is ephemeral and ontologically precarious. How can scholars research anonymous entities without impairing their anonymity, and what can they learn from their precarity?〈br /〉This study describes two projects of anonymity performance as forms of critical practice (Judith Butler/Michel Foucault) involving performative play with anonymity through the use of fake identities or collaborative persona imaginations. Adopting a reflexive and performative writing style, this performance ethnography calls for a radical performative turn and an ontological reflexivity in the cultural studies of music.〈/p〉
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
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    Leonard Bernstein and the language of jazz (2019)
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    Details
    ISBN: 9780252051210
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Music in American life
    Series Statement: Illinois scholarship online
    RVK:
    LP 91400
    RVK:
    LS 48040
    Keywords: Bernstein, Leonard Criticism and interpretation ; Bernstein, Leonard ; Jazz ; Musikalischer Stil ; Music History and criticism 20th century ; Jazz History and criticism
    Abstract: For Leonard Bernstein, music was a language capable of communicating more directly than in words, and jazz was a crucial part of his musical vocabulary. As an idiom made up of a range of styles - whether stride, boogie-woogie, swing, bebop, or cool - jazz was central to Bernstein's compositional aesthetic, particularly in his approach to tonality and to defining American music. The blues, as a special part of this jazz idiom, also helped Bernstein articulate a personal identity, expressing everything from sensuality to humor to loss and isolation. This text will examine the shifting meanings of Bernstein's jazz language in theatrical and symphonic works from across his career.
    Note: Also issued in print: 2019 , Includes bibliographical references and index
    DOI: 10.5622/illinois/9780252042379.001.0001
    URL: https://doi.org/10.5622/illinois/9780252042379.001.0001
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  • 71
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    The Gaithers and southern gospel : homecoming in the twenty-first century (2019)
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    Details
    ISBN: 9781496810946
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 782.2540922
    RVK:
    LQ 89307
    RVK:
    LQ 89308
    RVK:
    LS 48400
    Keywords: Gaither, Gloria ; Gaither, Bill ; Gaither, Gloria ; Gaither, Bill ; Gaither Vocal Band ; Geschichte 1991- ; Gospelsong ; Musikpflege ; Gospel musicians Biography ; Gospel music History and criticism
    Abstract: This ethnography examines songwriters Bill and Gloria Gaithers' Homecoming video and concert series. The Homecomings re-present the 'southern gospel' subgenre of gospel music - a musical style popular among white evangelical Christians in the American South and Midwest. The text explores how the Gaithers negotiate the tension between preservation and modification of community norms as they seek simultaneously to maintain and expand their audience, and to initiate and respond to ideological shifts within their fan base's culture. Using data he collected from his immersion in the Homecoming catalogue, his attendance of numerous concerts and tapings, and his extensive conversations with Homecoming fans and the Gaithers themselves, Harper reveals the Homecomings to be a crucible of American religious, racial, sexual and regional identity formation.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
    DOI: 10.14325/mississippi/9781496810908.001.0001
    URL: https://doi.org/10.14325/mississippi/9781496810908.001.0001
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    Greek music in America (2019)
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    Details
    ISBN: 9781496819758
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    RVK:
    LS 20100
    RVK:
    LS 20980
    Keywords: Geschichte 1850-2018 ; Einwanderer ; Musik ; Schallaufzeichnung ; Greek Americans Music ; History and criticism ; Folk music History and criticism ; Folk music History and criticism ; Greek Americans Social life and customs ; USA ; Griechenland ; Aufsatzsammlung
    Abstract: 'Greek Music in America' provides a foundation for understanding the scope, practice, and development of Greek music in America through essays by the principal scholars in the field. This text offers a comprehensive view of the subject; despite the richness, diversity, and longevity of Greek music in America, there has been relatively little available on the topic. The volume includes several previously published essays, as well as recent work by contemporary specialists on the Greek diaspora.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
    DOI: 10.14325/mississippi/9781496819703.001.0001
    URL: https://doi.org/10.14325/mississippi/9781496819703.001.0001
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  • 73
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    Yodeling and meaning in American music (2019)
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    Details
    ISBN: 9781496805843
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 782.00973
    RVK:
    LQ 89300
    RVK:
    LR 11040
    RVK:
    LS 21980
    Keywords: Geschichte ; Unterhaltungsmusik ; Countrymusic ; Klassische Musik ; Jodeln ; Yodeling History ; Popular music History and criticism ; USA
    Abstract: Considering yodeling as a musical device in American music, this text investigates in parallel two ways of understanding various meanings associated with yodeling: as the connotative functions of yodeling within specific musical texts and as the ideological implications of its use. It aims to provoke a reflection on the concept of singing and received cultural ideas associated with it. Starting with the premise that music is a discursive practice that is itself inseparable from a critical verbal discourse about music, the work interrogates the relationship between yodeling and predominating musical orthodoxy. Through a critical examination of that relationship, the book explores numerous examples of yodeling in American music, questioning why it achieved prominence and status in some genres and not in others and attempting to account for the relatively low prestige accorded to music featuring yodeling.
    Note: Previously issued in print: 2016 , Includes bibliographical references and index
    DOI: 10.14325/mississippi/9781496805805.001.0001
    URL: https://doi.org/10.14325/mississippi/9781496805805.001.0001
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  • 74
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    Tearing the world apart : Bob Dylan and the twenty-first century (2019)
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    Details
    ISBN: 9781496813367
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 782.42164092
    RVK:
    LS 48040
    Keywords: Dylan, Bob Criticism and interpretation ; Dylan, Bob ; Popular music History and criticism ; Aufsatzsammlung
    Abstract: This text participates in the creation of the postmillennial Bob Dylan by exploring three central records of the 21st century along with the 2003 film 'Masked and Anonymous', which Dylan helped write and in which he appears as an actor and musical performer. The work does justice to this difficult Bob Dylan by examining his method and effects through a disparate set of viewpoints. Readers will find a variety of critical contexts and cultural perspectives as well as a range of experiences as members of Dylan's audience.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
    DOI: 10.14325/mississippi/9781496813329.001.0001
    URL: https://doi.org/10.14325/mississippi/9781496813329.001.0001
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  • 75
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    Stone free : Jimi Hendrix in London, September 1966-June 1967 (2019)
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    Details
    ISBN: 9781469647081
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: North Carolina scholarship online
    DDC: 787.87166092
    RVK:
    LS 48040
    Keywords: Hendrix, Jimi Travel ; Hendrix, Jimi ; Geschichte 1966-1967 ; African American rock musicians Biography ; Concert tours ; Rock musicians Biography ; Guitarists Biography ; London
    Abstract: A compelling portrait of rock's greatest guitarist at the moment of his ascendance, 'Stone Free' focuses exclusively on the happiest and most productive period of Jimi Hendrix's life. In addition to featuring the voices of Jimi, his bandmates, and other eyewitnesses, the book draws from contemporary accounts published in English- and foreign-language newspapers and music magazines.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
    DOI: 10.5149/northcarolina/9781469647067.001.0001
    URL: https://doi.org/10.5149/northcarolina/9781469647067.001.0001
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  • 76
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    Boom's blues : music, journalism, and friendship in wartime (2019)
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    Details
    ISBN: 9781496812544
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Edition: American edition.
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    RVK:
    LS 48400
    Keywords: Boom, J. Frank G. ; Gilbert, Will G ; Music journalists Biography ; Blues (Music) History and criticism ; Blues (Music) History and criticism
    Abstract: This work stands as both a remarkable biography of J. Frank G. Boom (1920-1953) and a recovery of his incredible contribution to blues scholarship originally titled 'The Blues'. The text tells how and when the Netherlands was introduced to African American blues music and describes the equally dramatic and peculiar friendship that existed between Boom and jazz critic and musicologist Will Gilbert, who worked for the Kultuurkamer during World War II and had been charged with the task of formulating the Nazi's Jazzverbod, the decree prohibiting the public performance of jazz.
    Note: Translated from the Dutch , This edition previously issued in print: 2017 , Includes bibliographical references, discography and index
    DOI: 10.14325/mississippi/9781496805119.001.0001
    URL: https://doi.org/10.14325/mississippi/9781496805119.001.0001
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  • 77
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    The jazz pilgrimage of Gerald Wilson (2019)
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    Details
    ISBN: 9781496816061
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    DDC: 781.65092
    RVK:
    LS 48050
    Keywords: Wilson, Gerald ; Wilson, Gerald ; Jazz ; Composers Biography ; Jazz musicians Biography ; Band directors Biography
    Abstract: Jazz great Gerald Wilson (1918-2014), born in Shelby, Mississippi, left a global legacy of paramount significance through his progressive musical ideas and his orchestra's consistent influence on international jazz. Aided greatly by interviews that bring Wilson's voice to the story, this text presents a perspective on what the musician and composer called his 'jazz pilgrimage.'
    Note: Previously issued in print: 2018 , Includes bibliographical references, discography and index
    DOI: 10.14325/mississippi/9781496816023.001.0001
    URL: https://doi.org/10.14325/mississippi/9781496816023.001.0001
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  • 78
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    The invention and reinvention of Big Bill Broonzy (2019)
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    Details
    ISBN: 9781469646510
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: North Carolina scholarship online
    RVK:
    LS 48040
    Keywords: Broonzy, Big Bill ; Broonzy, Bill ; Schwarze ; Blues ; Ethnische Identität ; African American musicians Biography ; Blues musicians Biography ; Blues (Music) History and criticism ; Amerika ; Hochschulschrift
    Abstract: Over the course of his long career, legendary bluesman William 'Big Bill' Broonzy (1893-1958) helped shape the trajectory of the genre, from its roots in the rural Mississippi River Delta, through its rise as a popular genre in the north, to its eventual international acclaim. Through Broonzy's life and times, Kevin D. Greene assesses major themes and events in African American history.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
    DOI: 10.5149/northcarolina/9781469646497.001.0001
    URL: https://doi.org/10.5149/northcarolina/9781469646497.001.0001
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  • 79
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    Creating the jazz solo : Louis Armstrong and barbershop harmony (2019)
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    Details
    ISBN: 9781496819826
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American made music series
    Series Statement: Mississippi scholarship online
    RVK:
    LS 48040
    Keywords: Armstrong, Louis Criticism and interpretation ; Armstrong, Louis ; Jazz ; Singen ; Musikalischer Stil ; Jazz History and criticism ; Jazz musicians ; Jazz Analysis, appreciation 1921-1930
    Abstract: Throughout his life, Louis Armstrong tried to explain how singing on the streets of New Orleans with a barbershop quartet was foundational to his musicianship. However, up to now, there has been no in-depth inquiry into what he meant when he said 'I Figure Singing and Playing is the Same,' or 'Singing was more into my blood than the trumpet.' This text shows that Armstrong understood exactly the relationship between what he sang and what he played, and that he meant these comments to be taken literally: he was singing through his horn. To describe the relationship between what Armstrong sang and played the work discusses elements of music theory.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
    DOI: 10.14325/mississippi/9781496819772.001.0001
    URL: https://doi.org/10.14325/mississippi/9781496819772.001.0001
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  • 80
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    Postbop jazz in the 1960s : the compositions of Wayne Shorter, Herbie Hancock, and Chick Corea (2019)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190604608
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    Series Statement: Oxford scholarship online
    DDC: 781.6550973
    RVK:
    LS 48030
    RVK:
    LS 48100
    Keywords: Shorter, Wayne ; Hancock, Herbie ; Corea, Chick ; Geschichte 1960-1970 ; Jazz ; Musikalische Analyse ; USA
    Abstract: Innovations in postbop jazz compositions of the 1960s occurred in several dimensions, including harmony, form, and melody. Postbop jazz composers such as Wayne Shorter, Herbie Hancock, Chick Corea, along with others (Booker Little, Joe Henderson, Woody Shaw) broke with earlier tonal jazz traditions. Their compositions marked a departure from the techniques of jazz standards and original compositions that defined small-group repertory through the 1950s: single-key orientation, schematic 32-bar frameworks (in AABA or ABAC forms), and tonal harmonic progressions. The text develops analytical pathways through a number of compositions, including 'El Gaucho,' 'Penelope,' 'Pinocchio,' 'Face of the Deep' (Shorter); 'King Cobra,' 'Dolphin Dance,' 'Jessica' (Hancock); 'Windows,' 'Inner Space,' 'Song of the Wind' (Corea); as well as 'We Speak' (Little); 'Punjab' (Henderson); and 'Beyond All Limits' (Shaw).
    Note: Also issued in print: 2019 , Includes bibliographical references, discography and index
    DOI: 10.1093/oso/9780190604578.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190604578.001.0001
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  • 81
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    Rabbit's blues : the life and music of Johnny Hodges (2019)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190055288
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white, and colour).
    Series Statement: Oxford scholarship online
    DDC: 788.7165092
    RVK:
    LS 48040
    Keywords: Hodges, Johnny ; Geschichte 1906-1970 ; Saxofonist ; Jazzmusiker ; USA ; Biografie
    Abstract: A full-length biography of Johnny Hodges, 'Rabbit's Blues' tells the story of one of the premier saxophonists in jazz history, who brought the woody tone and bluesy technique of New Orleans music to the hot East Coast jazz of the Ellington orchestra.
    Note: Also issued in print: 2019 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780190653903.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190653903.001.0001
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  • 82
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    What goes on : the Beatles, their music, and their time (2019)
    Oxford : Oxford University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780190213183
    Language: English
    Pages: 1 Online-Ressource (xxi, 296 Seiten) , Illustrationen
    DDC: 782.421660922
    RVK:
    LS 48040
    Note: Literaturverzeichnis: Seite 269-280
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  • 83
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    Western promises : Pop-Musik und Markennamen (2019)
    Bielefeld : transcript
    Details
    ISBN: 9783839446447
    Language: German
    Pages: 1 Online-Ressource (261 Seiten) , Illustrationen
    Series Statement: Rivergate Regionals Collection
    Series Statement: Konsumästhetik Band 5
    Series Statement: Konsumästhetik
    Parallel Title: Erscheint auch als Baßler, Moritz, 1962 - Western promises: Pop-Musik und Markennamen
    RVK:
    LR 56827
    RVK:
    LS 48005
    Keywords: Local transit Political aspects ; Transportation and state ; Transportation Political aspects ; Advertising Music ; Branding (Marketing) Social aspects ; Mass media Aesthetics ; Popular music Social aspects ; SOCIAL SCIENCE / General ; SOCIAL SCIENCE / Sociology / General ; Popmusik ; Markenname ; Erwähnung ; Popkultur
    Abstract: Frontmatter -- Inhalt -- Pop und Marke -- Teenage Command Performance -- Pop Art Music -- »Bits of Americana«. Markenlogos auf Plattencovern -- Autos -- Pepsi -- NDW und Deutschpop -- Schluss -- Dank -- Abbildungsverzeichnis -- Markenverzeichnis -- Index
    Abstract: Markennamen sind das Erkennungszeichen für Pop Art und Popliteratur, finden sich jedoch fast nie in den Werken von Pop-Musiker_innen wieder. Die Rolling Stones nehmen 1964 zwar einen Werbeclip für Kellogg's auf, würden Rice Krispies aber nie in ihren Songs erwähnen - und auch in dem Gesamtwerk der Beatles lassen sich gerade mal zwei Erwähnungen finden. Das ist doch seltsam: Warum machen sich die Zeichen der Konsumkultur ausgerechnet in der Pop-Musik so rar? Im Ausgang von dieser Frage entwickelt Moritz Baßler eine Diskursgeschichte des Pop von Elvis bis heute, mit intensiven Songanalysen und speziellen Kapiteln zu Automarken, Pepsi und deutschsprachiger Pop-Musik. Was wird eingelöst von den 'Western Promises', den Versprechen unserer Pop- und Markenkultur?
    DOI: 10.14361/9783839446447
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
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  • 84
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    Kulturelle Teilhabe durch Musik? : Transkulturelle Kinder- und Jugendbildung im Spannungsfeld von Empowerment und Othering (2019)
    Bielefeld : transcript
    Details
    ISBN: 9783839448496
    Language: German
    Pages: 1 Online-Ressource (353 Seiten)
    Series Statement: Kultur und soziale Praxis
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Stoffers, Nina, 1978 - Kulturelle Teilhabe durch Musik?
    Dissertation note: Dissertation Humboldt-Universität zu Berlin
    DDC: 306.4842
    RVK:
    AP 14900
    RVK:
    DG 8500
    RVK:
    DG 9000
    RVK:
    DS 7400
    RVK:
    LR 56600
    RVK:
    LR 56957
    RVK:
    LR 57070
    RVK:
    MS 3500
    Keywords: Electronic books ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Musikerziehung ; Kulturpädagogik ; Teilhabe ; Außerschulische Jugendbildung ; Ethnosoziologie ; Multikulturelle Gesellschaft ; Gruppenarbeit ; Ausgrenzung
    Abstract: Die Idee kultureller Teilhabe wird in wissenschaftlichen und gesellschaftspolitischen Kontexten immer wichtiger - mit entsprechenden Hoffnungen verbunden ist dabei insbesondere die Förderung von benachteiligten Gruppen. Dem Diskurs inhärent ist jedoch, dass das Ziel kultureller Teilhabe in sein Gegenteil verkehrt werden und zu einer inkludierenden Exklusion führen kann. Nina Stoffers zeigt, wie dieses Spannungsverhältnis wechselseitig voneinander abhängiger Strategien des Empowerment und des Othering gerade in transkulturellen Musikprojekten mit Kindern und Jugendlichen austariert wird. Kulturelle Teilhabe wird dabei als diversitätssensible und rassismuskritische Praxis begreifbar
    Abstract: Frontmatter -- Inhalt -- Danksagung -- Teil I: Einleitung -- 1. Forschungshorizont -- 2. Forschungsperspektive -- 3. Aufbau -- Teil II: Theoretische Grundlagen -- 1. Kulturelle Bildung -- 2. Bedeutungsvarianten des Kulturbegriffs -- 3. Transkulturalität -- 4. Kulturelle Teilhabe -- Teil III: Methodik -- 1. Das Forschungsfeld und seine Erschließung -- 2. Standortgebundenheit, methodisch kontrolliertes Fremdverstehen und ethische Forschungshaltung -- 3. Erhebungsmethoden -- 4. Erhebung und Sampling -- 5. Auswertungsmethoden -- 6. Darstellung der Daten -- Teil IV: Transkulturelle Musikprojekte -- Einleitung -- A. Heimat re-invented (Köln) -- Steckbrief -- Übersicht der Szenen von Heimat re-invented -- 1. Selbst- und Fremdbild: (Re-)Präsentationen in Antrag, Homepage, Evaluation und Presse -- 2. Zur Relevanz der Dramaturgie: Wer hält die Fäden in der Hand? -- 3. Was wird aufgeführt und wer steht auf der Bühne? Zur Auswahl des Repertoires und der Teilnehmenden -- 4. Kostüme und Requisiten -- 5. Wer arbeitet wie? Die Arbeitsweisen der künstlerischen Dozentinnen -- 6. Für wen ist das Projekt? Erwartungen und Ziele aus künstlerischen und pädagogischen Perspektiven -- 7. Titel und Rahmen -- 8. Exkurs: Der Umgang mit Klischees und Stereotypen -- B. Philharmonischer Verein der Sinti und Roma (Frankfurt/Main) -- Steckbrief -- 1. Titel und Rahmen -- 2. Auswahl des Repertoires und der Teilnehmenden -- 3. Selbst- und Fremdbild -- C. Zukunftsmusik (Berlin) -- Steckbrief -- 1. Titel und Rahmen -- 2. Auswahl des Repertoires und der Teilnehmenden -- 3. Selbst- und Fremdbild -- Teil V: Im Spannungsfeld von Empowerment und Othering -- 1. Sichtbarkeit -- 2. Kompetenzorientierung -- 3. Zuschreibungen -- 4. Musik als Mittel zum Zweck? -- 5. Schlüsselkategorie: Das Spannungsfeld von Empowerment und Othering -- Teil VI: Fazit und Ausblick -- Einleitung -- Inkludierende Exklusion -- Ausblick -- Teil VII: Anhang -- Materialauflistung und Abkürzungsverzeichnis -- 1. Allgemein -- 2. Projekt A: Heimat re-invented (Köln) -- 3. Projekt B: Philharmonischer Verein der Sinti und Roma (Frankfurt/Main) -- 4. Projekt C: Zukunftsmusik (Berlin) -- Teil VIII: Bibliografie
    Note: Description based on publisher supplied metadata and other sources
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=5988547
    URL: https://www.transcript-verlag.de/978-3-8376-4849-2/kulturelle-teilhabe-durch-musik/
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=5988547
    URL: https://www.transcript-verlag.de/978-3-8376-4849-2/kulturelle-teilhabe-durch-musik/
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  • 85
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    Klingende Eklats : Skandal und Neue Musik (2018)
    Bielefeld : transcript
    Details
    ISBN: 9783839439838
    Language: German
    Pages: 1 Online-Ressource (354 Seiten) , Illustrationen
    Series Statement: Histoire Band 118
    Parallel Title: Erscheint auch als Schürmer, Anna, 1980 - Klingende Eklats
    Dissertation note: Dissertation Universität Potsdam 2016
    RVK:
    LR 56707
    RVK:
    LR 57720
    Keywords: Hochschulschrift ; Neue Musik ; Skandal ; Geschichte ; Neue Musik ; Skandal ; Musik ; Avantgarde ; Skandal ; Musik ; Klang ; Ereignis
    Note: Literaturverzeichnis: Seite 313-346
    URL: kostenfrei
    URL: http://www.transcript-verlag.de/978-3-8376-3983-4
    URL: Inhaltsverzeichnis
    URL: Unbekannt
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  • 86
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    The Oxford handbook of community music (2018)
    Oxford : Oxford University Press
    Details
    ISBN: 9780190219529
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford handbooks
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als The Oxford handbook of community music
    DDC: 780
    RVK:
    LR 56900
    Keywords: Community music Case studies ; Music Social aspects ; Community music ; Case studies ; Music ; Social aspects ; Aufsatzsammlung ; Musik ; Gemeinschaft ; Musikleben ; Musizieren ; Soziale Funktion
    Abstract: "Community music as a field of practice, pedagogy, and research has come of age. The past decade has witnessed an exponential growth in practices, courses, programs, and research in communities and classrooms, and within the organizations dedicated to the subject. The Oxford Handbook of Community Music gives an authoritative and comprehensive review of what has been achieved in the field to date and what might be expected in the future. This Handbook addresses community music through five focused lenses: contexts, transformations, politics, intersections, and education. It not only captures the vibrant, dynamic, and divergent approaches that now characterize the field, but also charts the new and emerging contexts, practices, pedagogies, and research approaches that will define it in the coming decades. The contributors to this Handbook outline community music's common values that center on social justice, human rights, cultural democracy, participation, and hospitality from a range of different cultural contexts and perspectives. As such, The Oxford Handbook of Community Music provides a snapshot of what has become a truly global phenomenon." -- Publisher's description
    Abstract: Foreword
    Note: Literaturangaben
    DOI: 10.1093/oxfordhb/9780190219505.001.0001
    URL: Volltext
    URL: lizenzpflichtig
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    The Oxford handbook of timbre (2018)
    New York : Oxford University Press
    Details
    ISBN: 9780190637231
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of timbre
    DDC: 781.2/34
    RVK:
    LR 55180
    Keywords: Sound ; Tone color (Music) ; Tone color (Music) ; Klangfarbe ; Klang
    Abstract: Pathways & Trajectories : A Guide to the Organization and Use of This Book -- Ethereal Timbres / Emily Dolan and Thomas Patteson -- Deconstruction and Timbre / Naomi Waltham-Smith -- Timbrality : The Vibrant Aesthetics of Tone Color / Isabella van Elferen -- Qur'an Alphabetics and the Timbre of Recitation / Peter McMurray -- The Matter of Timbre : Listening, Genealogy, Sound / Daniel Villegas Vélez -- Translations / Gage Averill -- 'Where Were You When You Found Out Singer Bobby Caldwell Was White?' : Racialized Timbre as Narrative Arc / Nina Sun Eidsheim and Schuyler Whelden -- Music for Cochlear Implants / Stefan Helmreich -- Schoenberg as Sound Student : Pierrot's Klang / Joseph Auner -- Pitch vs. Timbre / Daniel Walden -- Tracing Timbre in Ancient Greece / Naomi Weiss -- Early Modern Voices / Bettina Varwig -- Timbre Before Timbre : Listening to the Effects of Organ Stops, Violin Mutes and Piano Pedals c. 1650-1800 / Deirdre Loughridge -- Futurist Timbres : Listening Failure in Milan / Gavin Williams -- Timbre-Centered Listening in the Soundscape of Tuva / Theodore Levin and Valentina Süzükei -- Timbral Thievery : Synthesizers and Sonic Materiality / Jonathan De Souza -- Timbre/Techne / Alexander Rehding -- Complex Impression and Klangfarbe : Timbre as a Catalyst of Carl Stumpf's Psychological Research / Sebastian Klotz -- Don't Choose the Nightingale : Timbre, Index, and Birdsong in Respighi's "Pini di Roma" / Arman Schwartz -- The Naturalization of Timbre : Two Case Studies / Alexandra Hui -- Perceptual Processes in Orchestration / Meghan Goodchild and Stephen McAdams -- Timbre as Harmony-Harmony as Timbre / Robert Hasegawa -- Timbre and Polyphony in Balinese Gamelan / Michael Tenzer -- Describing Sound : the Cognitive Linguistics of Timbre / Zachary Wallmark and Roger A. Kendall -- Technology and Timbre : Features of the Changing Instrumental Soundscape of the Long Nineteenth Century (1789-1914) / Elizabeth Bradley Strauchen-Scherer.
    Abstract: "With essays covering an array of topics including ancient Homeric texts, contemporary sound installations, violin mutes, birdsong, and cochlear implants, this volume reveals the richness of what it means to think and talk about timbre and the materiality of the experience of sound"--
    Note: Includes bibliographical references and index
    DOI: 10.1093/oxfordhb/9780190637224.001.0001
    URL: Volltext
    URL: lizenzpflichtig
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  • 88
    Online Resource
    Online Resource
    Spirituals and the birth of a black entertainment industry (2018)
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    Details
    ISBN: 9780252050305
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Music in American life
    DDC: 782.2530973
    RVK:
    LS 48400
    Keywords: Jubilee Singers ; Geschichte 1870-1900 ; Afroamerikanische Musik ; Minstrel show ; Negrospiritual ; African Americans Music ; History and criticism ; Jubilee singers ; Spirituals (Songs) History and criticism 19th century ; Minstrel shows History 19th century ; USA
    Abstract: Spirituals performed by jubilee troupes became a sensation in post-Civil War America. First brought to the stage by choral ensembles like the Fisk Jubilee Singers, spirituals anchored a wide range of late 19th-century entertainments, including minstrelsy, variety, and plays by both black and white companies. In this work on postbellum spirituals in theatrical entertainments, Sandra Jean Graham mines a trove of resources to chart the spiritual's journey from the private lives of slaves to the concert stage. Graham navigates the conflicting agendas of those who, in adapting spirituals for their own ends, sold conceptions of racial identity to their patrons.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
    DOI: 10.5622/illinois/9780252041631.001.0001
    URL: https://doi.org/10.5622/illinois/9780252041631.001.0001
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  • 89
    Online Resource
    Online Resource
    Beyond the crossroads : the devil and the blues tradition (2018)
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    Details
    ISBN: 9781469633688
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white), maps (black and white).
    Series Statement: New directions in southern studies
    DDC: 781.6430976
    RVK:
    LS 48500
    Keywords: Johnson, Robert ; Johnson, Robert ; Blues ; Teufel ; Blues (Music) History and criticism ; Blues (Music) Religious aspects ; Devil in music ; USA Südstaaten
    Abstract: Adam Gussow takes the full measure of the devil's presence in the blues. Working from original transcriptions of more than 125 recordings released during the past ninety years, Gussow explores the varied uses to which black southern blues people have put this trouble-sowing, love-wrecking, but also empowering figure.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
    DOI: 10.5149/northcarolina/9781469633664.001.0001
    URL: https://doi.org/10.5149/northcarolina/9781469633664.001.0001
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  • 90
    Online Resource
    Online Resource
    The relentless pursuit of tone : timbre in popular music (2018)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190908027
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    DDC: 781.641234
    RVK:
    LS 48015
    Abstract: 'The Relentless Pursuit of Tone' investigates the many ways tone and timbre function in popular music. From the twang of the banjo to the thump of subwoofers on the dance floor, the authors engage with the entire history of popular music as recorded sound, from the 1930s to the present day.
    Note: Previous edition issued in print: 2018 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780199985227.001.0001
    URL: http://dx.doi.org/10.1093/oso/9780199985227.001.0001
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  • 91
    Online Resource
    Online Resource
    Break beats in the Bronx : rediscovering hip-hop's early years (2018)
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    Details
    ISBN: 9781469632773
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white), maps (black and white)
    DDC: 782.42164909747275
    RVK:
    LS 48050
    RVK:
    LS 48650
    Keywords: Geschichte 1975- ; Hip-Hop ; Rap ; Musikleben ; Rap (Music) History and criticism ; Hip-hop History ; New York- Bronx ; Bronx (New York, N.Y.) Social life and customs 20th century
    Abstract: The origin story of hip-hop - one that involves Kool Herc DJing a house party on Sedgwick Avenue in the Bronx - has become received wisdom. But Joseph C. Ewoodzie Jr. argues that the full story remains to be told. In vibrant prose, he combines never-before-used archival material with searching questions about the symbolic boundaries that have divided our understanding of the music.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
    DOI: 10.5149/northcarolina/9781469632759.001.0001
    URL: https://doi.org/10.5149/northcarolina/9781469632759.001.0001
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  • 92
    Online Resource
    Online Resource
    Popular music and public diplomacy : transnational and transdisciplinary perspectives (2018)
    Bielefeld : transcript | The Hague : OAPEN Foundation
    Details
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource (328 Seiten) , Illustrationen
    Series Statement: Popular music
    DDC: 780
    RVK:
    LS 48015
    Keywords: Geschichte ; Unterhaltungsmusik ; Public Diplomacy ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Aufsatzsammlung ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Aufsatzsammlung ; Konferenzschrift 2015
    Note: Literaturangaben
    URL: kostenfrei
    URL: Volltext  (kostenfrei)
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    URL: Volltext  (kostenfrei)
    URL: kostenfrei
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    München BSB
    München UB
    Würzburg UB
    Regensburg UB
    KOBV
    HeBIS
    BVB
    Bayreuth UB
    MPI Ethno. Forsch.
  • 93
    Online Resource
    Online Resource
    Jazz internationalism : literary Afro-modernism and the cultural politics of black music (2018)
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    Details
    ISBN: 9780252099939
    Language: English
    Pages: 1 Online-Ressourcece.
    Series Statement: The new black studies series
    DDC: 810.9/896073
    RVK:
    HU 1728
    RVK:
    LS 48100
    Keywords: Literatur ; Schwarze ; Musik ; Jazz ; American literature African American authors ; History and criticism ; Jazz in literature ; Modernism (Literature) ; African Americans Music ; History and criticism ; Black nationalism History 20th century ; African Americans Social life and customs 20th century ; USA
    Abstract: 'Jazz Internationalism' argues for the critical significance of jazz in Afro-modernist literature, from the beginning of the Great Depression through the radical social movements of the 1960s.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
    DOI: 10.5622/illinois/9780252041334.001.0001
    URL: https://doi.org/10.5622/illinois/9780252041334.001.0001
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  • 94
    Online Resource
    Online Resource
    Discordant notes : marginality and social control in Madrid, 1850-1930 (2018)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780199392490
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white), map (black and white).
    Series Statement: Currents in Latin American & Iberian music
    Series Statement: Oxford scholarship online
    DDC: 946.07
    RVK:
    LQ 83206
    Keywords: Geschichte 1850-1930 ; Musik ; Gesellschaft ; Sozialordnung ; Madrid
    Abstract: Based on a study of Madrid (1850-1930), 'Discordant Notes' argues that sound, noise, street music and flamenco have played a key role in structuring the transition to modernity by helping to negotiate social attitudes and legal responses to fundamental problems such as poverty, insalubrity, and crime.
    Note: Previously issued in print: 2018 , Includes bibliographical references and index
    DOI: 10.1093/oso/9780199392469.001.0001
    URL: http://dx.doi.org/10.1093/oso/9780199392469.001.0001
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  • 95
    Online Resource
    Online Resource
    What she go do : women in Afro-Trinidadian music (2018)
    Jackson : University Press of Mississippi | Oxford : Oxford University Press
    Details
    ISBN: 9781496807571
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Caribbean studies series
    DDC: 780.820972983
    RVK:
    LS 48700
    Keywords: Frau ; Afroamerikanische Musik ; Popular music History and criticism ; Women musicians ; Trinidad
    Abstract: Drawing on ethnographic fieldwork conducted by the author in Trinidad and Tobago, this work demonstrates how the increased access and agency of women through folk and popular musical expressions has improved inter-gender relations and representation of gender in this nation.
    Note: Previously issued in print: 2016 , Includes bibliographical references and index
    DOI: 10.14325/mississippi/9781496807533.001.0001
    URL: https://doi.org/10.14325/mississippi/9781496807533.001.0001
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  • 96
    Online Resource
    Online Resource
    The Oxford handbook of music listening in the 19th and 20th centuries (2018)
    New York : Oxford University Press
    Details
    ISBN: 9780190466992
    Language: English
    Pages: 1 online resource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music listening in the 19th and 20th centuries
    DDC: 781.1/709
    RVK:
    LR 56606
    Keywords: Listening ; Music Social aspects 19th century ; History ; Music Social aspects 20th century ; History ; Concerts History 19th century ; Concerts History 20th century ; Music ; Social aspects ; History ; 19th century ; Music ; Social aspects ; History ; 20th century ; Concerts ; History ; 19th century ; Concerts ; History ; 20th century ; Listening ; Aufsatzsammlung ; Konferenzschrift 2012 ; Musikhören ; Konzert ; Konzert ; Geschichte 1800-2000 ; Musiksoziologie
    Abstract: This handbook takes on the task of examining the history of music listening over the past two hundred years. It uses the "art of listening" as a leitmotif encompassing an entanglement of interdependent practices and discourses about a learnable mode of perception. The art of listening first emerged around 1800 and was adopted and adapted across the public realm to suit a wide range of collective listening situations from popular to serious art forms up to the present day. Because this is a relatively new subject in historical research, the volume combines case studies from several disciplines in order to investigate whether, how, and why practices of music listening changed. Focusing on a diverse set of locations and actors and using a range of historical sources, it attempts to historicize and reconstruct the evolution of listening styles to show the wealth of variants in listening.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 2, 2018)
    DOI: 10.1093/oxfordhb/9780190466961.001.0001
    URL: lizenzpflichtig
    URL: Volltext
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    MPI Ethno. Forsch.
  • 97
    Online Resource
    Online Resource
    Pop weiter denken : neue Anstöße aus Jazz Studies, Philosophie, Musiktheorie und Geschichte (2018)
    Bielefeld : transcript | Gießen : Giessener Elektronische Bibliothek
    Details
    Language: German , English
    Pages: 1 Online-Ressource
    Series Statement: Beiträge zur Popularmusikforschung 44
    DDC: 305.800943
    RVK:
    LS 48010
    Keywords: Unterhaltungsmusik ; Popmusik ; Jazz ; Forschung ; Musikphilosophie ; Musiktheorie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Aufsatzsammlung ; Konferenzschrift 2017 ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Beiträge teilweise deutsch, teilweise englisch
    URN: urn:nbn:de:hebis:26-opus-152870
    URL: kostenfrei
    URL: kostenfrei
    URL: https://doi.org/10.1515/9783839446645?locatt=mode:legacy
    URL: Cover
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839446645
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover
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  • 98
    Online Resource
    Online Resource
    Anonymity performance in electronic pop music : a performance ethnography of critical practices (2018)
    Bielefeld : transcript
    Details
    ISBN: 9783839442562
    Language: English
    Pages: 1 Online-Ressource (232 Seiten) , Illustrationen
    Series Statement: Popular music
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als Menrath, Stefanie, 1972 - Anonymity performance in electronic pop music
    Dissertation note: Dissertation University of London
    RVK:
    LS 48655
    Keywords: Anonymität ; Feldforschung ; Performance ; Performativität ; Popmusik ; Elektronische Musik ; Anonymity. ; Cultural Studies. ; Ethnography. ; Music. ; Musicology. ; Performance. ; Pop Music. ; Popular Culture. ; MUSIC / History & Criticism ; Hochschulschrift ; Hochschulschrift ; Elektronische Musik ; Performativität ; Anonymität
    Abstract: In electronic music culture, anonymity practices have long been established as a method of critique of pop star cult and identification regimes. How can scholars research an anti-representational music culture and what can they learn from it? Recently, electronic pop music has resorted to a performative play with identity involving fake or parafictive identities or collaborative persona imaginations.This study sketches two musico-artistic projects of anonymity performance as forms of immanent and particulate `critical practice' in the sense of Judith Butler and Michel Foucault. Adopting performance in a reflexive and performative writing style, this `performance ethnography' calls for a radical performative turn in the cultural studies of music.
    DOI: 10.14361/9783839442562
    URL: lizenzpflichtig
    URL: Volltext
    URL: Cover
    URL: Cover
    URL: Cover
    URL: lizenzpflichtig
    URL: Volltext
    URL: Cover
    URL: Cover
    URL: Cover
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  • 99
    Online Resource
    Online Resource
    Landscapes of Music in Istanbul : a Cultural Politics of Place and Exclusion (2017)
    Bielefeld : transcript
    Details
    ISBN: 9783839433584
    Language: German , English
    Pages: 1 Online-Ressource (189 Seiten) , Illustrationen
    Series Statement: Urban Studies
    Parallel Title: Erscheint auch als Landscapes of music in Istanbul
    DDC: 300
    RVK:
    LS 36500
    Keywords: Aufsatzsammlung ; Istanbul ; Musik ; Urbanität ; Gentrifizierung ; Pop-Kultur ; Stadtforschung
    Abstract: Everyday articulations of music, place, urban politics, and inclusion/exclusion are powerfully present in Istanbul. This volume analyzes landscapes of music, community, and exclusion across a century and a half. An interdisciplinary group of scholars and artists presents four case studies: the rembetika, the music of the Asiks, the Zakir/Alevi tradition, and hip-hop, in Beyoglu, Üsküdar, the gentrifying Sulukule neighborhood, and across the metropolis. Alex Papadopoulos is Associate Professor of Geography at DePaul University, Chicago. He studies the contestation of urban space in European cities. Asli Duru is Marie Curie Fellow at The Open University, London, and studies everyday geographies of health and wellbeing.
    DOI: 10.14361/9783839433584
    URL: Volltext
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 100
    Online Resource
    Online Resource
    The Oxford handbook of choral pedagogy (2017)
    Oxford : Oxford University Press
    Details
    ISBN: 9780199373383
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Oxford handbooks
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als The Oxford handbook of choral pedagogy
    DDC: 782.5071
    RVK:
    LR 12560
    RVK:
    LR 56984
    Keywords: Choral singing Instruction and study ; Choral singing ; Instruction and study ; Aufsatzsammlung ; Nordamerika ; Chorleitung ; Chorgesang ; Soziale Funktion
    Abstract: This text explores varied perspectives on teaching, learning, and performing choral music. Authors are academic scholars and researchers as well as active choral conductors. Topics include music programming and the selection of repertoire; the exploration of singer and conductor identity; choral traditions in North America, Western Europe, South America, and Africa; and the challenges conductors meet as they work with varied populations of singers. Chapters consider children's choirs, world music choirs, adult community choirs, gospel choirs, jazz choirs, professional choruses, collegiate glee clubs, and choirs that meet the needs of marginalized singers.
    Note: Includes bibliographical references and index
    DOI: 10.1093/oxfordhb/9780199373369.001.0001
    URL: Volltext
    URL: lizenzpflichtig
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    MPI Ethno. Forsch.
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