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  • 1
    Online Resource
    Online Resource
    Stuttgart : J.B. Metzler | Cham : Springer International Publishing AG
    ISBN: 9783476054210 , 3476054217
    Language: German
    Pages: 1 Online-Ressource (XI, 437 Seiten) , 2 Abb. in Farbe.
    Edition: 1st ed. 2018
    Parallel Title: Erscheint auch als Handbuch Sound
    DDC: 302.2
    RVK:
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    RVK:
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    Keywords: Sound Studies ; Medientheorie ; Literatur ; Philosophie ; Lautwahrnehmung ; Medientechnik ; Communication ; Culture—Study and teaching ; Media and Communication ; Cultural Studies ; Aufsatzsammlung
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  • 2
    Online Resource
    Online Resource
    Stuttgart : J.B. Metzler | Imprint: J.B. Metzler
    ISBN: 9783476054210
    Language: German
    Pages: 1 Online-Ressource (XI, 437 S. 2 Abb. in Farbe)
    Parallel Title: Printed edition
    DDC: 301
    RVK:
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    Keywords: Culture Study and teaching ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    ISBN: 9781782384229
    Language: English
    Pages: 1 Online-Ressource (352 p.)
    DDC: 306.09409/034#23
    RVK:
    Keywords: Klang ; Lärm ; Schallaufzeichnung ; Kultur ; Europa
    Abstract: Long ignored by scholars in the humanities, sound has just begun to take its place as an important object of study in the last few years. Since the late 19th century, there has been a paradigmatic shift in auditory cultures and practices in European societies. This change was brought about by modern phenomena such as urbanization, industrialization and mechanization, the rise of modern sciences, and of course the emergence of new sound recording and transmission media. This book contributes to our understanding of modern European history through the lens of sound by examining diverse subjects such as performed and recorded music, auditory technologies like the telephone and stethoscope, and the ambient noise of the city.
    URL: Cover
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  • 4
    ISBN: 9780190466992
    Language: English
    Pages: 1 online resource
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als The Oxford handbook of music listening in the 19th and 20th centuries
    DDC: 781.1/709
    RVK:
    Keywords: Listening ; Music Social aspects 19th century ; History ; Music Social aspects 20th century ; History ; Concerts History 19th century ; Concerts History 20th century ; Music ; Social aspects ; History ; 19th century ; Music ; Social aspects ; History ; 20th century ; Concerts ; History ; 19th century ; Concerts ; History ; 20th century ; Listening ; Aufsatzsammlung ; Konferenzschrift 2012 ; Musikhören ; Konzert ; Konzert ; Geschichte 1800-2000 ; Musiksoziologie
    Abstract: This handbook takes on the task of examining the history of music listening over the past two hundred years. It uses the "art of listening" as a leitmotif encompassing an entanglement of interdependent practices and discourses about a learnable mode of perception. The art of listening first emerged around 1800 and was adopted and adapted across the public realm to suit a wide range of collective listening situations from popular to serious art forms up to the present day. Because this is a relatively new subject in historical research, the volume combines case studies from several disciplines in order to investigate whether, how, and why practices of music listening changed. Focusing on a diverse set of locations and actors and using a range of historical sources, it attempts to historicize and reconstruct the evolution of listening styles to show the wealth of variants in listening.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 2, 2018)
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  • 5
    ISBN: 9781000780000
    Language: English
    Pages: 1 online resource (311 pages)
    Series Statement: Routledge Studies in Modern History Ser.
    Parallel Title: Erscheint auch als
    DDC: 302.23
    Keywords: Journalism-Objectivity ; Knowledge, Theory of-History ; Press-Europe-History-19th century ; Electronic books
    Abstract: Intro -- Half Title -- Series Page -- Title Page -- Copyright Page -- Contents -- Figures -- Table -- Acknowledgments -- Contributors -- Introduction: Journalists and Histories of Knowledge -- Journalists, knowledge, practices -- Framework: journalism and the history of knowledge -- Toward histories of journalistic knowledge practices -- Histories of observing the everyday: case studies -- Conclusion -- Notes -- Bibliography -- Part I: Facts and Truths -- 1. "I Was There Today": Fake Eyewitnessing and Journalistic Authority, from Fontane to Relotius -- Reporting "from" London -- Real/false: on the emergence of a fraught distinction -- Fontane's false correspondence: boundary-work in action -- Getting real -- Conclusion -- Notes -- Bibliography -- 2. "Have We La Grippe?": A Washington Case Study of Reporting the "Russian Influenza" (1889-1890) -- The New and Much Talked of Russian Influenza -- Have you got it? -- The power of imagination -- Fewer cases -- more deaths -- Vital statistics -- Conclusion -- Newspapers cited -- Databases consulted -- Notes -- Bibliography -- 3. Why Marmaduke Mizzle and the Good Ship Wabble Fooled No One: Fake News and Metajournalistic Discourse in the Era of Journalistic Professionalization -- When the news isn't true -- Making meaning with the Wabble -- Different meanings for different audiences -- The meaninglessness of Mizzle -- Newspapers cited -- Databases consulted -- Notes -- Bibliography -- Further Reading -- Part II: Networks and Identities -- 4. What It Means to Be a Journalist: Constructing the Journalistic Persona at the End of the Weimar Republic -- A band of "vandals? -- Surveys in context -- Primordialism and intuition: the "born journalist -- Gender hierarchies -- Journalistic skills, journalistic virtues -- Ideal types -- Conclusion -- Notes -- Bibliography.
    Note: Description based on publisher supplied metadata and other sources
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  • 6
    ISBN: 9780367630430
    Language: English
    Pages: XV, 294 Seiten
    Series Statement: Routledge Studies in Modern History
    Parallel Title: Erscheint auch als Journalists and knowledge practices
    DDC: 302.23
    Keywords: 20th century history: c 1900 to c 2000 ; Amerikanische Geschichte ; Cultural studies ; European history ; Europäische Geschichte ; HISTORY / Europe / General ; HISTORY / General ; HISTORY / Modern / General ; HISTORY / Social History ; HISTORY / United States / General ; History of the Americas ; Kulturwissenschaften ; Media studies ; Medienwissenschaften ; Modern history to 20th century: c 1700 to c 1900 ; Press & journalism ; Presse und Journalismus ; Social & cultural history ; Sozial- und Kulturgeschichte ; Aufsatzsammlung
    Abstract: This multi-disciplinary anthology provides new perspectives on the journalist's role in knowledge generation in the newspaper age-covering diverse topics from fake news to new technologies.Fake news, journalistic authority, and the introduction of cutting-edge technologies are often viewed as new topics in journalism. However, these issues were prevalent long before the twenty-first century. Connecting for the first time two burgeoning strands of research-a newly perceived history of knowledge and the study of journalism-Journalists and Knowledge Practices provides insights into the journalist's role in the world of knowledge in the newspaper age (ca. 1860s to 1970s). This multi-disciplinary anthology asks how journalists conducted their work and reconstructs histories of journalistic practices in specific regional constellations in Europe and North America. From fake news writing to inventing psychological concepts, integrating electric telegrams to fabricating photographs, explaining pandemics to creating communities, these case studies written by distinguished scholars from various disciplines in the humanities show how notions of fact and truth were shaped, new technologies integrated, and knowledge transfers arranged. This book is crucial reading for scholars and students interested in the historically changing relationships between journalistic practices and the generation and dissemination of knowledge.This volume is crucial reading for scholars and students interested in the history of journalistic practice
    Description / Table of Contents: Part I1. "I Was There Today": Fake Eyewitnessing and Journalistic Authority, from Fontane to RelotiusPetra McGillen2. "Have We La Grippe?": A Washington Case Study of Reporting the "Russian Influenza" (1889-1890)E. Thomas Ewing3. Why Marmaduke Mizzle and the Good Ship Wabble Fooled No One: Fake News and Metajournalistic Discourse in the Era of Journalistic ProfessionalizationAndie TucherPart II4. What it Means to Be a Journalist: Constructing the Journalistic Persona at the End of the Weimar RepublicHansjakob Ziemer5. Secret Press Agents: When Journalists, Propagandists, and Spies Seemed Indistinguishable Heidi TworekPart III Technologies6. Shortness and Speed in Journalism: The Electric Telegram and the Circulation of Knowledge in Germany and France in 1860Lisa Bolz7. Fabricating Authentic Pictures: Press Photography as a Transnational Mode of Observation at the Turn of the Twentieth CenturyMalte Zierenberg8. Inattentive Subjects: The Emergence of a Photojournalistic NormAnnie RuddPart IV Knowledge Transfers9. "Like a Modern Harun al Raschid": Herman Heijermans's 1910 Reports on the Herzberge Mental Asylum in BerlinEric J. Engstrom10. A Peasant among Peasants: Maurice Hindus's Transnational Revolutionary JournalismElena Matveeva11. Pop or Popularization? The Boundaries between Social Science and JournalismSusanne Schmidt
    URL: Cover
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  • 7
    ISBN: 9783476054210
    Language: German
    Pages: Online-Ressource
    Edition: Springer eBook Collection. J.B. Metzler Humanities
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Erscheint auch als Handbuch Sound
    RVK:
    Keywords: Cultural and Media Studies ; Culture Study and teaching ; Culture Study and teaching ; Sound Studies ; Klang
    Abstract: Dieses Handbuch bietet einen Überblick über Sound in den Kultur-, Geistes- und Sozialwissenschaften. Ausgehend von der Beobachtung, dass Sound ein soziales und damit auch ein historisches Phänomen ist, greifen die Autorinnen und Autoren die Vielfalt von Sound in unterschiedlichen Erscheinungs- und Darstellungsformen auf und verfolgen ihre Spuren in Geschichte und Gegenwart. Sie skizzieren methodisch-theoretische Zugänge und Begriffe der Soundforschung und gehen auf disziplinäre Perspektiven und Traditionen ebenso ein wie auf einzelne akustische Phänomene. Dabei werden spezifische Räumlichkeiten genauso berücksichtigt wie die medialen und politischen Kontexte, in denen Sound produziert und erfasst, angeeignet und genutzt wird. Das Handbuch gibt damit nicht nur eine breite Übersicht über die aktuelle Diskussion zu Sound, sondern liefert auch vielfältige Anregungen für zukünftige Forschungen
    Abstract: I. Einleitung -- II. Methodisch-theoretische Zugänge -- III. Begriffe -- IV. Akustische Phänomene -- . Medien -- VI. Räume -- VII. Epochen -- VIII. Politik: IX. Disziplinäre Perspektiven -- X. Anhang
    URL: Cover
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  • 8
    ISBN: 9783476026040 , 3476026043
    Language: German
    Pages: XI, 437 Seiten , Illustrationen , 24 cm x 16.8 cm
    Parallel Title: Erscheint auch als Handbuch Sound
    DDC: 781.23072
    RVK:
    Keywords: Sound Studies ; Sound Studies ; Aufsatzsammlung ; Sound Studies ; Medientheorie ; Literatur ; Philosophie ; Lautwahrnehmung ; Medientechnik ; Klang
    Abstract: Dieses Handbuch bietet einen Überblick über Sound in den Kultur-, Geistes- und Sozialwissenschaften. Ausgehend von der Beobachtung, dass Sound ein soziales und damit auch ein historisches Phänomen ist, greifen die Autorinnen und Autoren die Vielfalt von Sound in unterschiedlichen Erscheinungs- und Darstellungsformen auf und verfolgen ihre Spuren in Geschichte und Gegenwart. Sie skizzieren methodisch-theoretische Zugänge und Begriffe der Soundforschung und gehen auf disziplinäre Perspektiven und Traditionen ebenso ein wie auf einzelne akustische Phänomene. Dabei werden spezifische Räumlichkeiten genauso berücksichtigt wie die medialen und politischen Kontexte, in denen Sound produziert und erfasst, angeeignet und genutzt wird. Das Handbuch gibt damit nicht nur eine breite Übersicht über die aktuelle Diskussion zu Sound, sondern liefert auch vielfältige Anregungen für zukünftige Forschungen. Einleitung.- II. Methodisch-theoretische Zugänge.- III. Begriffe.- IV. Akustische Phänomene.- . Medien.- VI. Räume.- VII. Epochen.- VIII. Politik: IX. Disziplinäre Perspektiven.- X. Anhang
    Note: Literaturangaben
    URL: Cover
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