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  • Online Resource  (333)
  • 2005-2009  (330)
  • 1970-1974  (3)
  • Musicology  (333)
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  • 101
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    ISBN: 9783839409831
    Language: German
    Pages: 1 Online-Ressource (179 Seiten)
    Series Statement: Beiträge zur Popularmusikforschung 36
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    Keywords: Popmusik ; Stadt ; Urbanität ; Unterhaltungsmusik ; Kanon ; Musik ; Popkultur ; Music ; Popular Culture ; Musikwissenschaft ; Musicology ; Popmusik ; Pop Music ; Kanonbildung ; Hitlisten ; Charts ; Bestenlisten ; Konferenzschrift 2007
    Abstract: Charts und Airplaylisten, Umfragen und Votings - nirgends sonst wird so öffentlich gemessen und hierarchisiert wie in der populären Musik. Daneben existieren unter Fans und Fachleuten zahlreiche »geheime« Kanones. Das Wissen um den Rang einer Band, eines Stücks oder einer Einspielung ist Macht- und Distinktionsgewinn. Noch nie sind so viele ratgebende Bücher und Zeitschriften über die »100/50/18/3 besten Platten« erschienen, die »alles, was man wissen muss«, in kompakter Form vorerzählen. Die Definitionsmacht dieser populären Kanones ist unter Fans und Journalisten hart umkämpft.Erstmals für die deutschsprachige Popularmusikforschung beleuchtet dieser Band das Phänomen aus den Perspektiven verschiedener Musiken, Zeiten und Wissenschaftsdisziplinen.
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  • 102
    Online Resource
    Online Resource
    Westport : ABC-CLIO | Ann Arbor, Michigan : ProQuest
    ISBN: 9780313352461
    Language: English
    Pages: 1 Online-Ressource (240 pages)
    DDC: 781.642
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    Keywords: Geschichte ; Countrymusic
    Abstract: Discovering Country Music chronicles the incredible evolution of country music in America - from the fiddle to the pop charts - and provides an insightful account of the reasons and motives that have determined its various transformations and offshoots over the years. In order to understand what country music is, and why, it is essential to understand how it makes its money - the basic revenue streams, the major companies involved, and how country artists are booked and marketed. Author Don Cusic helps readers do that, and goes even further, covering not only the business and the technology that have shaped the industry, but also tackling the question of country's relationship to the other major genres of the American recording industry, including pop, blues, and rock music. Discovering Country Music is broken down into ten sections which include: key musical trends; ancillary business trends such as recording technology, radio, and the recording industry; and prominent artists, including as a small sample Stephen Foster, The Carter Family, Elvis, Johnny Cash, Dolly Parton, Willie Nelson, Garth Brooks, The Dixie Chicks, Tim McGraw, Faith Hill, and Kenny Chesney. This work should appeal to fans, scholars, educators, libraries and the general reader alike.
    Note: Description based on publisher supplied metadata and other sources
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  • 103
    Online Resource
    Online Resource
    New Haven : Yale University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780300127065
    Language: English
    Pages: 1 Online-Ressource (335 pages)
    DDC: 782.421643092
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    Keywords: Smith, Bessie ; Biographie
    Note: Description based on publisher supplied metadata and other sources
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  • 104
    Online Resource
    Online Resource
    Baltimore : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252092374
    Language: English
    Pages: 1 Online-Ressource (218 pages)
    DDC: 782.421643092
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    Keywords: Smith, Bessie ; Tennessee
    Note: Description based on publisher supplied metadata and other sources
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  • 105
    Online Resource
    Online Resource
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252091124
    Language: English
    Pages: 1 Online-Ressource (441 pages)
    Series Statement: African American Music in Culture
    DDC: 781.643
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    Keywords: Blues
    Note: Description based on publisher supplied metadata and other sources
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  • 106
    Online Resource
    Online Resource
    Honolulu : Duke University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780822389385
    Language: English
    Pages: 1 Online-Ressource (403 pages)
    Edition: 1st ed.
    Series Statement: Refiguring American Music Ser.
    DDC: 781.640896872079494
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    Keywords: Sozialgeschichte 1935-1968 ; Geschichte 1935-1968 ; Chicanos ; Musikleben ; Rockmusik ; Jazz ; Los Angeles, Calif. ; Electronic books
    Abstract: A study of the creation of jazz, swing, and R&B music within the multicultural, multiethnic terrain of Los Angeles during and after World War II.
    Note: Description based on publisher supplied metadata and other sources
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  • 107
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781604737288
    Language: English
    Pages: 1 Online-Ressource (320 pages)
    DDC: 781.643096
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    Keywords: Geschichte ; Blues ; Afrika
    Abstract: In 1969 Gerhard Kubik chanced to encounter a Mozambican labor migrant, a miner in Transvaal, South Africa, tapping a cipendani, a mouth-resonated musical bow. A comparable instrument was seen in the hands of a white Appalachian musician who claimed it as part of his own cultural heritage. Through connections like these Kubik realized that the link between these two far-flung musicians is African-American music, the sound that became the blues. Such discoveries reveal a narrative of music evolution for Kubik, a cultural anthropologist and ethnomusicologist. Traveling in Africa, Brazil, Venezuela, and the United States, he spent forty years in the field gathering the material for Africa and the Blues. In this book, Kubik relentlessly traces the remote genealogies of African cultural music through eighteen African nations, especially in the Western and Central Sudanic Belt. Included is a comprehensive map of this cradle of the blues, along with 31 photographs gathered in his fieldwork. The author also adds clear musical notations and descriptions of both African and African American traditions and practices and calls into question the many assumptions about which elements of the blues were "European" in origin and about which came from Africa. Unique to this book is Kubik's insight into the ways present-day African musicians have adopted and enlivened the blues with their own traditions. With scholarly care but with an ease for the general reader, Kubik proposes an entirely new theory on blue notes and their origins. Tracing what musical traits came from Africa and what mutations and mergers occurred in the Americas, he shows that the African American tradition we call the blues is truly a musical phenomenon belonging to the African cultural world. Gerhard Kubik is a professor in the department of ethnology and African studies at the...
    Abstract: University of Mainz, Germany. Since 1983 he has been affiliated with the Center for Social Research of Malawi, Zomba. He is a permanent member of the Center for Black Music Research in Chicago and an Honorary Fellow of the Royal Anthropological Institute of Great Britain and Ireland, London.
    Note: Description based on publisher supplied metadata and other sources
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  • 108
    Online Resource
    Online Resource
    Carol Stream : Duke University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780822389224
    Language: English
    Pages: 1 Online-Ressource (474 pages)
    Edition: 1st ed.
    Series Statement: Refiguring American Music Ser.
    DDC: 781.65082
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    Keywords: Jazz ; Geschlechterforschung ; Aufsatzsammlung ; Electronic books
    Abstract: Collection of essays on the role of gender in jazz studies.
    Note: Description based on publisher supplied metadata and other sources
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  • 109
    ISBN: 9780195175479 , 0195175476 , 9780195321234 , 0195321235
    Language: English
    Pages: xiv, 311 p.
    Parallel Title: Erscheint auch als
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    DDC: 785.680972983
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    Keywords: Geschichte ; Geschichte ; Gesellschaft ; Steel band music History and criticism ; Steel bands (Music) History ; Popular music Social aspects ; Steelband ; Gesellschaft ; Popmusik ; Tobago ; Trinidad ; Trinidad ; Popmusik ; Gesellschaft ; Tobago ; Geschichte ; Trinidad ; Steelband ; Tobago ; Geschichte
    Note: Discography , Includes bibliographical references and index
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  • 110
    Online Resource
    Online Resource
    Madison, Wis. : University of Wisconsin Press
    ISBN: 0299229033 , 9780299229030
    Language: English
    Pages: 1 Online-Ressource (xvi, 323 p.)
    Series Statement: New perspectives in Southeast Asian studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6309598
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    Keywords: Geschichte (1997-2001) ; Sozialgeschichte (1997-2001) ; Geschichte 1997-2001 ; Sozialgeschichte 1997-2001 ; MUSIC / Genres & Styles / International ; MUSIC / Genres & Styles / Pop Vocal ; MUSIC / Genres & Styles / New Age ; Popular music ; Popmusik ; Popular music ; Popmusik ; Indonesien ; Hochschulschrift ; Hochschulschrift ; Indonesien ; Popmusik ; Sozialgeschichte 1997-2001 ; Indonesien ; Popmusik ; Geschichte 1997-2001
    Note: Originally presented as the author's thesis (Ph. D.)--University of Pennsylvania, 2002. - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references (p. 299-313) and index
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  • 111
    Online Resource
    Online Resource
    Rochester : University of Rochester Press
    ISBN: 9781282894969 , 9781580467230 , 128289496X
    Language: English
    Pages: 1 Online-Ressource (XIX, 260 Seiten)
    Series Statement: Eastman studies in music
    Parallel Title: Print version French Music, Culture, and National Identity, 1870-1939
    Parallel Title: Erscheint auch als French music, culture, and national identity, 1870 - 1939
    DDC: 306.4842094409034
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    Keywords: Nationalism in music ; Music Political aspects 19th century ; History ; Music Political aspects 20th century ; History ; Music -- Political aspects -- France -- History -- 19th century ; Music -- Political aspects -- France -- History -- 20th century ; Nationalism in music ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Musik ; Kultur ; Nation
    Description / Table of Contents: ""Frontcover""; ""CONTENTS""; ""LIST OF ILLUSTRATIONS""; ""ACKNOWLEDGMENTS""; ""TIMELINE: Selective Chronology of Historical and Cultural Events,1870â€?1939""; ""INTRODUCTION: The Roles of Music and Culture in National Identity Formation""; ""Part One: Heroism, Art, and New Media: France and Identity Formation""; ""1 Unifying the French Nation: Savorgnan de Brazza and the Third Republic""; ""2 New Media, Source-Bonding, and Alienation: Listening at the 1889 Exposition Universelle""; ""3 Debussy and the Making of a musicien franÃais: Pelléas, the Press, and World War I""
    Description / Table of Contents: ""4 À bas Wagner!: The French Press Campaign against Wagner during World War I""""Part Two: Canon, Style, and Political Alignment""; ""5 D�Indy�s Beethoven""; ""6 Messidor: Republican Patriotism and the French Revolutionary Tradition in Third Republic Opera""; ""7 The Symphony and National Identity in Early Twentieth-Century France""; ""8 Transcending the Word?: Religion and Music in Gauguin�s Quest for Abstraction""; ""9 Jolivet�s Search for a New French Voice: Spiritual “Otherness� in Mana (1935)""; ""Part Three: Regionalism""
    Description / Table of Contents: ""10 Rameau in Late Nineteenth-Century Dijon: Memorial, Festival, Fiasco""""11 Becoming Alsatian: Anti-German and Pro-French Cultural Propaganda in Alsace, 1898�1914""; ""12 National Identity and the Double Border in Lorraine, 1870�1914""; ""LIST OF CONTRIBUTORS""; ""INDEX ""; ""Backcover""
    Note: Includes bibliographical references and index
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  • 112
    Online Resource
    Online Resource
    Burlington, VT : Ashgate | [Ann Arbor, Michigan] : [ProQuest]
    ISBN: 9781409400493
    Language: English
    Pages: xiv, 238 p.
    Series Statement: Ashgate popular and folk music series
    DDC: 781.64
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    Keywords: Unterhaltungsmusik ; Gewalt
    Note: Includes bibliographical references (p. [195]-221), filmography (p. 221), and index
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  • 113
    ISBN: 9783839409831 , 9783899429831
    Language: German
    Pages: 1 Online-Ressource (178 p.)
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    Keywords: Education ; Konferenzschrift 2007
    Abstract: Charts und Airplaylisten, Umfragen und Votings - nirgends sonst wird so öffentlich gemessen und hierarchisiert wie in der populären Musik. Daneben existieren unter Fans und Fachleuten zahlreiche »geheime« Kanones. Das Wissen um den Rang einer Band, eines Stücks oder einer Einspielung ist Macht- und Distinktionsgewinn. Noch nie sind so viele ratgebende Bücher und Zeitschriften über die »100/50/18/3 besten Platten« erschienen, die »alles, was man wissen muss«, in kompakter Form vorerzählen. Die Definitionsmacht dieser populären Kanones ist unter Fans und Journalisten hart umkämpft. Erstmals für die deutschsprachige Popularmusikforschung beleuchtet dieser Band das Phänomen aus den Perspektiven verschiedener Musiken, Zeiten und Wissenschaftsdisziplinen
    Note: German
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  • 114
    ISBN: 9783839408421 , 9783899428421
    Language: English
    Pages: 1 Online-Ressource (344 p.)
    DDC: 302.231
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    Keywords: Media studies ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Current findings from anthropology, genetics, prehistory, cognitive and neuroscience indicate that human nature is grounded in a co-evolution of tool use, symbolic communication, social interaction and cultural transmission. Digital information technology has recently entered as a new tool in this co-evolution, and will probably have the strongest impact on shaping the human mind in the near future. A common effort from the humanities, the sciences, art and technology is necessary to understand this ongoing co- evolutionary process. Interactivity is a key for understanding the new relationships formed by humans with social robots as well as interactive environments and wearables underlying this process. Of special importance for understanding interactivity are human-computer and human-robot interaction, as well as media theory and New Media Art. »Paradoxes of Interactivity« brings together reflections on »interactivity« from different theoretical perspectives, the interplay of science and art, and recent technological developments for artistic applications, especially in the realm of sound
    Note: English
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  • 115
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag
    ISBN: 9783839408858 , 9783899428858
    Language: English
    Pages: 1 Online-Ressource (214 p.)
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    Keywords: Films, cinema
    Abstract: This book provides the production history and a contextual interpretation of The Beatles' movies (A Hard Day's Night, Help!, Yellow Submarine, Let It Be) and describes their ability to project the group's image at different stages in their career. It also includes a discussion of all of The Beatles' promotional films and videos, as well as their television cartoon series and the self-produced television special Magical Mystery Tour. Along with The Beatles' feature movies and promos, this analysis also contains documentaries, such as The Compleat Beatles and Anthology, as well as dramatizations of the band's history, such as Backbeat, The Hours and Times, and Two of Us
    Note: English
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  • 116
    Online Resource
    Online Resource
    Austin : University of Texas Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780292794221
    Language: English
    Pages: 1 Online-Ressource (217 pages)
    DDC: 782.421649
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    Keywords: Rap ; Erotik ; Gewalt
    Note: Description based on publisher supplied metadata and other sources
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  • 117
    ISBN: 047202597X , 9780472025978
    Language: English
    Pages: 1 Online-Ressource (230 p.)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 979.4/61054
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    Keywords: 1900 - 1999 ; Geschichte 1900-2000 ; Geschichte 1960-1970 ; HISTORY / State & Local / General ; Counterculture ; Intellectual life ; Manners and customs ; Rock music ; Rock musicians ; Social change ; Youth / Social life and customs ; Gesellschaftsleben / California / History / 20th century ; Rockmusiker ; Jugend ; Gesellschaftsleben ; Gegenkultur ; Jugendkultur ; Rockmusik ; Alltag, Brauchtum ; Geschichte ; Jugend ; Counterculture History 20th century ; Rock music History and criticism ; Rock musicians History 20th century ; Youth Social life and customs 20th century ; Social change History 20th century ; Gesellschaftsleben ; Rockmusiker ; Geistesleben ; Gegenkultur ; Rockmusik ; Jugendkultur ; Jugend ; Sozialer Wandel ; San Francisco- Haight-Ashbury ; San Francisco, Calif. ; San Francisco, Calif. ; Gegenkultur ; Jugendkultur ; Geschichte 1960-1970 ; San Francisco, Calif. ; Rockmusik ; Rockmusiker ; Geschichte 1960-1970 ; San Francisco, Calif. ; Jugend ; Gesellschaftsleben ; Geschichte 1960-1970 ; San Francisco- Haight-Ashbury ; Gesellschaftsleben ; Geschichte 1960-1970 ; San Francisco, Calif. ; Geistesleben ; Geschichte 1960-1970 ; San Francisco, Calif. ; Sozialer Wandel ; Geschichte 1960-1970 ; San Francisco- Haight-Ashbury ; Geistesleben ; Geschichte 1960-1970
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references (p. 207-220) and index , Refusing to play, pluralism, and anything goes: defining the counterculture -- The outlaw persona: Joplin, big brother, and pluralism in black and white -- The exotic persona: absorbing the postcolonial political pill -- The natural persona: freedom, the grateful dead, and an anticommercial counterculture -- The new age persona: sex, spirituality, and escaping to the now -- Helter Skelter: lessons from the end of the counterculture
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  • 118
    Online Resource
    Online Resource
    Chapel Hill, North Carolina : University of North Carolina Press
    ISBN: 9781469616667
    Language: English
    Pages: 1 online resource (449 pages) , illustrations, photographs
    Series Statement: New Encyclopedia of Southern Culture Volume 12
    Parallel Title: Erscheint auch als Music
    DDC: 780
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    Keywords: Geschichte ; Music Encyclopedias ; Music Encyclopedias History ; Mentalität ; Musik ; Musiker ; Geschichte ; Literatur ; Kultur ; USA Südstaaten ; Wörterbuch ; USA Südstaaten ; Kultur ; Mentalität ; Geschichte ; USA Südstaaten ; Musik ; Geschichte ; USA Südstaaten ; Literatur ; Geschichte ; USA Südstaaten ; Kultur ; Geschichte ; USA Südstaaten ; Musiker
    Note: "Published with the assistance of the Anniversary Endowment Fund of the University of North Carolina Press"--T.p. verso. - "Sponsored by the Center for the Study of Southern Culture at the University of Mississippi.. - Includes indexes , Description based on print version record
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  • 119
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 0199715556 , 9780199715558
    Language: English
    Pages: 1 Online-Ressource (xii, 340 p.)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    DDC: 781.640941/09046
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    Keywords: 1900 - 1999 ; Geschichte 1900-2000 ; Geschichte 1960-1970 ; MUSIC / Genres & Styles / Pop Vocal ; Popular music ; Sound recording industry ; Geschichte ; Popular music History and criticism 1961-1970 ; Sound recording industry History 20th century ; Musikwirtschaft ; Popmusik ; Großbritannien ; Großbritannien ; Großbritannien ; Popmusik ; Musikwirtschaft ; Geschichte 1960-1970
    Note: Includes bibliographical references (p. 307-314), discography (p. 281-305), and index , Introduction. Approaches and material -- The velvet glove: the art of production -- A question of balance: engineering art -- Mediating change: setting musical directions -- The write stuff: songwriters -- Red-light fever: musicians -- Please please me , Preface. Acknowledgements. Introduction. 1. The Velvet Glove: The Art of Production. 2. A Question of Balance: Engineering Art. 3. 4. 5. Red-Light Fever: Musicians. 6. Please Please Me. 7. Discography. Bibliography
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  • 120
    ISBN: 1281162078 , 1435632338 , 1602581711 , 9781281162076 , 9781435632332 , 9781602581715
    Language: English
    Pages: 1 Online-Ressource (1 volume)
    Parallel Title: Erscheint auch als
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    DDC: 264/.2096
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    Keywords: RELIGION / Institutions & Organizations ; RELIGION / Christian Rituals & Practice / Worship & Liturgy ; Church music ; Kirchenmusik ; Church music ; Kirchenmusik ; Afrika ; Afrika ; Aufsatzsammlung ; Afrika ; Kirchenmusik
    Note: Includes bibliographical references and index , Beginnings : music in the African church / Roberta R. King -- Music culture : Euro-American Christianity / Roberta R. King -- Music culture : African life / Jean Kidula -- Encounters : what happens to music when people meet / James R. Krabill -- Church music in the life of African Christian communities / Thomas Oduro -- Making and managing music in African Christian life / Jean Kidula -- Bible : lex canendi, lex credendi / Roberta R. King -- Global church : lessons from Africa / Roberta R. King
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  • 121
    ISBN: 9780786727193
    Language: English
    Pages: Online-Ressource (321 p.)
    Edition: Electronic reproduction; Available via World Wide Web
    Parallel Title: Druckausg. Rose, Tricia, 1962 - The hip hop wars
    DDC: 305.896/07301732
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    Keywords: œaHip-hopœxSocial aspectsœzUnited States ; œaUnited StatesœxSocial conditions ; œaAfrican AmericansœxSocial conditions ; œaRap (Music)œxSocial aspectsœzUnited States ; œaSocial changeœzUnited States ; œaSubcultureœzUnited States ; Hip-hop ; Social aspects ; United States ; Rap (Music) ; Social aspects ; United States ; Social change ; United States ; Subculture ; United States ; African Americans ; Social conditions ; United States ; Social conditions ; USA ; Hip-Hop ; Subkultur
    Note: Includes bibliographical references (p. 289-291) and index , Erscheinungsjahr in Vorlageform:c2008 , Electronic reproduction; Available via World Wide Web
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  • 122
    Online Resource
    Online Resource
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 019514631x , 0195189507 , 9780195146318 , 9780195189506
    Language: English
    Pages: 1 Online-Ressource (XII, 324 S.) , Ill.
    Series Statement: Oxford scholarship online
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    Keywords: Rückständigkeit ; Soziale Situation ; Landbevölkerung ; Weltfremdheit ; USA Südstaaten ; USA Südstaaten ; Landbevölkerung ; Soziale Situation ; Weltfremdheit ; Rückständigkeit
    Note: Includes bibliographical references (p. ) and index
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  • 123
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199864003
    Language: English
    Pages: 1 Online-Ressource (xi, 276 p.) , Ill.
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    Keywords: Mitchell, Joni Criticism and interpretation
    Abstract: Whitesell explores Mitchell's musical style, sound, and structure in order to evaluate her songs from a musicological perspective. His analyses are conceived within a holistic framework that takes account of poetic nuance, cultural reference, and stylistic evolution over a long, adventurous career.
    Note: Includes bibliographical references and index
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  • 124
    Online Resource
    Online Resource
    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199869992
    Language: English
    Pages: 1 Online-Ressource (368 p.) , Ill.
    Series Statement: AMS studies in music
    DDC: 780.89924
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    Keywords: Geschichte ; Judentum ; Musik ; Modernität ; Jews Music ; History and criticism ; Jews History
    Abstract: Bohlman investigates several aspects of Jewish music within the context of the period beginning with the emancipation of German-Jewish culture during the eighteenth century and culminating in the destruction of that same culture under the Nazis.
    Note: Includes bibliographical references and index
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  • 125
    Online Resource
    Online Resource
    New York : Routledge
    ISBN: 0203927877 , 1135900019 , 9780203927878 , 9781135900014
    Language: English
    Pages: 1 Online-Ressource (xix, 501 pages) , illustrations, maps, music
    Edition: Second edition
    Uniform Title: Garland encyclopedia of world music Vol. 1 Africa
    Parallel Title: Erscheint auch als Garland handbook of African music
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    Keywords: Music History and criticism ; Folk music History and criticism ; MUSIC ; Reference ; Folk music ; Music ; Musik ; Volksmusik ; Muziek ; Muziekinstrumenten ; musique africaine ; manuel ; MUSIC ; Genres & Styles ; Classical ; Criticism, interpretation, etc ; Afrika ; Afrika ; Africa
    Abstract: On accompanying CD: Kpelle, Woi-meni-lele excerpt (4:27) -- Ethiopian, Lidet (Christmas) celebration (3:08) -- Inaga Chuchotée (whispered inanga) (4:12) -- Vai call to prayer (5:07) -- Palm-wine highlife song (2:56) -- Silimu Yayidha Okulamula (AIDS came to judge us) (3:03) -- Gedro (Dance mask spirit) performance (2:41) -- Anol-Ewe, kinda songs (2:13) -- Manknka, Manareh praise song (balabolo) including Nyin min nyama nyama (5:44) -- Bala, pattern of Maninka Mansareh bolo)0:51) -- Maninka, Duwa praise song (1:15) -- Tuareg, Tihadanaren (1:57) -- Tuareg, takemba song Khadisia (1:32) -- Basoga, lusaga song Enyhonyhi kolojo Thieving birds (4:00) -- Baganda, akadinda song Gganga aluwa Gganga escaped with his life (2:26) -- Lekhah, Dodi (Come, my beloved) (5:20) -- Somali, caayar dhaanto, excerpt 1 (2:45) -- Somali, caayar dhaanto, excerpt 2 (0:16) -- Popular song, Motike Orphans (2:02) -- Makala, a song performed during a BaAka (Pygmy) hunting dance called Mabo (2:30) -- BaAda of Dzanga perform a song during the eboka ya nzapa god dance in the style of neighboring Bolamba pygmies (2:12) -- Shona, Munyonga mbira song Tongore (2:25) -- Shona ancestral spirit song, Nyama musange (2:45) -- Rock of ages cleft for me (Thanthwe Long'ambikatu).
    Abstract: Profile of Africa ; African music in a constellation of arts ; Exploring African music / Ruth M. Stone -- Notation and oral tradition / Kay Kaufman Shelemay -- Conceptions of song : ownership, rights, and African copyright law / Alex Perullo -- Dance in communal life / Patience A. Kwakwa -- Islam in Liberia / Lester P. Monts -- The guitar in Africa / Andrew L. Kaye -- Kru mariners and migrants of the west African coast / Cynthia Schmidt -- Popular music in Africa / Angela Impey -- Music and HIV/AIDS in Africa / Gregory Barz and Judah Cohen -- West Africa : an introduction / Jacqueline Cogdell DjeDje -- Yoruba popular music / Christopher Waterman -- "The tradition" and identity in a diversifying context / Daniel Reed -- North Africa : an introduction ; Tuareg music / Caroline Card Wendt -- From village to vinyl : genealogies of new Kabyle song / Jane E. Goodman -- East Africa : an introduction / Peter Cooke -- Music and identity among the Abayudaya (Jewish people) of Uganda / Jeffrey A. Summit -- Central Africa : an introduction / Gerhard Kubik -- Musical life in the Central African Republic / Michelle Kisliuk -- Southern Africa : an introduction / John E. Kaemmer -- Popular music in South Africa / David B. Coplan -- Dance and gender in as contested sites in southern Malawi Presbyterian churches / Clara Henderson.
    Abstract: The Garland Handbook of African Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 1, Africa (1997). Revised and updated, the essays offer detailed, regional studies of the different musical cultures of Africa and examine the ways in which music helps to define the identity of this particular area
    Note: "Abridged paperback edition of Africa, volume 1 of The Garland encyclopedia of world music, with the addition of a new article, 'Exploring African Music' as well as articles by Alex Perullo, Gregory Barz and Judah Cohen, Daniel B. Reed, Jeffrey A. Summit, Jane Goodman, and Clara Henderson. The reed article is adapted from previous publication by Indiana University Press"--Title page verso , Includes bibliographical references (pages 469-478) and index -- Discography: pages 479-483 -- Filmography: pages 484-485
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  • 126
    Online Resource
    Online Resource
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 0195124480 , 9780195124484
    Language: English
    Pages: 1 Online-Ressource (XXIII, 328 S. , Ill., Notenbeisp.)
    Series Statement: Oxford scholarship online
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    Keywords: Strayhorn, Billy ; Biografie ; Strayhorn, Billy 1915-1967 ; Biografie
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  • 127
    Online Resource
    Online Resource
    Wiesbaden : Deutscher Universitäts-Verlag / GWV Fachverlage GmbH, Wiesbaden
    ISBN: 9783835054639
    Language: German
    Pages: Online-Ressource (XIX, 303S. 36 Abb, digital)
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Buchausg. u.d.T. Sperlich, Regina Popularmusik in der digitalen Mediamorphose
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    Keywords: Sociology ; Social Sciences, general ; Sociology ; Österreich ; Rockmusik ; Elektronische Musik ; Österreich ; Rockmusik ; Elektronische Musik
    Abstract: Regina Sperlich untersucht die Folgen der digitalen Mediamorphose für das österreichische Musikschaffen in Rock- und elektronischer Musik. Sie zeigt, wie die damit verbundene Demokratisierung der Produktions- und Kommunikationsmittel zu einer Marktöffnung führt, die aber auch mit mehr Konkurrenz einhergeht. Dr. Regina Sperlich promovierte bei Prof. Dr. Alfred Smudits am Institut für Soziologie der Universität Wien. Sie ist als wissenschaftliche Mitarbeiterin (Post-doc) am Institut Mediacult in Wien tätig.
    Abstract: Mediamorphosen stellen im sozialen Wandel des Kulturschaffens dem aktuellen Stand der Kommunikationstechnologien entsprechende dominante kommunikative Transformationen dar. Die digitale Mediamorphose hat entscheidende Auswirkungen auf die Produktions- und Kommunikationsbedingungen vor allem im Bereich der digitalen Popularmusik. Regina Sperlich untersucht die Folgen der digitalen Mediamorphose für das österreichische Musikschaffen in Rock- und elektronischer Musik. Sie zeigt, wie die damit verbundene Demokratisierung der Produktions- und Kommunikationsmittel zu einer Marktöffnung führt, die aber auch mit einer zunehmenden Konkurrenz einhergeht. Durch kostengünstigere technische Produktions- und Kommunikationsmittel wird der Heimstudioproduzent zur wesentlichen und relativ autonomen Figur des Produktionsprozesses. Zugleich lässt der Wegfall der Fixierung auf den Tonträger, dem ein Winner-Takes-it-All-Markt zu Grunde lag, neue Chancen für mittelständische Musikschaffende entstehen. Der Untersuchung liegen 41 qualitative Interviews mit Musikschaffenden, Labelbetreibern und Experten der Musikindustrie sowie umfassende Sekundärdaten zum österreichischen Musikmarkt zugrunde.
    Description / Table of Contents: Preliminary; Einleitung; Die Theorie der Mediamorphosen des Kultur-und des Musikschaffens; Forschungsvorhaben, Methode und Material; Der Arbeitsmarkt der Musikschaffenden im Wandel; Musik als Ware, neue Musikwertschöpfung und die Tonträgerindustrie in der Krise; Musikschaffende und-produzentInnen; MusikmanagerInnen und-verlegerInnen; Musiklabels; Vertrieb und Einzelhandel; Live-Music-Event: VeranstalterInnen, AgentInnen und BookerInnen; Massenmusikmedien: Radio, Fernsehen und Presse; MusikkonsumentInnen und neue Musikmediennutzung; Musik im Internet; Resümee und Ausblick; Back matter
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 128
    Online Resource
    Online Resource
    New York : Routledge, Taylor & Francis Group
    ISBN: 9780203931455
    Language: English
    Pages: 1 Online-Ressource (278 Seiten)
    Parallel Title: Erscheint auch als Meeder, Christopher Jazz
    DDC: 781.6509
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    Keywords: Jazz History and criticism ; Jazz musicians ; USA ; Jazz ; Geschichte ; USA ; Jazzmusiker ; Geschichte
    Description / Table of Contents: Fundamentals -- Pre-jazz -- Early jazz recordings -- Louis Armstrong -- The 1920s -- The swing era, part I: big bands -- The swing era, part II: small groups and soloists -- Bebop and the moldy figs -- Charlie Parker -- Thelonious Monk -- The 1950s: the beginning of jazz -- Miles Davis -- Avant-garde jazz of the 1950s and early 1960s -- John Coltrane -- The 1960s, part I: inside -- The 1960s, part II: free jazz -- The 1960s, part III: Chicago -- Postbop pianists -- Fusion -- The 1980s and new conservatism -- The genre busters -- Lately
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  • 129
    Online Resource
    Online Resource
    Paderborn [u.a.] : Schöningh
    ISBN: 9783506765871
    Language: German
    Pages: Online-Ressource
    Series Statement: Wegweiser zur Geschichte
    Parallel Title: Druckausg. Kaukasus
    Parallel Title: Druckausg. Kaukasus
    DDC: 940
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    Keywords: Kaukasus ; Historischer Überblick ; Caucasus ; historical overview ; Kaukasusländer ; Politik ; Geschichte
    URL: Volltext  (kostenfrei)
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  • 130
    Online Resource
    Online Resource
    New York, New York : Routledge
    ISBN: 9780203931462
    Language: English
    Pages: 1 Online-Ressource (353 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65092
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    Keywords: Page, Hot Lips / 1908-1954 ; Page, Hot Lips ; Jazz musicians / United States / Biography ; Trumpet players / United States / Biography ; Biografie ; Biografie ; Page, Hot Lips 1908-1954
    Note: Includes bibliographical references, discography and index
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  • 131
    Online Resource
    Online Resource
    Chapel Hill, NC : University of North Carolina Press
    ISBN: 9781469606217
    Language: English
    Pages: 1 Online-Ressource (xxi, 416 Seiten) , Illustrationen
    Series Statement: Caravan book
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Geschichte 1920-1945 ; Textilarbeiter ; Countrymusic ; Piedmont, NC ; USA Südstaaten ; Piedmont Plateau ; Country music / Piedmont (U.S. : Region) / History and criticism ; Country music / Southern States / History and criticism ; Country musicians / Piedmont (U.S. : Region) ; Textile workers / Piedmont (U.S. : Region) ; MUSIC / Genres & Styles / Choral ; Country music ; Country musicians ; Textile workers ; Southern States ; United States / Piedmont Region ; Electronic books ; Criticism, interpretation, etc ; Piedmont Plateau ; Countrymusic ; Geschichte ; Piedmont, NC ; Textilarbeiter ; Countrymusic ; Geschichte 1920-1945 ; USA Südstaaten ; Countrymusic ; Geschichte 1920-1945
    Abstract: Contrary to popular belief, the roots of American country music do not lie solely on southern farms or in mountain hollows. Rather, much of this music recorded before World War II emerged from the bustling cities and towns of the Piedmont South. No group contributed more to the commercialization of early country music than southern factory workers. This book explores the origins and development of this music in the Piedmont's mill villages. It offers vivid portraits of a colorful cast of Piedmont millhand musicians, including Fiddlin' John Carson, Charlie Poole, Dave McCarn, and the Dixon Brothers, and considers the impact that urban living, industrial work, and mass culture had on their lives and music. Drawing on a broad range of sources, including rare 78-rpm recordings and unpublished interviews, the author reveals how the country music recorded between 1922 and 1942 was just as modern as the jazz music of the same era. The book celebrates the Piedmont millhand fiddlers, guitarists, and banjo pickers who combined the collective memories of the rural countryside with the upheavals of urban-industrial life to create a distinctive American music that spoke to the changing realities of the twentieth-century South
    Description / Table of Contents: King of the mountaineer musicians : Fiddlin' John Carson -- Rough and rowdy ways : Charlie Poole and the North Carolina Ramblers -- Cain't make a living at a cotton mill : Dave McCarn -- A blessing to people : the Dixon Brothers, Howard and Dorsey
    Note: Includes bibliographical references (pages 365-392), discography (p. 393-397) , and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 132
    Online Resource
    Online Resource
    Aldershot, Hampshire, England : Ashgate
    ISBN: 0754698548 , 9780754698548
    Language: English
    Pages: 1 Online-Ressource (xviii, 190 pages) , illustrations
    Edition: [S.l.] HathiTrust Digital Library 2010 Electronic reproduction
    Series Statement: [Ashgate popular and folk music series]
    Parallel Title: Erscheint auch als Sgt. Pepper and the Beatles
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    Keywords: Beatles ; The Beatles ; The Beatles ; Beatles ; Sgt. Pepper's Lonely Hearts Club Band (Beatles) ; Sgt. Pepper's Lonely Hearts Club Band ; MUSIC ; Genres & Styles ; Rock
    Abstract: Tangerine trees and marmalade skies: cultural agendas or optimistic escapism? / Sheila Whiteley -- Sgt. Pepper and the diverging aesthetics of Lennon and McCartney / Terence O'Grady -- Sgt. Pepper's quest for extended form / Thomas MacFarlane -- The sound design of Sgt. Pepper's Lonely Hearts Club Band / Michael Hannan -- The Beatles and Indian music / David Reck -- The Beatles' psycheclassical synthesis: psychedelic classicism and classical psychedelia in Sgt. Pepper / Naphtali Wagner -- Cover story: magic, myth and music / Ian Inglis -- Within and without: Sgt. Pepper's Lonely Hearts Club Band and psychedelic insight / Russell Reising and Jim LeBlanc -- The whatchamucallit in the garden: Sgt. Pepper and fables of interference / John Kimsey -- The act you've known for all these years: a re-encounter with Sgt. Pepper / Allan Moore -- A lucky man who made the grade': Sgt. Pepper and the rise of a phonographic tradition in twentieth-century popular music / Olivier Julien.
    Abstract: The first concept album in the history of popular music, the soundtrack of the Summer of Love or 'Hippy Symphony No. 1': Sgt. Pepper's Lonely Hearts Club Band is first and foremost the album that gave rise to 'hopes of progress in pop music' (The Times, 29 May 1967). Sgt. Pepper and the Beatles commemorates the fortieth anniversary of this masterpiece of British psychedelia by addressing issues that will help put the record in perspective
    Note: Includes bibliographical references (pages 171-179) and index , Electronic reproduction
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  • 133
    Online Resource
    Online Resource
    Johannesburg : Wits University Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781868146987
    Language: English
    Pages: 1 Online-Ressource (311 pages)
    DDC: 781.5/990968
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    Keywords: Apartheid ; Musik
    Abstract: Composing Apartheid is the first book ever to chart the musical world of a notorious period in world history, apartheid South Africa. It explores how music was produced through, and was productive of, key features of apartheid's social and political topography, as well as how music and musicians contested and even helped to conquer apartheid. The collection of essays is intentionally broad, and the contributors include historians, sociologists and anthropologists, as well as ethnomusicologists, music theorists and historical musicologists. The essays focus on a variety of music (jazz, music in the Western art tradition, popular music) and on major composers (such as Kevin Volans) and works (Handel's Messiah). Musical institutions and previously little-researched performers (such as the African National Congress's troupe-in-exile, Amandla) are explored. The writers move well beyond their subject matter, intervening in debates on race, historiography, and postcolonial epistemologies and pedagogies. ...
    Note: Title from publisher's bibliographic system (viewed on 07 May 2018)
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  • 134
    Online Resource
    Online Resource
    Toronto : University of Toronto Press
    ISBN: 1442687495 , 9781442687493
    Language: English
    Pages: 1 Online-Ressource (viii, 360 pages, [12] leaves of plates)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 971.064
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    Keywords: Geschichte 1900-2000 ; Geschichte ; Nationalisme / Canada / Histoire / 20e siècle ; Industries culturelles / Politique gouvernementale / Canada / Histoire / 20e siècle ; Industries culturelles / Canada / Histoire / 20e siècle ; HISTORY / Canada / General ; HISTORY / Canada / Post-Confederation (1867- ) ; Geschichte ; Nationalismus ; Politik ; Nationalism History 20th century ; Cultural industries Government policy 20th century ; History ; Cultural industries History 20th century ; Kulturpolitik ; Nationalismus ; Popmusik ; Kanada ; Kanada ; Kanada ; Kulturpolitik ; Nationalismus ; Kanada ; Popmusik ; Geschichte
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references (pages 325-343) and index , Introduction: a guide to Canadianization -- Colony to nation: morality, modernity, and the nationalist use of culture -- Culturing Canada: the Massey Commission and the broadcasting, film, and arts triumvirate -- From institution to industry: mass media and state intervention, 1958-1966 -- Canadian content woes: cultural imbalance and undercurrents in the 1960s -- Creating the peaceable kingdom: a new nationalist Canadian identity -- Guaranteed culture: nationalism and the question of intervention -- Saving Canada: Pierre Trudeau and the mobilization of culture -- Littlest Hobos and Kings of Kensington: Canadian cultural melange in the 1970s -- From citizens to consumers: cultural industrialism and the commodification of Canadian content -- Canadianization in a time of globalization -- Conclusion: building Canada: culture and the quest ofr nationhood
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  • 135
    ISBN: 9047432770 , 9789047432777
    Language: English
    Pages: 1 Online-Ressource (xviii, 218 pages)
    Series Statement: Sinica Leidensia v. 84
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 784.0951/2
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    Keywords: Geschichte ; MUSIC / Musical Instruments / General ; Instrumental music ; Music theory ; Geschichte ; Instrumental music History and criticism ; Music theory History ; Instrumentalmusik ; Musiktheorie ; China ; China ; China ; Musiktheorie ; Geschichte ; China Südost ; Instrumentalmusik ; Geschichte
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references (pages 205-211) and index , Sizhu music in South China -- Yuelun: the Confucian Foundation -- Qingshang music and the historic legacy -- Yuelu: music theory and practice -- Baban and the sizhu repertoire -- Bianzou: performance practice and aesthetics
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  • 136
    ISBN: 9783839408858
    Language: English
    Pages: 1 online resource (214 pages)
    Edition: 1. Aufl.
    Edition: 2008. Online-Ausg. 2008
    Series Statement: Film
    DDC: 782.421660922
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    Keywords: Beatles In mass media ; Beatles In motion pictures ; The Beatles ; Film
    Abstract: This book provides the production history and a contextual interpretation of The Beatles' movies (A Hard Day's Night, Help!, Yellow Submarine, Let It Be) and describes their ability to project the group's image at different stages in their career. It also includes a discussion of all of The Beatles' promotional films and videos, as well as their television cartoon series and the self-produced television special Magical Mystery Tour. Along with The Beatles' feature movies and promos, this analysis also contains documentaries, such as The Compleat Beatles and Anthology, as well as dramatizations of the band's history, such as Backbeat, The Hours and Times, and Two of Us.
    Note: Online-Ausg. 2008.
    URL: Volltext  (Kostenfrei)
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  • 137
    Language: English
    Pages: 1 Online-Ressource
    Dissertation note: Duisburg, Essen, Univ., Diss., 2007
    DDC: 792.70922
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    Keywords: Kaufman, Andy ; Bruce, Lenny ; Hochschulschrift ; Bruce, Lenny 1925-1966 ; Kaufman, Andy 1949-1984
    URL: Volltext  (kostenfrei)
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  • 138
    Online Resource
    Online Resource
    Wiesbaden : VS Verlag für Sozialwissenschaften | Cham : Springer International Publishing AG
    ISBN: 9783531908595 , 3531908596
    Language: German
    Pages: 1 Online-Ressource (VI, 226 Seiten)
    Edition: 1st ed. 2008
    Series Statement: Musik und Medien
    Parallel Title: Erscheint auch als Wissenschaftliche Perspektiven auf Musik und Medien
    DDC: 302.2
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    Keywords: Musik ; Medien ; Communication ; Media and Communication ; Aufsatzsammlung
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  • 139
    ISBN: 9783899429831
    Language: German , English
    Pages: 175 Seiten
    Series Statement: Beiträge zur Popularmusikforschung 36
    Series Statement: Beiträge zur Popularmusikforschung
    DDC: 781.63
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    Keywords: Unterhaltungsmusik ; Kanon ; Popmusik ; Stadt ; Urbanität ; Konferenzschrift 2007
    Note: Literaturangaben , Zusammenfassung der Beiträge in englischer Sprache
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  • 140
    ISBN: 9780822388425 , 0822388421
    Language: English
    Pages: x , 271 p , ill , 25 cm
    DDC: 305.48891411
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    Keywords: Women / Social conditions / Trinidad and Tobago / Trinidad ; Women singers / Social conditions / Trinidad and Tobago / Trinidad ; Gender identity / Trinidad and Tobago / Trinidad ; East Indians / Ethnic identity / Trinidad and Tobago / Trinidad ; Electronic books ; Filmografie ; Electronic books ; Filmografie
    Abstract: 1 "The Indian in Me": Studying the Subaltern Diaspora -- 2 "Left to the Imagination": Indian Nationalism and Female Sexuality -- 3 "Take a Little Chutney, Add a Touch of Kaiso": The Body in the Voice -- 4 Jumping out of Time: The Indian in Calypso -- 5 "Suku Suku What Shall I Do?": Hindi Cinema and the Politics of Music -- Afterword: A Semi-Lime
    Note: Includes bibliographical references, ( p. [253]-265 ) and index
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  • 141
    ISBN: 9780822388746 , 082238874X
    Language: English
    Pages: xiv, 258 p , 24 cm
    DDC: 780.972983
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    Keywords: Folk music / History and criticism / Trinidad and Tobago ; Music / Social aspects / Trinidad and Tobago ; Electronic books ; Electronic books
    Abstract: Initial connections -- Governmental organization of spontaneity -- Bacchanalian counterpoints to the state -- Parang : Christmas in Anamat -- Bakrnal : an example of changing opinions -- "Chukaipan," "lootala," and the counterpoint of "mix up" -- Concluding relations
    Note: Includes bibliographical references (p. [229]-247) and index
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  • 142
    ISBN: 9780822389385 , 082238938X
    Language: English
    Pages: xvi, 383 p.
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als Macías, Anthony F., 1969 - Mexican American mojo
    DDC: 781.6408968/72079494
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    Keywords: Popular music History and criticism ; Mexican Americans Music ; History and criticism ; Mexican Americans Social life and customs ; Popular music ; California ; Los Angeles ; History and criticism ; Mexican Americans ; California ; Los Angeles ; Music ; History and criticism ; Mexican Americans ; California ; Los Angeles ; Social life and customs ; Electronic books ; Electronic books ; Electronic books ; Los Angeles, Calif. ; Chicanos ; Musikleben ; Sozialgeschichte 〈1935-1968〉 ; Los Angeles, Calif. ; Rockmusik ; Geschichte 〈1935-1968〉 ; Los Angeles, Calif. ; Jazz ; Geschichte 〈1935-1968〉
    Abstract: Mojo in motion : the swing era -- The drape shape : intercultural style politics -- Boogie woogie breakthrough : the rhythm and blues era -- Come on, let's go : the rock and roll era -- Con sabor Latino : Latin jazz, the mambo, and Latin holidays.
    Note: Includes bibliographical references and index
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  • 143
    ISBN: 9783839409831
    Language: German
    Pages: 1 Online-Ressource (175 Seiten)
    Series Statement: Beiträge zur Popularmusikforschung 36
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Erscheint auch als No time for losers
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    Keywords: Music ; music ; Musik ; Popkultur ; Musikwissenschaft ; Popmusik ; Kanonbildung ; Hitlisten ; Charts ; Bestenlisten ; Popular Culture ; Musicology ; Pop Music ; Populäre Musik; Kanonbildung; Hitlisten; Charts; Bestenlisten; Musik; Popkultur; Popmusik; Musikwissenschaft; Music; Popular Culture; Pop Music; Musicology; ; Unterhaltungsmusik ; Kanon
    Abstract: Charts und Airplaylisten, Umfragen und Votings - nirgends sonst wird so öffentlich gemessen und hierarchisiert wie in der populären Musik. Daneben existieren unter Fans und Fachleuten zahlreiche »geheime« Kanones. Das Wissen um den Rang einer Band, eines Stücks oder einer Einspielung ist Macht- und Distinktionsgewinn. Noch nie sind so viele ratgebende Bücher und Zeitschriften über die »100/50/18/3 besten Platten« erschienen, die »alles, was man wissen muss«, in kompakter Form vorerzählen. Die Definitionsmacht dieser populären Kanones ist unter Fans und Journalisten hart umkämpft.Erstmals für die deutschsprachige Popularmusikforschung beleuchtet dieser Band das Phänomen aus den Perspektiven verschiedener Musiken, Zeiten und Wissenschaftsdisziplinen.
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  • 144
    ISBN: 9789047432777
    Language: English
    Pages: Online-Ressource (xviii, 218 p) , ill , 25 cm
    Edition: Online-Ausg. Palo Alto, Calif ebrary 2011 Electronic reproduction; Available via World Wide Web
    Series Statement: Sinica Leidensia v. 84
    Series Statement: Brill eBook titles 2008
    Parallel Title: Erscheint auch als Thrasher, Alan R., 1944 - Sizhu instrumental music of South China
    DDC: 784.0951/2
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    Keywords: Instrumental music History and criticism ; Music theory History ; Music theory History ; Instrumental music History and criticism ; Folk music China ; Chaozhou Shi ; History and criticism ; Instrumental music China ; Chaozhou Shi ; History and criticism ; Folk music China ; Guangzhou ; History and criticism ; Instrumental music China ; Guangzhou ; History and criticism ; Hakka (Chinese people) Music ; China Südost ; Ensemblemusik ; Instrumentalmusik ; Aufführung ; Repertoire ; Ethos ; Musiktheorie
    Abstract: A study on Chinese music, based on the author's extensive fieldwork and a thorough knowledge of the scholarly literature. Itexamines the theoretical underpinnigs
    Description / Table of Contents: Contents ; Preface; Conventions; Acknowledgments; Chapter One Sizhu Music in South China; Chapter Two Yuelun: the Confucian Foundation; Chapter Three Qingshang Music and the Historic Legacy; Chapter Four Yuelü: Music Theory and Practice; Chapter Five Baban and the Sizhu Repertoire; Chapter Six Bianzou: Performance Practice and Aesthetics; Postscript; Appendix A: Gongche Notation System and Selected R epertoire; Appendix B: Cipher Notation System and Selected R epertoire; Glossary of Chinese Technical Terms and Repertoire; Bibliography; Index
    Note: Includes bibliographical references (p. [205]-211) and index , Electronic reproduction; Available via World Wide Web
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    URL: DOI
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  • 145
    ISBN: 9780262270694
    Language: English
    Pages: Online-Ressource (X, 200 Seiten)
    Series Statement: The MIT Press Ser.
    Parallel Title: Erscheint auch als Collins, Karen, 1973 - Game sound
    DDC: 781.54
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    Keywords: Video game music - History and criticism ; Electronic books ; Videospiel ; Begleitung ; Videospiel ; Klangkunst
    Abstract: An examination of the many complex aspects of game audio, from the perspectives of both sound design and music composition.
    URL: Volltext  (lizenzpflichtig)
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  • 146
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822389262 , 0822389266
    Language: English
    Pages: xxiii, 300 p , ill
    DDC: 306.4/8423096751
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    Keywords: Mobutu Sese Seko / 1930-1997 ; Popular music / Political aspects / Congo (Democratic Republic) ; Popular music / Social aspects / Congo (Democratic Republic) ; Music and state / History / 20th century / Congo (Democratic Republic) ; Electronic books ; Electronic books
    Abstract: Popular culture's politics -- The Zairian sound -- Made in Zaire -- Live time -- Musicians and mobility -- Live texts -- The political life of dance bands -- In the skin of a chief
    Note: Includes bibliographical references (p. [271]-285) and index. - Includes discography (p. 287-288)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 147
    ISBN: 9783795212438
    Language: German
    Pages: 1 Online-Ressource (284 Seiten)
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    Keywords: Music
    Abstract: The presented book, the amplified proceedings of the symposium "Das Wiener Klavier 1850", held at Neue Burg (Vienna) in 2003 combines as regards content recent organological and biographical research, answers questions concerning the original-instrument performance of the romantic period and focuses on technological features in the making of the Viennese pianoforte. In the 2nd half of the 18th century Vienna became the European centre of production of pianofortes whereas the typical Viennese pianoforte-sound, evolved from special technological and constructional parameters, acted as a stimulant on composers and interprets. Many instrument makers - some of them originally German - working and living in Vienna contributed to this uplifting evolution with their innovative work for the Austrian Court or simply as civic craftsmen. A quite impressive amount of material about their biographies and contracts was investigated and is an integral part of the publication. With the beginning of the 19th century firms in Paris and London were of utmost importance for the pianoforte industry. Broadwood and Erard for instance in an international terrain and started an early mass-production of instruments based on the English action. Beside these instruments the Viennese pianoforte with its German action could not easily compete with. The book contains the analysis of the manufacturing techniques of the Viennese pianoforte and of the company organisations respectively the corporate structures of the comparatively small businessmen in the Austrian region and the Hapsburg Crown lands particularly with regard to the interactions between the Viennese, German and Italian workshops. Moreover the variants in aesthetic design and development of the Viennese pianofortes until the time by 1850 are pointed out and results of recent dendrochronological research of instruments preserved by renowned collections are published in this book
    Abstract: Der vorliegende Band ist der stark erweiterte Bericht des 2003 in dern Neuen Burg Wien abgehaltenen Symposiums "Das Wiener Klavier bis 1850". Inhaltlich verbindet diese Publikation die aktuelle organologische sowie biographische Forschung, beantwortet Fragen zur Aufführungspraxis der Romantik und diskutiert instrumentenbauliche Merkmale des Wiener Klaviers. Ab der 2.Hälfte des 18. Jhs. entwickelte sich Wien zum Zentrum ds Hammerklavierbaus, wobei der typisch wienerische Klavierklang, der aufgrund spezifischer technischer und baulicher Parameter entstand, Inspiration für Komponisten und Interpreten war. Zu dieser Entwicklung trugen vor allem die in Wien ansässigen Instrumentenmacher (Christoph, Leydecker, Moyse, Stein, Streicher etc.) bei, die für den Hof oder als bürgerliche Handwerker tätig waren und innovative Lösungen in den Klavierbau brachten und über deren Biographie Neues berichtet wird. Im frühen 19. Jh. traten neben Wien auch Paris und London mit Firmen auf, die international operierten und größere Stückzahlen auf den Markt brachten. Broadwood und Erard definierten ein neues auf der Stoßzungenmechanik basierendes Klangideal, neben dem sich die Wiener Klaviere mit ihrer Prellzungenmechanik nur schwer behaupten konnten. Im vorliegenden Band werden die fertigungstechnischen Spezifika des Wiener Klaviers sowie die Betriebsorganisation und Unternehmensstruktur der vergleichsweise kleineren Unternehmer im Raum Österreich und den Kronländern analysiert, wobei der gegenseitigen Beeinflussung der Wiener, deutschen und italienischen Werkstätten große Aufmerksamkeit zuteil wird. Weiters werden die Varianten der ästhetischen Entwicklung und des Designs der Wiener Klaviere bis 1850 aufgezeigt, sowie dendrochronologische Untersuchungsergebnisse zu den Instrumenten internationaler renommierter Sammlungen veröffentlicht
    Note: German
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  • 148
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781604733372
    Language: English
    Pages: 1 Online-Ressource (260 pages)
    Series Statement: American Made Music
    DDC: 781.62/410763
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    Keywords: Cajun ; Zydeco ; Volkstanz ; Musik ; Kalifornien
    Abstract: Queen Ida. Danny Poullard. Documentary filmmaker Les Blank. Chris Strachwitz and Arhoolie Records. These are names that are familiar to many fans of Cajun music and zydeco, and they have one other thing in common--longtime residence in the San Francisco Bay Area. They are all part of a vibrant scene of dancing and live Louisiana-French music that has evolved over several decades. Cajun and Zydeco Dance Music in Northern California traces how this region of California has been able to develop and sustain dances several times a week with more than a dozen bands. Description of this active regional scene opens into a discussion of several historical trends that have affected life and music in Louisiana and the nation. The book portrays the diversity of people who have come together to adopt Cajun and Creole dance music as a way to cope with a globalized, media-saturated world. Ethnomusicologist Mark F. DeWitt innovatively weaves together interviews with musicians and dancers (some from Louisiana, some not), analysis of popular media, participant observation as a musician and dancer, and historical perspectives from wartime black migration patterns, the civil rights movement, American folk and blues revivals, California counterculture, and the rise of cultural tourism in "Cajun Country." In so doing, he reveals the multifaceted appeal of celebrating life on the dance floor, Louisiana-French style.
    Note: Description based on publisher supplied metadata and other sources
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  • 149
    ISBN: 9783839408711
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Science Studies
    Parallel Title: Erscheint auch als
    DDC: 303.48329999999999
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    Keywords: Geschichte ; Medien ; Kulturgeschichte ; Geschichtswissenschaft ; Mediengeschichte ; Technikgeschichte ; Technik ; Consumption ; Culture ; Kultur ; Mobilität ; History ; Geschichte des 20. Jahrhunderts ; Media ; Technology ; Cultural History ; Media History ; History of the 20th Century ; History of Technology ; Handy ; Walkman ; Transportables Gerät ; Kultur ; Technik ; Reiseempfänger ; Konsumelektronik ; Technikbewertung ; Hochschulschrift ; Hochschulschrift ; Electronic books. ; Hochschulschrift ; Reiseempfänger ; Walkman ; Handy ; Kultur ; Geschichte ; Reiseempfänger ; Walkman ; Handy ; Technik ; Geschichte ; Konsumelektronik ; Transportables Gerät ; Technikbewertung
    Abstract: Am Beginn des 21. Jahrhunderts fungieren MP3-Player, Handy oder Laptop als stete Begleiter des Menschen. Jedoch fanden bereits zuvor zahlreiche elektronische Geräte als »Portables« ihren mobilen Platz in Transport- und Kleidungstaschen oder direkt am Körper. Ihr ortsunabhängiger Gebrauch veränderte Vorstellungen von »privat« und »öffentlich«, von Körper, Technik und Identität. Anhand der Produktkultur und Aneignungsgeschichte von Kofferradio, Kassettenrekorder und Walkman sowie dem Handy analysiert dieses Buch die mit Portables eingeübten neuen Formen des Technikgebrauchs, des sozialen Miteinanders und der Mobilität und stellt damit die aktuelle Debatte um eine »mobile Revolution« erstmals in eine historische Perspektive
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  • 150
    Online Resource
    Online Resource
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780195090222
    Language: English
    Pages: 1 Online-Ressource (XI, 322 S.) , Ill., Notenbeisp.
    Series Statement: Oxford Scholarship Online
    Parallel Title: Erscheint auch als
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    Keywords: Henderson, Fletcher ; Swing ; Biografie ; Biografie ; Henderson, Fletcher 1897-1952 ; Swing
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  • 151
    Online Resource
    Online Resource
    Berlin : Frank & Timme | Ann Arbor, Michigan : ProQuest
    ISBN: 9783865967046
    Language: German
    Pages: 1 Online-Ressource (248 Seiten)
    Series Statement: Kulturwissenschaften v.5
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    Keywords: Geschichte ; Deutsch ; Popliteratur ; Männlichkeit ; Männlichkeit ; Rockmusik ; Masculinity in literature ; Masculinity in music ; Masculinity in popular culture -- Germany ; Konferenzschrift 2008
    Note: Description based on publisher supplied metadata and other sources
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  • 152
    ISBN: 0253000092 , 9780253000095
    Language: English
    Pages: 1 Online-Ressource (ix, 337 p.)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 787.20966
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    Keywords: Geschichte ; MUSIC / Musical Instruments / Strings ; Fiddling ; Music ; Kultur ; Fidel ; Musik ; Music History and criticism ; Fiddling ; Fidel ; Kultur ; Westafrika ; Westafrika ; Fidel ; Kultur ; Geschichte
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references, discography and index , Introduction : A master fiddler and a significant but little-known tradition -- Fiddling in West Africa : understanding the culture area -- An affirmation of identity : Fulbe fiddling in Senegambia -- Calling the Bori spirits : Hausa fiddling in Nigeria -- In service to the king : Dagbamba fiddling in Ghana , Fiddling has had a lengthy history in Africa which has long been ignored. Jacqueline Cogdell DjeDje corrects this oversight with an expansive study on fiddling in the Fulbe, Hausa, and Dagbamba cultures of West Africa. DjeDje not only explains the history of the instrument itself, but also discusses the processes of stylistic transference and adaptation, suggesting how these may have contributed to differing performance practices. Additionally, DjeDje delves into the music, the performance context, the mu
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  • 153
    Online Resource
    Online Resource
    Somerset West, South Africa : African Minds | Baltimore, Md. : Project MUSE
    ISBN: 9781920355906
    Language: English
    Pages: 1 Online-Ressource (xv, 360 p. )
    DDC: 781.630968
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    Keywords: Musik ; Musikethnologie ; Südafrika
    Abstract: "South Africa possesses one of the richest popular music traditions in the world - from marabi to mbaqanga, from boeremusiek to bubblegum, from kwela to kwaito. Yet the risk that future generations of South Africans will not know their musical roots is very real. Of all the recordings made here since the 1930s, thousands have been lost for ever, for the powers-that-be never deemed them worthy of preservation. If one peruses the books that exist on South African popular music, one still finds that their authors have on occasion jumped to conclusions that were not as foregone as they had assumed. Yet the fault lies not with them, rather in the fact that there has been precious little documentation in South Africa of who played what, or who recorded what, with whom, and when. This is true of all music-making in this country, though it is most striking in the music of the black communities. Beyond memory: recording the history, moments and memories of South African music is an invaluable publication because it offers a first-hand account of the South African music scene of the past decades from the pen of Max Thamagana Mojapelo, who was situated in the very thick of things, thanks to his job as a DJ at the South African Broadcasting Corporation. This book - astonishing for the breadth of its coverage - is based on his diaries, on interviews he conducted and on numerous other sources, and we find in it not only the well-known names of recent South African music but a countless host of others whose contribution must be recorded if we and future generations are to gain an accurate picture of South African music history of the late 20th and early 21st centuries"--Publisher's description.
    Note: Includes bibliographical references (p. 342) and index , Description based on print version record
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  • 154
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780195308976 , 0195308972 , 9780195308983 , 0195308980
    Language: English
    Pages: viii, 431 p.
    DDC: 398.8
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    Keywords: Geschichte 1990-2008 ; Musical ability in children ; Games with music Analysis, appreciation ; Kinderspiel ; Musik ; Kulturwandel ; Kinderspiel ; Musik ; Kulturwandel ; Geschichte 1990-2008
    Description / Table of Contents: Children's musical play and creativity : adult views -- Into the field -- Transmission processes in the playground -- Composition in performance -- Conclusions and pedagogical implications
    Note: Includes bibliographical references (p. 387-400) and index
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  • 155
    Online Resource
    Online Resource
    New York : Oxford University Press | [Ann Arbor, Michigan] : [ProQuest]
    Language: English
    Pages: xix, 325 p. , Ill.
    Edition: 2nd ed.
    DDC: 780.89
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    Keywords: Musikethnologie ; Feldforschung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Includes bibliographical references (p. 289-311) and index
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  • 156
    Online Resource
    Online Resource
    Berkeley : University of California Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780520940963 , 0520940962 , 9781435611382 , 1435611381
    Language: English
    Pages: 1 Online-Ressource (xi, 239 pages) , music
    DDC: 786.2165092
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    Keywords: Monk, Thelonious ; Biografie ; Biografie
    Abstract: This study combines cultural theory, biography and musical analysis to shed light on Theolonius Monk's music and on the jazz canon itself, Solis showing how Monk's work emerged from the jazz world's fringes to find a central place in its history.
    Note: "Roth Family Foundation music in America imprint , Includes bibliographical references (pages 219-231) and index
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  • 157
    Online Resource
    Online Resource
    New York, N.Y. : Oxford University Press | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9780199720859 , 0199720851
    Language: English
    Pages: 1 Online-Ressource (xxxiii, 280 pages) , Illustrations
    Series Statement: AMS studies in music
    DDC: 780.89/924
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    Keywords: Geschichte ; Judentum ; Musik ; Modernität
    Abstract: Bohlman investigates several aspects of Jewish music within the context of the period beginning with the emancipation of German-Jewish culture during the eighteenth century and culminating in the destruction of that same culture under the Nazis.
    Note: Includes bibliographical references (pages 247-263), discography (p , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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  • 158
    ISBN: 9780262270694 , 0262270692 , 9781435677272 , 1435677277
    Language: English
    Pages: 1 online resource (x, 200 pages) , illustrations, music
    Parallel Title: Erscheint auch als Collins, Karen, 1973 - Game sound
    DDC: 781.5/4
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    Keywords: Video game music History and criticism ; Video game music ; History and criticism ; GAME STUDIES/General ; COMPUTER SCIENCE/Computer Music ; ARTS/Music & Sound Studies ; Videospiel ; Begleitung ; Videospiel ; Klangkunst
    Abstract: A distinguishing feature of video games is their interactivity, and sound plays an important role in this: a player's actions can trigger dialogue, sound effects, ambient sound, and music. And yet game sound has been neglected in the growing literature on game studies. This book fills that gap, introducing readers to the many complex aspects of game audio, from its development in early games to theoretical discussions of immersion and realism. In Game Sound, Karen Collins draws on a range of sources--including composers, sound designers, voice-over actors and other industry professionals, Internet articles, fan sites, industry conferences, magazines, patent documents, and, of course, the games themselves--to offer a broad overview of the history, theory, and production practice of video game audio. Game Sound has two underlying themes: how and why games are different from or similar to film or other linear audiovisual media; and technology and the constraints it has placed on the production of game audio. Collins focuses first on the historical development of game audio, from penny arcades through the rise of home games and the recent rapid developments in the industry. She then examines the production process for a contemporary game at a large game company, discussing the roles of composers, sound designers, voice talent, and audio programmers; considers the growing presence of licensed intellectual property (particularly popular music and films) in games; and explores the function of audio in games in theoretical terms. Finally, she discusses the difficulties posed by nonlinearity and interactivity for the composer of game music [Publisher description].
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  • 159
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 0226477037 , 9780226477039
    Language: English
    Pages: 1 Online-Ressource (xlviii, 676 p., [44] p. of plates)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6506/077311
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    Keywords: Association for the Advancement of Creative Musicians ; Association for the Advancement of Creative Musicians / History ; Association for the Advancement of Creative Musicians History ; Association for the Advancement of Creative Musicians ; 1900 - 1999 ; Geschichte 1900-2000 ; Geschichte 1965-2005 ; MUSIC / Genres & Styles / Jazz ; African American jazz musicians ; Avant-garde (Music) ; Jazz ; Geschichte ; African American jazz musicians ; Avant-garde (Music) History 20th century ; Jazz History and criticism ; Jazz ; Experimentelle Musik ; Jazzmusiker ; USA ; Chicago, Ill. ; Chicago, Ill. ; Jazz ; Jazzmusiker ; Geschichte 1965-2005 ; Association for the Advancement of Creative Musicians ; Experimentelle Musik ; Geschichte 1965-2005
    Note: Includes bibliographical references (p. 601-635), discography (p. 519-523), and index , Foundations and prehistory -- New music, New York -- The development of the experimental band -- Founding the collective -- First fruits -- The AACM takes off -- Americans in Paris -- The AACM's next wave -- The AACM in New York -- The new regime in Chicago -- Into the third decade -- Transition and reflections , "Founded in 1965 and still active today, the Association for the Advancement of Creative Musicians (AACM) is an American institution with an international reputation. From its working-class roots on the South Side of Chicago, the AACM went on to forge an extensive legacy of cultural and social experimentation, crossing both musical and racial boundaries. The success of individual members and ensembles such as Muhal Richard Abrams, the Art Ensemble of Chicago, and Anthony Braxton has been matched by the enormous influence of the collective itself in inspiring a generation of musical experimentalists. George E. Lewis, who joined the collective as a teenager in 1971, establishes the full importance and vitality of the AACM with this communal history, written with a symphonic sweep that draws on a cross-generational chorus of voices and a rich collection of rare images. Faced with shrinking economic opportunities in Chicago and a segregated music industry, the original members of the AACM found inspiration in the civil rights movement's call for change through self-determination and collective action. These musicians pooled their individual strengths in a new organization powerfully committed to a forward-thinking approach to musical creation and performance. Evolving a range of experimental methods, from invented instruments and unusual musical scores to improvisation and the early use of computers, the AACM challenged the borders separating classical music and jazz. Moving from Chicago to New York to Paris, and from founding member Steve McCall's kitchen table to Carnegie Hall, A Power Stronger Than Itself uncovers a vibrant, multicultural universe and brings to light a major piece of the history of avant-garde music and art."--Publisher's description
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  • 160
    Online Resource
    Online Resource
    Honolulu : University of Hawaiʻi Press
    ISBN: 0824829565 , 0824861612 , 1435665848 , 9780824861612 , 9781435665842
    Language: English
    Pages: 1 Online-Ressource (xvi, 350 p.)
    Parallel Title: Erscheint auch als
    DDC: 792.502/60951
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    Keywords: MUSIC / Genres & Styles / Opera ; Costume ; Opera ; Opera / Production and direction ; Opera Production and direction ; Costume ; Opera ; Inszenierung ; Kostüm ; Peking-Oper ; Peking-Oper ; Kostüm ; Inszenierung
    Note: Includes bibliographical references (p. [341]-343) and index , The world of traditional jingju -- The world of traditional jingju costumes -- The form and historical roots of costumes -- The symbolism and application of color -- The aesthetics and meanings of the embroidered imagery -- The costume compendium -- Makeup, hair and headdresses -- Dressing techniques and costume plots
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  • 161
    ISBN: 0821443046 , 9780821443040
    Language: English
    Pages: 1 Online-Ressource (xxv, 290 pages)
    Series Statement: New African histories series
    Parallel Title: Erscheint auch als
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    DDC: 306.4/8423096732
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    Keywords: Geschichte 1945-1990 ; Geschichte 1945-1990 ; Musik ; Musikleben ; POLITICAL SCIENCE / Public Policy / Cultural Policy ; SOCIAL SCIENCE / Anthropology / Cultural ; SOCIAL SCIENCE / Popular Culture ; Gesellschaft ; Musik ; Politik ; Music Social aspects ; Music Political aspects ; Nationalism in music ; Bürgerkrieg in Angola ; Musikleben ; Musik ; Luanda ; Angola ; Luanda ; Musik ; Geschichte 1945-1990 ; Angola ; Musikleben ; Geschichte 1945-1990 ; Bürgerkrieg in Angola ; Musikleben
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references (p. 255-273) and index , Musseques and urban culture -- In the days of bota fogo: culture and the early nationalist struggle, 1947-61 -- Dueling bands and good girls: gender and music in Luanda's musseques,1961-75 -- Ngongo jami (my suffering): lyrics, daily life, and social space, 1956-74 -- Radios, turntables, and vinyl: technology and the imagined community, 1961-75 -- The hiatus: music, dissent, and nation building after independence, 1975-90s
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  • 162
    ISBN: 9783839406038
    Language: German
    Pages: 1 online resource
    Edition: 1. Aufl
    Series Statement: Kultur- und Medientheorie
    DDC: 781.64
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    Keywords: Musikwissenschaft / Popmusik ; Popmusik / Musikwissenschaft ; Popular music / History and criticism ; Cultural Theory ; Klang ; Kulturtheorie ; Music ; Musicology ; Musik ; Musikgeschichte des 20. Jahrhunderts ; Musikwirtschaft ; Musikwissenschaft ; Popkultur ; Popmusik ; Popular Culture ; Sound ; MUSIC / History & Criticism ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Die gesellschaftliche und ästhetische Relevanz populärer Musik stand lange in deutlichem Missverhältnis zu ihrer mangelnden akademischen Akzeptanz. Das Anliegen, sich der überholten Festlegung auf die kanonisierten 'Meisterwerke' westeuropäischer Kunstmusik zu entledigen, wirft daher noch immer eine Reihe ungeklärter Grundfragen auf. Dieser Band stellt Lösungsansätze vor, die neben musikwissenschaftlichen auch medien- sowie kulturtheoretische Perspektiven einbeziehen. Paradigmen der Pop-Geschichtsschreibung werden dabei ebenso verhandelt wie Modelle musikwissenschaftlicher Pop-Analyse sowie Interdependenzen zwischen Popmusik und Wirtschaft
    URL: Cover
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  • 163
    Online Resource
    Online Resource
    Jackson, [Miss.] : University Press of Mississippi | Oxford : Oxford University Press
    ISBN: 9781604733273
    Language: English
    Pages: 1 Online-Ressource (x, 288 p.) , Ill.
    Series Statement: American made music series
    DDC: 781.640975
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    Keywords: Geschichte ; Volksmusik ; Schallplattenaufzeichnung ; Folk music History and criticism ; Folk songs History and criticism ; Sound recordings History 20th century ; USA Südstaaten
    Abstract: When record men first travelled from Chicago or invited musicians to studios in New York, these entrepreneurs had no conception how their technology would change the dynamics of what constituted a musical performance. This book covers a revolution in artist performance and audience perception through close examination of hundreds of key 'hillbilly' and 'race' records released between the 1920s and World War II.
    Note: Includes bibliographical references and index
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  • 164
    ISBN: 9783839408643
    Language: German
    Pages: 386 S. , zahlr. Ill., Notenbeisp.
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    Dissertation note: Zugl.: Köln, Univ., Diss.
    DDC: 780
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    Keywords: Musik ; Musik ; Music Music, general ; Soziale Konstruktion ; Musikethnologie ; Kulturelle Identität ; Deutsch ; Heimatgefühl ; Schlager ; Deutschland ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Schlager ; Musikethnologie ; Deutschland ; Schlager ; Heimatgefühl ; Soziale Konstruktion ; Deutsch ; Schlager ; Kulturelle Identität ; Deutsch ; Schlager ; Heimatgefühl
    Abstract: Dieses Buch beschäftigt sich mit dem deutschen Schlager als kulturellem Werkzeug für die Konstruktion eines Heimatgefühls in der aktuellen deutschen Gesellschaft. Sowohl theoretisch als auch methodisch orientiert sich der Autor dabei an einer postmodernen und reflexiven Musikethnologie sowie an der Tradition der Cultural Studies. Das Buch beschreibt seine ethnographischen Erfahrungen als nicht-westlicher Ethnologe in Deutschland. Das Resultat ist eine intensive - und manchmal ironische - wissenschaftliche Auseinandersetzung mit der Geschichte des Schlagers bzw. der Geschichte der wissenschaftlichen Beschäftigung mit dem Schlager
    URL: Cover
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  • 165
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    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    ISBN: 9783839406083
    Language: German
    Pages: 1 Online-Ressource (279 Seiten) , Illustrationen
    Series Statement: Kultur- und Medientheorie
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    Keywords: Geschichte ; Rap ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Abstract: »I understand that time is running out« - Wenn man den Texten vieler afro-amerikanischer Rapper glauben will, steht das Ende der Welt unmittelbar bevor. Woher rührt diese Faszination für die Apokalypse? Was beschreiben diese Untergangsszenarien, und zu welchem Zweck? Das Buch stellt die erste umfassende Studie zu apokalyptischen Motiven im US-amerikanischen HipHop dar. Zugleich verfolgt es die Entstehung dieser Kunstform von den Spirituals über die Rhetorik afroamerikanischer Prediger bis hin zu Blues und Reggae. Die Geschichte vom Ende der Welt ist so zugleich die Geschichte vom Anfang des Rap - »Time's done run out!«...
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  • 166
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    [Erscheinungsort nicht ermittelbar] : transcript Verlag | The Hague : OAPEN Foundation
    Language: German
    Pages: 1 Online-Ressource (282 pages)
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    Keywords: Geschichte ; Rap
    Abstract: »I understand that time is running out« - Wenn man den Texten vieler afro-amerikanischer Rapper glauben will, steht das Ende der Welt unmittelbar bevor. Woher rührt diese Faszination für die Apokalypse? Was beschreiben diese Untergangsszenarien, und zu welchem Zweck? Das Buch stellt die erste umfassende Studie zu apokalyptischen Motiven im US-amerikanischen HipHop dar. Zugleich verfolgt es die Entstehung dieser Kunstform von den Spirituals über die Rhetorik afroamerikanischer Prediger bis hin zu Blues und Reggae. Die Geschichte vom Ende der Welt ist so zugleich die Geschichte vom Anfang des Rap - »Times done run out!«
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  • 167
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    In:  Feldforschungsaufnahmen des Deutschen Volksliedarchivs, Mag356 Online-Ressource, Lied 11731 | year:2007 | pages:11731
    Language: German
    Titel der Quelle: Feldforschungsaufnahmen des Deutschen Volksliedarchivs, Mag356
    Publ. der Quelle: Freiburg i. Br. : Deutsches Volksliedarchiv, 2007
    Angaben zur Quelle: Online-Ressource, Lied 11731
    Angaben zur Quelle: year:2007
    Angaben zur Quelle: pages:11731
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    Note: MP3. - Hrsg.: Engle, David G.. - Liedgattung: Blues
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  • 168
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    In:  Feldforschungsaufnahmen des Deutschen Volksliedarchivs, Mag337 Online-Ressource, Lied 11381 | year:2007 | pages:11381
    Language: German
    Former Title: Back in 1927. I had a little farm and I called that heaven
    Titel der Quelle: Feldforschungsaufnahmen des Deutschen Volksliedarchivs, Mag337
    Publ. der Quelle: Freiburg i. Br. : Deutsches Volksliedarchiv, 2007
    Angaben zur Quelle: Online-Ressource, Lied 11381
    Angaben zur Quelle: year:2007
    Angaben zur Quelle: pages:11381
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    Note: MP3. - Hrsg.: Schroeder, Adolf E.. Hunter, Max. - Liedgattung: Talking Blues , Talking Dust Bowl
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  • 169
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    In:  Feldforschungsaufnahmen des Deutschen Volksliedarchivs, Mag087 Online-Ressource, Lied 2875 | year:2007 | pages:2875
    Language: German
    Former Title: Höre, Vater, unser Bitten, wende ab von unsern Hütten
    Titel der Quelle: Feldforschungsaufnahmen des Deutschen Volksliedarchivs, Mag087
    Publ. der Quelle: Freiburg i. Br. : Deutsches Volksliedarchiv, 2007
    Angaben zur Quelle: Online-Ressource, Lied 2875
    Angaben zur Quelle: year:2007
    Angaben zur Quelle: pages:2875
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    Note: MP3. - Hrsg.: Bischel, B.. - Liedgattung: Refrain eines Bittgesanges an den 3 Tagen vor Christi Himmefahrt , Höre, Vater, unser Bitten, wende ab von unsern Hütten
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  • 170
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    Aldershot, Hampshire, England : Ashgate
    ISBN: 9780754687870
    Language: English
    Pages: 1 Online-Ressource (xii, 166 Seiten)
    Series Statement: Ebrary online
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als Cloonan, Martin Popular music and the state in the UK
    DDC: 781.640941
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    Keywords: Popular music Political aspects ; Great Britain ; Music and state Great Britain ; Great Britain Cultural policy ; Großbritannien ; Politik ; Popmusik ; Geschichte 1990-2006
    Note: Includes bibliographical references and index. - Formerly CIP
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  • 171
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    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9780203496220
    Language: English
    Pages: 1 Online-Ressource (x, 180 Seiten)
    Series Statement: International library of sociology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/842
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    Keywords: Gesellschaft ; Musik ; Digital music players Social aspects ; Music Social aspects ; iPod (Digital music player) Social aspects ; Interaktion ; iPod ; Musikkonsum ; Kultur ; Stadt ; iPod ; Stadt ; Kultur ; Musikkonsum ; iPod ; Interaktion
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 172
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    New York : Routledge
    ISBN: 9781135866624
    Language: English
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63/081
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    Keywords: Popular music / History and criticism ; Masculinity in music ; Gender identity in music ; Männlichkeit ; Geschlechterforschung ; Popmusik ; Aufsatzsammlung ; Popmusik ; Männlichkeit ; Geschlechterforschung
    Note: Includes bibliographical references and index , Introduction : Oh boy! Making masculinity in popular music / Ian Biddle and Freya Jarman-Ivens -- Boys, boys, boys : male bonds, masculine connections. Which Freddie? Constructions of masculinity in Freddie Mercury and Justin Hawkins / Sheila Whiteley ; Negotiating masculinity in an Indonesian pop song : Doel Sumbang's "Ronggeng" / Henry Spiller ; Moshpit menace and masculine mayhem / Jonathan Gruzelier ; To see their father's eyes : expressions of ancestry through yarrat̲a among Yolnu popular bands from Arnhem Land, Australia / Aaron Corn -- Boys don't cry : troubled/troubling masculinity. Mum's the word : men's singing and maternal law / Richard Middleton ; "The sing-song of undead labor" : gender nostalgia and the vocal fantasy of intimacy in the "new" male singer/songwriter / Ian Biddle ; "A walking open wound" : emo rock and the "crisis" of masculinity in America / Sarah F. Williams ; "Don't cry, Daddy" : the degeneration of Elvis Presley's musical masculinity / Freya Jarman-Ivens -- Boys will be ...? Other modes of masculinity. Queer voices and musical genders / Judith Halberstam -- (Un)Justified : gestures of straight-talk in Justin Timberlake's songs / Stan Hawkins ; "Not with you but of you" : "Unbearable intimacy" and Jeff Buckley's transgendered vocality / Shana Goldin-Perschbacher ; "Some of us can only live in songs of love and trouble" : voice, genre/gender, and sexuality in the music of Stephin Merritt / Mark J. Butler
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  • 173
    ISBN: 9783839407721
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
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    Keywords: Williams, Robbie ; Hertel, Stefanie ; Brendel, Alfred ; Marke ; Musik ; Popkultur ; Image ; Music ; Cultural Studies ; Popular Culture ; Musikwissenschaft ; Musicology ; Popmusik ; Pop Music ; Star ; Musiker ; Hochschulschrift ; Hochschulschrift ; Brendel, Alfred 1931- ; Musiker ; Star ; Hertel, Stefanie 1979- ; Williams, Robbie 1974-
    Abstract: Stars sind allgegenwärtig - ob in Kultur, Politik oder Sport. Gleichzeitig fehlen nach wie vor systematische Zugänge, die das Phänomen der Prominenz nicht nur erklären, sondern auch empirische Methoden für die Analyse konkreter Star-Images erschließen. Erstmals werden in diesem Band soziokulturelle Determinanten musikalischen Startums interdisziplinär entwickelt - und es wird gezeigt, wie sich genrespezifische Wertewelten medial ausprägen und vom Publikum in die eigenen Erlebniskontexte integriert werden. Anhand umfangreicher Inhaltsanalysen und qualitativer Interviews wird deutlich, dass Alfred Brendel, Stefanie Hertel und Robbie Williams mehr gemein haben, als man zunächst vermuten mag
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  • 174
    ISBN: 9783839406755
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: texte zur populären musik 3
    Parallel Title: Erscheint auch als
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    Keywords: Ästhetik ; Musik ; Popkultur ; Music ; Aesthetics ; Cultural Studies ; Popular Culture ; Musikwissenschaft ; Musicology ; Popmusik ; Pop Music ; Pop(ular)musikforschung ; Musikästhetik ; Unterhaltungsmusik ; Popmusik ; Popmusik ; Unterhaltungsmusik ; Musikästhetik
    Abstract: Ob im Fernsehen oder Radio, im Kaufhaus, in Cafés, Clubs oder zu Hause - Popmusik ist heute allgegenwärtig. Umso auffälliger erscheint ihre geringe akademische Akzeptanz. Die Studie sucht hierfür Gründe und geht dabei den historisch-philosophischen Bedingungen nach, die das Forschungsfeld zu populärer Musik bestimmen. Von der Ausgrenzung aus der klassischen Ästhetik bis hin zu Alltags- und Körperästhetiken werden Zusammenhänge aufgezeigt, die eine kritische Sicht auf die strukturbildenden Prinzipien musikwissenschaftlicher Forschung eröffnen und zugleich als Grundlagen für eine wissenschaftliche Auseinandersetzung mit populärer Musik dienen
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  • 175
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    s.l. : transcript Verlag
    ISBN: 9783839406083
    Language: Undetermined
    Pages: 1 Online-Ressource
    Series Statement: Kultur- und Medientheorie
    Parallel Title: Available in another form
    Parallel Title: Druckausg.
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    Keywords: Hochschulschrift ; Hochschulschrift ; Rap
    Abstract: »I understand that time is running out« - Wenn man den Texten vieler afro-amerikanischer Rapper glauben will, steht das Ende der Welt unmittelbar bevor. Woher rührt diese Faszination für die Apokalypse? Was beschreiben diese Untergangsszenarien, und zu welchem Zweck? Das Buch stellt die erste umfassende Studie zu apokalyptischen Motiven im US-amerikanischen HipHop dar. Zugleich verfolgt es die Entstehung dieser Kunstform von den Spirituals über die Rhetorik afroamerikanischer Prediger bis hin zu Blues und Reggae. Die Geschichte vom Ende der Welt ist so zugleich die Geschichte vom Anfang des Rap - »Time's done run out!«
    URL: Volltext  (lizenzpflichtig)
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  • 176
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    transcript Verlag
    ISBN: 9783839407349
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: texte zur populären musik 4
    Parallel Title: Erscheint auch als
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    Keywords: Ästhetik ; Musik ; Popkultur ; Music ; Aesthetics ; Popular Culture ; Musikwissenschaft ; Musicology ; Popmusik ; Pop Music ; Musikkritik ; Musikphilosophie ; Rezeptionsforschung ; Musikästhetik ; Unterhaltungsmusik ; Hochschulschrift ; Hochschulschrift ; Unterhaltungsmusik ; Musikästhetik
    Abstract: Was bietet uns Musik, dass wir ihr so viel Zeit und Geld opfern? Wie soll sie beschaffen sein, damit sie die hohen Erwartungen erfüllt? Warum riskieren wir für sie das Gehör, warum gehen wir das Risiko illegaler Downloads ein?Um individuelle Bewertungen von Musik - und damit zusammenhängend: den Wert der Musik für den Menschen - zu verstehen, analysiert die Studie zunächst intensiv »Amazon«-Kundenrezensionen aktueller Alben von Robbie Williams, Eminem, The Strokes, Bob Dylan, Norah Jones u.a., um die gewonnenen Erkenntnisse dann aus der Perspektive gegenwärtiger philosophischer Ästhetik zu interpretieren
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  • 177
    ISBN: 9783839407301
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
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    Keywords: Gegenwart ; Musik ; Popkultur ; Music ; Popular Culture ; Musikwissenschaft ; Musicology ; Pop Music ; Musikwirtschaft ; Musik-Fernsehen ; MTV ; Medien ; Popkultur ; Popmusik ; Kultur ; Aufsatzsammlung ; Aufsatzsammlung ; Popkultur ; Medien ; Kultur ; Popmusik ; Medien ; Kultur
    Abstract: Dieser Band vereint sowohl Beiträge von Wissenschaftlerinnen und Wissenschaftlern als auch von renommierten Experten und Kreativkräften aus der (Pop-)Musik- und Medienbranche, die sich mit Gegenwartsfragen zur aktuellen Medien- und Popkultur auseinandersetzen.Die musikwissenschaftlichen, musikethnologischen und kulturtheoretischen Aufsätze beleuchten den Begriff der Gegenwart aus theologischer und sprachwissenschaftlicher Sicht und wollen dazu beitragen, einen facettenreichen und interdisziplinären Austausch zum Thema zu initiieren.Mit Beiträgen u.a. von Christoph Jacke, Thomas M. Stein, Jan Hemming und Christian Höppner
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  • 178
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    New York : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199864492
    Language: English
    Pages: 1 Online-Ressource (xi, 402 p.) , Ill.
    DDC: 781.651599
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    Keywords: Geschichte 1950-1970 ; Jazz ; Gesellschaft ; Politik ; Schwarze ; Bürgerrechtsbewegung ; Jazz History and criticism 1951-1960 ; Jazz History and criticism 1961-1970 ; Jazz Social aspects ; Jazz Political aspects ; African Americans Civil rights 20th century ; History ; USA
    Abstract: An insightful examination of the impact of the civil rights movement and African independence on jazz in the 1950s and 60s this text traces the complex relationships between music politics, aesthetics, and activism through the lens of racial and economic issues.
    Note: Includes bibliographical references, discography and index
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  • 179
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    New York ; : Oxford University Press
    ISBN: 9780199851553
    Language: English
    Pages: 1 online resource (x, 328 p.) , ill., ports.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Badger, Reid A life in ragtime
    DDC: 781.65092
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    Keywords: Europe, James Reese ; Europe, James Reese *1881-1919* ; Bandmasters Biography ; Jazz musicians Biography ; Ragtime music History and criticism ; Bandmasters United States ; Biography ; Jazz musicians United States ; Biography ; Ragtime music History and criticism ; Biografie ; Biografie ; Europe, James R. 1880-1919
    Abstract: James Reese Europe, as a composer and band leader at the height of ragtime, had a strong influence on the first generation of jazz musicians who were to follow. Europe's life reveals much about the role of black musicians in American culture in a period when it was presumed they had little place.
    Note: Includes bibliographical references, discography and index. - Description based on print version record
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  • 180
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    New York [u.a.] : Oxford University Press | [Ann Arbor, Michigan] : [ProQuest]
    Language: English
    Pages: xx, 258 p. , photographs.
    DDC: 781.642092/273
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    Keywords: Country Rock ; Diskographie
    Note: Includes bibliographical references, discographies
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  • 181
    ISBN: 9780754683155
    Language: English
    Pages: 1 Online-Ressource (268 pages)
    Series Statement: Ashgate Popular and Folk Music Ser.
    DDC: 306.48423
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    Keywords: Musik ; Gesellschaft ; Popmusik ; Popkultur ; Identität ; Politik ; Globalisierung ; Aufsatzsammlung
    Abstract: How are national identities constructed and articulated through music? Popular music has long been associated with political dissent, and the nation state has consistently demonstrated a determination to seek out and procure for itself a stake in the management of 'its' popular musics. Similarly, popular musics have been used 'from the ground up' as sites for both populist and popular critiques of nationalist sentiment, from the position of both a globalizing and a 'local' vernacular culture. The contributions in this book arrive at a critical moment in the development of the study of national cultures and musicology. The book ranges from considerations of the ideological focus of cultural nationalism through to analyses of musical hybridity and musical articulations of other kinds of identities at odds with national identity. The processes of global homogenization are thereby shown to have brought about a transitional crisis for national cultural identities: the evolution of these identities, particularly with reference to the concept of 'authenticity' in music, is situated within broader debates on power, political economy and constructions of the self. Theorizations of practice are employed after the manner of Bourdieu, Gramsci, Goffman, Gadamer, Habermas, Bhabha, Lacan and Zizek. Each contribution acts as a case study to characterize the strategies through which differing modes of musical discourse engage, critique or obscure discourses on national identity. The studies include discussions of: musical representations of Irishness; the relationship between Afropop and World Music; Norwegian club music; the revival of traditional music in Serbia; resistance to cultural homogeneity in Brazil; contemporary Uyghur song in Northwest China; rap and race in French society; technobanda from the barrios of Los Angeles, and Spanish/Moroccan raï. In...
    Abstract: this way, the book seeks to characterize the ideological configurations that help to activate and sustain hegemonic, amb.
    Note: Description based on publisher supplied metadata and other sources
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  • 182
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    Lanham : Scarecrow Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780810866775
    Language: English
    Pages: 1 Online-Ressource (461 pages)
    Series Statement: Europea: Ethnomusicologies and Modernities
    DDC: 781.6309496
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    Keywords: Volksmusik ; Gesellschaft ; Politik ; Balkanhalbinsel ; Türkei ; Aufsatzsammlung ; CD-ROM
    Abstract: Rooted in ethnographic analysis, these eleven case studies examine the interplay between the musicians and popular music styles of the Balkan states during the late 1990s.
    Note: Description based on publisher supplied metadata and other sources
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  • 183
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    Florence : Taylor and Francis | Ann Arbor, Michigan : ProQuest
    ISBN: 9781351218412
    Language: English
    Pages: 1 Online-Ressource (263 pages)
    Edition: 1st ed.
    Series Statement: Ashgate Popular and Folk Music Series
    DDC: 307.76
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  • 184
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    Oxford [u.a.] : Oxford University Press | [Ann Arbor, Michigan] : [ProQuest]
    Language: English
    Pages: 406 p., [64] p. of plates , Ill.
    DDC: 791.4302/8092
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    Keywords: Autry, Gene ; Biographie
    Abstract: The only performer to earn five stars on the Hollywood Walk of Fame--for film, recordings, television, radio, and live performance--Gene Autry was the singing cowboy king. Journalist George-Warren offers the first serious biography, tracing Autry's climb from farm boy to multimillionaire. Autry's loving mother died on the brink of her son's success, while his ne'er-do-well father married five times and wandered the West. Autry battled his own demons but emerges here as one of America's most charitable benefactors, known for his boundless generosity, and a patriot who enlisted during World War II. The book provides colorful details of Autry's lengthy radio and recording career; his movie career, where he breathed new life into the Western genre; and his role in early television, the first movie star to develop his own TV shows. Along the way, he invested shrewdly, becoming the only entertainer listed among 1990's Fortune 400.--From publisher description.
    Note: Includes filmography: p. [382]-385 , Includes discography: p. [337]-381 , Includes bibliographical references (p. [303]-336) and index
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  • 185
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    Oxford [u.a.] : Oxford University Press | [Ann Arbor, Michigan] : [ProQuest]
    Language: English
    Pages: xi, 402 p.
    DDC: 781.65/1599
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    Keywords: Geschichte 1950-1970 ; Jazz ; Gesellschaft ; Politik ; Schwarze ; Bürgerrechtsbewegung ; USA
    Note: Includes bibliographical references (p. ) and index
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  • 186
    ISBN: 9780822389491
    Language: English
    Pages: 1 Online-Ressource (276 pages)
    Edition: 1st ed.
    Series Statement: Refiguring American Music Ser.
    DDC: 781.644
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    Keywords: Franklin, Aretha ; Green, Al ; Rhythm and Blues ; Rezeption ; Snow, Phoebe ; Electronic books
    Abstract: Cultural and literary study of the construction of racial and artistic identity in soul cover albums of three popular artists--Aretha Franklin, Al Green, and Phoebe Snow.
    Note: Description based on publisher supplied metadata and other sources
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  • 187
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    Chicago : University of Chicago Press
    ISBN: 9780226328690 , 0226328694
    Language: English
    Pages: 1 Online-Ressource (xii, 289 p.)
    DDC: 781.65/20976335
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    Keywords: Geschichte ; MUSIC / Genres & Styles / Jazz ; Jazz ; Music and race ; Music / Social aspects ; Geschichte ; Gesellschaft ; Musik ; Jazz History and criticism ; Music Social aspects ; History ; Music and race ; Jazz ; Gesellschaft ; New Orleans, La. ; New Orleans, La. ; Jazz ; Gesellschaft ; Geschichte
    Note: Includes bibliographical references (p. 247-270), discography (p. 271-273), and index , Places -- Reaction -- Musicians -- Music -- Dissemination : Morton, La Rocca, and Armstrong , Subversive Sounds probes New Orleans?s history, uncovering a web of racial interconnections and animosities that was instrumental to the creation of a vital American art form?jazz. Drawing on oral histories, police reports, newspaper accounts, and vintage recordings, Charles Hersch brings to vivid life the neighborhoods and nightspots where jazz was born. This volume shows how musicians such as Jelly Roll Morton, Nick La Rocca, and Louis Armstrong negotiated New Orleans?s complex racial rules to pursue their craft and how, in order to widen their audiences, they became fluent in a variety of m
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  • 188
    ISBN: 9780857850812
    Language: English
    Pages: x, 194 p
    Parallel Title: Erscheint auch als
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    DDC: 781.66
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    Keywords: Geschichte 1980-2005 ; Gesellschaft ; Extreme metal (Music) History and criticism ; Extreme metal (Music) Social aspects ; Gesellschaft ; Extreme Metal ; Extreme Metal ; Gesellschaft ; Geschichte 1980-2005
    Description / Table of Contents: The extreme metal scene -- The scene and transgression -- Experiencing the scene -- Capital, power, infrastructure -- Comparing extreme metal scenes -- Extreme metal and subcultural capital -- Reflexivity, music and politics -- The scene and modernity
    Note: Includes bibliographical references (p. [171]-181) and index
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  • 189
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    Jackson : University Press of Mississippi
    ISBN: 1578069653 , 9781578069651 , 1578069661 , 9781578069668
    Language: English
    Pages: xiv, 286 p
    Edition: 1st ed
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.42166092/2
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    Keywords: Beatles ; The Beatles ; The Beatles
    Description / Table of Contents: "The twentieth century's greatest romance" : imagining the Beatles -- "Ladies and gentlemen, the Beatles!" : introducing the image -- "Preparing our teenagers for riot and ultimate revolution" : the touring years, 1964-66 -- "The mood of the sixties" : the Beatles as artists, 1966-68 -- "Beatlepeople" : Rolling Stone, 1967-70 -- "Beautiful people" : the Beatles' idealized past
    Note: Includes bibliographical references (p. 255-273) and index
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  • 190
    ISBN: 9780754687207 , 0754687201 , 9780754655800 , 0754655806
    Language: English
    Pages: 1 Online-Ressource (xii, 267 pages)
    Series Statement: Ashgate popular and folk music series
    DDC: 781.6430941/09046
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    Keywords: Oliver, Paul ; MUSIC / Genres & Styles / Blues ; MUSIC / Genres & Styles / Soul & R 'n B. ; Blues (Music) ; Blues (Music) / Influence ; Blues ; Blues (Music) History and criticism ; Blues (Music) Influence ; Rezeption ; Blues ; Musikgeschichtsschreibung ; Oral history ; Großbritannien ; Großbritannien ; USA ; USA ; Blues ; Rezeption ; Großbritannien ; Oliver, Paul 1927-2017 ; Musikgeschichtsschreibung ; Oral history
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references (pages 247-259) and index , Jazz reception in Britain : misunderstandings and recordings in exile -- The first time I met the blues : blues arrives in Britain -- 1953-1957 : the problem of the new -- 1957-1962 : the blues revival, part I -- London : the new Chicago! : the R & B boom of 1963-1965 -- Blues at the crossroads : the British blues revival part III, 1965-1970 , This book explores how, and why, the blues became a central component of English popular music in the 1960s. It is commonly known that many 'British invasion' rock bands were heavily influenced by Chicago and Delta blues styles. But how, exactly, did Britain get the blues? Roberta Schwartz analyses the transmission of blues records to England, from the first recordings to hit English shores to the end of the sixties
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  • 191
    ISBN: 9783830968191
    Language: German
    Pages: 1 Online-Ressource (445 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Volksliedstudien 8
    Parallel Title: Erscheint auch als
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    Keywords: Deutsches Volksliedarchiv ; Geschichte 1770-2000 ; Liederbuch ; Kinderlied ; Deutschland ; Musik ; Kinderlieder ; Kinderweltidylle ; Wehrerziehung ; Liederbücher ; Musikalische Volkskulturen ; Deutsches Volksliedarchiv ; Deutschland ; Liederbuch ; Kinderlied ; Geschichte 1770-2000
    Abstract: Kinderliederbücher sind Indikatoren für Menschenbilder und Weltanschauungen, für Vorstellungen von Erziehung und Sichtweisen aufs Kind. Der kulturgeschichtliche Blick auf diese Liederbücher spiegelt die Veränderungen von Kindheitskonzepten im historischen Verlauf und im gesellschaftlichen Wandel.In diesem Buch wird erstmals eine umfassende Bibliografie deutschsprachiger Kinderliederbücher von 1770-2000 vorgelegt. Informative Kurzkommentare zu jedem Band geben Auskunft zu Buchinhalten, Autoren und Herausgebern sowie über ihre jeweiligen Repertoirestrategien. Zusammen mit zahlreichen Illustrationen lassen diese Annotationen Bedeutung und Stellenwert des jeweiligen Liederbuches anschaulich werden.Neben einem umfassenden Registerteil enthält das Buch auch einen Essay des renommierten Musikpädagogen Günther Noll zum Kinderlied in der NS-Zeit.
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  • 192
    ISBN: 9783839407967
    Language: German , English
    Pages: 1 Online Ressource (163 Seiten) , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: Beiträge zur Popularmusikforschung 35
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Erscheint auch als Sound and the city
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    Keywords: Music ; Hiphop ; HipHop ; music ; Stadt ; Musik ; Popkultur ; Urbanity ; Musikwissenschaft ; Popmusik ; Blues ; Afrikanische Musik ; Urban Studies ; Cultural Studies ; Popular Culture ; Musicology ; Pop Music ; Populäre Musik; Stadt; HipHop; Blues; Afrikanische Musik; Popkultur; Musik; Popmusik; Urban Studies; Cultural Studies; Musikwissenschaft; Urbanity; Popular Culture; Music; Pop Music; Musicology; ; Unterhaltungsmusik ; Stadt ; Kultur
    Abstract: Städte haben ihren individuellen Sound - einen Klang, der sich auch musikalisch darstellt. Dazu gehört - aber nicht nur - die Umsetzung von industriellem Krach in futuristische »rumori« oder konkreten »bruit«. Städte sind Zentren der Kommunikation, hochaktive Knotenpunkte globaler Netzwerke. Hier treffen Menschen mit den unterschiedlichsten ethnischen, sozialen und kulturellen Hintergründen sowie musikalischen Bedürfnissen und Fähigkeiten aufeinander. Aus dieser Konfrontation entstehen Musiken, in denen sich ihr Anderssein und ihre Identität manifestieren, in denen sich aber auch Spuren der Anpassung und Integration finden - und die fast immer populäre Musikformen annehmen. Denn die Stadt als Handelsplatz macht zur Ware, was zuvor als Volksmusik mündlich tradiert wurde oder als Kunst gemeint war. Die Stadt ermöglicht unendlich viele Chancen der Kommunikation, die doch nie ausreichend zu sein scheinen.
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  • 193
    Online Resource
    Online Resource
    Berlin : Transcipt Verlag | Ann Arbor, Michigan : ProQuest
    ISBN: 9783839407721
    Language: German
    Pages: 1 Online-Ressource (315 pages)
    Edition: 1st ed.
    Series Statement: Studien zur Popularmusik
    DDC: 306.48399999999998
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    Keywords: Brendel, Alfred ; Hertel, Stefanie ; Williams, Robbie ; Musiker ; Star
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  • 194
    ISBN: 9783839407721
    Language: German
    Pages: 1 online resource (314 pages) , illustrations
    Series Statement: Studien zur Popularmusik
    DDC: 780.922
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    Keywords: Williams, Robbie ; Hertel, Stefanie ; Brendel, Alfred ; Celebrities in mass media ; Mass media and music ; Musik ; Musiker ; Star (Soziologie) ; Gesellschaft ; Fame Social aspects ; Popular music Social aspects ; Star ; Musiker ; Hochschulschrift ; Brendel, Alfred 1931- ; Musiker ; Star ; Hertel, Stefanie 1979- ; Williams, Robbie 1974-
    Description / Table of Contents: Stars sind allgegenwärtig - ob in Kultur, Politik oder Sport. Gleichzeitig fehlen nach wie vor systematische Zugänge, die das Phänomen der Prominenz nicht nur erklären, sondern auch empirische Methoden für die Analyse konkreter Star-Images erschließen. Erstmals werden in diesem Band soziokulturelle Determinanten musikalischen Startums interdisziplinär entwickelt - und es wird gezeigt, wie sich genrespezifische Wertewelten medial ausprägen und vom Publikum in die eigenen Erlebniskontexte integriert werden. Anhand umfangreicher Inhaltsanalysen und qualitativer Interviews wird deutlich, dass Alfred Brendel, Stefanie Hertel und Robbie Williams mehr gemein haben, als man zunächst vermuten mag
    Note: Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015) , In German
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 195
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : transcript Verlag | The Hague : OAPEN Foundation
    Language: German
    Pages: 1 Online-Ressource (332 Seiten)
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    Keywords: Hip-Hop ; Regionalkultur ; Globalisierung ; Konferenzschrift 2006
    Abstract: HipHop ist längst keine bloße Jugendkultur mehr, sondern eine Bewegung, die den Status eines globalen Kulturphänomens erreicht hat. Dieser These gehen hier erstmals Autoren und Autorinnen aus den USA, Kanada, Großbritannien, Slowenien und Deutschland nach. Gezeigt wird, wie sich HipHop als weltweite Bewegung in lokalen Formen inszeniert und präsentiert und welche Botschaften, Inszenierungen und Identitätskonstruktionen mit dem HipHop als medienkulturelle und soziale Praxis verknüpft sind. Analysen zu Vermarktungsstrategien, raumbezogenen Inszenierungspraktiken und Stilisierungen am Beispiel des »splash!«-Festivals runden den Band als spannende Lektüre des glokalen Kulturphänomens HipHop ab
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  • 196
    ISBN: 9781351577984
    Language: English
    Pages: 1 Online-Ressource (xxi, 190 Seiten)
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als A Song for Europe
    DDC: 306.48424079
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    Keywords: Eurovision Song Contest ; Popular music Competitions ; Europe ; Popular music Political aspects ; Europe ; Grand Prix Eurovision de la Chanson ; Europa ; Politik ; Soziologie ; Grand Prix eurovision de la chanson ; Politik
    Abstract: The world's largest and longest-running song competition, the Eurovision Song Contest is a significant and extremely popular media event throughout the continent and abroad. The Contest is broadcast live in over 30 countries with over 100 million viewers annually. Established in 1956 as a televised spectacle to unify postwar Western Europe through music, the Contest features singers who represent a participating nation with a new popular song. Viewers vote by phone for their favourite performance, though they cannot vote for their own country's entry. This process alone reveals much about national identities and identifications, as voting patterns expose deep-seated alliances and animosities among participating countries. Here, an international group of scholars from a variety of disciplines, including musicology, communications, history, sociology, English and German studies, explore how the contest sheds light on issues of European politics, national and European identity, race, gender and sexuality, and the aesthetics of camp. For some countries, participation in Eurovision has been simultaneously an assertion of modernity and a claim to membership in Europe and the West. Eurovision is sometimes regarded as a low-brow camp spectacle of little aesthetic or intellectual value. The essays in this collection often contradict this assumption, demonstrating that the contest has actually been a significant force and forecaster for social, cultural and political transformations in postwar Europe.
    Abstract: Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of tables -- List of contributors -- General Editor's preface -- Additional reading and resources -- Introduction -- 1 Camping on the borders of Europe -- 2 Return to ethnicity: The cultural significance of musical change in the Eurovision Song Contest -- 3 Eurovision at 50: Post-Wall and Post-Stonewall -- 4 Chanson, canzone, Schlager, and song: Switzerland's identity struggle in the Eurovision Song Contest -- 5 Chasing the "magic formula" for success: Ralph Siegel and the Grand Prix Eurovision de la Chanson -- 6 Fernando, Filippo, and Milly: Bringing blackness to the Eurovision stage -- 7 Finland, zero points: Nationality, failure, and shame in the Finnish media -- 8 The socialist star: Yugoslavia, Cold War politics and the Eurovision Song Contest -- 9 Lithuanian contests and European dreams -- 10 "Russian body and soul": t.A.T.u. performs at Eurovision 2003 -- 11 Gay brotherhood: Israeli gay men and the Eurovision Song Contest -- 12 Articulating the historical moment: Turkey, Europe, and Eurovision 2003 -- 13 "Everyway that I can": Auto-Orientalism at Eurovision 2003 -- 14 Idol thoughts: Nationalism in the pan-Arab vocal competition Superstar -- 15 "Changing Japan, unchanging Japan": Shifting visions of the Red and White Song Contest -- Index
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  • 197
    ISBN: 9783476000903
    Language: German
    Pages: 1 Online-Ressource (VI, 323 Seiten)
    Parallel Title: Erscheint auch als 1968
    DDC: 301
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    Keywords: Studentenbewegung ; Kultur ; Kulturgeschichte ; Medien ; Medienberichterstattung ; Mediengeschichte ; Gegenkultur ; BRD ; Geschichte, 1968 ; Geschichte, 1960-1970 ; Alternativbewegung ; Vietnamkrieg ; Kommune 1 ; Subversive Aktion ; Subversion ; Öffentlichkeit ; fehlt ; Achtundsechziger ; Kultur ; Massenmedien ; Geschichte ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Achtundsechziger ; Kultur ; Geschichte ; Achtundsechziger ; Massenmedien ; Geschichte
    Note: Description based upon print version of record
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  • 198
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822389972 , 0822389975
    Language: English
    Pages: xv, 304 p , ill., music , 24 cm
    Series Statement: Refiguring American music
    DDC: 780.9
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    Keywords: Music / Social aspects ; Exoticism in music ; Music and globalization
    Abstract: Colonialism and imperialism. Colonialism, modernity, and music : preliminary notes on the rise of tonality and opera ; Peopling the stage : opera, otherness, and new musical representations in the Enlightenment ; The rise of imperialism and new forms of representation -- Globalization. Globalization as a cultural system ; Consumption, globalization, and music in the 1980s and after ; Some versions of difference : discourses of hybridity in transnational musics ; You can take "country" out of the country, but it will never be "world" ; World music in television ads -- Conclusions : selves/others, history, and culture
    Note: Includes bibliographical references (p. [261]-289) and index
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 199
    Online Resource
    Online Resource
    Berkeley : University of California Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780520940963
    Language: English
    Pages: 1 Online-Ressource (255 pages)
    Edition: 1st ed.
    DDC: 786.2165092
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    Keywords: Monk, Thelonious ; Biografie
    Abstract: Thelonious Monk (1917-1982) was one of jazz's greatest and most enigmatic figures. As a composer, pianist, and bandleader, Monk both extended the piano tradition known as Harlem stride and was at the center of modern jazz's creation during the 1940s, setting the stage for the experimentalism of the 1960s and '70s. This pathbreaking study combines cultural theory, biography, and musical analysis to shed new light on Monk's music and on the jazz canon itself. Gabriel Solis shows how the work of this stubbornly nonconformist composer emerged from the jazz world's fringes to find a central place in its canon. Solis reaches well beyond the usual life-and-times biography to address larger issues in jazz scholarship-ethnography and the role of memory in history's construction. He considers how Monk's stature has grown, from the narrowly focused wing of the avant-garde in the 1960s and '70s to the present, where he is claimed as an influence by musicians of all kinds. He looks at the ways musical lineages are created in the jazz world and, in the process, addresses the question of how musicians use performance itself to maintain, interpret, and debate the history of the musical tradition we call jazz.
    Note: Description based on publisher supplied metadata and other sources
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  • 200
    Online Resource
    Online Resource
    Bristol : [University Presses Marketing [distributor] | Minneapolis, Minn : University of Minnesota Press
    ISBN: 0816649944 , 0816649936 , 9780816649945 , 9780816649938
    Language: English
    Pages: Online-Ressource (x, 239 p) , ill., maps
    Edition: Online-Ausg. 2009 Electronic reproduction; Available via World Wide Web
    Parallel Title: Print version Psychedelic White : Goa Trance and the Viscosity of Race
    DDC: 305.80095478
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    Keywords: Whites Race identity ; Cultural geography ; Hallucinogenic drugs Social aspects ; Trance (Underground dance music) Social aspects ; Counterculture ; Tourists Social networks ; Counterculture ; India ; Anjuna ; Cultural geography ; India ; Anjuna ; Hallucinogenic drugs ; Social aspects ; India ; Anjuna ; Tourists ; Social networks ; India ; Anjuna ; Trance (Underground dance music) ; Social aspects ; India ; Anjuna ; Whites ; Race identity ; India ; Anjuna ; Electronic books
    Abstract: A rich ethnography, Psychedelic White explains how race plays out in Goa's white counterculture and grapples with how to make sense of racism when it is not supposed to be there. Challenging the prevailing conception of racial difference as a purely social construction and offering insights into the global underground music scene, Psychedelic White presents nothing less than a new materialist approach to race
    Description / Table of Contents: Contents; Preface; Ethnography as Thought; 1. Psychedelic Whiteness; 2. What Materialism?; 3. Tripping on India; The Researcher's Body; Viscosity; 4. Goa Freaks; 5. Drugs and Difference; 6. Trance, Dance, and the Trance-Dance; 7. The Psychopathology of Travel; The Trials of Transcendence; 8. Visual Economy; 9. Faces of Goa; 10. Zombie Beach; 11. Sunlight and Judgment; Purity as Machinic Effect; 12. The Politics of Location; 13. Cliques; 14. Noise, Narcotics, Law and Order; 15. Dealing with the Third World; When the Music's Over; 16. A Machinic Geography of Phenotype; 17. Freaking Whiteness
    Description / Table of Contents: The Molecular RevolutionAppendix: Field/Work; Notes; Index
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
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