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  • 1
    Online Resource
    Online Resource
    Florence : Taylor and Francis
    ISBN: 9781351218047
    Language: English
    Pages: 1 Online-Ressource (249 pages)
    Edition: 1st ed
    Series Statement: Ashgate Popular and Folk Music Series
    Parallel Title: Print version Peddie, Ian The Resisting Muse: Popular Music and Social Protest
    DDC: 306.48424
    Abstract: Cover -- Half Title -- Dedication -- Title -- Copyright -- Contents -- List of figures -- List of contributors -- General Editor's preface -- Acknowledgements -- Introduction -- Part One Politics and the Parameters of Protest -- 1 Rock protest songs: so many and so few -- 2 The decline and rebirth of folk-protest music -- 3 Available rebels and folk authenticities: Michelle Shocked and Billy Bragg -- 4 The pop star as politician: from Belafonte to Bono, from creativity to conscience -- Part Two Monophony or Polyphony? -- 5 The future is history: hip-hop in the aftermath of (post)modernity -- 6 Everyday people: popular music, race and the articulation and formation of class identity in the United States -- 7 Gender as anomaly: women in rap -- Part Three The Problems of Place -- 8 Protest Music as 'ego-enhancement': reggae music, the Rastafarian movement and the re-examination of race and identity in Jamaica -- 9 'We have survived': popular music as a representation of Australian Aboriginal cultural loss and reclamation -- 10 The bleak country? The Black Country and the rhetoric of escape -- Part Four The Paradox of Anti-Social Protest -- 11 Communities of resistance: heavy metal as a reinvention of social technology -- 12 The handmade tale: cassette-tapes, authorship, and the privatization of the Pacific Northwest independent music scene -- 13 Gothic music and the decadent individual -- 14 Straight, narrow and dull: the failure of protest in straight edge rock 'n' roll -- Bibliography -- Discography -- Index
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  • 2
    ISBN: 9781351548267
    Language: English
    Pages: 1 Online-Ressource (265 pages)
    Series Statement: Ashgate Popular and Folk Music
    Parallel Title: Print version Bloustien, Gerry "Sonic Synergies: Music, Technology, Community, Identity
    DDC: 306.4842
    Abstract: Cover -- Half Title -- Title -- Copyright -- Contents -- List of Figures -- List of Tables -- Notes on Contributors -- General Editor's Preface -- Acknowledgements -- Introduction -- PART 1 SHIFTING CONTEXTS -- Introduction to Part 1 -- 1 Music, Cities, and Cultural and Creative Industries Policy -- 2 Futures for Webcasting: Regulatory Approaches in Australia and the US -- 3 Postmusics -- 4 On the Fetish Character of Sound and the Progression of Technology: Theorizing Japanese Audiophiles -- 5 The Elvis Spectacle and the Culture Industry -- PART 2 PLACING MUSIC -- Introduction to Part 2 -- 6 Popular Music, Media and the Narrativization of Place -- 7 There's No There There -- 8 Ethnic and Social Differences in Music Behaviour in a Fragmented Berlin -- 9 'Dis is England's new voice': Anger, Activism & the Asian Dub Foundation -- 10 From Folk Devils to Folk Music: Tracing the Malay Heavy Metal Scene in Singapore -- 11 The Jamaican Dancehall Sound System as a Commercial and Social Apparatus -- PART 3 CREATING AGENCY -- Introduction to Part 3 -- 12 Use, Misuse and Abuse: Problems Surrounding Popular Music and its Young Performers -- 13 The Idol Audience: Judging, Interactivity and Entertainment -- 14 Risky Economies: Community-Based Organizations and the Music-Making Practices of Marginalized Youth -- 15 'Unalienated Labour' and Creative Industries: Situating Micro-Entrepreneurial Dance Music Subcultures in the New Economy -- 16 Up the Down Staircase: Grassroots Entrepreneurship in Young People's Music Practices -- Bibliography -- Index
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  • 3
    ISBN: 9781351545891
    Language: English
    Pages: 1 Online-Ressource (214 pages)
    Series Statement: Ashgate Popular and Folk Music
    Parallel Title: Print version Garnett, Liz The British Barbershopper : A Study in Socio-Musical Values
    DDC: 306.484230941
    Abstract: Cover -- Half Title -- Dedication -- Title Page -- Copyright Page -- Table of Contents -- List of Figures -- List of Music Examples -- Acknowledgements -- List of Abbreviations -- General Editor's Preface -- 1 Introduction: Barbershop singing in the UK -- 2 Ethics and aesthetics: The social theory of barbershop harmony -- 3 The procedures of preservation: Barbershop singing and the invention of tradition -- 4 Ridicule, religion, and the public image of barbershop -- 5 Separate but equal? Sexual politics in the barbershop -- 6 Performance mannerism and the amateur imagination -- 7 Tag-singing: The private face of barbershop -- 8 To 'be' a barbershopper: Theorizing music and self-identity -- 9 Conclusion: Beyond barbershop -- Glossary -- Bibliography -- Index
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  • 4
    ISBN: 9780754683155
    Language: English
    Pages: 1 Online-Ressource (268 pages)
    Series Statement: Ashgate Popular and Folk Music Ser.
    DDC: 306.48423
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    Keywords: Musik ; Gesellschaft ; Popmusik ; Popkultur ; Identität ; Politik ; Globalisierung ; Aufsatzsammlung
    Abstract: How are national identities constructed and articulated through music? Popular music has long been associated with political dissent, and the nation state has consistently demonstrated a determination to seek out and procure for itself a stake in the management of 'its' popular musics. Similarly, popular musics have been used 'from the ground up' as sites for both populist and popular critiques of nationalist sentiment, from the position of both a globalizing and a 'local' vernacular culture. The contributions in this book arrive at a critical moment in the development of the study of national cultures and musicology. The book ranges from considerations of the ideological focus of cultural nationalism through to analyses of musical hybridity and musical articulations of other kinds of identities at odds with national identity. The processes of global homogenization are thereby shown to have brought about a transitional crisis for national cultural identities: the evolution of these identities, particularly with reference to the concept of 'authenticity' in music, is situated within broader debates on power, political economy and constructions of the self. Theorizations of practice are employed after the manner of Bourdieu, Gramsci, Goffman, Gadamer, Habermas, Bhabha, Lacan and Zizek. Each contribution acts as a case study to characterize the strategies through which differing modes of musical discourse engage, critique or obscure discourses on national identity. The studies include discussions of: musical representations of Irishness; the relationship between Afropop and World Music; Norwegian club music; the revival of traditional music in Serbia; resistance to cultural homogeneity in Brazil; contemporary Uyghur song in Northwest China; rap and race in French society; technobanda from the barrios of Los Angeles, and Spanish/Moroccan raï. In...
    Abstract: this way, the book seeks to characterize the ideological configurations that help to activate and sustain hegemonic, amb.
    Note: Description based on publisher supplied metadata and other sources
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  • 5
    Online Resource
    Online Resource
    Florence : Taylor and Francis | Ann Arbor, Michigan : ProQuest
    ISBN: 9781351218412
    Language: English
    Pages: 1 Online-Ressource (263 pages)
    Edition: 1st ed.
    Series Statement: Ashgate Popular and Folk Music Series
    DDC: 307.76
    RVK:
    Note: Description based on publisher supplied metadata and other sources
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